After the Spanish Armada were set ablaze in the North Sea, some of the soldiers sought refuge at Staad Abbey in Sligo, Ireland. However, many of them met a haunting fate.
In the rugged embrace of County Sligo’s Atlantic coastline, history and the supernatural converge at the enigmatic Staad Abbey. This weathered relic from the early medieval period, now a haunting ruin, whispers tales of pilgrimage, tragedy, and apparitions that linger in the depths of time.
The name “Staad” is of Gaelic origins, meaning “stop.” In times gone by, this abbey served as a crucial waypoint for weary pilgrims en route to the nearby Inishmurray Island. Staad Abbey is an early monastic site from the late 5th or early 6th century, reputedly founded by the monk, St Molaise. You can find the ruins of the old abbey in Agharrow, County Sligo, right on the cliff above the beach there.
Read More: Check out all of the ghost stories from Ireland
Staad Abbey can also be called a shore hostel, for travelers to stay in on their journey before venturing to Inishmurray by boat.
Ghosts of Spanish Soldiers
While the abbey’s history is imbued with the essence of spiritual seekers, it is also shrouded in a more sinister narrative. Local lore tells of the restless spirits of executed Spanish soldiers who now call this ruined abbey home.
Staad Abbey: Only a few rubble stone is left from this ancient monument now.// Source: IrishPost
They came on a ship from the Spanish Armada in 1588 that was passing the Irish coast after rounding the north of Scotland.
The Spanish Armada
The Spanish Armada was a formidable naval force consisting of approximately 130 ships, over 8,000 seamen, and around 18,000 soldiers, with about 40 warships among them. The Spanish plan was for this massive fleet, known as the “Great and Most Fortunate Navy,” to sail from Lisbon. The combined forces would then cross the English Channel to launch an overland offensive against London.
In May 1588, the Spanish Armada set sail from Lisbon. The English, desperate to prevent this, devised a plan involving fireships. At midnight on August 8, they set eight empty vessels on fire and allowed them to drift toward the Spanish fleet at Calais Roads. This caused panic among the Armada, forcing them to flee to the open sea.
The Spanish Armada: Defeat of the Spanish Armada, history painting by Philippe-Jacques de Loutherbourg (1796)
The Armada, now facing bad weather, was carried into the North Sea, preventing the rendezvous with Parma’s army. With supplies running low and disease spreading, the Duke of Medina-Sidonia decided to return to Spain via Scotland and Ireland. During the journey home, the Armada was ravaged by sea storms, leading to the loss of around 60 of its 130 ships and approximately 15,000 lives.
The treacherous Atlantic Ocean has claimed many a ship, but one of the most infamous tragedies unfolded in 1588 when the Spanish Armada met its demise off the shores of Streedagh Beach, near Staad Abbey. Over 1,000 souls perished in the relentless tempests, and among the survivors, despair mingled with hope.
The Spanish Soldier at Staad Abbey
Unfortunately, the survivors of the Armada’s ill-fated expedition did not find refuge but instead faced a grim fate. In the backdrop of the British occupation of Ireland, these Spanish soldiers, considered enemies of the realm, were captured and subjected to a ruthless judgment.
One of the survivors was Francisco de Cuellar. A few months after surviving the sinking of the Spanish Armada ship La Lavia on Streedagh Beach, Francisco de Cuellar sought refuge in Staad Abbey in 1588. Upon his arrival, he discovered that the church was partially burned, and he saw twelve Spaniards hanged from the rafters. He had encountered hundreds dead soldiers on the nearby beaches as well.
De Cuellar stayed at Staad Abbey for a few weeks before fleeing again. There is some debate about whether it was actually Staad Abbey he visited or another medieval church in the vicinity, possibly Ahamlish Church, located just north of Streedagh, where the ships from the Spanish Armada sank.
The Sinking Haunted Ruins
It is said that the desolation of Staad Abbey is not confined to its crumbling stones and windswept arches. Visitors have reported an eerie, bone-chilling coldness that hangs in the air.
Shadows dance along the walls, seemingly floating across the ancient stones, evoking the memory of those ill-fated Spanish soldiers who met their end at this lonely ruin.
As you stand amidst the solemn ruins of Staad Abbey which are slowly being eroded away, the whispers of the past beckon, inviting you to contemplate the pilgrims’ journey, the tragic shipwrecks, and the ghosts that may still linger among the timeless stones. Soon it can be too late as the abbey itself is close to collapsing as it edges closer to the cliffs for every storm.
I have a friend, Olof Ehrensvärd, a Swede by birth, who yet, by reason of a strange and melancholy mischance of his early boyhood, has thrown his lot with that of the New World. It is a curious story of a headstrong boy and a proud and relentless family: the details do not matter here, but they are sufficient to weave a web of romance around the tall yellow-bearded man with the sad eyes and the voice that gives itself perfectly to plain tive little Swedish songs remembered out of childhood. In the winter evenings we play chess together, he and I, and after some close, fierce battle has been fought to a finish—usually with my own defeat—we fill our pipes again, and Ehrensvärd tells me stories of the far, half-remembered daysin the fatherland, before he went to sea: stories that grow very strange and incredible as the night deepens and the fire falls together, but stories that, nevertheless, I fully believe.
One of them made a strong impression on me,so I set it down here, only regretting that I cannot reproduce the curiously per fect English and the delicate accent which to me increased the fascination of the tale. Yet, as best I can remember it, here it is.
“I never told you how Nils and I went over the hills to Hallsberg, and how we found the Dead Valley, did I? Well, this is the way it happened. I must have been about twelve years old, and Nils Sjöberg, whose father’s estate joined ours, was a few months younger. We were inseparable just at that time, and whatever we did, we did together.
“Once a week it was market day in Engelholm, and Nils and I went always there to see the strange sights that the market gathered from all the surrounding country. One day we quite lost our hearts, for an old man from across the Elfborg had brought a little dog to sell, that seemed to us the most beautiful dog in all the world. He was a round, woolly puppy, so funny that Nils and I sat down on the ground and laughed at him, until he came and played with us in so jolly a way that we felt that there was only one really desirable thing in life, and that was the little dog of the old man from across the hills. But alas! we had not half money enough wherewith to buy him, so we were forced to beg the old man not to sell him before the next market day, promising that we would bring the money for him then. He gave us his word, and we ran home very fast and implored our mothers to give us money for the little dog.
“We got the money, but we could not wait for the next market day. Suppose the puppy should be sold! The thought frightened us so that we begged and implored that we might be allowed to go over the hills to Hallsberg where the old man lived, and get the little dog ourselves, and at last they told us we might go. By starting early in the morning we should reach Hallsberg by three o’clock, and it was arranged that we should stay there that night with Nils’s aunt, and, leaving by noon the next day, be home again by sunset.
“Soon after sunrise we were on our way, after having received minute instructions as to just what we should do in all possible and impossible circumstances, and finally a repeated injunction that we should start for home at the same hour the next day, so that we might get safely back before nightfall.
“For us, it was magnificent sport, and we started off with our rifles, full of the sense of our very great importance: yet the journey was simple enough, along a good road, across the big hills we knew so well, for Nils and I had shot over half the territory this side of the dividing ridge of the Elfborg. Back of Engelholm lay a long valley, from which rose the low mountains, and we had to cross this, and then follow the road along the side of the hills for three or four miles, before a narrow path branched off to the left, leading up through the pass.
“Nothing occurred of interest on the way over, and we reached Hallsberg in due season, found to our inexpressible joy that the little dog was not sold, secured him, and so went to the house of Nils’s aunt to spend the night.
“Why we did not leave early on the following day, I can’t quite remember; at all events, I know we stopped at a shooting range just outside of the town, where most attractive paste board pigs were sliding slowly through painted foliage, serving so as beautiful marks. The result was that we did not get fairly started for home until afternoon, and as we found ourselves at last pushing up the side of the mountain with the sun dangerously near their summits, I think we were a little scared at the prospect of the examination and possible punishment that awaited us when we got home at midnight.
“Therefore we hurried as fast as possible up the mountain side, while the blue dusk closed in about us, and the light died in the purple sky. At first we had talked hilariously, and the little dog had leaped ahead of us with the utmost joy. Latterly, however, a curious oppression came on us; we did not speak or even whistle, while the dog fell behind, following us with hesitation in every muscle.
“We had passed through the foothills and the low spurs of the mountains, and were almost at the top of the main range, when life seemed to go out of everything, leaving the world dead, so suddenly silent the forest became, so stagnant the air. Instinctively we halted to listen.
“Perfect silence,—the crushing silence of deep forests at night; and more, for always, even in the most impenetrable fastnesses of the wooded mountains, is the multitudinous mur mur of little lives, awakened by the darkness, exaggerated and intensified by the stillness of the air and the great dark: but here and now the silence seemed unbroken even by the turn of a leaf, the movement of a twig, the note of night bird or insect. I could hear the blood beat through my veins; and the crushing of the grass under our feet as we advanced with hesitating steps sounded like the falling of trees.
“And the air was stagnant,—dead. The atmosphere seemed to lie upon the body like the weight of sea on a diver who has ventured too far into its awful depths. What we usually call silence seems so only in relation to the din of ordinary experience. This was silence in the absolute, and it crushed the mind while it intensified the senses, bringing down the awful weight of inextinguishable fear.
“I know that Nils and I stared towards each other in abject terror, listening to our quick, heavy breathing, that sounded to our acute senses like the fitful rush of waters. And the poor little dog we were leading justified our terror. The black oppression seemed to crush him even as it did us. He lay close on the ground, moaning feebly, and dragging himself painfully and slowly closer to Nils’s feet. I think this exhibition of utter animal fear was the last touch, and must inevitably have blasted our reason—mine anyway; but just then, as we stood quaking on the bounds of madness, came a sound, so awful, so ghastly, so horrible, that it seemed to rouse us from the dead spell that was on us.
“In the depth of the silence came a cry, beginning as a low, sorrowful moan, rising to a tremulous shriek, culminating in a yell that seemed to tear the night in sunder and rend the world as by a cataclysm. So fearful was it that I could not believe it had actual existence: it passed previous experience, the powers of belief, and for a moment I thought it the result of my own animal terror, an hallucination born of tottering reason.
“A glance at Nils dispelled this thought in a flash. In the pale light of the high stars he was the embodiment of all possible human fear, quaking with an ague, his jaw fallen, his tongue out, his eyes protruding like those of a hanged man. Without a word we fled, the panic of fear giving us strength, and together, the little dog caught close in Nils’s arms, we sped down the side of the cursed mountains,—anywhere, goal was of no account: we had but one impulse—to get away from that place.
“So under the black trees and the far white stars that flashed through the still leaves overhead, we leaped down the mountain side, regardless of path or landmark, straight through the tangled underbrush, across mountain streams, through fens and copses, anywhere, so only that our course was downward.
“How long we ran thus, I have no idea, but by and by the forest fell behind, and we found ourselves among the foothills, and fell exhausted on the dry short grass, panting like tired dogs.
“It was lighter here in the open, and presently we looked around to see where we were, and how we were to strike out in order to find the path that would lead us home. We looked in vain for a familiar sign. Behind us rose the great wall of black forest on the flank of the mountain: before us lay the undulating mounds of low foothills, unbroken by trees or rocks, and beyond, only the fall of black sky bright with multitudinous stars that turned its velvet depth to a luminous gray.
“As I remember, we did not speak to each other once: the terror was too heavy on us for that, but by and by we rose simultaneously and started out across the hills.
“Still the same silence, the same dead, motionless air—air that was at once sultry and chilling: a heavy heat struck through with an icy chill that felt almost like the burning of frozen steel. Still carrying the helpless dog, Nils pressed on through the hills, and I followed close behind. At last, in front of us, rose a slope of moor touching the white stars. We climbed it wearily, reached the top, and found ourselves gazing down into a great, smooth valley, filled half way to the brim with— what?
“As far as the eye could see stretched a level plain of ashy white, faintly phosphorescent, a sea of velvet fog that lay like motionless water, or rather like a floor of alabaster, so dense did it appear, so seemingly capable of sustaining weight. If it were possible, I think that sea of dead white mist struck even greater terror into my soul than the heavy silence or the deadly cry—so ominous was it, so utterly unreal, so phantasmal, so impossible, as it lay there like a dead ocean under the steady stars. Yet through that mist we must go! there seemed no other way home, and, shattered with abject fear, mad with the one desire to get back, we started down the slope to where the sea of milky mist ceased, sharp and distinct around the stems of the rough grass.
“I put one foot into the ghostly fog. A chill as of death struck through me, stopping my heart, and I threw myself backward on the slope. At that instant came again the shriek, close, close, right in our ears, in ourselves, and far out across that damnable sea I saw the cold fog lift like a water-spout and toss itself high in writhing convolutions towards the sky. The stars began to grow dim as thick vapor swept across them, and in the growing dark I saw a great, watery moon lift itself slowly above the pal pitating sea, vast and vague in the gathering mist.
“This was enough: we turned and fled along the margin of the white sea that throbbed now with fitful motion below us, rising, rising, slowly and steadily, driving us higher and higher up the side of the foothills.
“It was a race for life; that we knew. How we kept it up I cannot understand, but we did, and at last we saw the white sea fall behind us as we staggered up the end of the valley, and then down into a region that we knew, and so into the old path. The last thing I remember was hearing a strange voice, that of
Nils, but horribly changed, stammer brokenly, ‘The dog is dead!’ and then the whole world turned around twice, slowly and resistlessly, and consciousness went out with a crash.
“It was some three weeks later, as I remember, that I awoke in my own room, and found my mother sitting beside the bed. I could not think very well at first, but as I slowly grew strong again, vague flashes of recollection began to come to me, and little by little the whole sequence of events of that awful night in the Dead Valley came back. All that I could gain from what was told me was that three weeks before I had been found in my own bed, raging sick, and that my illness grew fast into brain fever. I tried to speak of the dread things that had happened to me, but I saw at once that no one looked on them save as the hauntings of a dying frenzy, and so I closed my mouth and kept my own counsel.
“I must see Nils, however, and so I asked for him. My mother told me that he also had been ill with a strange fever, but that he was now quite well again. Presently they brought him in, and when we were alone I began to speak to him of the night on the mountain. I shall never forget the shock that struck me down on my pillow when the boy denied every thing: denied having gone with me, ever having heard the cry, having seen the valley, or feeling the deadly chill of the ghostly fog. Nothing would shake his determined ignorance, and in spite of myself I was forced to admit that his denials came from no policy of concealment, but from blank oblivion.
“My weakened brain was in a turmoil. Was it all but the floating phantasm of delirium? Or had the horror of the real thing blotted Nils’s mind into blankness so far as the events of the night in the Dead Valley were concerned? The latter explanation seemed the only one, else how explain the sudden illness which in a night had struck us both down? I said nothing more, either to Nils or to my own people, but waited, with a growing determination that, once well again, I would find that valley if it really existed.
