The Haunted House of Ludington: A Christmas Ghost Story

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All year round, the residents of the House in Ludington, seem to be plagued by the ghost waking them up from their sleep and watching them from the rocking chair. Around Christmas time, the ghost is said to be the one placing the Christmas Angel on the Christmas Tree. 

In the seemingly quiet and picturesque town of Ludington, Michigan, lies a house shrouded in mystery and ghostly legends. While its exact address is kept secret to protect the privacy of its current residents, this haunted house has been the subject of local lore since the early 1980s. Over the years, tales of eerie occurrences and supernatural events have transformed this unassuming home into a focal point of spine-chilling fascination.

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Ludington, named after James Ludington after developing the logging operations in the village, is a a small town of the Great Lakes at Lake Michigan with pristine beaches, historic lighthouses an forests were people have come for fishing since Colonial times. There are many locations for a ghost story, but there is one house said to have experienced a haunting around Christmas.

Ludington Michigan: Spray towers over the 57-foot-tall Ludington Lighthouse in Michigan as a storm packing winds of up to 81 mph howled across the Midwest and South on Tuesday, Oct. 26. // Source: Jeff Kiessel, Ludington Daily News. Flickr

The Phantom Footsteps

The most persistent and unnerving phenomenon reported by the house’s owners is the sound of creaking stairs. Every morning at precisely 5:15, the unmistakable noise of footsteps ascending the staircase echoes through the silent halls. Despite thorough investigations and countless sleepless nights by the residents, no physical presence has ever been found. This daily occurrence has become a ghostly alarm clock, signaling the presence of an unseen visitor.

Does it still happen? We have not heard otherwise, although, because of the privacy of the residents, there is not much details and facts to go on and the story as found is from the book: Haunted Christmas: Yuletide Ghosts and Other Spooky Holiday Happenings By Mary Beth Crain from 2009

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Another chilling aspect of this haunted house is the sensation of being watched. The owners often report feeling an intense gaze emanating from the corner of the living room, where antique rocking chairs sit. These chairs have been known to rock gently on their own, as if someone or something is quietly observing from a bygone era. The eerie creaking of the chairs as they move by themselves adds to the house’s unsettling atmosphere.

The Christmas Haunting

One of the most intriguing and seasonal phenomena in the haunted house of Ludington occurs every Christmas, a time for quiet and joy for others, but a haunting experience for the residence. The owners meticulously decorate their tree, placing the angel at the top as the final touch as in most houses in America. However, each year, without fail, the angel is mysteriously repositioned. No one has ever seen it happen, but each morning, the angel sits perfectly atop the tree, as if placed by an invisible hand, before the residents themselves get a chance to put it on top.

Read More: Check out all ghost stories from Christmas Season

Local gossip and old neighborhood tales provide a clue to this particular haunting. Decades ago, a kindly neighbor had made it a tradition to climb a ladder and place the angel on the Christmas tree for the owners of the house. Why? As an acto of kindness? As a prank? 

This annual act continued until the neighbor’s death. Strangely enough, it was after his passing that the angel began to appear on the tree by itself, leading many to believe that his spirit continues the tradition from beyond the grave.

The Christmas Angel: Put on the top of the tree, the Christmas Angel seems to be haunted as it seems to get there by itself. Could it be the ghost of a past resident or perhaps a neighbor putting it there as a ghost?

A Brief History of Christmas Trees

The tradition of decorating Christmas trees dates back to the 16th century in Germany, where devout Christians would bring decorated trees into their homes. This came from an even older pre-christian tradition in Europe of the Yuletide and midwinter celebration for the pagans. 

The custom spread across Europe and eventually to America, where it became an integral part of the holiday season. The act of placing an angel or star atop the tree symbolizes the Archangel Gabriel or the Star of Bethlehem, guiding the wise men to the birthplace of Jesus. In the haunted house of Ludington, this tradition has taken on a supernatural twist, blending holiday cheer with eerie mystery.

The Haunting of House of Ludington

The haunted house of Ludington, with its spectral footsteps, self-rocking chairs, and mysteriously moving furniture, offers a captivating glimpse into the supernatural. The annual Christmas haunting, where an unseen hand places the angel atop the tree, adds a poignant and ghostly touch to the festive season. Whether it’s the spirit of a benevolent neighbor or a lingering echo of the past, the ghostly presence in this house ensures that Christmas in Ludington is a season of both wonder and spine-tingling mystery.

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References:

https://www.google.com/books/edition/Haunted_Christmas/bmspe3bb7ggC?hl=en&gbpv=1&dq=the+old+ludington+victorian+reportedly&pg=PA120&printsec=frontcover 

Ludington, Michigan – Wikipedia

The Dead Sexton by Joseph Sheridan Le Fanu

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In this chilling tale by J. S Le Fanu, the death of a corrupt church sexton on Christmas Eve unleashes supernatural events in his churchyard—as though his spirit lingers, disrupting the holy peace. First published in 1871.

The Dead Sexton — J.S. Le Fanu

The sunsets were red, the nights were long, and the weather pleasantly frosty; and Christmas, the glorious herald of the New Year, was at hand, when an event—still recounted by winter firesides, with a horror made delightful by the mellowing influence of years—occurred in the beautiful little town of Golden Friars, and signalized, as the scene of its catastrophe, the old inn known throughout a wide region of the Northumbrian counties as the George and Dragon.

Toby Crooke, the sexton, was lying dead in the old coach-house in the inn yard. The body had been discovered, only half an hour before this story begins, under strange circumstances, and in a place where it might have lain the better part of a week undisturbed; and a dreadful suspicion astounded the village of Golden Friars.

A wintry sunset was glaring through a gorge of the western mountains, turning into fire the twigs of the leafless elms, and all the tiny blades of grass on the green by which the quaint little town is surrounded. It is built of light, grey stone, with steep gables and slender chimneys rising with airy lightness from the level sward by the margin of the beautiful lake, and backed by the grand amphitheatre of the fells at the other side, whose snowy peaks show faintly against the sky, tinged with the vaporous red of the western light. As you descend towards the margin of the lake, and see Golden Friars, its taper chimneys and slender gables, its curious old inn and gorgeous sign, and over all the graceful tower and spire of the ancient church, at this hour or by moonlight, in the solemn grandeur and stillness of the natural scenery that surrounds it, it stands before you like a fairy town.

Toby Crooke, the lank sexton, now fifty or upwards, had passed an hour or two with some village cronies, over a solemn pot of purl, in the kitchen of that cosy hostelry, the night before. He generally turned in there at about seven o’clock, and heard the news. This contented him: for he talked little, and looked always surly.

Many things are now raked up and talked over about him.

In early youth, he had been a bit of a scamp. He broke his indentures, and ran away from his master, the tanner of Bryemere; he had got into fifty bad scrapes and out again; and, just as the little world of Golden Friars had come to the conclusion that it would be well for all parties—except, perhaps, himself—and a happy riddance for his afflicted mother, if he were sunk, with a gross of quart pots about his neck, in the bottom of the lake in which the grey gables, the elms, and the towering fells of Golden Friars are mirrored, he suddenly returned, a reformed man at the ripe age of forty.

For twelve years he had disappeared, and no one knew what had become of him. Then, suddenly, as I say, he reappeared at Golden Friars—a very black and silent man, sedate and orderly. His mother was dead and buried; but the “prodigal son” was received good-naturedly. The good vicar, Doctor Jenner, reported to his wife:

“His hard heart has been softened, dear Dolly. I saw him dry his eyes, poor fellow, at the sermon yesterday.”

“I don’t wonder, Hugh darling. I know the part—’There is joy in Heaven.’ I am sure it was—wasn’t it? It was quite beautiful. I almost cried myself.”

The Vicar laughed gently, and stooped over her chair and kissed her, and patted her cheek fondly.

“You think too well of your old man’s sermons,” he said. “I preach, you see, Dolly, very much to the poor. If they understand me, I am pretty sure everyone else must; and I think that my simple style goes more home to both feelings and conscience—”

“You ought to have told me of his crying before. You are so eloquent,” exclaimed Dolly Jenner. “No one preaches like my man. I have never heard such sermons.”

Not many, we may be sure; for the good lady had not heard more than six from any other divine for the last twenty years.

The personages of Golden Friars talked Toby Crooke over on his return. Doctor Lincote said:

“He must have led a hard life; he had dried in so, and got a good deal of hard muscle; and he rather fancied he had been soldiering—he stood like a soldier; and the mark over his right eye looked like a gunshot.”

People might wonder how he could have survived a gunshot over the eye; but was not Lincote a doctor—and an army doctor to boot—when he was young; and who, in Golden Friars, could dispute with him on points of surgery? And I believe the truth is, that this mark had been really made by a pistol bullet.

Mr. Jarlcot, the attorney, would “go bail” he had picked up some sense in his travels; and honest Turnbull, the host of the George and Dragon, said heartily:

“We must look out something for him to put his hand to. Now’s the time to make a man of him.”

The end of it was that he became, among other things, the sexton of Golden Friars.

He was a punctual sexton. He meddled with no other person’s business; but he was a silent man, and by no means popular. He was reserved in company; and he used to walk alone by the shore of the lake, while other fellows played at fives or skittles; and when he visited the kitchen of the George, he had his liquor to himself, and in the midst of the general talk was a saturnine listener. There was something sinister in this man’s face; and when things went wrong with him, he could look dangerous enough.

There were whispered stories in Golden Friars about Toby Crooke. Nobody could say how they got there. Nothing is more mysterious than the spread of rumour. It is like a vial poured on the air. It travels, like an epidemic, on the sightless currents of the atmosphere, or by the laws of a telluric influence equally intangible. These stories treated, though darkly, of the long period of his absence from his native village; but they took no well-defined shape, and no one could refer them to any authentic source.

The Vicar’s charity was of the kind that thinketh no evil; and in such cases he always insisted on proof. Crooke was, of course, undisturbed in his office.

On the evening before the tragedy came to light—trifles are always remembered after the catastrophe—a boy, returning along the margin of the mere, passed him by seated on a prostrate trunk of a tree, under the “bield” of a rock, counting silver money. His lean body and limbs were bent together, his knees were up to his chin, and his long fingers were telling the coins over hurriedly in the hollow of his other hand. He glanced at the boy, as the old English saying is, like “the devil looking over Lincoln.” But a black and sour look from Mr. Crooke, who never had a smile for a child nor a greeting for a wayfarer, was nothing strange.

Toby Crooke lived in the grey stone house, cold and narrow, that stands near the church porch, with the window of its staircase looking out into the churchyard, where so much of his labour, for many a day, had been expended. The greater part of this house was untenanted.

The old woman who was in charge of it slept in a settle-bed, among broken stools, old sacks, rotten chests and other rattle-traps, in the small room at the rear of the house, floored with tiles.

At what time of the night she could not tell, she awoke, and saw a man, with his hat on, in her room. He had a candle in his hand, which he shaded with his coat from her eye; his back was towards her, and he was rummaging in the drawer in which she usually kept her money.

Having got her quarter’s pension of two pounds that day, however, she had placed it, folded in a rag, in the corner of her tea caddy, and locked it up in the “eat-malison” or cupboard.

She was frightened when she saw the figure in her room, and she could not tell whether her visitor might not have made his entrance from the contiguous churchyard. So, sitting bolt upright in her bed, her grey hair almost lifting her kerchief off her head, and all over in “a fit o’ t’ creepins,” as she expressed it, she demanded:

“In God’s name, what want ye thar?”

“Whar’s the peppermint ye used to hev by ye, woman? I’m bad wi’ an inward pain.”

“It’s all gane a month sin’,” she answered; and offered to make him a “het” drink if he’d get to his room.

But he said:

“Never mind, I’ll try a mouthful o’ gin.”

And, turning on his heel, he left her.

In the morning the sexton was gone. Not only in his lodging was there no account of him, but, when inquiry began to be extended, nowhere in the village of Golden Friars could he be found.

Still he might have gone off, on business of his own, to some distant village, before the town was stirring; and the sexton had no near kindred to trouble their heads about him. People, therefore, were willing to wait, and take his return ultimately for granted.

At three o’clock the good Vicar, standing at his hall door, looking across the lake towards the noble fells that rise, steep and furrowed, from that beautiful mere, saw two men approaching across the green, in a straight line, from a boat that was moored at the water’s edge. They were carrying between them something which, though not very large, seemed ponderous.

“Ye’ll ken this, sir,” said one of the boatmen as they set down, almost at his feet, a small church bell, such as in old-fashioned chimes yields the treble notes.

“This won’t be less nor five stean. I ween it’s fra’ the church steeple yon.”

“What! one of our church bells?” ejaculated the Vicar—for a moment lost in horrible amazement. “Oh, no!—no, that can’t possibly be! Where did you find it?”

He had found the boat, in the morning, moored about fifty yards from her moorings where he had left it the night before, and could not think how that came to pass; and now, as he and his partner were about to take their oars, they discovered this bell in the bottom of the boat, under a bit of canvas, also the sexton’s pick and spade—”tom-spey’ad,” they termed that peculiar, broad-bladed implement.

“Very extraordinary! We must try whether there is a bell missing from the tower,” said the Vicar, getting into a fuss. “Has Crooke come back yet? Does anyone know where he is?”

The sexton had not yet turned up.

“That’s odd—that’s provoking,” said the Vicar. “However, my key will let us in. Place the bell in the hall while I get it; and then we can see what all this means.”

To the church, accordingly, they went, the Vicar leading the way, with his own key in his hand. He turned it in the lock, and stood in the shadow of the ground porch, and shut the door.

A sack, half full, lay on the ground, with open mouth, a piece of cord lying beside it. Something clanked within it as one of the men shoved it aside with his clumsy shoe.

The Vicar opened the church door and peeped in. The dusky glow from the western sky, entering through a narrow window, illuminated the shafts and arches, the old oak carvings, and the discoloured monuments, with the melancholy glare of a dying fire.

The Vicar withdrew his head and closed the door. The gloom of the porch was deeper than ever as, stooping, he entered the narrow door that opened at the foot of the winding stair that leads to the first loft; from which a rude ladder-stair of wood, some five and twenty feet in height, mounts through a trap to the ringers’ loft.

