Smee by A.M Burrage

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Smee is a short story by A.M. Burrage, telling the haunting ghost story of a group of people playing hide and seek in a house were a girl died playing the very same game.

Smee
by A.M Burrage

‘No,’ said Jackson, with a deprecatory smile, ‘I’m sorry. I don’t want to upset your game. I shan’t be doing that because you’ll have plenty without me. But I’m not playing any games of hide-and-seek.’

It was Christmas Eve, and we were a party of fourteen with just the proper leavening of youth. We had dined well; it was the season for childish games, and we were all in the mood for playing them— all, that is, except Jackson. When somebody suggested hide-and-seek there was rapturous and almost unanimous approval. His was the one dissentient voice.

It was not like Jackson to spoil sport or refuse to do as others wanted. Somebody asked him if he
were feeling seedy.

‘No,’ he answered, ‘I feel perfectly fit, thanks. But,’ he added with a smile which softened without
retracting the flat refusal, ‘I’m not playing hide-and-seek.’

One of us asked him why not. He hesitated for some seconds before replying.

‘I sometimes go and stay at a house where a girl was killed through playing hide-and-seek in the dark. She didn’t know the house very well. There was a servants’ staircase with a door to it. When she was pursued she opened the door and jumped into what she must have thought was one of the bedrooms—and she broke her neck at the bottom of the stairs.’

We all looked concerned, and Mrs Fernley said:

‘How awful! And you were there when it happened?’

Jackson shook his head very gravely. ‘No,’ he said, ‘but I was there when something else happened. Something worse.’

‘I shouldn’t have thought anything could be worse.’

‘This was,’ said Jackson, and shuddered visibly. ‘Or so it seemed to me.’

I think he wanted to tell the story and was angling for encouragement. A few requests which may have seemed to him to lack urgency, he affected to ignore and went off at a tangent.

‘I wonder if any of you have played a game called “Smee”. It’s a great improvement on the ordinary game of hide-and-seek. The name derives from the ungrammatical colloquialism, “It’s me.” You might care to play if you’re going to play a game of that sort. Let me tell you the rules.

‘Every player is presented with a sheet of paper. All the sheets are blank except one, on which is
written “Smee”. Nobody knows who is “Smee” except “Smee” himself—or herself, as the case may be. The lights are then turned out and “Smee” slips from the room and goes off to hide, and after an interval the other players go off in search, without knowing whom they are actually in search of. One player meeting another challenges with the word “Smee” and the other player, if not the one concerned, answers “Smee.”

‘The real “Smee” makes no answer when challenged, and the second player remains quietly by him. Presently they will be discovered by a third player, who, having challenged and received no answer, will link up with the first two. This goes on until all the players have formed a chain, and the last to join is marked down for a forfeit. It’s a good noisy, romping game, and in a big house it often takes a long time to complete the chain. You might care to try it; and I’ll pay my forfeit and smoke one of Tim’s
excellent cigars here by the fire until you get tired of it.’

I remarked that it sounded a good game and asked Jackson if he had played it himself. ‘Yes,’ he answered; ‘I played it in the house I was telling you about.’

‘And she was there? The girl who broke—‘

‘No, no,’ Mrs Fernley interrupted. ‘He told us he wasn’t there when it happened.’

Jackson considered. ‘I don’t know if she was there or not. I’m afraid she was. I know that there were thirteen of us and there ought only to have been twelve. And I’ll swear that I didn’t know her name, or I think I should have gone clean off my head when I heard that whisper in the dark. No, you don’t catch me playing that game, or any other like it, any more. It spoiled my nerve quite a while, and I can’t afford to take long holidays. Besides, it saves a lot of trouble and inconvenience to own up at
once to being a coward.’

Tim Vouce, the best of hosts, smiled around at us, and in that smile there was a meaning which is sometimes vulgarly expressed by the slow closing of an eye. ‘There’s a story coming,’ he announced. ‘There’s certainly a story of sorts,’ said Jackson, ‘but whether it’s coming or not—‘ He paused and shrugged his shoulders.

‘Well, you’re going to pay a forfeit instead of playing?’

‘Please. But have a heart and let me down lightly. It’s not just a sheer cussedness on my part.’

‘Payment in advance,’ said Tim, ‘insures honesty and promotes good feeling. You are therefore sentenced to tell the story here and now.’

And here follows Jackson’s story, unrevised by me and passed on without comment to a wider public: Some of you, I know, have run across the Sangstons. Christopher Sangston and his wife, I mean.

They’re distant connections of mine—at least, Violet Sangston is. About eight years ago they bought a house between the North and South Downs on the Surrey and Sussex border, and five years ago they invited me to come and spend Christmas with them. It was a fairly old house—I couldn’t say exactly of what period—and it certainly deserved the epithet ‘rambling.’ It wasn’t a articularly big house, but the original architect, whoever he may have been, had not concerned himself with economising in space, and at first you could get lost in it quite easily.

Well, I went down for that Christmas, assured by Violet’s letter that I knew most of my fellow-guests and that the two or three who might be strangers to me were all ‘lambs.’ Unfortunately, I’m one of the world’s workers, and couldn’t get away until Christmas Eve, although the other members of the party had assembled on the preceding day. Even then I had to cut it rather fine to be there for dinner on my first night. They were all dressing when I arrived and I had to go straight to my room and waste no time. I may even have kept dinner waiting a bit, for I was last down, and it was announced within a minute of my entering the drawing-room. There was just time to say ‘hullo’ to everybody I knew, to be briefly introduced to the two or three I didn’t know, and then I had to give my arm to Mrs Gorman.

I mention this as the reason why I didn’t catch the name of a tall, dark, handsome girl I hadn’t met before. Everything was rather hurried and I am always bad at catching people’s names. She looked cold and clever and rather forbidding, the sort of girl who gives the impression of knowing all about men and the more she knows of them the less she likes them. I felt that I wasn’t going to hit it off with this particular ‘lamb’ of Violet’s, but she looked interesting all the same, and I wondered who she was. I didn’t ask, because I was pretty sure of hearing somebody address her by name before very long. Unluckily, though, I was a long way off her at table, and as Mrs Gorman was at the top of her form that night I soon forgot to worry about who she might be. Mrs Gorman is one of the most amusing women I know, an outrageous but quite innocent flirt, with a very sprightly wit which isn’t always unkind. She can think half a dozen moves ahead in conversation just as an expert can in a game of chess. We were soon sparring, or, rather, I was ‘covering’ against the ropes, and I quite forgot to ask her in an undertone the name of the cold, proud beauty. The lady on the other side of me was a stranger, or had been until a few minutes since, and I didn’t think of seeking information in that quarter.