“It was some weeks before I was really well enough to go, but finally, late in September, I chose a bright, warm, still day, the last smile of the dying summer, and started early in the morning along the path that led to Hallsberg. I was sure I knew where the trail struck off to the right, down which we had come from the valley of dead water, for a great tree grew by the Hallsberg path at the point where, with a sense of salvation, we had found the home road. Presently I saw itto the right, a little distance ahead.
“I think the bright sunlight and the clear air had worked as a tonic to me, for by the time I came to the foot of the great pine, I had quite lost faith in the verity of the vision that haunted me, believing at last that it was indeed but the night mare of madness. Nevertheless, I turned sharply to the right, at the base of the tree, into a narrow path that led through a dense thicket. As I did so I tripped over something. A swarm of flies sung into the air around me, and looking down I saw the matted fleece, with the poor little bones thrusting through, of the dog we had bought in Hallsberg.
“Then my courage went out with a puff, and I knew that it all was true, and that now I was frightened. Pride and the desire for adventure urged me on, however, and I pressed into the close thicket that barred my way. The path was hardly visible: merely the worn road of some small beasts, for, though it showed in the crisp grass, the bushes above grew thick and hardly penetrable. The land rose slowly, and rising grew clearer, until at last I came out on a great slope of hill, unbroken by trees or shrubs, very like my memory of that rise of land we had topped in order that we might find the dead valley and the icy fog. I looked at the sun; it was bright and clear, and all around insects were humming in the autumn air, and birds were darting to and fro. Surely there was no danger, not until nightfall at least;so I began to whistle, and with a rush mounted the last crest of brown hill.
“There lay the Dead Valley! A great oval basin, almost as smooth and regular as though made by man. On all sides the grass crept over the brink of the encircling hills, dusty green on the crests, then fading into ashy brown, and so to a deadly white, this last color forming a thin ring, running in a long line around the slope. And then? Nothing. Bare, brown, hard earth, glittering with grains of alkali, but otherwise dead and barren. Not a tuft of grass, not a stick of brushwood, not even a stone, but only the vast expanse of beaten clay.
“In the midst of the basin, perhaps a mile and a half away, the level expanse was broken by a great dead tree, rising leafless and gaunt into the air. Without a moment’s hesitation I started
down into the valley and made for this goal. Every particle of fear seemed to have left me, and even the valley itself did not look so very terrifying. At all events, I was driven by an over whelming curiosity, and there seemed to be but one thing in the world to do,—to get to that Tree! As I trudged along over the hard earth, I noticed that the multitudinous voices of birds and insects had died away. No bee or butterfly hovered through the air, no insects leaped or crept over the dull earth. The very air itself was stagnant.
“As I drew near the skeleton tree, I noticed the glint of sun light on a kind of white mound around its roots, and I wondered curiously. It was not until I had come close that I saw its nature.
“All around the roots and barkless trunk was heaped a wilderness of little bones. Tiny skulls of rodents and of birds, thousands of them, rising about the dead tree and streaming off for several yards in all directions, until the dreadful pile ended in isolated skulls and scattered skeletons. Here and there a larger bone appeared,—the thigh of a sheep, the hoofs of a horse, and to one side, grinning slowly, a human skull.
“I stood quite still, staring with all my eyes, when suddenly the dense silence was broken by a faint, forlorn cry high over my head. I looked up and saw a great falcon turning and sailing downward just over the tree. In a moment more she fell motionless on the bleaching bones.
“Horror struck me, and I rushed for home, my brain whirling, a strange numbness growing in me. I ran steadily, on and on. At last I glanced up. Where was the rise of hill? I looked around wildly. Close before me was the dead tree with its pile of bones. I had circled it round and round, and the valley wall was still a mile and a half away.
“I stood dazed and frozen. The sun was sinking, red and dull, towards the line of hills. In the east the dark was growing fast. Was there still time? Time! It was not that I wanted, it was will! My feet seemed clogged as in a nightmare. I could hardly drag them over the barren earth. And then I felt the slow chill creeping through me. I looked down. Out of the earth a thin mist was rising, collecting in little pools that grew ever larger until they joined here and there, their currents swirling slowly like thin blue smoke. The western hills halved the copper sun.
When it was dark I should hear that shriek again, and then I should die. I knew that, and with every remaining atom of will I staggered towards the red west through the writhing mist that crept clammily around my ankles, retarding my steps.
“And as I fought my way off from the Tree, the horror grew, until at last I thought I was going to die. The silence pursued me like dumb ghosts, the still air held my breath, the hellish fog caught at my feet like cold hands.
“But I won! though not a moment too soon. As I crawled on my hands and knees up the brown slope, I heard, far away and high in the air, the cry that already had almost bereft me of reason. It was faint and vague, but unmistakable in its horrible intensity. I glanced behind. The fog was dense and pallid, heaving undulously up the brown slope. The sky was gold under the setting sun, but below was the ashy gray of death. I stood for a moment on the brink of this sea of hell, and then leaped down the slope. The sunset opened before me, the night closed behind, and as I crawled home weak and tired, darkness shut down on the Dead Valley.”
An ancient ghost coming from the depths of graves across the nordic countries, the Haugbúi Draugr could be both dangerous and even deadly. Not merely a specter, but the rotten flesh of the dead, the ghosts are remembered as The Walking Dead of the North.
In the dark Hendrick Street in Dublin, there once were two houses said to be some of the most haunted ones in town. Occupied by at least six ghosts, some say they still linger in their old street.
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Said to be the mass burial place for the dead Irish Independence rebels from 1798, the Croppie’s Acre in Dublin is said to be haunted by their lingering souls.
Once a green paradise, the legend says the fairies protected the people of Val Gerina valley in the Swiss alps. Driven by greed to impress a woman however, the son meant to continue the tradition and friendship with the fairies, brought it all down.
Haunted by its former Fellows, Trinity College in Dublin is said to be filled with eerie spirits where even the bell tolls after dark when the shadows take over campus.
A true story morphed into a fairytale, the life and death of the French Countess Marie Louise St. Simon-Montleart has become the stuff of legends. Buried in the forest close to Wildegg Castle in Switzerland, it is said she is haunting the castle and the forest, her sanctuary.
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On a white beach in Alicante, Santa Barbara Castle sits atop a rocky hill as it has done for centuries. There are legends of princesses and her forbidden love as well as ghosts haunting its ancient halls.
Spain is a country rich in history and culture. Its stunning castles are a testament to its rich heritage and architectural brilliance. However, it’s not just the beauty of these castles that fascinates people, but also the stories behind them.
Spain’s haunted castles are shrouded in mystery and intrigue, with tales of ghosts, spirits, and unexplained phenomena that continue to captivate visitors. In this blog post, we’ll take you on a journey through some of Spain’s most haunted castles and explore the eerie tales of the ghosts that inhabit them.
Postiguet Beach: Today, beachgoers can see the supposed haunted castle from the sea, and the face that are etched into the stone according to the legend.
With its rich history dating back over a millennium, this imposing structure has stood the test of time, serving as a silent witness to countless tales of triumph, tragedy, and intrigue.
Historical background of Santa Barbara Castle
Santa Barbara Castle has a rich and storied past that dates back to the 9th century when it was built by the Moors. Over the centuries, it has witnessed numerous battles, conquests, and changes of ownership. In the 13th century, the castle fell into Christian hands during the Reconquista, marking the end of Moorish rule in the region.
Throughout its history, the castle has served as a strategic stronghold for various rulers, including the Kingdom of Aragon and the Crown of Castile. Its commanding position atop Mount Benacantil offered unparalleled views of the surrounding landscape, making it an ideal defensive fortress.
Read more: Check out all of our ghost stories from Spain
During the 18th century, the castle underwent significant renovations, transforming it into a military barracks and fortification. The castle’s defensive walls were reinforced, and additional structures, such as the Governor’s House and the Chapel of Santa Barbara, were added.
Situated just a stone’s throw away from Santa Barbara Castle lies the stunning Postiguet Beach. This picturesque stretch of golden sand is a popular destination for locals and tourists alike, offering a tranquil escape from the bustling city.
With its crystal-clear waters and breathtaking views of the castle perched on the hilltop, Postiguet Beach provides the perfect backdrop for relaxation and unwinding. The image of the mountain from the beach resembles a face, which is why it is called “the face of the Moor” and is an icon of the city of Alicante.
Santa Barbara Castle boasts a unique architectural blend of Moorish, Roman, and Gothic influences. Its strategic location on a hilltop allowed for excellent visibility and defense against potential invaders. The castle’s design takes full advantage of the natural landscape, with its walls seamlessly integrated into the rocky outcrop.
The Princess with her Two Suitors
Santa Barbara Castle’s history is shrouded in legends and folklore. One such story revolves around an Arab princess who resided within the castle during the times of Moorish rule. The princess, beautiful and sought after by many suitors, found herself torn between two men from rival families. The castle became the arena for a fierce competition as the suitors battled for her affection and the right to win her hand in marriage.
The princess Cantara had two men fighting for her hand in marriage. One of them was Ali, a simple man that was favored by the princess, but didn’t really have anything to offer but his heart. The other was Almanzor who was a famous warrior from a wealthy family in Cordoba that she didn’t really know.
Cantaras father, the caliph , disagreed with the princess’ choice and wouldn’t let her marry Ali before he proved himself. He decided that she would marry the one who emerged victorious in a daring challenge that tested their bravery and loyalty. He sent Almanzor to India with the mission to return with spices and treasures for the kingdom. To Ali, the caliph gave the order to build a ditch that could bring fresh water from the mountains to the city of Alicante. The one that completed the task first would be the winner and get to marry the caliphs daughter.
Almanzor set sail to India to complete his mission and was away for a long time. Ali started digging, but would spend the nights with the princess, slowly winning her over by reciting poems and singing her love songs. They fell in love and for the princess, there was only one winner.
Months went by and Almanzor returned with his ships loaded with spices, gold, ivory and silk, just as he had been ordered to. And he was also the first one to have completed his mission and the caliph saw him as the winner.
He ordered his daughter to marry Almanzor, but her heart was already given away. Ali didn’t want to make her choice any harder and chose to jump from the top of the castle. It is said that the face you can see in the mountain is from the impact from his fall, his turban and all. Princess Cantara couldn’t go on without her lover and wouldn’t marry the suitor. She chose to jump after her lover to join him at the feet of the mountain.
The king was sorry and his grief for his daughter turned him into a just ruler to never make the same mistake again. The story about the two lovers spread and to honor their love, they joined their name together and named the city for Alcantara. Time went by and soon the name turned into Alicante and is still the name of the city.
Visitors have reported hearing disembodied voices arguing in the dead of night, and some claim to have seen a ghostly figure lurking in the shadows that they connect to this legend of the two lovers. But it is not the only ghosts said to roam the halls of the castle.
More Haunted Ghost stories
Another ghost story told about this ancient castle is about Nicolas Peris who was the governor of Santa Barbara and protector of the castle when he was alive. In 1256 there was a huge battle about the fortress, and Peris was fighting for his life to not let the castle fall into the hands of Jaime II.
Although he gave his all, he was soon defeated and died in the battle, legend says he fell with the keys to the castle clenched tightly in his hands. The only way they could get the keys out from his cold hands was to cut it off.
It is said that on some nights you can still hear the former governor wailing throughout the halls as he is still grieving losing the battle and his beloved castle.
The Legends of Santa Barbara Castle
As you walk through the ancient halls of Santa Barbara Castle, surrounded by centuries of history and legends, you can’t help but feel a sense of awe and intrigue. The castle’s ghostly secrets are an integral part of its allure, drawing visitors from far and wide who seek a glimpse into the supernatural.
From the Arab princess and her two suitors to the restless spirits that haunt the castle’s corridors, Santa Barbara Castle is a place where the past and present collide. It invites us to explore the mysteries that lie within its walls and contemplate the enduring legacy of those who came before us.
Right in the middle of the road at night at Baytakhol Road in India it is said that the ghost of a girl is haunting this stretch, screaming at the passing cars.
Between the residential district of Dhavali and the census town of Borim lies a stretch of road shrouded in mystery and dread—the infamous Baytakhol Road said to be haunted by a young girl said to appear in the middle of the road.
Read more: Check out all of the ghost stories from India
The stretch of road has become notorious because of all the incidents and accidents that have happened along the Baytakhol Road, many that resulted in loss of lives. Some of the accidents are said to have been caused because of the paranormal things said to happen here.
Ghostlore of Baytakhol Road
According to witnesses that have taken a drive through the Baytakhol Road, recount a spine-chilling phenomenon involving a young girl who materializes in the middle of the road as she screams that pierces the night air.
Drivers, overcome with fear and confusion, find themselves losing control of their vehicles as the apparition vanishes into thin air, leaving behind a trail of chaos and tragedy. When they finally got control over their vehicle again and look back to where she was standing, there was no one there.
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The initial scare when the girl haunting Baytakhol Road screams, or the realization of her vanishing into thin air, is said to be the cause of numerous accidents.
Phantom Encounters Along Baytakhol Road
Eyewitness testimonies documents encounters with a spectral woman standing ominously in the road’s path along Baytakhol Road. Drivers describe an overwhelming sense of dread as they approach, only to be met with distressing vocalizations that seem to emanate from the ethereal figure.
A chilling anecdote of Baytakhol Road recounts the harrowing experience of two travelers who encountered a distraught woman, crying inconsolably along the roadside.
Despite their efforts to assist her, asking if she wanted a lift, she vanished into thin air before their eyes. They decided to continue their travels when the woman kept reappearing moments later in the backseat of their vehicle, her gaze fixed upon them with an otherworldly intensity.
The Realm of the Supernatural
The Baytakhol-Borim region is steeped in tales of paranormal activity, with reports of spectral infants and phantom women haunting the area, especially encountering the woman asking for a lift somewhere. Witnesses speak of ghostly apparitions crossing the road before disappearing into the night, leaving behind an eerie silence broken only by the echoes of blood-curdling laughter.