Up the narrow stairs the Vicar climbed, followed by his attendants, to the first loft. It was very dark: a narrow bow-slit in the thick wall admitted the only light they had to guide them. The ivy leaves, seen from the deep shadow, flashed and flickered redly, and the sparrows twittered among them.

“Will one of you be so good as to go up and count the bells, and see if they are all right?” said the Vicar. “There should be—”

“Agoy! what’s that?” exclaimed one of the men, recoiling from the foot of the ladder.

“By Jen!” ejaculated the other, in equal surprise.

“Good gracious!” gasped the Vicar, who, seeing indistinctly a dark mass lying on the floor, had stooped to examine it, and placed his hand upon a cold, dead face.

The men drew the body into the streak of light that traversed the floor.

It was the corpse of Toby Crooke! There was a frightful scar across his forehead.

The alarm was given. Doctor Lincote, and Mr. Jarlcot, and Turnbull, of the George and Dragon, were on the spot immediately; and many curious and horrified spectators of minor importance.

The first thing ascertained was that the man must have been many hours dead. The next was that his skull was fractured, across the forehead, by an awful blow. The next was that his neck was broken.

His hat was found on the floor, where he had probably laid it, with his handkerchief in it.

The mystery now began to clear a little; for a bell—one of the chime hung in the tower—was found where it had rolled to, against the wall, with blood and hair on the rim of it, which corresponded with the grizzly fracture across the front of his head.

The sack that lay in the vestibule was examined, and found to contain all the church plate; a silver salver that had disappeared, about a month before, from Dr. Lincote’s store of valuables; the Vicar’s gold pencil-case, which he thought he had forgot in the vestry book; silver spoons, and various other contributions, levied from time to time off a dozen different households, the mysterious disappearance of which spoils had, of late years, begun to make the honest little community uncomfortable. Two bells had been taken down from the chime; and now the shrewd part of the assemblage, putting things together, began to comprehend the nefarious plans of the sexton, who lay mangled and dead on the floor of the tower, where only two days ago he had tolled the holy bell to call the good Christians of Golden Friars to worship.

The body was carried into the yard of the George and Dragon and laid in the old coach-house; and the townsfolk came grouping in to have a peep at the corpse, and stood round, looking darkly, and talking as low as if they were in a church.

The Vicar, in gaiters and slightly shovel hat, stood erect, as one in a little circle of notables—the doctor, the attorney, Sir Geoffrey Mardykes, who happened to be in the town, and Turnbull, the host—in the centre of the paved yard, they having made an inspection of the body, at which troops of the village stragglers, to-ing and fro-ing, were gaping and frowning as they whispered their horrible conjectures.

“What d’ye think o’ that?” said Tom Scales, the old hostler of the George, looking pale, with a stern, faint smile on his lips, as he and Dick Linklin sauntered out of the coach-house together.

“The deaul will hev his ain noo,” answered Dick, in his friend’s ear. “T’ sexton’s got a craigthraw like he gav’ the lass over the clints of Scarsdale; ye mind what the ald soger telt us when he hid his face in the kitchen of the George here? By Jen! I’ll ne’er forget that story.”

“I ween ’twas all true enough,” replied the hostler; “and the sizzup he gav’ the sleepin’ man wi’ t’ poker across the forehead. See whar the edge o’ t’ bell took him, and smashed his ain, the self-same lids. By ma sang, I wonder the deaul did na carry awa’ his corpse i’ the night, as he did wi’ Tam Lunder’s at Mooltern Mill.”

“Hout, man, who ever sid t’ deaul inside o’ a church?”

“The corpse is ill-faur’d enew to scare Satan himsel’, for that matter; though it’s true what you say. Ay, ye’re reet tul a trippet, thar; for Beelzebub dar’n’t show his snout inside the church, not the length o’ the black o’ my nail.”

While this discussion was going on, the gentlefolk who were talking the matter over in the centre of the yard had dispatched a message for the coroner all the way to the town of Hextan.

The last tint of sunset was fading from the sky by this time; so, of course, there was no thought of an inquest earlier than next day.

In the meantime it was horribly clear that the sexton had intended to rob the church of its plate, and had lost his life in the attempt to carry the second bell, as we have seen, down the worn ladder of the tower. He had tumbled backwards and broken his neck upon the floor of the loft; and the heavy bell, in its fall, descended with its edge across his forehead.

Never was a man more completely killed by a double catastrophe, in a moment.

The bells and the contents of the sack, it was surmised, he meant to have conveyed across the lake that night, and with the help of his spade and pick to have buried them in Clousted Forest, and returned, after an absence of but a few hours—as he easily might—before morning, unmissed and unobserved. He would no doubt, having secured his booty, have made such arrangements as would have made it appear that the church had been broken into. He would, of course, have taken all measures to divert suspicion from himself, and have watched a suitable opportunity to repossess himself of the buried treasure and dispose of it in safety.

[Illustration: It was the corpse of Toby Crooke!]

And now came out, into sharp relief, all the stories that had, one way or other, stolen after him into the town. Old Mrs. Pullen fainted when she saw him, and told Doctor Lincote, after, that she thought he was the highwayman who fired the shot that killed the coachman the night they were robbed on Hounslow Heath. There were the stories also told by the wayfaring old soldier with the wooden leg, and fifty others, up to this more than half disregarded, but which now seized on the popular belief with a startling grasp.

The fleeting light soon expired, and twilight was succeeded by the early night.

The inn yard gradually became quiet; and the dead sexton lay alone, in the dark, on his back, locked up in the old coach-house, the key of which was safe in the pocket of Tom Scales, the trusty old hostler of the George.

It was about eight o’clock, and the hostler, standing alone on the road in the front of the open door of the George and Dragon, had just smoked his pipe out. A bright moon hung in the frosty sky. The fells rose from the opposite edge of the lake like phantom mountains. The air was stirless. Through the boughs and sprays of the leafless elms no sigh or motion, however hushed, was audible. Not a ripple glimmered on the lake, which at one point only reflected the brilliant moon from its dark blue expanse like burnished steel. The road that runs by the inn door, along the margin of the lake, shone dazzlingly white.

White as ghosts, among the dark holly and juniper, stood the tall piers of the Vicar’s gate, and their great stone balls, like heads, overlooking the same road, a few hundred yards up the lake, to the left. The early little town of Golden Friars was quiet by this time. Except for the townsfolk who were now collected in the kitchen of the inn itself, no inhabitant was now outside his own threshold.

Tom Scales was thinking of turning in. He was beginning to fell a little queer. He was thinking of the sexton, and could not get the fixed features of the dead man out of his head, when he heard the sharp though distant ring of a horse’s hoof upon the frozen road. Tom’s instinct apprized him of the approach of a guest to the George and Dragon. His experienced ear told him that the horseman was approaching by the Dardale road, which, after crossing that wide and dismal moss, passes the southern fells by Dunner Cleugh and finally enters the town of Golden Friars by joining the Mardykes road, at the edge of the lake, close to the gate of the Vicar’s house.

A clump of tall trees stood at this point; but the moon shone full upon the road and cast their shadow backward.

The hoofs were plainly coming at a gallop, with a hollow rattle. The horseman was a long time in appearing. Tom wondered how he had heard the sound—so sharply frosty as the air was—so very far away.

He was right in his guess. The visitor was coming over the mountainous road from Dardale Moss; and he now saw a horseman, who must have turned the corner of the Vicar’s house at the moment when his eye was wearied; for when he saw him for the first time he was advancing, in the hazy moonlight, like the shadow of a cavalier, at a gallop, upon the level strip of road that skirts the margin of the mere, between the George and the Vicar’s piers.

The hostler had not long to wonder why the rider pushed his beast at so furious a pace, and how he came to have heard him, as he now calculated, at least three miles away. A very few moments sufficed to bring horse and rider to the inn door.

It was a powerful black horse, something like the great Irish hunter that figured a hundred years ago, and would carry sixteen stone with ease across country. It would have made a grand charger. Not a hair turned. It snorted, it pawed, it arched its neck; then threw back its ears and down its head, and looked ready to lash, and then to rear; and seemed impatient to be off again, and incapable of standing quiet for a moment.The rider got down
As light as shadow falls.

But he was a tall, sinewy figure. He wore a cape or short mantle, a cocked hat, and a pair of jack-boots, such as held their ground in some primitive corners of England almost to the close of the last century.

“Take him, lad,” said he to old Scales. “You need not walk or wisp him—he never sweats or tires. Give him his oats, and let him take his own time to eat them. House!” cried the stranger—in the old-fashioned form of summons which still lingered, at that time, in out-of-the-way places—in a deep and piercing voice.

As Tom Scales led the horse away to the stables it turned its head towards its master with a short, shill neigh.

“About your business, old gentleman—we must not go too fast,” the stranger cried back again to his horse, with a laugh as harsh and piercing; and he strode into the house.

The hostler led this horse into the inn yard. In passing, it sidled up to the coach-house gate, within which lay the dead sexton—snorted, pawed and lowered its head suddenly, with ear close to the plank, as if listening for a sound from within; then uttered again the same short, piercing neigh.

The hostler was chilled at this mysterious coquetry with the dead. He liked the brute less and less every minute.

In the meantime, its master had proceeded.

“I’ll go to the inn kitchen,” he said, in his startling bass, to the drawer who met him in the passage.

And on he went, as if he had known the place all his days: not seeming to hurry himself—stepping leisurely, the servant thought—but gliding on at such a rate, nevertheless, that he had passed his guide and was in the kitchen of the George before the drawer had got much more than half-way to it.

A roaring fire of dry wood, peat and coal lighted up this snug but spacious apartment—flashing on pots and pans, and dressers high-piled with pewter plates and dishes; and making the uncertain shadows of the long “hanks” of onions and many a flitch and ham, depending from the ceiling, dance on its glowing surface.

The doctor and the attorney, even Sir Geoffrey Mardykes, did not disdain on this occasion to take chairs and smoke their pipes by the kitchen fire, where they were in the thick of the gossip and discussion excited by the terrible event.

The tall stranger entered uninvited.

He looked like a gaunt, athletic Spaniard of forty, burned half black in the sun, with a bony, flattened nose. A pair of fierce black eyes were just visible under the edge of his hat; and his mouth seemed divided, beneath the moustache, by the deep scar of a hare-lip.

Sir Geoffrey Mardykes and the host of the George, aided by the doctor and the attorney, were discussing and arranging, for the third or fourth time, their theories about the death and the probable plans of Toby Crooke, when the stranger entered.

The new-comer lifted his hat, with a sort of smile, for a moment from his black head.

“What do you call this place, gentlemen?” asked the stranger.

“The town of Golden Friars, sir,” answered the doctor politely.

“The George and Dragon, sir: Anthony Turnbull, at your service,” answered mine host, with a solemn bow, at the same moment—so that the two voices went together, as if the doctor and the innkeeper were singing a catch.

“The George and the Dragon,” repeated the horseman, expanding his long hands over the fire which he had approached. “Saint George, King George, the Dragon, the Devil: it is a very grand idol, that outside your door, sir. You catch all sorts of worshippers—courtiers, fanatics, scamps: all’s fish, eh? Everybody welcome, provided he drinks like one. Suppose you brew a bowl or two of punch. I’ll stand it. How many are we? Here—count, and let us have enough. Gentlemen, I mean to spend the night here, and my horse is in the stable. What holiday, fun, or fair has got so many pleasant faces together? When I last called here—for, now I bethink me, I have seen the place before—you all looked sad. It was on a Sunday, that dismalest of holidays; and it would have been positively melancholy only that your sexton—that saint upon earth—Mr. Crooke, was here.” He was looking round, over his shoulder, and added: “Ha! don’t I see him there?”

Frightened a good deal were some of the company. All gaped in the direction in which, with a nod, he turned his eyes.

“He’s not thar—he can’t be thar—we see he’s not thar,” said Turnbull, as dogmatically as old Joe Willet might have delivered himself—for he did not care that the George should earn the reputation of a haunted house. “He’s met an accident, sir: he’s dead—he’s elsewhere—and therefore can’t be here.”

Upon this the company entertained the stranger with the narrative—which they made easy by a division of labour, two or three generally speaking at a time, and no one being permitted to finish a second sentence without finding himself corrected and supplanted.

“The man’s in Heaven, so sure as you’re not,” said the traveller so soon as the story was ended. “What! he was fiddling with the church bell, was he, and d——d for that—eh? Landlord, get us some drink. A sexton d——d for pulling down a church bell he has been pulling at for ten years!”

“You came, sir, by the Dardale-road, I believe?” said the doctor (village folk are curious). “A dismal moss is Dardale Moss, sir; and a bleak clim’ up the fells on t’ other side.”

“I say ‘Yes’ to all—from Dardale Moss, as black as pitch and as rotten as the grave, up that zigzag wall you call a road, that looks like chalk in the moonlight, through Dunner Cleugh, as dark as a coal-pit, and down here to the George and the Dragon, where you have a roaring fire, wise men, good punch—here it is—and a corpse in your coach-house. Where the carcase is, there will the eagles be gathered together. Come, landlord, ladle out the nectar. Drink, gentlemen—drink, all. Brew another bowl at the bar. How divinely it stinks of alcohol! I hope you like it, gentlemen: it smells all over of spices, like a mummy. Drink, friends. Ladle, landlord. Drink, all. Serve it out.”

The guest fumbled in his pocket, and produced three guineas, which he slipped into Turnbull’s fat palm.

“Let punch flow till that’s out. I’m an old friend of the house. I call here, back and forward. I know you well, Turnbull, though you don’t recognize me.”

“You have the advantage of me, sir,” said Mr. Turnbull, looking hard on that dark and sinister countenance—which, or the like of which, he could have sworn he had never seen before in his life. But he liked the weight and colour of his guineas, as he dropped them into his pocket. “I hope you will find yourself comfortable while you stay.”

“You have given me a bedroom?”

“Yes, sir—the cedar chamber.”

“I know it—the very thing. No—no punch for me. By and by, perhaps.”

