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The Kuntilanak and the Pontianak: Vampiric Ghosts of the Banana Tree

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At the cusp of a vengeful ghost and a vampiric entity, the Kuntilanak of Indonesia, or the Pontianak as she is called in Malaysia, is after both vengeance and to devour her victims. 

In Indonesia, particularly on the islands of Java and Kalimantan, there exists one of Southeast Asia’s most haunting and widely feared spirits known as the Kuntilanak. She is said to be the restless ghost of a woman who died during childbirth or in a violent circumstance, forever trapped between life and death. In Malayan folklore where the story is also told, she is called the Pontianak. 

Read More: Check out all ghost stories from Indonesia and Malaysia

Her domain is said to be in hollow banana trees and if you smell the sweet scent of Jasmine or the frangipani flower, it might just be the ghost of a woman who died in childbirth. And she might be after your blood. 

The Woman in White of Southeast Asian

The Kuntilanak is believed to originate in the spirit of a woman who died while pregnant or during childbirth. There are different variations of the legend throughout Asia, as we will get more into later. In traditional belief, dying in such a vulnerable state without completing the life cycle left the soul restless and unanchored.

The Kuntilanak is often depicted as a long-haired woman dressed in white as an astral female spirit. In modern media, she is often portrayed as a Woman in White. Often, her dress is depicted as blood-smeared. It is also often a traditional kebaya or funeral shroud.

She lures in unsuspecting men to devour and sometimes also for some sort of revenge. Some say that the phantom is an invention of Malay wives who wanted to discourage their husbands from random sexual encounters with women that they met on the road at night. Or perhaps it acts as some sort of subconscious warning to men to leave women alone at night. 

Signs that a Kuntilanak is nearby include the sound of an infant crying and the smell of plumeria flower followed by the smell of decay.

The Vampiric Creature of the Night

Another thing the Kuntilanak spirit is depicted as, is a monstrous transformation when she has lured her prey, more like a beast or type of vampire than a ghost. 

The Kuntilanak suddenly turns and reveals that her back is hollow, much like the Sundel bolong the prostitute ghost with her large gaping hole on her back.

Another version of this figure depicts her as a woman with long, sharp fangs and fingernails that she is said to use to feed on her victims, digging them into their stomachs and devouring their organs and blood. In some versions, she is also said to have wings she can fly away with making a ke-ke-ke sound as it flies.

The Ghost in the Tree

Banana trees are by nature hollow at the center. In Javanese and Malay belief these hollows are places where spirits can dwell. The Kuntilanak is said to hide in the hollows of banana trees, emerging at night or when someone passes too close. This is why it’s advised to ask permission from the spirits and guardians before entering a jungle. Kuntilanak are also said to favor certain trees as their “dwelling places,” such as the hibiscus tree, which grows leaning to the side (popularly called “waru doyong”).

When she appears, her wail is a long, high-pitched cry that carries over fields and villages, chilling listeners with its sorrow and fury. Those who hear the cry are believed to be marked by her presence.

The legend holds that the Kuntilanak may call out a person’s name, drawing them nearer with a voice that sounds familiar, kind, or beckoning. They usually announce their presence through baby cries. It’s said that if the cry is loud, she is far away, but if it is soft, then she is nearby. It is also said that if you hear a dog/wolf howl she is far away, but if it’s whimpering, she is nearby.

According to Javanese beliefs and traditions , a kuntilanak will not harm a pregnant woman if she always carries nails, knives, and scissors with her whenever she travels. This is why scissors, needles , and knives are often placed near a baby’s crib. According to Malay beliefs as well, sharp objects like nails can ward off attacks by the Pontianak.

Kuntilanak can be subdued by plunging a sharp nail into the top of her head. Sometimes the story goes that she doesn’t die from this, but once again becomes a normal woman. Sometimes even a good wife. Although, be careful to never remove the nail ever again as she will go back to her old ways. 

The Malayan Pontianak

As mentioned, the Kuntilanak of Indonesia is also called Pontianak in Malaysia. But what exactly is the difference? There are many Malay ghost myths, remnants of old animist beliefs that have been shaped by Hindu-Buddhist cosmology and later Muslim influences. Some ghost concepts such as the female vampires pontianak and penanggal are shared throughout the region. Often these two names are conflated to one being, just in different languages. 