About fifteen years ago, on a date late in August or early in September, a train drew up at Wilsthorpe, a country station in Eastern England. Out of it stepped (with other passengers) a rather tall and reasonably good-looking young man, carrying a handbag and some papers tied up in a packet. He was expecting to be met, one would say, from the way in which he looked about him: and he was, as obviously, expected. The stationmaster ran forward a step or two, and then, seeming to recollect himself, turned and beckoned to a stout and consequential person with a short round beard who was scanning the train with some appearance of bewilderment. ‘Mr. Cooper,’ he called out,—‘Mr. Cooper, I think this is your gentleman’; and then to the passenger who had just alighted, ‘Mr. Humphreys, sir? Glad to bid you welcome to Wilsthorpe. There’s a cart from the Hall for your luggage, and here’s Mr. Cooper, what I think you know.’ Mr. Cooper had hurried up, and now raised his hat and shook hands. ‘Very pleased, I’m sure,’ he said, ‘to give the echo to Mr. Palmer’s kind words. I should have been the first to render expression to them but for the face not being familiar to me, Mr. Humphreys. May your residence among us be marked as a red-letter day, sir.’ ‘Thank you very much, Mr. Cooper,’ said Humphreys, ‘for your good wishes, and Mr. Palmer also. I do hope very much that this change of—er—tenancy—which you must all regret, I am sure—will not be to the detriment of those with whom I shall be brought in contact.’ He stopped, feeling that the words were not fitting themselves together in the happiest way, and Mr. Cooper cut in, ‘Oh, you may rest satisfied of that, Mr. Humphreys. I’ll take it upon myself to assure you, sir, that a warm welcome awaits you on all sides. And as to any change of propriety turning out detrimental to the neighbourhood, well, your late uncle—’ And here Mr. Cooper also stopped, possibly in obedience to an inner monitor, possibly because Mr. Palmer, clearing his throat loudly, asked Humphreys for his ticket. The two men left the little station, and—at Humphreys’ suggestion—decided to walk to Mr. Cooper’s house, where luncheon was awaiting them.
The relation in which these personages stood to each other can be explained in a very few lines. Humphreys had inherited—quite unexpectedly—a property from an uncle: neither the property nor the uncle had he ever seen. He was alone in the world—a man of good ability and kindly nature, whose employment in a Government office for the last four or five years had not gone far to fit him for the life of a country gentleman. He was studious and rather diffident, and had few out-of-door pursuits except golf and gardening. To-day he had come down for the first time to visit Wilsthorpe and confer with Mr. Cooper, the bailiff, as to the matters which needed immediate attention. It may be asked how this came to be his first visit? Ought he not in decency to have attended his uncle’s funeral? The answer is not far to seek: he had been abroad at the time of the death, and his address had not been at once procurable. So he had put off coming to Wilsthorpe till he heard that all things were ready for him. And now we find him arrived at Mr. Cooper’s comfortable house, facing the parsonage, and having just shaken hands with the smiling Mrs. and Miss Cooper.
During the minutes that preceded the announcement of luncheon the party settled themselves on elaborate chairs in the drawing-room, Humphreys, for his part, perspiring quietly in the consciousness that stock was being taken of him.
‘I was just saying to Mr. Humphreys, my dear,’ said Mr. Cooper, ‘that I hope and trust that his residence among us here in Wilsthorpe will be marked as a red-letter day.’
‘Yes, indeed, I’m sure,’ said Mrs. Cooper heartily, ‘and many, many of them.’
Miss Cooper murmured words to the same effect, and Humphreys attempted a pleasantry about painting the whole calendar red, which, though greeted with shrill laughter, was evidently not fully understood. At this point they proceeded to luncheon.
‘Do you know this part of the country at all, Mr. Humphreys?’ said Mrs. Cooper, after a short interval. This was a better opening.
‘No, I’m sorry to say I do not,’ said Humphreys. ‘It seems very pleasant, what I could see of it coming down in the train.’
‘Oh, it is a pleasant part. Really, I sometimes say I don’t know a nicer district, for the country; and the people round, too: such a quantity always going on. But I’m afraid you’ve come a little late for some of the better garden parties, Mr. Humphreys.’
‘I suppose I have; dear me, what a pity!’ said Humphreys, with a gleam of relief; and then, feeling that something more could be got out of this topic, ‘But after all, you see, Mrs. Cooper, even if I could have been here earlier, I should have been cut off from them, should I not? My poor uncle’s recent death, you know—’
‘Oh dear, Mr. Humphreys, to be sure; what a dreadful thing of me to say!’ (And Mr. and Miss Cooper seconded the proposition inarticulately.) ‘What must you have thought? I am sorry: you must really forgive me.’
‘Not at all, Mrs. Cooper, I assure you. I can’t honestly assert that my uncle’s death was a great grief to me, for I had never seen him. All I meant was that I supposed I shouldn’t be expected to take part for some little time in festivities of that kind.’
‘Now, really it’s very kind of you to take it in that way, Mr. Humphreys, isn’t it, George? And you do forgive me? But only fancy! You never saw poor old Mr. Wilson!’
‘Never in my life; nor did I ever have a letter from him. But, by the way, you have something to forgive me for. I’ve never thanked you, except by letter, for all the trouble you’ve taken to find people to look after me at the Hall.’
‘Oh, I’m sure that was nothing, Mr. Humphreys; but I really do think that you’ll find them give satisfaction. The man and his wife whom we’ve got for the butler and housekeeper we’ve known for a number of years: such a nice respectable couple, and Mr. Cooper, I’m sure, can answer for the men in the stables and gardens.’
‘Yes, Mr. Humphreys, they’re a good lot. The head gardener’s the only one who’s stopped on from Mr. Wilson’s time. The major part of the employees, as you no doubt saw by the will, received legacies from the old gentleman and retired from their posts, and as the wife says, your housekeeper and butler are calculated to render you every satisfaction.’
‘So everything, Mr. Humphreys, is ready for you to step in this very day, according to what I understood you to wish,’ said Mrs. Cooper. ‘Everything, that is, except company, and there I’m afraid you’ll find yourself quite at a standstill. Only we did understand it was your intention to move in at once. If not, I’m sure you know we should have been only too pleased for you to stay here.’
‘I’m quite sure you would, Mrs. Cooper, and I’m very grateful to you. But I thought I had really better make the plunge at once. I’m accustomed to living alone, and there will be quite enough to occupy my evenings—looking over papers and books and so on—for some time to come, I thought if Mr. Cooper could spare the time this afternoon to go over the house and grounds with me—’
‘Certainly, certainly, Mr. Humphreys. My time is your own, up to any hour you please.’
‘Till dinner-time, father, you mean,’ said Miss Cooper. ‘Don’t forget we’re going over to the Brasnetts’. And have you got all the garden keys?’
‘Are you a great gardener, Miss Cooper?’ said Mr. Humphreys. ‘I wish you would tell me what I’m to expect at the Hall.’
‘Oh, I don’t know about a great gardener, Mr. Humphreys: I’m very fond of flowers—but the Hall garden might be made quite lovely, I often say. It’s very old-fashioned as it is: and a great deal of shrubbery. There’s an old temple, besides, and a maze.’
‘Really? Have you explored it ever?’
‘No-o,’ said Miss Cooper, drawing in her lips and shaking her head. ‘I’ve often longed to try, but old Mr. Wilson always kept it locked. He wouldn’t even let Lady Wardrop into it. (She lives near here, at Bentley, you know, and she’s a great gardener, if you like.) That’s why I asked father if he had all the keys.’
‘I see. Well, I must evidently look into that, and show you over it when I’ve learnt the way.’
‘Oh, thank you so much, Mr. Humphreys! Now I shall have the laugh of Miss Foster (that’s our rector’s daughter, you know; they’re away on their holiday now—such nice people). We always had a joke between us which should be the first to get into the maze.’
‘I think the garden keys must be up at the house,’ said Mr. Cooper, who had been looking over a large bunch. ‘There is a number there in the library. Now, Mr. Humphreys, if you’re prepared, we might bid goodbye to these ladies and set forward on our little tour of exploration.’
As they came out of Mr. Cooper’s front gate, Humphreys had to run the gauntlet—not of an organized demonstration, but of a good deal of touching of hats and careful contemplation from the men and women who had gathered in somewhat unusual numbers in the village street. He had, further, to exchange some remarks with the wife of the lodge-keeper as they passed the park gates, and with the lodge-keeper himself, who was attending to the park road. I cannot, however, spare the time to report the progress fully. As they traversed the half-mile or so between the lodge and the house, Humphreys took occasion to ask his companion some question which brought up the topic of his late uncle, and it did not take long before Mr. Cooper was embarked upon a disquisition.
‘It is singular to think, as the wife was saying just now, that you should never have seen the old gentleman. And yet—you won’t misunderstand me, Mr. Humphreys, I feel confident, when I say that in my opinion there would have been but little congeniality betwixt yourself and him. Not that I have a word to say in deprecation—not a single word. I can tell you what he was,’ said Mr. Cooper, pulling up suddenly and fixing Humphreys with his eye. ‘Can tell you what he was in a nutshell, as the saying goes. He was a complete, thorough valentudinarian. That describes him to a T. That’s what he was, sir, a complete valentudinarian. No participation in what went on around him. I did venture, I think, to send you a few words of cutting from our local paper, which I took the occasion to contribute on his decease. If I recollect myself aright, such is very much the gist of them. But don’t, Mr. Humphreys,’ continued Cooper, tapping him impressively on the chest,—‘don’t you run away with the impression that I wish to say aught but what is most creditable—most creditable—of your respected uncle and my late employer. Upright, Mr. Humphreys—open as the day; liberal to all in his dealings. He had the heart to feel and the hand to accommodate. But there it was: there was the stumbling-block—his unfortunate health—or, as I might more truly phrase it, his want of health.’
‘Yes, poor man. Did he suffer from any special disorder before his last illness—which, I take it, was little more than old age?’
‘Just that, Mr. Humphreys—just that. The flash flickering slowly away in the pan,’ said Cooper, with what he considered an appropriate gesture,—‘the golden bowl gradually ceasing to vibrate. But as to your other question I should return a negative answer. General absence of vitality? yes: special complaint? no, unless you reckon a nasty cough he had with him. Why, here we are pretty much at the house. A handsome mansion, Mr. Humphreys, don’t you consider?’
It deserved the epithet, on the whole: but it was oddly proportioned—a very tall red-brick house, with a plain parapet concealing the roof almost entirely. It gave the impression of a town house set down in the country; there was a basement, and a rather imposing flight of steps leading up to the front door. It seemed also, owing to its height, to desiderate wings, but there were none. The stables and other offices were concealed by trees. Humphreys guessed its probable date as 1770 or thereabouts.
The mature couple who had been engaged to act as butler and cook-housekeeper were waiting inside the front door, and opened it as their new master approached. Their name, Humphreys already knew, was Calton; of their appearance and manner he formed a favourable impression in the few minutes’ talk he had with them. It was agreed that he should go through the plate and the cellar next day with Mr. Calton, and that Mrs. C. should have a talk with him about linen, bedding, and so on—what there was, and what there ought to be. Then he and Cooper, dismissing the Caltons for the present, began their view of the house. Its topography is not of importance to this story. The large rooms on the ground floor were satisfactory, especially the library, which was as large as the dining-room, and had three tall windows facing east. The bedroom prepared for Humphreys was immediately above it. There were many pleasant, and a few really interesting, old pictures. None of the furniture was new, and hardly any of the books were later than the seventies. After hearing of and seeing the few changes his uncle had made in the house, and contemplating a shiny portrait of him which adorned the drawing-room, Humphreys was forced to agree with Cooper that in all probability there would have been little to attract him in his predecessor. It made him rather sad that he could not be sorry—dolebat se dolere non posse—for the man who, whether with or without some feeling of kindliness towards his unknown nephew, had contributed so much to his well-being; for he felt that Wilsthorpe was a place in which he could be happy, and especially happy, it might be, in its library.
And now it was time to go over the garden: the empty stables could wait, and so could the laundry. So to the garden they addressed themselves, and it was soon evident that Miss Cooper had been right in thinking that there were possibilities. Also that Mr. Cooper had done well in keeping on the gardener. The deceased Mr. Wilson might not have, indeed plainly had not, been imbued with the latest views on gardening, but whatever had been done here had been done under the eye of a knowledgeable man, and the equipment and stock were excellent. Cooper was delighted with the pleasure Humphreys showed, and with the suggestions he let fall from time to time. ‘I can see,’ he said, ‘that you’ve found your meatear here, Mr. Humphreys: you’ll make this place a regular signosier before very many seasons have passed over our heads. I wish Clutterham had been here—that’s the head gardener—and here he would have been of course, as I told you, but for his son’s being horse doover with a fever, poor fellow! I should like him to have heard how the place strikes you.’
‘Yes, you told me he couldn’t be here today, and I was very sorry to hear the reason, but it will be time enough tomorrow. What is that white building on the mound at the end of the grass ride? Is it the temple Miss Cooper mentioned?’
‘That it is, Mr. Humphreys—the Temple of Friendship. Constructed of marble brought out of Italy for the purpose, by your late uncle’s grandfather. Would it interest you perhaps to take a turn there? You get a very sweet prospect of the park.’
The general lines of the temple were those of the Sibyl’s Temple at Tivoli, helped out by a dome, only the whole was a good deal smaller. Some ancient sepulchral reliefs were built into the wall, and about it all was a pleasant flavour of the grand tour. Cooper produced the key, and with some difficulty opened the heavy door. Inside there was a handsome ceiling, but little furniture. Most of the floor was occupied by a pile of thick circular blocks of stone, each of which had a single letter deeply cut on its slightly convex upper surface. ‘What is the meaning of these?’ Humphreys inquired.
‘Meaning? Well, all things, we’re told, have their purpose, Mr. Humphreys, and I suppose these blocks have had theirs as well as another. But what that purpose is or was [Mr. Cooper assumed a didactic attitude here], I, for one, should be at a loss to point out to you, sir. All I know of them—and it’s summed up in a very few words—is just this: that they’re stated to have been removed by your late uncle, at a period before I entered on the scene, from the maze. That, Mr. Humphreys, is—’
‘Oh, the maze!’ exclaimed Humphreys. ‘I’d forgotten that: we must have a look at it. Where is it?’
Cooper drew him to the door of the temple, and pointed with his stick. ‘Guide your eye,’ he said (somewhat in the manner of the Second Elder in Handel’s ‘Susanna’—
Far to the west direct your straining eyes Where yon tall holm-tree rises to the skies)
‘Guide your eye by my stick here, and follow out the line directly opposite to the spot where we’re standing now, and I’ll engage, Mr. Humphreys, that you’ll catch the archway over the entrance. You’ll see it just at the end of the walk answering to the one that leads up to this very building. Did you think of going there at once? because if that be the case, I must go to the house and procure the key. If you would walk on there, I’ll rejoin you in a few moments’ time.’
Accordingly Humphreys strolled down the ride leading to the temple, past the garden-front of the house, and up the turfy approach to the archway which Cooper had pointed out to him. He was surprised to find that the whole maze was surrounded by a high wall, and that the archway was provided with a padlocked iron gate; but then he remembered that Miss Cooper had spoken of his uncle’s objection to letting anyone enter this part of the garden. He was now at the gate, and still Cooper came not. For a few minutes he occupied himself in reading the motto cut over the entrance, Secretum meum mihi et filiis domus meae, and in trying to recollect the source of it. Then he became impatient and considered the possibility of scaling the wall. This was clearly not worth while; it might have been done if he had been wearing an older suit: or could the padlock—a very old one—be forced? No, apparently not: and yet, as he gave a final irritated kick at the gate, something gave way, and the lock fell at his feet. He pushed the gate open inconveniencing a number of nettles as he did so, and stepped into the enclosure.