The talk went on, but the stranger had grown silent. He had seated himself on an oak bench by the fire, towards which he extended his feet and hands with seeming enjoyment; his cocked hat being, however, a little over his face.

Gradually the company began to thin. Sir Geoffrey Mardykes was the first to go; then some of the humbler townsfolk. The last bowl of punch was on its last legs. The stranger walked into the passage and said to the drawer:

“Fetch me a lantern. I must see my nag. Light it—hey! That will do. No—you need not come.”

The gaunt traveller took it from the man’s hand and strode along the passage to the door of the stableyard, which he opened and passed out.

Tom Scales, standing on the pavement, was looking through the stable window at the horses when the stranger plucked his shirtsleeve. With an inward shock the hostler found himself alone in presence of the very person he had been thinking of.

“I say—they tell me you have something to look at in there”—he pointed with his thumb at the old coach-house door. “Let us have a peep.”

Tom Scales happened to be at that moment in a state of mind highly favourable to anyone in search of a submissive instrument. He was in great perplexity, and even perturbation. He suffered the stranger to lead him to the coach-house gate.

“You must come in and hold the lantern,” said he. “I’ll pay you handsomely.”

The old hostler applied his key and removed the padlock.

“What are you afraid of? Step in and throw the light on his face,” said the stranger grimly. “Throw open the lantern: stand there. Stoop over him a little—he won’t bite you. Steady, or you may pass the night with him!”

***

In the meantime the company at the George had dispersed; and, shortly after, Anthony Turnbull—who, like a good landlord, was always last in bed, and first up, in his house—was taking, alone, his last look round the kitchen before making his final visit to the stable-yard, when Tom Scales tottered into the kitchen, looking like death, his hair standing upright; and he sat down on an oak chair, all in a tremble, wiped his forehead with his hand, and, instead of speaking, heaved a great sigh or two.

It was not till after he had swallowed a dram of brandy that he found his voice, and said:

“We’ve the deaul himsel’ in t’ house! By Jen! ye’d best send fo t’ sir” (the clergyman). “Happen he’ll tak him in hand wi’ holy writ, and send him elsewhidder deftly. Lord atween us and harm! I’m a sinfu’ man. I tell ye, Mr. Turnbull, I dar’ n’t stop in t’ George to-night under the same roof wi’ him.”

“Ye mean the ra-beyoned, black-feyaced lad, wi’ the brocken neb? Why, that’s a gentleman wi’ a pocket ful o’ guineas, man, and a horse worth fifty pounds!”

“That horse is no better nor his rider. The nags that were in the stable wi’ him, they all tuk the creepins, and sweated like rain down a thack. I tuk them all out o’ that, away from him, into the hack-stable, and I thocht I cud never get them past him. But that’s not all. When I was keekin inta t’ winda at the nags, he comes behint me and claps his claw on ma shouther, and he gars me gang wi’ him, and open the aad coach-house door, and haad the cannle for him, till he pearked into the deed man’t feyace; and, as God’s my judge, I sid the corpse open its eyes and wark its mouth, like a man smoorin’ and strivin’ to talk. I cudna move or say a word, though I felt my hair rising on my heed; but at lang-last I gev a yelloch, and say I, ‘La! what is that?’ And he himsel’ looked round on me, like the devil he is; and, wi’ a skirl o’ a laugh, he strikes the lantern out o’ my hand. When I cum to myself we were outside the coach-house door. The moon was shinin’ in, ad I cud see the corpse stretched on the table whar we left it; and he kicked the door to wi’ a purr o’ his foot. ‘Lock it,’ says he; and so I did. And here’s the key for ye—tak it yoursel’, sir. He offer’d me money: he said he’d mak me a rich man if I’d sell him the corpse, and help him awa’ wi’ it.”

“Hout, man! What cud he want o’ t’ corpse? He’s not doctor, to do a’ that lids. He was takin’ a rise out o’ ye, lad,” said Turnbull.

“Na, na—he wants the corpse. There’s summat you a’ me can’t tell he wants to do wi’ ‘t; and he’d liefer get it wi’ sin and thievin’, and the damage of my soul. He’s one of them freytens a boo or a dobbies off Dardale Moss, that’s always astir wi’ the like after nightfall; unless—Lord save us!—he be the deaul himsel.'”

“Whar is he noo?” asked the landlord, who was growing uncomfortable.

“He spang’d up the back stair to his room. I wonder you didn’t hear him trampin’ like a wild horse; and he clapt his door that the house shook again—but Lord knows whar he is noo. Let us gang awa’s up to the Vicar’s, and gan him come down, and talk wi’ him.”

“Hoity toity, man—you’re too easy scared,” said the landlord, pale enough by this time. “‘Twould be a fine thing, truly, to send abroad that the house was haunted by the deaul himsel’! Why, ‘twould be the ruin o’ the George. You’re sure ye locked the door on the corpse?”

“Aye, sir—sartain.”

“Come wi’ me, Tom—we’ll gi’ a last look round the yard.”

So, side by side, with many a jealous look right and left, and over their shoulders, they went in silence. On entering the old-fashioned quadrangle, surrounded by stables and other offices—built in the antique cagework fashion—they stopped for a while under the shadow of the inn gable, and looked round the yard, and listened. All was silent—nothing stirring.

The stable lantern was lighted; and with it in his hand Tony Turnbull, holding Tom Scales by the shoulder, advanced. He hauled Tom after him for a step or two; then stood still and shoved him before him for a step or two more; and thus cautiously—as a pair of skirmishers under fire—they approached the coach-house door.

“There, ye see—all safe,” whispered Tom, pointing to the lock, which hung—distinct in the moonlight—in its place. “Cum back, I say!”

“Cum on, say I!” retorted the landlord valorously. “It would never do to allow any tricks to be played with the chap in there”—he pointed to the coachhouse door.

“The coroner here in the morning, and never a corpse to sit on!” He unlocked the padlock with these words, having handed the lantern to Tom. “Here, keck in, Tom,” he continued; “ye hev the lantern—and see if all’s as ye left it.”

“Not me—na, not for the George and a’ that’s in it!” said Tom, with a shudder, sternly, as he took a step backward.

“What the—what are ye afraid on? Gi’ me the lantern—it is all one: I will.”

And cautiously, little by little, he opened the door; and, holding the lantern over his head in the narrow slit, he peeped in—frowning and pale—with one eye, as if he expected something to fly in his face. He closed the door without speaking, and locked it again.

“As safe as a thief in a mill,” he whispered with a nod to his companion. And at that moment a harsh laugh overhead broke the silence startlingly, and set all the poultry in the yard gabbling.

“Thar he be!” said Tom, clutching the landlord’s arm—”in the winda—see!”

The window of the cedar-room, up two pair of stairs, was open; and in the shadow a darker outline was visible of a man, with his elbows on the window-stone, looking down upon them.

“Look at his eyes—like two live coals!” gasped Tom.

The landlord could not see all this so sharply, being confused, and not so long-sighted as Tom.

“Time, sir,” called Tony Turnbull, turning cold as he thought he saw a pair of eyes shining down redly at him—”time for honest folk to be in their beds, and asleep!”

“As sound as your sexton!” said the jeering voice from above.

“Come out of this,” whispered the landlord fiercely to his hostler, plucking him hard by the sleeve.

They got into the house, and shut the door.

“I wish we were shot of him,” said the landlord, with something like a groan, as he leaned against the wall of the passage. “I’ll sit up, anyhow—and, Tom, you’ll sit wi’ me. Cum into the gun-room. No one shall steal the dead man out of my yard while I can draw a trigger.”

The gun-room in the George is about twelve feet square. It projects into the stable-yard and commands a full view of the old coach-house; and, through a narrow side window, a flanking view of the back door of the inn, through which the yard is reached.

Tony Turnbull took down the blunderbuss—which was the great ordnance of the house—and loaded it with a stiff charge of pistol bullets.

He put on a great-coat which hung there, and was his covering when he went out at night, to shoot wild ducks. Tom made himself comfortable likewise. They then sat down at the window, which was open, looking into the yard, the opposite side of which was white in the brilliant moonlight.

The landlord laid the blunderbuss across his knees, and stared into the yard. His comrade stared also. The door of the gun-room was locked; so they felt tolerably secure.

An hour passed; nothing had occurred. Another. The clock struck one. The shadows had shifted a little; but still the moon shone full on the old coach-house, and the stable where the guest’s horse stood.

Turnbull thought he heard a step on the back-stair. Tom was watching the back-door through the side window, with eyes glazing with the intensity of his stare. Anthony Turnbull, holding his breath, listened at the room door. It was a false alarm.

When he came back to the window looking into the yard:

“Hish! Look thar!” said he in a vehement whisper.

From the shadow at the left they saw the figure of the gaunt horseman, in short cloak and jack-boots, emerge. He pushed open the stable door, and led out his powerful black horse. He walked it across the front of the building till he reached the old coach-house door; and there, with its bridle on its neck, he left it standing, while he stalked to the yard gate; and, dealing it a kick with his heel, it sprang back with the rebound, shaking from top to bottom, and stood open. The stranger returned to the side of his horse; and the door which secured the corpse of the dead sexton seemed to swing slowly open of itself as he entered, and returned with the corpse in his arms, and swung it across the shoulders of the horse, and instantly sprang into the saddle.

“Fire!” shouted Tom, and bang went the blunderbuss with a stunning crack. A thousand sparrows’ wings winnowed through the air from the thick ivy. The watch-dog yelled a furious bark. There was a strange ring and whistle in the air. The blunderbuss had burst to shivers right down to the very breech. The recoil rolled the inn-keeper upon his back on the floor, and Tom Scales was flung against the side of the recess of the window, which had saved him from a tumble as violent. In this position they heard the searing laugh of the departing horseman, and saw him ride out of the gate with his ghastly burden.

***

Perhaps some of my readers, like myself, have heard this story told by Roger Turnbull, now host of the George and Dragon, the grandson of the very Tony who then swayed the spigot and keys of that inn, in the identical kitchen of which the fiend treated so many of the neighbours to punch.

***

What infernal object was subserved by the possession of the dead villain’s body, I have not learned. But a very curious story, in which a vampire resuscitation of Crooke the sexton figures, may throw a light upon this part of the tale.

The result of Turnbull’s shot at the disappearing fiend certainly justifies old Andrew Moreton’s dictum, which is thus expressed in his curious “History of Apparitions”: “I warn rash brands who, pretending not to fear the devil, are for using the ordinary violences with him, which affect one man from another—or with an apparition, in which they may be sure to receive some mischief. I knew one fired a gun at an apparition and the gun burst in a hundred pieces in his hand; another struck at an apparition with a sword, and broke his sword in pieces and wounded his hand grievously; and ’tis next to madness for anyone to go that way to work with any spirit, be it angel or be it devil.”

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The Gorbals Vampire: Glasgow’s Night of Terror

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One night, the Southern Necropolis Cemetery in Glasgow is filled with children. In their mind they are not playing, they are hunting the horrible vampire that is said to have taken the life of more than one child. The absolute mania of the Gorbals Vampire ended up passing several new laws. 

In the heart of Glasgow, Scotland, beneath the looming industrial smokestacks and crowded tenement blocks of the Gorbals district, a strange and unnerving legend took root in the mid-20th century — one that would see dozens of children descend on a graveyard armed with makeshift weapons, hunting for a vampire with iron teeth.

This bizarre incident remains one of Britain’s most famous examples of mass hysteria, though some still whisper that something truly sinister once prowled the crumbling headstones of Southern Necropolis.

Southern Necropolis: Stone gatehouse of Glasgow’s Southern Necropolis cemetery. // Source

The Night of the Vampire Hunt

The legend began one gray, mist-cloaked evening in September 1954 in one of the city’s poorest neighbourhoods, with little to no open spaces for the children to play except from the old cemetery. Rumors had spread like wildfire among the children of the Gorbals district that a seven-foot-tall vampire with glinting iron teeth was stalking the Southern Necropolis cemetery, having allegedly abducted and devoured two young boys.

Within hours, the graveyard was teeming with local children — some as young as five, others in their early teens — armed with sticks, knives, pieces of wood, and stones. They combed the Victorian graveyard in groups, peering behind headstones, ducking into mausoleums, and calling out to each other in hushed voices.

In the back of the graveyard, steelworks were throwing up flames and a sulphur filled smoke covered the sky. It was all giving the scene, casting shadows the children were chasing. 

Reports say some adults were also drawn to the scene, though most dismissed the affair as childish nonsense. Yet, the sheer number of armed, determined children — and their insistence that a vampire lurked among the graves — unsettled more than a few bystanders.

Authorities Intervene

As night fell, the cemetery watchman and local police arrived, attempting to disperse the crowds. One of them was PC Alex Deeprose and he couldn’t believe what he was seeing. The children refused to leave, claiming they wouldn’t abandon the graveyard until the vampire was caught or killed. 

The Gorbals Vampire was supposedly a seven-foot-tall monster with long metal fangs. They claimed the vampire had captured and eaten two boys and was living in the graveyard.

It took several hours and repeated police patrols to finally send the would-be vampire hunters home. The event made national headlines the following day, alarming both the public and local officials. The next evening, the children was back to hunting down the vampire. Theories abound as to what had caused such a mass outbreak of panic and belief in a blood-drinking monster. It even reached parliament. 

Blame on American Horror Comics

Authorities were quick to blame American horror comics, such as Tales from the Crypt and Vault of Horror, for filling young minds with terrifying fantasies. In the aftermath of the incident, parents, teachers, and church leaders joined forces to push for the Children and Young Persons (Harmful Publications) Act 1955, which banned the sale of certain horror comics to minors in the UK.

According to the children, it had all started in the playground, and spread from school to school before blowing up like a full blown panic. As Ronnie Sanderson, who was eight and one of the hunters said:

‘The word was there was a vampire and everyone was going to head out there after school. At three o’clock, the school emptied and everyone made a beeline for it. We sat there for ages on the wall, waiting and waiting. I wouldn’t go in because it was a bit scary for me.’

