The Night of Christmas Eve by Nikolai Gogol

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Set in snowy Ukraine on Christmas Eve, this folkloric tale follows a trickster devil who wreaks havoc in a village while a young man seeks to win his beloved’s heart under supernatural influence.

The Night of Christmas Eve by Nikolai Gogol (Translated by George Tolstoy)

The last day before Christmas had just closed. A bright winter night had come on, stars had appeared, and the moon rose majestically in the heavens to shine upon good men and the whole of the world, so that they might gaily sing carols and hymns in praise of the nativity of Christ. The frost had grown more severe than during the day; but, to make up for this, everything had become so still that the crisping of the snow under foot might be heard nearly half a verst round. As yet there was not a single group of young peasants to be seen under the windows of the cottages; the moon alone peeped stealthily in at them, as if inviting the maidens, who were decking themselves, to make haste and have a run on the crisp snow. Suddenly, out of the chimney of one of the cottages, volumes of smoke ascended in clouds towards the heavens, and in the midst of those clouds rose, on a besom, a witch.

If at that time the magistrate of Sorochinsk[1] had happened to pass in his carriage, drawn by three horses, his head covered by a lancer cap with sheepskin trimming, and wrapped in his great cloak, covered with blue cloth and lined with black sheepskin, and with his tightly plaited lash, which he uses for making the driver drive faster—if this worthy gentleman had happened to pass at that time, no doubt he would have seen the witch, because there is no witch who could glide away without his seeing her. He knows to a certainty how many sucking pigs each swine brings forth in each cottage, how much linen lies in each box, and what each one has pawned in the brandy-shop out of his clothes or his household furniture. But the magistrate of Sorochinsk happened not to pass; and then, what has he to do with those out of his jurisdiction? he has his own circuit. And the witch by this time had risen so high that she only looked like a little dark spot up above; but wherever that spot went, one star after another disappeared from heaven. In a short time the witch had got a whole sleeveful of them. Some three or four only remained shining. On a sudden, from the opposite side, appeared another spot, which went on growing, spreading, and soon became no longer a spot. A short-sighted man, had he put, not only spectacles, but even the wheels of a britzka on his nose, would never have been able to make out what it was. In front, it was just like a German;[2] a narrow snout, incessantly turning on every side, and smelling about, ended like those of our pigs, in a small, round, flattened end; its legs were so thin, that had the village elder got no better, he would have broken them to pieces in the first squatting-dance. But, as if to make amends for these deficiencies, it might have been taken, viewed from behind, for the provincial advocate, so much was its long pointed tail like the skirt of our dress-coats. And yet, a look at the goat’s beard under its snout, at the small horns sticking out of its head, and at the whole of its figure, which was no whiter than that of a chimney sweeper, would have sufficed to make any one guess that it was neither a German nor a provincial advocate, but the Devil in person, to whom only one night more was left for walking about the world and tempting good men to sin. On the morrow, at the first stroke of the church bell, he was to run, with his tail between his legs, back to his quarters. The devil then, as the devil it was, stole warily to the moon, and stretched out his hand to get hold of it; but at the very same moment he drew it hastily back again, as if he had burnt it, shook his foot, sucked his fingers, ran round on the other side, sprang at the moon once more, and once more drew his hand away. Still, notwithstanding his being baffled, the cunning devil did not desist from his mischievous designs. Dashing desperately forwards, he grasped the moon with both hands, and, making wry faces and blowing hard, he threw it from one hand to the other, like a peasant who has taken a live coal in his hand to light his pipe. At last, he hastily hid it in his pocket, and went on his way as if nothing had happened. At Dikanka,[3] nobody suspected that the devil had stolen the moon. It is true that the village scribe, coming out of the brandy-shop on all fours, saw how the moon, without any apparent reason, danced in the sky, and took his oath of it before the whole village, but the distrustful villagers shook their heads, and even laughed at him. And now, what was the reason that the devil had decided on such an unlawful step? Simply this: he knew very well that the rich Cossack[4] Choop[5] was invited to an evening party at the parish clerk’s, where he was to meet the elder, also a relation of the clerk, who was in the archbishop’s chapel, and who wore a blue coat and had a most sonorous basso profondo, the Cossack Sverbygooze, and some other acquaintances; where there would be for supper, not only the kootia,[6] but also a varenookha,[7] as well as corn-brandy, flavoured with saffron, and divers other dainties. He knew that in the mean time Choop’s daughter, the belle of the village, would remain at home; and he knew, moreover, that to this daughter would come the blacksmith, a lad of athletic strength, whom the devil held in greater aversion than even the sermons of Father Kondrat. When the blacksmith had no work on hand, he used to practise painting, and had acquired the reputation of being the best painter in the whole district. Even the Centurion[8] had expressly sent for him to Poltava, for the purpose of painting the wooden palisade round his house. All the tureens out of which the Cossacks of Dikanka ate their borsch,[9] were adorned with the paintings of the blacksmith. He was a man of great piety, and often painted images of the saints; even now, some of them may be seen in the village church; but his masterpiece was a painting on the right side of the church-door; in it he had represented the Apostle Peter, at the Day of Judgment, with the keys in his hand, driving the evil spirit out of hell; the terrified devil, apprehending his ruin, rushed hither and thither, and the sinners, freed from their imprisonment, pursued and thrashed him with scourges, logs of wood, and anything that came to hand. All the time that the blacksmith was busy with this picture, and was painting it on a great board, the devil used all his endeavours to spoil it; he pushed his hand, raised the ashes out of the forge, and spread them over the painting; but, notwithstanding all this, the work was finished, the board was brought to the church, and fixed in the wall of the porch. From that time the devil vowed vengeance on the blacksmith. He had only one night left to roam about the world, but even in that night he sought to play some evil trick upon the blacksmith. For this reason he, had resolved to steal the moon, for he knew that old Choop was lazy above all things, not quick to stir his feet; that the road to the clerk’s was long, and went across back lanes, next to mills, along the churchyard, and over the top of a precipice; and though the varenookha and the saffron brandy might have got the better of Choop’s laziness on a moonlight night, yet, in such darkness, it would be difficult to suppose that anything could prevail on him to get down from his oven[10] and quit his cottage. And the blacksmith, who had long been at variance with Choop, would not on any account, in spite even of his strength, visit his daughter in his presence.

So stood events: hardly had the devil hidden the moon in his pocket, when all at once it grew so dark that many could not have found their way to the brandy-shop, still less to the clerk’s. The witch, finding herself suddenly in darkness, shrieked aloud. The devil coming near her, took her hand, and began to whisper to her those same things which are usually whispered to all womankind.

How oddly things go on in this world of ours! Every one who lives in it endeavours to copy and ape his neighbour. Of yore there was nobody at Mirgorod[11] but the judge and the mayor, who in winter wore fur cloaks covered with cloth; all their subordinates went in plain uncovered too-loops;[12] and now, only see, the deputy, as well as the under-cashier, wear new cloaks of black sheep fur covered with cloth. Two years ago, the village-scribe and the town-clerk bought blue nankeen, for which they paid full sixty copecks the arsheen.[13] The sexton, too, has found it necessary to have nankeen trousers for the summer, and a striped woollen waistcoat. In short, there is no one who does not try to cut a figure. When will the time come when men will desist from vanity? One may wager that many will be astonished at finding the devil making love. The most provoking part of it is, to think that really he fancies himself a beau, when the fact is, that he has such a phiz, that one is ashamed to look at it—such a phiz, that, as one of my friends says, it is the abomination of abominations; and yet, he, too, ventures to make love!

But it grew so dark in the sky, and under the sky, that there was no possibility of further seeing what passed between the devil and the witch.


“So thou sayest, kinsman, that thou hast not yet been in the clerk’s new abode?” said the Cossack Choop, stepping out of his cottage, to a tall meagre peasant in a short tooloop, with a well grown beard, which it was evident had remained at least a fortnight untouched by the piece of scythe, which the peasants use instead of a razor,[14] “There will be a good drinking party,” continued Choop, endeavouring to smile at these words, “only we must not be too late;” and with this Choop drew still closer his belt, which was tightly girded round his tooloop, pulled his cap over his eyes, and grasped more firmly his whip, the terror of importunate dogs; but looking up, remained fixed to the spot. “What the devil! look, kinsman!”

“What now?” uttered the kinsman, also lifting up his head.

“What now? Why, where is the moon gone?”

“Ah! sure enough, gone she is.”

“Yes, that she is!” said Choop, somewhat cross at the equanimity of the kinsman, “and it’s all the same to thee.”

“And how could I help it?”

“That must be the trick of some evil spirit,” continued Choop, rubbing his mustachios with his sleeve. “Wretched dog, may he find no glass of brandy in the morning! Just as if it were to laugh at us; and I was purposely looking out of window as I was sitting in the room; such a splendid night; so light, the snow shining so brightly in the moonlight; everything to be seen as if by day; and now we have hardly crossed the threshold, and behold it is as dark as blindness!”

And Choop continued a long time in the same strain, moaning and groaning, and thinking all the while what was to be done. He greatly wished to have a gossip about all sorts of nonsense at the clerk’s lodgings, where, he felt quite sure, were already assembled the elder, the newly arrived basso profondo, as well as the tar-maker Nikita, who went every fortnight to Poltava on business, and who told such funny stories that his hearers used to laugh till they were obliged to hold their belts. Choop even saw, in his mind’s eye, the varenookha brought forth upon the table. All this was most enticing, it is true; but then the darkness of the night put him in mind of the laziness which is so very dear to every Cossack. Would it not be well now to lie upon the oven, with his feet drawn up to his body, quietly enjoying a pipe, and listening through a delightful drowsiness to the songs and carols of the gay lads and maidens who would come in crowds under the windows? Were Choop alone, there is no doubt he would have preferred the latter; but to go in company would not be so tedious or so frightful after all, be the night ever so dark; besides, he did not choose to appear to another either lazy or timorous; so, putting an end to his grumbling, he once more turned to the kinsman. “Well, kinsman; so the moon is gone?”

“She is.”

“Really, it is very strange! Give me a pinch of thy snuff. Beautiful snuff it is; where dost thou buy it, kinsman?”

“I should like to know what is so beautiful in it;” answered the kinsman, shutting his snuff-box, made of birch bark and adorned with different designs pricked on it; “it would not make an old hen sneeze.”

“I remember,” continued Choop in the same strain, “the defunct pot-house keeper, Zoozooha, once brought me some snuff from Niegin.[15] That was what I call snuff—capital snuff! Well, kinsman, what are we to do? The night is dark.”

“Well, I am ready to remain at home,” answered the kinsman taking hold of the handle of the door.

Had not the kinsman spoken thus, Choop would have decidedly remained at home; but now, there was something which prompted him to do quite the contrary. “No, kinsman; we will go; go we must;” and whilst saying this, he was already cross with himself for having thus spoken. He was much displeased at having to walk so far on such a night, and yet he felt gratified at having had his own way, and having gone contrary to the advice he had received. The kinsman, without the least expression of discontent on his face, like a man perfectly indifferent to sitting at home or to taking a walk, looked round, scratched his shoulder with the handle of his cudgel, and away went the two kinsmen.


Let us now take a glance at what Choop’s beautiful daughter was about when left alone. Oxana has not yet completed her seventeenth year, and already all the people of Dikanka, nay, even the people beyond it, talk of nothing but her beauty. The young men are unanimous in their decision, and have proclaimed her the most beautiful girl that ever was, or ever can be, in the village. Oxana knows this well, and hears everything that is said about her, and she is, of course, as capricious as a beauty knows how to be. Had she been born to wear a lady’s elegant dress, instead of a simple peasant’s petticoat and apron, she would doubtless have proved so fine a lady that no maid could have remained in her service. The lads followed her in crowds; but she used to put their patience to such trials, that they all ended by leaving her to herself, and taking up with other girls, not so spoiled as she was. The blacksmith was the only one who did not desist from his love suit, but continued it, notwithstanding her ill-treatment, in which he had no less share than the others.

When her father was gone, Oxana remained for a long time decking herself, and coquetting before a small looking-glass, framed in tin. She could not tire of admiring her own likeness in the glass. “Why do men talk so much about my being so pretty?” said she, absently, merely for the sake of gossiping aloud. “Nonsense; there is nothing pretty in me.” But the mirror, reflecting her fresh, animated, childish features, with brilliant dark eyes, and a smile most inexpressibly bewitching, proved quite the contrary. “Unless,” continued the beauty, holding up the mirror, “may be, my black eyebrows and my dark eyes are so pretty that no prettier are to be found in the world; as for this little snub nose of mine, and my cheeks and my lips, what is there pretty in them? or, are my tresses so very beautiful? Oh! one might be frightened at them in the dark; they seem like so many serpents twining round my head. No, I see very well that I am not at all beautiful!” And then, on a sudden, holding the looking-glass a little further off, “No,” she exclaimed, exultingly, “No, I really am pretty! and how pretty! how beautiful! What joy shall I bring to him whose wife I am to be! How delighted will my husband be to look at me! He will forget all other thoughts in his love for me! He will smother me with kisses.”

“A strange girl, indeed,” muttered the blacksmith who had in the mean time entered the room, “and no small share of vanity has she got! There she stands for the last hour, looking at herself in the glass, and cannot leave off, and moreover praises herself aloud.”

“Yes, indeed lads! is any one of you a match for me?” went on the pretty flirt; “look at me, how gracefully I walk; my bodice is embroidered with red silk, and what ribbons I have got for my hair! You have never seen any to be compared to them! All this my father has bought on purpose for me, that I may marry the smartest fellow that ever was born!” and so saying, she laughingly turned round and saw the blacksmith. She uttered a cry and put on a severe look, standing straight before him. The blacksmith stood quite abashed. It would be difficult to specify the meaning of the strange girl’s somewhat sunburnt face; there was a degree of severity in it, and, in this same severity, somewhat of raillery at the blacksmith’s bashfulness, as well as a little vexation, which spread an almost imperceptible blush over her features. All this was so complicated, and became her so admirably Well, that the best thing to have done would have been to give her thousands and thousands of kisses.

“Why didst thou come hither?” she began. “Dost thou wish me to take up the shovel and drive thee from the house? Oh! you, all of you, know well how to insinuate yourselves into our company! You scent out in no time when the father has turned his back on the house. Oh! I know you well! Is my box finished?”

“It will be ready, dear heart of mine—it will be ready after the festival. Couldst thou but know how much trouble it has cost me—two nights did I never leave my smithy. Sure enough, thou wilt find no such box anywhere, not even belonging to a priest’s wife. The iron I used for binding it! I did not use the like even for the centurion’s tarataika,[16] when I went to Poltava. And then, the painting of it. Wert thou to go on thy white feet round all the district, thou wouldst not find such another painting. The whole of the box will sparkle with red and blue flowers. It will be a delight to look upon it. Be not angry with me. Allow me—be it only to speak to thee—nay, even to look at thee.”

“Who means to forbid it? speak and look,” and she sat down on the bench, threw one more glance at the glass, and began to adjust the plaits on her head, looked at her neck, at her new bodice, embroidered with silk, and a scarcely visible expression of self-content played over her lips and cheeks and brightened her eyes.

“Allow me to sit down beside thee,” said the blacksmith.

“Be seated,” answered Oxana, preserving the same expression about her mouth and in her looks.

“Beautiful Oxana! nobody will ever have done looking at thee—let me kiss thee!” exclaimed the blacksmith recovering his presence of mind, and drawing her towards him, endeavoured to snatch a kiss; her cheek was already at an imperceptible distance from the blacksmith’s lips, when Oxana sprang aside and pushed him back. “What wilt thou want next? When one has got honey, he wants a spoon too. Away with thee! thy hands are harder than iron, and thou smellest of smoke thyself; I really think thou hast besmeared me with thy soot.” She then took the mirror and once more began to adorn herself.

“She does not care for me,” thought the blacksmith, hanging down his head. “Everything is but play to her, and I am here like a fool standing before her and never taking my eyes off her. Charming girl. What would I not do only to know what is passing in her heart. Whom does she love? But no, she cares for no one, she is fond only of herself, she delights in the sufferings she causes to my own poor self, and my grief prevents me from thinking of anything else, and I love her as nobody in the world ever loved or is likely to love.”

“Is it true that thy mother is a witch?” asked Oxana laughing; and the blacksmith felt as if everything within him laughed too, as if that laugh had found an echo in his heart and in all his veins; and at the same time he felt provoked at having no right to cover with kisses that pretty laughing face.

“What do I care about my mother! Thou art my mother, my father—all that I hold precious in the world! Should the Czar send for me to his presence and say to me, ‘Blacksmith Vakoola,’ ask of me whatever I have best in my realm—I’ll give it all to thee; I’ll order to have made for thee a golden smithy, where thou shalt forge with silver hammers.’ ‘I’ll none of it,’ would I answer the Czar. ‘I’ll have no precious stones, no golden smithy, no, not even the whole of thy realm—give me only my Oxana!'”

“Now, only see what a man thou art! But my father has got another idea in his head; thou’lt see if he does not marry thy mother!”[17] said Oxana with an arch smile. “But what can it mean? the maidens are not yet come—it is high time for carolling. I am getting dull.”

“Never mind about them, my beauty!”

“But, of course, I do mind; they will doubtless bring some lads with them, and then, how merry we shall be! I fancy all the droll stories that will be told!”

“So thou feelest merry with them?”

“Of course merrier than with thee. Ah! there is somebody knocking at the door; it must be the maidens and the lads!”

“Why need I stay any longer?” thought the blacksmith. “She laughs at me; she cares no more about me than about a rust-eaten horseshoe. But, be it so. I will at least give no one an opportunity to laugh at me. Let me only mark who it is she prefers to me. I’ll teach him how to”—

His meditation was cut short by a loud knocking at the door, and a harsh “Open the door,” rendered still harsher by the frost.

“Be quiet, I’ll go and open it myself,” said the blacksmith, stepping into the passage with the firm intention of giving vent to his wrath by breaking the bones of the first man who should come in his way.


The frost increased, and it became so cold that the devil went hopping from one hoof to the other, and blowing his fingers to warm his benumbed hands. And, of course, he could not feel otherwise than quite frozen: all day long he did nothing but saunter about hell, where, as everybody knows, it is by no means so cold as in our winter air; and where, with his cap on his head, and standing before a furnace as if really a cook, he felt as much pleasure in roasting sinners as a peasant’s wife feels at frying sausages for Christmas. The witch, though warmly clad, felt cold too, so lifting up her arms, and putting one foot before the other, just as if she were skating, without moving a limb, she slid down as if from a sloping ice mountain right into the chimney. The devil followed her example; but as this creature is swifter than any boot-wearing beau, it is not at all astonishing that at the very entrance of the chimney, he went down upon the shoulders of the witch and both slipped down together into a wide oven, with pots all round it. The lady traveller first of all noiselessly opened the oven-door a little, to see if her son Vakoola had not brought home some party of friends; but there being nobody in the room, and only some sacks lying in the middle of it on the floor, she crept out of the oven, took off her warm coat, put her dress in order, and was quite tidy in no time, so that nobody could ever possibly have suspected her of having ridden on a besom a minute before.

The mother of the blacksmith Vakoola was not more than forty; she was neither handsome nor plain; indeed it is difficult to be handsome at that age. Yet, she knew well how to make herself pleasant to the aged Cossacks (who, by-the-bye, did not care much about a handsome face); many went to call upon her, the elder, Assip Nikiphorovitch the clerk (of course when his wife was from home), the Cossack Kornius Choop, the Cossack Kassian Sverbygooze. At all events this must be said for her, she perfectly well understood how to manage with them; none of them ever suspected for a moment that he had a rival. Was a pious peasant going home from church on some holiday; or was a Cossack, in bad weather, on his way to the brandy-shop; what should prevent him from paying Solokha a visit, to eat some greasy curd dumplings with sour cream, and to have a gossip with the talkative and good-natured mistress of the cottage? And the Cossack made a long circuit on his way to the brandy-shop, and called it “just looking in as he passed.” When Solokha went to church on a holiday, she always wore a gay-coloured petticoat, with another short blue one over it, adorned with two gold braids, sewed on behind it in the shape of two curly mustachios. When she took her place at the right side of the church, the clerk was sure to cough and twinkle his eyes at her; the elder twirled his mustachios, twisted his crown-lock of hair round his ear, and said to his neighbour, “A splendid woman! a devilish fine woman!” Solokha nodded to every one, and every one thought that Solokha nodded to him alone. But those who liked to pry into other people’s business, noticed that Solokha exerted the utmost of her civility towards the Cossack Choop.

Choop was a widower; eight ricks of corn stood always before his cottage: two strong bulls used to put their heads out of their wattled shed, gaze up and down the street, and bellow every time they caught a glimpse of their cousin a cow, or their uncle the stout ox; the bearded goat climbed up to the very roof, and bleated from thence in a key as shrill as that of the mayor, and teased the turkeys which were proudly walking in the yard, and turned his back as soon as he saw his inveterate enemies, the urchins, who used to laugh at his beard. In Choop’s boxes there was plenty of linen, plenty of warm coats, and many old-fashioned dresses bound with gold braid; for his late wife had been a dashing woman. Every year, there was a couple of beds planted with tobacco in his kitchen-garden, which was, besides, well provided with poppies, cabbages, and sunflowers. All this, Solokha thought, would suit very well if united to her own household; she was already mentally regulating the management of this property when it should pass into her hands; and so she went on increasing in kindness towards old Choop. At the same time, to prevent her son Vakoola from making an impression on Choop’s daughter, and getting the whole of the property (in which case she was sure of not being allowed to interfere with anything), she had recourse to the usual means of all women of her age—she took every opportunity to make Choop quarrel with the blacksmith. These very artifices were perhaps the cause that it came to be rumoured amongst the old women (particularly when they happened to take a drop too much at some gay party) that Solokha was positively a witch; that young Kiziakaloopenko had seen on her back a tail no bigger than a common spindle; that on the last Thursday but one she ran across the road in the shape of a black kitten; that once there had come to the priest a hog, which crowed like a cock, put on Father Kondrat’s hat, and then ran away. It so happened that as the old women were discussing this point, there came by Tymish Korostiavoi, the herdsman. He could not help telling how, last summer, just before St. Peter’s fast, as he laid himself down for sleep in his shed, and had put some straw under his head, with his own eyes he beheld the witch, with her hair unplaited and nothing on but her shift, come and milk her cows; how he was so bewitched that he could not move any of his limbs; how she came to him and greased his lips with some nasty stuff, so that he could not help spitting all the next day. And yet all these stories seem of a somewhat doubtful character, because there is nobody but the magistrate of Sorochinsk who can distinguish a witch. This was the reason why all the chief Cossacks waved their hands on hearing such stories. “Mere nonsense, stupid hags!” was their usual answer.

Having come out of the oven and put herself to rights, Solokha, like a good housewife, began to arrange and put everything in its place; but she did not touch the sacks: “Vakoola had brought them in—he might take them out again.” In the mean time the devil, as he was coming down the chimney, caught a glimpse of Choop, who, arm in arm with his kinsman, was already a long way off from his cottage. Instantly, the devil flew out of the chimney, ran across the way, and began to break asunder the heaps of frozen snow which were lying all around. Then began a snow-storm. The air was all whitened with snow-flakes. The snow went rushing backwards and forwards, and threatened to cover, as it were with a net, the eyes, mouth, and ears of the pedestrians. Then the devil flew into the chimney once more, quite sure that both kinsmen would retrace their steps to Choop’s house, who would find there the blacksmith, and give him so sound a thrashing that the latter would never again have the strength to take a brush in his hand and paint offensive caricatures.


As soon as the snow-storm began, and the wind blew sharply in his eyes, Choop felt some remorse, and, pulling his cap over his very eyes, he began to abuse himself, the devil, and his own kinsman. Yet his vexation was but assumed; the snow-storm was rather welcome to Choop. The distance they had still to go before reaching the dwelling of the clerk was eight times as long as that which they had already gone; so they turned back. They now had the wind behind them; but nothing could be seen through the whirling snow.

“Stop, kinsman, it seems to me that we have lost our way,” said Choop, after having gone a little distance. “There is not a single cottage to be seen! Ah! what a storm it is! Go a little on that side, kinsman, and see if thou canst not find the road; and I will seek it on this side. Who but the devil would ever have persuaded any one to leave the house in such a storm! Don’t forget, kinsman, to call me when thou findest the road. Eh! what a lot of snow the devil has sent into my eyes!”

But the road was not to be found. The kinsman, in his long boots, started off on one side, and, after having rambled backwards and forwards, ended by finding his way right into the brandy-shop. He was so glad of it that he forgot everything else, and, after shaking off the snow, stepped into the passage without once thinking about his kinsman who had remained in the snow. Choop in the mean time fancied he had found out the road; he stopped and began to shout with all the strength of his lungs, but seeing that his kinsman did not come, he decided on proceeding alone.

In a short time he saw his cottage. Great heaps of snow lay around it and covered its roof. Rubbing his hands, which were numbed by the frost, he began to knock at the door, and in a loud tone ordered his daughter to open it.

