Doyle’s Pub: The Hangman’s Shadow in Phibsborough

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Said to be haunted by the people from the funeral home that used to be next door, the Doyle’s Pub in Dublin is said to have more than living patrons having a drink. 

At the bustling corner of Phibsborough where the North Circular Road meets Doyle’s Corner stands Doyle’s Pub, a Victorian landmark with a chilling past and if we are to believe the drunken rumors, it is said the pub also houses a few ghosts. 

Read More: Check out all ghost stories from Ireland

Once known as The Arthur Conan Doyle, this handsome old public house was built using stones from the nearby Saint Peter’s Church and is said to hold more than just whiskey and stories within its walls. Beneath the floorboards, a forgotten well lies in the cellar, and in the still hours after closing, the air grows heavy, as if something below is stirring.

Doyle’s Haunted Past

Over the years, Doyle’s has attracted its share of famous patrons. The celebrated Irish writer Brendan Behan often drank here, filling the pub with laughter, song, and poetry. But there was another regular whose presence was far darker. The infamous Albert Pierrepoint, one of the most prolific executioners in British history, made Doyle’s haunt whenever he was in Dublin for “work” at nearby Mountjoy Prison. After sending men to their deaths, he was known to stop by for a quiet whiskey or two, sitting in contemplation of his grim duty.

Some say that the ghosts could be one of Mr. Pierrepoint’s victims from Mountjouy who is looking for the man who hanged them. 

The Ghosts from Lanigan’s Funeral Home

But what about the ghost said to haunt the pub? According to the stories, it is all because of the old funeral that was next to it for many years. 

The pub once stood beside Lanigan’s Funeral Home, which may explain why restless spirits are said to wander here. Patrons have reported doors slamming, glasses shattering, and footsteps pacing the upper floor long after the bar has emptied. Some claim to have seen a pale figure appear at the top of the stairs before vanishing into thin air, while others swear they have felt a tap on the shoulder from unseen hands. The ghost, they say, may be one of Pierrepoint’s unfortunate “clients” from Mountjoy, still seeking out the hangman who drank here in life.

It is said the haunting reached its peak in the early 2000s, when Doyle’s was a thriving music venue and  made the national news headlines when it was reported that a noisy ghost was living on the second floor of the pub. Today, it seems the old dancefloor on the second floor is no longer in use. 

When the night grows quiet and the last patrons drift home, Doyle’s Corner becomes something else entirely. The laughter fades, the air chills, and from the darkened stairway above comes the creak of unseen feet. Perhaps it is only the old building settling. Or perhaps the condemned have finally come calling for the hangman.

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Fredriksten Fortress and the White Lady of Halden

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In the border town of Sweden of Norway, Fredriksten Fortress has seen more bloodshed than many places. But who is the White Lady said to be haunting it, soaring around the clock tower in the night?

High above the town of Halden, a border town in Norway toward Sweden, where stone walls overlook the fjord and the borderlands beyond, Fredriksten Fortress rises with quiet authority. Built to defend Norway from invasion, it has stood through sieges, cannon fire, and centuries of uneasy peace. Today it is a place of museums, concerts, and summer crowds. But when night settles over the ramparts, the fortress is said to remember its dead.

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Among the many legends bound to these walls, none is as enduring as that of Den Hvite Dame, the White Lady of Fredriksten.

Fredriksten Festning: The haunted fortress in Halden, Norway is said to be haunted by the ghost of a woman in white, said to have been behind mysterious disappearances and strange occurrences, leaving some soldiers defeated. // Source: Kjetil Bjørnsrud

A Fortress Shaped by War

Fredriksten Fortress is one of Norway’s most important military strongholds. From the seventeenth century onward, it played a crucial role in defending the border against Swedish forces. The fortress is perhaps best known for the death of King Charles XII of Sweden, who was killed during the siege of 1718. 

There is still a debate about if it was a Norwegian who killed him, or one of his own country men who was behind the shot. Long after the final shots were fired, the weight of conflict still seems to cling to the stone.

The Woman in White

According to legend, the White Lady was once the secret mistress of the fortress commander. Some say that she was the maid of commander Johan Hubner von Holst, or some say that it was actually one of the soldiers. 

Their relationship was hidden within the walls, known only to a few, and carried out in the shadow of constant danger. During a Swedish attack on the fortress, the commander or soldier was struck and killed by a cannonball or shot by a pistol. His body was never recovered, lost to the chaos of battle.

In some versions, her grief was simply that her love was never reciprocated. Either way, overcome with grief and despair, the woman is said to have climbed the fortress white clock tower and flung herself from it. Her death bound her to the place where her life and love had ended.

Since then, her spirit has never truly left Fredriksten.

Midnight on the White Tower

The White Lady is most often reported near the clock tower now known as the White Tower, appearing close to midnight and the full moon. She is also said to be seen around the commander’s building and down in the dungeons. 

Witnesses describe a pale female figure dressed in white, silent and still, never touching the ground as she glides past. Some say she waves gently toward those who see her. Others claim she stands motionless, gazing out over the city of Halden and the dark waters of the fjord beyond.

One of the strangest details repeated in many retellings is the behavior of the fortress lights. Several people have claimed that the spotlights illuminating the walls suddenly switch off moments before the apparition appears, plunging the area into darkness just before the White Lady reveals herself.

She is not said to be violent, but her presence carries a deep sense of sorrow, as if the grief that ended her life continues to echo through the stone.

The Missing Lieutenant and The Mad Soldiers

One of the most famed stories about the ghost comes from two soldiers placed on watch by the tower in 1820. When a soldier was taking over the shift of a soldier named Tobias, he noticed how strangely he beheaved, but didn’t find out what happened. Tobias was pale and shaken, staggering down the stairs, unable to put into words what he had seen. 

When a lieutenant came to free this next soldier, he too was pale and shaken. Wanting to investigate, the lieutenant grabbed his pistol and ventured up to the clock tower. Not long after, shots were fired, and all of them went to the scene. But no one found the lieutenant, who had vanished into thin air, and was never seen again. 