There are some things that are more quintessential Malayan lore though than you would find in Indonesia. The Pontianak is similar to another entity found in Malayan folklore, the Langsuir. This is a vampiric ghost of a woman who died in childbirth in Malaysia is often connected with the stories of the Pontianak where the Langsuir is the ghost of the mother who died in childbirth, and the Pontianak is the child who died in stillbirth. Modern popular culture often confuses the pontianak with its mother the lang suir. However, traditional myth is clear that the pontianak is the ghost of a dead baby and not a pregnant woman.

There are also some traditions for the Malay Pontianak that are followed. To prevent this ghost to form, as with its mother the lang suir, a needle is placed in each of the corpse’s hands and a hen’s egg under each armpit. The Pontianak is also said to locate their prey by sniffing clothes that are left out to dry, which is the reason Malay’s refuse to keep their clothes outside at night. Also whistling after night is said to draw evil spirits. 

An interesting thing is how the Pontianak stopped showing up in modern media for a long time in Malay media. Films about her had mostly stopped being produced by the 1970s and in the 1990s, the Malaysian government censored horror films. These laws were relaxed in the 2000s, which brought on another wave of films, including the feminist Pontianak Harum Sundal Malam. She once again became something shared in media and culture to this day. 

The City of Pontianak

Pontianak, capital city of Indonesia’s West Kalimantan province, shares its name with the fearsome monster. Perhaps a little confusing, the Indonesian city is given the Malayan name for it. 

Pontianak is said to have been founded in 1771 as a Malay fishing village, near a delta on the trade route of the Kapuas River. The legend of the city of Pontianak holds that the city began as an old trading station, infested with ghosts until Syarif Abdurrahman Alkadrie and his army drove them away with cannon fire. 

Read More: The City of Pontianak and the Vampiric Ghost its Named After

He also cut down all of the trees they could be hiding in, then constructed a mosque and a palace on the site. These buildings became the city and the seat of the Pontianak Sultanate. Holiday celebrations often include firing bamboo cannons to pay tribute to the Sultan.

Some claim that the vanquishing of the ancient creature in Pontianak was a metaphor about how the area entered to a place of a more modern era, ridding itself of old superstition in order to take on new ones. But old stories are hard to get rid of completely. And if they are still firing cannons, did she vanish at all?

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References:

Kuntilanak

The Indonesian Frontier Town Named for a Jungle Vampire – JSTOR Daily 

Kuntilanak – Wikipedia 

Kuntilanak – Wikipedia bahasa Indonesia, ensiklopedia bebas

(DOC) INDONESIAN GHOST KUNTILANAK IN FOLKLORE AND MASS CULTURE

Pontianak

The Indonesian Frontier Town Named for a Jungle Vampire – JSTOR Daily 

Kuntilanak – Wikipedia 

If Singapore has a lion, why should Pontianak not have a ghost? – National – The Jakarta Post

The ultimate survival guide to Malaysian superstitions and ghosts

Ghosts in Malay culture – Wikipedia

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Langsuyar: The Night Vampire of Malay Folklore

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From the despair of a mother dying in childbirth, a blood thirsty spirit rises in her place. With her alluring appearance and ability to transform into flying entities, she is one of the feared vampires from Malay folklore. 

From the Malay Archipelago is a creature both feared and cautionary known as the Langsuyar or the Langsuir. This spirit is a type of vampire that emerges under very specific and tragic conditions. 

Read More: Check out all ghost stories from Malaysia

The Langsuyar is not just another night ghost, but the spirit of a woman who died in childbirth. Transformed, a spirit driven by hunger, regret and in some cases, vengeance. The legend has survived for generations across Malaysia, Indonesia, and Singapore, haunting the night and the edges of village life.

A Death That Cannot Be Rested

At the core of the legend is the belief that a woman who dies in childbirth, or shortly after giving birth, may rise again as a langsuyar. Often after she suffered from a laboring sickness called meroyan. Forty days after burial, her spirit rises as a Langsuyar if proper rituals are not performed. 

Some stories also suggest that betrayal by her husband contributes to her transformation after he’s been cheating. 

In one version, the Langsuir was a beautiful woman who lost her child. When she heard about the stillbirth, she died of shock and became a demon. Upon hearing the news of other stillbirths, the woman claps her hands and flies off to a tree where she perches. The stillborn child becomes the Pontianak.

The Pontianak: The Pontianak is the spirit of the stillborn child and the Langsuyar is the mourning mother. In some versions and stories, the two exist as spectral counterparts in this tragic ghost tale of a mother and her child separated by death. // Image: Malaysian model of a langsuyar.