There was a round dozen of us, including the Sangstons themselves, and we were all young or trying to be. The Sangstons themselves were the oldest members of the party and their son Reggie, in his last year at Marlborough, must have been the youngest. When there was talk of playing games after dinner it was he who suggested ‘Smee.’ He told us how to play it just as I’ve described it to you.

His father chipped in as soon as we all understood what was going to be required of us. ‘If there are any games of that sort going on in the house,’ he said, ‘for goodness’ sake be careful of the back stairs on the first-floor landing. There’s a door to them and I’ve often meant to take it down. In the dark anybody who doesn’t know the house very well might think they were walking into a room. A girl actually did break her neck on those stairs about ten years ago when the Ainsties lived here.’
I asked how it happened.

‘Oh,’ said Sangston, ‘there was a party here one Christmas time and they were playing hide-and-seek as you propose doing. This girl was one of the hiders. She heard somebody coming, ran along the passage to get away, and opened the door of what she thought was a bedroom, evidently with the intention of hiding behind it while her pursuer went past. Unfortunately it was the door leading to the back stairs, and that staircase is as straight and almost as steep as the shaft of a pit. She was dead
when they picked her up.’

We all promised for our own sakes to be careful. Mrs Gorman said that she was sure nothing could happen to her, since she was insured by three different firms, and her next-of-kin was a brother whose consistent ill-luck was a byword in the family. You see, none of us had known the unfortunate girl, and as the tragedy was ten years old there was no need to pull long faces about it.
Well, we started the game almost immediately after dinner. The men allowed themselves only five minutes before joining the ladies, and then young Reggie Sangston went round and assured himself that the lights were out all over the house except in the servants’ quarters and in the drawing-room where we were assembled. We then got busy with twelve sheets of paper which he twisted into pellets and shook up between his hands before passing them round. Eleven of them were blank, and ‘Smee’ was written on the twelfth. The person drawing the latter was the one who had to hide. I looked and saw that mine was a blank. A moment later out went the electric lights, and in the darkness I heard somebody get up and creep to the door.

After a minute or so somebody gave a signal and we made a rush for the door. I for one hadn’t the least idea which of the party was ‘Smee.’ For five or ten minutes we were all rushing up and down passages and in and out rooms challenging one another and answering, ‘Smee?—Smee!’ After a bit the alarums and excursions died down, and I guessed that ‘Smee’ was found. Eventually I found a chain of people all sitting still and holding their breath on some narrow stairs leading up to a row of attics. I hastily joined it, having challenged and been answered with silence, and presently two more stragglers arrived, each racing the other to avoid being last. Sangston was one of them, indeed it was he who was marked down for a forfeit, and after a little while he remarked in an undertone, ‘I think we’re all here now, aren’t we?’

He struck a match, looked up the shaft of the staircase, and began to count. It wasn’t hard, although we just about filled the staircase, for we were sitting each a step or two above the next, and all our heads were visible. ‘…nine, ten, eleven, twelve—thirteen‘ he concluded, and then laughed. ‘Dash it all, that’s one too many!’

The match had burned out and he struck another and began to count. He got as far as twelve, and
then uttered an exclamation.

‘There are thirteen people here!’ he exclaimed. ‘I haven’t counted myself yet.’

‘Oh, nonsense!’ I laughed. ‘You probably began with yourself, and now you want to count yourself
twice.’

Out came his son’s electric torch, giving a brighter and steadier light and we all began to count. Of
course we numbered twelve. Sangston laughed.

‘Well,’ he said, ‘I could have sworn I counted thirteen twice.’

From halfway up the stairs came Violet Sangston’s voice with a little nervous trill in it. ‘I thought there was somebody sitting two steps above me. Have you moved up, Captain Ransome?’

Ransome said that he hadn’t: he also said that he thought there was somebody sitting between Violet and himself. Just for a moment there was an uncomfortable Something in the air, a little cold ripple which touched us all. For that little moment it seemed to all of us, I think, that something odd and unpleasant had happened and was liable to happen again. Then we laughed at ourselves and at one another and were comfortable once more. There were only twelve of us, and there could only have
been twelve of us, and there was no argument about it. Still laughing we trooped back to the drawingroom to begin again.

This time I was ‘Smee,’ and Violet Sangston ran me to earth while I was still looking for a hidingplace. That round didn’t last long, and we were a chain of twelve within two or three minutes.

Afterwards there was a short interval. Violet wanted a wrap fetched for her, and her husband went up to get it from her room. He was no sooner gone than Reggie pulled me by the sleeve. I saw that he was looking pale and sick.

‘Quick!’ he whispered, ‘while father’s out of the way. Take me into the smoke room and give me a brandy or a whisky or something.’

Outside the room I asked him what was the matter, but he didn’t answer at first, and I thought it better to dose him first and question him afterward. So I mixed him a pretty dark-complexioned brandy and soda which he drank at a gulp and then began to puff as if he had been running.

‘I’ve had rather a turn,’ he said to me with a sheepish grin.

‘What’s the matter?’

‘I don’t know. You were “Smee” just now, weren’t you? Well, of course I didn’t know who “Smee” was, and while mother and the others ran into the west wing and found you, I turned east. There’s a deep clothes cupboard in my bedroom — I’d marked it down as a good place to hide when it was my turn, and I had an idea that “Smee” might be there. I opened the door in the dark, felt round, and touched somebody’s hand. “Smee?” I whispered, and not getting any answer I thought I had found “Smee.”’

‘Well, I don’t know how it was, but an odd creepy feeling came over me, I can’t describe it, but I felt that something was wrong. So I turned on my electric torch and there was nobody there. Now, I swear I touched a hand, and I was filling up the doorway of the cupboard at the time, so nobody could get out and past me.’ He puffed again. ‘What do you make of it?’ he asked.

‘You imagined that you had touched a hand,’ I answered, naturally enough.

He uttered a short laugh. ‘Of course I knew you were going to say that,’ he said. ‘I must have imagined it, mustn’t I?’ He paused and swallowed. ‘I mean, it couldn’t have been anything else but imagination, could it?’

I assured him that it couldn’t, meaning what I said, and he accepted this, but rather with the philosophy of one who knows he is right but doesn’t expect to be believed. We returned together to the drawing-room where, by that time, they were all waiting for us and ready to start again.

It may have been my imagination—although I’m almost sure it wasn’t—but it seemed to me that all enthusiasm for the game had suddenly melted like a white frost in strong sunlight. If anybody had suggested another game I’m sure we should all have been grateful and abandoned ‘Smee.’ Only nobody did. Nobody seemed to like to. I for one, and I can speak for some of the others too, was oppressed with the feeling that there was something wrong. I couldn’t have said what I thought was wrong, indeed I didn’t think about it at all, but somehow all the sparkle had gone out of the fun, and hovering over my mind like a shadow was the warning of some sixth sense which told me that there was an influence in the house which was neither sane, sound nor healthy. Why did I feel like that?