Although the base of the story was that children had been taken by the vampire, there was no records of any missing or murdered children around the time of the incident. A 1953 issue of Dark Mysteries had included a story called The Vampire with the Iron Teeth. Could this be where the hysteria came from? Or was it in fact something much older? There’s no evidence that any of the Glasgow vampire hunters had ever glimpsed an American comic.

A Deeper, Older Fear

Some folklorists have suggested the tale may have deeper roots in Scottish folklore. Tales of iron-toothed witches and ogres appear in old Scottish legends, often as bogeymen figures used to frighten children into good behavior. One such character is the “Jenny wi’ the Iron Teeth,” an old Glasgow nursery bogeywoman said to lurk in dark corners and snatch naughty children. There was also the Iron Man, an ogre that was out for children. 

It’s possible that these older, orally transmitted stories resurfaced in a new form amid the poverty and anxiety of post-war Glasgow, where violent deaths, disappearances, and urban legends weren’t uncommon. According to the legend of Jenny, she was hunting for children not wanting to go to bed around Glasgow Green in the early 1800s. 

Jenny wi’ the Airn Teeth

Come an tak’ the bairn (child)

Tak’ him to your den

Where the bowgie bides (bogie lives)

But first put baith (both) your big teeth

In his wee plump sides

Was the Gorbals Vampire Ever Real?

No vampire was ever found, and no missing children were officially reported to match the tale. Whether a sinister figure once stalked those fog-drenched graveyards, or whether it was simply the product of fear, folklore, and fertile imaginations remains a mystery.

Corbals Vampire Today: A mural of the Gorbals Vampire by local teenage artist Ella Bryson and Art Pistol street artists, Ejek, in an archway on St Luke’s Place near the Citizens’ Theatre. //Source

But to this day, Glaswegians still recall the night in 1954 when an army of fearless children armed themselves to confront the unknown, determined to drive a bloodthirsty monster from their streets. The Act and laws passed back then are still a thing today. 

And at night, beneath the crumbling stones of the Southern Necropolis, some claim you can still feel the weight of ancient legends… and hear the echoes of small, determined footsteps in the dark.

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The Cursed Butcher Apprentice Haunting Rathausgasse in Bern

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Said to be cursed after torturing a calf, the butcher apprentice is now cursed to haunt the old butcher street for eternity. For centuries now, people claim to have heard the horrid sound of hooves clattering on the ground as he was transformed into the very thing he tortured for fun.

The medieval streets of Bern’s Old Town have always held their share of mysteries, but few places are said to be as restless after dark as Rathausgasse, the street leading to the city’s historic town hall. As the sun sets behind the sandstone facades, something unseen seems to stir in the narrow alleys.

Read More: Check out all ghost stories from Switzerland

At night, residents and late-night wanderers report hearing the clatter of hooves on cobblestones, and the sharp crash of objects falling in empty rooms. Yet when they investigate, there are no horses, no wagons, and nothing disturbed. The streets remain eerily quiet. Perhaps it was the cursed butcher apprentice said to haunt the streets of Bern?

Rathausgasse: Die Berner Rathausgasse im Regen, 1992, Hotel Glocke. //Source: Christian Boss 1965/Wikimedia

Ghostly Encounters at Rathausgasse and the old Butcher’s Alley

From 1619 the upper section (now Rathausgasse) was known as Metzgergasse (Butcher’s Lane), while the lower section was first called Postgasse in 1798. The area was also a well known red light district. Throughout the 19th century, residents complained about the waste, smell and noise associated with the Schaal, an open hall of butcher’s stalls vis-à-vis the Simsonbrunnen in Kramgasse. The former slaughterhouse (No. 22) is a cultural asset of regional importance.

They claim the restless spirit of a cruel butcher’s apprentice roams these alleys in the dead of night known as the ghost of Rathausgasse or the Schaal Ghost. 

Centuries ago, this heartless apprentice is said to have brutally slaughtered a calf, not out of necessity, but for his own amusement.

As punishment for his senseless cruelty, his spirit was cursed to live on as a ghostly calf, forever roaming the alleys of the old town. It is said that the clatter of hooves heard in Rathausgasse belongs to him — a spectral animal seeking peace he can never find.

Hauntings at the Schlachthaus-Theater

The eerie activity in Bern isn’t confined to the streets, but also at the old slaughterhouse in Rathausgasse, now used as a theater and called the Schlachthaus-Theater. The theater is reportedly no stranger to the paranormal and staff and spectators claim to have heard the unmistakable sound of hooves clattering. 

But it is certainly not the only ghost said to haunt the halls of the theater. Actors and stagehands alike have whispered of unexplained noises, mysterious cold drafts, and fleeting shadows moving behind the curtains. Props fall for no reason, doors creak open, and some claim to hear faint, mournful voices when the house is empty.

One actress claims to have heard the sound of pearls clattering, like a pearl necklace ripping and falling to the floor. This went on all night, but she was unable to find any of them. 

Though no single spirit has been identified, many believe these hauntings are tied to the rich and often tumultuous history of the building and its past performers, some of whom perhaps never quite left the stage.

A City of Stories and Ghosts

In Bern, where every corner seems to guard a story from the past, such legends aren’t easily dismissed. Whether it’s the ghostly calf of Rathausgasse or the spirits lingering in the theater, these stories continue to be woven into the living fabric of the old city, kept alive by the ghost tours around the city and those looking for something haunted

Source: Nikolai Karaneschev/Wikimedia

And so, when the night falls and the streets of Bern grow quiet, some say it’s wise to listen for the faint sound of hooves… and remember that in this ancient city, the past never truly rests.

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References:

Hier spukt es: Unheimliche Orte in der Schweiz | WEB.DE

Die Geister, die sie riefen | Berner Zeitung

The Vampire Secrets of Glamis Castle: Bloodlines and Bloodlust in Scotland’s Haunted Fortress

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In one of the oldest inhabited castle in Scotland, Glamis Castle is said to be filled to the brick with ghost stories and legends. According to the stories though, there is seemingly something more monstrous and more blood thirsty said to be sealed inside of the bricked up secret chambers, waiting to get out. 

Standing in stoic grandeur amidst the rolling Angus countryside, Glamis Castle has long held a reputation for secrets, shadows, and spectral figures. Known as the childhood home of Queen Elizabeth, the Queen Mother, Glamis or Glammis Castle, in Forfarshire, the seat of Lord Strathmore, is steeped in royal history and ancient nobility — but its corridors also echo with stories far darker than those found in any history book.

Of its many chilling legends, two vampire tales rise above the rest, hinting at unnatural bloodlines and eternal imprisonment behind stone walls. These stories, passed down for generations, have become the cornerstone of Glamis Castle’s macabre mythology.

The Vampire Child: The Sinister Family Secret

At the heart of Glamis Castle’s vampire lore is the enduring whisper of a “vampire child” — a secret so terrible, it was said to be known only to the laird, his heir, and one trusted family retainer in each generation. According to the legend, there is a secret chamber in the castle where the vampire child was placed. There is an old story that guests staying at Glamis once hung towels from the windows of every room in a bid to find the bricked-up suite of the monster. When they looked at it from outside, several windows were apparently towel-less. Though this is more likely due to the owners removing them in order so that the guests would not find the rooms, according to several relatives of the family.

The lords of Glamis. who, according to legend, were drinking and gambling, losing their family fortune. By the mid-17th century, the castle was in ruins. It was inherited by Patrick Lyons, who rebuilt the castle and rehabilitated the family, for which he was made the earl of Strathmore.

According to lore, in the early l800s the first son of the 11th earl of Strathmore was born a hideously deformed, egg-shaped monster with no neck, tiny arms and legs, and a large, hairy torso. According to legend, the child was once born into the Bowes-Lyon family with monstrous characteristics: deformed, unnatural, and blood-hungry. This child, believed to be a vampire or some other unholy being, was hidden away in a sealed chamber within the castle — a room known only to a few and never spoken of publicly.

In fact, there was a son born, Thomas Lyon-Bowes, the first child of Thomas Lyon-Bowes, Lord Glamis, and his wife Charlotte Lyon-Bowes née Grimstead. He is however recorded born and died in October 21, 1821. The stories about the child being “a monster” allegedly started when the unnamed midwife retold it in the local village. 

The castle was given to the second son, unlawfully, and the creature, after so many years away became mad. It reportedly died in 1921 or 1941. 

Some versions of the tale go further, suggesting that the “secret of Glamis” is that in every generation, one such child is born — cursed or blessed, depending on the point of view — with vampiric traits. Another legend tells that the monster is in Loch Calder near the castle. These children, it is said, never die, but are locked away, immortal and unseen, sustained through blood or other unknowable means. Over time, the corridors of the castle have become riddled with rumors of bricked-up rooms, hollow walls, and windows that can be seen from the outside but do not exist within.

Searches for the supposed secret chamber have never revealed definitive answers — only more questions. But for those thinking that concealing a child inside a room seems to harsh about this family, just think about the tragic case of Nerissa and Katherine Bowes-Lyon, cousins of the queen, listed dead for years, but turned out to live in Earlswood Hospital for mentally disabled people in 1941, classified as: “imbeciles”. 

The Blood-Sucking Woman: The Servant Entombed Alive

A separate legend, no less disturbing, tells the story of a serving woman who was caught engaging in a grotesque act of vampirism. According to lore dating back several centuries, the woman was found leaning over the corpse of a fellow servant, her mouth stained red, drinking the blood from the lifeless body.

Horrified, the castle’s occupants did not attempt to destroy her in the traditional methods associated with vampires — no stake, no fire, no silver. Instead, they condemned her to a crueler fate: she was bricked up alive within a hidden room, left to die in solitude, possibly in the very act of waiting for another victim.

Some stories say she remains alive to this day, an immortal vampire trapped inside the walls, forever hungry and vengeful. Those who work at Glamis today have reported unexplained cold spots, sounds of scratching, and even soft crying from behind thick stone walls — perhaps signs of the entombed servant still begging for release.

The Secret Chamber

This part of a secret chamber being haunted is told by many and could have sprung out from an older legend. The origins of this story go back hundreds of years, to an age when the Lyon and Lindsay clan were engaged in a bitter, ongoing feud. 

On a cold snowy night, there was a group of Lindsays on the run from other clans and they went to Glamis to seek refuge. Some say it was the Ogilvie who was trying to escape the clutches of their enemies, the Lindsays. 

The Earl promised them his protection, but trapped them in a room where he looked inside. Some say that the Earl was working with the Lindsays and caught them and imprisoned them. He never let them out of the  16 feet thick room, and for years, there were banging from the walls, screams and noises coming from them. Even after they were dead and long gone fro hundreds of years, you could still hear their cries through the castle. 

The sitting Earl decided to put a stop to the haunting and went into a room where no one went. He opened the door with a key and he was frozen with terror. He closed the door, bricked it up and never spoke about what he saw ever again. 

A Castle of Secrets and Shadows

Glamis Castle is no stranger to the paranormal. In addition to its vampire legends, it’s also home to numerous ghost stories — from the Grey Lady thought to haunt the chapel, to the Earl Beardie, cursed to play cards with the Devil for eternity. Yet none are as unsettling — or as persistently whispered about — as the vampire tales that seem woven into the very walls of the building.

Read More: Glamis Castle is filled with ghost stories. Read more about them in Lady Janet Douglas, Ghost of Glamis Castle

Visitors often speak of a strange feeling of being watched, even in empty rooms. Some claim that doors open and close on their own, or that footsteps echo down halls long after the castle has closed for the night. Could one of those footsteps belong to the vampire child, still pacing in darkness? Or is it the blood-sucking servant, endlessly circling her unseen prison?

The castle may gleam proudly by daylight, but as night falls, the questions it refuses to answer begin to stir. And somewhere, in one of its sealed rooms, the undead may still be waiting.

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References:

Monster of Glamis Fireside Companion | Vault Of Evil: Brit Horror Pulp Plus!

Glamis Castle – Simple English Wikipedia, the free encyclopedia 

Glamis Castle – Wikipedia

Nerissa and Katherine Bowes-Lyon – Wikipedia

Mayor Rudolf Brun’s Ghost Under St Peter’s Church Tower in Zurich

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After the exhumation of the graves of one of Zurich’s mayors who died under mysterious circumstances people started talking about seeing his ghost wandering around the church tower and wall of St. Peter. Could the ghost of Rudolf Brun, who ruled during volatile times in the city have returned?

Zurich, a city renowned for its stunning landscapes and rich culture, also harbors a darker side woven into its history. Tales of ghostly encounters and restless spirits have permeated its ancient streets, attracting those intrigued by the supernatural. St. Peter’s Church in Zurich is the only baroque church in the city. The clock on the tower is the largest in Europe and the dial has a diameter of 8.7 metres. St. Peter’s parish church is the oldest church in Zurich and dates to before the year 900.

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Buried just below the clock tower is Rudolf Brun, the first independent city mayor in the 14th century and leader of the Zürich guilds’ revolution of 1336. He died a terrible and mysterious death, that some attributed to poisoning.

Rudolf Brun as Zurich’s first Independent Mayor

Rudolf was the son of Jakob Brun, a member of the city council, and of Mechthild. Brun overthrew the former city council with the help of the city’s craftsmen in June 1336 to balance the power between them and the aristocracy. 

In 1349, Brun led a massacre of the Jewish community of Zurich, seizing many of the spoils for himself. The incident was caused by antisemitism in the city due to the alleged murder of the son of a Zurich man, and fueled by the subsequent accusations of well poisoning. The son of Zurich man Zur Wyden from a family of shoemakers, about four years old, was murdered, and the Jews were accused of the murder. The Zurich Jewish community numbered around 400, and most of them were killed.

Mayor Rudolf Brun for example took possession of the house of a certain Moses. This event took place in the frame of the widespread persecution of Jews during the Black Death, in which the Jews were accused of spreading the bubonic plague.

On 17 of September in 1360 he died and was buried in St. Peter’s Church together with his cook. It was believed that the cook had poisoned him, but it remained a mystery for years. 