“What dost thou want?” roughly demanded the blacksmith, stepping out.

Choop, on recognising the blacksmith’s voice, stepped a little aside. “No, surely this is not my cottage,” said he to himself; “the blacksmith would not come to my cottage. And yet—now I look at it again, it cannot be his. Whose then, can it be? Ah! how came I not to know it at once! it is the cottage of lame Levchenko, who has lately married a young wife; his is the only one like mine. That is the reason why it seemed so strange to me that I got home so soon. But, let me see, why is the blacksmith here? Levchenko, as far as I know, is now sitting at the clerk’s. Eh! he! he! he! the blacksmith comes to see his young wife! That’s what it is! Well, now I see it all!”

“Who art thou? and what hast thou to do lurking about this door?” asked the blacksmith, in a still harsher voice, and coming nearer.

“No,” thought Choop, “I’ll not tell him who I am; he might beat me, the cursed fellow!” and then, changing his voice, answered, “My good man, I come here in order to amuse you, by singing carols beneath your window.”

“Go to the devil with thy carols!” angrily cried Vakoola. “What dost thou wait for? didst thou hear me? be gone, directly.”

Choop himself had already the same prudent intention; but he felt cross at being obliged to obey the blacksmith’s command. Some evil spirit seemed to prompt him to say something contrary to Vakoola.

“What makes thee shout in that way?” asked he in the same assumed voice; “my intention is to sing a carol, and that is all.”

“Ah! words are not sufficient for thee!” and immediately after, Choop felt a heavy stroke fall upon his shoulders.

“Now, I see, thou art getting quarrelsome!” said he, retreating a few paces.

“Begone, begone!” exclaimed the blacksmith, striking again.

“What now!” exclaimed Choop, in a voice which expressed at the same time pain, anger, and fear. “I see thou quarrelest in good earnest, and strikest hard.”

“Begone, begone!” again exclaimed the blacksmith, and violently shut the door.

“Look, what a bully!” said Choop, once more alone in the street. “But thou hadst better not come near me! There’s a man for you! giving thyself such airs, too! Dost thou think there is no one to bring thee to reason? I will go, my dear fellow, and to the police-officer will I go. I’ll teach thee who I am! I care not for thy being blacksmith and painter. However, I must see to my back and shoulders: I think there are bruises on them. The devil’s son strikes hard, it seems. It is a pity it’s so cold, I cannot take off my fur coat. Stay a while, confounded blacksmith; may the devil break thy bones and thy smithy too! Take thy time—I will make thee dance, cursed squabbler! But, now I think of it, if he is not at home, Solokha must be alone. Hem! her dwelling is not far from here; shall I go? At this time nobody will trouble us. Perhaps I may. Ah! that cursed blacksmith, how he has beaten me!”

And Choop, rubbing his back, went in another direction. The pleasure which was in store for him in meeting Solokha, diverted his thoughts from his pain, and made him quite insensible to the snow and ice, which, notwithstanding the whistling of the wind, might be heard cracking all around. Sometimes a half-benignant smile brightened his face, whose beard and mustachios were whitened over by snow with the same rapidity as that displayed by a barber who has tyrannically got, hold of the nose of his victim. But for the snow which danced backwards and forwards before the eyes, Choop might have been seen a long time, stopping now and then to rub his back, muttering, “How painfully that cursed blacksmith has beaten me!” and then proceeding on his way.


At the time when the dashing gentleman, with a tail and a goat’s beard, flew out of the chimney, and then into, the chimney again, the pouch which hung by a shoulder-belt at his side, and in which he had hidden the stolen moon, in some way or other caught in something in the oven, flew open, and the moon, availing herself of the opportunity, mounted through the chimney of Solokha’s cottage and rose majestically in the sky. It grew light all at once; the storm subsided; the snow-covered fields seemed all over with silver, set with crystal stars; even the frost seemed to have grown milder; crowds of lads and lasses made their appearance with sacks upon their shoulders; songs resounded, and but few cottagers were without a band of carollers. How beautifully the moon shines! It would be difficult to describe the charm one feels in sauntering on such a night among the troops of maidens who laugh and sing, and of lads who are ready to adopt every trick and invention suggested by the gay and smiling night. The tightly-belted fur coat is warm; the frost makes one’s cheeks tingle more sharply; and the Cunning One, himself, seems, from behind your back, to urge you to all kinds of frolics. A crowd of maidens, with sacks, pushed their way into Choop’s cottage, surrounded Oxana, and bewildered the blacksmith by their shouts, their laughter, and their stories. Every one was in haste to tell something new to the beauty; softie unloaded their sacks, and boasted of the quantity of loaves, sausages, and curd dumplings which they had already received in reward for their carolling. Oxana seemed to be all pleasure and joy, went on chattering, first with one, then with another, and never for a moment ceased laughing. The blacksmith looked with anger and envy at her joy, and cursed the carolling, notwithstanding his having been mad about it himself in former times.

“Odarka,” said the joyful beauty, turning to one of the girls, “thou hast got on new boots! Ah! how beautiful they are! all ornamented with gold too! Thou art happy, Odarka, to have a suitor who can make thee such presents; I have nobody who would give me such pretty boots!”

“Don’t grieve about boots, my incomparable Oxana!” chimed in the blacksmith; “I will bring thee such boots as few ladies wear.”

“Thou?” said Oxana, throwing a quick disdainful glance at him. “We shall see where thou wilt get such boots as will suit my foot, unless thou bringest me the very boots which the Czarina wears!”

“Just see what she has taken a fancy to now!” shouted the group of laughing girls.

“Yes!” haughtily continued the beauty, “I call all of you to witness, that if the blacksmith Vakoola brings me the very boots which the Czarina wears, I pledge him my word instantly to marry him.”

The maidens led away the capricious belle.

“Laugh on, laugh on!” said the blacksmith, stepping out after them. “I myself laugh at my own folly. It is in vain that I think, over and over again, where have I left my wits? She does not love me—well, God be with her! Is Oxana the only woman in all the world? Thanks be to God! there are many handsome maidens in the village besides Oxana. Yes, indeed, what is Oxana? No good housewife will ever be made out of her; she only understands how to deck herself. No, truly, it is high time for me to leave off making a fool of myself.” And yet at the very moment when he came to this resolution, the blacksmith saw before his eyes the laughing face of Oxana, teasing him with the words—”Bring me, blacksmith, the Czarina’s own boots, and I will marry thee!” He was all agitation, and his every thought was bent on Oxana alone.

The carolling groups of lads on one side, of maidens on the other, passed rapidly from street to street. But the blacksmith went on his way without noticing anything, and without taking any part in the rejoicings, in which, till now, he had delighted above all others.


The devil had, in the meanwhile, quickly reached the utmost limits of tenderness in his conversation with Solokha; he kissed her hand with nearly the same faces as the magistrate used when making love to the priest’s wife; he pressed his hand upon his heart, sighed, and told her that if she did not choose to consider his passion, and meet it with due return, he had made up his mind to throw himself into the water, and send his soul right down to hell. But Solokha was not so cruel—the more so, as the devil, it is well known, was in league with her. Moreover, she liked to have some one to flirt with, and rarely remained alone. This evening she expected to be without any visitor, on account of all the chief inhabitants of the village being invited to the clerk’s house. And yet quite the contrary happened. Hardly had the devil set forth his demand, when the voice of the stout elder was heard. Solokha ran to open the door, and the quick devil crept into one of the sacks that were lying on the floor. The elder, after having shaken off the snow from his cap, and drunk a cup of brandy which Solokha presented to him, told her that he had not gone to the clerk’s on account of the snow-storm, and that, having seen a light in her cottage, he had come to pass the evening with her. The elder had just done speaking when there was a knock at the door, and the clerk’s voice was heard from without. “Hide me wherever thou wilt,” whispered the elder; “I should not like to meet the clerk.” Solokha could not at first conceive where so stout a visitor might possibly be hidden; at last she thought the biggest charcoal sack would be fit for the purpose; she threw the charcoal into a tub, and the sack being empty, in went the stout elder, mustachios, head, cap, and all. Presently the clerk made his appearance, giving way to a short dry cough, and rubbing his hands together. He told her how none of his guests had come, and how he was heartily glad of it, as it had given him the opportunity of taking a walk to her abode, in spite of the snow-storm. After this he came a step nearer to her, coughed once more, laughed, touched her bare plump arm with his fingers, and said with a sly, and at the same time a pleased voice, “What have you got here, most magnificent Solokha?” after which words he jumped back a few steps.

“How, what? Assip Nikiphorovitch! it is my arm!” answered Solokha.

“Hem! your arm! he! he! he!” smirked the clerk, greatly rejoiced at his beginning, and he took a turn in the room.

“And what is this, dearest Solokha?” said he, with the same expression, again coming to her, gently touching her throat, and once more springing back.

“As if you cannot see for yourself, Assip Nikiphorovitch!” answered Solokha, “it is my throat and my necklace on it.”

“Hem! your necklace upon your throat! he! he! he!” and again did the clerk take a walk, rubbing his hands.

“And what have you here, unequalled Solokha?”

We know not what the clerk’s long fingers would now have touched, if just at that moment he had not heard a knock at the door, and, at the same time, the voice of the Cossack Choop.

“Heavens! what an unwelcome visitor!” said the clerk in a fright, “whatever will happen if a person of my character is met here! If it should reach the ears of Father Kondrat!” But, in fact, the apprehension of the clerk was of quite a different description; above all things he dreaded lest his wife should be acquainted with his visit to Solokha; and he had good reason to dread her, for her powerful hand had already made his thick plait[18] a very thin one. “In Heaven’s name, most virtuous Solokha!” said he, trembling all over; “your goodness, as the Scripture saith, in St. Luke, chapter the thir—thir—there is somebody knocking, decidedly there is somebody knocking at the door! In Heaven’s name let me hide somewhere!”

Solokha threw the charcoal out of another sack into the tub, and in crept the clerk, who, being by no means corpulent, sat down at the very bottom of it, so that there would have been room enough to put more than half a sackful of charcoal on top of him.

“Good evening, Solokha,” said Choop, stepping into the room, “Thou didst not perhaps expect me? didst thou? certainly not; may be I hindered thee,” continued Choop, putting on a gay meaning face, which expressed at once that his lazy head laboured, and that he was on the point of saying some sharp and sportive witticism. “May be thou wert already engaged in flirting with somebody! May be thou hast already some one hidden? Is it so?” said he; and delighted at his own wit, Choop gave way to a hearty laugh, inwardly exulting at the thought that he was the only one who enjoyed the favours of Solokha. “Well now, Solokha, give me a glass of brandy; I think the abominable frost has frozen my throat! What a night for a Christmas eve! As it began snowing, Solokha—-just listen, Solokha—as it began snowing—eh! I cannot move my hands; impossible to unbutton my coat! Well, as it began snowing”—

“Open!” cried some one in the street, at the same time giving a thump at the door.

“Somebody is knocking at the door!” said Choop, stopping in his speech.

“Open!” cried the voice, still louder.

“‘Tis the blacksmith!” said Choop, taking his cap; “listen, Solokha!—put me wherever thou wilt! on no account in the world would I meet that confounded lad! Devil’s son! I wish he had a blister as big as a haycock under each eye.”

Solokha was so frightened that she rushed backwards and forwards in the room, and quite unconscious of what she did, showed Choop into the same sack where the clerk was already sitting. The poor clerk had to restrain his cough and his sighs when the weighty Cossack sat down almost on his head, and placed his boots, covered with frozen snow, just on his temples.

The blacksmith came in, without saying a word, without taking off his cap, and threw himself on the bench. It was easy to see that he was in a very bad temper. Just as Solokha shut the door after him, she heard another tap under the window. It was the Cossack Sverbygooze. As to this one, he decidedly could never have been hidden in a sack, for no sack large enough could ever have been found. In person, he was even stouter than the elder, and as to height, he was even taller than Choop’s kinsman. So Solokha went with him into the kitchen garden, in order to hear whatever he had to say to her.

The blacksmith looked vacantly round the room, listening at times to the songs of the carolling parties. His eyes rested at last on the sacks:

“Why do these sacks lie here? They ought to have been taken away long ago. This stupid love has made quite a fool of me; to-morrow is a festival, and the room is still full of rubbish. I will clear it away into the smithy!” And the blacksmith went to the enormous sacks, tied them as tightly as he could, and would have lifted them on his shoulders; but it was evident that his thoughts were far away, otherwise he could not have helped hearing how Choop hissed when the cord with which the sack was tied, twisted his hair, and how the stout elder began to hiccup very distinctly. “Shall I never get this silly Oxana out of my head?” mused the blacksmith; “I will not think of her; and yet, in spite of myself I think of her, and of her alone. How is it that thoughts come into one’s head against one’s own will? What, the devil! Why the sacks appear to have grown heavier than they were; it seems as if there was something else besides charcoal! What a fool I am! have I forgotten that everything seems to me heavier than it used to be. Some time ago, with one hand I could bend and unbend a copper coin, or a horse-shoe; and now, I cannot lift a few sacks of charcoal; soon every breath of wind will blow me off my legs. No,” cried he, after having remained silent for a while, and coming to himself again, “shall it be said that I am a woman? No one shall have the laugh against me; had I ten such sacks, I would lift them all at once.” And, accordingly, he threw the sacks upon his shoulders, although two strong men could hardly have lifted them. “I will take this little one, too,” continued he, taking hold of the little one, at the bottom of which was coiled up the devil. “I think I put my instruments into it;” and thus saying, he went out of the cottage, whistling the tune:

“No wife I’ll have to bother me.”


Songs and shouts grew louder and louder in the streets; the crowds of strolling people were increased by those who came in from the neighbouring villages; the lads gave way to their frolics and sports. Often amongst the Christmas carols might be heard a gay song, just improvised by some young Cossack. Hearty laughter rewarded the improviser. The little windows of the cottages flew open, and from them was thrown a sausage or a piece of pie, by the thin hand of some old woman or some aged peasant, who alone remained in-doors. The booty was eagerly caught in the sacks of the young people. In one place, the lads formed a ring to surround a group of maidens; nothing was heard but shouts and screams; one was throwing a snow-ball, another was endeavouring to get hold of a sack crammed with Christmas donations. In another place, the girls caught hold of some youth, or put something in his way, and down he fell with his sack. It seemed as if the whole of the night would pass away in these festivities. And the night, as if on purpose, shone so brilliantly; the gleam of the snow made the beams of the moon still whiter.

The blacksmith with his sacks stopped suddenly. He fancied he heard the voice and the sonorous laughter of Oxana in the midst of a group of maidens. It thrilled through his whole frame; he threw the sacks on the ground with so much force that the clerk, sitting at the bottom of one of them, groaned with pain, and the elder hiccupped aloud; then, keeping only the little sack upon his shoulders, the blacksmith joined a company of lads who followed close after a group of maidens, amongst whom he thought he had heard Oxana’s voice.

“Yes, indeed; there she is! standing like a queen, her dark eyes sparkling with pleasure! There is a handsome youth speaking with her; his speech seems very amusing, for she is laughing; but does she not always laugh?” Without knowing why he did it and as if against his will, the blacksmith pushed his way through the crowd, and stood beside her.

“Ah! Vakoola, here art thou; a good evening to thee!” said the belle, with the very smile which drove Vakoola quite mad. “Well, hast thou received much? Eh! what a small sack! And didst thou get the boots that the Czarina wears? Get those boots and I’ll marry thee!” and away she ran laughing with the crowd.

The blacksmith remained riveted to the spot. “No, I cannot; I have not the strength to endure it any longer,” said he at last. “But, Heavens! why is she so beautiful? Her looks, her voice, all, all about her makes my blood boil! No, I cannot get the better of it; it is time to put an end to this. Let my soul perish! I’ll go and drown myself, and then all will be over.” He dashed forwards with hurried steps, overtook the group, approached Oxana, and said to her in a resolute voice: “Farewell, Oxana! Take whatever bridegroom thou pleasest; make a fool of whom thou wilt; as for me, thou shalt never more meet me in this world!” The beauty seemed astonished, and was about to speak, but the blacksmith waved his hand and ran away.

“Whither away, Vakoola?” cried the lads, seeing him run. “Farewell, brothers,” answered the blacksmith. “God grant that we may meet in another world; but in this we meet no more! Fare you well! keep a kind remembrance of me. Pray Father Kondrat to say a mass for my sinful soul. Ask him forgiveness that I did not, on account of worldly cares, paint the tapers for the church. Everything that is found in my big box I give to the Church; farewell!”—and thus saying, the blacksmith went on running, with his sack on his back.

“He has gone mad!” said the lads. “Poor lost soul!” piously ejaculated an old woman who happened to pass by; “I’ll go and tell about the blacksmith having hanged himself.”


Vakoola, after having run for some time along the streets, stopped to take breath. “Well, where am I running?” thought he; “is really all lost? —I’ll try one thing more; I’ll go to the fat Patzuck, the Zaporoghian. They say he knows every devil, and has the power of doing everything he wishes; I’ll go to him; ’tis the same thing for the perdition of my soul.” At this, the devil, who had long remained quiet and motionless, could not refrain from giving vent to his joy by leaping in the sack. But the blacksmith thinking he had caught the sack with his hand, and thus occasioned the movement himself, gave a hard blow on the sack with his fist, and after shaking it about on his shoulders, went off to the fat Patzuck.

This fat Patzuck had indeed once been a Zaporoghian. Nobody, however, knew whether he had been turned out of the warlike community, or whether he had fled from it of his own accord.

He had already been for some ten, nay, it might even be for some fifteen years, settled at Dikanka. At first, he had lived as best suited a Zaporoghian; working at nothing, sleeping three-quarters of the day, eating not less than would satisfy six harvest-men, and drinking almost a whole pailful at once. It must be allowed that there was plenty of room for food and drink in Patzuck; for, though he was not very tall, he tolerably made up for it in bulk. Moreover, the trousers he wore were so wide, that long as might be the strides he took in walking, his feet were never seen at all, and he might have been taken t for a wine cask moving along the streets. This, may have been the reason for giving him the nick-name of “Fatty.” A few weeks had hardly passed since his arrival in the village, when it came to be known that he was a wizard. If any one happened to fall ill, he called Patzuck directly; and Patzuck had only to mutter a few words to put an end to the illness at once. Had any hungry Cossack swallowed a fish-bone, Patzuck knew how to give him right skilfully a slap on the back, so that the fish-bone went where it ought to go without causing any pain to the Cossack’s throat. Latterly, Patzuck was scarcely ever seen out of doors. This was perhaps caused by laziness, and perhaps, also, because to get through the door was a task which with every year grew more and more difficult for him. So the villagers were obliged to repair to his own lodgings whenever they wanted to consult him. The blacksmith opened the door, not without some fear. He saw Patzuck sitting on the floor after the Turkish fashion. Before him was a tub on which stood a tureen full of lumps of dough cooked in grease. The tureen was put, as if intentionally, on a level with his mouth. Without moving a single finger, he bent his head a little towards the tureen, and sipped the gravy, catching the lumps of dough with his teeth. “Well,” thought Vakoola to himself, “this fellow is still lazier than Choop; Choop at least eats with a spoon, but this one does not even raise his hand!” Patzuck seemed to be busily engaged with his meal, for he took not the slightest notice of the entrance of the blacksmith, who, as soon as he crossed the threshold, made a low bow.

“I am come to thy worship, Patzuck!” said Vakoola, bowing once more. The fat Patzuck lifted his head and went on eating the lumps of dough.

“They say that thou art—I beg thy pardon,” said the blacksmith, endeavouring to compose himself, “I do not say it to offend thee—that thou hast the devil among thy friends;” and in saying these words Vakoola was already afraid he had spoken too much to the point, and had not sufficiently softened the hard words he had used, and that Patzuck would throw at his head both the tub and the tureen; he even stepped a little on one side and covered his face with his sleeve, to prevent it from being sprinkled by the gravy.

But Patzuck looked up and continued sipping.

The encouraged blacksmith resolved to proceed —”I am come to thee, Patzuck; God grant thee plenty of everything, and bread in good proportion!” The blacksmith knew how to put in a fashionable word sometimes; it was a talent he had acquired during his stay at Poltava, when he painted the centurion’s palisade. “I am on the point of endangering the salvation of my sinful soul! nothing in this world can serve me! Come what will, I am resolved to seek the help of the devil. Well, Patzuck,” said he, seeing that the other remained silent, “what am I to do?”

“If thou wantest the devil, go to the devil!” answered Patzuck, not giving him a single look, and going on with his meal.

“I am come to thee for this very reason,” returned the blacksmith with a bow; “besides thyself, methinks there is hardly anybody in the world who knows how to go to the devil.”

Patzuck, without saying a word, ate up all that remained on the dish. “Please, good man, do not refuse me!” urged the blacksmith. “And if there be any want of pork, or sausages, or buckwheat, or even linen or millet, or anything else—why, we know how honest folk manage these things. I shall not be stingy. Only do tell me, if it be only by a hint, how to find the way to the devil.”

“He who has got the devil on his back has no great way to go to him,” said Patzuck quietly, without changing his position.

Vakoola fixed his eyes upon him as if searching for the meaning of these words on his face. “What does he mean?” thought he, and opened his mouth as if to swallow his first word. But Patzuck kept silence. Here Vakoola noticed that there was no longer either tub or tureen before him, but instead of them there stood upon the floor two wooden pots, the one full of curd dumplings, the other full of sour cream. Involuntarily his thoughts and his eyes became riveted to these pots. “Well, now,” thought he, “how will Patzuck eat the dumplings? He will not bend down to catch them like the bits of dough, and moreover, it is impossible; for they ought to be first dipped into the cream.” This thought had hardly crossed the mind of Vakoola, when Patzuck opened his mouth, looked at the dumplings, and then opened it still wider. Immediately, a dumpling jumped out of the pot, dipped itself into the cream, turned over on the other side, and went right into Patzuck’s mouth. Patzuck ate it, once more opened his mouth, and in went another dumpling in the same way. All Patzuck had to do was to chew and to swallow them. “That is wondrous indeed,” thought the blacksmith, and astonishment made him also open his mouth; but he felt directly, that a dumpling jumped into it also, and that his lips were already smeared with cream; he pushed it away, and after having wiped his lips, began to think about the marvels that happen in the world and the wonders one may work with the help of the devil; at the same time he felt more than ever convinced that Patzuck alone could help him. “I will beg of him still more earnestly to explain to me—but, what do I see? to-day is a fast, and he is eating dumplings, and dumplings are not food for fast days![19] What a fool I am! staying here and giving way to temptation! Away, away!” and the pious blacksmith ran with all speed out of the cottage. The devil, who remained all the while sitting in the sack, and already rejoiced at the glorious victim he had entrapped, could not endure to see him get free from his clutches. As soon as the blacksmith left the sack a little loose, he sprang out of it and sat upon the blacksmith’s neck.

Vakoola felt a cold shudder run through all his frame; his courage gave way, his face grew pale, he knew not what to do; he was already on the point of making the sign of the cross; but the devil bending his dog’s muzzle to his right ear, whispered: “Here I am, I, thy friend; I will do everything for a comrade and a friend such as thou! I’ll give thee as much money as thou canst wish for!” squeaked he in his left ear. “No later than this very day Oxana shall be ours!” continued he, turning his muzzle once more to the right ear.

The blacksmith stood considering. “Well,” said he, at length, “on this condition I am ready to be thine.”

The devil clapped his hand and began to indulge his joy in springing about on the blacksmith’s neck. “Now, I’ve caught him!” thought he to himself, “Now, I’ll take my revenge upon thee, my dear fellow, for all thy paintings and all thy tales about devils! What will my fellows say when they come to know that the most pious man in the village is in my power?” and the devil laughed heartily at the thought of how he would tease all the long-tailed breed in hell, and how the lame devil, who was reputed the most cunning of them all for his tricks, would feel provoked.

“Well, Vakoola!” squeaked he, while he continued sitting on Vakoola’s neck, as if fearing the blacksmith should escape; “thou knowest well that nothing can be done without contract.”

“I am ready,” said the blacksmith. “I’ve heard that it is the custom with you to write it in blood; well, stop, let me take a nail out of my pocket”—and putting his hand behind him, he suddenly seized the devil by his tail.

“Look, what fun!” cried the devil, laughing; “well, let me alone now, there’s enough of play!”

“Stop, my dear fellow!” cried the blacksmith, “what wilt thou say now?” and he made the sign of the cross. The devil grew as docile as a lamb. “Stop,” continued the blacksmith, drawing him by the tail down to the ground; “I will teach thee how to make good men and upright Christians sin;” and the blacksmith sprang on his back, and once more raised his hand to make the sign of the cross.

“Have mercy upon me, Vakoola!” groaned the devil in a lamentable voice; “I am ready to do whatever thou wilt, only do not make the dread, sign of the cross on me!”

“Ah! that is the strain thou singest now, cursed German that thou art! I know now what to do! Take me a ride on thy back directly, and harkee! a pretty ride must I have!”