In most tales, the langsuyar looks like a normal woman and is sometimes described as beautiful by day with hair down to her ankles, often appearing in a green robe. At night, especially near the moonlit hours, her true form emerges.

Her hair becomes unkempt and her fingernails grow sharp like claws. Her eyes gleam red with hunger. In some versions of the legend she has wings like a bat or a bird. Her name is believed to originate from helang, the Malay word for eagle, but it’s often an owl she is compared to. 

Her voice becomes a shriek that carries across forests and fields. Travelers and villagers alike speak of hearing her call at night. Some versions of the tale say she calls out names familiar to her victims, drawing them closer into darkness.

A Predator in the Night

The langsuyar is associated with dark forests and rural areas where she hides. It is also connected with certain trees and the parasitic fern “sakat,” growing in dark green clusters and is said to be a common resting place for her kind. Woodcutters do exorcisms to protect themselves from Langsuyars and other spirits when they harvest wood from the poisonous Rengas trees in Malaysia.

Asplenium nidus (Sakat Fern)

In many stories, the preys upon men and children who travel alone at night as well. She approaches quietly, her feet barely touching the ground, until she is near enough. Then she feeds. In some tellings she bites at the neck, drawing blood and life, but most often her feeding is through her small hole at the back of her neck covered by her long hair. 

Signs and Omens of the Langsuyar

Langhui, Langhuā!
Your beak is stumpy,
Your feathers are cloth of silk,
Your eyes are “crab’s eye” beans,
Your heart is a young areca-nut,
Your blood thread in water,
Your veins the thread for binding on cock’s-spurs,
Your bones twigs of the giant bamboo,
Your tail a fan from China.
Descend, O Venom, ascend Neutraliser,
Neutralise the Venom in the bones,
Neutralise it in the veins,
Neutralise it in the joints,
Neutralise it within the house,
Neutralise it within the jungle.
Descend, O Venom, ascend Neutraliser,
And lock up this Langsuir.
Descend, O Venom, ascend Neutraliser.

Chant of the Sakai people and a charm against the Langsuir from Pagan Races of the Malay Peninsula.  While repeating the charm, the sufferer would be rubbed with the leaves or root of the “kělmoyang,” possibly Chamacladon, Homalomena, or Alpina conchigera.

Traditional practices to protect against the Langsuyar vary by community, but most have to do with the burial practices. After death, family members could place glass beads in her mouth, chicken eggs under her armpits, and steel needles in her palms to prevent the corpse from rising as a Languyar. The leaves of the gandasuli were also considered to be a powerful charm against Langsuyars.

There are stories where the Langsuyars were defeated though. It was believed that if her nails and hair were cut and stuffed into the neck cavity, the Langsuyar would lose her powers and revert to a normal woman. In some stories, she becomes a wife and a mother again, almost like a second chance at life.

This can go on for years. But folklore warns that if she ever experiences joy again where dancing is particularly mentioned, her supernatural form will return and she will go back to the forest where she came from.

A Legacy of Fear and Folklore

The earliest written mention of the Langsuyar appears in the English anthropologist Walter William Skeat’s Malay Magic (1891), which recorded tales of local spirits and beliefs in Selangor on the west coast of Malaysia. Of course, the legend existed long before that, although it’s uncertain exactly how old it is. Female and bloodsucking entities that can transform to a winged being, have existed for ages in various forms and stories throughout southeast Asia. 

In modern Southeast Asia, belief in the literal existence of the langsuyar has faded among many, although it still happens that a sighting of the Langsuyar causes panic. 

In 2013, villagers in the Pasir Puteh district in Kelantan, in the northeastern part of Malaysia, bordering Thailand reported sightings of a langsuyar that was terrorizing the town. This state is one of the poorer and conservative muslim parts of the country, and perhaps one of the more superstitious as well? 

The residents in several villages described seeing a long-haired Langsuyar flying and shrieking in the night. The fear spread and reached the news and local authorities urged the villages to remain calm and pray together to repel the spirit. It didn’t die down until a local shaman entered the scene though. He claimed to have captured four of the creatures and put them away. A local religious officer acknowledged the existence of the spirit, but cautioned against talk of magic as it may be sacrilegious.

The Langsuyar embodies ancient fears about death, motherhood, and the consequences of an interrupted life. Her wail echoes among trees, across fields, and in the quiet imagination of anyone who hears a woman’s cry in the night. 