Because Sangston had counted thirteen of us instead of twelve, and his son had thought he had touched somebody in an empty cupboard. No, there was more in it than just that. One would have laughed at such things in the ordinary way, and it was just that feeling of something being wrong which stopped me from laughing.

Well, we started again, and when we went in pursuit of the unknown ‘Smee,’ we were as noisy as ever, but it seemed to me that most of us were acting. Frankly, for no reason other than the one I’ve given you, we’d stopped enjoying the game. I had an instinct to hunt with the main pack, but after a few minutes, during which no ‘Smee’ had been found, my instinct to play winning games and be first if possible, set me searching on my own account. And on the first floor of the west wing following the wall which was actually the shell of the house, I blundered against a pair of human knees.

I put out my hand and touched a soft, heavy curtain. Then I knew where I was. There were tall, deeply-recessed windows with seats along the landing, and curtains over the recesses to the ground.

Somebody was sitting in a corner of this window-seat behind the curtain. Aha, I had caught ‘Smee’!

So I drew the curtain aside, stepped in, and touched the bare arm of a woman.

It was a dark night outside, and, moreover, the window was not only curtained but a blind hung down to where the bottom panes joined up with the frame. Between the curtain and the window it was as dark as the plague of Egypt. I could not have seen my hand held six inches before my face, much less the woman sitting in the corner.

‘Smee?’ I whispered.

I had no answer. ‘Smee’ when challenged does not answer. So I sat beside her, first in the field, to await the others. Then, having settled myself I leaned over to her and whispered:
‘Who is it? What’s your name, “Smee”?’

And out of the darkness beside me the whisper came back: ‘Brenda Ford.’

I didn’t know the name, but because I didn’t know it I guessed at once who she was. The tall, pale, dark girl was the only person in the house I didn’t know by name. Ergo my companion was the tall, pale, dark girl. It seemed rather intriguing to be there with her, shut in between a heavy curtain and a window, and I rather wondered whether she was enjoying the game we were all playing. Somehow she hadn’t seemed to me to be one of the romping sort. I muttered one or two commonplace questions to her and had no answer.

‘Smee’ is a game of silence. ‘Smee’ and the person or persons who have found ‘Smee’ are supposed to keep quiet to make it hard for the others. But there was nobody else about, and it occurred to me that she was playing the game a little too much to the letter. I spoke again and got no answer, and then I began to be annoyed. She was of that cold, ‘superior’ type which affects to despise men; she didn’t like me; and she was sheltering behind the rules of a game for children to be dis-courteous.

Well, if she didn’t like sitting there with me, I certainly didn’t want to be sitting there with her! I half turned from her and began to hope that we should both be discovered without much more delay.

Having discovered that I didn’t like being there alone with her, it was queer how soon I found myself hating it, and that for a reason very different from the one which had at first whetted my annoyance.

The girl I had met for the first time before dinner, and seen diagonally across the table, had a sort of cold charm about her which had attracted while it had half angered me. For the girl who was with me, imprisoned in the opaque darkness between the curtain and the window, I felt no attraction at all. It was so very much the reverse that I should have wondered at myself if, after the first shock of the discovery that she had suddenly become repellent to me, I had had room in my mind for anything besides the consciousness that her close presence was an increasing horror to me.

It came upon me just as quickly as I’ve uttered the words. My flesh suddenly shrank from her as you see a strip of gelatine shrink and wither before the heat of a fire. That feeling of something being wrong had come back to me, but multiplied to an extent which turned foreboding into actual terror. I firmly believe that I should have got up and run if I had not felt that at my first movement she would have divined my intention and compelled me to stay, by some means of which I could not bear to think. The memory of having touched her bare arm made me wince and draw in my lips. I prayed that somebody else would come along soon.

My prayer was answered. Light footfalls sounded on the landing. Somebody on the other side of the curtain brushed against my knees. The curtain was drawn aside and a woman’s hand, fumbling in the darkness, presently rested on my shoulder. ‘Smee?’ whispered a voice which I instantly recognised as Mrs Gorman’s.

Of course she received no answer. She came and settled down beside me with a rustle, and I can’t describe the sense of relief she brought me.

‘It’s Tony, isn’t it?’ she whispered.

‘Yes,’ I whispered back.

‘You’re not “Smee” are you?’

‘No, she’s on my other side.’

She reached a hand across me, and I heard one of her nails scratch the surface of a woman’s silk gown.

‘Hullo, “Smee”! How are you? Who are you? Oh, is it against the rules to talk? Never mind, Tony, we’ll break the rules. Do you know, Tony, this game is beginning to irk me a little. I hope they’re not going to run it to death by playing it all the evening. I’d like to play some game where we can all be together in the same room with a nice bright fire.’

‘Same here,’ I agreed fervently.

‘Can’t you suggest something when we go down? There’s something rather uncanny in this particular amusement. I can’t quite shed the delusion that there’s somebody in this game who oughtn’t to be in at all.’

That was just how I had been feeling, but I didn’t say so. But for my part the worst of my qualms were now gone; the arrival of Mrs Gorman had dissipated them. We sat on talking, wondering from time to time when the rest of the party would arrive. I don’t know how long elapsed before we heard a clatter of feet on the landing and young Reggie’s voice shouting, ‘Hullo! Hullo, there! anybody there?’

‘Yes,’ I answered.

‘Mrs Gorman with you?’

‘Yes.’

‘Well, you’re a nice pair! You’ve both forfeited. We’ve all been waiting you for hours.’

‘Why, you haven’t found “Smee” yet,’ I objected.

‘You haven’t, you mean. I happen to have been “Smee” myself.’

‘But “Smee’s” here with us,’ I cried.

‘Yes,’ agreed Mrs Gorman.

The curtain was stripped aside and in a moment we were blinking into the eye of Reggie’s electric torch. I looked at Mrs Gorman and then on my other side. Between me and the wall there was an empty space on the window seat. I stood up at once and wished I hadn’t, for I found myself sick and dizzy.

‘There was somebody there,’ I maintained, ‘because I touched her.’

‘So did I,’ said Mrs Gorman in a voice which had lost its steadiness. ‘And I don’t see how she could have got up and gone without our knowing it.’

Reggie uttered a queer, shaken laugh. He, too, had had an unpleasant experience that evening.

‘Somebody’s been playing the goat,’ he remarked. ‘Coming down?’

We were not very popular when we arrived in the drawing-room. Reggie rather tactlessly gave it out that he had found us sitting on a window-seat behind the curtain. I taxed the tall, dark girl with having pretended to be ‘Smee’ and afterwards slipping away. She denied it. After which we settled down and played other games. ‘Smee’ was done with for the evening, and I for one was glad of it.