Tobias turned mute after the incident, and never talked about anything after, dying a year after he was sent home. The other soldier turned mad and died at the mad house the year after as well, and no one found out what really happened that night. 

Some speculate that it was actually the woman herself who killed her lover, and that she ever since has hated men, and they should be careful walking around the clock tower at night. In 1926, a human skeleton was found under the tower, and many claim that this had to be the missing lieutenant. But what really happened that night, was never cleared. Even how true the story was, is rather uncertain. 

Eyewitnesses After the Incident

After that tragic vanishing supposedly happened, many more soldiers came forward with their own stories about those who had seen the White Lady. In a newspaper, it was published when an old soldier who used to work there told about his own encounter an August night in the 19th century: 

“Her hair was covered with a grayish, veiled fabric that fell in folds downwards and blended in with the rest of her dress. I did not notice her body, but she must have been tall and slender. Her face was very beautiful. But because of her mournful eyes it seemed ravaged and pale. For a moment she stared intently at me, then the image was blurred, and she disappeared,” Source

Another soldier saw the white lady when he returned to Fredriksten on leave. He saw a beautiful lady as she “stepped out of nowhere” and came through the heavy gates towards Place d’Armes. She followed him on the way to the house he lived in. In front of the door he turned and looked five minutes later. She was still there.

In the 1930s and around World War II, there were a number of incidents surrounding the white lady although it had perhaps not been reported so much in the 1900s. But there are cases in modern times where sightings of the ghost happen. 

In the early 2000s, two German campers visited the fortress and claimed to have seen a smiling female figure in the middle of the night, dressed in a thin, white cloth. The Germans had never heard the story of the white lady and wondered if someone was filming it. NRK Radio and several newspapers interviewed the couple. 

Some psychics visiting claim to have felt a thing or two, and paranormal researchers coming from all around the world, claim to have found evidence of something supernatural inside of the fortress. Although the definite truth of it all will perhaps never be revealed. 

Julius Runge: Fortress Frederiksten at Halden-Norway

The King’s Bastion

There are also those claiming that the cafe is also one of the places where supernatural occurrences happens. Those working there say that the table cloths has been ripped off the tables and sounds from the kitchen on second floor makes sounds when no one is supposed to be there. 

From the top of the King’s Bastion, the view stretches across Halden, the fjord, and into Sweden. By day, it is a place of beauty and perspective. By night, it is one of the most commonly mentioned locations in reports of unexplained sightings and sensations.

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Magic Magasin – Sommernattens hvite dame 

The Haunted Shelbourne Hotel and the Ghost of Mary Masters

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According to staff members and guests, paranormal investigators and even celebrities, the Shelbourne Hotel in Dublin is haunted. Legend has it that a young cholera victim called Mary Masters has been haunting the place for centuries. 

On the grand curve of St. Stephen’s Green stands The Shelbourne Hotel, a place of elegance, history, and lingering whispers of a ghostly presence. Beneath its crystal chandeliers and polished marble lies nearly two centuries of a mystery. 

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Since opening its doors in 1824, the Shelbourne has welcomed royalty, revolutionaries, poets, and presidents. Among its most enduring guests is one who never left, a little ghost known as Mary Masters.

Shelbourne Hotel: Joseph Mischyshyn / Dublin – Shellbourne Hotel / CC BY-SA 2.0

A Hotel of Grandeur and Ghosts

The Shelbourne Hotel was designed to embody luxury and sophistication, its Georgian façade a testament to Dublin’s golden age. Inside, generations of visitors have come seeking comfort and refinement. Martin Burke from Tupperary bought three of the townhouses on St. Stephen’s Green, wanting to make the grand hotel. 

The Haunted Hotel: Image from 1885 of Shelbourne Hotel.

It is said that one room, in particular, has a reputation that chills even the most skeptical guests: Room 526. Staff and visitors alike have spoken of eerie occurrences like lights flickering, taps turning on by themselves, and the distinct feeling of being watched. The culprit, they say, is a child.

The Haunted Shelbourne Hotel

The story of the haunting came to prominence in 1965 when famed American paranormal investigator Hans Holzer and British psychic Sybil Leek visited The Shelbourne. They were on a tour to explore some of the most haunted places in Dublin. The hotel had already become notorious among staff for unexplainable events, and Holzer was invited to investigate. And if the haunting was a well known thing before they arrived, it certainly became notorious after.

Paranormal Investigators: Sybil Leek (née Fawcett; 22 February 1917 – 26 October 1982) was an English witch, astrologer, occult author and self-proclaimed psychic. She was called Britain’s most famous witch by the BBC. Hans Holzer (26 January 1920 – 26 April 2009) wrote more than 120 books on supernatural and occult and hosted a television show, Ghost Hunter.

How they investigated the hotel and got their information, was not necessarily through historical records. During a séance held in Room 526, or 256 by some accounts, Leek made contact with a spirit who identified herself as Mary Masters.

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The first night, Sybil invited the ghost child into her room, and felt a small child climb into her bed, although she couldn’t see anything. She also claimed to have felt a woolly material brush against her cheek and right arm. When she woke up the next morning, her arm was numb, almost as someone had laid upon it. 

The next evening, Sybil went into a trance and had a full conversation with the child that she was unable to remember when she came too. According to Leek, the girl said she was seven years old, named Mary Masters and had died in the building in the 18th century, before the hotel as we know it was completed. According to them, the little girl seemed to be ill. She described herself as lonely and frightened, unable to find her mother. She was also looking for her big sister, Sophie. The room grew cold during the session, and witnesses claimed they heard the faint sound of a child crying near the window.

Encounters with the Spirit of Mary

Since that famous investigation, countless guests have claimed to experience something strange in the hotel. Some report hearing soft footsteps padding across the carpet in the dead of night. Others have woken to the sensation of a small hand touching their cheek. Maids have spoken of seeing the shadow of a little girl reflected in mirrors or vanishing behind curtains.