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References:

Langsuyar – Wikipedia

Langsuir

Skeat, William Walter (1900). Malay Magic

https://web.archive.org/web/20160603133323/http://malaysianreview.com/32993/penduduk-kampung-solat-hajat-halau-hantu-langsuir

Langsuyar | Legends From Around The World | Stronghold Nation

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Krasue: The Floating Head of Southeast Asian Nightmares

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Floating in the air in rural parts of Thailand and the rest of Southeast Asia, the disembodied ghost of the Krasue is hunting for blood. 

Across Cambodia, Thailand, Laos, and parts of Malaysia, villagers share a haunting vision that lives in whispered folklore. They speak of Krasue, a spirit unlike ghosts tied to graveyards or old houses. Krasue is a night creature that floats, haunting fields, villages, and the spaces between human life and the unseen world. In tradition she is known as a flying female ghost whose existence is bound to hunger, loss, and a body untethered from death.

Read More: Check out more ghostly tales from Thailand

While exact details differ by region, the core of the legend remains consistent: Krasue is a detached head with its internal organs trailing below like shimmering tendrils. She moves by night, drawn to life, to blood, and to the living body.

An Unquiet Spirit of Loss

Origins of Krasue vary in telling. In some versions she was once a human woman who died a violent or untimely death. In others she was cursed, punished, or transformed because of forbidden knowledge or unclean acts. After she dies, her sins cause her to be reborn as a phut (Thai: ภูต) that has to live off wasted, uncooked or rotten food.

There are others claiming that this spirit was formerly a rich woman, who had a length of black gauze or ribbon tied around the head and neck as protection from the sunlight. This woman was possessed by an evil spirit and cursed to become a Krasue.

Perhaps most popular is the origin story of the Krasue, a woman dabbling in black magic. While casting a spell, she made a mistake or used the wrong spell, causing her head and body to separate. These witches and witchcraft are also called “Mae Mot” (แม่มด) or “Yai Mot” (ยายมด). If not the witch turned into a Krasue herself, her daughters or granddaughters could, like an ancestral curse.

Usually, her upper part is described as a young and beautiful woman, at least in visual media. She has also been described as an older woman. Her head glows faintly in the dark, often compared to a flickering lamp or a will-o’-the-wisp, floating in the air.  

Below the head hang her organs, trailing down from the neck. In contemporary representations her teeth often include pointed fangs in yakkha (Thai: ยักษ์) or vampire fashion. This as well as the belief she is hunting blood, has made people see her as a vampire-like creature as well as a restless spirit. 

A Predator of Night and Flesh

Krasue is not content to wander silently. She hunts. In the day she looks like any other person, perhaps a bit tired. But at night she sheds her lower par of her body at home or somewhere else to seek substance. Every night she floats through the forest looking for food. Most often this consists of rotting meat or the blood of living animals. 

But although her victims are often livestock, she loves the blood of humans as well. Especially children, and sleeping villagers whose breath and warmth draw her closer. 

In some regions she feeds by licking blood from wounds or drinking from open water. There is a legend that says that the people who are wounded should be aware of the Krasue because it can smell the blood and will come to eat the blood at night when people fall asleep. Thai people also believe that it’s a bad idea to leave your clothes hanging outside overnight because the Krasue might just come by and wipe the feces and blood from her mouth on them. 

Her lust for blood of children has especially struck a cord in the collective fear against the Krasue. This makes many in the olden days fear when someone is giving birth, as they believe a Krasue will be able to smell it and come devour on fresh placenta and newborns.

Protection Against the Night

The Krasue is, as mentioned, mostly spotted in rural areas, especially in marshy places. According to Thai ethnographer Phraya Anuman Rajadhon, the Krasue is accompanied by a will-o’-the-wisp-like luminescent glow. The explanations attempted about the origin of the glow include the presence of methane in marshy areas. The Krasue is often said to live in the same rural areas as Krahang, a male spirit of Thai folklore and these two spirits are often mentioned or represented together.

The Krahang: The Krahang (กระหัง) manifests itself as a shirtless man, wearing a traditional loincloth, who flies in the night. Krahang uses two large kradong (กระด้ง), round rice winnowing baskets to fly in the It also often rides a sak tam khao (สากตำข้าว), the long wooden pestle of a traditional manual rice pounder. Legends of the Thai oral tradition say that this is an evil spirit that may harm people walking at night in out of the way areas.