Exhuming his Bone to get to the Bottom of the Murder Mystery

In  1972, Brun’s remains were examined and tested positive for arsenic according to the ghost walk tours that used to be in the city. But as the substance was often used in earlier times for medicinal and recreational purposes, the result was inconclusive. The bone and hair analysis gave no other signs for poisoning. 

So what really happened, and how did Bruno, who lived through a violent time in Zurich’s history, die?

None the wiser for the truth, Brun’s bones were reburied at the clock tower. If we are to believe the rumors, it was without his skull, which had mysteriously disappeared. Could this have been the incident that caused him to rise up as a ghost?

The Haunting of Rudolf Brun

Just a few weeks after the reburial of Rudolf Brun, two boys were playing football near the gravesite when they experienced something that would give the historic man a ghostly reputation. When the ball they were kicking stopped in front of  the feet of a dark figure. According to the boys, this mysterious figure before them was wearing old-fashioned clothes.

One of the boys went to get the ball, not really taking too much notice of the strange man standing at a short distance. When approaching, the figure of the man turned around and walked towards the tower wall. When reaching the wall, the figure walked right through it and disappeared. 

According to the rumors, more than one person had seen this figure around the tower. 

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Blood in the Soil: The Chilling Tale of the New England Vampire Panic

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Centuries after the witch panic in Salem, New England was gripped by another entity – vampires! Thought to crawl out from their graves at night and back to their remaining family to feed and consume the life of them. This has later been known as the New England Vampire Panic The only way to stop them was to dig them up and set them on fire. 

In the quiet, frostbitten corners of 19th-century New England—amid snow-capped fields and rickety clapboard farmhouses—a curious darkness was spreading. But it wasn’t witches this time. It wasn’t demons, or ghosts, or devils hiding in the woods. No, what haunted the good, God-fearing folk of Rhode Island, Connecticut, and Vermont was something far stranger.

Vampires.

Not the aristocratic, silk-robed kind with Eastern European accents. Not the seductive, night-stalking vampires of Hollywood imagination. These were homegrown, farm-dwelling, dirt-under-their-nails revenants. According to local belief, they didn’t sip fine blood from crystal goblets. They clawed their way out of graves and siphoned the life from their living kin—not with fangs, but with supernatural persistence.

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This wasn’t just a gothic fever dream. It was real. It had a body count, graves empty after their families dug them up and burnt their remains to cure themselves of the curse of the undead. After it swept across the east coast, it was later called the New England Vampire Panic.

Old Graveyards: A serene graveyard in New Hampshire reflects the eerie history of vampire folklore in early New England that was gripped by fear during the New England Vampire Panic.

A Disease by Any Other Name

To understand how New England came to believe in vampires, we need to talk about tuberculosis—known in the 1800s as consumption.

Before it had a scientific explanation, TB was a horrifying, slow-moving plague. It wasted the body and if you first got infected, there was a two in ten chance of surviving it as there was no cure. Victims grew pale and thin, their cheeks sunken, eyes glassy. They coughed blood. They wheezed and gasped and sometimes appeared to grow stronger just before they died, as if something unnatural were prolonging their suffering.

The White Death: The plague of tuberculosis is a disease that has killed more people than any other microbial pathogen and mummies dating back to the 8000 BCE. Over the years, many attempts to cure it through curious means show desperation. Fresh air, bloodletting, elephant urine, eating wolf livers and human breast milk has from ancient times been tried.

It was contagious, of course, though no one knew why or how. When one family member died, others often followed. Households dropped like dominos. And so the imagination of rural folk—grounded in a stew of folklore, fear, and grim necessity—did what it does best: It reached for reasons.

They began to believe that the dead were not staying dead. 

Vampire Lore: In addition to consumption being rooted in a vampiric infliction, you also had rabies that gave strange symptoms and rare genetic disorders like porphyria that gave a sensitivity to sunlight and reddish teeth. Although in the New England Vampire Panic, it was mainly tuberculosis.

The New England Outback

Exactly why New England? After all, tuberculosis was a worldwide problem, why did the vampiric panic happen here, 200 years after the witch craze in Salem not too far from where they would begin to exhume their loved one from their graves?

There are several factors of how this particular lore and New England Vampire Panic started. One has to do with numbers. After years of civil war, the number of people living in Exeter, Rhode Island for instance, had dwindled to a few thousand, scattered across small rural communities. By some, this was later known as Vampire Capital of America and had a high count of exhumations like the case of Mercy Brown. 

Contrary to popular belief about being puritanical, the rural New Englanders in the 1800s were not overly religious and 10 percent belonged to church in these parts. Missionaries were sent to these parts to get them back to God’s words as they saw these rural communities living in cultural isolation from the rest of the world.. 

The belief of the uneducated farmers have taken hold for many in later years. But was it really so? It seems like many places like Manchester, Vermont where Rachel Burton was exhumed and burned on the town square was founded by educated and not really the most superstitious and religious men. This seems to have changed after the Revolutionary War when it was then described as a place of drinking gambling, and superstitions like vampirism. 

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They were however superstitious and let their beliefs fester side by side with the industrial revolution and modernisation of the society in the cities not far from their farming communities. Also as a small community, there were a lot of relations between the exhumations. Like the case of the exhumation of Nancy Young having relation through marriage to Sarah Tillinghast who was also exhumed the same way. They were neighbors, although the farms were few and far between, family and friends, and like the sickness of consumption, so did the fear of the undead spread and infect through generations and places.

The Curious Case of Mercy Brown

The most infamous case of the New England Vampire Panic took place in 1892, in the icy hills of Exeter, Rhode Island. The Brown family had been ravaged by tuberculosis. First, mother Mary Eliza died. Then daughter Mary Olive. Then son Edwin became ill and left for Colorado in a desperate bid for recovery.

And then Mercy Lena Brown, a 19-year-old girl with dark hair and a shy smile, fell sick and died on January 17, 1892.

Mercy Brown: A historical portrait of Mercy Brown, the young woman at the center of the New England Vampire Panic.

The townsfolk were suspicious. Too many Browns were dying. Someone, or something, must be behind it. They began to murmur. Maybe one of the dead was still feeding. Edwin, now barely hanging on, had to be saved.

So in March—when the ground thawed enough to dig—they exhumed the bodies.

Mary Eliza and Mary Olive had decomposed as expected. But Mercy? Her body, kept in a crypt during the harsh winter, was remarkably intact. Her cheeks had color. There was blood in her heart, clear signs she was the vampire.

The heart and liver were removed and burned. The ashes were mixed into a tonic and given to Edwin to drink. (A sentence that should never be uttered casually, but here we are.)

Read More: Check out The Mercy Brown Vampire Incident in Rhode Island 

Did it work? Tragically, no. Edwin died two months later. But Mercy’s story endured, becoming the poster child of the New England Vampire Panic—a real-life tale so haunting that even Bram Stoker, author of Dracula, reportedly took notes.

Mercy wasn’t the only one. According to folklorist Michael Bell, there was around 80 of these types of exhumations. From Maine to Massachusetts to Rhode Island, similar rituals were performed. Perhaps as far west as Minnesota. Not always with a name. Not always with fire. But the goal was the same: stop the dead from killing the living.

The Vampire Next Door in the New England Vampire Panic

These were not “vampires” as we think of them today, but corpses with unfinished business, still feeding on their living relatives from beyond the grave. They drained vitality, not with teeth, but through a metaphysical link. The only cure? Dig up the body, examine it, and if necessary, destroy the vessel.

Some communities in Maine and Plymouth, Massachusetts, opted to simply flip the exhumed vampire facedown in the grave and leave it at that. But in places like Connecticut, Vermont and especially in Rhode Island, they took it one step further. 

If the corpse was found unusually fresh, with blood in the heart or organs (a not-uncommon occurrence in cold New England graves and those buried in the winter or put in freezing crypts waiting for the ground to thaw), it was declared the source of the curse. The heart would be removed and burned to ash, sometimes the liver, kidney or other organs were also taken. Often, the ritual was done in secret, other times it was done publicly, sometimes on a blacksmith’s anvil or just on a nearby rock in the cemetery. In many cultures it was believed that the fire in a blacksmith’s anvil was a divine gift and that they had the power to banish evil through their metal and flames.

There were also some cases where vines and sprouts growing from the coffins and bodies were seen as signs of vampiric activity, like we see with the exhumation of Annie Dennett. They believed that the vine or root growing at or by the grave reached the next coffin, another family member would be sick and die. This part of the legend is a bit more difficult to trace back to a particular superstition shared with other places.

Read More: The Curious Case of Annie Dennett and the Vampiric Vines 

As the ritual demanded, their heart and liver were burned on a nearby rock and the ashes were mixed with a tonic and given to the sick relatives to drink. Sometimes it was also said to be smoked or the fumes from the burning were inhaled by those attending. 

The Mystery of J.B: Connecticut State Archaeologist, Nick Bellantoni, was excavating the cemetery and found something no one could have expected. Among the graves, one burial in particular captured attention: a coffin marked only with brass tacks, spelling the initials “J.B. 55”. The remains inside had been subject to a post-mortem ritual that hinted unmistakably at vampire panic practices during the New England Vampire Panic. // Photo courtesy of Nicholas Bellantoni

After the ritual, it seems like the rest of the body was reburied. In Woodstock, Vermont, a father exhumed the bodies of his daughters and burned them to save his last surviving child. In Griswold, Connecticut, archaeologists discovered 29 burials in the 1990s—one with the skull and thigh bones rearranged in a skull-and-crossbones pattern. The jaw had been hacked apart. The coffin was inscribed with “JB55,” believed to stand for “John Barber,” a middle-aged man who likely died of TB. The mutilation? A post-mortem attempt to stop the spread of vampirism.

Read More: The Griswold Vampire Case and the True Identity of J.B. in the Coffin 

Where did the Vampire Lore come from?

Although it is today known as the New England Vampire Panic, the people at the time didn’t use this terminology as the term was not commonly used in the community. But when the newspapers and outsiders started to look at the phenomenon, they classified it as vampire lore because of the similarities about the lore in eastern Europe dating back to the tenth century. 

There are many versions about where the vampire lore that struck the New England coast around this time. According to residents of Exeter, Rhode Island, they claimed they got the exhumations tradition from the Native Americans that certainly had their own vampire lore. But what about the European connection? 

Vampire Lore in the World: Although New England cultivated its own vampire belief, it certainly wasn’t the first. Across the ocean in Europe, the fear of the vampires in eastern Europe took hold in the 1700 and worked its way west. In Europe the wooden stake was said to be the thing banishing the vampire. In America, they burned their organs showing signs of vampirism. This illustration comes from an 1851 book by Paul Feval titles “Les Tribunaux secrets” and was created by René de Moraine.

In this time, there was also a Vampire panic in Europe, especially eastern and central Europe. German and Slavic immigrants are said to have brought their lore and superstitions with them in the 18th century. There were Hessian mercenaries that served in the Revolutionary War and Palatine Germans colonized Pennsylvania. There were also Germans and different eastern Europeans traveling through the area as healers, bringing with them the ideas of the undead and exhumation as a cure for the terrible diseases the townsfolk didn’t yet understand. 

The Science Arrives too Late for Many

The New England Vampire Panic began to wane by the early 20th century, as germ theory and modern medicine began to explain disease in ways people could trust. TB was finally understood as a bacterial infection, not a curse.

In the meantime, there were as many as 80 exhumed graves we know of, but there were probably many more. For example, in 1862, reports of vampirism swept the community of Saco, Maine so strongly that almost every deceased resident was dug up and reburied, allegedly. Every corpse was, apparently, a suspect.

But the New England Vampire Panic hadn’t been entirely irrational. These were desperate people watching their families die horribly. They didn’t have the benefit of science. They had folk remedies, tradition, and fear—and so they reached for the most ancient tool humans possess: storytelling.

And in the dark corners of New England, those stories had fangs.

List of Vampire Cases of the New England Vampire Panic

1793 – The Vampire of Rachel Burton: Vermont’s Gruesome 18th Century Exhumation

1799 – The Rhode Island Vampire and the Legend of Sarah Tillinghast 

1810 – The Curious Case of Annie Dennett and the Vampiric Vines 

1816-1817 – A Vampire in Ohio: The Strange and Grim Superstition of the Salladay Family 

1817 – The Case of Frederick Ransom: The Woodstock Vampire

1827 – The Legend of the Vampire Nancy Young Rising from her Grave 

1843 – The Griswold Vampire Case and the True Identity of J.B. in the Coffin

1854 – The Jewett City Vampires and the Ray Family in Connecticut

1874 – The Restless Dead of Rhode Island: The Vampiric Legend of Ruth Ellen Rose

1892 – The Mercy Brown Vampire Incident in Rhode Island 

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References:

Food For The Dead The Vampires

Bioarcheological and biocultural evidence for the New England vampire folk belief 

The Great New England Vampire Panic

New England vampire panic – Wikipedia 

Markheim by Robert Louis Stevenson

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Set on Christmas Day, this Gothic moral thriller follows a man who murders his way into an antique shop, only to be visited by a mysterious figure—perhaps a devil, perhaps a savior—who challenges his soul’s darkest impulses.

Markheim by Robert Louis Stevenson


“Yes,” said the dealer, “our windfalls are of various kinds. Some customers are ignorant, and then I touch a dividend on my superior knowledge. Some are dishonest,” and here he held up the candle, so that the light fell strongly on his visitor, “and in that case,” he continued, “I profit by my virtue.”

Markheim had but just entered from the daylight streets, and his eyes had not yet grown familiar with the mingled shine and darkness in the shop. At these pointed words, and before the near presence of the flame, he blinked painfully and looked aside.

The dealer chuckled. “You come to me on Christmas Day,” he resumed, “when you know that I am alone in my house, put up my shutters, and make a point of refusing business. Well, you will have to pay for that; you will have to pay for my loss of time, when I should be balancing my books; you will have to pay, besides, for a kind of manner that I remark in you to-day very strongly. I am the essence of discretion, and ask no awkward questions; but when a customer cannot look me in the eye, he has to pay for it.” The dealer once more chuckled; and then, changing to his usual business voice, though still with a note of irony, “You can give, as usual, a clear account of how you came into the possession of the object?” he continued. “Still your uncle’s cabinet? A remarkable collector, sir!”