It was a yew maze, of circular form, and the hedges, long untrimmed, had grown out and upwards to a most unorthodox breadth and height. The walks, too, were next door to impassable. Only by entirely disregarding scratches, nettle-stings, and wet, could Humphreys force his way along them; but at any rate this condition of things, he reflected, would make it easier for him to find his way out again, for he left a very visible track. So far as he could remember, he had never been in a maze before, nor did it seem to him now that he had missed much. The dankness and darkness, and smell of crushed goosegrass and nettles were anything but cheerful. Still, it did not seem to be a very intricate specimen of its kind. Here he was (by the way, was that Cooper arrived at last? No!) very nearly at the heart of it, without having taken much thought as to what path he was following. Ah! there at last was the centre, easily gained. And there was something to reward him. His first impression was that the central ornament was a sundial; but when he had switched away some portion of the thick growth of brambles and bindweed that had formed over it, he saw that it was a less ordinary decoration. A stone column about four feet high, and on the top of it a metal globe—copper, to judge by the green patina—engraved, and finely engraved too, with figures in outline, and letters. That was what Humphreys saw, and a brief glance at the figures convinced him that it was one of those mysterious things called celestial globes, from which, one would suppose, no one ever yet derived any information about the heavens. However, it was too dark—at least in the maze—for him to examine this curiosity at all closely, and besides, he now heard Cooper’s voice, and sounds as of an elephant in the jungle. Humphreys called to him to follow the track he had beaten out, and soon Cooper emerged panting into the central circle. He was full of apologies for his delay; he had not been able, after all, to find the key. ‘But there!’ he said, ‘you’ve penetrated into the heart of the mystery unaided and unannealed, as the saying goes. Well! I suppose it’s a matter of thirty to forty years since any human foot has trod these precincts. Certain it is that I’ve never set foot in them before. Well, well! what’s the old proverb about angels fearing to tread? It’s proved true once again in this case.’ Humphreys’ acquaintance with Cooper, though it had been short, was sufficient to assure him that there was no guile in this allusion, and he forbore the obvious remark, merely suggesting that it was fully time to get back to the house for a late cup of tea, and to release Cooper for his evening engagement. They left the maze accordingly, experiencing well-nigh the same ease in retracing their path as they had in coming in.
‘Have you any idea,’ Humphreys asked, as they went towards the house, ‘why my uncle kept that place so carefully locked?’
Cooper pulled up, and Humphreys felt that he must be on the brink of a revelation.
‘I should merely be deceiving you, Mr. Humphreys, and that to no good purpose, if I laid claim to possess any information whatsoever on that topic. When I first entered upon my duties here, some eighteen years back, that maze was word for word in the condition you see it now, and the one and only occasion on which the question ever arose within my knowledge was that of which my girl made mention in your hearing. Lady Wardrop—I’ve not a word to say against her—wrote applying for admission to the maze. Your uncle showed me the note—a most civil note—everything that could be expected from such a quarter. ‘Cooper,’ he said, ‘I wish you’d reply to that note on my behalf.’ ‘Certainly Mr. Wilson,’ I said, for I was quite inured to acting as his secretary, ‘what answer shall I return to it?’ ‘Well,’ he said, ‘give Lady Wardrop my compliments, and tell her that if ever that portion of the grounds is taken in hand I shall be happy to give her the first opportunity of viewing it, but that it has been shut up now for a number of years, and I shall be grateful to her if she kindly won’t press the matter.’ That, Mr. Humphreys, was your good uncle’s last word on the subject, and I don’t think I can add anything to it. Unless,’ added Cooper, after a pause, ‘it might be just this: that, so far as I could form a judgement, he had a dislike (as people often will for one reason or another) to the memory of his grandfather, who, as I mentioned to you, had that maze laid out. A man of peculiar teenets, Mr. Humphreys, and a great traveller. You’ll have the opportunity, on the coming Sabbath, of seeing the tablet to him in our little parish church; put up it was some long time after his death.’
‘Oh! I should have expected a man who had such a taste for building to have designed a mausoleum for himself.’
‘Well, I’ve never noticed anything of the kind you mention; and, in fact, come to think of it, I’m not at all sure that his resting-place is within our boundaries at all: that he lays in the vault I’m pretty confident is not the case. Curious now that I shouldn’t be in a position to inform you on that heading! Still, after all, we can’t say, can we, Mr. Humphreys, that it’s a point of crucial importance where the pore mortal coils are bestowed?’
At this point they entered the house, and Cooper’s speculations were interrupted.
Tea was laid in the library, where Mr. Cooper fell upon subjects appropriate to the scene. ‘A fine collection of books! One of the finest, I’ve understood from connoisseurs, in this part of the country; splendid plates, too, in some of these works. I recollect your uncle showing me one with views of foreign towns—most absorbing it was: got up in first-rate style. And another all done by hand, with the ink as fresh as if it had been laid on yesterday, and yet, he told me, it was the work of some old monk hundreds of years back. I’ve always taken a keen interest in literature myself. Hardly anything to my mind can compare with a good hour’s reading after a hard day’s work; far better than wasting the whole evening at a friend’s house—and that reminds me, to be sure. I shall be getting into trouble with the wife if I don’t make the best of my way home and get ready to squander away one of these same evenings! I must be off, Mr. Humphreys.’
‘And that reminds me,’ said Humphreys, ‘if I’m to show Miss Cooper the maze tomorrow we must have it cleared out a bit. Could you say a word about that to the proper person?’
‘Why, to be sure. A couple of men with scythes could cut out a track tomorrow morning. I’ll leave word as I pass the lodge, and I’ll tell them, what’ll save you the trouble, perhaps, Mr. Humphreys, of having to go up and extract them yourself: that they’d better have some sticks or a tape to mark out their way with as they go on.’
‘A very good idea! Yes, do that; and I’ll expect Mrs. and Miss Cooper in the afternoon, and yourself about half-past ten in the morning.’
‘It’ll be a pleasure, I’m sure, both to them and to myself, Mr. Humphreys. Good night!’
Humphreys dined at eight. But for the fact that it was his first evening, and that Calton was evidently inclined for occasional conversation, he would have finished the novel he had bought for his journey. As it was, he had to listen and reply to some of Calton’s impressions of the neighbourhood and the season: the latter, it appeared, was seasonable, and the former had changed considerably—and not altogether for the worse—since Calton’s boyhood (which had been spent there). The village shop in particular had greatly improved since the year 1870. It was now possible to procure there pretty much anything you liked in reason: which was a conveniency, because suppose anythink was required of a suddent (and he had known such things before now), he (Calton) could step down there (supposing the shop to be still open), and order it in, without he borrered it of the Rectory, whereas in earlier days it would have been useless to pursue such a course in respect of anything but candles, or soap, or treacle, or perhaps a penny child’s picture-book, and nine times out of ten it’d be something more in the nature of a bottle of whisky you’d be requiring; leastways—On the whole Humphreys thought he would be prepared with a book in future.
The library was the obvious place for the after-dinner hours. Candle in hand and pipe in mouth, he moved round the room for some time, taking stock of the titles of the books. He had all the predisposition to take interest in an old library, and there was every opportunity for him here to make systematic acquaintance with one, for he had learned from Cooper that there was no catalogue save the very superficial one made for purposes of probate. The drawing up of a catalogue raisonné would be a delicious occupation for winter. There were probably treasures to be found, too: even manuscripts, if Cooper might be trusted.
As he pursued his round the sense came upon him (as it does upon most of us in similar places) of the extreme unreadableness of a great portion of the collection. ‘Editions of Classics and Fathers, and Picart’s Religious Ceremonies, and the Harleian Miscellany, I suppose are all very well, but who is ever going to read Tostatus Abulensis, or Pineda on Job, or a book like this?’ He picked out a small quarto, loose in the binding, and from which the lettered label had fallen off; and observing that coffee was waiting for him, retired to a chair. Eventually he opened the book. It will be observed that his condemnation of it rested wholly on external grounds. For all he knew it might have been a collection of unique plays, but undeniably the outside was blank and forbidding. As a matter of fact, it was a collection of sermons or meditations, and mutilated at that, for the first sheet was gone. It seemed to belong to the latter end of the seventeenth century. He turned over the pages till his eye was caught by a marginal note: ‘A Parable of this Unhappy Condition,’ and he thought he would see what aptitudes the author might have for imaginative composition. ‘I have heard or read,’ so ran the passage, ‘whether in the way of Parable or true Relation I leave my Reader to judge, of a Man who, like Theseus, in the Attick Tale, should adventure himself, into a Labyrinth or Maze: and such an one indeed as was not laid out in the Fashion of our Topiary artists of this Age, but of a wide compass, in which, moreover, such unknown Pitfalls and Snares, nay, such ill-omened Inhabitants were commonly thought to lurk as could only be encountered at the Hazard of one’s very life. Now you may be sure that in such a Case the Disswasions of Friends were not wanting. ‘Consider of such-an-one’ says a Brother ‘how he went the way you wot of, and was never seen more.’ ‘Or of such another’ says the Mother ‘that adventured himself but a little way in, and from that day forth is so troubled in his Wits that he cannot tell what he saw, nor hath passed one good Night.’ ‘And have you never heard’ cries a Neighbour ‘of what Faces have been seen to look out over the Palisadoes and betwixt the Bars of the Gate?’ But all would not do: the Man was set upon his Purpose: for it seems it was the common fireside Talk of that Country that at the Heart and Centre of this Labyrinth there was a Jewel of such Price and Rarity that would enrich the Finder thereof for his life: and this should be his by right that could persever to come at it. What then? Quid multa? The Adventurer pass’d the Gates, and for a whole day’s space his Friends without had no news of him, except it might be by some indistinct Cries heard afar off in the Night, such as made them turn in their restless Beds and sweat for very Fear, not doubting but that their Son and Brother had put one more to the Catalogue of those unfortunates that had suffer’d shipwreck on that Voyage. So the next day they went with weeping Tears to the Clark of the Parish to order the Bell to be toll’d. And their Way took them hard by the gate of the Labyrinth: which they would have hastened by, from the Horrour they had of it, but that they caught sight of a sudden of a Man’s Body lying in the Roadway, and going up to it (with what Anticipations may be easily figured) found it to be him whom they reckoned as lost: and not dead, though he were in a Swound most like Death. They then, who had gone forth as Mourners came back rejoycing, and set to by all means to revive their Prodigal. Who, being come to himself, and hearing of their Anxieties and their Errand of that Morning, ‘Ay’ says he ‘you may as well finish what you were about: for, for all I have brought back the Jewel (which he shew’d them, and ’twas indeed a rare Piece) I have brought back that with it that will leave me neither Rest at Night nor Pleasure by Day.’ Whereupon they were instant with him to learn his Meaning, and where his Company should be that went so sore against his Stomach. ‘O’ says he ‘ ’tis here in my Breast: I cannot flee from it, do what I may.’ So it needed no Wizard to help them to a guess that it was the Recollection of what he had seen that troubled him so wonderfully. But they could get no more of him for a long Time but by Fits and Starts. However at long and at last they made shift to collect somewhat of this kind: that at first, while the Sun was bright, he went merrily on, and without any Difficulty reached the Heart of the Labyrinth and got the Jewel, and so set out on his way back rejoycing: but as the Night fell, wherein all the Beasts of the Forest do move, he begun to be sensible of some Creature keeping Pace with him and, as he thought, peering and looking upon him from the next Alley to that he was in; and that when he should stop, this Companion should stop also, which put him in some Disorder of his Spirits. And, indeed, as the Darkness increas’d, it seemed to him that there was more than one, and, it might be, even a whole Band of such Followers: at least so he judg’d by the Rustling and Cracking that they kept among the Thickets; besides that there would be at a Time a Sound of Whispering, which seem’d to import a Conference among them. But in regard of who they were or what Form they were of, he would not be persuaded to say what he thought. Upon his Hearers asking him what the Cries were which they heard in the Night (as was observ’d above) he gave them this Account: That about Midnight (so far as he could judge) he heard his Name call’d from a long way off, and he would have been sworn it was his Brother that so call’d him. So he stood still and hilloo’d at the Pitch of his Voice, and he suppos’d that the Echo, or the Noyse of his Shouting, disguis’d for the Moment any lesser sound; because, when there fell a Stillness again, he distinguish’d a Trampling (not loud) of running Feet coming very close behind him, wherewith he was so daunted that himself set off to run, and that he continued till the Dawn broke. Sometimes when his Breath fail’d him, he would cast himself flat on his Face, and hope that his Pursuers might over-run him in the Darkness, but at such a Time they would regularly make a Pause, and he could hear them pant and snuff as it had been a Hound at Fault: which wrought in him so extream an Horrour of mind, that he would be forc’d to betake himself again to turning and doubling, if by any Means he might throw them off the Scent. And, as if this Exertion was in itself not terrible enough, he had before him the constant Fear of falling into some Pit or Trap, of which he had heard, and indeed seen with his own Eyes that there were several, some at the sides and other in the Midst of the Alleys. So that in fine (he said) a more dreadful Night was never spent by Mortal Creature than that he had endur’d in that Labyrinth; and not that Jewel which he had in his Wallet, nor the richest that was ever brought out of the Indies, could be a sufficient Recompence to him for the Pains he had suffered.
‘I will spare to set down the further Recital of this Man’s Troubles, inasmuch as I am confident my Reader’s Intelligence will hit the Parallel I desire to draw. For is not this Jewel a just Emblem of the Satisfaction which a Man may bring back with him from a Course of this World’s Pleasures? and will not the Labyrinth serve for an Image of the World itself wherein such a Treasure (if we may believe the common Voice) is stored up?’
At about this point Humphreys thought that a little Patience would be an agreeable change, and that the writer’s ‘improvement’ of his Parable might be left to itself. So he put the book back in its former place, wondering as he did so whether his uncle had ever stumbled across that passage; and if so, whether it had worked on his fancy so much as to make him dislike the idea of a maze, and determine to shut up the one in the garden. Not long afterwards he went to bed.
The next day brought a morning’s hard work with Mr. Cooper, who, if exuberant in language, had the business of the estate at his fingers’ ends. He was very breezy this morning, Mr. Cooper was: had not forgotten the order to clear out the maze—the work was going on at that moment: his girl was on the tentacles of expectation about it. He also hoped that Humphreys had slept the sleep of the just, and that we should be favoured with a continuance of this congenial weather. At luncheon he enlarged on the pictures in the dining-room, and pointed out the portrait of the constructor of the temple and the maze. Humphreys examined this with considerable interest. It was the work of an Italian, and had been painted when old Mr. Wilson was visiting Rome as a young man. (There was, indeed, a view of the Colosseum in the background.) A pale thin face and large eyes were the characteristic features. In the hand was a partially unfolded roll of paper, on which could be distinguished the plan of a circular building, very probably the temple, and also part of that of a labyrinth. Humphreys got up on a chair to examine it, but it was not painted with sufficient clearness to be worth copying. It suggested to him, however, that he might as well make a plan of his own maze and hang it in the hall for the use of visitors.