Because belief in Krasue was strong, so were the protective practices to keep her out of the house. House-owners usually build spiky fences or grow spiky bamboo to protect themselves from the Krasue. The Krasue is scared of spiky things because it fears its intestines will get stuck and it will not be able to escape.

If the top part of the body fails to find the lower half before daybreak it will die in terrible pain. The Krasue will also die if its intestines get cut off or if its body disappears or gets hidden by someone and exposed by the sun. Some folk beliefs hold that the creature can be destroyed by burning it. 

But can you destroy her completely? Some say the danger of her transforming someone into one of her own is high. It is said that if a human consumes food that is stained with the blood or saliva of a Krasue, they will be doomed to become one. In some versions she also shares her saliva when she is at the brink of death to move host bodies. 

The Southeast Asian Fear and Krasue in Modern Imagination

In modern interpretation, the Krasue has been morphed into a Khmer princess. One story tells about a Khmer princess many years ago who was in love with a man from a lower status even though she had been set to marry a Siamese nobleman. Eventually, he found out about this and sent her to be executed by burning at the stake. The night before the execution, the Khmer princess got in touch with a powerful witch and placed a spell over her to protect herself from the flames. Unfortunately, the affect arrived too late and only her head, neck, and her internal organs remained intact while the fire charred her body.

As mentioned, the Krasue is not only told in one place, but across many southeast asian countries and cultures. There are many variations to the legend, but one common denominator to it is the floating head and torso with her organs hanging down. 

The Name of the Monster: Krasue กระสือ (Thai), អាប Ahp (Khmer, Penanggal or Palasik (Malay), Kuyang ກະສື (Lao), Kui’yang, Leyak or Pok-Pok (Indonesian), Ma lai (Vietnamese). 

There have been written records of this lore since the Ayutthaya period (around 14th – 18th century), but even today she is grabbing headlines of people claiming to have seen her, causing panic and fear, and also a bit of intrigue. Often, women acting strangely in a community are suspected of becoming a Krasue at night by other members of the village. Many sightings are still being reported each year in rural areas with people blaming Kra Sue activity for mysterious livestock deaths and villages have set up night patrol squads after a reported Krasue sighting in the last few years.

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References:

Krasue – Wikipedia

The Tale of Phi Krasue and Her Floating Head – Spooky Stories From Thailand

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The Ghost Bride – The Book and the Real Ghost Marriage Behind it

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Ghost Marriage is not something we only read about in fictional books and watch in horror movies. Sometimes the fiction is inspired by the truth, like with the Malaysian book, The Ghost Bride from 2013.

Malaysian author Yangsze Choo (朱洋熹) heard many types of lore, legends and myths when she was growing up in Malaysia. Being a fourth generation Chinese Malaysian, many of the stories she heard were rooted in Chinese tradition. “As a kid, you’d sometimes hear, ‘So-and-so got married to a ghost or to a dead man.’ And that always really sparked my interest,” she told InsideEdition.com once.

And when she wrote her book, The Ghost Bride, she wrote a fictionalized version of a real thing based on the stories she heard about Ghost Marriages. The book was published in 2013, but painted a story from a very different time. 

Read More: Check out all ghost stories from Malaysia

The book The Ghost Bride is set in 1890s Colonial Malacca, a Malaysian Chinese woman accepts a marriage proposal from a wealthy family to be the “ghost bride” to their deceased son who died a mysterious death to save her family from going bankrupt. Desperate to escape the situation, she needs to battle both the dangers of real life as well as the dangers of the afterlife and the hauntings of the dead. 

Her book was a great success and even got its own Netflix TV-series adaptation. Although The Ghost Bride is a fictional story, the concept of Ghost Marriage is anything but.

Ghost Marriage or Mínghūn in Chinese Culture

The tradition of Ghost Marriage or Mínghūn 冥婚 is an ancient Chinese custom in China and among Chinese communities abroad, representing deep cultural beliefs surrounding death and the afterlife. In this unique ritual, the family of the deceased takes on the responsibility of arranging a marriage for their loved one who has passed away, ensuring that the bond continues even beyond the grave. This practice is believed to provide comfort and peace to the deceased, allowing them companionship in the afterlife, as it is thought that they will not be lonely without a spouse.