Some long while later, during an interval, Sangston told me, if I wanted a drink, to go into the smoke room and help myself. I went, and he presently followed me. I could see that he was rather peeved with me, and the reason came out during the following minute or two. It seemed that, in his opinion, if I must sit out and flirt with Mrs Gorman—in circumstances which would have been considered highly compromising in his young days—I needn’t do it during a round game and keep everybody waiting for us.

‘But there was somebody else there,’ I protested, ‘somebody pretending to be “Smee.” I believe it was that tall, dark girl. Miss Ford, although she denied it. She even whispered her name to me.’

Sangston stared at me and nearly dropped his glass.

‘Miss Who? he shouted.

‘Brenda Ford—she told me her name was.’

Sangston put down his glass and laid a hand on my shoulder.

‘Look here, old man,’ he said, ‘I don’t mind a joke, but don’t let it go too far. We don’t want all the women in the house getting hysterical. Brenda Ford is the name of the girl who broke her neck on the stairs playing hide-and-seek here ten years ago.’

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Discover The Haunting Secrets Of Craigdarroch Castle In Canada

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Craigdarroch Castle is an iconic landmark in Victoria, Canada steeped in intriguing history and shrouded by eerie tales of hauntings. It is said to be haunted by the Dunsmuir family who built the castle, and people still claim to see the ghosts of them today.  

Craigdarroch Castle that sits atop of a hill and looks over the city of Victoria in British Columbia, Canada. Some locals will even claim that this city is the most haunted one in all of British Columbia, and Craigdarroch Castle might be the most haunted place in the city. 

The National Historic Site has been the subject of numerous legends and stories that makes it one of the most visited haunted places in the country. From grisly tales of hauntings to its intriguing history, discover why this castle is a must-see for all paranormal enthusiasts.

Uncover the history of Craigdarroch Castle

Constructed in 1890 with 39 rooms, Craigdarroch Castle has remained a prominent landmark in Victoria, Canada throughout its long history. Built by Scottish immigrant Robert Dunsmuir on a hill overlooking the city. And what does a Scotsman do when he acquires himself a fortune? He builds himself a castle for him and his family. The castle was home to Robert and his family until 1908, although Robert himself died before he got to see his work. 

After his death his sons and their mother fought about ownership until her death in 1908 and even if the children were born of a wealthy man, there were not a lot of them who grew up to enjoy the family wealth. Architects died, one of the sons died on his honeymoon, one of the daughters died right after her father. This family looked like it was trailed by misfortune, and the only way they got to enjoy the comfort of their home was in death. 

The Ghostly tales behind Craigdarroch Castle

Among the Craigdarroch Castle most interesting features are the stories of strange hauntings that have occurred there over the years. Local legends say that ghostly figures have been seen standing in the windows or deep within its many rooms, while mysterious voices and intangible presences are reported to have been sensed by some visitors. 

Additionally, staff members of Craigdarroch Castle report hearing children crying throughout various parts of the building adding to its haunting allure!

The Child in the Basement

This is said to be the children of Dunsmuirs that never got the chance to grow up, especially their daughter who died right after Roebet did. But she as well as her other potentially ghost friends are still playing in the castle. 

It is especially the cellar that is talked about being haunted by this child. She has been seen standing in the middle of the dark cellar, glaring at the floor, but as soon as anyone comes near, she disappears. 

What is she doing in the basement one might ask, as she probably had her own room that would be much more comfortable to haunt. And the only one with the answer is the glaring child ghost in the cellar. 

Ghosts Haunting the Castle

Tales of unexplainable hauntings have been circulating throughout Craigdarroch Castle since it was built in the late 1800’s. For instance there have been talks about hearing a piano playing in the dead of the night even if there is no piano in the house. 

On the Grand Staircase it is said that Joan Dunsmuir, the wife of Robert, comes strolling down the stairs in her ballgown. What is particularly strange about her story is that she is never ever seen in other parts of the house she lived in for 18 years, nor is she ever seen walking up those stairs. 

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The story about the girl and her meeting with a ghost in the graveyard and the white cap she took from it has been retold for centuries in Iceland. 

The story about the White Cap is an Icelandic ghost story from the old times, although how old is uncertain, as it is now turned into a folktale that has gone through many retellings. It tells the story about a nameless boy and girl that took something from a ghost and had to pay dearly for it. 

The Ghost story was retold from its oral story in Icelandic Legends by Jón Arnason who traveled the country and collected the folktales and ghost stories in the 1800s inspired by the work the Grimm brothers did in Germany in the same area. 

The Ghost and its White Cap

The little boy and girl lived close to a church in a small village in Iceland. The boy was a mischievous boy and had a habit of trying to scare the girl when he had the opportunity. But the more he tried to get a scare out of the girl, the more used she got to it, and in the end, nothing faced her anymore. And everything she saw she thought was strange, she was sure it had to be one of the boy’s tricks. 

One day while they were washing clothes, the girl was sent to the churchyard by her mother. The linen they had just washed was hung up there to dry. The girl went unafraid into the graveyard and started to fill her basket with the fresh linen when she looked up and saw someone sitting on a tomb close to her. The figure was dressed in all white and she thought instinctively it had to be the boy that was up to one of his tricks, so she wasn’t afraid and figured she would call his bluff. 

The girl ran up to the figure on the tomb and pulled off its cap as she said out loud that he would not be able to frighten her this time. 

She then went home with the linen, but when she came back, the boy was the first one that greeted her when she reached her cottage. No way he could have reached home before she did and she started to fear the truth. 

This was not the only strange thing though, as when they sorted through the linen, they found the cap that she had pulled off from the figure on the tomb. The White Cap, although white was full of mold and earth. They all then understood that it had been a ghost she had encountered, and now, the whole village was paralyzed with fear. 

The Icelandic Ghost on the Tomb

The next day, the ghost was again sitting on the same tombstone like it had done the previous day, although now it was missing its White Cap. Nobody dared to approach it and had no idea as to how to rid themselves from it. Ghosts in icelandic ghost stories were often shown to act as flesh and bone that could interact with living humans, and sometimes, they were very dangerous. So they sent for help from a village close to them. 

In that village there was an old man that claimed that they had to replace the white cap that the girl had taken from the girl to avoid any bad repercussions. It had to be done with everyone watching in complete silence, and it had to be the little girl that gave the cap back. 

Icelandic Legends: The ghost story of the “White Cap” comes from Iceland and was retold by Jón Arnason in Icelandic Legends as he was travelling around collecting oral tales around the country.

So the whole village gathered in the churchyard, watching as the little girl approached the ghost sitting on the tombstone, not really moving, not really showing any sign of what the ghost really wanted. She placed the White Cap on its head and asked if it was satisfied now.