This determination of his was confirmed that same afternoon; for when Mrs. and Miss Cooper arrived, eager to be inducted into the maze, he found that he was wholly unable to lead them to the centre. The gardeners had removed the guide-marks they had been using, and even Clutterham, when summoned to assist, was as helpless as the rest. ‘The point is, you see, Mr. Wilson—I should say ‘Umphreys—these mazes is purposely constructed so much alike, with a view to mislead. Still, if you’ll foller me, I think I can put you right. I’ll just put my ‘at down ’ere as a starting-point.’ He stumped off, and after five minutes brought the party safe to the hat again. ‘Now that’s a very peculiar thing,’ he said, with a sheepish laugh. ‘I made sure I’d left that ‘at just over against a bramble-bush, and you can see for yourself there ain’t no bramble-bush not in this walk at all. If you’ll allow me, Mr. Humphreys—that’s the name, ain’t it, sir?—I’ll just call one of the men in to mark the place like.’
William Crack arrived, in answer to repeated shouts. He had some difficulty in making his way to the party. First he was seen or heard in an inside alley, then, almost at the same moment, in an outer one. However, he joined them at last, and was first consulted without effect and then stationed by the hat, which Clutterham still considered it necessary to leave on the ground. In spite of this strategy, they spent the best part of three-quarters of an hour in quite fruitless wanderings, and Humphreys was obliged at last, seeing how tired Mrs. Cooper was becoming, to suggest a retreat to tea, with profuse apologies to Miss Cooper. ‘At any rate you’ve won your bet with Miss Foster,’ he said; ‘you have been inside the maze; and I promise you the first thing I do shall be to make a proper plan of it with the lines marked out for you to go by.’ ‘That’s what’s wanted, sir,’ said Clutterham, ‘someone to draw out a plan and keep it by them. It might be very awkward, you see, anyone getting into that place and a shower of rain come on, and them not able to find their way out again; it might be hours before they could be got out, without you’d permit of me makin’ a short cut to the middle: what my meanin’ is, takin’ down a couple of trees in each ‘edge in a straight line so as you could git a clear view right through. Of course that’d do away with it as a maze, but I don’t know as you’d approve of that.’
‘No, I won’t have that done yet: I’ll make a plan first, and let you have a copy. Later on, if we find occasion, I’ll think of what you say.’
Humphreys was vexed and ashamed at the fiasco of the afternoon, and could not be satisfied without making another effort that evening to reach the centre of the maze. His irritation was increased by finding it without a single false step. He had thoughts of beginning his plan at once; but the light was fading, and he felt that by the time he had got the necessary materials together, work would be impossible.
Next morning accordingly, carrying a drawing-board, pencils, compasses, cartridge paper, and so forth (some of which had been borrowed from the Coopers and some found in the library cupboards), he went to the middle of the maze (again without any hesitation), and set out his materials. He was, however, delayed in making a start. The brambles and weeds that had obscured the column and globe were now all cleared away, and it was for the first time possible to see clearly what these were like. The column was featureless, resembling those on which sundials are usually placed. Not so the globe. I have said that it was finely engraved with figures and inscriptions, and that on a first glance Humphreys had taken it for a celestial globe: but he soon found that it did not answer to his recollection of such things. One feature seemed familiar; a winged serpent—Draco—encircled it about the place which, on a terrestrial globe, is occupied by the equator: but on the other hand, a good part of the upper hemisphere was covered by the outspread wings of a large figure whose head was concealed by a ring at the pole or summit of the whole. Around the place of the head the words princeps tenebrarum could be deciphered. In the lower hemisphere there was a space hatched all over with cross-lines and marked as umbra mortis. Near it was a range of mountains, and among them a valley with flames rising from it. This was lettered (will you be surprised to learn it?) vallis filiorum Hinnom. Above and below Draco were outlined various figures not unlike the pictures of the ordinary constellations, but not the same. Thus, a nude man with a raised club was described, not as Hercules but as Cain. Another, plunged up to his middle in earth and stretching out despairing arms, was Chore, not Ophiuchus, and a third, hung by his hair to a snaky tree, was Absolon. Near the last, a man in long robes and high cap, standing in a circle and addressing two shaggy demons who hovered outside, was described as Hostanes magus (a character unfamiliar to Humphreys). The scheme of the whole, indeed, seemed to be an assemblage of the patriarchs of evil, perhaps not uninfluenced by a study of Dante. Humphreys thought it an unusual exhibition of his great-grandfather’s taste, but reflected that he had probably picked it up in Italy and had never taken the trouble to examine it closely: certainly, had he set much store by it, he would not have exposed it to wind and weather. He tapped the metal—it seemed hollow and not very thick—and, turning from it, addressed himself to his plan. After half an hour’s work he found it was impossible to get on without using a clue: so he procured a roll of twine from Clutterham, and laid it out along the alleys from the entrance to the centre, tying the end to the ring at the top of the globe. This expedient helped him to set out a rough plan before luncheon, and in the afternoon he was able to draw it in more neatly. Towards tea-time Mr. Cooper joined him, and was much interested in his progress. ‘Now this—’ said Mr. Cooper, laying his hand on the globe, and then drawing it away hastily. ‘Whew! Holds the heat, doesn’t it, to a surprising degree, Mr. Humphreys. I suppose this metal—copper, isn’t it?—would be an insulator or conductor, or whatever they call it.’
‘The sun has been pretty strong this afternoon,’ said Humphreys, evading the scientific point, ‘but I didn’t notice the globe had got hot. No—it doesn’t seem very hot to me,’ he added.
‘Odd!’ said Mr. Cooper. ‘Now I can’t hardly bear my hand on it. Something in the difference of temperament between us, I suppose. I dare say you’re a chilly subject, Mr. Humphreys: I’m not: and there’s where the distinction lies. All this summer I’ve slept, if you’ll believe me, practically in statu quo, and had my morning tub as cold as I could get it. Day out and day in-let me assist you with that string.’
‘It’s all right, thanks; but if you’ll collect some of these pencils and things that are lying about I shall be much obliged. Now I think we’ve got everything, and we might get back to the house.’
They left the maze, Humphreys rolling up the clue as they went.
The night was rainy.
Most unfortunately it turned out that, whether by Cooper’s fault or not, the plan had been the one thing forgotten the evening before. As was to be expected, it was ruined by the wet. There was nothing for it but to begin again (the job would not be a long one this time). The clue therefore was put in place once more and a fresh start made. But Humphreys had not done much before an interruption came in the shape of Calton with a telegram. His late chief in London wanted to consult him. Only a brief interview was wanted, but the summons was urgent. This was annoying, yet it was not really upsetting; there was a train available in half an hour, and, unless things went very cross, he could be back, possibly by five o’clock, certainly by eight. He gave the plan to Calton to take to the house, but it was not worth while to remove the clue.
All went as he had hoped. He spent a rather exciting evening in the library, for he lighted tonight upon a cupboard where some of the rarer books were kept. When he went up to bed he was glad to find that the servant had remembered to leave his curtains undrawn and his windows open. He put down his light, and went to the window which commanded a view of the garden and the park. It was a brilliant moonlight night. In a few weeks’ time the sonorous winds of autumn would break up all this calm. But now the distant woods were in a deep stillness; the slopes of the lawns were shining with dew; the colours of some of the flowers could almost be guessed. The light of the moon just caught the cornice of the temple and the curve of its leaden dome, and Humphreys had to own that, so seen, these conceits of a past age have a real beauty. In short, the light, the perfume of the woods, and the absolute quiet called up such kind old associations in his mind that he went on ruminating them for a long, long time. As he turned from the window he felt he had never seen anything more complete of its sort. The one feature that struck him with a sense of incongruity was a small Irish yew, thin and black, which stood out like an outpost of the shrubbery, through which the maze was approached. That, he thought, might as well be away: the wonder was that anyone should have thought it would look well in that position.
However, next morning, in the press of answering letters and going over books with Mr. Cooper, the Irish yew was forgotten. One letter, by the way, arrived this day which has to be mentioned. It was from that Lady Wardrop whom Miss Cooper had mentioned, and it renewed the application which she had addressed to Mr. Wilson. She pleaded, in the first place, that she was about to publish a Book of Mazes, and earnestly desired to include the plan of the Wilsthorpe Maze, and also that it would be a great kindness if Mr. Humphreys could let her see it (if at all) at an early date, since she would soon have to go abroad for the winter months. Her house at Bentley was not far distant, so Humphreys was able to send a note by hand to her suggesting the very next day or the day after for her visit; it may be said at once that the messenger brought back a most grateful answer, to the effect that the morrow would suit her admirably.
The only other event of the day was that the plan of the maze was successfully finished.
This night again was fair and brilliant and calm, and Humphreys lingered almost as long at his window. The Irish yew came to his mind again as he was on the point of drawing his curtains: but either he had been misled by a shadow the night before, or else the shrub was not really so obtrusive as he had fancied. Anyhow, he saw no reason for interfering with it. What he would do away with, however, was a clump of dark growth which had usurped a place against the house wall, and was threatening to obscure one of the lower range of windows. It did not look as if it could possibly be worth keeping; he fancied it dank and unhealthy, little as he could see of it.
Next day (it was a Friday—he had arrived at Wilsthorpe on a Monday) Lady Wardrop came over in her car soon after luncheon. She was a stout elderly person, very full of talk of all sorts and particularly inclined to make herself agreeable to Humphreys, who had gratified her very much by his ready granting of her request. They made a thorough exploration of the place together; and Lady Wardrop’s opinion of her host obviously rose sky-high when she found that he really knew something of gardening. She entered enthusiastically into all his plans for improvement, but agreed that it would be a vandalism to interfere with the characteristic laying-out of the ground near the house. With the temple she was particularly delighted, and, said she, ‘Do you know, Mr. Humphreys, I think your bailiff must be right about those lettered blocks of stone. One of my mazes—I’m sorry to say the stupid people have destroyed it now—it was at a place in Hampshire—had the track marked out in that way. They were tiles there, but lettered just like yours, and the letters, taken in the right order, formed an inscription—what it was I forget—something about Theseus and Ariadne. I have a copy of it, as well as the plan of the maze where it was. How people can do such things! I shall never forgive you if you injure your maze. Do you know, they’re becoming very uncommon? Almost every year I hear of one being grubbed up. Now, do let’s get straight to it: or, if you’re too busy, I know my way there perfectly, and I’m not afraid of getting lost in it; I know too much about mazes for that. Though I remember missing my lunch—not so very long ago either—through getting entangled in the one at Busbury. Well, of course, if you can manage to come with me, that will be all the nicer.’
After this confident prelude justice would seem to require that Lady Wardrop should have been hopelessly muddled by the Wilsthorpe maze. Nothing of that kind happened: yet it is to be doubted whether she got all the enjoyment from her new specimen that she expected. She was interested—keenly interested—to be sure, and pointed out to Humphreys a series of little depressions in the ground which, she thought, marked the places of the lettered blocks. She told him, too, what other mazes resembled his most closely in arrangement, and explained how it was usually possible to date a maze to within twenty years by means of its plan. This one, she already knew, must be about as old as 1780, and its features were just what might be expected. The globe, furthermore, completely absorbed her. It was unique in her experience, and she pored over it for long. ‘I should like a rubbing of that,’ she said, ‘if it could possibly be made. Yes, I am sure you would be most kind about it, Mr. Humphreys, but I trust you won’t attempt it on my account, I do indeed; I shouldn’t like to take any liberties here. I have the feeling that it might be resented. Now, confess,’ she went on, turning and facing Humphreys, ‘don’t you feel—haven’t you felt ever since you came in here—that a watch is being kept on us, and that if we overstepped the mark in any way there would be a—well, a pounce? No? I do; and I don’t care how soon we are outside the gate.’
‘After all,’ she said, when they were once more on their way to the house, ‘it may have been only the airlessness and the dull heat of that place that pressed on my brain. Still, I’ll take back one thing I said. I’m not sure that I shan’t forgive you after all, if I find next spring that that maze has been grubbed up.’
‘Whether or no that’s done, you shall have the plan, Lady Wardrop. I have made one, and no later than tonight I can trace you a copy.’
‘Admirable: a pencil tracing will be all I want, with an indication of the scale. I can easily have it brought into line with the rest of my plates. Many, many thanks.’
‘Very well, you shall have that tomorrow. I wish you could help me to a solution of my block-puzzle.’
‘What, those stones in the summer-house? That is a puzzle; they are in no sort of order? Of course not. But the men who put them down must have had some directions—perhaps you’ll find a paper about it among your uncle’s things. If not, you’ll have to call in somebody who’s an expert in ciphers.’
‘Advise me about something else, please,’ said Humphreys. ‘That bush-thing under the library window: you would have that away, wouldn’t you?’
‘Which? That? Oh, I think not,’ said Lady Wardrop. ‘I can’t see it very well from this distance, but it’s not unsightly.’
‘Perhaps you’re right; only, looking out of my window, just above it, last night, I thought it took up too much room. It doesn’t seem to, as one sees it from here, certainly. Very well, I’ll leave it alone for a bit.’
Tea was the next business, soon after which Lady Wardrop drove off; but, half-way down the drive, she stopped the car and beckoned to Humphreys, who was still on the front-door steps. He ran to glean her parting words, which were: ‘It just occurs to me, it might be worth your while to look at the underside of those stones. They must have been numbered, mustn’t they? Good-bye again. Home, please.’
The main occupation of this evening at any rate was settled. The tracing of the plan for Lady Wardrop and the careful collation of it with the original meant a couple of hours’ work at least. Accordingly, soon after nine Humphreys had his materials put out in the library and began. It was a still, stuffy evening; windows had to stand open, and he had more than one grisly encounter with a bat. These unnerving episodes made him keep the tail of his eye on the window. Once or twice it was a question whether there was—not a bat, but something more considerable—that had a mind to join him. How unpleasant it would be if someone had slipped noiselessly over the sill and was crouching on the floor!