The encounter is not really isolated to this one room though, as hotel staff have reported seeing her around the hotel, like in the basement and wine cellar when they are stocking wine, or doing laundry. 

Even the celebrity and actress Lily Collins shared publicly about her ghostly encounter when she stayed at the Shelbourne Hotel when she was interviewed on Jimmy Fallon. As she was sleeping in room 255 she felt a presence by her bed and a giggle before doors started slamming and a rush of air flew past her. When asking about it, the hotel staff told her about Mary Masters. 

Lily Collins and her Ghost Experience: Worth noting though, is that Lily Collins is a firm believer in ghosts, as she also claimed to have experienced the ghost of Ted Bundy’s victim when she was filming his biopic, “Extremely Wicked”. Here, she started to wake up at 3:05 am every night in preproduction. “I started being woken up by flashes of images, like the aftermath of a struggle,” she said

Documenting the Haunting at Shelbourne Hotel

In an RTÉ documentary about the staff working at the historical hotel, that seems to be from 2014/2015, management at the palatial hotel admitted that on several occasions, terrified guests had run out of the eerie room screaming in panic.

The hotel managers even gave a staff member orders to stay in the room overnight as there were so many reports about activity, at least 2-3 times per week over a period of six months. The staff member didn’t particularly believe it all, but were convinced when the taps in the bathroom turned as the guests had complained about. 

Uncovering the Mystery of Mary Masters

The ground on which the Shelbourne stands has seen centuries of Dublin’s transformation. Before the hotel was built, this area of St. Stephen’s Green was lined with Georgian townhouses, one of which may have been the Masters’ family home. Early tenants in the 1600 and 1700s built simple two-storey houses, with much of it undeveloped on the 1728 map. By the time of John Roque’s map in 1756, the pace of building had accelerated rapidly.

But who was Mary Masters? The little girl said to haunt the hotel? According to most sources, they claim she used to live in one of the three townhouses that was before the hotel.

According to the paranormal researches in 65, Mary Masters had died in 1846, and was one of the children growing up in the houses that stood on the ground before they were made into the hotel. This is strange to say though, as the hotel was founded in 1824 by Martin Burke. Apparently, Sybil Leek got the year in one of her trances. 

So, it’s rather unlikely that was the year she died. It did get a new owner and was renovated in 1865 by William Jury, Charles Cotton and Christian Goodman, but the building was used as a hotel all the while. 

And as in the retelling from Lily Collins and the staff, they told that Mary had actually died of cholera in 1791 and that little  Mary must have been around 7 years old. This is the year that has been passed around most perhaps, as it seems to fit more with the narrative of the buildings. Although, there have been no traces of any family named Masters or a girl named Mary who lived in one of the three town houses. 

But was there cholera in Ireland in 1791? It is believed that Cholera were introduced to Ireland from India, probably through British troops. The epidemic in Ireland was in the 1830s, and killed 50 000 people. It is said that the illness started in India in 1817. So this story is also rather improbable. 

While skeptics dismiss the tale as hotel folklore, the stories persist. Modern visitors still ask for Room 526, curious or brave enough to see if the stories are true. Some leave convinced they felt something unseen, while others depart with nothing more than a chill that refuses to fade.

According to investigators, most of the supposed haunting has turned out to be banging noises from plumbing, bad wiring that increases the electromagnetic field that has turned out makes people paranoid and seeing things. There are also scratching noises in the attic that have turned out to be mice and rats. But as always, there are some points that are still left unanswered.

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Shelbourne Hotel, Dublin, Ireland | Haunted Rooms®

Actress Lily Collins haunted by Dublin hotel ghost | Irish Independent

Ghost of young girl haunts Dublin’s Shelbourne Hotel, claim guests and staff

Epidemics in Ireland – A Short History – The Irish Story 

Room 407 and the Gentle Ghost of Fleischer’s Hotel

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As the first hostess of the hotel in Voss, Norway, the ghost of Magdalene at the historic and majestic Fleischier’s Hotel is said to linger inside of Room 407. 

Fleischer’s Hotel stands proudly beside the lake at Voss, a grand wooden hotel steeped in family history and tradition right by the train station. The hotel was built in the Swiss style. This style of building was popular in Norway from about 1850-1910 and is inspired by the architecture of the Alps.

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For generations, guests have spoken in hushed tones about one particular room. Room 407 with a grand view over the water Vossvangen is built around, is said to be occupied, even when no name is written in the ledger. According to long held legend, this is where the spirit of the hotel’s very first hostess still resides.

Fleischer’s Hotel: The hotel by Evangervegen road (E16) in Voss, Norway is thought to be haunted by the ghost of one of the founders.// Photo

Magdalene Fleischer’s Unfinished Watch

The ghost is believed to be Magdalene Fleischer herself, the woman who helped shape Fleischer’s the hotel that is still running by her rules it seems. 

Her full name was Magdalene Margrethe von Schlanbusch (1839-1915),  married to Fredrik Lyth Ørum Fleischer (1834-1906) who founded the hotel after they sold the family owned church to Voss.

The two ran the hotel from 1864 to 1906. Magdalene was Fleischer’s savior when the husband thought all was lost when the new building burned down in 1888, only 13 days after it opened. Magdalene had single-handedly insured the existing hotel and the new building during construction, without her husband’s knowledge. The hotel was rebuilt the next year and is still standing. 

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Witnesses describe seeing a female figure dressed in black, moving silently through Room 407 or standing near the bed. Why exactly this room, sources never claim to have an answer to. Others speak of sudden cold drafts that pass through the room without warning, and chandeliers that flicker and glow for no earthly reason.

Despite these unsettling signs, Magdalene is not considered a malevolent presence. Quite the opposite. Staff and guests alike describe her as protective and deeply concerned with the well being of those who stay at the hotel. It is said she refuses to leave because her sense of duty to the guests never truly ended.

A Touch in the Night

One of the most striking accounts comes from a guest who claimed to have awakened during the night to feel a gentle hand patting her cheek. When she opened her eyes, the room was empty, yet the sense of comfort lingered. There was no fear, only the impression of being cared for, as if checked on by a devoted hostess making her rounds.