“Whither?” gasped the mournful devil.

“To St. Petersburgh, straightway to the Czarina!” and the blacksmith thought he should faint with terror as he felt himself rising up in the air.


Oxana remained a long time pondering over the strange speech of the blacksmith. Something within her told her that she had behaved with too much cruelty towards him. “What if he should indeed resort to some frightful decision? May not such a thing be expected! He may, perhaps, fall in love with some other girl, and, out of spite, proclaim her to be the belle of the village! No, that he would not do, he is too much in love with me! I am so handsome! For none will he ever leave me. He is only joking; he only feigns. Ten minutes will not pass, ere he returns to look at me. I am indeed too harsh towards him. Why not let him have a kiss? just as if it were against my will; that, to a certainty would make him quite delighted!” and the flighty belle began once more to sport with her friends. “Stop,” said one of them, “the blacksmith has left his sacks behind; just see what enormous sacks too! His luck has been better than ours; methinks he has got whole quarters of mutton, and sausages, and loaves without number. Plenty indeed; one might feed upon the whole of next fortnight.”

“Are these the blacksmith’s sacks?” asked Oxana; “let us take them into my cottage just to see what he has got in them.” All laughingly agreed to her proposal.

“But we shall never be able to lift them!” cried the girls trying to move the sacks.

“Stay a bit,” said Oxana; “come with me to fetch a sledge, and we’ll drag them home on it.”

The whole party ran to fetch a sledge.

The prisoners were far from pleased at sitting in the sacks, notwithstanding that the clerk had succeeded in poking a great hole with his finger. Had there been nobody near, he would perhaps have found the means of making his escape; but he could not endure the thought of creeping out of the’ sack before a whole crowd, and of being laughed at by every one, so he resolved to await the event, giving only now and then a suppressed groan under the impolite boots of Choop. Choop had no less a desire to be set free, feeling that there was something lying under him, which was excessively inconvenient to sit upon. But on hearing his daughter’s decision he remained quiet and no longer felt inclined to creep out, considering that he would have certainly some hundred, or perhaps even two hundred steps to walk to get to his dwelling; that upon creeping out, he would have his sheepskin coat to button, his belt to buckle—what a trouble! and last of all, that he had left his cap behind him at Solokha’s. So he thought it better to wait till the maidens drew him home on a sledge.

The event, however, proved to be quite contrary to his expectations; at the same time that the maidens ran to bring the sledge, Choop’s kinsman left the brandy shop, very cross and dejected. The mistress of the shop would on no account give him credit; he had resolved to wait until some kind-hearted Cossack should step in and offer him a glass of brandy; but, as if purposely, all the Cossacks remained at home, and as became good Christians, ate kootia with their families. Thinking about the corruption of manners, and about the Jewish mistress of the shop having a wooden heart, the kinsman went straight to the sacks and stopped in amazement. “What sacks are these? somebody has left them on the road,” said he, looking round. “There must be pork for a certainty in them! Who can it be? who has had the good luck to get so many donations? Were there nothing more than buckwheat cakes and millet-biscuits—why, that would be well enough! But supposing there were only loaves, well, they are welcome too! The Jewess gives a glass of brandy for every loaf. I had better bring them out of the way at once, lest anybody should see them!” and he lifted on his shoulders the sack in which sate Choop and the clerk, but feeling it to be too heavy, “No,” said he, “I could not carry it home alone. Now, here comes, as if purposely, the weaver, Shapoovalenko! Good evening, Ostap!”

“Good evening,” said the weaver, stopping.

“Where art thou going?”

“I am walking without any purpose, just where my legs carry me.”

“Well, my good man, help me to carry off these sacks; some caroller has left them here in the midst of the road. We will divide the booty between us.”

“And what is there in the sacks? rolls or loaves?”

“Plenty of everything, I should think.” And both hastily snatched sticks out of a palisade, laid one of the sacks upon them, and carried it away on their shoulders.

“Where shall we carry it? to the brandy shop?” asked the weaver, leading the way.

“I thought, too, of carrying it there; but the vile Jewess will not give us credit; she will think we have stolen it somewhere, the more so that I have just left her shop. We had better carry it to my cottage. Nobody will interfere with us; my wife is not at home.”

“Art thou sure that she is not at home?” asked the weaver warily.

“Thank Heaven, I am not yet out of my mind,” answered the kinsman; “what should I do there if she were at home? I expect she will ramble about all night with the women.”

“Who is there!” cried the kinsman’s wife, hearing the noise which the two friends made in coming into the passage with the sack.

The kinsman was quite aghast.

“What now?” muttered the weaver, letting his arms drop.

The kinsman’s wife was one of those treasures which are often found in this good world of ours. Like her husband, she scarcely ever remained at home, but went all day long fawning among wealthy, gossiping old women; paid them different compliments, ate their donations with great appetite, and beat her husband only in the morning, because it was the only time that she saw him. Their cottage was even older than the trowsers of the village scribe. Many holes in the roof remained uncovered and without thatch; of the palisade round the house, few remnants existed, for no one who was going out, ever took with him a stick to drive away the dogs, but went round by the kinsman’s kitchen garden, and got one out of his palisade. Sometimes no fire was lighted in the cottage for three days together. Everything which the affectionate wife succeeded in obtaining from kind people, was hidden by her as far as possible out of the reach of her husband; and if he had got anything which he had not had the time to sell at the brandy shop, she invariably snatched it from him. However meek the kinsman’s temper might be, he did not like to yield to her at once; for which reason, he generally left the house with black eyes, and his dear better-half went moaning to tell stories to the old women about the ill conduct of her husband, and the blows she had received at his hands.

Now, it is easy to understand the displeasure of the weaver and the kinsman at her sudden appearance. Putting the sack on the ground, they took up a position of defence in front of it, and covered it with the wide skirts of their coats; but it was already too late. The kinsman’s wife, although her old eyes had grown dim, saw the sack at once. “That’s good,” she said, with the countenance of a hawk at the sight of its prey! “that’s good of you to have collected so much; That’s the way good people always behave! But it cannot be! I think you must have stolen it somewhere; show me directly what you have got there!—show me the sack directly! Do you hear me?”

“May the bald devil show it to thee! we will not,” answered the kinsman, assuming an air of dogged resolution.

“Why should we?” said the weaver—”the sack is ours, not thine.”

“Thou shalt show it to me, thou good-for-nothing drunkard,” said she, giving the tall kinsman a blow under his chin, and pushing her way to the sack. The kinsman and the weaver, however, stood her attack courageously, and drove her back; but had hardly time to recover themselves, when the woman darted once more into the passage, this time with a poker in her hand. In no time she gave a cut over her husband’s fingers, another on the weaver’s hand, and stood beside the sack.

“Why did we let her go?” said the weaver, coming to his senses.

“Why did we indeed? and why didst thou?” said the kinsman.

“Your poker seems to be an iron one!” said the weaver, after keeping silent for a while, and scratching his back. “My wife bought one at the fair last year; well, hers is not to be compared—does not hurt at all.”

The triumphant dame, in the meanwhile, set her candle on the floor, opened the sack, and looked into it.

But her old eyes, which had so quickly caught sight of the sack, for this time deceived her. “Why, here lies a whole boar!” cried she, clapping her hands with delight.

“A boar, a whole boar! dost hear?” said the weaver, giving the kinsman a push. “And thou alone art to blame?”

“What’s to be done?” muttered the kinsman, shrugging his shoulders.

“How, what? why are we standing here quietly? we must have the sack back again! Come!”

“Away, away with thee! it is our boar!” cried the weaver, advancing.

“Away, away with thee, she devil! it is not thy property,” said the kinsman.

The old hag once more took up the poker, but at the same moment Choop stepped out of the sack, and stood in the middle of the passage stretching his limbs like a man just awake from a long sleep.

The kinsman’s wife shrieked in terror, while the others opened their mouths in amazement.

“What did she say, then, the old fool—that it was a boar?”

“It’s not a boar!” said the kinsman, straining his eyes.

“Just see, what a man some one has thrown into the sack,” said the weaver, stepping back in a fright. “They may say what they will—the evil spirit must have lent his hand to the work; the man could never have gone through a window.”

“‘Tis my kinsman,” cried the kinsman, after having looked at Choop.

“And who else should it be, then?” said Choop, laughing. “Was it not a capital trick of mine? And you thought of eating me like pork? Well, I’ll give you good news: there is something lying at the bottom of the sack; if it be not a boar, it must be a sucking-pig, or something of the sort. All the time there was something moving under me.”

The weaver and the kinsman rushed to the sack, the wife caught hold of it on the other side, and the fight would have been renewed, had not the clerk, who saw no escape left, crept out of the sack.

The kinsman’s wife, quite stupified, let go the clerk’s leg, which she had taken hold of, in order to drag him out of the sack.

“There’s another one!” cried the weaver with terror; “the devil knows what happens now in the world—it’s enough to send one mad. No more sausages or loaves—men are thrown into the sacks.”

“‘Tis the devil!” muttered Choop, more astonished than any one. “Well now, Solokha!— and to put the clerk in a sack too! That is why I saw her room all full of sacks. Now, I have it: she has got two men in each of them; and I thought that I was the only one. Well now, Solokha!”


The maidens were somewhat astonished at finding only one sack left. “There is nothing to be done; we must content ourselves with this one,” said Oxana. They all went at once to the sack, and succeeded in lifting it upon the sledge. The elder resolved to keep quiet, considering that if he cried out, and asked them to undo the sack, and let him out, the stupid girls would run away, fearing they had got the devil in the sack, and he would be left in the street till the next morning. Meanwhile, the maidens, with one accord, taking one another by the hand, flew like the wind with the sledge over the crisp snow. Many of them, for fun, sat down upon the sledge; some went right upon the elder’s head. But he was determined to bear everything. At last they reached Oxana’s house, opened the doors of the passage and of the room, and with shouts of laughter brought in the sack. “Let us see what we have got here,” cried they, and hastily began to undo the sack. At this juncture, the hiccups of the elder (which had not ceased for a moment all the time he had been sitting in the sack), increased to such a degree that he could not refrain from giving vent to them in the loudest key. “Ah! there is somebody in the sack!” shrieked the maidens, and they darted in a fright towards the door.

“What does this mean?” said Choop, stepping in. “Where are you rushing, like mad things?”

“Ah! father,” answered Oxana, “there is somebody sitting in the sack!”

“In what sack? Where did you get this sack from?”

“The blacksmith threw it down in the middle of the road,” was the answer.

“I thought as much!” muttered Choop. “Well, what are you afraid of, then? Let us see. Well, my good man (excuse me for not calling thee by thy Christian and surname), please to make thy way out of the sack.”

The elder came out.

“Lord have mercy upon us!” cried the maidens.

“The elder was in, too!” thought Choop to himself, looking at him from head to foot, as if not trusting his eyes. “There now! Eh!” and he could say no more. The elder felt no less confused, and he knew not what to say. “It seems to be rather cold out of doors?” asked he, turning to Choop.

“Yes! the frost is rather severe,” answered Choop. “Do tell me, what dost thou use to black thy boots with: tallow or tar?”[20] He did not at all wish to put this question; he intended to ask—How didst thou come to be in this sack? but he knew not himself how it was that his tongue asked quite another question.

“I prefer tar,” answered the elder. “Well, good-bye, Choop,” said he, and putting his cap on, he stepped out of the room.

“What a fool I was to ask him what he uses to black his boots with,” muttered Choop, looking at the door out of which the elder had just gone.

“Well, Solokha! To put such a man into a sack! May the devil take her; and I, fool that I was—but where is that infernal sack?”

“I threw it into the corner,” said Oxana, “there is nothing more in it.”

“I know these tricks well! Nothing in it, indeed! Give it me directly; there must be one more! Shake it well. Is there nobody? Abominable woman! And yet to look at her one would think she must be a saint, that she never had a sin”—

But let us leave Choop giving vent to his anger, and return to the blacksmith; the more so as time is running away, and by the clock it must be near nine.


At first, Vakoola could not help feeling afraid at rising to such a height, that he could distinguish nothing upon the earth, and at coming so near the moon, that if he had not bent down, he would certainly have touched it with his cap. Yet, after a time, he recovered his presence of mind, and began to laugh at the devil. All was bright in the sky. A light silvery mist covered the transparent air. Everything was distinctly visible; and the blacksmith even noticed how a wizard flew past him, sitting in a pot; how some stars, gathered in a group, played at blind man’s buff; how a whole swarm of spirits were whirling about in the distance; how a devil who danced in the moonbeam, seeing him riding, took off his cap and made him a bow; how there was a besom flying, on which, apparently, a witch had just taken a ride. They met many other things; and all, on seeing the blacksmith, stopped for a moment to look at him, and then continued their flight far away. The blacksmith went on flying, and suddenly he saw Petersburgh all in a blaze. (There must have been an illumination that day.) Flying past the town gate, the devil changed into a horse, and the blacksmith saw himself riding a high stepping steed, in the middle of the street.

“Good Heavens! What a noise, what a clatter, what a blaze!” On either side rose houses, several stories high; from every quarter the clatter of horses’ hoofs, and of wheels, arose like thunder; at every step arose tall houses, as if starting from beneath the ground; bridges quivered under flying carriages; the coachmen shouted; the snow crisped under thousands of sledges rushing in every direction; pedestrians kept the wall of the houses along the footpath, all studded with flaring pots of fire, and their gigantic shadows danced upon the walls, losing themselves amongst the chimneys and on the roofs. The blacksmith looked with amazement on every side. It seamed to him as if all the houses looked at him with their innumerable fire-eyes. He saw such a number of gentlemen wearing fur cloaks covered with cloth, that he no longer knew to which of them he ought to take off his cap. “Gracious Lord! What a number of nobility one sees here!” thought the blacksmith; “I suppose every one here, who goes in a fur cloak, can be no less than a magistrate! and as for the persons who sit in those wonderful carts with glasses, they must be, if not the chiefs of the town, certainly commissaries, and, may be, of a still higher rank!”

Here, the devil put an end to his reflections, by asking if he was to bring him right before the Czarina? “No, I should be too afraid to go at once,” answered the blacksmith; “but I know there must be some Zaporoghians here, who passed through Dikanka last autumn on their way to Petersburgh. They were going on business to the Czarina. Let us have their advice. Now, devil, get into my pocket, and bring me to those Zaporoghians.” In less than a minute, the devil grew so thin and so small, that he had no trouble in getting into the pocket, and in the twinkling of an eye, Vakoola, (himself, he knew not how) ascended a staircase, opened a door and fell a little back, struck by the rich furniture of a spacious room. Yet, he felt a little more at ease, when he recognised the same Zaporoghians, who had passed through Dikanka. They were sitting upon silk covered sofas, with their tar besmeared boots tucked under them, and were smoking the strongest tobacco fibres.

“Good evening, God help you, your worships!” said the blacksmith coming nearer, and he made a low bow, almost touching the ground with his forehead.

“Who is that?” asked a Zaporoghian, who sat near Vakoola, of another who was sitting farther off.

“Do you not recognise me at once?” said Vakoola; “I am the blacksmith, Vakoola! Last autumn, as you passed through Dikanka, you remained nearly two days at my cottage. God grant you good health, and many happy years! It was I who put a new iron tire round one of the fore wheels of your vehicle.”

“Ah!” said the same Zaporoghian, “it is the blacksmith who paints so well. Good evening, countryman, what didst thou come for?”

“Only just to look about. They say”—

“Well, my good fellow,” said the Zaporoghian, assuming a grand air, and trying to speak with the high Russian accent, “what dost thou think of the town! Is it large?”

The blacksmith was no less desirous to show that he also understood good manners. We have already seen that he knew something of fashionable language. “The site is quite considerable,” answered he very composedly. “The houses are enormously big, the paintings they are adorned with, are thoroughly important. Some of the houses are to an extremity ornamented with gold letters. No one can say a word to the contrary: the proportion is marvellous!” The Zaporoghians, hearing the blacksmith so familiar with fine language, drew a conclusion very much to his advantage.

“We will have a chat with thee presently, my dear fellow. Now, we must go at once to the Czarina.”

“To the Czarina? Be kind, your worships, take me with you!”

“Take thee with us?” said the Zaporoghian, with an expression such as a tutor would assume towards a boy four years old, who begs to ride on a real, live, great horse.

“What hast thou to do there? No, it cannot be,” and his features took an important look. “My dear fellow, we have to speak to the Czarina on business.”

“Do take me,” urged the blacksmith. “Beg!” whispered he to the devil, striking his pocket with his fist. Scarcely had he done so, when another Zaporoghian said, “Well, come, comrades, we will take him.”

“Well, then, let him come!” said the others. “Put on such a dress as ours, then.”

The blacksmith hastily donned a green dress, when the door opened, and a man, in a coat all ornamented with silver braid, came in and said it was time to start.

Once more was the blacksmith overwhelmed with astonishment, as he rolled along in an enormous carriage, hung on springs, lofty houses seeming to run away on both sides of him, and the pavement to roll of its own accord under the feet of the horses.

“Gracious Lord! what a glare,” thought the blacksmith to himself. “We have no such light at Dikanka, even during the day.” The Zaporoghians entered, stepped into a magnificent hall, and went up a brilliantly lighted staircase. “What a staircase!” thought the blacksmith; “it is a pity to walk upon it. What ornaments! And they say that fairy-tales are so many lies; they are plain truth! My heavens! what a balustrade! what workmanship! The iron alone must have cost not less than some fifty roubles!”

Having ascended the staircase, the Zaporoghians passed through the first hall. Warily did the blacksmith follow them, fearing at every step to slip on the waxed floor. They passed three more saloons, and the blacksmith had not yet recovered from his astonishment. Coming into a fourth, he could not refrain from stopping before a picture which hung on the wall. It represented the Holy Virgin, with the Infant Jesus in her arms. “What a picture! what beautiful painting!” thought he. “She seems to speak, she seems to be alive! And the Holy Infant! there, he stretches out his little hands! there, it laughs, the poor babe! And what colours! Good heavens! what colours! I should think there was no ochre used in the painting, certainly nothing but ultramarine and lake! And what a brilliant blue! Capital workmanship! The back-ground must have been done with white lead! And yet,” he continued, stepping to the door and taking the handle in his hand, “however beautiful these paintings may be, this brass handle is still more worthy of admiration; what neat work! I should think all this must have been made by German blacksmiths at the most exorbitant prices.” … The blacksmith might have gone on for a long time with his reflections, had not the attendant in the braid-covered dress given him a push, telling him not to remain behind the others. The Zaporoghians passed two rooms more, and stopped. Some generals, in gold-embroidered uniforms, were waiting there. The Zaporoghians bowed in every direction, and stood in a group. A minute afterwards there entered, attended by a numerous suite, a man of majestic stature, rather stout, dressed in the hetman’s uniform and yellow boots. His hair was uncombed; one of his eyes had a small cataract on it; his face wore an expression of stately pride; his every movement gave proof that he was accustomed to command. All the generals, who before his arrival were strutting about somewhat haughtily in their gold-embroidered uniforms, came bustling towards him with profound bows, seeming to watch every one of his words, nay, of his movements, that they might run and see his desires fulfilled. The hetman did not pay any attention to all this, scarcely nodding his head, and went straight to the Zaporoghians.

They bowed to him with one accord till their brows touched the ground.

“Are all of you here?” asked he, in a somewhat drawling voice, with a slight nasal twang.

“Yes, father, every one of us is here,” answered the Zaporoghians, bowing once more.

“Remember to speak just as I taught you.”

“We will, father, we will!”

“Is it the Czar?” asked the blacksmith of one of the Zaporoghians.

“The Czar! a great deal more; it is Potemkin himself!” was the answer.

Voices were heard in the adjoining room, and the blacksmith knew not where to turn his eyes, when he saw a multitude of ladies enter, dressed in silk gowns with long trains, and courtiers in gold-embroidered coats and bag wigs. He was dazzled with the glitter of gold, silver, and precious stones. The Zaporoghians fell with one accord on their knees, and cried with one voice, “Mother, have mercy upon us!” The blacksmith, too, followed their example, and stretched himself full length on the floor.

“Rise up!” was heard above their heads, in a commanding yet soft voice. Some of the courtiers officiously hastened to push the Zaporoghians.

“We will not arise, mother; we will die rather than arise!” cried the Zaporoghians.

Potemkin bit his lips. At last he came himself, and whispered imperatively to one of them. They arose. Then only did the blacksmith venture to raise his eyes, and saw before him a lady, not tall, somewhat stout, with powdered hair, blue eyes, and that majestic, smiling air, which conquered every one, and could be the attribute only of a reigning woman.

“His Highness[21] promised to make me acquainted to-day with a people under my dominion, whom I have not yet seen,” said the blue-eyed lady, looking with curiosity at the Zaporoghians. “Are you satisfied with the manner in which you are provided for here?” asked she, coming nearer.

“Thank thee, mother! Provisions are good, though mutton is not quite so fine here as at home; but why should one be so very particular about it?”

Potemkin frowned at hearing them speak in quite a different manner to what he had told them to do.

One of the Zaporoghians stepped out from the group, and, in a dignified manner, began the following speech:—”Mother, have mercy upon us! What have we, thy faithful people, done to deserve thine anger? Have we ever given assistance to the miscreant Tartars? Did we ever help the Turks in anything? Have we betrayed thee in our acts, nay, even in our thoughts? Wherefore, then, art thou ungracious towards us? At first they told us thou hadst ordered fortresses to be raised against us; then we were told thou wouldst make regular regiments of us; now, we hear of new evils coming on us. In what were the Zaporoghians ever in fault with regard to thee? Was it in bringing thy army across Perekop? or in helping thy generals to get the better of the Crimean Tartars?”

Potemkin remained silent, and, with an unconcerned air, was brushing the diamonds which sparkled on his fingers.

“What do you ask for, then?” demanded Catherine, in a solicitous tone of voice.

The Zaporoghians looked knowingly at one another.

“Now’s the time! the Czarina asks what we want!” thought the blacksmith, and suddenly down he went on his knees. “Imperial Majesty! Do not show me thy anger, show me thy mercy! Let me know (and let not my question bring the wrath of thy Majesty’s worship upon me!) of what stuff are made the boots that thou wearest on thy feet? I think there is no bootmaker in any country in the world who ever will be able to make such pretty ones. Gracious Lord! if ever my wife had such boots to wear!”

The empress laughed; the courtiers laughed too. Potemkin frowned and smiled at the same time. The Zaporoghians pushed the blacksmith, thinking he had gone mad.

“Stand up!” said the empress, kindly. “If thou wishest to have such shoes, thy wish may be easily fulfilled. Let him have directly my richest gold embroidered shoes. This artlessness pleases me exceedingly.” Then, turning towards a gentleman with a round pale face, who stood a little apart from the rest, and whose plain dress, with mother-of-pearl buttons, showed at once that he was not a courtier[22]: “There you have,” continued she, “a subject worthy of your witty pen.”

“Your Imperial Majesty is too gracious! It would require a pen no less able than that of a Lafontaine!” answered with a bow, the gentleman in the plain dress.

“Upon my honour! I tell you I am still under the impression of your ‘Brigadier.’[1] You read exceedingly well!” Then, speaking once more to the Zaporoghians, she said, “I was told that you never married at your Ssiecha?”

“How could that be, mother? Thou knowest well, by thyself, that no man could ever do without a woman,” answered the same Zaporoghian who had conversed with the blacksmith; and the blacksmith was astonished to hear one so well acquainted with polished language speak to the Czarina, as if on purpose, in the coarsest accent used among peasants.

“A cunning people,” thought he to himself; “he does it certainly for some reason.”

“We are no monks,” continued the speaker, “we are sinful men. Every one of us is as much inclined to forbidden fruit as a good Christian can be. There are not a few among us who have wives, only their wives do not live in the Ssiecha. Many have their wives in Poland; others have wives in Ukraine;[23] there are some, too, who have wives in Turkey.”

At this moment the shoes were brought to the blacksmith.

“Gracious Lord! what ornaments!” cried he, overpowered with joy, grasping the shoes. “Imperial Majesty! if thou dost wear such shoes upon thy feet (and thy Honour, I dare say, does use them even for walking in the snow and the mud), what, then, must thy feet be like?—whiter than sugar, at the least, I should think!”

The empress, who really had charming feet of an exquisite shape, could not refrain from smiling at such a compliment from a simple-minded blacksmith, who, notwithstanding his sunburnt features must have been accounted a handsome lad in his Zaporoghian dress.

The blacksmith, encouraged by the condescension of the Czarina, was already on the point of asking her some questions about all sorts of things, whether it was true that sovereigns fed upon nothing but honey and lard, and so on; but feeling the Zaporoghians pull the skirts of his coat, he resolved to keep silent; and when the empress turned to the older Cossacks, and began to ask them about their way of living, and their manners in the Ssiecha, he stepped a little back, bent his head towards his pocket, and said in a low voice: “Quick, carry me hence, away!” and in no time he had left the town gate far behind.


