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The Myth of Oiwa — The Paper Lantern Ghost

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The blinking paper lantern hides a vengeful ghost in one of the most famous Japanese ghost stories. From a local legend about a real woman to the stage, the myth of the ghost of Oiwa continues to inspire horror.

Many of the more well known stories of ghost and horror from Japan is about the Onryō, meaning a vengeful spirit. A ghost so full of regret and rage, they are posing a threat to living humans. And sometimes, they can come in the form as a Japanese Paper Lantern Ghost. This is the case of the ghost of Oiwa.

Read more about the Onryō

Onryō — the Vengeful Japanese Spirit

In many cultures, ghosts are put in different categories. Such is the case with Onryō (怨霊 onryō,) It basically means “vengeful spirit” or “wrathful spirit” in Japanese and is a mythological spirit of vengeance from Japanese folklore. They also have ghosts, called yurei, but these differ in the will of the ghost. As opposed to…

There are many movies, books and popular culture that feeds on the old legend of the vengeful spirit. Today in modern time we have The Ring and The Grudge series that makes use of this old legend, and in many instances, they are both also inspired by the most iconic Onryō throughout time, the ghost of Oiwa.

Yotsuya Kaidan — The Tale of Oiwa and Tamiya Iemon

The ghost of Oiwa is a vengeful spirit that we first learned of through the kabuki play called Yotsuya Kaidan (四谷怪談) or Ghost Story of Yotsuya from 1825. It was written by the writer Tsuruya Namboku IV, known for his plays with supernatural themes and macabre and grotesque characters.

She is an easy recognisable character on stage with her droopy eye and hair falling out or as the iconic Paper Lantern Ghost. She is also often seen as a Japanese ghost lantern in art.

Read Also: Check out all of the ghost stories from Japan

Kabuki Theatre

The Kabuki theatre is a traditional Japanese style plays originating in the Edo period. It is well known for its characteristics wigs, costumes, makeup and masks. It is exclusively theatre troops of men playing all roles. The distinct styled stage performances is the origin of many iconic looks in modern pop culture, like the distinct style of the Onryō with the white dress, white makeup and long black hair.

Yotsuya Kaidan is not the first and original written account of the legend, but certainly the most famous one. The first written manuscript about the ghost of Oiwa is dated to 1727 called Yotsuya zōtan 四谷雑談. It was an underground publication, most likely of the scandalous rumour of the true rumours of a noble family and lady that acted as an Onryō after her death.

Yotsuya Kaidan tells the story of Oiwa and Tamiya Iemon and in this play it tells the story of a woman scorned by her man and coming back from the dead for revenge. Throughout the years, there have been many adaptation and versions of the story and it was a popular story to tell as a part of a samurai parlor game.

Read Also: Games to Play in the Dark – including Hyakumonogatari Kaidankai

It is considered to be one of Nihon san dai kaidan — Japan’s Big Three Ghost Stories. It is arguably the most famous Japanese ghost story of all time and has spurned a couple of local legends of its own.

Read about the Nihon san dai kaidan—Japan’s Big Three Ghost Stories:

Banchō Sarayashiki — the Ghost of Okiku

The tale of Banchō Sarayashiki (番町皿屋敷, The Dish Mansion at Banchō) is a well known Japanese ghost story (kaidan). It was popularized in the kabuki theater tradition, and lives on in popular culture and folklore alike.

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The Ghost of Oiwa — The Vengeful Spirit

Yotsuya Kaidan starts out as a classical romantic tale. Oiwa was said to be a loving and devoted wife that risked everything for her husband, Tamiya Iemon. They married in secret, without her father’s consent. Tamiya Iemon was a wandering samurai, a poor rōnin and not suited to marry his daughter according to the father.

The ghost of Oiwa
From the ”Thirty-six Ghosts” series by Tsukioka Yoshitoshi, ”The Yotsuya Ghost Story”, 1892.

Oiwa’s father whoever, was not as pleased with her marrying this man without honor and no money. When he found out the rōnin’s misdeeds, he confronted him. After a heated argument, the father was killed by the son in law when he threatened to make them stay apart from each other, and he did not bless their marriage.

After his death, Oiwa mourned her father. Iemon comforted Oiwa, claiming they would find her father’s killer.

To earn money he had to take up work as an umbrella maker to care for his pregnant wife. The old samurai grew bored doing the tedious work and turned resentful towards his wife, Oiwa. A woman he once loved and done horrible things to stay with. But in the end, there was no love left.