Hotel staff have their own stories. An employee once claimed that flickering lights appeared when Magdalene seemed displeased, particularly if she felt the service provided to guests was lacking. In these moments, the lights were not threatening but insistent, a quiet reminder that standards must be upheld.

– Guests who have stayed here for several nights have on several occasions come down to the reception and said that they no longer want to stay in room 407. They have had the feeling that someone was watching them, said Butler, Michael Pedersen. He also claimed to have felt or heard someone walking in the hallways. 

Magdalene Fleischer

– I heard lots of women’s voices from inside the toilet, as if they were talking to each other. I got a little scared, and hurried on, but had to go back to take a look. Still, I didn’t dare open the door to look. I was completely in shock. I knew there couldn’t possibly be anyone there, because the door to the hallway was locked. I rushed out and locked it behind me! Source

Also the descendants of the alleged ghosts, comes with a few ghost stories of her own. Asta Maria Fleischer Tønjum, the great granddaughter, worked all her life at the hotel as well. 

– Not so many years ago, a regular male guest stopped by the reception and reported an incident in room 407. This was passed on to me, and I called the man, who told me that a lady had appeared in the room. She had come over to his bed and stood there for a while before she dissolved and disappeared. The lady had a black, unbuttoned blouse and buttoned boots. The man had not been scared, because he felt that the lady was kind-hearted and was there to look after him. When he heard the story about Magdalene, he thought that the woman who appeared to him could well be her, says Asta Marie. Source

A Spirit Bound by Care

Unlike many haunted hotels where spirits are tied to tragedy or unrest, Fleischer’s tells a different kind of ghost story. As her descendants claim, she was a warm and kind lady in life as she seems to have been in her afterlife as well. Magdalene Fleischer is said to remain out of love and responsibility rather than sorrow. 

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References:

Magic Magasin – Det spøker på Fleischers Hotel

Fleischer’s Hotel – Wikipedia

Teresa Prieto The Witch of Jove and Spain’s First Vampire Case

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Teresa Prieto, known as the Witch of Jove, has captivated the imaginations of many through the centuries as the first recorded case of a vampire in Spain that reached the court. What was she? A witch? A vampire? Or was she one of many innocent women accused of something supernatural.

Long before the vampire became a figure of Gothic fiction, the fear of blood drinking witches already haunted the villages of medieval Spain. One of the earliest recorded cases emerged in the late fifteenth century in the coastal settlements around Gijón in Asturias. There, a woman named Teresa Prieto became the center of one of the strangest accusations in Spanish history. To her neighbors she was not simply a witch. She was believed to be a creature that slipped into homes at night and drank the blood of children.

Read More: Check out all ghostly stories and legends from Spain

The case of Teresa Prieto, later known as “the Witch of Jove” or “the Vampire of Xove,” sits at the crossroads between folklore and historical reality. It reveals how medieval fears of night demons, witchcraft, and vampirism could merge into a single terrifying accusation.

Gijón City: It is the largest city and municipality by population in the autonomous community of Asturias. This is also where the first recorded vampire court case in Spain happened.

Night Visitor of the Village

In the late 1400s the area of Jove, today called Xove, was not the modern district of Gijón known today. It consisted of small scattered villages connected by narrow paths and surrounded by forests and fields. Oral traditions and superstition shaped daily life. Local healers lived on the margins of society, gathering herbs from the woods to make remedies and potions.

The Asturian Guaxa: The Guaxa is said to be an old and thin woman-like entity, ugly and covered in warts. She is said to have a single sharp tooth she stalks her prey with. She sneaks into people’s homes in the middle of the night and feeds on them with her one sharp tooth. Children are preferred, but also young women and handsome men are in danger. She doesn’t kill them at once, nor does she transform her victims to one of her own. She slowly kills them, draining their life, bit by bit. In Asturia, people can say “It looks like the Guaxa has swallowed you,” when people have lost a lot of weight, as the Guaxa slowly over time drained people’s lives. Although this is a very Asturian legend, the case of Teresa Prieto was called a Strix or Estrige.

Within this environment strange rumors began to circulate.

Parents claimed that something entered their homes during the night. The intruder moved silently while families slept and approached the beds of children. When morning came, some children were found dead. According to the stories told by villagers, the bodies bore two small marks on the neck, signs that their blood had been sucked during the night.

Fear quickly turned toward a human suspect. The villagers accused Teresa Prieto.

The Shadow of the Strix

The accusations against Prieto did not arise in isolation. At the end of the fifteenth century European folklore still carried strong beliefs in striges or strigias, monstrous female beings said to prey on infants. These creatures were described as winged women with the claws and beaks of birds of prey who drank the blood of children to use in magical brews.

Such beliefs had deep roots in classical mythology and medieval superstition. The Roman strix and the Greek lamia were both imagined as female night predators who attacked infants. In medieval Europe these creatures slowly merged with the idea of witches. A woman accused of sorcery could easily be accused of vampiric acts as well.

The Strix: The strix (plural striges or strixes), in the mythology of classical antiquity, was a bird of ill omen, the product of metamorphosis, that fed on human flesh and blood. It also referred to witches and related malevolent folkloric beings. The strix is described as a large-headed bird with transfixed eyes, rapacious beak, greyish white wings. In Romanian, strigăt means “scream” and strigoaică is the name of the Romanian feminine vampire while strigoi is the Romanian male vampire. Albanian folklore tells of the shtriga, and Slavic of the strzyga/stryha.

In the isolated communities of Asturias, the old legends were still alive. When children died unexpectedly, the ancient explanation returned. A blood drinking witch must be responsible.

Accusation and Trial

Around 1480, Teresa Prieto was formally denounced by her neighbors. She was accused of being a striga, a night witch who entered homes and drained the blood of children. The case reached the attention of the Spanish Inquisition, which opened proceedings against her.