“He is drowned! I’ll swear to it, he’s drowned! May I never leave this spot alive, if he is not drowned!” said the fat weaver’s wife, standing in the middle of the street, amidst a group of the villagers’ wives.

“Then I am a liar? Did I ever steal anything? Did I ever cast an evil-eye upon any one? that I am no longer worthy of belief?” shrieked a hag wearing a Cossack’s dress, and with a violet-coloured nose, brandishing her hands in the most violent manner: “May I never have another drink of water if old Pereperchenko’s wife did not see with her own eyes, how that the blacksmith has hanged himself!”

“The blacksmith hanged himself? what is this I hear?” said the elder, stepping out of Choop’s cottage; and he pushed his way nearer to the talking women.

“Say rather, mayest thou never wish to drink brandy again, old drunkard!” answered the weaver’s wife. “One must be as mad as thou art to hang one’s self. He is drowned! drowned in the ice hole! This I know as well as that thou just now didst come from the brandy-shop!”

“Shameless creature! what meanest thou to reproach me with?” angrily retorted the hag with the violet-coloured nose, “thou hadst better hold thy tongue, good-for-nothing woman! Don’t I know that the clerk comes every evening to thee?”

The weaver’s wife became red in the face. “What does the clerk do? to whom does the clerk come? What lie art thou telling?”

“The clerk?” cried, in shrill voice, the clerk’s wife, who, dressed in a hare-skin cloak covered with blue nankeen, pushed her way towards the quarrelling ones; “I will let you know about the clerk! Who is talking here about the clerk?

“There is she to whom the clerk pays his visits!” said the violet-nosed woman, pointing to the weaver’s wife.

“So, thou art the witch,” continued the clerk’s wife stepping nearer the weaver’s wife; “thou art the witch who sends him out of his senses and gives him a charmed beverage in order to bewitch him?”

“Wilt thou leave me alone, she-devil!” cried the weaver’s wife, drawing back.

“Cursed witch! Mayest thou never see thy children again, good-for-nothing woman!” and the clerk’s wife spat right into the eyes of the weaver’s wife.

The weaver’s wife wished to return her the same compliment, but instead of that, spat on the unshaven beard of the elder, who had come near the squabblers in order to hear what was going on. “Ah! nasty creature!” cried the elder, wiping his face with his skirt, and lifting his whip. This motion made them all fly in different directions, scolding the whole time. “The abominable creature” continued the elder, still wiping his beard. “So the blacksmith is drowned! Gracious Heaven! and such a capital painter! and what strong knives, and sickles, and ploughshares he used to forge! How strong he was himself!”

“Yes,” continued he, meditatively, “there are few such men in our village! That was the reason of the poor fellow’s ill-temper, which I noticed while I was sitting in that confounded sack! So much for the blacksmith! He was here, and now nothing is left of him! And I was thinking of letting him shoe my speckled mare,”…. and, full of such Christian thoughts, the elder slowly went to his cottage.

Oxana was very downcast at hearing the news; she did not put any faith in the evidence of Pereperchenko’s wife, or in the gossiping of the women. She knew the blacksmith to be too pious to venture on letting his soul perish. But what if indeed he had left the village with the resolve never to return? And scarcely could there be found anywhere such an accomplished lad as the blacksmith. And he loved her so intensely! He had endured her caprices longer than any one else. All the night long, the belle turned beneath her coverlet, from right to left, and from left to right, and could not go to sleep. Now she scolded herself almost aloud, throwing herself into the most bewitching attitudes, which the darkness of the night hid even from herself; then, in silence, she resolved to think no more of anything, and still continued thinking, and was burning with fever; and in the morning she was quite in love with the blacksmith.

Choop was neither grieved nor rejoiced at the fate of Vakoola; all his ideas had concentrated themselves into one: he could not for a moment forget Solokha’s want of faith; and even when asleep, ceased not to abuse her.

The morning came; the church was crowded even before daylight. The elderly women, in their white linen veils, their flowing robes, and long jackets made of white cloth, piously made the sign of the cross, standing close to the entrance of the church. The Cossacks’ wives, in green and yellow bodices, and some of them even in blue dresses, with gold braidings behind, stood a little before them. The girls endeavoured to get still nearer to the altar, and displayed whole shopfuls of ribbons on their heads, and of necklaces, little crosses, and silver coins on their necks. But right in front stood the Cossacks and the peasants, with their mustachios, their crown-tufts, their thick necks and their freshly-shaven chins, dressed for the most part in cloaks with hoods, from beneath which were seen white, and sometimes blue coats. On every face, wherever one looked, one might see it was a holiday. The elder already licked his lips at the idea of breaking his fast with a sausage. The girls were thinking about the pleasure of running about with the lads, and skating upon the ice. The old women muttered their prayers more zealously than ever. The whole church resounded with the thumps which the Cossack Sverbygooze gave with his forehead against the ground.

Oxana alone was out of sorts. She said her prayers, and yet could not pray. Her heart was besieged by so many different feelings, one more mournful than the other, one more perplexing than the other, that the greatest dejection appeared upon her features, and tears moistened her eyes. None of the girls could understand the reason of her state, and none would have suspected its being occasioned by the blacksmith. And yet Oxana was not the only one who noticed his absence; the whole congregation remarked that there lacked something to the fulness of the festival. Moreover, the clerk, during his journey in the sack, had got a bad cold, and his cracked voice was hardly audible. The newly arrived chanter had a deep bass indeed. But at all events, it would have been much better if the blacksmith had been there, as he had so fine a voice, and knew how to chant the tunes which were used at Poltava; and besides, he was churchwarden.

The matins were said. The liturgy had also been brought to a close. Well, what had indeed happened to the blacksmith?


The devil, with the blacksmith on his back, had flown with still greater speed during the remainder of the night. Vakoola soon reached his cottage. At the very moment he heard the crow of a cock. “Whither away?” cried he, seeing the devil in the act of sneaking off; and he caught him by his tail. “Wait a bit my dear fellow; I have not done with thee; thou must get thy reward!” and, taking a stick, he gave him three blows across his back, so that the poor devil took to his heels, exactly as a peasant might do who had just been punished by a police officer. So, the enemy of mankind, instead of cheating, seducing, or leading anybody into foolishness, was made a fool of himself. After this, Vakoola went into the passage, buried himself in the hay, and slept till noon.

When he awoke, he was alarmed at seeing the sun high in the heavens: “I have missed matins and liturgy!” and the pious blacksmith fell into mournful thoughts, and decided that the sleep which had prevented him from going to church on such a festival was certainly a punishment inflicted by God for his sinful intention of killing himself. But he soon quieted his mind by resolving to confess no later than next week, and from that very day to make fifty genuflexions during his prayers for a whole year. Then he went into the room, but nobody was there; Solokha had not yet returned home. He cautiously drew the shoes from his breast pocket, and once more admired their beautiful workmanship, and marvelled at the events of the preceding night. Then he washed, and dressed himself as fine as he could, putting on the same suit of clothes which he had got from the Zaporoghians, took out of his box a new cap with a blue crown and a trimming of black sheepskin, which had never been worn since he bought it at Poltava; he took out also a new belt, of divers brilliant colours; wrapped up these with a scourge, in a handkerchief, and went straight to Choop’s cottage.

Choop opened wide his eyes as he saw the blacksmith enter his room. He knew not at what most to marvel, whether at the blacksmith being once more alive, or at his having ventured to come into his house, or at his being dressed so finely, like a Zaporoghian; but he was still more astonished when he saw Vakoola undo his handkerchief, and set before him an entirely new cap, and such a belt as had never before been seen in the village; and when Vakoola fell at his knees, saying in a deprecating voice: “Father, have mercy on me! do not be angry with me! There, take this scourge, whip me as much as thou wilt! I give myself up. I acknowledge all my trespasses. Whip me, but put away thine anger! The more so that thou and my late father were like two brothers, and shared bread, and salt, and brandy together.”

Choop could not help feeling inwardly pleased at seeing at his feet the blacksmith, the very same blacksmith who would not concede a step to any one in the village, and who bent copper coins between his fingers, as if they were so many buckwheat fritters. To make himself still more important, Choop took the scourge, gave three strokes with it upon the blacksmith’s back, and then said: “Well, that will do! Stand up! Attend to men older than thyself. I forget all that has taken place between us. Now, speak out, what dost thou want?”

“Father, let me have Oxana!”

Choop remained thinking for a while; he looked at the cap—he looked at the belt; the cap was beautiful—the belt not less so; he remembered the bad faith of Solokha, and said, in a resolute voice, “Well, send me thy marriage brokers.”

“Ah!” shrieked Oxana, stepping across the threshold; and she stared at him, with a look of joy and astonishment.

“Look at the boots I have brought thee!” said Vakoola; “they are the very boots which the Czarina wears.”

“No, no, I do not want the boots!” said Oxana, and she waved her hands, never taking her eyes off him; “it will do without the boots.” She could speak no more, and her face turned all crimson.

The blacksmith came nearer, and took her hand. The belle cast down her eyes. Never yet had she been so marvellously handsome; the exulting blacksmith gently stole a kiss, and her face flushed still redder, and she looked still prettier.


As the late archbishop happened to pass on a journey through Dikanka, he greatly commended the spot on which that village stands, and driving down the street, stopped his carriage before a new cottage. “Whose cottage is this, so highly painted?” asked his Eminence of a handsome woman who was standing before the gate, with an infant in her arms.

“It is the blacksmith Vakoola’s cottage!” answered Oxana, for she it was, making him a deep curtesy.

“Very good painting, indeed! Capital painting!” said the Right Eminent, looking at the door and the windows. And, in truth, every window was surrounded by a stripe of red paint; and the door was painted all over with Cossacks on horseback, with pipes in their mouths. But the archbishop bestowed still more praises on Vakoola, when he was made acquainted with the blacksmith’s having performed public penance, and with his having painted, at his own expense, the whole of the church choir, green, with red flowers running over it. But Vakoola had done still more: he had painted the devil in hell, upon the wall which is to your left when you step into the church. This devil had such an odious face that no one could refrain from spitting, as they passed by. The women, as soon as their children began to cry, brought them to this picture and said, “Look! is he not an odious creature?” and the children stopped their tears, looked sideways at the picture, and clung more closely to their mother’s bosom.

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At a cozy inn on Christmas Eve, guests trade spooky stories—until a real, bloodstained intruder named “Jerry Bundler” appears, turning festive warmth into true fright.

Jerry Bundler by W. W. Jacobs

It wanted a few nights to Christmas, a festival for which the small market town of Torchester was making extensive preparations. The narrow streets which had been thronged with people were now almost deserted; the cheap-jack from London, with the remnant of breath left him after his evening’s exertions, was making feeble attempts to blow out his naphtha lamp, and the last shops open were rapidly closing for the night.

In the comfortable coffee-room of the old Boar’s Head, half a dozen guests, principally commercial travellers, sat talking by the light of the fire. The talk had drifted from trade to politics, from politics to religion, and so by easy stages to the supernatural. Three ghost stories, never known to fail before, had fallen flat; there was too much noise outside, too much light within. The fourth story was told by an old hand with more success; the streets were quiet, and he had turned the gas out. In the flickering light of the fire, as it shone on the glasses and danced with shadows on the walls, the story proved so enthralling that George, the waiter, whose presence had been forgotten, created a very disagreeable sensation by suddenly starting up from a dark corner and gliding silently from the room. “That’s what I call a good story,” said one of the men, sipping his hot whisky. “Of course it’s an old idea that spirits like to get into the company of human beings. A man told me once that he travelled down the Great Western with a ghost and hadn’t the slightest suspicion of it until the inspector came for tickets. My friend said the way that ghost tried to keep up appearances by feeling for it in all its pockets and looking on the floor was quite touching. Ultimately it gave it up and with a faint groan vanished through the ventilator.”

“That’ll do, Hirst,” said another man.

“It’s not a subject for jesting,” said a little old gentleman who had been an attentive listener. “I’ve never seen an apparition myself, but I know people who have, and I consider that they form a very interesting link between us and the afterlife. There’s a ghost story connected with this house, you know.”

“Never heard of it,” said another speaker, “and I’ve been here some years now.”

“It dates back a long time now,” said the old gentleman. “You’ve heard about Jerry Bundler, George?”

“Well, I’ve just ’eard odds and ends, sir,” said the old waiter, “but I never put much count to ’em. There was one chap ’ere what said ’e saw it, and the gov’ner sacked ’im prompt.”

“My father was a native of this town,” said the old gentleman, “and knew the story well. He was a truthful man and a steady churchgoer, but I’ve heard him declare that once in his life he saw the appearance of Jerry Bundler in this house.”.

“And who was this Bundler?” inquired a voice.

“A London thief, pickpocket, highwayman—anything he could turn his dishonest hand to,” replied the old gentleman; “and he was run to earth in this house one Christmas week some eighty years ago. He took his last supper in this very room, and after he had gone up to bed a couple of Bow Street runners, who had followed him from London but lost the scent a bit, went upstairs with the landlord and tried the door. It was stout oak, and fast, so one went into the yard, and by means of a short ladder got onto the window-sill, while the other stayed outside the door. Those below in the yard saw the man crouching on the sill, and then there was a sudden smash of glass, and with a cry he fell in a heap on the stones at their feet. Then in the moonlight they saw the white face of the pickpocket peeping over the sill, and while some stayed in the yard, others ran into the house and helped the other man to break the door in. It was difficult to obtain an entrance even then, for it was barred with heavy furniture, but they got in at last, and the first thing that met their eyes was the body of Jerry dangling from the top of the bed by his own handkerchief.”

“Which bedroom was it?” asked two or three voices together.

The narrator shook his head. “That I can’t tell you; but the story goes that Jerry still haunts this house, and my father used to declare positively that the last time he slept here the ghost of Jerry Bundler lowered itself from the top of his bed and tried to strangle him.”

“That’ll do,” said an uneasy voice. “I wish you’d thought to ask your father which bedroom it was.”

“What for?” inquired the old gentleman.

“Well, I should take care not to sleep in it, that’s all,” said the voice, shortly.

“There’s nothing to fear,” said the other. “I don’t believe for a moment that ghosts could really-hurt one. In fact my father used to confess that it was only the unpleasantness of the thing that upset him, and that for all practical purposes Jerry’s fingers might have been made of cottonwool for all the harm they could do.”

“That’s all very fine,” said the last speaker again; “a ghost story is a ghost story, sir; but when a gentleman tells a tale of a ghost in the house in which one is going to sleep, I call it most ungentlemanly!”

“Pooh! nonsense!” said the old gentleman, rising; “ghosts can’t hurt you. For my own part, I should rather like to see one. Good night, gentlemen.”

“Good night,” said the others. “And I only hope Jerry’ll pay you a visit,” added the nervous man as the door closed.

“Bring some more whisky, George,” said a stout commercial; “I want keeping up when the talk turns this way.”

“Shall I light the gas, Mr. Malcolm?” said George.

“No; the fire’s very comfortable,” said the traveller. “Now, gentlemen, any of you know any more?”

“I think we’ve had enough,” said another man; “we shall be thinking we see spirits next, and we’re not all like the old gentleman who’s just gone.”

“Old humbug!” said Hirst. “I should like to put him to the test. Suppose I dress up as Jerry Bundler and go and give him a chance of displaying his courage?”

“Bravo!” said Malcolm, huskily, drowning one or two faint “Noes.” “Just for the joke, gentlemen.”

“No, no! Drop it, Hirst,” said another man.

“Only for the joke,” said Hirst, somewhat eagerly. “I’ve got some things upstairs in which I am going to play in the Rivals—knee-breeches, buckles, and all that sort of thing. It’s a rare chance. If you’ll wait a bit I’ll give you a full-dress rehearsal, entitled, ‘Jerry Bundler; or, The Nocturnal Strangler.’”

“You won’t frighten us,” said the commercial, with a husky laugh.

“I don’t know that,” said Hirst, sharply; “it’s a question of acting, that’s all. I’m pretty good, ain’t I, Somers?”

“Oh, you’re all right—for an amateur,” said his friend, with a laugh.

“I’ll bet you a level sov. you don’t frighten me,” said the stout traveller.

“Done!” said Hirst. “I’ll take the bet to frighten you first and the old gentleman afterwards. These gentlemen shall be the judges.”

“You won’t frighten us, sir,” said another man, “because we’re prepared for you; but you’d better leave the old man alone. It’s dangerous play.”

“Well, I’ll try you first,” said Hirst, springing up. “No gas, mind.”

He ran lightly upstairs to his room, leaving the others, most of whom had been drinking somewhat freely, to wrangle about his proceedings. It ended in two of them going to bed.

“He’s crazy on acting,” said Somers, lighting his pipe. “Thinks he’s the equal of anybody almost. It doesn’t matter with us, but I won’t let him go to the old man. And he won’t mind so long as he gets an opportunity of acting to us.”

“Well, I hope he’ll hurry up,” said Malcolm, yawning; “it’s after twelve now.”

Nearly half an hour passed. Malcolm drew his watch from his pocket and was busy winding it, when George, the waiter, who had been sent on an errand to the bar, burst suddenly into the room and rushed towards them.

“’E’s comin’, gentlemen,” he said breathlessly.

“Why, you’re frightened, George,” said the stout commercial, with a chuckle.

“It was the suddenness of it,” said George, sheepishly; “and besides, I didn’t look for seein’ ’im in the bar. There’s only a glimmer of light there, and ’e was sitting on the floor behind the bar. I nearly trod on ’im.”

“Oh, you’ll never make a man, George,” said Malcolm.

“Well, it took me unawares,” said the waiter. “Not that I’d have gone to the bar by myself if I’d known ’e was there, and I don’t believe you would either, sir.”

“Nonsense!” said Malcolm. “I’ll go and fetch him in.”

“You don’t know what it’s like, sir,” said George, catching him by the sleeve. “It ain’t fit to look at by yourself, it ain’t, indeed. It’s got the—What’s that?”

They all started at the sound of a smothered cry from the staircase and the sound of somebody running hurriedly along the passage. Before anybody could speak, the door flew open and a figure bursting into the room flung itself gasping and shivering upon them.

“What is it? What’s the matter?” demanded Malcolm. “Why, it’s Mr. Hirst.” He shook him roughly and then held some spirit to his lips. Hirst drank it greedily and with a sharp intake of his breath gripped him by the arm.

“Light the gas, George,” said Malcolm.

The waiter obeyed hastily. Hirst, a ludicrous but pitiable figure in knee-breeches and coat, a large wig all awry and his face a mess of grease paint, clung to him, trembling.

“Now, what’s the matter?” asked Malcolm.

“I’ve seen it,” said Hirst, with a hysterical sob. “O Lord, I’ll never play the fool again, never!”

“Seen what?” said the others.

“Him—it—the ghost—anything!” said Hirst, wildly.

“Rot!” said Malcolm, uneasily.

“I was coming down the stairs,” said Hirst. “Just capering down—as I thought—it ought to do. I felt a tap—”

He broke off suddenly and peered nervously through the open door into the passage.

“I thought I saw it again,” he whispered.

“Look—at the foot of the stairs. Can you see anything?”

“No, there’s nothing there,” said Malcolm, whose own voice shook a little. “Go on. You felt a tap on your shoulder—”

“I turned round and saw it—a little wicked head and a white dead face. Pah!”

“That’s what I saw in the bar,” said George. “’Orrid it was—devilish!”

Hirst shuddered, and, still retaining his nervous grip of Malcolm’s sleeve, dropped into a chair.

“Well, it’s a most unaccountable thing,” said the dumbfounded Malcolm, turning round to the others. “It’s the last time I come to this house.”

“I leave to-morrow,” said George. “I wouldn’t go down to that bar again by myself, no, not for fifty pounds!”

“It’s talking about the thing that’s caused it, I expect,” said one of the men; “we’ve all been talking about this and having it in our minds. Practically we’ve been forming a spiritualistic circle without knowing it.”

“Hang the old gentleman!” said Malcolm, heartily. “Upon my soul, I’m half afraid to go to bed. It’s odd they should both think they saw something.”

“I saw it as plain as I see you, sir,” said George, solemnly. “P’raps if you keep your eyes turned up the passage you’ll see it for yourself.”

They followed the direction of his finger, but saw nothing, although one of them fancied that a head peeped round the corner of the wall.

“Who’ll come down to the bar?” said Malcolm, looking round.

“You can go, if you like,” said one of the others, with a faint laugh; “we’ll wait here for you.”

The stout traveller walked towards the door and took a few steps up the passage. Then he stopped. All was quite silent, and he walked slowly to the end and looked down fearfully towards the glass partition which shut off the bar. Three times he made as though to go to it; then he turned back, and, glancing over his shoulder, came hurriedly back to the room.

“Did you see it, sir?” whispered George.

“Don’t know,” said Malcolm, shortly. “I fancied I saw something, but it might have been fancy. I’m in the mood to see anything just now. How are you feeling now, sir?”

“Oh, I feel a bit better now,” said Hirst, somewhat brusquely, as all eyes were turned upon him.

“I dare say you think I’m easily scared, but you didn’t see it.”

“Not at all,” said Malcolm, smiling faintly despite himself.

“I’m going to bed,” said Hirst, noticing the smile and resenting it. “Will you share my room with me, Somers?”

“I will with pleasure,” said his friend, “provided you don’t mind sleeping with the gas on full all night.”

He rose from his seat, and bidding the company a friendly good-night, left the room with his crestfallen friend. The others saw them to the foot of the stairs, and having heard their door close, returned to the coffee-room.

“Well, I suppose the bet’s off?” said the stout commercial, poking the fire and then standing with his legs apart on the hearthrug; “though, as far as I can see, I won it. I never saw a man so scared in all my life. Sort of poetic justice about it, isn’t there?”

“Never mind about poetry or justice,” said one of his listeners; “who’s going to sleep with me?”

“I will,” said Malcolm, affably.

“And I suppose we share a room together, Mr. Leek?” said the third man, turning to the fourth.

“No, thank you,” said the other, briskly; “I don’t believe in ghosts. If anything comes into my room I shall shoot it.”

“That won’t hurt a spirit, Leek,” said Malcolm, decisively.

“Well the noise’ll be like company to me,” said Leek, “and it’ll wake the house too. But if you’re nervous, sir,” he added, with a grin, to the man who had suggested sharing his room, “George’ll be only too pleased to sleep on the door-mat inside your room, I know.”

“That I will, sir,” said George, fervently; “and if you gentlemen would only come down with me to the bar to put the gas out, I could never be sufficiently grateful.”

They went out in a body, with the exception of Leek, peering carefully before them as they went George turned the light out in the bar and they returned unmolested to the coffee-room, and, avoiding the sardonic smile of Leek, prepared to separate for the night.

“Give me the candle while you put the gas out, George,” said the traveller.

The waiter handed it to him and extinguished the gas, and at the same moment all distinctly heard a step in the passage outside. It stopped at the door, and as they watched with bated breath, the door creaked and slowly opened. Malcolm fell back open-mouthed, as a white, leering face, with sunken eyeballs and close-cropped bullet head, appeared at the opening.

For a few seconds the creature stood regarding them, blinking in a strange fashion at the candle. Then, with a sidling movement, it came a little way into the room and stood there as if bewildered.

Not a man spoke or moved, but all watched with a horrible fascination as the creature removed its dirty neckcloth and its head rolled on its shoulder. For a minute it paused, and then, holding the rag before it, moved towards Malcolm.

The candle went out suddenly with a flash and a bang. There was a smell of powder, and something writhing in the darkness on the floor. A faint, choking cough, and then silence. Malcolm was the first to speak. “Matches,” he said, in a strange voice. George struck one. Then he leapt at the gas and a burner flamed from the match. Malcolm touched the thing on the floor with his foot and found it soft. He looked at his companions. They mouthed inquiries at him, but he shook his head. He lit the candle, and, kneeling down, examined the silent thing on the floor. Then he rose swiftly, and dipping his handkerchief in the water-jug, bent down again and grimly wiped the white face. Then he sprang back with a cry of incredulous horror, pointing at it. Leek’s pistol fell to the floor and he shut out the sight with his hands, but the others, crowding forward, gazed spell-bound at the dead face of Hirst.

Before a word was spoken the door opened and Somers hastily entered the room. His eyes fell on the floor. “Good God!” he cried. “You didn’t—”

Nobody spoke.

“I told him not to,” he said, in a suffocating voice. “I told him not to. I told him—”

He leaned against the wall, deathly sick, put his arms out feebly, and fell fainting into the traveller’s arms.

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The Dead Sexton by Joseph Sheridan Le Fanu

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In this chilling tale by J. S Le Fanu, the death of a corrupt church sexton on Christmas Eve unleashes supernatural events in his churchyard—as though his spirit lingers, disrupting the holy peace. First published in 1871.

The Dead Sexton — J.S. Le Fanu

The sunsets were red, the nights were long, and the weather pleasantly frosty; and Christmas, the glorious herald of the New Year, was at hand, when an event—still recounted by winter firesides, with a horror made delightful by the mellowing influence of years—occurred in the beautiful little town of Golden Friars, and signalized, as the scene of its catastrophe, the old inn known throughout a wide region of the Northumbrian counties as the George and Dragon.