And the little pale, round-shouldered dealer stood almost on tip-toe, looking over the top of his gold spectacles, and nodding his head with every mark of disbelief. Markheim returned his gaze with one of infinite pity, and a touch of horror.

“This time,” said he, “you are in error. I have not come to sell, but to buy. I have no curios to dispose of; my uncle’s cabinet is bare to the wainscot; even were it still intact, I have done well on the Stock Exchange, and should more likely add to it than otherwise, and my errand to-day is simplicity itself. I seek a Christmas present for a lady,” he continued, waxing more fluent as he struck into the speech he had prepared;” and certainly I owe you every excuse for thus disturbing you upon so small a matter. But the thing was neglected yesterday; I must produce my little compliment at dinner; and, as you very well know, a rich marriage is not a thing to be neglected.”

There followed a pause, during which the dealer seemed to weigh this statement incredulously. The ticking of many clocks among the curious lumber of the shop, and the faint rushing of the cabs in a near thoroughfare, filled up the interval of silence.

“Well, sir,” said the dealer, “be it so. You are an old customer after all; and if, as you say, you have the chance of a good marriage, far be it from me to be an obstacle. Here is a nice thing for a lady now,” he went on, “this hand glass—fifteenth century, warranted; comes from a good collection, too; but I reserve the name, in the interests of my customer, who was just like yourself, my dear sir, the nephew and sole heir of a remarkable collector.”

The dealer, while he thus ran on in his dry and biting voice, had stooped to take the object from its place; and, as he had done so, a shock had passed through Markheim, a start both of hand and foot, a sudden leap of many tumultuous passions to the face. It passed as swiftly as it came, and left no trace beyond a certain trembling of the hand that now received the glass.

“A glass,” he said hoarsely, and then paused, and repeated it more clearly. “A glass? For Christmas? Surely not?”

“And why not?” cried the dealer. “Why not a glass?”

Markheim was looking upon him with an indefinable expression. “You ask me why not?” he said. “Why, look here—look in it—look at yourself! Do you like to see it? No! nor I—nor any man.”

The little man had jumped back when Markheim had so suddenly confronted him with the mirror; but now, perceiving there was nothing worse on hand, he chuckled. “Your future lady, sir, must be pretty hard favoured,” said he.

“I ask you,” said Markheim, “for a Christmas present, and you give me this—this damned reminder of years, and sins and follies—this hand-conscience! Did you mean it ? Had you a thought in your mind? Tell me. It will be better for you if you do. Come, tell me about yourself. I hazard a guess now, that you are in secret a very charitable man?”

The dealer looked closely at his companion. It was very odd, Markheim did not appear to be laughing; there was something in his face like an eager sparkle of hope, but nothing of mirth.

“What are you driving at?” the dealer asked.

“Not charitable?” returned the other gloomily. “Not charitable; not pious; not scrupulous; unloving, unbeloved; a hand to get money, a safe to keep it. Is that all? Dear God, man, is that all?”

“I will tell you what it is,” began the dealer, with some sharpness, and then broke off again into a chuckle. “But I see this is a love match of yours, and you have been drinking the lady’s health.”

“Ah!” cried Markheim, with a strange curiosity. “Ah, have you been in love? Tell me about that.”

“I,” cried the dealer. “I in love! I never had the time, nor have I the time to-day for all this nonsense. Will you take the glass?”

“Where is the hurry?” returned Markheim. “It is very pleasant to stand here talking; and life is so short and insecure that I would not hurry away from any pleasure—no, not even from so mild a one as this. We should rather cling, cling to what little we can get, like a man at a cliff’s edge. Every second is a cliff, if you think upon it—a cliff a mile high—high enough, if we fall, to dash us out of every feature of humanity. Hence it is best to talk pleasantly. Let us talk of each other: why should we wear this mask? Let us be confidential. Who knows, we might become friends?”

“I have just one word to say to you.” said the dealer. “Either make your purchase, or walk out of my shop!”

“True, true,” said Markheim. “Enough fooling. To business. Show me something else.”

The dealer stooped once more, this time to replace the glass upon the shelf, his thin blond hair falling over his eyes as he did so. Markheim moved a little nearer, with one hand in the pocket of his greatcoat; he drew himself up and filled his lungs; at the same time many different emotions were depicted together on his face—terror, horror, and resolve, fascination and a physical repulsion; and through a haggard lift of his upper lip, his teeth looked out.

“This, perhaps, may suit,” observed the dealer: and then, as he began to re-arise, Markheim bounded from behind upon his victim. The long, skewerlike dagger flashed and fell. The dealer struggled like a hen, striking his temple on the shelf, and then tumbled on the floor in a heap.

Time had some score of small voices in that shop, some stately and slow as was becoming to their great age; others garrulous and hurried. All these told out the seconds in an intricate chorus of tickings. Then the passage of a lad’s feet, heavily running on the pavement, broke in upon these smaller voices and startled Markheim into the consciousness of his surroundings. He looked about him awfully. The candle stood on the counter, its flame solemnly wagging in a draught; and by that inconsiderable movement, the whole room was filled with noiseless bustle and kept heaving like a sea: the tall shadows nodding, the gross blots of darkness swelling and dwindling as with respiration, the faces of the portraits and the china gods changing and wavering like images in water. The inner door stood ajar, and peered into that leaguer of shadows with a long slit of daylight like a pointing finger.

From these fear-stricken rovings, Markheim’s eyes returned to the body of his victim, where it lay both humped and sprawling, incredibly small and strangely meaner than in life. In these poor, miserly clothes, in that ungainly attitude, the dealer lay like so much sawdust. Markheim had feared to see it, and, lo! it was nothing. And yet, as he gazed, this bundle of old clothes and pool of blood began to find eloquent voices. There it must lie; there was none to work the cunning hinges or direct the miracle of locomotion—there it must lie till it was found. Found! ay, and then? Then would this dead flesh lift up a cry that would ring over England, and fill the world with the echoes of pursuit. Ay, dead or not, this was still the enemy. “Time was that when the brains were out,” he thought; and the first word struck into his mind. Time, now that the deed was accomplished—time, which had closed for the victim, had become instant and momentous for the slayer.

The thought was yet in his mind, when, first one and then another, with every variety of pace and voice—one deep as the bell from a cathedral turret, another ringing on its treble notes the prelude of a waltz—the clocks began to strike the hour of three in the afternoon.

The sudden outbreak of so many tongues in that dumb chamber staggered him. He began to bestir himself, going to and fro with the candle, beleaguered by moving shadows, and startled to the soul by chance reflections. In many rich mirrors, some of home design, some from Venice or Amsterdam, he saw his face repeated and repeated, as it were an army of spies; his own eyes met and detected him; and the sound of his own steps, lightly as they fell, vexed the surrounding quiet. And still, as he continued to fill his pockets, his mind accused him with a sickening iteration, of the thousand faults of his design. He should have chosen a more quiet hour; he should have prepared an alibi; he should not have used a knife; he should have been more cautious, and only bound and gagged the dealer, and not killed him; he should have been more bold, and killed the servant also; he should have done all things otherwise: poignant regrets, weary, incessant toiling of the mind to change what was unchangeable, to plan what was now useless, to be the architect of the irrevocable past. Meanwhile, and behind all this activity, brute terrors, like the scurrying of rats in a deserted attic, filled the more remote chambers of his brain with riot; the hand of the constable would fall heavy on his shoulder, and his nerves would jerk like a hooked fish; or he beheld, in galloping defile, the dock, the prison, the gallows, and the black coffin.

Terror of the people in the street sat down before his mind like a besieging army. It was impossible, he thought, but that some rumour of the struggle must have reached their ears and set on edge their curiosity; and now, in all the neighbouring houses, he divined them sitting motionless and with uplifted ear—solitary people, condemned to spend Christmas dwelling alone on memories of the past, and now startingly recalled from that tender exercise; happy family parties, struck into silence round the table, the mother still with raised finger: every degree and age and humour, but all, by their own hearths, prying and hearkening and weaving the rope that was to hang him. Sometimes it seemed to him he could not move too softly; the clink of the tall Bohemian goblets rang out loudly like a bell; and alarmed by the bigness of the ticking, he was tempted to stop the clocks. And then, again, with a swift transition of his terrors, the very silence of the place appeared a source of peril, and a thing to strike and freeze the passer-by; and he would step more boldly, and bustle aloud among the contents of the shop, and imitate, with elaborate bravado, the movements of a busy man at ease in his own house.

But he was now so pulled about by different alarms that, while one portion of his mind was still alert and cunning, another trembled on the brink of lunacy. One hallucination in particular took a strong hold on his credulity. The neighbour hearkening with white face beside his window, the passer-by arrested by a horrible surmise on the pavement—these could at worst suspect, they could not know; through the brick walls and shuttered windows only sounds could penetrate. But here, within the house, was he alone? He knew he was; he had watched the servant set forth sweet-hearting, in her poor best, “out for the day” written in every ribbon and smile. Yes, he was alone, of course; and yet, in the bulk of empty house above him, he could surely hear a stir of delicate footing—he was surely conscious, inexplicably conscious of some presence. Ay, surely; to every room and corner of the house his imagination followed it; and now it was a faceless thing, and yet had eyes to see with; and again it was a shadow of himself; and yet again behold the image of the dead dealer, reinspired with cunning and hatred.

At times, with a strong effort, he would glance at the open door which still seemed to repel his eyes. The house was tall, the skylight small and dirty, the day blind with fog; and the light that filtered down to the ground story was exceedingly faint, and showed dimly on the threshold of the shop. And yet, in that strip of doubtful brightness, did there not hang wavering a shadow?

Suddenly, from the street outside, a very jovial gentleman began to beat with a staff on the shop-door, accompanying his blows with shouts and railleries in which the dealer was continually called upon by name. Markheim, smitten into ice, glanced at the dead man. But no! he lay quite still; he was fled away far beyond earshot of these blows and shoutings; he was sunk beneath seas of silence; and his name, which would once have caught his notice above the howling of a storm, had become an empty sound. And presently the jovial gentleman desisted from his knocking and departed.

Here was a broad hint to hurry what remained to be done, to get forth from this accusing neighbourhood, to plunge into a bath of London multitudes, and to reach, on the other side of day, that haven of safety and apparent innocence—his bed. One visitor had come: at any moment another might follow and be more obstinate. To have done the deed, and yet not to reap the profit, would be too abhorrent a failure. The money, that was now Markheim’s concern; and as a means to that, the keys.

He glanced over his shoulder at the open door, where the shadow was still lingering and shivering; and with no conscious repugnance of the mind, yet with a tremor of the belly, he drew near the body of his victim. The human character had quite departed. Like a suit half-stuffed with bran, the limbs lay scattered, the trunk doubled, on the floor; and yet the thing repelled him. Although so dingy and inconsiderable to the eye, he feared it might have more significance to the touch. He took the body by the shoulders, and turned it on its back. It was strangely light and supple, and the limbs, as if they had been broken, fell into the oddest postures. The face was robbed of all expression; but it was as pale as wax, and shockingly smeared with blood about one temple. That was, for Markheim, the one displeasing circumstance. It carried him back, upon the instant, to a certain fair-day in a fishers’ village: a gray day, a piping wind, a crowd upon the street, the blare of brasses, the booming of drums, the nasal voice of a ballad singer; and a boy going to and fro, buried over head in the crowd and divided between interest and fear, until, coming out upon the chief place of concourse, he beheld a booth and a great screen with pictures, dismally designed, garishly coloured: Brownrigg with her apprentice; the Mannings with their murdered guest; Weare in the death-grip of Thurtell; and a score besides of famous crimes. The thing was as clear as an illusion; he was once again that little boy; he was looking once again, and with the same sense of physical revolt, at these vile pictures; he was still stunned by the thumping of the drums. A bar of that day’s music returned upon his memory; and at that, for the first time, a qualm came over him, a breath of nausea, a sudden weakness of the joints, which he must instantly resist and conquer.

He judged it more prudent to confront than to flee from these considerations; looking the more hardily in the dead face, bending his mind to realise the nature and greatness of his crime. So little a while ago that face had moved with every change of sentiment, that pale mouth had spoken, that body had been all on fire with governable energies; and now, and by his act, that piece of life had been arrested, as the horologist, with interjected finger, arrests the beating of the clock. So he reasoned in vain; he could rise to no more remorseful consciousness; the same heart which had shuddered before the painted effigies of crime, looked on its reality unmoved. At best, he felt a gleam of pity for one who had been endowed in vain with all those faculties that can make the world a garden of enchantment, one who had never lived and who was now dead. But of penitence, no, not a tremor.

With that, shaking himself clear of these considerations, he found the keys and advanced towards the open door of the shop. Outside, it had begun to rain smartly; and the sound of the shower upon the roof had banished silence. Like some dripping cavern, the chambers of the house were haunted by an incessant echoing, which filled the ear and mingled with the ticking of the clocks. And, as Markheim approached the door, he seemed to hear, in answer to his own cautious tread, the steps of another foot withdrawing up the stair. The shadow still palpitated loosely on the threshold. He threw a ton’s weight of resolve upon his muscles, and drew back the door.

The faint, foggy daylight glimmered dimly on the bare floor and stairs; on the bright suit of armour posted, halbert in hand, upon the landing; and on the dark wood-carvings, and framed pictures that hung against the yellow panels of the wainscot. So loud was the beating of the rain through all the house that, in Markheim’s ears, it began to be distinguished into many different sounds. Footsteps and sighs, the tread of regiments marching in the distance, the chink of money in the counting, and the creaking of doors held stealthily ajar, appeared to mingle with the patter of the drops upon the cupola and the gushing of the water in the pipes. The sense that he was not alone grew upon him to the verge of madness. On every side he was haunted and begirt by presences. He heard them moving in the upper chambers; from the shop, he heard the dead man getting to his legs; and as he began with a great effort to mount the stairs, feet fled quietly before him and followed stealthily behind. If he were but deaf, he thought, how tranquilly he would possess his soul! And then again, and hearkening with ever fresh attention, he blessed himself for that unresting sense which held the outposts and stood a trusty sentinel upon his life. His head turned continually on his neck; his eyes, which seemed starting from their orbits, scouted on every side, and on every side were half-rewarded as with the tail of something nameless vanishing. The four-and-twenty steps to the first floor were four-and-twenty agonies.