The accusations described her as a woman who wandered through villages at night and entered houses secretly, harming Christians and sucking blood from children. In essence, the first documented case of vampirism in Spain, although the lore behind the blood sucking entity looked a little bit different than the modern version. 

She was turned in to Juan de Acebal, at the time a prosecutor and litigant who would lead the first Asturian case in the renewed Tribunal of the Inquisition, which had just been re-established in the kingdom of Castile, precisely on All Souls’ Day in 1478.

Prieto was arrested and subjected to interrogation and torture. She was bound hand and foot, twisting and turning on her back, and she was forced to drink liters of water continuously for at least an hour. Despite the ordeal she maintained her innocence and never confessed to the crimes attributed to her.

Torture: Water cure was among the forms of torture used by the Spanish Inquisition. Before pouring the water, torturers often inserted an iron prong (known as the bostezo) into a victim’s mouth to keep it open, as well as a strip of linen (known as the toca) on which the victim would choke and suffocate while swallowing the water.

The tribunal or the Bachelor Brecianos, eventually condemned her to death by hanging. There, it was ordered that she be taken “on horseback, riding a donkey, her hands and feet bound with an esparto rope around her neck,” publicly and shamefully before the townspeople, to the stone gallows where the witch or sorceress of Gijón would be hanged and her flesh burned to ashes.

Yet the case did not end in the way many witch trials did.

Escape From the Gallows

Before the sentence was carried out, Teresa Prieto appealed the verdict. As she stated in her protest, when she was arrested she was not informed of the charges or anything else; she had not been told who had denounced her; the accuser turned out to be the only witness and, aside from contradicting himself, was a personal enemy of hers, which should legally disqualify his testimony; furthermore, she had not been provided with the required legal representation, and the lieutenant corregidor had acted against her unjustly and contrary to the laws of the kingdom. She also emphasized that she had been subjected to torture without cause or reason and was summoned repeatedly without any new evidence or proof appearing. To conclude her plea, she stressed that by appearing before the court she demonstrated her good faith and should be able to atone for any possible crime.

The Court Case Files: (PARES, Portal de Archivos Españoles)

The appeal succeeded. Instead of execution she was imprisoned while the case continued. Her conduct during the proceedings appears to have influenced the authorities, and eventually the sentence was overturned.

In November of 1500 she was released from prison and allowed to return to Asturias as a free woman. Neither party was ordered to pay costs, but Teresa requested a written copy of the sentence and the return of the property and assets that had been confiscated from her.

In the end the supposed vampire of Jove was never proven to be anything more than a victim of fear and rumor.

The Birth of a Spanish Vampire Legend

Even though Teresa Prieto survived the trial, her reputation never disappeared. Folklore continued to describe her as a vampire witch who crept into houses at night to feed on children. Later historians and folklorists such as Julio Caro Baroja and Juan Uría Ríu recorded the story as one of the earliest examples of vampiric belief in Spain.

The witch of Jove belongs to a darker chapter of European folklore. She stands at the boundary between legend and historical record. A woman once accused of slipping through the night to drink the blood of children. A case where ancient fears of witches, demons, and vampires converged in the life of a single unfortunate person.

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References:

Mito y realidad de Teresa Prieto, la bruja de Jove

Un zumbido mortal. Theresa Prieto, la vampira de Jove | El Comercio: Diario de Asturias

https://citaclio.blogspot.com/2022/11/teresa-prieto-la-asturiana-condenada.html

Strix (mythology) – Wikipedia

Utne Hotel and the Watchful Spirit of “Mor Utne”

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In one of the oldest hotels in Norway in the serene Hardangerfjord, Mother Utne is said to still be running things. After working 70 years at Hotel Utne, management at the hotel claims that she is still the one in charge. 

On the quiet shores of the Hardangerfjord stands Utne Hotel, one of Norway’s oldest wooden hotels and has been in operation since 1722. Here they serve the famed Hardanger cider and the national dish Fårikål, with their ghost stories. Its rooms are filled with antiques, its walls layered with centuries of hospitality and human presence. 

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Among the portraits and heirlooms, one figure holds particular power over the building. Her painted gaze follows guests from the wall, calm yet unyielding. She is known simply as Mor Utne. And many believe she never truly left.

Hotell Utne: The old hotel is said to be haunted by the matroness, called mother Utne. // photo was taken by Jarle Vines. © 2009 Jarle Vines, some rights reserved.

The Woman Who Became the Hotel

Mor Utne was the hotel’s hostess for more than seventy years in the mid-19th century. Generations of travelers passed through under her watchful eye, and the hotel’s routines and traditions became inseparable from her presence. She knew every room, every floorboard, every sound the old building could make. When she finally died, the hotel continued on. But those who live and work there insist that something essential remains behind.

Mother Utne:Torbjørg Johannesdatter Utne (1812-1903) was a well known figure at the hotel, even after she was widowed in 1882, and left the business to her son, Svein Utne. Her portrait was done by Eilif Pettersen.

Her portrait still hangs on the wall, and beneath it stands her favourite rocking chair in the fireplace lounge. It is her chair alone. Guests avoid sitting in it, even when the hotel is full and no other seats remain. During renovations, workers left the chair untouched, some out of respect, others out of an unspoken unease they could not quite explain.

Still, she seems to be a rather helpful ghost, returning objects to what she deems the right place, and the staff claims that she exudes a warmth when her presence enters a room. 

Signs of a Quiet Guardian

Staff and guests alike have reported strange happenings throughout the hotel. Lamps are said to switch on and off without reason. Doors open and close on their own, slow and deliberate, as if guided by an unseen hand. Figures are sensed rather than seen, a presence felt just behind the shoulder or at the edge of a corridor.

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These events are rarely frightening. Instead, they carry a feeling of supervision, as though the hotel is being quietly inspected. Many believe this is Mor Utne, still tending to her duties, ensuring that everything remains as it should be.

The Girl From the Ghost Room

According to local legend though, Mother Utne is not the only one said to be haunting the hotel. Room 15 is often called the Ghost Room, and that strange things keeps happening there. Could it be that Mother Utne is making her presence known in this particular room, or could it be that there is another ghost roaming the hotel as well. 