The ghost looked up and answered: “Yes, but are you now satisfied?” as it raised its hand and hit her and the little girl fell over and died. The ghost then sank into the grave he was sitting on and was not seen again. 

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Icelandic legends. Collected by Jón Arnason. Tr. … ser.2. 

The Haunted Schlosshotel Waldlust

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A once glorious and state of the art hotel in the Black Forest in Germany, the Schlosshotel Waldlust is now an empty shell of what it used to be. Old and abandoned, the place is now known as a haunted hotel after the manager was killed in one of the rooms. 

Schlosshotel Waldlust is a haunted and abandoned hotel in Freudenstadt in the middle of the Black Forest in Germany. It certainly looks like a dark fairy tale building now, all dusty with decaying wallpaper and rustling in the old pipes. 

But it used to be a state of the art hotel of 140 rooms where celebrity guests, writers, actors and royals alike came to spend time in the fresh mountain air. It opened in 1902 with Art Nouveau decor specialized for spa and relaxing atmospheres and entertained guests for decades. 

The Murder in the Hotel

The one running the show at Schlosshotel Waldlust was Adele, or known as Adi who brought the guests to the hotel by throwing lavish and exclusive events. She is also a victim of the hotel and thought to haunt the place. 

After the war the family run hotel of Schlosshotel Waldlust saw a rapid decline in guests and revenue. The hotel had already fallen from its heyday earlier in the century.

Grand Hotel: When it opened it was a luxury hotel. Now there is only ruins and damp empty rooms of it left.

The exact details about what happened to Adi is unclear as there never were a record of an Adele as a hotel owner or as a guest, but she was brutally murdered in the world famous hotel in 1949, and the hotel was never the same as she would never check out and leave. 

The Haunted Hotel

After Adi died, the Schlosshotel Waldlust was used as a military hospital for years and many met their end in the former hotel. In the 1960s they tried to open the hotel again as a guesthouse with all the former glory, but something had changed. 

The hotel staff started to notice strange things, the glass was shaking as if it was an earthquake, and they saw a woman with a white veil wandering the halls. They also heard a baby crying in the night, even though there was no one there. 

Schlosshotel Waldlust finally closed in 2005, and is now almost only used for those that want to take a peek at what a haunted and abandoned hotel looks like. 

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Móðir mín í kví, kví — The Icelandic Ghost Haunting the Mother

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When collecting folktales from Iceland, they encountered many tales about the ghost of children left by their mothers to die, an útburður, that came back to haunt their mothers. This is what the Icelandic ghost story Móðir mín í kví, kví or Dear Mother in a Pen, Pen is about. 

Móðir mín í kví, kví means the Dear Mother in the Pen, Pen, and is one of Iceland’s most well known ghost stories, and also the base for the most horrifying lullaby children have gone to sleep with. 

Read more: Check out all of our ghost stories from Iceland

The Folktale of Móðir mín í kví, kví

Once there was a young girl living on a farm with a want for life, dancing, singing and partying. She was unmarried and poor though and became pregnant with a man that had no plans of taking her as his wife. When she gave birth she decided to carry the child and put it outside to die. She carried the child out in her shawl or veil, sometimes retold it was only a rag. 

After it was all over and done with, she attended a vikivaki celebration with singing and dancing a ritual circle dance during the church holidays, something the girl loved. She got the invitation, but had nothing to wear for the occasion. So she didn’t go and was sorry to be sitting at home. 

Just before the dance, the girl was milking sheep with another woman and complained to her that she had nothing to wear. As soon as she said it out loud they heard a voice from under the wall of the pen: 

Icelandic:
“Móðir mín í kví, kví,
kvíddu ekki því, því;
ég skal ljá þér duluna mína
að dansa í
og dansa í.”

English:
“Dear mother, in a pen, a pen,
do not worry about it because, because
I’ll lend you my rag
to dance in
and dance in. “

In Icelandic ghost stories, the ghost often repeat the last word in the sentence as in this short verse. She knew the message was to her, and she knew it was a ghost, talking about the single piece of clothing she had left the child out to die in. She was so shaken up after hearing her dead child reciting the words to her and she went insane for the rest of her life. 

The útburður Ghost in Icelandic Folktales

In Icelandic as well as Scandinavian ghost stories, people sometimes encounter an útburður or an utburd. They were ghosts of children that were put outside to die. Either the child was unwanted because it was born outside of wedlock, or the parents didn’t have the means to raise it. 

útburðr: The ghost in Móðir mín í kví, kví is an utburd, found in many variations in Scandinavian folklore. The Swedish call them Myling, and Utburd or útburðr in Norwegian and Icelandic. They can remind of the English Changeling creature.

When Scandinavians were pagans, this was a practice that wasn’t a crime. Even when the pagans on Iceland turned Christian, this was something that they continued to have as a permitted custom until the 11th century. In fact, to have the child would be punished with fines or even death. 

The children turned into ghosts, sometimes just to torment their mother, sometimes because they couldn’t enter heaven because they weren’t baptized. 

You could hear them crying, and they were believed to have been bad omens. 

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Íslenzkar þjóðsögur og æfintýri/Draugasögur/Móðir mín í kví, kví (2) – Wikiheimild Dear Mother, in the pen, pen – Icelandic Child Ghost Story | Your Friend in Reykjavik

The Lady in Red at the Fairmont Hotel Vancouver

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In the old classic Fairmont Hotel Vancouver a certain Lady in Red is said to haunt the upper floors of the place she used to go ballroom dancing in the 1940s. Still to this day guests report seeing her in the lobby as well as their rooms and she has even been seen passing through walls and locked doors. 

The Fairmont Hotel Vancouver is located in downtown Vancouver, and this haunted hotel is not to be mixed up with the haunted hotel in Ottawa bearing the same name. The place on West Georgia Street opened in May 1939 after being delayed for many years because of the Great Depression. 

Once a Japanese family called up the front desk and asked if they had double booked the room. When they had entered their room on the 14th floor. The front desk said they had not, probably well knowing that the woman dressed in a red dress was not a living guest at the hotel. 

The hotel is known as the Castle in the City because of the modern fairy tale-like tower and is also the home of the Lady in Red said to haunt the hotel. 

The Legend of the Lady in Red

The story of the ghost of The Lady in Red is that a woman dressed in a long and fancy red dress is supposedly haunting the 14th floor of the hotel, although she has also been seen in other places of the hotel. 

Today, most of the staff at the Fairmont Hotel Vancouver know of her and in the hotel bar they even have named a drink after her, at least around Halloween season. 