The tracing of the plan was done: it remained to compare it with the original, and to see whether any paths had been wrongly closed or left open. With one finger on each paper, he traced out the course that must be followed from the entrance. There were one or two slight mistakes, but here, near the centre, was a bad confusion, probably due to the entry of the Second or Third Bat. Before correcting the copy he followed out carefully the last turnings of the path on the original. These, at least, were right; they led without a hitch to the middle space. Here was a feature which need not be repeated on the copy—an ugly black spot about the size of a shilling. Ink? No. It resembled a hole, but how should a hole be there? He stared at it with tired eyes: the work of tracing had been very laborious, and he was drowsy and oppressed… But surely this was a very odd hole. It seemed to go not only through the paper, but through the table on which it lay. Yes, and through the floor below that, down, and still down, even into infinite depths. He craned over it, utterly bewildered. Just as, when you were a child, you may have pored over a square inch of counterpane until it became a landscape with wooded hills, and perhaps even churches and houses, and you lost all thought of the true size of yourself and it, so this hole seemed to Humphreys for the moment the only thing in the world. For some reason it was hateful to him from the first, but he had gazed at it for some moments before any feeling of anxiety came upon him; and then it did come, stronger and stronger—a horror lest something might emerge from it, and a really agonizing conviction that a terror was on its way, from the sight of which he would not be able to escape. Oh yes, far, far down there was a movement, and the movement was upwards—towards the surface. Nearer and nearer it came, and it was of a blackish-grey colour with more than one dark hole. It took shape as a face—a human face—a burnt human face: and with the odious writhings of a wasp creeping out of a rotten apple there clambered forth an appearance of a form, waving black arms prepared to clasp the head that was bending over them. With a convulsion of despair Humphreys threw himself back, struck his head against a hanging lamp, and fell.
There was concussion of the brain, shock to the system, and a long confinement to bed. The doctor was badly puzzled, not by the symptoms, but by a request which Humphreys made to him as soon as he was able to say anything. ‘I wish you would open the ball in the maze.’ ‘Hardly room enough there, I should have thought,’ was the best answer he could summon up; ‘but it’s more in your way than mine; my dancing days are over.’ At which Humphreys muttered and turned over to sleep, and the doctor intimated to the nurses that the patient was not out of the wood yet. When he was better able to express his views, Humphreys made his meaning clear, and received a promise that the thing should be done at once. He was so anxious to learn the result that the doctor, who seemed a little pensive next morning, saw that more harm than good would be done by saving up his report. ‘Well,’ he said, ‘I am afraid the ball is done for; the metal must have worn thin, I suppose. Anyhow, it went all to bits with the first blow of the chisel.’ ‘Well? go on, do!’ said Humphreys impatiently. ‘Oh! you want to know what we found in it, of course. Well, it was half full of stuff like ashes.’ ‘Ashes? What did you make of them?’ ‘I haven’t thoroughly examined them yet; there’s hardly been time: but Cooper’s made up his mind—I dare say from something I said—that it’s a case of cremation… Now don’t excite yourself, my good sir: yes, I must allow I think he’s probably right.’
The maze is gone, and Lady Wardrop has forgiven Humphreys; in fact, I believe he married her niece. She was right, too, in her conjecture that the stones in the temple were numbered. There had been a numeral painted on the bottom of each. Some few of these had rubbed off, but enough remained to enable Humphreys to reconstruct the inscription. It ran thus:
PENETRANS AD INTERIORA MORTIS
Grateful as Humphreys was to the memory of his uncle, he could not quite forgive him for having burnt the journals and letters of the James Wilson who had gifted Wilsthorpe with the maze and the temple. As to the circumstances of that ancestor’s death and burial no tradition survived; but his will, which was almost the only record of him accessible, assigned an unusually generous legacy to a servant who bore an Italian name.
Mr. Cooper’s view is that, humanly speaking, all these many solemn events have a meaning for us, if our limited intelligence permitted of our disintegrating it, while Mr. Calton has been reminded of an aunt now gone from us, who, about the year 1866, had been lost for upwards of an hour and a half in the maze at Covent Gardens, or it might be Hampton Court.
One of the oddest things in the whole series of transactions is that the book which contained the Parable has entirely disappeared. Humphreys has never been able to find it since he copied out the passage to send to Lady Wardrop.
An ancient ghost coming from the depths of graves across the nordic countries, the Haugbúi Draugr could be both dangerous and even deadly. Not merely a specter, but the rotten flesh of the dead, the ghosts are remembered as The Walking Dead of the North.
In the dark Hendrick Street in Dublin, there once were two houses said to be some of the most haunted ones in town. Occupied by at least six ghosts, some say they still linger in their old street.
In the pre civil war Hollywood Cemetery in Richmond, Virginia, the mausoleum of W.W Pool is said to be the grave of The Richmond Vampire. A more recent urban legend is now also connected with The Church Hill Tunnel collapse.
Old cities carry old ghost stories, and Bern in Switzerland is no exception. From the old buildings filled with history to the depth of the Aare river, here are some of the most haunted places in Bern.
Centuries after the vampire panic starting with the death of Petar Blagojević, another vampire was said to haunt the Serbian village, Kisiljevo. Who was Ruža Vlajna and what happened to her?
Said to be the mass burial place for the dead Irish Independence rebels from 1798, the Croppie’s Acre in Dublin is said to be haunted by their lingering souls.
Once a green paradise, the legend says the fairies protected the people of Val Gerina valley in the Swiss alps. Driven by greed to impress a woman however, the son meant to continue the tradition and friendship with the fairies, brought it all down.
Haunted by its former Fellows, Trinity College in Dublin is said to be filled with eerie spirits where even the bell tolls after dark when the shadows take over campus.
A true story morphed into a fairytale, the life and death of the French Countess Marie Louise St. Simon-Montleart has become the stuff of legends. Buried in the forest close to Wildegg Castle in Switzerland, it is said she is haunting the castle and the forest, her sanctuary.
Crossing through the Jura Mountains in Switzerland, an urban legend about the ghost of a lady in white is said to have haunted the Belchen Tunnel and was widely known and written about in the 80s. Question is, is she still haunting the tunnel?
After falling to his death trying to escape the debtor’s prison, The Marshalsea Barracks in Dublin, it is said the ghost of Pat Doyle is haunting the remaining walls of the ruins.
Once an opulent warehouse, Putulbari mansion in Kolkata is today better known as The House of Dolls. Rumors of the rich and powerful murdering their servants as well as a story about a daughter’s obsession with dolls makes this one of Kolkata’s most haunted places.
Kolkata, a city renowned for its rich history and vibrant culture, hides an eerie secret within its heart. Among the centuries-old mansions and Rajbaris that grace the city, one stands out for its haunting tales and chilling past.
Read more: Check out all of the ghost stories from India
Putulbari, also known as the House of Dolls, is today a heritage building and infamous for being one of the most haunted places in Kolkata, where the decaying structure tells a story of darkness and despair. Most locals know about the history and the supposed haunting in the building adjacent to the Circular Railway track on 22 Hara Chandra Mullick Lane and are said to stay away from it. Especially at night as the rumors haunting this building are pretty grim and violent.
Historic Building: The old building Putulbari along the river bank is said to be one of the city’s most haunted ones. Allegedly it was a place were they used to traffic women who are now haunting the place. Was it all true?//Image Source
The Opulent Era of Shovabazar
Once upon a time, in the heart of Kolkata’s Shovabazar, stood Putulbari, a sprawling mansion belonging to one of the wealthy families that thrived during the British colonial era. Shovabazar, nestled along the banks of the Hooghly River, was a hub of trade and commerce like spices and silk, fueling the rapid ascent of Bengali aristocrats.
Their immense wealth and power made these Rajbaris symbols of opulence and grandeur. Still to this day, you can sense the power of the rajbaris, although perhaps not as much as a century ago.
It is said that Putul Bari was used as some kind of warehouse by the river bank ready to ship to the world. However, many of the legends claim it was something more, perhaps even a home for the rich Bengali Babus.
The Sinister Past of Putulbari
However, beneath the surface of grandeur and prosperity lay sinister stories of exploitation, abuse, and inhumane treatment of especially women by the rich and powerful. The mansion owners, often taking advantage of the local women working in their homes and warehouses, subjected them to sexual assaults and torture.
To silence these victims, many were allegedly tragically murdered and buried within the confines of the property. Such incidents became alarmingly common, hidden behind the façade of grandeur. All of this is rumored to have taken place inside the walls of Putul Bari.
It is also said that the rich aristocrats came to see a performance by Baiji’s. One night there was a dance performance and one of the dancers was murdered in the building. After this she came back to haunt it and is still seen dancing on the terrace under the full moon nights.
The Doll Obsession
The owner of the mansion’s daughter was known for her peculiar obsession with dolls and filled the house with it. Her collection grew to become one of the largest and creepiest doll collections in the mansion. An eerie statue of dolls adorning the building’s exterior is a haunting reminder of her obsession.
The sinister aura surrounding Putulbari took a horrifying turn when the doll-obsessed daughter met a tragic end due to a freak accident although details of it are not known. After her demise, the mansion became the focal point of inexplicable and terrifying events.
Some say that the daughter started to haunt the building, through her dolls as well as throughout the rest of the house. And together with the rest of the girls allegedly buried there, their souls seem to linger there still.
Paranormal Encounters of the Building
People living in this ill-fated mansion shared spine-tingling stories of their encounters of the supernatural kind. They spoke of unearthly cries resonating through the night, apparitions of girls dancing on the mansion’s terrace, and a pervasive feeling of unease that lingered in the building’s every corner. Strangely, some dolls from the past still inhabit the mansion, covered in layers of dust and decay. Some believe that these dolls come to life, although the truth behind these claims remains shrouded in mystery.
There is also the case of the many women that were allegedly murdered that are said to haunt the place as well. And the voices of women screaming are heard by the locals coming from the old building.
Kolkata’s Putulbari – the House of Dolls
Kolkata’s Putulbari is more than just an abandoned mansion; it is a repository of horrors and secrets from a bygone era. Even though the tenants in late years have put up signs that say “this place has no ghosts” to deter paranormal seekers, they still flock to this place to try to have a look for themselves after hearing the stories.
The landlord when the building was used as some sort of knitting factory claims that someone made up all the stories online, and they have been bothered by unwanted guests looking for ghosts ever since.
So how much of the horror stories behind Putulbari and the House of Dolls are true? The tragic tales of exploitation, the eerie obsession with dolls, and the unexplained encounters have turned this once opulent mansion into a place of terror.
After a construction worker mysteriously disappeared when building the Bass Harbor Head Light in Maine, it is said he remained by the lighthouse, haunting the place and every keeper’s family that lived there.
The lighthouse found on Prospect Harbor southwest on Mount Desert Island in Maine, is not the only lighthouse thought to be haunted in Acadia National Park, Bass Harbor Head Light is seen today as an iconic landmark.
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On the rocky coastline of Mount Desert Island they built the Bass Harbor Head Light lighthouse in 1858 on the cliff side overlooking the shore guiding boats into Bass Harbor and Blue Hill Bay.
The lighthouse is built in Tremont, considered to be one of the quieter parts of the islands, but still draws people to have a look at the view. And if we are to believe the rumors, the lighthouse have also attracted ghosts.
The Ghost of Bass Harbor Head Light
The ghost story said to haunt the Bass Harbor Head Light comes from the time of building the lighthouse back in 1858, even before the first keeper moved in.
During construction it is said that a builder vanished without a trace. What happened back then we don’t know. Did he just quit his job and left for something else? Was this actually a case of a missing person case, or worse, murder?
When he left, it was said that they found a bloody axe on the rocks but no body was found. Was he murdered and his body buried inside of the foundations of the lighthouse as the legends go?
In any case, ever since then, he has haunted the lighthouse, even before the first keeper moved in.
People have claimed to see his ghost around and heard noises and experienced things they can’t account for. Some of the reports claims to have seen a man sitting on a stump outside when it snows.
Other Ghosts Haunting the Lighthouse
There is not only a potential murder mystery that is haunting the lighthouse. According to some there are also claims that a deer moving through the snow before vanishing into thin air. When inspecting the snow, there are no footprints to be found.
A woman has also been haunting the lighthouse if we are to believe the stories. She has been seen sitting in a rocking chair inside of the keeper’s house.
The Curse of the Lighthouse
Not only are the lighthouses rumored to be haunted by a ghost, but it is also said to have a curse, or at least bad luck to the keepers that have lived in it.
It is said that every light-keeper or some in his family has had tragedy following them in the lighthouse of illnesses and accidents. Truly the work of a haunting or curse, or simply how life worked in the remote and harsh climate of Maine?
In any case, more than 10 deaths have been attributed to this and are said to have ended just because the lighthouse became automated.
A New Era for the Lighthouse in Bass Harbor
The keepers’ house used to be a private residence for a local Coast Guard member and his family, with most of the grounds being private up until 2012. Today new keepers have moved in to take care of the historic landmark
Most of how they built the lighthouse has been preserved and it looks pretty much the same as it did when constructed and the missing construction worker vanished. Due to the extreme popularity of this iconic lighthouse, parking and crowds can be an issue during the height of tourist season.
Scattery Island has many legends about it. There are dangerous sea monsters, healing waters and ghosts from the monks and priests that lived in the monasteries there.
Off the coast of Kilrush in County Clare, nestled amidst the tumultuous waves of the Atlantic Ocean, lies Scattery Island. This idyllic isle that is called Inis Cathaigh in Irish, conceals secrets that echo through the annals of time, from tales of sea monsters to ancient legends of saints and spectral apparitions that gave name to this mystical island.
The Monstrous Cathach
Before the dawn of the sixth century, Scattery Island was a place shrouded in fear, as its inhabitants lived under the ominous shadow of a sea monster known as the Cathach. This malevolent creature, a Peist of unimaginable dread, terrorized the islanders.
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Legend tells of a divine intervention by Saint Senan, a holy figure who would change the destiny of Scattery Island. According to the ancient tales, Saint Senan received a celestial visitation from the Archangel Michael. This heavenly messenger bestowed upon him the knowledge and power to banish the wicked Cathach from the island.
Sea Serpent: At Scattery Island there is stories about a vicious sea serpent that plagued the area for a long time. Pictured is a sea serpent from Olaus Magnus’ book Historia de Gentibus Septentrionalibus (History of the Northern Peoples, Rome, 1555).
Saint Senan confronted the Cathach, invoking the name of the Holy Trinity. He commanded the malevolent creature to depart from the island, never to return. The powers of divine intervention prevailed, and the Cathach was banished from Scattery Island, cast into the depths of the Black Lake in County Mayo.
Monasteries and a Healing Well
Saint Senan’s divine presence left an indelible mark on Scattery Island. He founded monasteries that thrived through the ages, bearing witness to his miraculous deeds. To this day, a visit to the grave of Saint Senan is believed to possess the power of healing, where the faithful seek solace and renewal.
There was a rule that no woman should ever set foot upon the grounds. There are also legends about miracles and magical water that could cure anything in the Holy Well. Even Saint Senan’s grave on the site is said to have healing powers to those that visited it.
Over the years, vikings attacked and the monasteries were abandoned during Elizabeth I’st reign, leaving it empty, except from ghosts.