In more extreme cases, there is a living person that are to be married to a dead one. This happened more when parents had this choice or to send their children to brothels or servants. “In many ways, it is a choice between two evils. Never an easy choice,” Choo said.

Although Ghost Marriage is fairly uncommon, but these poignant ceremonies are still very much alive today, with families sometimes going to great lengths to conduct elaborate rituals and find suitable partners for their deceased relatives, demonstrating the enduring significance of family ties and filial piety even after death.

Read Also: Ghost Marriage — The Chinese Way to Marry the Dead

The Ghost Bride took three years to write and a lot of things inspired what would eventually be her book. When she researched for it she remembered all of these stories she had heard about and read in the papers. She also learned that her friend’s family had been involved with a Ghost Marriage many years ago in the 90s or early 00s. 

The Wedding of the Dead that Inspired the Ghost Bride Book

The Ghost Bride: The cover of the book that Yangsze Choo was inspired to write after the old tradition.// Photo

One night, Yangsze Choo’s friend’s grandmother woke up from a dream. She said to the family the next day that it was her son who had visited and told her that he had met a girl in the underworld and wished to marry. 

Her son gave his mother the girl’s name and address to her family so that the grandmother could go see for herself. So the grandmother went to the address she had gotten in her dream and according to the story, actually found the family. 

Read More: Check out the book The Ghost Bride

When she talked to the mother of the girl who had died, it turned out that she had the same dreams as the grandmother had. She had been visited by her dead daughter in the dream and said that she too wished to get married. 

The two families got together and held a wedding for their belated children. Just like they would have if they were alive they had a ceremony with Chinese bridal sedan chairs as well as a feast after they had taken their vows and they got their soul tablets. 

After the wedding the two families were joined and worked as any extended family would, joining them for large family happenings. 

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References

Featured Image: Netflix ‘The Ghost Bride’ (2020)

What Is a Ghost Marriage? The Real Story Behind the Unusual Practice in New Netflix Show ‘The Ghost ‘ | Inside Edition

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A Haunting in Malaysia — Kinarut Mansion

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Malayan ghost lore is deep and it is ancient. And something leaves more questions than answers. Such is the case of the mysterious Kinarut mansion in Sabah and what became of it. 

The ruins of a former manor house sits on a hill surrounded by woods. It looks over the Kawang River near Kinarut in Malaysia. Today, the ruins of the manor house is considered to be the Malaysian state, Sabah’s, main attraction. And it is apparently not only the living it attracts.

The Mansion in the Jungle

Once this area of Malaysia used to be called North Borneo, a British protectorate where Europeans came to get their hands on natural resources of the land, like rubber. And in 1910, a German manager of a rubber plantation called Kinarut Rubber Estate built a manor in Graeco-Roman style, pretty unique as the one of the very few stone houses in North Borneo. 

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It was an Indian architect that stood for the design, and the construction was massiv. Around 200-300 workers from Java and maybe even Hong Kong worked on the house for four years to complete it with 152 windows, 45 doors and no less than 42 huge chandeliers. 

Asimont died only a decade after the building was done and the manor itself was destroyed in 1923 by a British company. The question of why though, is still unanswered. What happened to the house? Or based on the stories that have been told ever since, what happened in the house to leave such a legend?

The Fall of The Kinarut Mansion

In its prime, there seemed to have been a bustling life with a full community, jobs and even cultural events like sports competitions. The mansion was well maintained and the rubber plantation seemed to be thriving until the Great Depression. But that hit the global market first after the mansion was supposedly demolished. So again, what happened?

In the Jungle: There is according to legend, something in the trees surrounding the mansion.
Photo: CEphoto, Uwe Aranas

A house such as this is simply not complete without the haunted backstory. Locals living near the mansion reports that the area is haunted by a “Hantu Tinggi”, a type of Malayan ghost, usually disguised as a tree in a forest. It literally means tall ghost as stories of it often tell about a body so tall the waist up is hidden by clouds. and only exists in Western and Eastern regions of Malaysia. 

The Rediscovery of the Haunted Mansion

Years went by without anybody paying the ruins any mind. The locals had only tales of demons and ghosts from this place. The rubber trade had dried up and North Borneo was now the modern Malaysia on the map of today. But the house would not be forgotten by history, not just yet. 

The rediscovering of the house was made in 1990 when the Sabah Forestry Development Authority led an exploration of where to plant trees. Throughout the years it had been forgotten and rarely does people wander in this area. Why is that?