Toby Crooke, the sexton, was lying dead in the old coach-house in the inn yard. The body had been discovered, only half an hour before this story begins, under strange circumstances, and in a place where it might have lain the better part of a week undisturbed; and a dreadful suspicion astounded the village of Golden Friars.

A wintry sunset was glaring through a gorge of the western mountains, turning into fire the twigs of the leafless elms, and all the tiny blades of grass on the green by which the quaint little town is surrounded. It is built of light, grey stone, with steep gables and slender chimneys rising with airy lightness from the level sward by the margin of the beautiful lake, and backed by the grand amphitheatre of the fells at the other side, whose snowy peaks show faintly against the sky, tinged with the vaporous red of the western light. As you descend towards the margin of the lake, and see Golden Friars, its taper chimneys and slender gables, its curious old inn and gorgeous sign, and over all the graceful tower and spire of the ancient church, at this hour or by moonlight, in the solemn grandeur and stillness of the natural scenery that surrounds it, it stands before you like a fairy town.

Toby Crooke, the lank sexton, now fifty or upwards, had passed an hour or two with some village cronies, over a solemn pot of purl, in the kitchen of that cosy hostelry, the night before. He generally turned in there at about seven o’clock, and heard the news. This contented him: for he talked little, and looked always surly.

Many things are now raked up and talked over about him.

In early youth, he had been a bit of a scamp. He broke his indentures, and ran away from his master, the tanner of Bryemere; he had got into fifty bad scrapes and out again; and, just as the little world of Golden Friars had come to the conclusion that it would be well for all parties—except, perhaps, himself—and a happy riddance for his afflicted mother, if he were sunk, with a gross of quart pots about his neck, in the bottom of the lake in which the grey gables, the elms, and the towering fells of Golden Friars are mirrored, he suddenly returned, a reformed man at the ripe age of forty.

For twelve years he had disappeared, and no one knew what had become of him. Then, suddenly, as I say, he reappeared at Golden Friars—a very black and silent man, sedate and orderly. His mother was dead and buried; but the “prodigal son” was received good-naturedly. The good vicar, Doctor Jenner, reported to his wife:

“His hard heart has been softened, dear Dolly. I saw him dry his eyes, poor fellow, at the sermon yesterday.”

“I don’t wonder, Hugh darling. I know the part—’There is joy in Heaven.’ I am sure it was—wasn’t it? It was quite beautiful. I almost cried myself.”

The Vicar laughed gently, and stooped over her chair and kissed her, and patted her cheek fondly.

“You think too well of your old man’s sermons,” he said. “I preach, you see, Dolly, very much to the poor. If they understand me, I am pretty sure everyone else must; and I think that my simple style goes more home to both feelings and conscience—”

“You ought to have told me of his crying before. You are so eloquent,” exclaimed Dolly Jenner. “No one preaches like my man. I have never heard such sermons.”

Not many, we may be sure; for the good lady had not heard more than six from any other divine for the last twenty years.

The personages of Golden Friars talked Toby Crooke over on his return. Doctor Lincote said:

“He must have led a hard life; he had dried in so, and got a good deal of hard muscle; and he rather fancied he had been soldiering—he stood like a soldier; and the mark over his right eye looked like a gunshot.”

People might wonder how he could have survived a gunshot over the eye; but was not Lincote a doctor—and an army doctor to boot—when he was young; and who, in Golden Friars, could dispute with him on points of surgery? And I believe the truth is, that this mark had been really made by a pistol bullet.

Mr. Jarlcot, the attorney, would “go bail” he had picked up some sense in his travels; and honest Turnbull, the host of the George and Dragon, said heartily:

“We must look out something for him to put his hand to. Now’s the time to make a man of him.”

The end of it was that he became, among other things, the sexton of Golden Friars.

He was a punctual sexton. He meddled with no other person’s business; but he was a silent man, and by no means popular. He was reserved in company; and he used to walk alone by the shore of the lake, while other fellows played at fives or skittles; and when he visited the kitchen of the George, he had his liquor to himself, and in the midst of the general talk was a saturnine listener. There was something sinister in this man’s face; and when things went wrong with him, he could look dangerous enough.

There were whispered stories in Golden Friars about Toby Crooke. Nobody could say how they got there. Nothing is more mysterious than the spread of rumour. It is like a vial poured on the air. It travels, like an epidemic, on the sightless currents of the atmosphere, or by the laws of a telluric influence equally intangible. These stories treated, though darkly, of the long period of his absence from his native village; but they took no well-defined shape, and no one could refer them to any authentic source.

The Vicar’s charity was of the kind that thinketh no evil; and in such cases he always insisted on proof. Crooke was, of course, undisturbed in his office.

On the evening before the tragedy came to light—trifles are always remembered after the catastrophe—a boy, returning along the margin of the mere, passed him by seated on a prostrate trunk of a tree, under the “bield” of a rock, counting silver money. His lean body and limbs were bent together, his knees were up to his chin, and his long fingers were telling the coins over hurriedly in the hollow of his other hand. He glanced at the boy, as the old English saying is, like “the devil looking over Lincoln.” But a black and sour look from Mr. Crooke, who never had a smile for a child nor a greeting for a wayfarer, was nothing strange.

Toby Crooke lived in the grey stone house, cold and narrow, that stands near the church porch, with the window of its staircase looking out into the churchyard, where so much of his labour, for many a day, had been expended. The greater part of this house was untenanted.

The old woman who was in charge of it slept in a settle-bed, among broken stools, old sacks, rotten chests and other rattle-traps, in the small room at the rear of the house, floored with tiles.

At what time of the night she could not tell, she awoke, and saw a man, with his hat on, in her room. He had a candle in his hand, which he shaded with his coat from her eye; his back was towards her, and he was rummaging in the drawer in which she usually kept her money.

Having got her quarter’s pension of two pounds that day, however, she had placed it, folded in a rag, in the corner of her tea caddy, and locked it up in the “eat-malison” or cupboard.

She was frightened when she saw the figure in her room, and she could not tell whether her visitor might not have made his entrance from the contiguous churchyard. So, sitting bolt upright in her bed, her grey hair almost lifting her kerchief off her head, and all over in “a fit o’ t’ creepins,” as she expressed it, she demanded:

“In God’s name, what want ye thar?”

“Whar’s the peppermint ye used to hev by ye, woman? I’m bad wi’ an inward pain.”

“It’s all gane a month sin’,” she answered; and offered to make him a “het” drink if he’d get to his room.

But he said:

“Never mind, I’ll try a mouthful o’ gin.”

And, turning on his heel, he left her.

In the morning the sexton was gone. Not only in his lodging was there no account of him, but, when inquiry began to be extended, nowhere in the village of Golden Friars could he be found.

Still he might have gone off, on business of his own, to some distant village, before the town was stirring; and the sexton had no near kindred to trouble their heads about him. People, therefore, were willing to wait, and take his return ultimately for granted.

At three o’clock the good Vicar, standing at his hall door, looking across the lake towards the noble fells that rise, steep and furrowed, from that beautiful mere, saw two men approaching across the green, in a straight line, from a boat that was moored at the water’s edge. They were carrying between them something which, though not very large, seemed ponderous.

“Ye’ll ken this, sir,” said one of the boatmen as they set down, almost at his feet, a small church bell, such as in old-fashioned chimes yields the treble notes.

“This won’t be less nor five stean. I ween it’s fra’ the church steeple yon.”

“What! one of our church bells?” ejaculated the Vicar—for a moment lost in horrible amazement. “Oh, no!—no, that can’t possibly be! Where did you find it?”

He had found the boat, in the morning, moored about fifty yards from her moorings where he had left it the night before, and could not think how that came to pass; and now, as he and his partner were about to take their oars, they discovered this bell in the bottom of the boat, under a bit of canvas, also the sexton’s pick and spade—”tom-spey’ad,” they termed that peculiar, broad-bladed implement.

“Very extraordinary! We must try whether there is a bell missing from the tower,” said the Vicar, getting into a fuss. “Has Crooke come back yet? Does anyone know where he is?”

The sexton had not yet turned up.

“That’s odd—that’s provoking,” said the Vicar. “However, my key will let us in. Place the bell in the hall while I get it; and then we can see what all this means.”

To the church, accordingly, they went, the Vicar leading the way, with his own key in his hand. He turned it in the lock, and stood in the shadow of the ground porch, and shut the door.

A sack, half full, lay on the ground, with open mouth, a piece of cord lying beside it. Something clanked within it as one of the men shoved it aside with his clumsy shoe.

The Vicar opened the church door and peeped in. The dusky glow from the western sky, entering through a narrow window, illuminated the shafts and arches, the old oak carvings, and the discoloured monuments, with the melancholy glare of a dying fire.

The Vicar withdrew his head and closed the door. The gloom of the porch was deeper than ever as, stooping, he entered the narrow door that opened at the foot of the winding stair that leads to the first loft; from which a rude ladder-stair of wood, some five and twenty feet in height, mounts through a trap to the ringers’ loft.

Up the narrow stairs the Vicar climbed, followed by his attendants, to the first loft. It was very dark: a narrow bow-slit in the thick wall admitted the only light they had to guide them. The ivy leaves, seen from the deep shadow, flashed and flickered redly, and the sparrows twittered among them.

“Will one of you be so good as to go up and count the bells, and see if they are all right?” said the Vicar. “There should be—”

“Agoy! what’s that?” exclaimed one of the men, recoiling from the foot of the ladder.

“By Jen!” ejaculated the other, in equal surprise.

“Good gracious!” gasped the Vicar, who, seeing indistinctly a dark mass lying on the floor, had stooped to examine it, and placed his hand upon a cold, dead face.

The men drew the body into the streak of light that traversed the floor.

It was the corpse of Toby Crooke! There was a frightful scar across his forehead.

The alarm was given. Doctor Lincote, and Mr. Jarlcot, and Turnbull, of the George and Dragon, were on the spot immediately; and many curious and horrified spectators of minor importance.

The first thing ascertained was that the man must have been many hours dead. The next was that his skull was fractured, across the forehead, by an awful blow. The next was that his neck was broken.

His hat was found on the floor, where he had probably laid it, with his handkerchief in it.

The mystery now began to clear a little; for a bell—one of the chime hung in the tower—was found where it had rolled to, against the wall, with blood and hair on the rim of it, which corresponded with the grizzly fracture across the front of his head.

The sack that lay in the vestibule was examined, and found to contain all the church plate; a silver salver that had disappeared, about a month before, from Dr. Lincote’s store of valuables; the Vicar’s gold pencil-case, which he thought he had forgot in the vestry book; silver spoons, and various other contributions, levied from time to time off a dozen different households, the mysterious disappearance of which spoils had, of late years, begun to make the honest little community uncomfortable. Two bells had been taken down from the chime; and now the shrewd part of the assemblage, putting things together, began to comprehend the nefarious plans of the sexton, who lay mangled and dead on the floor of the tower, where only two days ago he had tolled the holy bell to call the good Christians of Golden Friars to worship.

The body was carried into the yard of the George and Dragon and laid in the old coach-house; and the townsfolk came grouping in to have a peep at the corpse, and stood round, looking darkly, and talking as low as if they were in a church.

The Vicar, in gaiters and slightly shovel hat, stood erect, as one in a little circle of notables—the doctor, the attorney, Sir Geoffrey Mardykes, who happened to be in the town, and Turnbull, the host—in the centre of the paved yard, they having made an inspection of the body, at which troops of the village stragglers, to-ing and fro-ing, were gaping and frowning as they whispered their horrible conjectures.

“What d’ye think o’ that?” said Tom Scales, the old hostler of the George, looking pale, with a stern, faint smile on his lips, as he and Dick Linklin sauntered out of the coach-house together.

“The deaul will hev his ain noo,” answered Dick, in his friend’s ear. “T’ sexton’s got a craigthraw like he gav’ the lass over the clints of Scarsdale; ye mind what the ald soger telt us when he hid his face in the kitchen of the George here? By Jen! I’ll ne’er forget that story.”

“I ween ’twas all true enough,” replied the hostler; “and the sizzup he gav’ the sleepin’ man wi’ t’ poker across the forehead. See whar the edge o’ t’ bell took him, and smashed his ain, the self-same lids. By ma sang, I wonder the deaul did na carry awa’ his corpse i’ the night, as he did wi’ Tam Lunder’s at Mooltern Mill.”

“Hout, man, who ever sid t’ deaul inside o’ a church?”

“The corpse is ill-faur’d enew to scare Satan himsel’, for that matter; though it’s true what you say. Ay, ye’re reet tul a trippet, thar; for Beelzebub dar’n’t show his snout inside the church, not the length o’ the black o’ my nail.”

While this discussion was going on, the gentlefolk who were talking the matter over in the centre of the yard had dispatched a message for the coroner all the way to the town of Hextan.

The last tint of sunset was fading from the sky by this time; so, of course, there was no thought of an inquest earlier than next day.

In the meantime it was horribly clear that the sexton had intended to rob the church of its plate, and had lost his life in the attempt to carry the second bell, as we have seen, down the worn ladder of the tower. He had tumbled backwards and broken his neck upon the floor of the loft; and the heavy bell, in its fall, descended with its edge across his forehead.

Never was a man more completely killed by a double catastrophe, in a moment.

The bells and the contents of the sack, it was surmised, he meant to have conveyed across the lake that night, and with the help of his spade and pick to have buried them in Clousted Forest, and returned, after an absence of but a few hours—as he easily might—before morning, unmissed and unobserved. He would no doubt, having secured his booty, have made such arrangements as would have made it appear that the church had been broken into. He would, of course, have taken all measures to divert suspicion from himself, and have watched a suitable opportunity to repossess himself of the buried treasure and dispose of it in safety.

[Illustration: It was the corpse of Toby Crooke!]

And now came out, into sharp relief, all the stories that had, one way or other, stolen after him into the town. Old Mrs. Pullen fainted when she saw him, and told Doctor Lincote, after, that she thought he was the highwayman who fired the shot that killed the coachman the night they were robbed on Hounslow Heath. There were the stories also told by the wayfaring old soldier with the wooden leg, and fifty others, up to this more than half disregarded, but which now seized on the popular belief with a startling grasp.

The fleeting light soon expired, and twilight was succeeded by the early night.

The inn yard gradually became quiet; and the dead sexton lay alone, in the dark, on his back, locked up in the old coach-house, the key of which was safe in the pocket of Tom Scales, the trusty old hostler of the George.

It was about eight o’clock, and the hostler, standing alone on the road in the front of the open door of the George and Dragon, had just smoked his pipe out. A bright moon hung in the frosty sky. The fells rose from the opposite edge of the lake like phantom mountains. The air was stirless. Through the boughs and sprays of the leafless elms no sigh or motion, however hushed, was audible. Not a ripple glimmered on the lake, which at one point only reflected the brilliant moon from its dark blue expanse like burnished steel. The road that runs by the inn door, along the margin of the lake, shone dazzlingly white.

White as ghosts, among the dark holly and juniper, stood the tall piers of the Vicar’s gate, and their great stone balls, like heads, overlooking the same road, a few hundred yards up the lake, to the left. The early little town of Golden Friars was quiet by this time. Except for the townsfolk who were now collected in the kitchen of the inn itself, no inhabitant was now outside his own threshold.

Tom Scales was thinking of turning in. He was beginning to fell a little queer. He was thinking of the sexton, and could not get the fixed features of the dead man out of his head, when he heard the sharp though distant ring of a horse’s hoof upon the frozen road. Tom’s instinct apprized him of the approach of a guest to the George and Dragon. His experienced ear told him that the horseman was approaching by the Dardale road, which, after crossing that wide and dismal moss, passes the southern fells by Dunner Cleugh and finally enters the town of Golden Friars by joining the Mardykes road, at the edge of the lake, close to the gate of the Vicar’s house.

A clump of tall trees stood at this point; but the moon shone full upon the road and cast their shadow backward.

The hoofs were plainly coming at a gallop, with a hollow rattle. The horseman was a long time in appearing. Tom wondered how he had heard the sound—so sharply frosty as the air was—so very far away.

He was right in his guess. The visitor was coming over the mountainous road from Dardale Moss; and he now saw a horseman, who must have turned the corner of the Vicar’s house at the moment when his eye was wearied; for when he saw him for the first time he was advancing, in the hazy moonlight, like the shadow of a cavalier, at a gallop, upon the level strip of road that skirts the margin of the mere, between the George and the Vicar’s piers.

The hostler had not long to wonder why the rider pushed his beast at so furious a pace, and how he came to have heard him, as he now calculated, at least three miles away. A very few moments sufficed to bring horse and rider to the inn door.

It was a powerful black horse, something like the great Irish hunter that figured a hundred years ago, and would carry sixteen stone with ease across country. It would have made a grand charger. Not a hair turned. It snorted, it pawed, it arched its neck; then threw back its ears and down its head, and looked ready to lash, and then to rear; and seemed impatient to be off again, and incapable of standing quiet for a moment.The rider got down
As light as shadow falls.

But he was a tall, sinewy figure. He wore a cape or short mantle, a cocked hat, and a pair of jack-boots, such as held their ground in some primitive corners of England almost to the close of the last century.

“Take him, lad,” said he to old Scales. “You need not walk or wisp him—he never sweats or tires. Give him his oats, and let him take his own time to eat them. House!” cried the stranger—in the old-fashioned form of summons which still lingered, at that time, in out-of-the-way places—in a deep and piercing voice.

As Tom Scales led the horse away to the stables it turned its head towards its master with a short, shill neigh.

“About your business, old gentleman—we must not go too fast,” the stranger cried back again to his horse, with a laugh as harsh and piercing; and he strode into the house.

The hostler led this horse into the inn yard. In passing, it sidled up to the coach-house gate, within which lay the dead sexton—snorted, pawed and lowered its head suddenly, with ear close to the plank, as if listening for a sound from within; then uttered again the same short, piercing neigh.

The hostler was chilled at this mysterious coquetry with the dead. He liked the brute less and less every minute.

In the meantime, its master had proceeded.

“I’ll go to the inn kitchen,” he said, in his startling bass, to the drawer who met him in the passage.

And on he went, as if he had known the place all his days: not seeming to hurry himself—stepping leisurely, the servant thought—but gliding on at such a rate, nevertheless, that he had passed his guide and was in the kitchen of the George before the drawer had got much more than half-way to it.

A roaring fire of dry wood, peat and coal lighted up this snug but spacious apartment—flashing on pots and pans, and dressers high-piled with pewter plates and dishes; and making the uncertain shadows of the long “hanks” of onions and many a flitch and ham, depending from the ceiling, dance on its glowing surface.

The doctor and the attorney, even Sir Geoffrey Mardykes, did not disdain on this occasion to take chairs and smoke their pipes by the kitchen fire, where they were in the thick of the gossip and discussion excited by the terrible event.

The tall stranger entered uninvited.

He looked like a gaunt, athletic Spaniard of forty, burned half black in the sun, with a bony, flattened nose. A pair of fierce black eyes were just visible under the edge of his hat; and his mouth seemed divided, beneath the moustache, by the deep scar of a hare-lip.

Sir Geoffrey Mardykes and the host of the George, aided by the doctor and the attorney, were discussing and arranging, for the third or fourth time, their theories about the death and the probable plans of Toby Crooke, when the stranger entered.

The new-comer lifted his hat, with a sort of smile, for a moment from his black head.

“What do you call this place, gentlemen?” asked the stranger.

“The town of Golden Friars, sir,” answered the doctor politely.

“The George and Dragon, sir: Anthony Turnbull, at your service,” answered mine host, with a solemn bow, at the same moment—so that the two voices went together, as if the doctor and the innkeeper were singing a catch.

“The George and the Dragon,” repeated the horseman, expanding his long hands over the fire which he had approached. “Saint George, King George, the Dragon, the Devil: it is a very grand idol, that outside your door, sir. You catch all sorts of worshippers—courtiers, fanatics, scamps: all’s fish, eh? Everybody welcome, provided he drinks like one. Suppose you brew a bowl or two of punch. I’ll stand it. How many are we? Here—count, and let us have enough. Gentlemen, I mean to spend the night here, and my horse is in the stable. What holiday, fun, or fair has got so many pleasant faces together? When I last called here—for, now I bethink me, I have seen the place before—you all looked sad. It was on a Sunday, that dismalest of holidays; and it would have been positively melancholy only that your sexton—that saint upon earth—Mr. Crooke, was here.” He was looking round, over his shoulder, and added: “Ha! don’t I see him there?”

Frightened a good deal were some of the company. All gaped in the direction in which, with a nod, he turned his eyes.

“He’s not thar—he can’t be thar—we see he’s not thar,” said Turnbull, as dogmatically as old Joe Willet might have delivered himself—for he did not care that the George should earn the reputation of a haunted house. “He’s met an accident, sir: he’s dead—he’s elsewhere—and therefore can’t be here.”

Upon this the company entertained the stranger with the narrative—which they made easy by a division of labour, two or three generally speaking at a time, and no one being permitted to finish a second sentence without finding himself corrected and supplanted.

“The man’s in Heaven, so sure as you’re not,” said the traveller so soon as the story was ended. “What! he was fiddling with the church bell, was he, and d——d for that—eh? Landlord, get us some drink. A sexton d——d for pulling down a church bell he has been pulling at for ten years!”

“You came, sir, by the Dardale-road, I believe?” said the doctor (village folk are curious). “A dismal moss is Dardale Moss, sir; and a bleak clim’ up the fells on t’ other side.”

“I say ‘Yes’ to all—from Dardale Moss, as black as pitch and as rotten as the grave, up that zigzag wall you call a road, that looks like chalk in the moonlight, through Dunner Cleugh, as dark as a coal-pit, and down here to the George and the Dragon, where you have a roaring fire, wise men, good punch—here it is—and a corpse in your coach-house. Where the carcase is, there will the eagles be gathered together. Come, landlord, ladle out the nectar. Drink, gentlemen—drink, all. Brew another bowl at the bar. How divinely it stinks of alcohol! I hope you like it, gentlemen: it smells all over of spices, like a mummy. Drink, friends. Ladle, landlord. Drink, all. Serve it out.”

The guest fumbled in his pocket, and produced three guineas, which he slipped into Turnbull’s fat palm.

“Let punch flow till that’s out. I’m an old friend of the house. I call here, back and forward. I know you well, Turnbull, though you don’t recognize me.”

“You have the advantage of me, sir,” said Mr. Turnbull, looking hard on that dark and sinister countenance—which, or the like of which, he could have sworn he had never seen before in his life. But he liked the weight and colour of his guineas, as he dropped them into his pocket. “I hope you will find yourself comfortable while you stay.”

“You have given me a bedroom?”

“Yes, sir—the cedar chamber.”

“I know it—the very thing. No—no punch for me. By and by, perhaps.”

The talk went on, but the stranger had grown silent. He had seated himself on an oak bench by the fire, towards which he extended his feet and hands with seeming enjoyment; his cocked hat being, however, a little over his face.

Gradually the company began to thin. Sir Geoffrey Mardykes was the first to go; then some of the humbler townsfolk. The last bowl of punch was on its last legs. The stranger walked into the passage and said to the drawer:

“Fetch me a lantern. I must see my nag. Light it—hey! That will do. No—you need not come.”

The gaunt traveller took it from the man’s hand and strode along the passage to the door of the stableyard, which he opened and passed out.

Tom Scales, standing on the pavement, was looking through the stable window at the horses when the stranger plucked his shirtsleeve. With an inward shock the hostler found himself alone in presence of the very person he had been thinking of.

“I say—they tell me you have something to look at in there”—he pointed with his thumb at the old coach-house door. “Let us have a peep.”

Tom Scales happened to be at that moment in a state of mind highly favourable to anyone in search of a submissive instrument. He was in great perplexity, and even perturbation. He suffered the stranger to lead him to the coach-house gate.

“You must come in and hold the lantern,” said he. “I’ll pay you handsomely.”

The old hostler applied his key and removed the padlock.

“What are you afraid of? Step in and throw the light on his face,” said the stranger grimly. “Throw open the lantern: stand there. Stoop over him a little—he won’t bite you. Steady, or you may pass the night with him!”

***

In the meantime the company at the George had dispersed; and, shortly after, Anthony Turnbull—who, like a good landlord, was always last in bed, and first up, in his house—was taking, alone, his last look round the kitchen before making his final visit to the stable-yard, when Tom Scales tottered into the kitchen, looking like death, his hair standing upright; and he sat down on an oak chair, all in a tremble, wiped his forehead with his hand, and, instead of speaking, heaved a great sigh or two.

It was not till after he had swallowed a dram of brandy that he found his voice, and said:

“We’ve the deaul himsel’ in t’ house! By Jen! ye’d best send fo t’ sir” (the clergyman). “Happen he’ll tak him in hand wi’ holy writ, and send him elsewhidder deftly. Lord atween us and harm! I’m a sinfu’ man. I tell ye, Mr. Turnbull, I dar’ n’t stop in t’ George to-night under the same roof wi’ him.”