A Fisherman’s Haunting Tale
It has always been a place of mystery, even without the tales of the sea serpent. When the Captains of the Shannons and their families inhabited the island again in the 1800s, they were the only people in the area that were somewhat spared from the Famine, and because of this, many thought there had to be something special about the place.
It is also thought to be a haunted place, something we are told about in the legend where a fisherman sought refuge on the island in a storm in the 19th century.
He entered the ruins of an ancient church to offer his prayers, seeking divine protection from the fury of the storm. As he knelt in solemn devotion and closed his eyes, an eerie transformation occurred. The air seemed to shimmer with an otherworldly presence as the disembodied voices of monks and priests filled the hallowed space. Oblivious to the fisherman’s presence, they celebrated mass at the altar, a spectral congregation from a distant time.
The fisherman’s heart raced with terror, realizing that he had unwittingly stumbled upon a supernatural realm. Overwhelmed, he closed his eyes once more and fervently prayed for their departure. When he dared to open his eyes again, the ghostly apparitions had vanished into the ethereal mist, leaving behind an island steeped in history and haunting mysteries.
Scattery Island Enigmatic Legacy
Scattery Island, a place where sea monsters met their match in a saint’s unwavering faith, and where the echoes of ancient monks’ chants linger in the air, stands as a testament to Ireland’s rich tapestry of history, myth, and the supernatural.
The last person living on the island moved in the 1970s, and churches, monasteries and even a castle were left in the ghost town. The enigmatic island beckons the curious to explore its haunted shores, where the past and the spectral converge in a realm of haunting beauty and timeless wonder.
It is probable that everybody who is at all a constant dreamer has had at least one experience of an event or a sequence of circumstances which have come to his mind in sleep being subsequently realized in the material world. But, in my opinion, so far from this being a strange thing, it would be far odder if this fulfilment did not occasionally happen, since our dreams are, as a rule, concerned with people whom we know and places with which we are familiar, such as might very naturally occur in the awake and daylit world. True, these dreams are often broken into by some absurd and fantastic incident, which puts them out of court in regard to their subsequent fulfilment, but on the mere calculation of chances, it does not appear in the least unlikely that a dream imagined by anyone who dreams constantly should occasionally come true. Not long ago, for instance, I experienced such a fulfilment of a dream which seems to me in no way remarkable and to have no kind of psychical significance. The manner of it was as follows.
A certain friend of mine, living abroad, is amiable enough to write to me about once in a fortnight. Thus, when fourteen days or thereabouts have elapsed since I last heard from him, my mind, probably, either consciously or subconsciously, is expectant of a letter from him. One night last week I dreamed that as I was going upstairs to dress for dinner I heard, as I often heard, the sound of the postman’s knock on my front door, and diverted my direction downstairs instead. There, among other correspondence, was a letter from him. Thereafter the fantastic entered, for on opening it I found inside the ace of diamonds, and scribbled across it in his well-known handwriting, “I am sending you this for safe custody, as you know it is running an unreasonable risk to keep aces in Italy.” The next evening I was just preparing to go upstairs to dress when I heard the postman’s knock, and did precisely as I had done in my dream. There, among other letters, was one from my friend. Only it did not contain the ace of diamonds. Had it done so, I should have attached more weight to the matter, which, as it stands, seems to me a perfectly ordinary coincidence. No doubt I consciously or subconsciously expected a letter from him, and this suggested to me my dream. Similarly, the fact that my friend had not written to me for a fortnight suggested to him that he should do so. But occasionally it is not so easy to find such an explanation, and for the following story I can find no explanation at all. It came out of the dark, and into the dark it has gone again.
All my life I have been a habitual dreamer: the nights are few, that is to say, when I do not find on awaking in the morning that some mental experience has been mine, and sometimes, all night long, apparently, a series of the most dazzling adventures befall me. Almost without exception these adventures are pleasant, though often merely trivial. It is of an exception that I am going to speak.
It was when I was about sixteen that a certain dream first came to me, and this is how it befell. It opened with my being set down at the door of a big red-brick house, where, I understood, I was going to stay. The servant who opened the door told me that tea was being served in the garden, and led me through a low dark-panelled hall, with a large open fireplace, on to a cheerful green lawn set round with flower beds. There were grouped about the tea-table a small party of people, but they were all strangers to me except one, who was a schoolfellow called Jack Stone, clearly the son of the house, and he introduced me to his mother and father and a couple of sisters. I was, I remember, somewhat astonished to find myself here, for the boy in question was scarcely known to me, and I rather disliked what I knew of him; moreover, he had left school nearly a year before. The afternoon was very hot, and an intolerable oppression reigned. On the far side of the lawn ran a red-brick wall, with an iron gate in its centre, outside which stood a walnut tree. We sat in the shadow of the house opposite a row of long windows, inside which I could see a table with cloth laid, glimmering with glass and silver. This garden front of the house was very long, and at one end of it stood a tower of three stories, which looked to me much older than the rest of the building.
Before long, Mrs. Stone, who, like the rest of the party, had sat in absolute silence, said to me, “Jack will show you your room: I have given you the room in the tower.”
Quite inexplicably my heart sank at her words. I felt as if I had known that I should have the room in the tower, and that it contained something dreadful and significant. Jack instantly got up, and I understood that I had to follow him. In silence we passed through the hall, and mounted a great oak staircase with many corners, and arrived at a small landing with two doors set in it. He pushed one of these open for me to enter, and without coming in himself, closed it after me. Then I knew that my conjecture had been right: there was something awful in the room, and with the terror of nightmare growing swiftly and enveloping me, I awoke in a spasm of terror.
Now that dream or variations on it occurred to me intermittently for fifteen years. Most often it came in exactly this form, the arrival, the tea laid out on the lawn, the deadly silence succeeded by that one deadly sentence, the mounting with Jack Stone up to the room in the tower where horror dwelt, and it always came to a close in the nightmare of terror at that which was in the room, though I never saw what it was. At other times I experienced variations on this same theme. Occasionally, for instance, we would be sitting at dinner in the dining-room, into the windows of which I had looked on the first night when the dream of this house visited me, but wherever we were, there was the same silence, the same sense of dreadful oppression and foreboding. And the silence I knew would always be broken by Mrs. Stone saying to me, “Jack will show you your room: I have given you the room in the tower.” Upon which (this was invariable) I had to follow him up the oak staircase with many corners, and enter the place that I dreaded more and more each time that I visited it in sleep. Or, again, I would find myself playing cards still in silence in a drawing-room lit with immense chandeliers, that gave a blinding illumination. What the game was I have no idea; what I remember, with a sense of miserable anticipation, was that soon Mrs. Stone would get up and say to me, “Jack will show you your room: I have given you the room in the tower.” This drawing-room where we played cards was next to the dining-room, and, as I have said, was always brilliantly illuminated, whereas the rest of the house was full of dusk and shadows. And yet, how often, in spite of those bouquets of lights, have I not pored over the cards that were dealt me, scarcely able for some reason to see them. Their designs, too, were strange: there were no red suits, but all were black, and among them there were certain cards which were black all over. I hated and dreaded those.
As this dream continued to recur, I got to know the greater part of the house. There was a smoking-room beyond the drawing-room, at the end of a passage with a green baize door. It was always very dark there, and as often as I went there I passed somebody whom I could not see in the doorway coming out. Curious developments, too, took place in the characters that peopled the dream as might happen to living persons. Mrs. Stone, for instance, who, when I first saw her, had been black-haired, became gray, and instead of rising briskly, as she had done at first when she said, “Jack will show you your room: I have given you the room in the tower,” got up very feebly, as if the strength was leaving her limbs. Jack also grew up, and became a rather ill-looking young man, with a brown moustache, while one of the sisters ceased to appear, and I understood she was married.
Then it so happened that I was not visited by this dream for six months or more, and I began to hope, in such inexplicable dread did I hold it, that it had passed away for good. But one night after this interval I again found myself being shown out onto the lawn for tea, and Mrs. Stone was not there, while the others were all dressed in black. At once I guessed the reason, and my heart leaped at the thought that perhaps this time I should not have to sleep in the room in the tower, and though we usually all sat in silence, on this occasion the sense of relief made me talk and laugh as I had never yet done. But even then matters were not altogether comfortable, for no one else spoke, but they all looked secretly at each other. And soon the foolish stream of my talk ran dry, and gradually an apprehension worse than anything I had previously known gained on me as the light slowly faded.
Suddenly a voice which I knew well broke the stillness, the voice of Mrs. Stone, saying, “Jack will show you your room: I have given you the room in the tower.” It seemed to come from near the gate in the red-brick wall that bounded the lawn, and looking up, I saw that the grass outside was sown thick with gravestones. A curious greyish light shone from them, and I could read the lettering on the grave nearest me, and it was, “In evil memory of Julia Stone.” And as usual Jack got up, and again I followed him through the hall and up the staircase with many corners. On this occasion it was darker than usual, and when I passed into the room in the tower I could only just see the furniture, the position of which was already familiar to me. Also there was a dreadful odour of decay in the room, and I woke screaming.
The dream, with such variations and developments as I have mentioned, went on at intervals for fifteen years. Sometimes I would dream it two or three nights in succession; once, as I have said, there was an intermission of six months, but taking a reasonable average, I should say that I dreamed it quite as often as once in a month. It had, as is plain, something of nightmare about it, since it always ended in the same appalling terror, which so far from getting less, seemed to me to gather fresh fear every time that I experienced it. There was, too, a strange and dreadful consistency about it. The characters in it, as I have mentioned, got regularly older, death and marriage visited this silent family, and I never in the dream, after Mrs. Stone had died, set eyes on her again. But it was always her voice that told me that the room in the tower was prepared for me, and whether we had tea out on the lawn, or the scene was laid in one of the rooms overlooking it, I could always see her gravestone standing just outside the iron gate. It was the same, too, with the married daughter; usually she was not present, but once or twice she returned again, in company with a man, whom I took to be her husband. He, too, like the rest of them, was always silent. But, owing to the constant repetition of the dream, I had ceased to attach, in my waking hours, any significance to it. I never met Jack Stone again during all those years, nor did I ever see a house that resembled this dark house of my dream. And then something happened.
I had been in London in this year, up till the end of the July, and during the first week in August went down to stay with a friend in a house he had taken for the summer months, in the Ashdown Forest district of Sussex. I left London early, for John Clinton was to meet me at Forest Row Station, and we were going to spend the day golfing, and go to his house in the evening. He had his motor with him, and we set off, about five of the afternoon, after a thoroughly delightful day, for the drive, the distance being some ten miles. As it was still so early we did not have tea at the club house, but waited till we should get home. As we drove, the weather, which up till then had been, though hot, deliciously fresh, seemed to me to alter in quality, and become very stagnant and oppressive, and I felt that indefinable sense of ominous apprehension that I am accustomed to before thunder. John, however, did not share my views, attributing my loss of lightness to the fact that I had lost both my matches. Events proved, however, that I was right, though I do not think that the thunderstorm that broke that night was the sole cause of my depression.
Our way lay through deep high-banked lanes, and before we had gone very far I fell asleep, and was only awakened by the stopping of the motor. And with a sudden thrill, partly of fear but chiefly of curiosity, I found myself standing in the doorway of my house of dream. We went, I half wondering whether or not I was dreaming still, through a low oak-panelled hall, and out onto the lawn, where tea was laid in the shadow of the house. It was set in flower beds, a red-brick wall, with a gate in it, bounded one side, and out beyond that was a space of rough grass with a walnut tree. The façade of the house was very long, and at one end stood a three-storied tower, markedly older than the rest.
Here for the moment all resemblance to the repeated dream ceased. There was no silent and somehow terrible family, but a large assembly of exceedingly cheerful persons, all of whom were known to me. And in spite of the horror with which the dream itself had always filled me, I felt nothing of it now that the scene of it was thus reproduced before me. But I felt intensest curiosity as to what was going to happen.
Tea pursued its cheerful course, and before long Mrs. Clinton got up. And at that moment I think I knew what she was going to say. She spoke to me, and what she said was:
“Jack will show you your room: I have given you the room in the tower.”
At that, for half a second, the horror of the dream took hold of me again. But it quickly passed, and again I felt nothing more than the most intense curiosity. It was not very long before it was amply satisfied.
John turned to me.
“Right up at the top of the house,” he said, “but I think you’ll be comfortable. We’re absolutely full up. Would you like to go and see it now? By Jove, I believe that you are right, and that we are going to have a thunderstorm. How dark it has become.”
I got up and followed him. We passed through the hall, and up the perfectly familiar staircase. Then he opened the door, and I went in. And at that moment sheer unreasoning terror again possessed me. I did not know what I feared: I simply feared. Then like a sudden recollection, when one remembers a name which has long escaped the memory, I knew what I feared. I feared Mrs. Stone, whose grave with the sinister inscription, “In evil memory,” I had so often seen in my dream, just beyond the lawn which lay below my window. And then once more the fear passed so completely that I wondered what there was to fear, and I found myself, sober and quiet and sane, in the room in the tower, the name of which I had so often heard in my dream, and the scene of which was so familiar.
I looked around it with a certain sense of proprietorship, and found that nothing had been changed from the dreaming nights in which I knew it so well. Just to the left of the door was the bed, lengthways along the wall, with the head of it in the angle. In a line with it was the fireplace and a small bookcase; opposite the door the outer wall was pierced by two lattice-paned windows, between which stood the dressing-table, while ranged along the fourth wall was the washing-stand and a big cupboard. My luggage had already been unpacked, for the furniture of dressing and undressing lay orderly on the wash-stand and toilet-table, while my dinner clothes were spread out on the coverlet of the bed. And then, with a sudden start of unexplained dismay, I saw that there were two rather conspicuous objects which I had not seen before in my dreams: one a life-sized oil painting of Mrs. Stone, the other a black-and-white sketch of Jack Stone, representing him as he had appeared to me only a week before in the last of the series of these repeated dreams, a rather secret and evil-looking man of about thirty. His picture hung between the windows, looking straight across the room to the other portrait, which hung at the side of the bed. At that I looked next, and as I looked I felt once more the horror of nightmare seize me.
It represented Mrs. Stone as I had seen her last in my dreams: old and withered and white-haired. But in spite of the evident feebleness of body, a dreadful exuberance and vitality shone through the envelope of flesh, an exuberance wholly malign, a vitality that foamed and frothed with unimaginable evil. Evil beamed from the narrow, leering eyes; it laughed in the demon-like mouth. The whole face was instinct with some secret and appalling mirth; the hands, clasped together on the knee, seemed shaking with suppressed and nameless glee. Then I saw also that it was signed in the left-hand bottom corner, and wondering who the artist could be, I looked more closely, and read the inscription, “Julia Stone by Julia Stone.”
There came a tap at the door, and John Clinton entered.
“Got everything you want?” he asked.
“Rather more than I want,” said I, pointing to the picture.
He laughed.
“Hard-featured old lady,” he said. “By herself, too, I remember. Anyhow she can’t have flattered herself much.”