Next door they had a neighbor with a granddaughter that loved Iemon. The neighbor himself wanted his granddaughter and Iemon to get married. They were wealthy neighbors, and Iemon wanted to be that as well. So they planned how to get rid of Oiwa together.

Unbeknownst to Oiwa they sent her either an ointment or face cream laced with poison. But the poison didn’t kill her and only left her disfigured with one eye drooping and her hair falling off as she tried to brush through it, making Iemon so disgusted by her, he came up with a plan to rid himself of her. He hired one of his friends to rape her so that he would have grounds for a divorce.

His friend however is unable to go through with the plan and shows her a mirror instead. When she sees herself she understands what has happen and how she has been deceived. She takes a sword and accidently kills herself with it, and on her last breath, she curses Iemons name. In some versions there is actually Iemon that kills her.

Iemon threw her in the river to rot and went on to plan the wedding to the neighbors granddaughter. That night, the night before his wedding, he had terrible night terrors, and he saw his dead wife manifesting. In a burning paper lantern she comes out as a ghost, frightening him as a warning of the hauntings that are about to come.

The Chōchin obake

In Japanese legends, they have this concept of Tsukumogami (付喪神, “Kami of tool). This is the belief that inanimate objects, when they ‘serve’ their owners for a hundred years, they are granted life and a soul. When the Japanese lantern, or Chōchin reaches this age, it can become Chōchin obake, a Japanese lantern ghost, a mostly harmless ghost that laughs and lightly scares humans. But they could also be inhabited by a powerful onryō.

The Lantern: The print depicts a Kamiya Iantern haunted by the ghost of Oiwa as the Paper Lantern Ghost in Yotsuya Kaidan
Kuniyoshi Utagawa, ”The Ghost in the Lantern”, 1852.

But he is not frightened enough as he still goes on with the wedding the next day. When he lifted the veil of his bride though, it was the ghost of Oiwas disfigured face staring back at him. He beheaded her, and therefore, his new bride as well. There is all in all a lot of killing going on.

He was then pursued by the ghost of Oiwa, not wanting him to escape. She was turned into a vengeful ghost, pursuing him into madness, making him suffer. He dies in the end, after suffering horrible.

It changes in the different adaptations of Yotsuya Kaidan how he dies though. Sometimes he is killed by Oiwa’s brother, or brother in law and in other versions it’s the haunting of the ghost of Oiwa that drives him out of his mind and into death. Sometimes it’s Oiwa herself, that pulls him down from the height with her. Either way her revenge is complete.

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The Deaths Behind The Play of the Paper Lantern Ghost

The success of the Yotsuya Kaidan play was so big that they had to reschedule more performances to meet the demands. It was mostly believed that the popularity of the play was because it tapped into the zeitgeist of the society at the time.

Oiwa as the lantern: The ghost of Oiwa manifesting herself as a Japanese Paper Lantern Ghost. From the series One Hundred Tales (Hyaku monogatari).
Print by Katsushika Hokusai. 1830

The theme of repressed women was something that reflected the Bunsei era that was also a time of great unrest. And the story of the victim taking her revenge of her oppressor was something the audience revelled in.

But where did the story come from? Was it just from the imagination to Nanboku when he wrote the play?

In most blogs it is said the legend created the play. But was it actually the play that created the legend? Yes, it is based on the terrifying vengeful ghost, something older than the kabuki play. But were did Nanboku really get his story from?

According to some sources Nanboku’s play was based of an actual murder of the wife of a samurai that went insane after her husband got another woman pregnant. She wandered off from her home, never to be seen again.

It is also claimed that Nanboku based his play from to separate murders. One of the murders was that of two servants who had murdered their masters. They were caught and executed on the same day. The second murder that inspired the play was a samurai that nailed his wife and her lover to a wooden board and threw them into the Kanda River for being faithless.

In any case what source the play was created from, the play itself became something that created more legend. It has adapted for film over 30 times, and continues to be an influence on Japanese horror today.

The Real Oiwa and her Rocks

But who was the real Oiwa behind the manuscript? Both the play and the written account from 1727 from the underground publication that claimed a dead wife had turned into an onryo. Wether this account really refers to this Oiwa, is a bit uncertaint though.

We can find an Oiwa Tamiya in the real life that had something mysterious happening to her. Living in the 17th century, she was born into a powerful family, but she and her husband had financial difficulties.