“Ye mean the ra-beyoned, black-feyaced lad, wi’ the brocken neb? Why, that’s a gentleman wi’ a pocket ful o’ guineas, man, and a horse worth fifty pounds!”

“That horse is no better nor his rider. The nags that were in the stable wi’ him, they all tuk the creepins, and sweated like rain down a thack. I tuk them all out o’ that, away from him, into the hack-stable, and I thocht I cud never get them past him. But that’s not all. When I was keekin inta t’ winda at the nags, he comes behint me and claps his claw on ma shouther, and he gars me gang wi’ him, and open the aad coach-house door, and haad the cannle for him, till he pearked into the deed man’t feyace; and, as God’s my judge, I sid the corpse open its eyes and wark its mouth, like a man smoorin’ and strivin’ to talk. I cudna move or say a word, though I felt my hair rising on my heed; but at lang-last I gev a yelloch, and say I, ‘La! what is that?’ And he himsel’ looked round on me, like the devil he is; and, wi’ a skirl o’ a laugh, he strikes the lantern out o’ my hand. When I cum to myself we were outside the coach-house door. The moon was shinin’ in, ad I cud see the corpse stretched on the table whar we left it; and he kicked the door to wi’ a purr o’ his foot. ‘Lock it,’ says he; and so I did. And here’s the key for ye—tak it yoursel’, sir. He offer’d me money: he said he’d mak me a rich man if I’d sell him the corpse, and help him awa’ wi’ it.”

“Hout, man! What cud he want o’ t’ corpse? He’s not doctor, to do a’ that lids. He was takin’ a rise out o’ ye, lad,” said Turnbull.

“Na, na—he wants the corpse. There’s summat you a’ me can’t tell he wants to do wi’ ‘t; and he’d liefer get it wi’ sin and thievin’, and the damage of my soul. He’s one of them freytens a boo or a dobbies off Dardale Moss, that’s always astir wi’ the like after nightfall; unless—Lord save us!—he be the deaul himsel.'”

“Whar is he noo?” asked the landlord, who was growing uncomfortable.

“He spang’d up the back stair to his room. I wonder you didn’t hear him trampin’ like a wild horse; and he clapt his door that the house shook again—but Lord knows whar he is noo. Let us gang awa’s up to the Vicar’s, and gan him come down, and talk wi’ him.”

“Hoity toity, man—you’re too easy scared,” said the landlord, pale enough by this time. “‘Twould be a fine thing, truly, to send abroad that the house was haunted by the deaul himsel’! Why, ‘twould be the ruin o’ the George. You’re sure ye locked the door on the corpse?”

“Aye, sir—sartain.”

“Come wi’ me, Tom—we’ll gi’ a last look round the yard.”

So, side by side, with many a jealous look right and left, and over their shoulders, they went in silence. On entering the old-fashioned quadrangle, surrounded by stables and other offices—built in the antique cagework fashion—they stopped for a while under the shadow of the inn gable, and looked round the yard, and listened. All was silent—nothing stirring.

The stable lantern was lighted; and with it in his hand Tony Turnbull, holding Tom Scales by the shoulder, advanced. He hauled Tom after him for a step or two; then stood still and shoved him before him for a step or two more; and thus cautiously—as a pair of skirmishers under fire—they approached the coach-house door.

“There, ye see—all safe,” whispered Tom, pointing to the lock, which hung—distinct in the moonlight—in its place. “Cum back, I say!”

“Cum on, say I!” retorted the landlord valorously. “It would never do to allow any tricks to be played with the chap in there”—he pointed to the coachhouse door.

“The coroner here in the morning, and never a corpse to sit on!” He unlocked the padlock with these words, having handed the lantern to Tom. “Here, keck in, Tom,” he continued; “ye hev the lantern—and see if all’s as ye left it.”

“Not me—na, not for the George and a’ that’s in it!” said Tom, with a shudder, sternly, as he took a step backward.

“What the—what are ye afraid on? Gi’ me the lantern—it is all one: I will.”

And cautiously, little by little, he opened the door; and, holding the lantern over his head in the narrow slit, he peeped in—frowning and pale—with one eye, as if he expected something to fly in his face. He closed the door without speaking, and locked it again.

“As safe as a thief in a mill,” he whispered with a nod to his companion. And at that moment a harsh laugh overhead broke the silence startlingly, and set all the poultry in the yard gabbling.

“Thar he be!” said Tom, clutching the landlord’s arm—”in the winda—see!”

The window of the cedar-room, up two pair of stairs, was open; and in the shadow a darker outline was visible of a man, with his elbows on the window-stone, looking down upon them.

“Look at his eyes—like two live coals!” gasped Tom.

The landlord could not see all this so sharply, being confused, and not so long-sighted as Tom.

“Time, sir,” called Tony Turnbull, turning cold as he thought he saw a pair of eyes shining down redly at him—”time for honest folk to be in their beds, and asleep!”

“As sound as your sexton!” said the jeering voice from above.

“Come out of this,” whispered the landlord fiercely to his hostler, plucking him hard by the sleeve.

They got into the house, and shut the door.

“I wish we were shot of him,” said the landlord, with something like a groan, as he leaned against the wall of the passage. “I’ll sit up, anyhow—and, Tom, you’ll sit wi’ me. Cum into the gun-room. No one shall steal the dead man out of my yard while I can draw a trigger.”

The gun-room in the George is about twelve feet square. It projects into the stable-yard and commands a full view of the old coach-house; and, through a narrow side window, a flanking view of the back door of the inn, through which the yard is reached.

Tony Turnbull took down the blunderbuss—which was the great ordnance of the house—and loaded it with a stiff charge of pistol bullets.

He put on a great-coat which hung there, and was his covering when he went out at night, to shoot wild ducks. Tom made himself comfortable likewise. They then sat down at the window, which was open, looking into the yard, the opposite side of which was white in the brilliant moonlight.

The landlord laid the blunderbuss across his knees, and stared into the yard. His comrade stared also. The door of the gun-room was locked; so they felt tolerably secure.

An hour passed; nothing had occurred. Another. The clock struck one. The shadows had shifted a little; but still the moon shone full on the old coach-house, and the stable where the guest’s horse stood.

Turnbull thought he heard a step on the back-stair. Tom was watching the back-door through the side window, with eyes glazing with the intensity of his stare. Anthony Turnbull, holding his breath, listened at the room door. It was a false alarm.

When he came back to the window looking into the yard:

“Hish! Look thar!” said he in a vehement whisper.

From the shadow at the left they saw the figure of the gaunt horseman, in short cloak and jack-boots, emerge. He pushed open the stable door, and led out his powerful black horse. He walked it across the front of the building till he reached the old coach-house door; and there, with its bridle on its neck, he left it standing, while he stalked to the yard gate; and, dealing it a kick with his heel, it sprang back with the rebound, shaking from top to bottom, and stood open. The stranger returned to the side of his horse; and the door which secured the corpse of the dead sexton seemed to swing slowly open of itself as he entered, and returned with the corpse in his arms, and swung it across the shoulders of the horse, and instantly sprang into the saddle.

“Fire!” shouted Tom, and bang went the blunderbuss with a stunning crack. A thousand sparrows’ wings winnowed through the air from the thick ivy. The watch-dog yelled a furious bark. There was a strange ring and whistle in the air. The blunderbuss had burst to shivers right down to the very breech. The recoil rolled the inn-keeper upon his back on the floor, and Tom Scales was flung against the side of the recess of the window, which had saved him from a tumble as violent. In this position they heard the searing laugh of the departing horseman, and saw him ride out of the gate with his ghastly burden.

***

Perhaps some of my readers, like myself, have heard this story told by Roger Turnbull, now host of the George and Dragon, the grandson of the very Tony who then swayed the spigot and keys of that inn, in the identical kitchen of which the fiend treated so many of the neighbours to punch.

***

What infernal object was subserved by the possession of the dead villain’s body, I have not learned. But a very curious story, in which a vampire resuscitation of Crooke the sexton figures, may throw a light upon this part of the tale.

The result of Turnbull’s shot at the disappearing fiend certainly justifies old Andrew Moreton’s dictum, which is thus expressed in his curious “History of Apparitions”: “I warn rash brands who, pretending not to fear the devil, are for using the ordinary violences with him, which affect one man from another—or with an apparition, in which they may be sure to receive some mischief. I knew one fired a gun at an apparition and the gun burst in a hundred pieces in his hand; another struck at an apparition with a sword, and broke his sword in pieces and wounded his hand grievously; and ’tis next to madness for anyone to go that way to work with any spirit, be it angel or be it devil.”

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Mayor Rudolf Brun’s Ghost Under St Peter’s Church Tower in Zurich

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After the exhumation of the graves of one of Zurich’s mayors who died under mysterious circumstances people started talking about seeing his ghost wandering around the church tower and wall of St. Peter. Could the ghost of Rudolf Brun, who ruled during volatile times in the city have returned?

Zurich, a city renowned for its stunning landscapes and rich culture, also harbors a darker side woven into its history. Tales of ghostly encounters and restless spirits have permeated its ancient streets, attracting those intrigued by the supernatural. St. Peter’s Church in Zurich is the only baroque church in the city. The clock on the tower is the largest in Europe and the dial has a diameter of 8.7 metres. St. Peter’s parish church is the oldest church in Zurich and dates to before the year 900.

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Buried just below the clock tower is Rudolf Brun, the first independent city mayor in the 14th century and leader of the Zürich guilds’ revolution of 1336. He died a terrible and mysterious death, that some attributed to poisoning.

Rudolf Brun as Zurich’s first Independent Mayor

Rudolf was the son of Jakob Brun, a member of the city council, and of Mechthild. Brun overthrew the former city council with the help of the city’s craftsmen in June 1336 to balance the power between them and the aristocracy. 

In 1349, Brun led a massacre of the Jewish community of Zurich, seizing many of the spoils for himself. The incident was caused by antisemitism in the city due to the alleged murder of the son of a Zurich man, and fueled by the subsequent accusations of well poisoning. The son of Zurich man Zur Wyden from a family of shoemakers, about four years old, was murdered, and the Jews were accused of the murder. The Zurich Jewish community numbered around 400, and most of them were killed.

Mayor Rudolf Brun for example took possession of the house of a certain Moses. This event took place in the frame of the widespread persecution of Jews during the Black Death, in which the Jews were accused of spreading the bubonic plague.

On 17 of September in 1360 he died and was buried in St. Peter’s Church together with his cook. It was believed that the cook had poisoned him, but it remained a mystery for years. 

Exhuming his Bone to get to the Bottom of the Murder Mystery

In  1972, Brun’s remains were examined and tested positive for arsenic according to the ghost walk tours that used to be in the city. But as the substance was often used in earlier times for medicinal and recreational purposes, the result was inconclusive. The bone and hair analysis gave no other signs for poisoning. 

So what really happened, and how did Bruno, who lived through a violent time in Zurich’s history, die?

None the wiser for the truth, Brun’s bones were reburied at the clock tower. If we are to believe the rumors, it was without his skull, which had mysteriously disappeared. Could this have been the incident that caused him to rise up as a ghost?

The Haunting of Rudolf Brun

Just a few weeks after the reburial of Rudolf Brun, two boys were playing football near the gravesite when they experienced something that would give the historic man a ghostly reputation. When the ball they were kicking stopped in front of  the feet of a dark figure. According to the boys, this mysterious figure before them was wearing old-fashioned clothes.

One of the boys went to get the ball, not really taking too much notice of the strange man standing at a short distance. When approaching, the figure of the man turned around and walked towards the tower wall. When reaching the wall, the figure walked right through it and disappeared. 

According to the rumors, more than one person had seen this figure around the tower. 

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References:

Ghosts haunt Zurich streets – SWI swissinfo.ch 

Rudolf Brun – Wikipedia

Zurich massacre – Wikipedia

Rudolf Brun – Wikipedia

Blood in the Soil: The Chilling Tale of the New England Vampire Panic

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Centuries after the witch panic in Salem, New England was gripped by another entity – vampires! Thought to crawl out from their graves at night and back to their remaining family to feed and consume the life of them. This has later been known as the New England Vampire Panic The only way to stop them was to dig them up and set them on fire. 

In the quiet, frostbitten corners of 19th-century New England—amid snow-capped fields and rickety clapboard farmhouses—a curious darkness was spreading. But it wasn’t witches this time. It wasn’t demons, or ghosts, or devils hiding in the woods. No, what haunted the good, God-fearing folk of Rhode Island, Connecticut, and Vermont was something far stranger.

Vampires.

Not the aristocratic, silk-robed kind with Eastern European accents. Not the seductive, night-stalking vampires of Hollywood imagination. These were homegrown, farm-dwelling, dirt-under-their-nails revenants. According to local belief, they didn’t sip fine blood from crystal goblets. They clawed their way out of graves and siphoned the life from their living kin—not with fangs, but with supernatural persistence.

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This wasn’t just a gothic fever dream. It was real. It had a body count, graves empty after their families dug them up and burnt their remains to cure themselves of the curse of the undead. After it swept across the east coast, it was later called the New England Vampire Panic.

Old Graveyards: A serene graveyard in New Hampshire reflects the eerie history of vampire folklore in early New England that was gripped by fear during the New England Vampire Panic.

A Disease by Any Other Name

To understand how New England came to believe in vampires, we need to talk about tuberculosis—known in the 1800s as consumption.

Before it had a scientific explanation, TB was a horrifying, slow-moving plague. It wasted the body and if you first got infected, there was a two in ten chance of surviving it as there was no cure. Victims grew pale and thin, their cheeks sunken, eyes glassy. They coughed blood. They wheezed and gasped and sometimes appeared to grow stronger just before they died, as if something unnatural were prolonging their suffering.

The White Death: The plague of tuberculosis is a disease that has killed more people than any other microbial pathogen and mummies dating back to the 8000 BCE. Over the years, many attempts to cure it through curious means show desperation. Fresh air, bloodletting, elephant urine, eating wolf livers and human breast milk has from ancient times been tried.

It was contagious, of course, though no one knew why or how. When one family member died, others often followed. Households dropped like dominos. And so the imagination of rural folk—grounded in a stew of folklore, fear, and grim necessity—did what it does best: It reached for reasons.

They began to believe that the dead were not staying dead. 

Vampire Lore: In addition to consumption being rooted in a vampiric infliction, you also had rabies that gave strange symptoms and rare genetic disorders like porphyria that gave a sensitivity to sunlight and reddish teeth. Although in the New England Vampire Panic, it was mainly tuberculosis.

The New England Outback

Exactly why New England? After all, tuberculosis was a worldwide problem, why did the vampiric panic happen here, 200 years after the witch craze in Salem not too far from where they would begin to exhume their loved one from their graves?

There are several factors of how this particular lore and New England Vampire Panic started. One has to do with numbers. After years of civil war, the number of people living in Exeter, Rhode Island for instance, had dwindled to a few thousand, scattered across small rural communities. By some, this was later known as Vampire Capital of America and had a high count of exhumations like the case of Mercy Brown. 

Contrary to popular belief about being puritanical, the rural New Englanders in the 1800s were not overly religious and 10 percent belonged to church in these parts. Missionaries were sent to these parts to get them back to God’s words as they saw these rural communities living in cultural isolation from the rest of the world.. 

The belief of the uneducated farmers have taken hold for many in later years. But was it really so? It seems like many places like Manchester, Vermont where Rachel Burton was exhumed and burned on the town square was founded by educated and not really the most superstitious and religious men. This seems to have changed after the Revolutionary War when it was then described as a place of drinking gambling, and superstitions like vampirism. 

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They were however superstitious and let their beliefs fester side by side with the industrial revolution and modernisation of the society in the cities not far from their farming communities. Also as a small community, there were a lot of relations between the exhumations. Like the case of the exhumation of Nancy Young having relation through marriage to Sarah Tillinghast who was also exhumed the same way. They were neighbors, although the farms were few and far between, family and friends, and like the sickness of consumption, so did the fear of the undead spread and infect through generations and places.

The Curious Case of Mercy Brown

The most infamous case of the New England Vampire Panic took place in 1892, in the icy hills of Exeter, Rhode Island. The Brown family had been ravaged by tuberculosis. First, mother Mary Eliza died. Then daughter Mary Olive. Then son Edwin became ill and left for Colorado in a desperate bid for recovery.

And then Mercy Lena Brown, a 19-year-old girl with dark hair and a shy smile, fell sick and died on January 17, 1892.

Mercy Brown: A historical portrait of Mercy Brown, the young woman at the center of the New England Vampire Panic.

The townsfolk were suspicious. Too many Browns were dying. Someone, or something, must be behind it. They began to murmur. Maybe one of the dead was still feeding. Edwin, now barely hanging on, had to be saved.

So in March—when the ground thawed enough to dig—they exhumed the bodies.

Mary Eliza and Mary Olive had decomposed as expected. But Mercy? Her body, kept in a crypt during the harsh winter, was remarkably intact. Her cheeks had color. There was blood in her heart, clear signs she was the vampire.

The heart and liver were removed and burned. The ashes were mixed into a tonic and given to Edwin to drink. (A sentence that should never be uttered casually, but here we are.)

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Did it work? Tragically, no. Edwin died two months later. But Mercy’s story endured, becoming the poster child of the New England Vampire Panic—a real-life tale so haunting that even Bram Stoker, author of Dracula, reportedly took notes.

Mercy wasn’t the only one. According to folklorist Michael Bell, there was around 80 of these types of exhumations. From Maine to Massachusetts to Rhode Island, similar rituals were performed. Perhaps as far west as Minnesota. Not always with a name. Not always with fire. But the goal was the same: stop the dead from killing the living.

The Vampire Next Door in the New England Vampire Panic

These were not “vampires” as we think of them today, but corpses with unfinished business, still feeding on their living relatives from beyond the grave. They drained vitality, not with teeth, but through a metaphysical link. The only cure? Dig up the body, examine it, and if necessary, destroy the vessel.

Some communities in Maine and Plymouth, Massachusetts, opted to simply flip the exhumed vampire facedown in the grave and leave it at that. But in places like Connecticut, Vermont and especially in Rhode Island, they took it one step further. 

If the corpse was found unusually fresh, with blood in the heart or organs (a not-uncommon occurrence in cold New England graves and those buried in the winter or put in freezing crypts waiting for the ground to thaw), it was declared the source of the curse. The heart would be removed and burned to ash, sometimes the liver, kidney or other organs were also taken. Often, the ritual was done in secret, other times it was done publicly, sometimes on a blacksmith’s anvil or just on a nearby rock in the cemetery. In many cultures it was believed that the fire in a blacksmith’s anvil was a divine gift and that they had the power to banish evil through their metal and flames.

There were also some cases where vines and sprouts growing from the coffins and bodies were seen as signs of vampiric activity, like we see with the exhumation of Annie Dennett. They believed that the vine or root growing at or by the grave reached the next coffin, another family member would be sick and die. This part of the legend is a bit more difficult to trace back to a particular superstition shared with other places.

Read More: The Curious Case of Annie Dennett and the Vampiric Vines 

As the ritual demanded, their heart and liver were burned on a nearby rock and the ashes were mixed with a tonic and given to the sick relatives to drink. Sometimes it was also said to be smoked or the fumes from the burning were inhaled by those attending. 

The Mystery of J.B: Connecticut State Archaeologist, Nick Bellantoni, was excavating the cemetery and found something no one could have expected. Among the graves, one burial in particular captured attention: a coffin marked only with brass tacks, spelling the initials “J.B. 55”. The remains inside had been subject to a post-mortem ritual that hinted unmistakably at vampire panic practices during the New England Vampire Panic. // Photo courtesy of Nicholas Bellantoni

After the ritual, it seems like the rest of the body was reburied. In Woodstock, Vermont, a father exhumed the bodies of his daughters and burned them to save his last surviving child. In Griswold, Connecticut, archaeologists discovered 29 burials in the 1990s—one with the skull and thigh bones rearranged in a skull-and-crossbones pattern. The jaw had been hacked apart. The coffin was inscribed with “JB55,” believed to stand for “John Barber,” a middle-aged man who likely died of TB. The mutilation? A post-mortem attempt to stop the spread of vampirism.

Read More: The Griswold Vampire Case and the True Identity of J.B. in the Coffin 

Where did the Vampire Lore come from?

Although it is today known as the New England Vampire Panic, the people at the time didn’t use this terminology as the term was not commonly used in the community. But when the newspapers and outsiders started to look at the phenomenon, they classified it as vampire lore because of the similarities about the lore in eastern Europe dating back to the tenth century. 

There are many versions about where the vampire lore that struck the New England coast around this time. According to residents of Exeter, Rhode Island, they claimed they got the exhumations tradition from the Native Americans that certainly had their own vampire lore. But what about the European connection? 

Vampire Lore in the World: Although New England cultivated its own vampire belief, it certainly wasn’t the first. Across the ocean in Europe, the fear of the vampires in eastern Europe took hold in the 1700 and worked its way west. In Europe the wooden stake was said to be the thing banishing the vampire. In America, they burned their organs showing signs of vampirism. This illustration comes from an 1851 book by Paul Feval titles “Les Tribunaux secrets” and was created by René de Moraine.

In this time, there was also a Vampire panic in Europe, especially eastern and central Europe. German and Slavic immigrants are said to have brought their lore and superstitions with them in the 18th century. There were Hessian mercenaries that served in the Revolutionary War and Palatine Germans colonized Pennsylvania. There were also Germans and different eastern Europeans traveling through the area as healers, bringing with them the ideas of the undead and exhumation as a cure for the terrible diseases the townsfolk didn’t yet understand. 

The Science Arrives too Late for Many

The New England Vampire Panic began to wane by the early 20th century, as germ theory and modern medicine began to explain disease in ways people could trust. TB was finally understood as a bacterial infection, not a curse.

In the meantime, there were as many as 80 exhumed graves we know of, but there were probably many more. For example, in 1862, reports of vampirism swept the community of Saco, Maine so strongly that almost every deceased resident was dug up and reburied, allegedly. Every corpse was, apparently, a suspect.

But the New England Vampire Panic hadn’t been entirely irrational. These were desperate people watching their families die horribly. They didn’t have the benefit of science. They had folk remedies, tradition, and fear—and so they reached for the most ancient tool humans possess: storytelling.

And in the dark corners of New England, those stories had fangs.

List of Vampire Cases of the New England Vampire Panic

1793 – The Vampire of Rachel Burton: Vermont’s Gruesome 18th Century Exhumation

1799 – The Rhode Island Vampire and the Legend of Sarah Tillinghast 

1810 – The Curious Case of Annie Dennett and the Vampiric Vines 

1816-1817 – A Vampire in Ohio: The Strange and Grim Superstition of the Salladay Family 

1817 – The Case of Frederick Ransom: The Woodstock Vampire

1827 – The Legend of the Vampire Nancy Young Rising from her Grave 

1843 – The Griswold Vampire Case and the True Identity of J.B. in the Coffin

1854 – The Jewett City Vampires and the Ray Family in Connecticut

1874 – The Restless Dead of Rhode Island: The Vampiric Legend of Ruth Ellen Rose

1892 – The Mercy Brown Vampire Incident in Rhode Island 

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References:

Food For The Dead The Vampires

Bioarcheological and biocultural evidence for the New England vampire folk belief 

The Great New England Vampire Panic

New England vampire panic – Wikipedia 

Markheim by Robert Louis Stevenson

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Set on Christmas Day, this Gothic moral thriller follows a man who murders his way into an antique shop, only to be visited by a mysterious figure—perhaps a devil, perhaps a savior—who challenges his soul’s darkest impulses.

Markheim by Robert Louis Stevenson


“Yes,” said the dealer, “our windfalls are of various kinds. Some customers are ignorant, and then I touch a dividend on my superior knowledge. Some are dishonest,” and here he held up the candle, so that the light fell strongly on his visitor, “and in that case,” he continued, “I profit by my virtue.”

Markheim had but just entered from the daylight streets, and his eyes had not yet grown familiar with the mingled shine and darkness in the shop. At these pointed words, and before the near presence of the flame, he blinked painfully and looked aside.

The dealer chuckled. “You come to me on Christmas Day,” he resumed, “when you know that I am alone in my house, put up my shutters, and make a point of refusing business. Well, you will have to pay for that; you will have to pay for my loss of time, when I should be balancing my books; you will have to pay, besides, for a kind of manner that I remark in you to-day very strongly. I am the essence of discretion, and ask no awkward questions; but when a customer cannot look me in the eye, he has to pay for it.” The dealer once more chuckled; and then, changing to his usual business voice, though still with a note of irony, “You can give, as usual, a clear account of how you came into the possession of the object?” he continued. “Still your uncle’s cabinet? A remarkable collector, sir!”

And the little pale, round-shouldered dealer stood almost on tip-toe, looking over the top of his gold spectacles, and nodding his head with every mark of disbelief. Markheim returned his gaze with one of infinite pity, and a touch of horror.