The Dancing Socialite with a Tragic Death

In life she went by the name Jennie Pearl Cox and she stayed at the hotel many times with her husband Harold according to the stories. She was a Vancouver socialite that attended hotel events and dances in the 1940s when the hotel was new and fresh. 

Her stay at the hotel ended abruptly though when she was 25 years old and she got into a car accident in 1944 at the corner of Burrard and Georgia and died, but never really checked out from her favorite hotel.

The Haunted Hotel

Soon after her death the ghost of the Lady in Red started appearing in the lobby in the stairway and dancing in the ballrooms, especially on the 14th floor as many guests learned of the hard way according to the stories. 

She can be seen walking through walls and locked doors as well and has become a well known ghost in residence at the hotel. 

Not everyone is as used to seeing her as the senior staff at the hotel and when the tv-series X-Files were filming in Vancouver, one of the crew even claimed to have seen the ghost of a woman wearing a red dress.

The Ghost Captured on Camera

A couple of years ago, the legend got another boost when one of the upper floors’ windows got covered in red, but it was perhaps not the most convincing evidence, even if it made the news. 

But was she even real like Jennie Cox? Or was she as real as the red dress that turned out to just be a tarp covering the window?

Some say she is just a figment of the hotel’s imagination, imagined to help promote the hotel and it is just an urban myth as there are no grave stones, birth certificate or even pictures from this socialite to claim she actually existed. 

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The Lady in Red The Ghost of the Fairmont Hotel Vancouver – SunCruiser 

‘Lady in Red’ ghost sighting? Vancouver man shares spooky photo 

Fairmont Hotel Vancouver – Luxury Hotel in Vancouver(Canada)  

Hotel Vancouver 

Chilling Legends of Ham House, London’s Most Haunted Mansion

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Ham House in England is said to be the eternal home to no more than 15 ghosts, at least! From the ambitious Duchess to former servants and even pets, the spirits of the old mansion far outweighs the living. 

London is a city with a rich history full of tales of intrigue, mystery, and the paranormal. One of the most intriguing places in the city is Ham House, located in Richmond upon Thames. Ham House is a beautiful mansion that has been around for over 400 years, and it is known to be one of the most haunted places in London. 

The chilling legends that surround this mansion have made it a popular destination for ghost hunters, paranormal enthusiasts, and curious visitors alike and has been dubbed the mansion with most ghost stories in the country. From the ghost of a woman dressed in white wandering the halls to the eerie sounds of children crying in the night, there is no shortage of spine-tingling stories to be told about Ham House. 

The Ghostly Legends Surrounding Ham House

Ham House is a beautiful mansion that has been around for over 400 years. Built in 1610, it is one of the finest examples of 17th-century architecture in England. However, the mansion has a dark and mysterious history, and it is said to be one of the most haunted places in London with reports of at least 15 different ghosts.

Mysterious footprint appears in the dust of the staircase and the upstairs floors when no one has walked there. There is a wheelchair in the house kept in one of the servants’ rooms at the top of the house that are said to move around and appear when no one intends to put it. 

There are many ghostly legends surrounding Ham House. Some of the most famous include the ghost of Elizabeth Murray, Duchess of Lauderdale, the ghost of the Green Closet, and the ghost of the Lady in White. These ghosts are said to haunt the mansion to this day, and many visitors have reported seeing or hearing them.

The Ghost of Elizabeth Murray, Duchess of Lauderdale

Elizabeth Murray, Duchess of Lauderdale, was a powerful and influential woman who lived in Ham House in the 17th century. She was the daughter of William Murray, the whipping boy to King Charles I that gifted the house to him when they grew up. 

She was married to John Maitland, the Duke of Lauderdale, who was a close friend and advisor to King Charles II. Elizabeth was known for her beauty, her intelligence, and her strong personality. Some even think that she murdered her first husband to marry the Duke.

The Duke and Duchess of Lauderdale: Elizabeth Murray had strong opinions and was also political active. One of the more darker rumours surrounding her was that she poisoned her first husband who only was a Baron to climb the social ladder by marrying a Duke.

Legend has it that Elizabeth haunts Ham House to this day. In her later years she was known to have been walking with a cane, and many claim to have heard the tapping of her cane upstairs, and on the Grand Staircase of the mansion.

Visitors have reported seeing her ghostly figure wandering the halls of the mansions. Some have even claimed to have seen her reflection in the mirrors in her old bedchamber were she died. 

People that have stayed in the room have reported about an oppressive force in the room and the smell of roses, something she was known for smelling lingering in the air. The staff have been known to say: Good afternoon your ladyship, before entering just for good measure. 

One of the most famous haunted objects in Ham House is the portrait of Elizabeth Murray, Duchess of Lauderdale. Legend has it that the portrait is haunted by the ghost of Elizabeth herself. Visitors have reported seeing the portrait move or change expression when they are alone in the room.

The Lady in Black Pushing People on the Stairs

Elizabeth Murray: Countess of Dysart, later Duchess of Lauderdale (1626-1698)

As mentioned, people have reported about the sound of the Duchess cane tapping by the grand staircase. They have also reported about seeing a lady in black they think must have been the Duchess haunting the mansion and seeing who comes and goes in her mansion. 

What is scary is that one of the tour guides told a story about standing on it during one if his tours and suddenly felt like someone gave him a push and almost came tumbling down the stairs. 

Several of visitors have also claimed to have a feeling of being pushed when walking up and down the stairs.

Visitors are advised to not use the third step and it is often marked with something to remind people. There are many theories as to why this step is said to be haunted and one of those stories is that this is where the Duchess decided to poison her second husband as well. Or was it perhaps the first?

The Haunted Staircase: Beware the third step of the stairs, as it is said to bring the ghosts forth and give people a puh.

The Hag in the Wall

One of the enduring legends and mysteries is whether or not the Duchess really did kill her first husband. According to one story there used to work a butler that had his 6 year old daughter living there with him. She kept complaining about scratching on the walls of her room, and an old hag that kept visiting her at night. 

When they investigated the wall, they found a hidden panel. There were the documents that proved that the Duchess really did kill her first husband. But what butler, when or behind what panel has never been pinned down, and is now one of the many legends of the house. 

The Servant on the Terrace

There used to be a servant called John MacFarlane that worked in the mansion. He was said to be very young, around 17 years old. In 1790 or 80 he fell in love with one of the kitchen maids. She rejected him however and her refusal made him suicidal. 

According to the legend he scratched his name on a window panel, or in some version in a pane of glass upstairs before he jumped to his death. According to legend, he is now haunting the terrace underneath the window. 

Countess Charlotte Walpole

The Countess of Dysart used to live in Ham House and used to love it. Charlotte Walpole was the youngest of the three illegitimate daughters of Sir Edward Walpole. In 1760 she married Lionel Tollemache, Lord Huntingtower, son of the 4th Earl of Dysart (1734-1799), who wed her in secret without the knowledge or consent of his father.