One day Oiwa came over two very large rocks she felt was something special and put them both in her garden. She prayed to these rocks for good luck and prosperity for her family to overcome their financial difficulties.

And over time, the things she prayed for to the rocks really happened for the family and everyone believed it was because of the magic rocks that she had prayed to. The rocks became famous, and was called Oiwa Inari or Yotsuya Inary. In the end, a shrine was built for it, and this is the shrine people flock to pray to.

Even the Tokyo Metropolitan Board of Education found it necessary to distinguish the real life Oiwa and the play and they have put this message:

Tamiya Inari Shrine, commonly known as Oiwa Inari, used to be i the premises of Tamiya family of Osakitegumi doshin (military officer in the Edo period).

An old story is passed down that Oiwa (died in 1636), a daughter of Tamiya Matazaemon, worshipped at the shrine and restored her family with Iemon, her husband. Therefore, the shrine was gradually worshipped as ‘Oiwa Inari* by people. There was yet another story to attract further worshippers, the ghost story ‘Tokaido Yotsuya Kaidan’, written by Tsuruya Nanbuko and was staged in 1825 and was very popular.

However, it was written after 200 years of time when Oiwa and Iemon actually lived. Unlike the famous ghost story, their marriage in reality was enjoyable. After Inari shrine was lost by a fire in 1879, it moved to Shinkawa in Chuo Ward. The present shrine was rebuilt here at Yotsuya in 1952.

— Tokyo Metropolitan Board of Education

Although not like in the play, there were rumours about Oiwa being a vengeful ghost, long before the Kabuki actors entered the stage for the first time. Something we can read about in the manuscript from 1727 that also hinted to this fate for her.

A more sinister legend of this lady though is the curse she apparently set on three houses had been disrupted, rumour saying it was the grudge of Tamiya’s wife, Oiwa that killed them. They were both victims of the reforming rule of the eight Tokugawa Shōgun, Yoshimune Kō. In some accounts she disappeared, in others she commited suicide, vowing to revenge those who wronged her. In all she was blamed for the deaths of at least fifteen people.

The Shrine in Oiwa’s Honor

Already in 1717, there was a shrine erected in her honor, something they sometimes did to appease the wrath of an Onryō, long before the publication that were written ten years after. This is a list of some of the shrines that were built to restore her honor and protect from the harmful ghost, or at least connected to the Oiwa legend:

  1. Yotsuya O’Iwa-inari Tamiya Shrine
    四谷於岩稲荷田宮神社
    新宿区左門町
  2. O’Iwa-inari Yōunji
    於岩稲荷陽雲寺
    新宿区左門町
  3. O’Iwa-inari Tamiya Shrine
    於岩稲荷田宮神社
    中央区荒川
  4. Myōkōji
    妙行寺
    豊島区西巣鴨

They say that when visiting her grave, there is a statue of Oiwa inside the main building in some of her shrines, although not accessible to visitors. you can wish upon it as it is said she grants the wishes of her worshippers. This is also the rumours about her grave.

The Curse of Oiwa’s Grave and The Curse on the Play

The revenge of Oiwa: The ghost of Oiwa coming out from the Japanese lantern in Yotsuya Kaidan as a ghost with her son in her arms.
Artist:Kuniyoshi

It is said her body is buried at Myogo-ji temple in Sugamo, Tokyo. Her death is listed in February 22. 1636 and the grave has been rumoured to have been haunted for ages.

After the play started, there have been reports of accidents, injuries and deaths around the production of the play or even TV or movie adaptions of the story. This has been blamed on the ghost of Oiwa and her wish for revenge. Therefore it has become a tradition to visit and pay respect for the people involved in a production of Yotsuya Kaidan just to be safe.

I you go straight through the graveyard, there is suppose to be a red torii (a Shinto shrine archway) by a tree. Under the tree, her grave is supposed to be. But don’t run off to check it out just because you are curious and nothing more. According to legend, if you visit the grave just because of curiosity, your right eye will swell up, just like hers did with the poison.

It is said to be a curse over it all. And very much like the Macbeth curse, the people involved in productions of the legend of Yotsuya Kaidan, still honors it. Before retelling the story there is a tradition to go to her grave, to ask her permission, asking for her blessing to tell her story again. So… will you?