It is said that an 18 year old girl once jumped from the window and died and there is in fact her, not Mother Utne haunting this part of the hotel. But although we know quite a bit about Mother Utne as an actual figure, this tale seems to be lost in history and is now merely a legend. 

A Presence That Endures

Unlike many haunted places, Utne Hotel is not known for terror or violence. Its haunting is subtle and intimate. Mor Utne is said to watch, not to warn. She is not bound by tragedy but by devotion. After a lifetime spent caring for the hotel and its guests, perhaps she simply could not let go.

Those who stay the night often speak of restful sleep mixed with an odd awareness, as if someone is nearby, listening. Some wake convinced they have been gently checked on, though no one ever enters their room.

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Følte at noen forsøkte å dytte dem ut mens de vasket vinduet

Utne Hotell

Torbjørg Utne – hotelleier – Store norske leksikon

Det uforklarlige

Brogans Bar: The Secret Passage to the Past

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Said to house both piles of Guinness, the Brogan’s Bar in Dublin is also said to house a few ghosts. Visitors and staff have long talked about the strange things that go down at the pub after the final call has been rung. 

On the busy stretch of Dame Street, tucked beside the historic Olympia Theatre, stands Brogans Bar, a place where Dublin’s laughter mingles with whispers from centuries past and a few ghosts lingering according to the tales. 

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Long before it became known by its present name, it was called Leonards, and even then it held a reputation as one of the city’s oldest and most characterful taverns. It also served like The Viking Inn, one of the first gay bars in Dublin. 

The bar is said to have the largest collection of Guinness memorabilia outside of the brewery. Within its low ceilings and time-worn beams, stories of politics, rebellion, and revelry have soaked into the walls like spilled whiskey. Michael Collins himself is said to have been a regular, plotting the future of Ireland over a quiet pint. Yet not all of Brogans’ visitors have been so easily seen.

The Haunted Brogan’s Bar

Those who close up after the final rounds have long reported strange happenings in the shadows of the bar. Soft footsteps echo across the wooden floors when no one else is there. Being next door from the notoriously haunted Olympia Theatre has also fueled the rumours of this building  having ghost of their own. 

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Like with the theatre, the haunting in this bar is said to be a bit vague, although prominent. Glasses rattle as if disturbed by invisible hands. On one unsettling occasion, a door was smashed open with such force that staff believed an intruder had entered, only to find the pub empty and still. There are also reported about mysterious footsteps after closing time.

So what could be haunting the Brogan’s? Could it have something to do about the alleged secret tunnels underneath the building? The pub lies directly opposite the ancient entrance to Dublin Castle. Beneath Brogans, according to local legend, lies a secret passageway that once ran directly under Dame Street and into the heart of Dublin Castle. No one knows exactly when it was built, or for what purpose, but many believe it was used for discreet meetings, smuggling, or escape during troubled times. 

Today, the entrance is said to be sealed, though some claim to feel cold drafts rising from the cellar floor and hear faint voices murmuring below. Perhaps the passage is not as closed as it seems. When the lights dim and the street outside grows quiet, Brogans Bar stands as a reminder that Dublin’s history is never truly buried. 

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Top 11 Haunted Dublin Pubs Full Of Spirits! | Spooky Isles

The Watchful Spirits of Bårdshaug Manor

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The old manor house at Bårdshaug in Norway is said to be haunted by some mysterious women that sometimes appear in the house, now operating as a hotel. Who are these female spirits lingering, and what do they want?

It is often said that every respectable manor and old house comes with a ghost of its own, 30 minutes from Trondheim city in Norway. At Bårdshaug Manor in Orkanger, that saying seems to hold true. The elegant estate, built in 1860, once served as the home of Christian Thams, a remarkable figure in Norwegian history known as an architect, minister, landowner, and consul. 

Read More: Check out all ghost stories from Norway

Today the manor house from 1860 operates as a hotel, but many believe it has never truly been left unguarded.

Source

The History of the Manor House

Bårdshaug Gård was originally built in 1860, but it was only after Christian Thams took over the property in 1890 that the farm was transformed into a larger manor house. The architecture at Bårdshaug Herregård is characterized by an interesting interplay of different styles, from Norse to Louis-seize style. The interior design features elements from all over the world.

Christian Marius Thams (1867–1948) was a Norwegian architect and industrial entrepreneur . He was involved in a number of areas within industrial construction and trade, in Norway and abroad. In Africa he was involved in business operations within the harsh colonial government. Towards the workers in Norway he was conservative and patriarchal. Thams rejected all demands from the unions which he tried to break.

Christian Thams, who was an important industrialist and entrepreneur. Thams was not only known for his work with industrial development and export, but also for his connections with princes, royalty, and working people. 

He met his future wife, the Dutch-born Baroness Sarah Sybille Francoise Atoinette Elènore Baronesse de Spengler , while studying in Switzerland. They married in 1886 when he was 19 and she was 18. Baroness de Spengler was an artistic and modern woman with an interest in singing and theatre, and she played a central role in the many cultural events held at Bårdshaug Manor. She was known for her involvement in art and culture, and her presence was an important element in the social life of the estate.

Two Ladies Who Never Left

Strange things happen inside of this hotel. The staff talk about doors locking themselves and seeing the shape of people inside of the old rooms. 

Over the years, guests have shared quiet but persistent reports of two female figures appearing within the manor. Their identities remain unknown, yet they are spoken of with familiarity rather than fear. One of the most intriguing stories comes from children who have claimed to speak with a woman dressed in a red gown in the cellar. These encounters are described as calm and natural, as if the presence was entirely at ease with being seen.

Read More: Check out all ghost stories from Haunted Hotels

Staff members at Bårdshaug Manor tend to agree that the spirits mean no harm. Instead, they believe the women are bound to the house out of loyalty and care, lingering to watch over the building and those who pass through it. Their appearances are not accompanied by threats or violence, only a sense of being quietly observed.