After her death it has been said that she has haunted the upstairs chamber and has happily been waving at visitors. Seeing this has been thought to be a good omen. 

Charlotte Walpole: The Countess of Dysart (1738-1789) is said to be a happy ghost and a good omen if seen at Ham House.

Prince Charles II

The Murray family that Elizabeth, Duchess of Lauderdale was a daughter of, was loyal royalists during and after the English Civil War. They used to be members of a secret society known as the Sealed Knot that supported Charles II who was in exile. 

When he was given the throne, he awarded the Duchess for her and her family’s loyalty. He visited the Ham House many times during his lifetime, and according to the legend, he still visits, even in his afterlife. 

Many people claimed to have seen the ghost of Charles II in the gardens, or even smelled the tobacco he used to smoke in the hall. 

Coronation portrait: Charles was crowned at Westminster Abbey on 23 April 1661.

The Christmas Haunting

No mansion ghost story is complete without its Christmas Haunting. At Ham House there is a cottage that used to belong to the driver to the 9th Earl of Dysart. 

It is said that it is haunted by a 19th century house and every Christmas Eve or Day, people staying in the cottage can hear the sound of a walking stick over the cobbled path to the cottage. 

It is said that every year he brought presents over to the cottage. He died in 1935, but apparently his nice yearly gestures seem to continue. 

Have a look at more Christmas Hauntings

Ghost Stories of Christmas Hauntings

Christmas Christmas is supposed to be the merry season with joy and light in the darkness. But many places is haunted by ghosts and paranormal activity in during this time. In fact, many of these ghost stories are haunted especially around Christmas. Here are some of the ghost stories that are told during Christmas times.

The Ghost Pets

Another curious ghost supposedly haunting the house is that of the pet dogs the Duchess used to keep. 

Visitors have been confused as to why they are not allowed to bring their dogs, when there clearly are dog prints in the dust and the faint barking indoors of one. Except it isn’t. It is believed that it is a King Charles spaniel.

They found the bones of it in a basket in the kitchen garden. The ghost dog is seen running on the first floor with its tail disappearing behind doorways and jumping at unsuspecting guests.  

The Haunted Ham House

Ham House is one of the most haunted places in London, and its ghostly legends have captivated visitors for centuries. And it is said when the darkness comes over the house, especially during the Christmas season, the eternal residents of Ham House comes out. 

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England’s Haunted Ham House: The Complete Guide 

https://www.getsurrey.co.uk/lifestyle/fun-stuff/haunted-mansion-richmond-home-16-13758122

My night locked inside a house haunted by its gout-suffering mistress, suicidal servant and a dog 

The Ghost’s Summons by Ada Buisson

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Ada Buisson (26 March 1839 – 27 December 1866) was an English author and novelist remembered today for her ghost stories.

During her short lifetime Buisson published one novel, Put to the Test (1865), Her second novel, A Terrible Wrong: A Novel (1867) and short stories were published after her early death. Various of her writings appeared in Belgravia, a magazine edited by her friend the novelist Mary Elizabeth Braddon. This is were the short story The Ghost’s Summons were published in 1868.

“Wanted, sir—a patient.”

It was in the early days of my professional career, when patients were scarce and fees scarcer; and though I was in the act of sitting down to my chop, and had promise! myself a glass of steaming punch afterwards, in honour of the Christmas season, I hurried instantly into my surgery.

I entered briskly; but no sooner did I catch sight of the figure standing leaning against the counter than I started back with a strange feeling of horror which for the life of me I could not comprehend.

Never shall I forget the ghastliness of that face—the white horror stamped upon every feature — the agony which seemed to sink the very eyes beneath the contracted brows; it was awful to me to behold, accustomed as I was to scenes of terror.

“You seek advice,” I began, with some hesitation.

“No; I am not ill.”

“You require then—”

“Hush!” he interrupted, approaching more nearly, and dropping his already low murmur to a mere whisper. “I believe you are not rich. Would you be willing to earn a thousand pounds?”

A thousand pounds! His words seemed to burn my very ears.

“I should be thankful, if I could do so honestly,” I replied with dignity. “What is the service required of me?”

A peculiar look of intense horror passed over the white face before me; but the blue-black lips answered firmly, “To attend a death-bed.”

“A thousand pounds to attend a death-bed! Where am I to go, then ?—whose is it?”

Mine.”

The voice in which this was said sounded so hollow and distant, that involuntarily I shrank back. “Yours! What nonsense! You are not a dying man. You are pale, but you appear perfectly healthy. You—”

“Hush!” he interrupted; “I know all this. You cannot be more convinced of my physical health than I am myself; yet I know that before the clock tolls the first hour after midnight I shall be a dead man.”

“But—”

He shuddered slightly; but stretching out his hand commandingly, motioned me to be silent. “I am but too well informed of what I affirm,” he said quietly; “I have received a mysterious summons from the dead. No mortal aid can avail me. I am as doomed as the wretch on whom the judge has passed sentence. I do not come either to seek your advice or to argue the matter with you, but simply to buy your services. I offer you a thousand pounds to pass the night in my chamber, and witness the scene which takes place. The sum may appear to you extravagant. But I have no further need to count the cost of any gratification; and the spectacle you will have to witness is no common sight of horror.”

The words, strange as they were, were spoken calmly enough; but as the last sentence dropped slowly from the livid lips, an expression of such wild horror again passed over the stranger’s face, that, in spite of the immense fee, I hesitated to answer.

“You fear to trust to the promise of a dead man! See here, and be convinced,” he exclaimed eagerly; and the next instant, on the counter between us lay a parchment document; and following the indication of that white muscular hand, I read the words, “And to Mr. Frederick Kead, of 14 High-street, Alton, I bequeath the sum of one thousand pounds for certain services rendered to me.”

“I have had that will drawn up within the last twenty-four hours, and I signed it an hour ago, in the presence of competent witnesses. I am prepared, you see. Now, do you accept my offer, or not?”

My answer was to walk across the room and take down my hat, and then lock the door of the surgery communicating with the house.

It was a dark, icy-cold night, and somehow the courage and determination which the sight of my own name in connection with a thousand pounds had given me, flagged considerably as I found myself hurried along through the silent darkness by a man whose death-bed I was about to attend.

He was grimly silent; but as his hand touched mine, in spite of the frost, it felt like a burning coal.

On we went—tramp, tramp, through the snow—on, on, till even I grew weary, and at length on my appalled ear struck the chimes of a church-clock; whilst close at hand I distinguished the snowy hillocks of a churchyard.

Heavens! was this awful scene of which I was to be the witness to take place veritably amongst the dead?