“But don’t you see?” said I. “It’s scarcely a human face at all. It’s the face of some witch, of some devil.”
He looked at it more closely.
“Yes; it isn’t very pleasant,” he said. “Scarcely a bedside manner, eh? Yes; I can imagine getting the nightmare if I went to sleep with that close by my bed. I’ll have it taken down if you like.”
“I really wish you would,” I said.
He rang the bell, and with the help of a servant we detached the picture and carried it out onto the landing, and put it with its face to the wall.
“By Jove, the old lady is a weight,” said John, mopping his forehead. “I wonder if she had something on her mind.”
The extraordinary weight of the picture had struck me too. I was about to reply, when I caught sight of my own hand. There was blood on it, in considerable quantities, covering the whole palm.
“I’ve cut myself somehow,” said I.
John gave a little startled exclamation.
“Why, I have too,” he said.
Simultaneously the footman took out his handkerchief and wiped his hand with it. I saw that there was blood also on his handkerchief.
John and I went back into the tower room and washed the blood off; but neither on his hand nor on mine was there the slightest trace of a scratch or cut. It seemed to me that, having ascertained this, we both, by a sort of tacit consent, did not allude to it again. Something in my case had dimly occurred to me that I did not wish to think about. It was but a conjecture, but I fancied that I knew the same thing had occurred to him.
The heat and oppression of the air, for the storm we had expected was still undischarged, increased very much after dinner, and for some time most of the party, among whom were John Clinton and myself, sat outside on the path bounding the lawn, where we had had tea. The night was absolutely dark, and no twinkle of star or moon ray could penetrate the pall of cloud that overset the sky. By degrees our assembly thinned, the women went up to bed, men dispersed to the smoking or billiard room, and by eleven o’clock my host and I were the only two left. All the evening I thought that he had something on his mind, and as soon as we were alone he spoke.
“The man who helped us with the picture had blood on his hand, too, did you notice?” he said. “I asked him just now if he had cut himself, and he said he supposed he had, but that he could find no mark of it. Now where did that blood come from?”
By dint of telling myself that I was not going to think about it, I had succeeded in not doing so, and I did not want, especially just at bedtime, to be reminded of it.
“I don’t know,” said I, “and I don’t really care so long as the picture of Mrs. Stone is not by my bed.”
He got up.
“But it’s odd,” he said. “Ha! Now you’ll see another odd thing.”
A dog of his, an Irish terrier by breed, had come out of the house as we talked. The door behind us into the hall was open, and a bright oblong of light shone across the lawn to the iron gate which led on to the rough grass outside, where the walnut tree stood. I saw that the dog had all his hackles up, bristling with rage and fright; his lips were curled back from his teeth, as if he was ready to spring at something, and he was growling to himself. He took not the slightest notice of his master or me, but stiffly and tensely walked across the grass to the iron gate. There he stood for a moment, looking through the bars and still growling. Then of a sudden his courage seemed to desert him: he gave one long howl, and scuttled back to the house with a curious crouching sort of movement.
“He does that half-a-dozen times a day.” said John. “He sees something which he both hates and fears.”
I walked to the gate and looked over it. Something was moving on the grass outside, and soon a sound which I could not instantly identify came to my ears. Then I remembered what it was: it was the purring of a cat. I lit a match, and saw the purrer, a big blue Persian, walking round and round in a little circle just outside the gate, stepping high and ecstatically, with tail carried aloft like a banner. Its eyes were bright and shining, and every now and then it put its head down and sniffed at the grass.
I laughed.
“The end of that mystery, I am afraid.” I said. “Here’s a large cat having Walpurgis night all alone.”
“Yes, that’s Darius,” said John. “He spends half the day and all night there. But that’s not the end of the dog mystery, for Toby and he are the best of friends, but the beginning of the cat mystery. What’s the cat doing there? And why is Darius pleased, while Toby is terror-stricken?”
At that moment I remembered the rather horrible detail of my dreams when I saw through the gate, just where the cat was now, the white tombstone with the sinister inscription. But before I could answer the rain began, as suddenly and heavily as if a tap had been turned on, and simultaneously the big cat squeezed through the bars of the gate, and came leaping across the lawn to the house for shelter. Then it sat in the doorway, looking out eagerly into the dark. It spat and struck at John with its paw, as he pushed it in, in order to close the door.
Somehow, with the portrait of Julia Stone in the passage outside, the room in the tower had absolutely no alarm for me, and as I went to bed, feeling very sleepy and heavy, I had nothing more than interest for the curious incident about our bleeding hands, and the conduct of the cat and dog. The last thing I looked at before I put out my light was the square empty space by my bed where the portrait had been. Here the paper was of its original full tint of dark red: over the rest of the walls it had faded. Then I blew out my candle and instantly fell asleep.
My awaking was equally instantaneous, and I sat bolt upright in bed under the impression that some bright light had been flashed in my face, though it was now absolutely pitch dark. I knew exactly where I was, in the room which I had dreaded in dreams, but no horror that I ever felt when asleep approached the fear that now invaded and froze my brain. Immediately after a peal of thunder crackled just above the house, but the probability that it was only a flash of lightning which awoke me gave no reassurance to my galloping heart. Something I knew was in the room with me, and instinctively I put out my right hand, which was nearest the wall, to keep it away. And my hand touched the edge of a picture-frame hanging close to me.
I sprang out of bed, upsetting the small table that stood by it, and I heard my watch, candle, and matches clatter onto the floor. But for the moment there was no need of light, for a blinding flash leaped out of the clouds, and showed me that by my bed again hung the picture of Mrs. Stone. And instantly the room went into blackness again. But in that flash I saw another thing also, namely a figure that leaned over the end of my bed, watching me. It was dressed in some close-clinging white garment, spotted and stained with mould, and the face was that of the portrait.
Overhead the thunder cracked and roared, and when it ceased and the deathly stillness succeeded, I heard the rustle of movement coming nearer me, and, more horrible yet, perceived an odour of corruption and decay. And then a hand was laid on the side of my neck, and close beside my ear I heard quick-taken, eager breathing. Yet I knew that this thing, though it could be perceived by touch, by smell, by eye and by ear, was still not of this earth, but something that had passed out of the body and had power to make itself manifest. Then a voice, already familiar to me, spoke.
“I knew you would come to the room in the tower,” it said. “I have been long waiting for you. At last you have come. Tonight I shall feast; before long we will feast together.”
And the quick breathing came closer to me; I could feel it on my neck.
At that the terror, which I think had paralyzed me for the moment, gave way to the wild instinct of self-preservation. I hit wildly with both arms, kicking out at the same moment, and heard a little animal-squeal, and something soft dropped with a thud beside me. I took a couple of steps forward, nearly tripping up over whatever it was that lay there, and by the merest good-luck found the handle of the door. In another second I ran out on the landing, and had banged the door behind me. Almost at the same moment I heard a door open somewhere below, and John Clinton, candle in hand, came running upstairs.
“What is it?” he said. “I sleep just below you, and heard a noise as if—Good heavens, there’s blood on your shoulder.”
I stood there, so he told me afterwards, swaying from side to side, white as a sheet, with the mark on my shoulder as if a hand covered with blood had been laid there.
“It’s in there,” I said, pointing. “She, you know. The portrait is in there, too, hanging up on the place we took it from.”
At that he laughed.
“My dear fellow, this is mere nightmare,” he said.
He pushed by me, and opened the door, I standing there simply inert with terror, unable to stop him, unable to move.
“Phew! What an awful smell,” he said.
Then there was silence; he had passed out of my sight behind the open door. Next moment he came out again, as white as myself, and instantly shut it.
“Yes, the portrait’s there,” he said, “and on the floor is a thing—a thing spotted with earth, like what they bury people in. Come away, quick, come away.”
How I got downstairs I hardly know. An awful shuddering and nausea of the spirit rather than of the flesh had seized me, and more than once he had to place my feet upon the steps, while every now and then he cast glances of terror and apprehension up the stairs. But in time we came to his dressing-room on the floor below, and there I told him what I have here described.
The sequel can be made short; indeed, some of my readers have perhaps already guessed what it was, if they remember that inexplicable affair of the churchyard at West Fawley, some eight years ago, where an attempt was made three times to bury the body of a certain woman who had committed suicide. On each occasion the coffin was found in the course of a few days again protruding from the ground. After the third attempt, in order that the thing should not be talked about, the body was buried elsewhere in unconsecrated ground. Where it was buried was just outside the iron gate of the garden belonging to the house where this woman had lived. She had committed suicide in a room at the top of the tower in that house. Her name was Julia Stone.
Subsequently the body was again secretly dug up, and the coffin was found to be full of blood.
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The Castle of Loarre has more than one ghost. Perhaps you can spot the ghost of the abbess said to haunt the place, or perhaps of the traitor Count Don Julian. Or maybe it is the ghost of Violante de Luna that was exiled by the pope that you hear in the dead of the night?
Spain is a country with a rich history, and with that comes many tales of the supernatural. Some of the most intriguing ghost stories involve the beautiful castles that dot the Spanish countryside. These haunted castles have been the inspiration for countless legends and are guaranteed to send shivers down your spine.
Towering majestically atop a rugged hill in the heart of Spain, this medieval fortress holds secrets that have remained hidden for centuries. Ridley Scott was so impressed by The Castle of Loarre that he chose it as a location for his movie Kingdom of Heaven.
Read more: Check out all of our ghost stories from Spain
From its origins as a strategic stronghold to its dark days of war and betrayal, the Castle of Loarre has witnessed it all, its walls echoing with the echoes of past tragedies.
Historical Significance of the Castle of Loarre
The Castle of Loarre, also known as Loarre Abbey Castle, is a remarkable architectural masterpiece that stands as a testament to the rich history of Spain and is a very well preserved castle in Huesca. It is also one of the oldest castles in Spain.
Built in the 11th century, it served as a strategic stronghold during the Reconquista, a period marked by the Christian kingdoms’ efforts to recapture the Iberian Peninsula from the Moors. With its strategic location on a hill overlooking the surrounding plains, the castle provided a vantage point for surveillance and defense.
The castle’s architecture is a marvel in itself, blending Romanesque and Moorish influences. Its imposing walls, constructed with large stone blocks, are a testament to the craftsmanship of the time. As you walk through the castle’s corridors and explore its towers, you can’t help but marvel at the intricate details carved into the stone, telling stories of battles fought and victories won.
The Castle of Loarre as an Abbey
Back in the day the Castle of Loarre was used as an abbey for nuns as a spiritual sanctuary, not a fortress for defense. It is from this time that the haunted rumors came from and the legend says the old abbey is haunted by an old abbess that appears on the night of San Juan.
It is said that during a military conflict the abbey got caught in the middle and got to pay for it. The Abbess in charge was taken prisoner and locked up in the dungeons of the castle.
Castle of Loarre: The supposed haunted castle by night.
According to local lore, on the night of San Juan, the abbess makes her spectral appearance, wandering the halls and corridors in search of peace or perhaps retribution for past sins. This is said to happen on the night of San Juan.
San Juan’s, or St John’s, feast day falls on the 24th of June every year, but it’s on St John’s eve, the 23rd of June, that the celebrations take place.
Visitors to the castle have reported hearing her ghostly footsteps echoing through the empty chambers, accompanied by the flickering of candlelight that mysteriously appears and disappears.
The Ghost of Violante de Luna
Another version of this legend is that the ghost haunting The Castle of Loarre was a runaway abbess and not necessarily in charge of this place.
Her name was Violante de Luna living in the early 1400s in Spain where the pope had power throughout all of catholic Europe. She was the niece of Papa Luna, or Pope Benedict XIII and enjoyed the privileges it gave her. But little did she know the price for crossing him would be too high.
In her youth she took her cousin, Anton de Luna as her lover and she became pregnant. After her bastard son was born she entered the convent where she became abbess of the Trasobares convent and did quite well for herself. Perhaps she could have it all?
But then, rumor spread and the pope found out about this affair though and excommunicated them both and burned down her convent. They ran off to this very castle and lived together and it was said she led the siege that came to the castle as Anton had to go fight.
Because it was not only their life together that angered the pope, but also their involvement in the rebellion in defense of Jaime de Urgell’s candidacy for the Aragonese throne against Fernando de Antequera, a candidate who was finally elected in the Caspe Compromise. And the two lovers fell out of the popes grace in the middle of the feud.
Their time together was short in the castle as Anton had left for battle and Violante was captured by those chasing them when she lost the siege after three months. She was locked up for a few months in Sora, giving the impression to her jailers, due to her fierceness, that she was a woman “who had the devil in her body.”
What happened next to her is uncertain, some say that she was reunited with her lover in France, some say that she was buried in a monastery.
But all of the legends say that she is still haunting the castle she gave her all to protect. Some say she appears from time to time, walking through the castle as a ghost, standing in the queen’s balcony waiting for news from her beloved. Some say that she has a sword in her hand, still defending the castle from the enemies knocking on the doors.
The Haunted Legends and of Count Don Julian
Aside from the ghost abbess, the Castle of Loarre is steeped in other chilling legends and ghostly tales. One such story revolves around Count Don Julian, who is said to be buried within the castle walls.
There is also the version where Don Julian was buried at the entrance at the church as a traitor for having opened the gates and thereby giving free entry to the peninsula to the Moors to take over large parts of Spain.
During the battle of the Guadalete River in 711 there was a supposed betrayal by Don Julian that ended in defeat for the Visigothic King Don Rodrigo and the Arabs led by the warlords Tarik and Muza gained entry through the Strait of Gibraltar. Count Don Julian’s beloved daughter Florinda was known as La Cava and they supposedly withdrew to this castle to regain strength. But according to the story, they were both captured and imprisoned in the fortress.
The daughter was so scared of what would happen next that she took her own life. She supposedly threw herself from a tower. Don Julian was buried at the entrance to the church of San Pedro so that everyone would step on his grave as the traitor he was. This version seems a bit of a stretch though as in the time of Don Julian the castle was not yet built. Even so, the legend is that every Tuesday you can see him walking along the battlements.
Legend has it that his spirit still wanders the castle, seeking revenge on those who wronged him. His tormented soul laments and yearns for the tragic end his daughter suffered.
Visitors claim to have seen a shadowy figure lurking in the corners of their vision, only to vanish when approached. Others have reported feeling an icy chill in certain rooms, as if the count’s vengeful spirit is still present.
Visit the Haunted Castle
So, if you ever find yourself in Spain, don’t miss the opportunity to visit this ancient castle. Step through its gates and immerse yourself in the haunted history that lies within. But be warned, the Castle of Loarre is not for the faint of heart. The spirits that linger within its walls may just leave you with an unforgettable experience that will send shivers down your spine.
An online magazine about the paranormal, haunted and macabre. We collect the ghost stories from all around the world as well as review horror and gothic media.