A Place Acknowledged by the Dead

The manor’s reputation has reached beyond local whispers and many paranormal researchers have tried to find the answers to the legends. The well known Norwegian television series Åndenes Makt (The Power of Spirits) has also paid a visit to Bårdshaug, drawn by the long standing tales of unexplained activity and lingering presences. While no definitive answers were given, the visit only strengthened the belief that something remains behind the walls of the old estate.

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References:

Det uforklarlige

Spøkelser, gjenferd og spesielle energier: Dører som låser seg selv og konturer av folk i rommene – avisa-st.no

Bårdshaug Herregård

The Beautiful Queen Lamia Who Became a Vampire Monster Ghost Stories

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The Lamia was a feared bloodsucking monster that worked as the boogeyman of ancient Greece. Many will say that her tale has helped shape the vampire legends in Europe, but before that, she was said to have been the beautiful Queen of Libya. 

Among the many monstrous figures that haunt ancient mythology, few have cast as long and disturbing a shadow as Lamia. Her story begins not with a demon but with a woman. In early Greek tradition Lamia was remembered as a beautiful queen of Libya, a mortal ruler whose fate became entangled with the gods. Over time her legend transformed from tragedy into horror. The grieving mother of myth became a night wandering predator associated with witches, vampires, and the devouring of children.

The evolution of Lamia’s legend is one of the clearest examples of how a mythological figure can slowly change across centuries, absorbing fears about motherhood, sexuality, death, and the supernatural.

Fragments of a floor mosaic from 1213 in “San Giovanni Evangelista (Ravenna), Italy.

The Queen of Libya Turned Monstrous

The earliest sources describe Lamia as the daughter of Belus, king of ancient Libya stretching across North Africa. Ancient writers often emphasized her beauty. That beauty drew the attention of Zeus, the king of the gods, who took Lamia as his lover. Their relationship produced children. The Greek lyric poet, Stesichorus also said that she was a daughter of Poseidon and mother of the sea monsters Scylla and Acheilus, the Shark. 

The tragedy that shaped Lamia’s transformation came from Hera, Zeus’s jealous wife. According to the most widely repeated version of the myth, Hera punished Lamia by destroying or stealing her children. Some accounts say Hera killed them outright. Others claim Lamia herself was driven mad and killed them under Hera’s influence. In every version the result is the same. Lamia lost her children and was left to suffer with the memory.

The Real Queen of Libya: Diodorus Siculus (fl. 1st century BC) gave a de-mythologized account of Lamia as a queen of Libya who ordered her soldiers to snatch children from their mothers and kill them, and whose beauty gave way to bestial appearance due to her savageness. The queen, as related by Diodorus, was born in a cave. // Image: “Lamia” from “The History of Four-footed Beasts” (1607).

Grief twisted into obsession and Lamia began stealing the children of other mothers. She crept into houses at night, snatching infants from their cradles and devouring them. The myth explains this as a cruel attempt to make other women experience the same loss she had suffered.

The transformation did not stop there. The once beautiful queen was said to have changed into something monstrous. Later descriptions gave her the body of a woman above the waist and a serpent below, or portrayed her with a grotesque face and terrible jaws suited for devouring children.

Hera prevented her from closing her eyes so she would never escape the vision of her lost children. Zeus eventually took pity on her suffering and granted her an unusual ability. Lamia could remove her eyes from their sockets and replace them later, allowing herself moments of rest from the constant grief.

This strange detail would later contribute to Lamia’s reputation as a creature of dark magic and prophecy. Some traditions even described her as possessing the “mark of a Sibyl”, a gift of supernatural sight.

From Monster to Night Demon Vampire

By the classical period the name Lamia had already begun to change meaning and became part of Hellenistic folklore. Greek writers started using the word not only for the individual queen but also for a whole class of creatures known as lamiai (λάμιαι). These beings were night demons who haunted lonely places, caves, and the edges of cities.

Parents frightened disobedient children with warnings that Lamia would come for them in the dark. Ancient authors such as Diodorus and Horace mention this practice, suggesting the creature had already become a kind of mythic bogey figure in the ancient world.

Descriptions of lamiai also grew increasingly vampiric. Later stories from the first century depict them as succubus phasmas or ghosts, seducing young men before draining their blood or devouring their flesh. Some sources portray them as shapeshifters who appeared as beautiful women before revealing monstrous forms.

This is also when she started appearing in classical literature and lore with the Empusa, demons working for Hecate. They were companions of the goddess Hekate which followed her to earth from the depths of the underworld.

As a monster the Lamia transformed into something ugly. Lamia had the tail of a serpent in place of legs. The ancient Greek historian Diodorus Siculus simply describes her as having a distorted or disfigured face. They were also associated with caves and damp places. In more modern Greek folktales, the Lamia is said to live in remote houses, also having magical powers like a witch.

Lamia and Lilith

Lamia’s story also developed striking parallels with the figure of Lilith from Jewish folklore. Both were portrayed as female night spirits associated with the death of infants and the seduction of men. Lamia may originate from the Mesopotamian demoness Lamashtu.

Lilith, by John Collier

In the Latin Vulgate translation of the Bible, the name Lamia was even used to translate the Hebrew word Lilith in the Book of Isaiah. Lamia is used in early translations of the Bible for screech owls and sea monsters. This linguistic overlap reinforced the idea that the two figures represented similar demonic beings.

Later occult traditions strengthened the connection further. Both Lamia and Lilith became associated with female demons who preyed on children, drained blood, and moved through the night as embodiments of uncontrolled desire and vengeance.

The Birth of the Vampire Witch

During late antiquity and the early Middle Ages the word lamia expanded even further in meaning. Christian writers and scholars began using it as a general term for witches or female demons who preyed on humans. By the fifteenth and sixteenth centuries the term could refer directly to witches believed to harm children or drink blood.