On that first storey, the doors stood ajar, three of them like three ambushes, shaking his nerves like the throats of cannon. He could never again, he felt, be sufficiently immured and fortified from men’s observing eyes; he longed to be home, girt in by walls, buried among bedclothes, and invisible to all but God. And at that thought he wondered a little, recollecting tales of other murderers and the fear they were said to entertain of heavenly avengers. It was not so, at least, with him. He feared the laws of nature, lest, in their callous and immutable procedure, they should preserve some damning evidence of his crime. He feared tenfold more, with a slavish, superstitious terror, some scission in the continuity of man’s experience, some wilful illegality of nature. He played a game of skill, depending on the rules, calculating consequence from cause; and what if nature, as the defeated tyrant overthrew the chess-board, should break the mould of their succession? The like had befallen Napoleon (so writers said) when the winter changed the time of its appearance. The like might befall Markheim: the solid walls might become transparent and reveal his doings like those of bees in a glass hive; the stout planks might yield under his foot like quicksands and detain him in their clutch; ay, and there were soberer accidents that might destroy him: if, for instance, the house should fall and imprison him beside the body of his victim; or the house next door should fly on fire, and the firemen invade him from all sides. These things he feared; and, in a sense, these things might be called the hands of God reached forth against sin. But about God Himself he was at ease; his act was doubtless exceptional, but so were his excuses, which God knew; it was there, and not among men, that he felt sure of justice.

When he had got safe into the drawing-room, and shut the door behind him, he was aware of a respite from alarms. The room was quite dismantled, uncarpeted besides, and strewn with packing cases and incongruous furniture; several great pier-glasses, in which he beheld himself at various angles, like an actor on a stage; many pictures, framed and unframed, standing, with their faces to the wall; a fine Sheraton sideboard, a cabinet of marquetry, and a great old bed, with tapestry hangings. The windows opened to the floor; but by great good fortune the lower part of the shutters had been closed, and this concealed him from the neighbours. Here, then, Markheim drew in a packing case before the cabinet, and began to search among the keys. It was a long business, for there were many; and it was irksome, besides; for, after all, there might be nothing in the cabinet, and time was on the wing. But the closeness of the occupation sobered him. With the tail of his eye he saw the door—even glanced at it from time to time directly, like a besieged commander pleased to verify the good estate of his defences. But in truth he was at peace. The rain falling in the street sounded natural and pleasant. Presently, on the other side, the notes of a piano were wakened to the music of a hymn, and the voices of many children took up the air and words. How stately, how comfortable was the melody! How fresh the youthful voices! Markheim gave ear to it smilingly, as he sorted out the keys; and his mind was thronged with answerable ideas and images; church-going children and the pealing of the high organ; children afield, bathers by the brookside, ramblers on the brambly common, kite-flyers in the windy and cloud-navigated sky; and then, at another cadence of the hymn, back again to church, and the somnolence of summer Sundays, and the high genteel voice of the parson (which he smiled a little to recall) and the painted Jacobean tombs, and the dim lettering of the Ten Commandments in the chancel.

And as he sat thus, at once busy and absent, he was startled to his feet. A flash of ice, a flash of fire, a bursting gush of blood, went over him, and then he stood transfixed and thrilling. A step mounted the stair slowly and steadily, and presently a hand was laid upon the knob, and the lock clicked, and the door opened.

Fear held Markheim in a vice. What to expect he knew not, whether the dead man walking, or the official ministers of human justice, or some chance witness blindly stumbling in to consign him to the gallows. But when a face was thrust into the aperture, glanced round the room, looked at him, nodded and smiled as if in friendly recognition, and then withdrew again, and the door closed behind it, his fear broke loose from his control in a hoarse cry. At the sound of this the visitant returned.

“Did you call me?” he asked pleasantly, and with that he entered the room and closed the door behind him.

Markheim stood and gazed at him with all his eyes. Perhaps there was a film upon his sight, but the outlines of the new-comer seemed to change and waver like those of the idols in the wavering candlelight of the shop; and at times he thought he knew him; and at times he thought he bore a likeness to himself; and always, like a lump of living terror, there lay in his bosom the conviction that this thing was not of the earth and not of God.

And yet the creature had a strange air of the commonplace, as he stood looking on Markheim with a smile; and when he added: “You are looking for the money, I believe?” it was in the tones of everyday politeness.

Markheim made no answer.

“I should warn you,” resumed the other, “that the maid has left her sweetheart earlier than usual and will soon be here. If Mr. Markheim be found in this house, I need not describe to him the consequences.”

“You know me?” cried the murderer.

The visitor smiled. “You have long been a favourite of mine,” he said; “and I have long observed and often sought to help you.”

“What are you?” cried Markheim: “the devil?”

“What I may be,” returned the other, “cannot affect the service I propose to render you.”

“It can,” cried Markheim; “it does! Be helped by you? No, never; not by you! You do not know me yet; thank God, you do not know me!”

“I know you,” replied the visitant, with a sort of kind severity or rather firmness. “I know you to the soul.”

“Know me!” cried Markheim. “Who can do so? My life is but a travesty and slander on myself. I have lived to belie my nature. All men do; all men are better than this disguise that grows about and stifles them. You see each dragged away by life, like one whom bravos have seized and muffled in a cloak. If they had their own control—if you could see their faces, they would be altogether different, they would shine out for heroes and saints! I am worse than most; myself is more overlaid; my excuse is known to me and God. But, had I the time, I could disclose myself.”

“To me?” inquired the visitant.

“To you before all,” returned the murderer. “I supposed you were intelligent. I thought—since you exist—you would prove a reader of the heart. And yet you would propose to judge me by my acts! Think of it; my acts! I was born and I have lived in a land of giants; giants have dragged me by the wrists since I was born out of my mother—the giants of circumstance. And you would judge me by my acts! But can you not look within? Can you not understand that evil is hateful to me? Can you not see within me the clear writing of conscience, never blurred by any wilful sophistry, although too often disregarded? Can you not read me for a thing that surely must be common as humanity—the unwilling sinner?”

“All this is very feelingly expressed,” was the reply, “but it regards me not. These points of consistency are beyond my province, and I care not in the least by what compulsion you may have been dragged away, so as you are but carried in the right direction. But time flies; the servant delays, looking in the faces of the crowd and at the pictures on the hoardings, but still she keeps moving nearer; and remember, it is as if the gallows itself was striding towards you through the Christmas streets! Shall I help you; I, who know all? Shall I tell you where to find the money?”

“For what price?” asked Markheim.

“I offer you the service for a Christmas gift,” returned the other.

Markheim could not refrain from smiling with a kind of bitter triumph. “No,” said he, “I will take nothing at your hands; if I were dying of thirst, and it was your hand that put the pitcher to my lips, I should find the courage to refuse. It may be credulous, but I will do nothing to commit myself to evil.”

“I have no objection to a deathbed repentance,” observed the visitant.

“Because you disbelieve their efficacy!” Markheim cried.

“I do not say so,” returned the other; “but I look on these things from a different side, and when the life is done my interest falls. The man has lived to serve me, to spread black looks under colour of religion, or to sow tares in the wheat-field, as you do, in a course of weak compliance with desire. Now that he draws so near to his deliverance, he can add but one act of service—to repent, to die smiling, and thus to build up in confidence and hope the more timorous of my surviving followers. I am not so hard a master. Try me. Accept my help. Please yourself in life as you have done hitherto; please yourself more amply, spread your elbows at the board; and when the night begins to fall and the curtains to be drawn, I tell you, for your greater comfort, that you will find it even easy to compound your quarrel with your conscience, and to make a truckling peace with God. I came but now from such a deathbed, and the room was full of sincere mourners, listening to the man’s last words: and when I looked into that face, which had been set as a flint against mercy, I found it smiling with hope.”

“And do you, then, suppose me such a creature?” asked Markheim. “Do you think I have no more generous aspirations than to sin, and sin, and sin, and, at the last, sneak into heaven? My heart rises at the thought. Is this, then, your experience of mankind? or is it because you find me with red hands that you presume such baseness? and is this crime of murder indeed so impious as to dry up the very springs of good?”

“Murder is to me no special category,” replied the other. “All sins are murder, even as all life is war. I behold your race, like starving mariners on a raft, plucking crusts out of the hands of famine and feeding on each other’s lives. I follow sins beyond the moment of their acting; I find in all that the last consequence is death; and to my eyes, the pretty maid who thwarts her mother with such taking graces on a question of a ball, drips no less visibly with human gore than such a murderer as yourself. Do I say that I follow sins? I follow virtues also; they differ not by the thickness of a nail, they are both scythes for the reaping angel of Death. Evil, for which I live, consists not in action but in character. The bad man is dear to me; not the bad act, whose fruits, if we could follow them far enough down the hurtling cataract of the ages, might yet be found more blessed than those of the rarest virtues. And it is not because you have killed a dealer, but because you are Markheim, that I offer to forward your escape.”

“I will lay my heart open to you,” answered Markheim. “This crime on which you find me is my last. On my way to it I have learned many lessons; itself is a lesson, a momentous lesson. Hitherto I have been driven with revolt to what I would not; I was a bond-slave to poverty, driven and scourged. There are robust virtues that can stand in these temptations; mine was not so: I had a thirst of pleasure. But to-day, and out of this deed, I pluck both warning and riches—both the power and a fresh resolve to be myself. I become in all things a free actor in the world; I begin to see myself all changed, these hands the agents of good, this heart at peace. Something comes over me out of the past; something of what I have dreamed on Sabbath evenings to the sound of the church organ, of what I forecast when I shed tears over noble books, or talked, an innocent child, with my mother. There lies my life; I have wandered a few years, but now I see once more my city of destination.”

“You are to use this money on the Stock Exchange, I think?” remarked the visitor;” and there, if I mistake not, you have already lost some thousands?”

“Ah,” said Markheim, “but this time I have a sure thing.”

“This time, again, you will lose,” replied the visitor quietly.

“Ah, but I keep back the half!” cried Markheim.

“That also you will lose,” said the other.

The sweat started upon Markheim’s brow. “Well, then, what matter?” he exclaimed. “Say it be lost, say I am plunged again in poverty, shall one part of me, and that the worse, continue until the end to override the better? Evil and good run strong in me, haling me both ways. I do not love the one thing, I love all. I can conceive great deeds, renunciations, martyrdoms; and though I be fallen to such a crime as murder, pity is no stranger to my thoughts. I pity the poor; who knows their trials better than myself? I pity and help them; I prize love, I love honest laughter; there is no good thing nor true thing on earth but I love it from my heart. And are my vices only to direct my life, and my virtues to lie without effect, like some passive lumber of the mind? Not so; good, also, is a spring of acts.”

But the visitant raised his finger. “For six-and-thirty years that you have been in this world,” said he, “through many changes of fortune and varieties of humour, I have watched you steadily fall. Fifteen years ago you would have started at a theft. Three years back you would have blenched at the name of murder. Is there any crime, is there any cruelty or meanness, from which you still recoil?—five years from now I shall detect you in the fact! Downward, downward, lies your way; nor can anything but death avail to stop you.”

“It is true,” Markheim said huskily, “I have in some degree complied with evil. But it is so with all: the very saints, in the mere exercise of living, grow less dainty, and take on the tone of their surroundings.”

“I will propound to you one simple question,” said the other; “and as you answer, I shall read to you your moral horoscope. You have grown in many things more lax; possibly you do right to be so; and at any account, it is the same with all men. But granting that, are you in any one particular, however trifling, more difficult to please with your own conduct, or do you go in all things with a looser rein?”

“In any one?” repeated Markheim, with an anguish of consideration. “No,” he added, with despair, “in none! I have gone down in all.”

“Then,” said the visitor, “content yourself with what you are, for you will never change; and the words of your part on this stage are irrevocably written down.”

Markheim stood for a long while silent, and indeed it was the visitor who first broke the silence. “That being so,” he said, “shall I show you the money?”

“And grace? “cried Markheim.

“Have you not tried it?” returned the other. “Two or three years ago, did I not see you on the platform of revival meetings, and was not your voice the loudest in the hymn?”

“It is true,” said Markheim; “and I see clearly what remains for me by way of duty. I thank you for these lessons from my soul; my eyes are opened, and I behold myself at last for what I am.”

At this moment, the sharp note of the door-bell rang through the house; and the visitant, as though this were some concerted signal for which he had been waiting, changed at once in his demeanour.

“The maid!” he cried. “She has returned, as I forewarned you, and there is now before you one more difficult passage. Her master, you must say, is ill; you must let her in, with an assured but rather serious countenance—no smiles, no overacting, and I promise you success! Once the girl within, and the door closed, the same dexterity that has already rid you of the dealer will relieve you of this last danger in your path. Thenceforward you have the whole evening—the whole night, if needful—to ransack the treasures of the house and to make good your safety. This is help that comes to you with the mask of danger. Up!” he cried; “up, friend; your life hangs trembling in the scales: up, and act!”

Markheim steadily regarded his counsellor. “If I be condemned to evil acts,” he said, “there is still one door of freedom open—I can cease from action. If my life be an ill thing, I can lay it down. Though I be, as you say truly, at the beck of every small temptation, I can yet, by one decisive gesture, place myself beyond the reach of all. My love of good is damned to barrenness; it may, and let it be! But I have still my hatred of evil; and from that, to your galling disappointment, you shall see that I can draw both energy and courage.”

The features of the visitor began to undergo a wonderful and lovely change: they brightened and softened with a tender triumph, and, even as they brightened, faded and dislimned. But Markheim did not pause to watch or understand the transformation. He opened the door and went downstairs very slowly, thinking to himself. His past went soberly before him; he beheld it as it was, ugly and strenuous like a dream, random as chance-medley—a scene of defeat. Life, as he thus reviewed it, tempted him no longer; but on the farther side he perceived a quiet haven for his bark. He paused in the passage, and looked into the shop, where the candle still burned by the dead body. It was strangely silent. Thoughts of the dealer swarmed into his mind, as he stood gazing. And then the bell once more broke out into impatient clamour.