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References:

Chōchin obake

Tsukumogami | Yokai Wiki | Fandom

https://www.japan-guide.com/e/e2090.html

Tsuruya Namboku IV | Japanese dramatist | Britannica

Japan’s Three Great Ghost Stories | Japanese Art

O-Iwa’s Curse

https://kokoro-jp.com/culture/1489/

YOTSUYA KAIDAN

YOTSUYA KAIDAN

Oiwa-Inari Tamiya shrine – Shinjuku, Tokyo

Tokyo Ghost Hunting: Visiting Oiwa’s Haunted Shrine in Yotsuya

Botan Dōrō – Tales of the Peony Lantern

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The Botan Dōrō or Tales of the Peony Lantern is a ghost story told since the Ming dynasty in China to today. Most popular through the Kaidan theater plays, it is now one of Japan’s most well known ghost stories.

Another dark, yet poetic love story of a ghost. The Botan Dōrō (牡丹燈籠), or, the peony lantern was a story that became popular in Japan during the 17th century in the Edo era.

The Stone Lantern: The Title refers to the type of stone lantern often found in Japan.

It was really a Chinese tale called Jiandeng Xinhua (剪燈新話,) or New Tales Under the Lamplight from 1378 by the Chinese writer Qu You. This was a collection of moralic tales and Buddhist lessons on Karma.

Japan was at the time almost entirely closed off as a country and got little to no input from the outside world. The Japanese adapted it as their own with the writer Asai Ryoi and the demand for Kaidan stories, ghost stories, especially for the parlour game Hyakumonogatari Kaidankai.

Read Also: Games to Play in the Dark – including Hyakumonogatari Kaidankai

The story of Botan Dōrō is set during Obon, a three day festival of the dead in the late summer in Nezu district in Tokyo. Kaidan (ghost stories) was immensely popular during this era, especially during Obon.

Read Also: The Obon Celebration – The Ghost Festival

Botan Dōrō is considered to be one of Nihon san dai kaidan — Japan’s Big Three Ghost Stories. It is arguably the most famous Japanese ghost story of all time and has spurned a couple of local legends of its own. The other two famous Kaidan’s is: Banchō Sarayashiki — the Ghost of Okiku and The Myth of Oiwa — The Paper Lantern Ghost.

The Story of the Botan Dōrō

A long time ago in the Nezu district of Tokyo, the first night of Obon was upon them. This is when the spirits are welcomed back into our world and guided home after three days. A man named Ogiwara was out walking. In some versions he is a young student with his whole life in front of him while in others, he is an elder widowed samurai that carries a lot of regret and grief.

Botan Dōrō Kaidan: The stage production of Botan Dōrō had many adaptations of the story. Here is an illustration of The character of Otsuyu and the titular peony lantern.

On the first day of Obon he noticed a beautiful woman with a maid carrying a peony lantern by his house and they started talking.

Her name was Otsuyu and charmed her way into Ogiwara’s heart. Over the festival the two fell more and more in love in the light by the lantern. And every night she came back to him.

A neighbor however was growing worried for the young man after having seen them meet the first day. That very night he visited the boy, peeping through the window to make sure of his suspicion. There he saw the man in the arms, not of a young and beautiful woman, but a skeleton.

Almost fainting of shook, the nosy neighbour got on his way, running to get a Buddhist priest to get help for the man. When the buddhist priest and the neighbor came the following day, they told the man about this and decided to throw a protective spell over the house. Not really believing until he saw it with his own eyes, he waited to the following night to see for himself.

When Otsuyu together with her servant came to the door she was unable to pass the protection charms the buddhist priest had put up. When she understood what was happening she was crying, banging on the door, and the man understood that it was all true. She was indeed dead and he had fallen in love with a ghost. She reminded him again and again for their love for each other, not leaving the house.

Read Also: Another ghost story where the husband finds out his wife was already dead is The Lady Nak of Phra Khanong — Thailand’s Famous Ghost Mae Nak

The man’s health grew worse and worse during the day and he only felt sorrow and a longing for the thing they had together, even though he knew about her. One night he couldn’t resist his longing anymore. He lifted the protection charm on the last day of Obon and let them in.

When the neighbor once again came to check on him, there was not only one dead person in the room, but two. His soul taken away at the end of the Obon festival as the spirits were supposed to, back to the spirit world.

Is Botan Dōrō Another Haunted Play?

Later the story has gotten many variations, on stage as well as on the screen. The story changes with the times from the closed off Edo period to the opening of western influence of the Meiji period up until modern times.