Lamia (second version, 1909) by John William Waterhouse

The shift shows how Lamia’s myth merged with broader fears about witchcraft and nocturnal spirits. Occult writers and demonologists sometimes used the term lamia for women who had entered pacts with demonic forces. In this way Lamia became linked not only with monsters but with the image of the blood drinking witch, a concept that would echo through later vampire legends.

The creature that once belonged to Greek myth became part of the developing European folklore of the night. Many of the vampiric, witch and demonic legends found around the continent can be traced back to her. 

Even today the core elements of the legend remain intact. Lamia is still remembered as a creature of the night. She is a devourer of children, a seductress of men, and a figure whose tragedy transformed her into something monstrous.

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References:

Lamia – Wikipedia

Lamia – Etymology, Origin & Meaning

Lamia – World History Encyclopedia

Sennentuntschi: The Terrifying Swiss Legend of the Shepherd’s Doll Come to Life

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One of the horrid creatures from the alps is the seemingly innocent Sennentuntschi doll. Being made by male herders alone in the mountains, she has to endure their abuse and use until she comes to life and comes for revenge. 

Deep in the Alpine regions of Switzerland, where snow blankets peaks and silence hangs heavy over remote pastures, an eerie legend has haunted shepherds for centuries. It is the tale of the Sennentuntschi — a grotesque doll made in loneliness, animated by desire, and punished by horror. 

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It sometimes goes by Hausäli or Sennpoppa. In Lichtenstein it is called “The Guschg Herdsmen’s Doll”.  As one of the alps most chilling pieces of folklore, the Sennentuntschi tale is a potent blend of rural isolation, taboo, and supernatural revenge.

Horror in the Alps: In the seemingly serene alp huts around in the alpine region, it is said that a horrible monster can be created by the lonely herders.

Origins of the Legend of the Sennentuntschi

The Sennentuntschi legend seems to have originated in the Swiss Alps, particularly among the German-speaking regions such as Graubünden, Valais, and the Appenzell. Weissenboden, below the Kinzig Pass in the Schächen Valley, is one of the Alpine regions where the “Sennentuntschi” is said to have started.

It does however exist as far as the Bernese Alps to Carinthia, from Liechtenstein to Upper Bavaria and in Styria. 

Sennentuntschi Doll: An authentic Sennentuntschi doll exists and is preserved in the Rhätisches Museum in Chur, Switzerland. This 40 cm tall figure, made of wood, cloth, and hair, was acquired from the hamlet of Masciadon in the Calanca Valley in 1986.

The oldest known written version is the 1839 Romantic poem “Die Drei Melker” but it is mostly a tale passed down through oral tradition, believed to date back to at least the 18th century. Some claim that it could be even older, possibly even rooted in even older pagan superstitions about nature spirits and demonic visitations.

The story was most commonly told among Sennen that are Alpine herdsmen or shepherds who spent long, lonely months in mountain huts (called Alphütten) during the summer months, herding cattle in high pastures. Their isolation and hardship birthed the legend as a kind of moral tale, but with distinctly horrific undertones.

The Core of the Myth: Loneliness, Creation, and Retribution

In its most common form, the tale begins with three lonely herdsmen in the alps, tending their cattle in the day and their nights in their huts, often drunk or despairing from months of solitude and sexual deprivation. In their madness or mischief, they decide to create a woman out of household objects and animal remains like typically straw, rags, wood, and bones. They dress the figure in traditional clothing, give her a grotesque face made of stitched leather or carved wood, and mockingly name her Sennentuntschi.

But what begins as a joke turns dark. According to legend, after one of the men performs a mock ritual, sometimes the act of naming her, sometimes invoking the Devil himself and the doll comes to life as they talk to her, feed her and take her to bed.

She appears human, even beautiful, but does not speak. At first, the men are overjoyed, treating her as a companion and servant. But quickly, the relationship becomes exploitative. They abuse her, physically and sexually, until their fantasy turns into a waking nightmare. 

She suddenly starts to speak, talking about all the evil things they have done to her. One by one, the men begin to die by freak accidents, illness, or suicide. Eventually, the last man is found raving mad, or dead, and the hut abandoned. 

In some versions she stays with them all summer, enduring their abuse and helping them tending to the cattle. When they are to descend from the mountain, she asks one of them to stay with her, often the one who abused her the most. When the two herdsmen turn to the hut, they see her spread the peeled skin from their friend on the roof as she laughs. 

The woman is never found, but the villagers whisper that Sennentuntschi returned to the mountains, leaving destruction in her wake or that she was never human at all, but a demon or forest spirit exacting revenge for the men’s depravity.

The Modern Revival: Sennentuntschi (2010) Film

The legend was revived and reinterpreted for modern audiences in the 2010 Swiss horror film Sennentuntschi, directed by Michael Steiner. The film blends folklore with psychological horror and crime thriller elements, set in the 1970s in a remote village in the Alps.

In this version, a mysterious, mute woman appears in a conservative mountain community shortly after the local priest is found dead. As suspicion and hysteria rise, the villagers accuse the woman of being a demon or witch. The film weaves in the traditional legend of the shepherds and the doll, blurring the line between folklore and reality.

The Lingering Legacy

To this day, Sennentuntschi remains a deeply unsettling piece of Swiss cultural heritage. While not as well-known internationally as Krampus or other Alpine folk monsters, she is perhaps more horrifying precisely because of her human origins. She is not a beast or goblin, but a creation of human loneliness, cruelty, and guilt — a specter born not from hell, but from the minds of men lost to the mountains.

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In Swiss mountain regions, hikers still hear the tale from grandparents and village storytellers. Some claim the abandoned huts in the Alps are haunted. Others say that if you mistreat the land or its spirits, Sennentuntschi will return, silent and vengeful, to collect what’s owed.

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References:

Sagen und Legenden der Schweiz (Legends and Folktales of Switzerland), collected by Otto Sutermeister

Sennentuntschi (2010), Michael Steiner, Film

Sennentuntschi: A dark legend from the Alps

Sennentuntschi – Wikipedia

An online magazine about the paranormal, haunted and macabre. We collect the ghost stories from all around the world as well as review horror and gothic media.

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