People passing by claim that they have seen something fast moving and voices in the night. This is mostly attributed to a pontianak, a Malayan female ghost that prays on human flesh. So perhaps this wasn’t the greatest place to erect a mansion at all. All that is left of the enormous building are ruins. The steps of white stone leading nowhere as the questions asked about the truth about the Kinarut Mansion.  

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References

Feature Image: CEphoto, Uwe Aranas

 Rumah ‘hantu tinggi’ bongkar sejarah industri getah Sabah

https://upload.wikimedia.org/wikipedia/commons/3/30/Kinarut_Sabah_TheKinarutMansion-12.jpg

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Agnes Keith and the Ghost in her House

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From a house that has seen it all, this American author wrote about the ghost that lived with them. 

“I don’t believe in ghosts. But every day, I see a tall gaunt woman telling her husband goodbye, taking her baby, and walking down the path alone, standing at the bottom of the path and looking back,”

White Man Returns, Agnes Keith
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This is a quote from American author and journalist Agnes Keith’s novel, “White Man Returns” from 1951, a novel she wrote about returning to her beloved house after being imprisoned by Japanese during the war. 

Among the detailing of her everyday life in Malaysia and in that house, snippets of a darker corner of the house take shape. And often, the ghost that resides in the Newlands House is what remains to this day. Especially when the museum itself wants to focus on the dark tourism aspect of it all. 

The Land Below The Wind

Agnes Keith was living with her husband and her son in Sandakan in what we now know as Malaysia. She came to this place in 1934 and found a new place to call home. Being under the British Crown at the time, they lived in the colonial-styled architectured house with their servant. She was writing books like “Land Below The Wind” in 1939 about their life in the then called British North Borneo, which is was then called, with her husband working as a Conservator of Forest. 

The house: Newlands, the home of Agnes Newton Keith in Sandakan, Borneo from 2007.
Photo: Warren Apel

She loved their house and their home and was said to be very well liked by those around them. The house on the hill had a grand view of Sandakan Bay in the front and the Sulu sea from the back. But then the war came and it would be a long time until she would live in the house again. 

The Scar of the War

Like many Europeans on the island Agnes Keith and her family were put in internment camps when the Japanese invaded Borneo. The whole family survived though, and it is said that one of the Japanese camp commandants had read Agnes’s work and made sure to treat the family well. They stayed in the camp until the end of the war in 1945, but she was never the same again. 

“The story of war is always the story of hate; it makes no difference with whom one fights. The hate destroys you.”

Three Came Home, Agnes Keith
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When they returned to Sandakan in 1947, they found their beloved house destroyed. They decided to rebuild nearby, and named the house for Newlands, although it is more known as Agnes Keith House today. But the haunting memories from the war seemed to also manifest in the house as well. Through her writing, she notes about the paranormal activity going on around her. 

They left North Borneo for good in 1952 when she moved to Canada and the house passed to someone else. But the legends about the hauntings didn’t stop with the highly imaginative writer.

The Woman by the bed

G.L Carlson took over the husband’s position as a forest conservator after the Keiths left for Canada. His wife, Rosemary also told stories about apparitions in the bedroom when her husband was away. She woke at dawn and heard the door to the room open and close several times. When she opened her eyes, there was someone there, staring at her. 

“There was a figure standing, leaning over, and looking down at me. The figure appeared to be a female with a white bandage around her head. She was pale faced. She was dressed in what looked like a white, short-sleeved T-shirt or blouse with a wide-shoulder-strapped, dark-coloured pinafore dress. (…) She was quite a short person of normal build, and I could not see the lower part of her body. At this stage, I must have passed out. When I came to, it was already dawn and I was alone.”  

– Rosemary Carlson

The Ghost Resident

Maids, visitors and security guards can tell the same story about a woman shoving up in the stairs or in the corner of the rooms in the house. Places where she doesn’t belong. Or perhaps she belongs there more than anyone else at this point? 

By now the Agnes Keith house has fallen into the hands of the Sabah Museum Department and restored to become a public museum, to keep the house intact as well as the lingering residents that may still be there. 

  

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References

Agnes Keith: the American author who loved Sabah | Free Malaysia Today (FMT)

Spooktacular Sabah: Agnes Keith House first stop in state’s haunt jaunt push | Malaysia | The Vibes

https://web.archive.org/web/20190614110302/https://www.thepatriots.asia/misteri-kisah-seram-rumah-agam-agnes-keith-sandakan/