He confronted the maid upon the threshold with something like a smile.

“You had better go for the police,” said he: “I have killed your master.”

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Most Haunted Places in Germany

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From haunted castles, local legends inside of the forests and the ghosts from the second world war: to strangest local legends. Here is a closer look at the most haunted places in Germany.

Germany is a land rich in history, culture, and folklore, where ancient castles loom over misty forests and quaint villages hide secrets that have echoing tales of the past. From the eerie echoes of tragic events to the ghostly figures said to wander through time, these haunted locations offer a glimpse into the supernatural.

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Whether you’re a seasoned ghost hunter or a curious traveler, exploring these haunted places can be both thrilling and chilling. In this listicle, we will journey through some of the most haunted spots across Germany, uncovering the stories of restless spirits and the mysteries that continue to captivate the imagination. Prepare yourself for a spine-tingling adventure as we delve into the spectral realms that lay hidden beneath the surface of this enchanting country.

The Black Forest in Baden-Württemberg in southwest Germany– A Realm of Dark Fairy Tales

The most Haunted Black Forest in Germany: The haunting beauty of the Black Forest illuminated by the full moon, a landscape steeped in legend and mystery.

The Black Forest (Schwarzwald) is often the first thing people think about when talking about the haunted places around Germany. The forest is actually a huge area that goes from southwest in Germany, down the Rhine Valley to the west, almost reaching the border to France and Switzerland, covering over 6000 km2

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It has also become synonymous with the Brothers Grimm’s tales, but beyond the stories lies a landscape steeped in legend and mystery. Whispers tell of a headless horseman galloping through the dense, shadowy woods under the cover of moonlight, his ghostly presence echoing through the trees and sending shivers down the spines of those who dare to venture close. Additionally, an evil king, shrouded in darkness and deceit, is said to lure women to his underwater lair, hidden deep within the heart of the forest. This lair, adorned with treasures of untold riches and secrets long forgotten, is said to be guarded by magical creatures and is rumored to be a part of a deeper enchantment that binds the forest and its legends together.

Haus Fühlingen – The Haunted Manor in Cologne

Haus Fühlingen, an abandoned manor in Cologne, Germany, once belonged to the affluent Oppenheim family before falling into ruin after being sold in 1907. During World War II, the Nazis turned it into a farm for forced laborers, where a young Polish laborer, Edward Margol, was wrongfully executed and is said to haunt the estate. In 1962, a former Nazi judge also hanged himself in the house, leading to speculation about a connection between the two tragedies.

Over the years, Haus Fühlingen has become known for its ghostly occurrences, attracting ghost hunters and thrill-seekers who report strange phenomena. Plans for renovation into luxury apartments have been proposed since 2008, but the future of the manor remains uncertain as it may be considered for demolition.

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Schlosshotel Waldlust – The Haunted Hotel of the Black Forest

Once a luxurious retreat in Freudenstadt, Schlosshotel Waldlust now stands abandoned, its grandeur faded in the middle of the infamous Black Forest. The tragic murder of its manager, Adi, in 1949, marked the beginning of its descent into darkness. The hotel staff started to notice strange things, the glass was shaking as if it was an earthquake, and they saw a woman with a white veil wandering the halls. They also heard a baby crying in the night, even though there was no one there. 

Schlosshotel Waldlust finally closed in 2005, and is now almost only used for those that want to take a peek at what a haunted and abandoned hotel looks like. 

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Reichenstein Castle – The Headless Ghost of Hohenfels

Perched above the Rhine, Reichenstein Castle is haunted by the remorseful spirit of Dietrich von Hohenfels. He was a robber baron who lived in the castle at the end of the 1200s. This would all come to an end when the House of Habsburg would rise to power and rule the Holy Roman Empire for generations to come. Executed alongside his sons for their crimes, his headless apparition is said to wander the castle, eternally seeking redemption. 

Today it is said that the ghost of Dietrich von Hohenfels is heard rather than seen inside of the castle and the guests visiting are said to feel like they are never truly alone. Other unexplained things like windows and doors opening and closing without there being anyone there. 

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Waldniel-Hostert School – Echoes of a Dark Past

This former Nazi institute in North Rhine-Westphalia bears the weight of a grim history. As part of the child euthanasia program, countless lives were lost within its walls. The program ended up killing more than 200 000 people. While they renovated the school they uncovered human remains of the patients who had died and were killed when the Nazis ran their institute. 

There are many stories about the haunted stuff happening at the school that transitioned into an international school for years. They say the children who died in the program are heard weeping from the corridors where they wander restlessly, fearful of the horrendous end they met with. 

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Bundesstraße 215 – The Haunted Highway

Stretching between Hanover and Hamburg, this road is notorious for its high accident rate. Drivers report encounters with a mysterious Woman in White, believed to be a spectral presence warning—or causing—these tragic events. 

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Eltz Castle – The Warrior Countess

Eltz Castle, in the hills above the Moselle River, is said to be guarded by the spirit of a noble countess. The castle has belonged to the House of Eltz who have lived there since the 1100s and is one of the few castles that have never been destroyed and rebuilt. Countess Agnes of Eltz was the daughter of the 15th count of the Eltz Castle at the time. When she refused and embarrassed a man she was intended to marry. She died defending her castle when he return for revenge on her family.

She can be seen by the entrance of the Eltz Castle to this day, still wearing her suit of armor. It is also said that a phantom horseman is also riding outside of the gates, and the knight of Braunsberg is still seeking forgiveness for what he did. 

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The Family Curse Haunting the House of Hohenzollern

Haunted places of Germany: The House of Hohenzollern, a historic German castle, is said to be haunted by a Lady in White, linked to the family’s tragedies.

The House of Hohenzollern, an ancient and noble family in Germany, is said to be haunted by a Lady in White, a ghostly figure appearing as an omen of death. The legend attributes sightings of this apparition to significant family members, particularly a young prince who encounters her before his demise. Historically, the haunting is linked to Kunigunde von Orlamünde, a woman driven to madness by love, who tragically murdered her children to pursue a relationship and sought penance as a nun.

The presence of the White Lady has been observed throughout the centuries, often leading to misfortune, as evidenced by numerous accounts of family members witnessing her before their deaths. The family’s power waned after World War I, with the haunting legend persisting—a reminder of the past intertwined with German folklore.

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Frankenstein Castle – Ghosts and Dragon’s dens

The Haunted Castle in Germany: Frankenstein Castle, an ancient ruin in Odenwald, Germany, shrouded in myths and legends, features stunning architecture and lush surroundings.

Frankenstein Castle, located on a hilltop in Odenwald, Germany, is an ancient ruin steeped in myths and legends. Built before 1252 by Lord Conrad Reiz, it served as a home to the Frankenstein family for over 400 years, witnessing significant historical events, including opposition to the Reformation. By the 18th century, it had become a hospital before falling into ruin, with only the restored towers remaining.

The castle is surrounded by legends, such as stories of hidden treasure and the mystical properties of nearby Mount Ilbes, said to be a gathering place for witches. Felsenmeer, a rocky site nearby, is believed to be tied to the death of Siegfried from the Nibelungenlied. Although Mary Shelley may have drawn inspiration from the castle for her 1818 novel “Frankenstein,” no direct evidence links her to it.

An alchemist named Johann Konrad Dippel, who claimed to possess an “Elixir of Life,” was rumored to have lived at the castle and conducted questionable experiments. Local legends also tell of a dragon terrorizing neighboring villagers until a knight named Lord George defeated it, sacrificing his life in the process. The castle remains a site of fascination, embodying the intersection of history, mythology, and the supernatural.

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The Legend of the Rollibock: Guardian of the Aletsch Glacier

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Coming down as an avalanche through the Swiss Alps, the Rollibock monster is the avenger on man when they take too much from nature. 

Deep in the Swiss Alps, where eternal ice clings to jagged peaks and ancient glaciers wind their way through forgotten valleys, a chilling legend endures — the tale of the Rollibock. 

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Among the locals of Valais and villages like Naters and Fieschertal, and the scattered alpine villages near the Great Aletsch Glacier, this supernatural creature is spoken of in hushed voices, especially when the wind howls through the mountain passes and the ice groans beneath the weight of unseen forces.

The Aletsch Glacier: is the largest glacier in Switzerland and the Alps. It is 15 miles long and up to 800 metres deep. Since the late 19th century Aletsch has lost almost two miles of its length, and by 2100 it is predicted to shrink by eight miles more, reducing it to a tenth of the mass it is today and nine in 10 glaciers in the Alps will disappear by the end of this century.

The Rollibock of the Alps

The Rollibock is no ordinary beast. Descriptions passed down through generations tell of a massive goat-like creature, its eyes glowing an unnatural, eerie light in the darkness. Its twisted, towering horns resemble gnarled branches coated in frost, and its entire body is encrusted with jagged shards of ice that clatter together as it moves. It is said to have torn open land, stones, and fir trees with its horns and hurled them high into the air. Some say when it breathes, the air turns brittle and the snow itself recoils in terror.

According to legend, the Rollibock is the ancient guardian of the Aletsch Glacier, protector of the frozen world from the greed and carelessness of men. According to legend, the RolliBock is a terrifying creature that takes revenge on everyone and everything that tramples on nature.

Fieschertal Village: Between the year 1300 and 1850/1860 the Aletsch Glacier grew rapidly in size and regularly pushed through the natural dam of the Märjelensee, causing flooding in large parts of the canton of Valais. In the 17th century, during the little ice age, German-speaking Catholics from the village of Fiesch began an annual pilgrimage to beg God to turn the glacier back.

The Rollibock and the Hunter

Woe to those who trespass on his domain with disrespect. One of the most enduring tales involves a reckless hunter who, driven by greed, ventured onto the glacier to harvest rare ice crystals believed to hold magical properties. As he smashed them from the ice, a sudden storm engulfed the glacier, and a lone ferryman appeared to offer him passage to safety.

The desperate hunter accepted, only to realize too late that the ferryman’s eyes gleamed like twin embers in the gloom. Midway across a frozen expanse, the ferryman’s form shifted and swelled, his cloak of furs transforming into shards of clinking ice, his visage twisting into the monstrous form of the Rollibock. With a bellow that echoed across the mountains, the beast dragged the screaming man into the depths of the glacier, his cries swallowed by the ice.

To this day, sudden storms and avalanches on the Great Aletsch Glacier are blamed on the Rollibock, a grim reminder that nature’s ancient powers still watch over the high places of the world. They also fear the mysterious Märjelen Lake they thought to be the place where the hunter disappeared. 

The Revenge of the Rollibock.

Locals swear that if you hear the distant clatter of ice when the wind is still, you’d best turn back — for the Rollibock is near, and he does not forgive trespassers. And when the people of the Upper Valais experienced flooding, it was said the Rollibock was angered. Only those who fled to a chapel or a house where blessed objects were kept could save themselves. Those who didn’t make it was crushed to like dust in the sun, swallowed by the ice and snow. 

It remains one of Switzerland’s most unnerving alpine legends, a chilling testament to the dangers of arrogance in the face of nature’s dominion.

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    After falling to his death trying to escape the debtor’s prison, The Marshalsea Barracks in Dublin, it is said the ghost of Pat Doyle is haunting the remaining walls of the ruins.
  • The Linden Tree of Linn: A Living Monument to Death, Hope, and Haunting Whispers
    Planted to mark the mass grave of plague victims, the Linden Tree in the Aargau valley in Switzerland has become a famous landmark. In the night though, it is said that the ghosts buried underneath it crawls from the ground to haunt as a warning for any oncoming tragedies.
  • The Brazen Head: Dublin’s Oldest Pub and Its Restless Rebel
    A rebel and freedom fighter for Irish independence is said to haunt his favorite pub, The Brazen Head in Dublin, where it is said he plotted his fight against the English.
  • Black Cat Ghosts of Bern: A City Haunted by Feline Phantoms
    The black cat in European folklore is shrouded in mystery and magical lore. From the old parts of Bern, ghost stories of ghostly black cats linger in the shadows, reminding about the old fear the feline specter used to hold over people.
  • The Haunting of Münchenstein’s Rectory Marini House
    Right outside Basel in Switzerland, the haunted former Rectory in Münchenstein is said to be haunted by one of its former priests.
  • The Ghost Procession of Basel and the Dance of Death
    Mirroring the famous Dance Macabre mural that used to hang on the walls near the Predigerkirche in Basel, it is said that plague victims were buried in the patch of grass outside of the church. Legend has it that when the city needs it, the dead will rise from it in a macabre procession, as a warning of an oncoming disaster.
  • The Haunted Halls of the Bern City Hall (Rathaus)
    Where history whispers and shadows reign, the Rathaus in Bern is said to be haunted by a myriad of ghosts. Who are the ghosts lingering in the City Hall after dark?
  • The Restless Dead Buried Inside of Basel’s Double Cloister
    The two adjoining cloisters by Basel Cathedral are said to be haunted by a couple of spectres entombed within the building. In the darkness of Basel’s Double Cloister, it is said you can hear the moaning of a man slowly suffocating and feel the unsuspected slap from a man, as mean in death as he was in life.
  • The Portobello Bar: Spirits on the Canal
    A lock keeper from the adjacent lock next The Portobello Bar in Dublin is said to be haunting it. Ever since his mistake cost the lives of someone crossing, he is said to be lingering in the area.
  • Val Sinestra Hotel and the Ghost of Hermann Haunting the Lower Engadine
    In an old sanatorium in Switzerland the ghost of Hermann is said to have been haunting for ages. But who was he when he was alive, and what was his true name before he died in the remote fortress up in the mountains? And is he still haunting the old halls where he never made his recovery?

References:

Der Rollibock – Forgotten Creatures 

Rollibock – Wikipedia

An online magazine about the paranormal, haunted and macabre. We collect the ghost stories from all around the world as well as review horror and gothic media.

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