“This time,” said he, “you are in error. I have not come to sell, but to buy. I have no curios to dispose of; my uncle’s cabinet is bare to the wainscot; even were it still intact, I have done well on the Stock Exchange, and should more likely add to it than otherwise, and my errand to-day is simplicity itself. I seek a Christmas present for a lady,” he continued, waxing more fluent as he struck into the speech he had prepared;” and certainly I owe you every excuse for thus disturbing you upon so small a matter. But the thing was neglected yesterday; I must produce my little compliment at dinner; and, as you very well know, a rich marriage is not a thing to be neglected.”

There followed a pause, during which the dealer seemed to weigh this statement incredulously. The ticking of many clocks among the curious lumber of the shop, and the faint rushing of the cabs in a near thoroughfare, filled up the interval of silence.

“Well, sir,” said the dealer, “be it so. You are an old customer after all; and if, as you say, you have the chance of a good marriage, far be it from me to be an obstacle. Here is a nice thing for a lady now,” he went on, “this hand glass—fifteenth century, warranted; comes from a good collection, too; but I reserve the name, in the interests of my customer, who was just like yourself, my dear sir, the nephew and sole heir of a remarkable collector.”

The dealer, while he thus ran on in his dry and biting voice, had stooped to take the object from its place; and, as he had done so, a shock had passed through Markheim, a start both of hand and foot, a sudden leap of many tumultuous passions to the face. It passed as swiftly as it came, and left no trace beyond a certain trembling of the hand that now received the glass.

“A glass,” he said hoarsely, and then paused, and repeated it more clearly. “A glass? For Christmas? Surely not?”

“And why not?” cried the dealer. “Why not a glass?”

Markheim was looking upon him with an indefinable expression. “You ask me why not?” he said. “Why, look here—look in it—look at yourself! Do you like to see it? No! nor I—nor any man.”

The little man had jumped back when Markheim had so suddenly confronted him with the mirror; but now, perceiving there was nothing worse on hand, he chuckled. “Your future lady, sir, must be pretty hard favoured,” said he.

“I ask you,” said Markheim, “for a Christmas present, and you give me this—this damned reminder of years, and sins and follies—this hand-conscience! Did you mean it ? Had you a thought in your mind? Tell me. It will be better for you if you do. Come, tell me about yourself. I hazard a guess now, that you are in secret a very charitable man?”

The dealer looked closely at his companion. It was very odd, Markheim did not appear to be laughing; there was something in his face like an eager sparkle of hope, but nothing of mirth.

“What are you driving at?” the dealer asked.

“Not charitable?” returned the other gloomily. “Not charitable; not pious; not scrupulous; unloving, unbeloved; a hand to get money, a safe to keep it. Is that all? Dear God, man, is that all?”

“I will tell you what it is,” began the dealer, with some sharpness, and then broke off again into a chuckle. “But I see this is a love match of yours, and you have been drinking the lady’s health.”

“Ah!” cried Markheim, with a strange curiosity. “Ah, have you been in love? Tell me about that.”

“I,” cried the dealer. “I in love! I never had the time, nor have I the time to-day for all this nonsense. Will you take the glass?”

“Where is the hurry?” returned Markheim. “It is very pleasant to stand here talking; and life is so short and insecure that I would not hurry away from any pleasure—no, not even from so mild a one as this. We should rather cling, cling to what little we can get, like a man at a cliff’s edge. Every second is a cliff, if you think upon it—a cliff a mile high—high enough, if we fall, to dash us out of every feature of humanity. Hence it is best to talk pleasantly. Let us talk of each other: why should we wear this mask? Let us be confidential. Who knows, we might become friends?”

“I have just one word to say to you.” said the dealer. “Either make your purchase, or walk out of my shop!”

“True, true,” said Markheim. “Enough fooling. To business. Show me something else.”

The dealer stooped once more, this time to replace the glass upon the shelf, his thin blond hair falling over his eyes as he did so. Markheim moved a little nearer, with one hand in the pocket of his greatcoat; he drew himself up and filled his lungs; at the same time many different emotions were depicted together on his face—terror, horror, and resolve, fascination and a physical repulsion; and through a haggard lift of his upper lip, his teeth looked out.

“This, perhaps, may suit,” observed the dealer: and then, as he began to re-arise, Markheim bounded from behind upon his victim. The long, skewerlike dagger flashed and fell. The dealer struggled like a hen, striking his temple on the shelf, and then tumbled on the floor in a heap.

Time had some score of small voices in that shop, some stately and slow as was becoming to their great age; others garrulous and hurried. All these told out the seconds in an intricate chorus of tickings. Then the passage of a lad’s feet, heavily running on the pavement, broke in upon these smaller voices and startled Markheim into the consciousness of his surroundings. He looked about him awfully. The candle stood on the counter, its flame solemnly wagging in a draught; and by that inconsiderable movement, the whole room was filled with noiseless bustle and kept heaving like a sea: the tall shadows nodding, the gross blots of darkness swelling and dwindling as with respiration, the faces of the portraits and the china gods changing and wavering like images in water. The inner door stood ajar, and peered into that leaguer of shadows with a long slit of daylight like a pointing finger.

From these fear-stricken rovings, Markheim’s eyes returned to the body of his victim, where it lay both humped and sprawling, incredibly small and strangely meaner than in life. In these poor, miserly clothes, in that ungainly attitude, the dealer lay like so much sawdust. Markheim had feared to see it, and, lo! it was nothing. And yet, as he gazed, this bundle of old clothes and pool of blood began to find eloquent voices. There it must lie; there was none to work the cunning hinges or direct the miracle of locomotion—there it must lie till it was found. Found! ay, and then? Then would this dead flesh lift up a cry that would ring over England, and fill the world with the echoes of pursuit. Ay, dead or not, this was still the enemy. “Time was that when the brains were out,” he thought; and the first word struck into his mind. Time, now that the deed was accomplished—time, which had closed for the victim, had become instant and momentous for the slayer.

The thought was yet in his mind, when, first one and then another, with every variety of pace and voice—one deep as the bell from a cathedral turret, another ringing on its treble notes the prelude of a waltz—the clocks began to strike the hour of three in the afternoon.

The sudden outbreak of so many tongues in that dumb chamber staggered him. He began to bestir himself, going to and fro with the candle, beleaguered by moving shadows, and startled to the soul by chance reflections. In many rich mirrors, some of home design, some from Venice or Amsterdam, he saw his face repeated and repeated, as it were an army of spies; his own eyes met and detected him; and the sound of his own steps, lightly as they fell, vexed the surrounding quiet. And still, as he continued to fill his pockets, his mind accused him with a sickening iteration, of the thousand faults of his design. He should have chosen a more quiet hour; he should have prepared an alibi; he should not have used a knife; he should have been more cautious, and only bound and gagged the dealer, and not killed him; he should have been more bold, and killed the servant also; he should have done all things otherwise: poignant regrets, weary, incessant toiling of the mind to change what was unchangeable, to plan what was now useless, to be the architect of the irrevocable past. Meanwhile, and behind all this activity, brute terrors, like the scurrying of rats in a deserted attic, filled the more remote chambers of his brain with riot; the hand of the constable would fall heavy on his shoulder, and his nerves would jerk like a hooked fish; or he beheld, in galloping defile, the dock, the prison, the gallows, and the black coffin.

Terror of the people in the street sat down before his mind like a besieging army. It was impossible, he thought, but that some rumour of the struggle must have reached their ears and set on edge their curiosity; and now, in all the neighbouring houses, he divined them sitting motionless and with uplifted ear—solitary people, condemned to spend Christmas dwelling alone on memories of the past, and now startingly recalled from that tender exercise; happy family parties, struck into silence round the table, the mother still with raised finger: every degree and age and humour, but all, by their own hearths, prying and hearkening and weaving the rope that was to hang him. Sometimes it seemed to him he could not move too softly; the clink of the tall Bohemian goblets rang out loudly like a bell; and alarmed by the bigness of the ticking, he was tempted to stop the clocks. And then, again, with a swift transition of his terrors, the very silence of the place appeared a source of peril, and a thing to strike and freeze the passer-by; and he would step more boldly, and bustle aloud among the contents of the shop, and imitate, with elaborate bravado, the movements of a busy man at ease in his own house.

But he was now so pulled about by different alarms that, while one portion of his mind was still alert and cunning, another trembled on the brink of lunacy. One hallucination in particular took a strong hold on his credulity. The neighbour hearkening with white face beside his window, the passer-by arrested by a horrible surmise on the pavement—these could at worst suspect, they could not know; through the brick walls and shuttered windows only sounds could penetrate. But here, within the house, was he alone? He knew he was; he had watched the servant set forth sweet-hearting, in her poor best, “out for the day” written in every ribbon and smile. Yes, he was alone, of course; and yet, in the bulk of empty house above him, he could surely hear a stir of delicate footing—he was surely conscious, inexplicably conscious of some presence. Ay, surely; to every room and corner of the house his imagination followed it; and now it was a faceless thing, and yet had eyes to see with; and again it was a shadow of himself; and yet again behold the image of the dead dealer, reinspired with cunning and hatred.

At times, with a strong effort, he would glance at the open door which still seemed to repel his eyes. The house was tall, the skylight small and dirty, the day blind with fog; and the light that filtered down to the ground story was exceedingly faint, and showed dimly on the threshold of the shop. And yet, in that strip of doubtful brightness, did there not hang wavering a shadow?

Suddenly, from the street outside, a very jovial gentleman began to beat with a staff on the shop-door, accompanying his blows with shouts and railleries in which the dealer was continually called upon by name. Markheim, smitten into ice, glanced at the dead man. But no! he lay quite still; he was fled away far beyond earshot of these blows and shoutings; he was sunk beneath seas of silence; and his name, which would once have caught his notice above the howling of a storm, had become an empty sound. And presently the jovial gentleman desisted from his knocking and departed.

Here was a broad hint to hurry what remained to be done, to get forth from this accusing neighbourhood, to plunge into a bath of London multitudes, and to reach, on the other side of day, that haven of safety and apparent innocence—his bed. One visitor had come: at any moment another might follow and be more obstinate. To have done the deed, and yet not to reap the profit, would be too abhorrent a failure. The money, that was now Markheim’s concern; and as a means to that, the keys.

He glanced over his shoulder at the open door, where the shadow was still lingering and shivering; and with no conscious repugnance of the mind, yet with a tremor of the belly, he drew near the body of his victim. The human character had quite departed. Like a suit half-stuffed with bran, the limbs lay scattered, the trunk doubled, on the floor; and yet the thing repelled him. Although so dingy and inconsiderable to the eye, he feared it might have more significance to the touch. He took the body by the shoulders, and turned it on its back. It was strangely light and supple, and the limbs, as if they had been broken, fell into the oddest postures. The face was robbed of all expression; but it was as pale as wax, and shockingly smeared with blood about one temple. That was, for Markheim, the one displeasing circumstance. It carried him back, upon the instant, to a certain fair-day in a fishers’ village: a gray day, a piping wind, a crowd upon the street, the blare of brasses, the booming of drums, the nasal voice of a ballad singer; and a boy going to and fro, buried over head in the crowd and divided between interest and fear, until, coming out upon the chief place of concourse, he beheld a booth and a great screen with pictures, dismally designed, garishly coloured: Brownrigg with her apprentice; the Mannings with their murdered guest; Weare in the death-grip of Thurtell; and a score besides of famous crimes. The thing was as clear as an illusion; he was once again that little boy; he was looking once again, and with the same sense of physical revolt, at these vile pictures; he was still stunned by the thumping of the drums. A bar of that day’s music returned upon his memory; and at that, for the first time, a qualm came over him, a breath of nausea, a sudden weakness of the joints, which he must instantly resist and conquer.

He judged it more prudent to confront than to flee from these considerations; looking the more hardily in the dead face, bending his mind to realise the nature and greatness of his crime. So little a while ago that face had moved with every change of sentiment, that pale mouth had spoken, that body had been all on fire with governable energies; and now, and by his act, that piece of life had been arrested, as the horologist, with interjected finger, arrests the beating of the clock. So he reasoned in vain; he could rise to no more remorseful consciousness; the same heart which had shuddered before the painted effigies of crime, looked on its reality unmoved. At best, he felt a gleam of pity for one who had been endowed in vain with all those faculties that can make the world a garden of enchantment, one who had never lived and who was now dead. But of penitence, no, not a tremor.

With that, shaking himself clear of these considerations, he found the keys and advanced towards the open door of the shop. Outside, it had begun to rain smartly; and the sound of the shower upon the roof had banished silence. Like some dripping cavern, the chambers of the house were haunted by an incessant echoing, which filled the ear and mingled with the ticking of the clocks. And, as Markheim approached the door, he seemed to hear, in answer to his own cautious tread, the steps of another foot withdrawing up the stair. The shadow still palpitated loosely on the threshold. He threw a ton’s weight of resolve upon his muscles, and drew back the door.

The faint, foggy daylight glimmered dimly on the bare floor and stairs; on the bright suit of armour posted, halbert in hand, upon the landing; and on the dark wood-carvings, and framed pictures that hung against the yellow panels of the wainscot. So loud was the beating of the rain through all the house that, in Markheim’s ears, it began to be distinguished into many different sounds. Footsteps and sighs, the tread of regiments marching in the distance, the chink of money in the counting, and the creaking of doors held stealthily ajar, appeared to mingle with the patter of the drops upon the cupola and the gushing of the water in the pipes. The sense that he was not alone grew upon him to the verge of madness. On every side he was haunted and begirt by presences. He heard them moving in the upper chambers; from the shop, he heard the dead man getting to his legs; and as he began with a great effort to mount the stairs, feet fled quietly before him and followed stealthily behind. If he were but deaf, he thought, how tranquilly he would possess his soul! And then again, and hearkening with ever fresh attention, he blessed himself for that unresting sense which held the outposts and stood a trusty sentinel upon his life. His head turned continually on his neck; his eyes, which seemed starting from their orbits, scouted on every side, and on every side were half-rewarded as with the tail of something nameless vanishing. The four-and-twenty steps to the first floor were four-and-twenty agonies.

On that first storey, the doors stood ajar, three of them like three ambushes, shaking his nerves like the throats of cannon. He could never again, he felt, be sufficiently immured and fortified from men’s observing eyes; he longed to be home, girt in by walls, buried among bedclothes, and invisible to all but God. And at that thought he wondered a little, recollecting tales of other murderers and the fear they were said to entertain of heavenly avengers. It was not so, at least, with him. He feared the laws of nature, lest, in their callous and immutable procedure, they should preserve some damning evidence of his crime. He feared tenfold more, with a slavish, superstitious terror, some scission in the continuity of man’s experience, some wilful illegality of nature. He played a game of skill, depending on the rules, calculating consequence from cause; and what if nature, as the defeated tyrant overthrew the chess-board, should break the mould of their succession? The like had befallen Napoleon (so writers said) when the winter changed the time of its appearance. The like might befall Markheim: the solid walls might become transparent and reveal his doings like those of bees in a glass hive; the stout planks might yield under his foot like quicksands and detain him in their clutch; ay, and there were soberer accidents that might destroy him: if, for instance, the house should fall and imprison him beside the body of his victim; or the house next door should fly on fire, and the firemen invade him from all sides. These things he feared; and, in a sense, these things might be called the hands of God reached forth against sin. But about God Himself he was at ease; his act was doubtless exceptional, but so were his excuses, which God knew; it was there, and not among men, that he felt sure of justice.

When he had got safe into the drawing-room, and shut the door behind him, he was aware of a respite from alarms. The room was quite dismantled, uncarpeted besides, and strewn with packing cases and incongruous furniture; several great pier-glasses, in which he beheld himself at various angles, like an actor on a stage; many pictures, framed and unframed, standing, with their faces to the wall; a fine Sheraton sideboard, a cabinet of marquetry, and a great old bed, with tapestry hangings. The windows opened to the floor; but by great good fortune the lower part of the shutters had been closed, and this concealed him from the neighbours. Here, then, Markheim drew in a packing case before the cabinet, and began to search among the keys. It was a long business, for there were many; and it was irksome, besides; for, after all, there might be nothing in the cabinet, and time was on the wing. But the closeness of the occupation sobered him. With the tail of his eye he saw the door—even glanced at it from time to time directly, like a besieged commander pleased to verify the good estate of his defences. But in truth he was at peace. The rain falling in the street sounded natural and pleasant. Presently, on the other side, the notes of a piano were wakened to the music of a hymn, and the voices of many children took up the air and words. How stately, how comfortable was the melody! How fresh the youthful voices! Markheim gave ear to it smilingly, as he sorted out the keys; and his mind was thronged with answerable ideas and images; church-going children and the pealing of the high organ; children afield, bathers by the brookside, ramblers on the brambly common, kite-flyers in the windy and cloud-navigated sky; and then, at another cadence of the hymn, back again to church, and the somnolence of summer Sundays, and the high genteel voice of the parson (which he smiled a little to recall) and the painted Jacobean tombs, and the dim lettering of the Ten Commandments in the chancel.

And as he sat thus, at once busy and absent, he was startled to his feet. A flash of ice, a flash of fire, a bursting gush of blood, went over him, and then he stood transfixed and thrilling. A step mounted the stair slowly and steadily, and presently a hand was laid upon the knob, and the lock clicked, and the door opened.

Fear held Markheim in a vice. What to expect he knew not, whether the dead man walking, or the official ministers of human justice, or some chance witness blindly stumbling in to consign him to the gallows. But when a face was thrust into the aperture, glanced round the room, looked at him, nodded and smiled as if in friendly recognition, and then withdrew again, and the door closed behind it, his fear broke loose from his control in a hoarse cry. At the sound of this the visitant returned.

“Did you call me?” he asked pleasantly, and with that he entered the room and closed the door behind him.

Markheim stood and gazed at him with all his eyes. Perhaps there was a film upon his sight, but the outlines of the new-comer seemed to change and waver like those of the idols in the wavering candlelight of the shop; and at times he thought he knew him; and at times he thought he bore a likeness to himself; and always, like a lump of living terror, there lay in his bosom the conviction that this thing was not of the earth and not of God.

And yet the creature had a strange air of the commonplace, as he stood looking on Markheim with a smile; and when he added: “You are looking for the money, I believe?” it was in the tones of everyday politeness.

Markheim made no answer.

“I should warn you,” resumed the other, “that the maid has left her sweetheart earlier than usual and will soon be here. If Mr. Markheim be found in this house, I need not describe to him the consequences.”

“You know me?” cried the murderer.

The visitor smiled. “You have long been a favourite of mine,” he said; “and I have long observed and often sought to help you.”

“What are you?” cried Markheim: “the devil?”

“What I may be,” returned the other, “cannot affect the service I propose to render you.”

“It can,” cried Markheim; “it does! Be helped by you? No, never; not by you! You do not know me yet; thank God, you do not know me!”

“I know you,” replied the visitant, with a sort of kind severity or rather firmness. “I know you to the soul.”

“Know me!” cried Markheim. “Who can do so? My life is but a travesty and slander on myself. I have lived to belie my nature. All men do; all men are better than this disguise that grows about and stifles them. You see each dragged away by life, like one whom bravos have seized and muffled in a cloak. If they had their own control—if you could see their faces, they would be altogether different, they would shine out for heroes and saints! I am worse than most; myself is more overlaid; my excuse is known to me and God. But, had I the time, I could disclose myself.”

“To me?” inquired the visitant.

“To you before all,” returned the murderer. “I supposed you were intelligent. I thought—since you exist—you would prove a reader of the heart. And yet you would propose to judge me by my acts! Think of it; my acts! I was born and I have lived in a land of giants; giants have dragged me by the wrists since I was born out of my mother—the giants of circumstance. And you would judge me by my acts! But can you not look within? Can you not understand that evil is hateful to me? Can you not see within me the clear writing of conscience, never blurred by any wilful sophistry, although too often disregarded? Can you not read me for a thing that surely must be common as humanity—the unwilling sinner?”

“All this is very feelingly expressed,” was the reply, “but it regards me not. These points of consistency are beyond my province, and I care not in the least by what compulsion you may have been dragged away, so as you are but carried in the right direction. But time flies; the servant delays, looking in the faces of the crowd and at the pictures on the hoardings, but still she keeps moving nearer; and remember, it is as if the gallows itself was striding towards you through the Christmas streets! Shall I help you; I, who know all? Shall I tell you where to find the money?”

“For what price?” asked Markheim.

“I offer you the service for a Christmas gift,” returned the other.

Markheim could not refrain from smiling with a kind of bitter triumph. “No,” said he, “I will take nothing at your hands; if I were dying of thirst, and it was your hand that put the pitcher to my lips, I should find the courage to refuse. It may be credulous, but I will do nothing to commit myself to evil.”

“I have no objection to a deathbed repentance,” observed the visitant.

“Because you disbelieve their efficacy!” Markheim cried.

“I do not say so,” returned the other; “but I look on these things from a different side, and when the life is done my interest falls. The man has lived to serve me, to spread black looks under colour of religion, or to sow tares in the wheat-field, as you do, in a course of weak compliance with desire. Now that he draws so near to his deliverance, he can add but one act of service—to repent, to die smiling, and thus to build up in confidence and hope the more timorous of my surviving followers. I am not so hard a master. Try me. Accept my help. Please yourself in life as you have done hitherto; please yourself more amply, spread your elbows at the board; and when the night begins to fall and the curtains to be drawn, I tell you, for your greater comfort, that you will find it even easy to compound your quarrel with your conscience, and to make a truckling peace with God. I came but now from such a deathbed, and the room was full of sincere mourners, listening to the man’s last words: and when I looked into that face, which had been set as a flint against mercy, I found it smiling with hope.”

“And do you, then, suppose me such a creature?” asked Markheim. “Do you think I have no more generous aspirations than to sin, and sin, and sin, and, at the last, sneak into heaven? My heart rises at the thought. Is this, then, your experience of mankind? or is it because you find me with red hands that you presume such baseness? and is this crime of murder indeed so impious as to dry up the very springs of good?”

“Murder is to me no special category,” replied the other. “All sins are murder, even as all life is war. I behold your race, like starving mariners on a raft, plucking crusts out of the hands of famine and feeding on each other’s lives. I follow sins beyond the moment of their acting; I find in all that the last consequence is death; and to my eyes, the pretty maid who thwarts her mother with such taking graces on a question of a ball, drips no less visibly with human gore than such a murderer as yourself. Do I say that I follow sins? I follow virtues also; they differ not by the thickness of a nail, they are both scythes for the reaping angel of Death. Evil, for which I live, consists not in action but in character. The bad man is dear to me; not the bad act, whose fruits, if we could follow them far enough down the hurtling cataract of the ages, might yet be found more blessed than those of the rarest virtues. And it is not because you have killed a dealer, but because you are Markheim, that I offer to forward your escape.”

“I will lay my heart open to you,” answered Markheim. “This crime on which you find me is my last. On my way to it I have learned many lessons; itself is a lesson, a momentous lesson. Hitherto I have been driven with revolt to what I would not; I was a bond-slave to poverty, driven and scourged. There are robust virtues that can stand in these temptations; mine was not so: I had a thirst of pleasure. But to-day, and out of this deed, I pluck both warning and riches—both the power and a fresh resolve to be myself. I become in all things a free actor in the world; I begin to see myself all changed, these hands the agents of good, this heart at peace. Something comes over me out of the past; something of what I have dreamed on Sabbath evenings to the sound of the church organ, of what I forecast when I shed tears over noble books, or talked, an innocent child, with my mother. There lies my life; I have wandered a few years, but now I see once more my city of destination.”

“You are to use this money on the Stock Exchange, I think?” remarked the visitor;” and there, if I mistake not, you have already lost some thousands?”

“Ah,” said Markheim, “but this time I have a sure thing.”

“This time, again, you will lose,” replied the visitor quietly.

“Ah, but I keep back the half!” cried Markheim.

“That also you will lose,” said the other.

The sweat started upon Markheim’s brow. “Well, then, what matter?” he exclaimed. “Say it be lost, say I am plunged again in poverty, shall one part of me, and that the worse, continue until the end to override the better? Evil and good run strong in me, haling me both ways. I do not love the one thing, I love all. I can conceive great deeds, renunciations, martyrdoms; and though I be fallen to such a crime as murder, pity is no stranger to my thoughts. I pity the poor; who knows their trials better than myself? I pity and help them; I prize love, I love honest laughter; there is no good thing nor true thing on earth but I love it from my heart. And are my vices only to direct my life, and my virtues to lie without effect, like some passive lumber of the mind? Not so; good, also, is a spring of acts.”

But the visitant raised his finger. “For six-and-thirty years that you have been in this world,” said he, “through many changes of fortune and varieties of humour, I have watched you steadily fall. Fifteen years ago you would have started at a theft. Three years back you would have blenched at the name of murder. Is there any crime, is there any cruelty or meanness, from which you still recoil?—five years from now I shall detect you in the fact! Downward, downward, lies your way; nor can anything but death avail to stop you.”

“It is true,” Markheim said huskily, “I have in some degree complied with evil. But it is so with all: the very saints, in the mere exercise of living, grow less dainty, and take on the tone of their surroundings.”