Read More: Check out all of our ghost stories from Japan

The English translation was done by Lafcadio Hearn in 1899 for his book: In Ghostly Japan. He titled his adaptation A Passional Karma, and based it on the kabuki version of the story. Read the full one Here

But just as in the Kaidan theater play of Yotsuya Kaidan, there is said to be a curse on the ones playing the parts of the ghosts. This is from an events in 1919 when the play was set up in the Imperial Theater. The actresses playing Otsuyu and her maid both became sick and died within a week of each other. They were some of the more promising actresses in Tokyo at the time, and their death were sudden and gave rise to many rumours.

It was said that before they died they had been seen nightly with pale-face and their hair worn long and dishevelled. The actress playing the maid held the lantern in hand, moving behind the willow tree following the other one.

So who is to say? Can a made up story turn into something cursed? Or was it something else than a good story that made it linger in the cultural minds of the Japanese as a ghost?

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Games to play in the dark

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This is a list of games that have been played for a long time, or new. Some are old in its new form. Many of these games are best played in the dark in the middle of the night, far from any other sounds. Some you are tired of, as we do with old games, some are always a welcomed suggestion to do.

Light as a Feather

This is a very old game. Or rather, more than a game, perhaps we would call it more of a party trick in these days. But it has been played as far back as in 1665, at least! It is still popular today, in modern day, most popularized by the books and HBO series by the same name.

The game is a circle of children (or adults, hey!) that invokes a spirit or something to lift someone lying down in the middle. When it works, it is af the child can lift their friend with only one finger.

Rules

One participant lies flat on the floor, and then the others space themselves around him or her, each placing one or two fingertips underneath the participant’s limbs. The person closest to the head commonly begins by saying, “She’s looking ill,” which is repeated several times, and followed by, “she’s looking worse,” which is also repeated several times. The general direction of the call-and-repeat describes how the prone person is looking worse and worse, followed by saying “she is dying,” and, finally, “she is dead”.

All versions of the game end with the phrase “light as a feather, stiff as a board” chanted by the entire group, as they attempt to lift their companion’s body using only their fingertips. Some versions omit the story entirely and only the “light as a feather…” chant is used. Allegedly, after these repetitions, the person being lifted will seem lighter or even entirely weightless.

Another variation of the game takes place with one person seated in a chair. Four volunteers agree to stand around the sitter, two on the sitter’s left side and the other two on his/her right. Each of the four places two fingers under each corner of the chair’s seat and the four together will attempt to lift the chair and sitter, which generally fails. The volunteers will then perform some small ritual, usually involving rubbing their hands together or circling the chair in various direction (counter-clockwise, walking backwards, etc.) After this ritual, the volunteers hold their hands over the sitter’s head to “transfer” energy into the sitter, which will presumably make him/her weightless. The lifters then retry lifting the sitter the same way as before. Also, it can be that the lifters lift the person sitting in the chair; doing the rest of the ritual as so but holding at the four main points of the body (Under the knees on each side and under the shoulders.)

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Bloody Mary

A classic tale, probably a bit boring if you have played it a million times. But the game is old and have been played in many different times. Perhaps one should try that? Perhaps it would work better then? Or… better not.

Historically, the divination ritual encouraged young women to walk up a flight of stairs backward holding a candle and a hand mirror, in a darkened house. As they gazed into the mirror, they were supposed to be able to catch a view of their future husband’s face. There was, however, a chance that they would see a skull instead, indicating that they were going to die before they would have the chance to marry.

In the ritual of today, Bloody Mary allegedly appears to individuals or groups who ritualistically invoke her name, repeatedly chanting her name into a mirror placed in a dimly-lit or candle-lit room. In some traditions the name must be repeated thirteen times (or some other specified number of times, very often 3 times in movies, probably to save time). The Bloody Mary apparition allegedly appears as a corpse, witch or ghost, can be friendly or evil, and is sometimes “seen” covered in blood. The lore surrounding the ritual states that participants may endure the apparition screaming at them, cursing them, strangling them, stealing their soul, drinking their blood. 

Some variations of the ritual call Bloody Mary by a different name—”Hell Mary” and “Mary Worth” are popular examples.

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The Hyakumonogatari Kaidan

This one is a pretty cool one. Although it excact origins are a bit unclear, it was believed that it was first played among the samurai class as a test of courage in old Japan.

The game was played as night fell upon the region using three separate rooms. In preparation, participants would light 100 lights in the third room and position a single mirror on the surface of a small table. When the sky was at its darkest, guests gathered in the first of the three rooms, taking turns orating tales of ghoulish encounters and reciting folkloric tales passed on by villagers who claimed to have experienced supernatural encounters. These tales soon became known as kaidan. Upon the end of each kaidan, the story-teller would enter the third room and extinguished one light, look in the mirror and make their way back to the first room. With each passing tale, the room slowly grew darker and darker as the participants reached the one hundredth tale, creating a safe haven for the evocation of spirits.