“I will propound to you one simple question,” said the other; “and as you answer, I shall read to you your moral horoscope. You have grown in many things more lax; possibly you do right to be so; and at any account, it is the same with all men. But granting that, are you in any one particular, however trifling, more difficult to please with your own conduct, or do you go in all things with a looser rein?”

“In any one?” repeated Markheim, with an anguish of consideration. “No,” he added, with despair, “in none! I have gone down in all.”

“Then,” said the visitor, “content yourself with what you are, for you will never change; and the words of your part on this stage are irrevocably written down.”

Markheim stood for a long while silent, and indeed it was the visitor who first broke the silence. “That being so,” he said, “shall I show you the money?”

“And grace? “cried Markheim.

“Have you not tried it?” returned the other. “Two or three years ago, did I not see you on the platform of revival meetings, and was not your voice the loudest in the hymn?”

“It is true,” said Markheim; “and I see clearly what remains for me by way of duty. I thank you for these lessons from my soul; my eyes are opened, and I behold myself at last for what I am.”

At this moment, the sharp note of the door-bell rang through the house; and the visitant, as though this were some concerted signal for which he had been waiting, changed at once in his demeanour.

“The maid!” he cried. “She has returned, as I forewarned you, and there is now before you one more difficult passage. Her master, you must say, is ill; you must let her in, with an assured but rather serious countenance—no smiles, no overacting, and I promise you success! Once the girl within, and the door closed, the same dexterity that has already rid you of the dealer will relieve you of this last danger in your path. Thenceforward you have the whole evening—the whole night, if needful—to ransack the treasures of the house and to make good your safety. This is help that comes to you with the mask of danger. Up!” he cried; “up, friend; your life hangs trembling in the scales: up, and act!”

Markheim steadily regarded his counsellor. “If I be condemned to evil acts,” he said, “there is still one door of freedom open—I can cease from action. If my life be an ill thing, I can lay it down. Though I be, as you say truly, at the beck of every small temptation, I can yet, by one decisive gesture, place myself beyond the reach of all. My love of good is damned to barrenness; it may, and let it be! But I have still my hatred of evil; and from that, to your galling disappointment, you shall see that I can draw both energy and courage.”

The features of the visitor began to undergo a wonderful and lovely change: they brightened and softened with a tender triumph, and, even as they brightened, faded and dislimned. But Markheim did not pause to watch or understand the transformation. He opened the door and went downstairs very slowly, thinking to himself. His past went soberly before him; he beheld it as it was, ugly and strenuous like a dream, random as chance-medley—a scene of defeat. Life, as he thus reviewed it, tempted him no longer; but on the farther side he perceived a quiet haven for his bark. He paused in the passage, and looked into the shop, where the candle still burned by the dead body. It was strangely silent. Thoughts of the dealer swarmed into his mind, as he stood gazing. And then the bell once more broke out into impatient clamour.

He confronted the maid upon the threshold with something like a smile.

“You had better go for the police,” said he: “I have killed your master.”

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Most Haunted Places in Germany

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From haunted castles, local legends inside of the forests and the ghosts from the second world war: to strangest local legends. Here is a closer look at the most haunted places in Germany.

Germany is a land rich in history, culture, and folklore, where ancient castles loom over misty forests and quaint villages hide secrets that have echoing tales of the past. From the eerie echoes of tragic events to the ghostly figures said to wander through time, these haunted locations offer a glimpse into the supernatural.

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Whether you’re a seasoned ghost hunter or a curious traveler, exploring these haunted places can be both thrilling and chilling. In this listicle, we will journey through some of the most haunted spots across Germany, uncovering the stories of restless spirits and the mysteries that continue to captivate the imagination. Prepare yourself for a spine-tingling adventure as we delve into the spectral realms that lay hidden beneath the surface of this enchanting country.

The Black Forest in Baden-Württemberg in southwest Germany– A Realm of Dark Fairy Tales

The most Haunted Black Forest in Germany: The haunting beauty of the Black Forest illuminated by the full moon, a landscape steeped in legend and mystery.

The Black Forest (Schwarzwald) is often the first thing people think about when talking about the haunted places around Germany. The forest is actually a huge area that goes from southwest in Germany, down the Rhine Valley to the west, almost reaching the border to France and Switzerland, covering over 6000 km2

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It has also become synonymous with the Brothers Grimm’s tales, but beyond the stories lies a landscape steeped in legend and mystery. Whispers tell of a headless horseman galloping through the dense, shadowy woods under the cover of moonlight, his ghostly presence echoing through the trees and sending shivers down the spines of those who dare to venture close. Additionally, an evil king, shrouded in darkness and deceit, is said to lure women to his underwater lair, hidden deep within the heart of the forest. This lair, adorned with treasures of untold riches and secrets long forgotten, is said to be guarded by magical creatures and is rumored to be a part of a deeper enchantment that binds the forest and its legends together.

Haus Fühlingen – The Haunted Manor in Cologne

Haus Fühlingen, an abandoned manor in Cologne, Germany, once belonged to the affluent Oppenheim family before falling into ruin after being sold in 1907. During World War II, the Nazis turned it into a farm for forced laborers, where a young Polish laborer, Edward Margol, was wrongfully executed and is said to haunt the estate. In 1962, a former Nazi judge also hanged himself in the house, leading to speculation about a connection between the two tragedies.

Over the years, Haus Fühlingen has become known for its ghostly occurrences, attracting ghost hunters and thrill-seekers who report strange phenomena. Plans for renovation into luxury apartments have been proposed since 2008, but the future of the manor remains uncertain as it may be considered for demolition.

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Schlosshotel Waldlust – The Haunted Hotel of the Black Forest

Once a luxurious retreat in Freudenstadt, Schlosshotel Waldlust now stands abandoned, its grandeur faded in the middle of the infamous Black Forest. The tragic murder of its manager, Adi, in 1949, marked the beginning of its descent into darkness. The hotel staff started to notice strange things, the glass was shaking as if it was an earthquake, and they saw a woman with a white veil wandering the halls. They also heard a baby crying in the night, even though there was no one there. 

Schlosshotel Waldlust finally closed in 2005, and is now almost only used for those that want to take a peek at what a haunted and abandoned hotel looks like. 

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Reichenstein Castle – The Headless Ghost of Hohenfels

Perched above the Rhine, Reichenstein Castle is haunted by the remorseful spirit of Dietrich von Hohenfels. He was a robber baron who lived in the castle at the end of the 1200s. This would all come to an end when the House of Habsburg would rise to power and rule the Holy Roman Empire for generations to come. Executed alongside his sons for their crimes, his headless apparition is said to wander the castle, eternally seeking redemption. 

Today it is said that the ghost of Dietrich von Hohenfels is heard rather than seen inside of the castle and the guests visiting are said to feel like they are never truly alone. Other unexplained things like windows and doors opening and closing without there being anyone there. 

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Waldniel-Hostert School – Echoes of a Dark Past

This former Nazi institute in North Rhine-Westphalia bears the weight of a grim history. As part of the child euthanasia program, countless lives were lost within its walls. The program ended up killing more than 200 000 people. While they renovated the school they uncovered human remains of the patients who had died and were killed when the Nazis ran their institute. 

There are many stories about the haunted stuff happening at the school that transitioned into an international school for years. They say the children who died in the program are heard weeping from the corridors where they wander restlessly, fearful of the horrendous end they met with. 

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Bundesstraße 215 – The Haunted Highway

Stretching between Hanover and Hamburg, this road is notorious for its high accident rate. Drivers report encounters with a mysterious Woman in White, believed to be a spectral presence warning—or causing—these tragic events. 

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Eltz Castle – The Warrior Countess

Eltz Castle, in the hills above the Moselle River, is said to be guarded by the spirit of a noble countess. The castle has belonged to the House of Eltz who have lived there since the 1100s and is one of the few castles that have never been destroyed and rebuilt. Countess Agnes of Eltz was the daughter of the 15th count of the Eltz Castle at the time. When she refused and embarrassed a man she was intended to marry. She died defending her castle when he return for revenge on her family.

She can be seen by the entrance of the Eltz Castle to this day, still wearing her suit of armor. It is also said that a phantom horseman is also riding outside of the gates, and the knight of Braunsberg is still seeking forgiveness for what he did. 

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The Family Curse Haunting the House of Hohenzollern

Haunted places of Germany: The House of Hohenzollern, a historic German castle, is said to be haunted by a Lady in White, linked to the family’s tragedies.

The House of Hohenzollern, an ancient and noble family in Germany, is said to be haunted by a Lady in White, a ghostly figure appearing as an omen of death. The legend attributes sightings of this apparition to significant family members, particularly a young prince who encounters her before his demise. Historically, the haunting is linked to Kunigunde von Orlamünde, a woman driven to madness by love, who tragically murdered her children to pursue a relationship and sought penance as a nun.

The presence of the White Lady has been observed throughout the centuries, often leading to misfortune, as evidenced by numerous accounts of family members witnessing her before their deaths. The family’s power waned after World War I, with the haunting legend persisting—a reminder of the past intertwined with German folklore.

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Frankenstein Castle – Ghosts and Dragon’s dens

The Haunted Castle in Germany: Frankenstein Castle, an ancient ruin in Odenwald, Germany, shrouded in myths and legends, features stunning architecture and lush surroundings.

Frankenstein Castle, located on a hilltop in Odenwald, Germany, is an ancient ruin steeped in myths and legends. Built before 1252 by Lord Conrad Reiz, it served as a home to the Frankenstein family for over 400 years, witnessing significant historical events, including opposition to the Reformation. By the 18th century, it had become a hospital before falling into ruin, with only the restored towers remaining.

The castle is surrounded by legends, such as stories of hidden treasure and the mystical properties of nearby Mount Ilbes, said to be a gathering place for witches. Felsenmeer, a rocky site nearby, is believed to be tied to the death of Siegfried from the Nibelungenlied. Although Mary Shelley may have drawn inspiration from the castle for her 1818 novel “Frankenstein,” no direct evidence links her to it.

An alchemist named Johann Konrad Dippel, who claimed to possess an “Elixir of Life,” was rumored to have lived at the castle and conducted questionable experiments. Local legends also tell of a dragon terrorizing neighboring villagers until a knight named Lord George defeated it, sacrificing his life in the process. The castle remains a site of fascination, embodying the intersection of history, mythology, and the supernatural.

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The Legend of the Rollibock: Guardian of the Aletsch Glacier

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Coming down as an avalanche through the Swiss Alps, the Rollibock monster is the avenger on man when they take too much from nature. 

Deep in the Swiss Alps, where eternal ice clings to jagged peaks and ancient glaciers wind their way through forgotten valleys, a chilling legend endures — the tale of the Rollibock. 

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Among the locals of Valais and villages like Naters and Fieschertal, and the scattered alpine villages near the Great Aletsch Glacier, this supernatural creature is spoken of in hushed voices, especially when the wind howls through the mountain passes and the ice groans beneath the weight of unseen forces.

The Aletsch Glacier: is the largest glacier in Switzerland and the Alps. It is 15 miles long and up to 800 metres deep. Since the late 19th century Aletsch has lost almost two miles of its length, and by 2100 it is predicted to shrink by eight miles more, reducing it to a tenth of the mass it is today and nine in 10 glaciers in the Alps will disappear by the end of this century.

The Rollibock of the Alps

The Rollibock is no ordinary beast. Descriptions passed down through generations tell of a massive goat-like creature, its eyes glowing an unnatural, eerie light in the darkness. Its twisted, towering horns resemble gnarled branches coated in frost, and its entire body is encrusted with jagged shards of ice that clatter together as it moves. It is said to have torn open land, stones, and fir trees with its horns and hurled them high into the air. Some say when it breathes, the air turns brittle and the snow itself recoils in terror.

According to legend, the Rollibock is the ancient guardian of the Aletsch Glacier, protector of the frozen world from the greed and carelessness of men. According to legend, the RolliBock is a terrifying creature that takes revenge on everyone and everything that tramples on nature.

Fieschertal Village: Between the year 1300 and 1850/1860 the Aletsch Glacier grew rapidly in size and regularly pushed through the natural dam of the Märjelensee, causing flooding in large parts of the canton of Valais. In the 17th century, during the little ice age, German-speaking Catholics from the village of Fiesch began an annual pilgrimage to beg God to turn the glacier back.

The Rollibock and the Hunter

Woe to those who trespass on his domain with disrespect. One of the most enduring tales involves a reckless hunter who, driven by greed, ventured onto the glacier to harvest rare ice crystals believed to hold magical properties. As he smashed them from the ice, a sudden storm engulfed the glacier, and a lone ferryman appeared to offer him passage to safety.

The desperate hunter accepted, only to realize too late that the ferryman’s eyes gleamed like twin embers in the gloom. Midway across a frozen expanse, the ferryman’s form shifted and swelled, his cloak of furs transforming into shards of clinking ice, his visage twisting into the monstrous form of the Rollibock. With a bellow that echoed across the mountains, the beast dragged the screaming man into the depths of the glacier, his cries swallowed by the ice.

To this day, sudden storms and avalanches on the Great Aletsch Glacier are blamed on the Rollibock, a grim reminder that nature’s ancient powers still watch over the high places of the world. They also fear the mysterious Märjelen Lake they thought to be the place where the hunter disappeared. 

The Revenge of the Rollibock.

Locals swear that if you hear the distant clatter of ice when the wind is still, you’d best turn back — for the Rollibock is near, and he does not forgive trespassers. And when the people of the Upper Valais experienced flooding, it was said the Rollibock was angered. Only those who fled to a chapel or a house where blessed objects were kept could save themselves. Those who didn’t make it was crushed to like dust in the sun, swallowed by the ice and snow. 

It remains one of Switzerland’s most unnerving alpine legends, a chilling testament to the dangers of arrogance in the face of nature’s dominion.

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Der Rollibock – Forgotten Creatures 

Rollibock – Wikipedia

The Alp: Night Terrors of German Folklore

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Sitting on your chest, crushing you in your sleep, The Alp of Germanic Folklore was said to be a vampiric entity after people’s life force. But where did this creature come from?

In the dark hours between dusk and dawn, when restless dreams twist and turn through the minds of sleepers, a sinister being from old German folklore is said to descend upon its victims. Known as the Alp, this malevolent supernatural creature doesn’t haunt abandoned castles or misty graveyards — instead, it invades the fragile realm of sleep itself, leaving terror and suffocation in its wake.

Read more: Check out all ghost stories from Germany

A figure of nightmares dating back to medieval Europe, the Alp exists in the shadowy intersection between spirit, demon, and vampire. Sometimes a seductive human, a butterfly, a pig in a magical hat, it has long served as a terrifying explanation for the most intimate of fears: what comes for us when we are most vulnerable, in our beds, under the cover of night.

The Alp And Mare: An Alp is typically male, while the mara and mart appear to be more feminine versions of the same creature. The Alp, in many cases, is considered a demon, but there have been some instances in which the Alp is created from the spirits of recently dead relatives, more akin to a spirit or ghost.

A Creature of the Night

But what was an Alp? There are so many variations of this legend, but mostly it’s a male entity, often the spirit of a recently deceased man. It is also seen in connection to the Germanic Elf, or the otherworldly or underworld creatures. 

It could also be the spirit of a woman who died as a sinner and pregnant. It was also believed that she could create the Alp if she ate something unclean or something that had dwarf spit on it. She could also create an Alp if she did inappropriate gestures during pregnancy or frightened a dog or horse during it. 

Unlike the towering monsters of other myths, the Alp is an insidious tormentor, striking unseen and unfelt until its victim is gripped by an unnatural terror in the midst of sleep. It’s traditionally described as a malevolent spirit or goblin-like being, often invisible, though sometimes appearing in grotesque, human-like forms or even taking on the shape of a cat, dog, snake, or butterfly.

Shapeshifter: The Alp may change into a cat, pig, dog, snake or a small white butterfly and can fly like a bird and ride a horse. The Alp always wears a hat, known as a Tarnkappe which is simply a hat or veil that gives the Alp magic powers and the ability to turn invisible while worn. The hat is visible no matter what shape the Alp takes. An Alp who has lost this hat will offer a great reward for its safe return. The Alp also possesses an “evil eye” whose gaze will inflict illness and misfortune. Removing or damaging this eye also removes the Alp’s malicious intentions.

The Alp’s most feared ability, however, is its power to induce terrifying sleep paralysis — what folklore once called a “nightmare” (the term originally referring not to a bad dream, but to the demon itself).

Victims would wake to find themselves unable to move or cry out, an invisible weight pressing down on their chest as a suffocating dread filled the room. They might hear the Alp’s breath, feel its claw-like fingers at their throat, or see shadowy shapes moving just beyond the edge of reason.

An Appetite for Blood and Breath

The Alp was believed to feed on both the life essence and the blood of its victims, not unlike a vampire. It was said to drink the milk of nursing women and, disturbingly, sometimes the blood from their nipples. Livestock were not safe either — cows found mysteriously drained of milk were often blamed on the Alp’s nocturnal visits.

Another chilling feature of the Alp legend is its association with dreams themselves. The creature was thought to control a sleeper’s dreams, turning them dark and violent, manipulating the victim’s mind as it fed upon their fear.

Nightmare: A haunting depiction of the Alp, a malevolent creature from German folklore, tormenting a sleeping woman in her bed. the German word Alpdruck (literally ‘elf-oppression’) means ‘nightmare’. There is also evidence associating elves with illness, specifically epilepsy. In the early modern period, elves are described in Northern Germany as doing the evil bidding of witches; Martin Luther believed his mother to have been afflicted in this way.

Its favorite targets were said to be those in states of emotional turmoil, the ill, and the vulnerable. It would even sometimes fixate on specific individuals, tormenting them night after night, sometimes also sexually, like a Succubus and Incubus.

Defending Against the Alp

German folklore offered a variety of protective measures against the Alp’s predations. One common method involved placing a broomstick under the pillow, a shoe at the side of the bed with the toes pointing towards the door, or an iron horseshoe hung nearby — symbols meant to confuse or repel the spirit.

It was also believed that calling the Alp by its name could banish it, though given its invisibility and secretive nature, discovering the true identity of an Alp was often impossible.

From Dwarf to Demon: In Teutonic myth and folklore, Alp were considered friendly elf-like beings which lived in the mountains, but eventually turned more negative and malevolent. They were likened more to the moss people or mountain dwelling dwarfs until becoming closer to demonic.

Another curious belief held that binding one’s hair before sleep or keeping the bedroom door slightly ajar would prevent the creature from entering, as the Alp was a creature of rules and compulsions, easily deterred by simple tricks or obstacles.

Echoes in the Modern World

Many modern scholars and folklorists view tales of the Alp as early cultural interpretations of sleep paralysis, a phenomenon still experienced worldwide today. The suffocating weight, inability to move, hallucinated figures, and overwhelming terror described in Alp encounters mirror accounts of sleep paralysis episodes in astonishing detail.

Yet even with the benefit of modern science, the age-old fear persists. There’s something uniquely unsettling about the idea of being helpless within your own home, your own bed — and perhaps that’s why the legend of the Alp continues to cast a long, dark shadow in the collective memory of Europe.

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The Ghosts Haunting the Ruins of Dunstanburgh Castle

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Around the ruins of the once grand Dunstanburgh Castle in Northumberland, England, the ghost stories are covered by a thick veil of sea mist. From legends of a gallant knight to the Queen from the War of Roses, the abandoned fortress is not quite empty.

High upon the storm-battered cliffs of Northumberland, along the bleak, windswept edge of the North Sea, the desolate ruins of Dunstanburgh Castle loom against the sea misty horizon. It used to once be the largest castle in Northumberland and a garrison against Scotland, but only fragments remain of its grand past. 

Today, the 14th century castle’s skeletal remains offer a hauntingly beautiful backdrop for coastal walks — but for those who linger too long after dusk, this crumbling fortress whispers tales of bloodshed, betrayal, and restless spirits.

The Grim Legacy of Thomas Plantagenet

Thomas, 2nd Earl of Lancaster: (c. 1278 – 22 March 1322) was one of the leaders of the baronial opposition to his first cousin, King Edward II. Soon after Thomas’s death, miracles were reported at his tomb at Pontefract, and he became venerated as a martyr and saint.

Dunstanburgh Castle was born of ambition and rebellion. Built in 1313 by Thomas Plantagenet, the Second Earl of Lancaster, it was intended as both a symbol of defiance and a personal refuge against his increasingly hostile cousin, King Edward II.

But Plantagenet’s rebellion would ultimately prove fatal. Captured and tried for treason, his fate was sealed on a cold March day in 1322. Because of their kinship and Lancaster’s royal blood, the king commuted the sentence to beheading, as opposed to being hanged, drawn and beheaded,[5] and Lancaster was executed on 22 March near Pontefract Castle.

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Yet even death offered no dignity. Legend holds that it took an inept executioner a gruesome eleven strokes to sever Thomas’s head and that eleven strokes were needed for his decapitation. Locals say the Earl’s anguished spirit has never left Dunstanburgh.

Visitors have reported seeing a headless figure wandering the Dunstanburgh Castle grounds, his severed, mangled head cradled beneath one arm. Witnesses claim his face still bears the contorted agony of those final, harrowing moments before death.

The Wars of the Roses and the Queen’s Ghost on the Beach

Dunstanburgh didn’t die with Thomas Plantagenet. In the bloody turmoil of the Wars of the Roses, Dunstanburgh Castle changed hands from the fighting Lancastrian and Yorkists factions no fewer than five times, each siege leaving it further battered from cannon fire. Amidst the wreckage of those violent decades, another spirit lingers.

Right below the castle there is Queen Margaret’s Cove. It is said that Margaret of Anjou escaped to France here, lowered over the side of the cliff in a basket to a boat waiting below in 1460. 

Margaret of Anjou: (23 March 1430 – 25 August 1482) was Queen of England by marriage to King Henry VI from 1445 to 1461 and again from 1470 to 1471. Through marriage, she was also nominally Queen of France from 1445 to 1453. Born in the Duchy of Lorraine into the House of Valois-Anjou, Margaret was the second eldest daughter of René of Anjou King of Naples, and Isabella, Duchess of Lorraine.

Margaret of Anjou, wife of King Henry VI, is said to roam the crumbling battlements and desolate beaches below. Desperate to defend her son’s claim to the throne, Margaret’s final days in the north were marked by betrayal and defeat. Her specter, clad in royal robes now faded by centuries, is often glimpsed at twilight, gazing mournfully out to sea.

Although the keepers of Dunstanburgh Castle tended to favour the Lancastrians and Queen Margaret, it has led to the castle being associated with her, most of them historically improbable and we don’t really know if she ever went there. She is also said to be haunting Owlpen Manor in Dursley, Gloucestershire.

Locals claim that during stormy nights, her sorrowful figure walks the shoreline, her ghostly form sometimes accompanied by the distant echo of battle cries and the ghostly glow of lanterns flickering within the empty towers.

The Ghost of Sir Guy the Seeker

One of the more obscure ghost stories said to haunt Dunstanburgh Castle comes the gallant knight, Sir Guy the Seeker from the 16th century. He was riding along the coast  and was caught in a terrible storm. He found the ruins of Dunstanburgh Castle and went there for shelter beneath the shattered turrets of the gatehouse. He stayed the night, and the storm raged and the wind howled. 

Suddenly, a terrible figure appeared in white, urging him to follow as he would be rewarded with beauty bright.The night fearing nothing, followed the figure up a staircase to a room of hundred sleeping knights and their horses slept. There was also a beautiful woman sleeping in a crystal casket in the center of the chamber. Images and carvings of serpents were guarding each side of the casket. On one side was a sword, on the other a horn. The figure said the knight could save her by using either the sword or the horn, but could only choose once. He took the horn and blew it. The sleeping knight got up and attacked him. The figure in white kept taunting him as Sir Guy fainted. 

When he woke up, he was back at the gatehouse. He became obsessed with the sleeping maiden he tried to find again. He searched every stone in the ruins, but found nothing. He died a lonely and broken man. But on stormy days it is said you can still hear his ghost with the thundering waves against the walls, wandering the ruins seeking the beauty bright. 

Local Haunted Legends

Where did the story come from? Although there are slight variations of the legend, it has been told at least as early as the 19th century. Similar stories, possibly inspired by Arthurian legends, have existed as well close to Hexham and Eildon Hills. 

Read More: Check out all ghost stories from haunted castles

There have also been said that there are tunnels under Dunstanburgh Castle, stretching and winding from Craston Tower, over to Embleton and nearby Proctor Steads. 

Even in daylight, Dunstanburgh Castle carries an eerie quiet. The ruined gatehouse, shattered walls, and isolated cliffs exude a sense of melancholy, as though the land itself remembers every act of bloodshed committed upon it.

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Ghosts of Dunstanburgh Castle

Northumberland Folktales: Dunstanburgh Castle and the Ghost of Sir Guy the Seeker | Under the influence!

An online magazine about the paranormal, haunted and macabre. We collect the ghost stories from all around the world as well as review horror and gothic media.

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