However, as the game reached the ninety-ninth tale, many participants would stop, fearful of invoking the spirits they had been summoning.

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Oujia Board

This is a rather facinating story of spiritualism, capitalism and a great scam that made people millions, and billions scared of a board game. But that must be another time. The game itself is pretty fun, even though people still swear of its demonic and spiritual powers. The official owner of the official Oujia Board is Hasbro, and this is the official rules from Hasbro (the owner of the patent).

Set up

  • If desired, set the mood by dimming the lights or turning them off.
  • Before using the Oujia Board, wipe it with a dry cloth to remove dust and moisture.
  • Sit opposite another player or gather around the board if more than two are playing.
  • Set the Ouija board either on the players laps or on a small table between and within reach of the players
  • Additional players are encouraged to look on and take note of the Oujia Board’s responses.
  • Set the Planchette in the center of the Oujia Board.
  • Place two fingers lightly on the Planchette.
  • Now, concentrate

What now?

Players take turns asking questions and all should agree to the question being asked. Ask only one question at a time. Ask your questions slowly and clearly. And wait to see what the Planchette spells out for you.

If nothing happens, try asking another question. Allow one to five minutes for an answer to come.

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The Midnight Game

Ok, so this one bugs me, and it thrills me. It has been a huge success and got its own movie, but still. Well, anyway, it claims to be a pagan ritual, not specifying though, what pagan religion considering every other religion beside the religion you follow is pagan. But anyway, considering it isn’t any trace of this game from before the 2010s, it is highly unlikely. But fun nonetheless. But there are a hell of lots rules, so we will just post them as they are written on the creepy pasta page so not to make any mistakes.

Instructions

PREREQUISITES:

It must be exactly 12:00 AM when you begin performing the ritual. Otherwise, it will not work.

MATERIALS:

You will need a candle, a piece of paper, a writing implement, matches or a lighter, salt, a wooden door, and at least one drop of your own blood. If you are playing with multiple people, they will need their own of the aforementioned materials and they will have to perform the steps below accordingly.

STEP 1:

Write your full name (first, middle, and last) on the piece of paper. Put at least one drop of blood on the paper. Allow it to soak into the paper.

STEP 2:

Turn off all of the lights in the place you are doing this. Go to your wooden door, and place the paper with your name on it in front of the door. Now, take out the candle and light it. Place it on top of the paper.

STEP 3:

Knock on the door twenty-two times. The hour must be 12:00 AM upon the final knock. Then, open the door, blow out the candle, and close the door. You have just allowed the “Midnight Man” to enter your house.

STEP 4:

Immediately relight your candle.
This is where the game begins. You must now lurk around your now completely dark house, with the lit candle in your hand. Your goal is to avoid the Midnight Man at all costs, until 3:33 AM. Should your candle ever go out, that means the Midnight Man is near you. You must relight your candle in the next ten seconds.

If you are not successful in doing this, you must then immediately surround yourself with a circle of salt. If you are unsuccessful in both of your actions, the Midnight Man will create a hallucination of your greatest fear, and rip out your organs one by one. You will feel it, but you will be unable to react.

If you are successful in creating the circle of salt, you must remain in there until 3:33 AM.
If you are successful in relighting your candle, you may proceed with the game. You must continue to 3:33 AM, without being attacked by the Midnight Man, or being trapped inside the circle of salt, to win the Midnight Game. The Midnight Man will leave your house at 3:33 AM, and you will be safe to proceed with your morning.

ADDITION:

Indications that you are near the Midnight Man will include sudden drop in temperature, seeing a pure black, humanoid figure through the darkness, and hearing very soft whispering coming from an indiscernible source. If you experience any of these, it is advised that you leave the area to avoid the Midnight Man.

DO NOT turn any of the lights on during the Midnight Game.

DO NOT use a flashlight during the Midnight Game.

DO NOT go to sleep during the Midnight Game.

DO NOT attempt to use another person’s blood on your name.

DO NOT use a lighter as a substitute for a candle. It will not work.

AND DEFINITELY DO NOT attempt to provoke the Midnight Man in ANY WAY.

Even when the game is over, he will always be watching you…

Good luck, you are going to need it.

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