“Eleven,” groaned the doomed man. “Gracious God! but two hours more, and that ghostly messenger will bring the summons. Come, come; for mercy’s sake, let us hasten.”

There was but a short road separating us now from a wall which surrounded a large mansion, and along this we hastened until we reached a small door.

Passing through this, in a few minutes we were stealthily ascending the private staircase to a splendidly-furnished apartment, which left no doubt of the wealth of its owner.

All was intensely silent, however, through the house; and about this room in particular there was a stillness that, as I gazed around, struck me as almost ghastly.

My companion glanced at the clock on the mantelshelf, and sank into a large chair by the side of the fire with a shudder. “Only an hour and a half longer,” he muttered. “Great heaven! I thought I had more fortitude. This horror unmans me.” Then, in a fiercer tone, and clutching my arm, he added, “Ha! you mock me, you think me mad; but wait till you see—wait till you see!”

I put my hand on his wrist; for there was now a fever in his sunken eyes which checked the superstitious chill which had been gathering over me, and made me hope that, after all, my first suspicion was correct, and that my patient was but the victim of some fearful hallucination.

“Mock you!” I answered soothingly. “Far from it; I sympathise intensely with you, and would do much to aid you. You require sleep. Lie down, and leave me to watch.”

He groaned, but rose, and began throwing off his clothes; and, watching my opportunity, I slipped a sleeping-powder, which I had managed to put in my pocket before leaving the surgery, into the tumbler of claret that stood beside him.

The more I saw, the more I felt convinced that it was the nervous system of my patient which required my attention; and it was with sincere satisfaction I saw him drink the wine, and then stretch himself on the luxurious bed.

“Ha,” thought I, as the clock struck twelve, and instead of a groan, the deep breathing of the sleeper sounded through the room; “you won’t receive any summons to-night, and I may make myself comfortable.”

Noiselessly, therefore, I replenished the fire, poured myself out a large glass of wine, and drawing the curtain so that the firelight should not disturb the sleeper, I put myself in a position to follow his example.

How long I slept I know not, but suddenly I aroused with a start and as ghostly a thrill of horror as ever I remember to have felt in my life.

Something—what, I knew not—seemed near, something nameless, but unutterably awful.

I gazed round.

The fire emitted a faint blue glow, just sufficient to enable me to see that the room was exactly the same as when I fell asleep, but that the long hand of the clock wanted but five minutes of the mysterious hour which was to be the death-moment of the “summoned” man!

Was there anything in it, then?—any truth in the strange story he had told?

The silence was intense.

I could not even hear a breath from the bed; and I was about to rise and approach, when again that awful horror seized me, and at the same moment my eye fell upon the mirror opposite the door, and I saw—

Great heaven! that awful Shape—that ghastly mockery of what had been humanity—was it really a messenger from the buried, quiet dead?

It stood there in visible death-clothes; but the awful face was ghastly with corruption, and the sunken eyes gleamed forth a green glassy glare which seemed a veritable blast from the infernal fires below.

To move or utter a sound in that hideous presence was impossible; and like a statue I sat and saw that horrid Shape move slowly towards the bed.

What was the awful scene enacted there, I know not. I heard nothing, except a low stifled agonised groan; and I saw the shadow of that ghastly messenger bending over the bed.

Whether it was some dreadful but wordless sentence its breathless lips conveyed as it stood there, I know not; but for an instant the shadow of a claw-like hand, from which the third finger was missing, appeared extended over the doomed man’s head; and then, as the clock struck one clear silvery stroke, it fell, and a wild shriek rang through the room—a death-shriek.

I am not given to fainting, but I certainly confess that the next ten minutes of my existence was a cold blank; and even when I did manage to stagger to my feet, I gazed round, vainly endeavouring to understand the chilly horror which still possessed me.

Thank God! the room was rid of that awful presence—I saw that; so, gulping down some wine, I lighted a wax-taper and staggered towards the bed. Ah, how I prayed that, after all, I might have been dreaming, and that my own excited imagination had but conjured up some hideous memory of the dissecting-room!

But one glance was sufficient to answer that.

No! The summons had indeed been given and answered.

I flashed the light over the dead face, swollen, convulsed still with the death-agony; but suddenly I shrank back.

Even as I gazed, the expression of the face seemed to change: the blackness faded into a deathly whiteness; the convulsed features relaxed, and, even as if the victim of that dread apparition still lived, a sad solemn smile stole over the pale lips.

I was intensely horrified, but still I retained sufficient self-consciousness to be struck professionally by such a phenomenon.

Surely there was something more than supernatural agency in all this?

Again I scrutinised the dead face, and even the throat and chest; but, with the exception of a tiny pimple on one temple beneath a cluster of hair, not a mark appeared. To look at the corpse, one would have believed that this man had indeed died by the visitation of God, peacefully, whilst sleeping.

How long I stood there I know not, but time enough to gather my scattered senses and to reflect that, all things considered, my own position would be very unpleasant if I was found thus unexpectedly in the room of the mysteriously dead man.

So, as noiselessly as I could, I made my way out of the house. No one met me on the private staircase; the little door opening into the road was easily unfastened; and thankful indeed was I to feel again the fresh wintry air as I hurried along that road by the churchyard.

There was a magnificent funeral soon in that church; and it was said that the young widow of the buried man was inconsolable; and then rumours got abroad of a horrible apparition which had been seen on the night of the death; and it was whispered the young widow was terrified, and insisted upon leaving her splendid mansion.

I was too mystified with the whole affair to risk my reputation by saying what I knew, and I should have allowed my share in it to remain for ever buried in oblivion, had I not suddenly heard that the widow, objecting to many of the legacies in the last will of her husband, intended to dispute it on the score of insanity, and then there gradually arose the rumour of his belief in having received a mysterious summons.

On this I went to the lawyer, and sent a message to the lady, that, as the last person who had attended her husband, I undertook to prove his sanity; and I besought her to grant me an interview, in which I would relate as strange and horrible a story as ear had ever heard. The same evening I received an invitation to go to the mansion. I was ushered immediately into a splendid room, and there, standing before the fire, was the most dazzlingly beautiful young creature I had ever seen.

She was very small, but exquisitely made; had it not been for the dignity of her carriage, I should have believed her a mere child. With a stately bow she advanced, but did not speak.”I come on a strange and painful errand,” I began, and then I started, for I happened to glance full into her eyes, and from them down to the small right hand grasping the chair. The wedding-ring was on that hand!

“I conclude you are the Mr. Kead who requested permission to tell me some absurd ghost-story, and whom my late husband mentions here.” And as she spoke she stretched out her left hand towards something—but what I knew not, for my eyes were fixed on that hand.

Horror! White and delicate it might be, but it was shaped like a claw, and the third finger was missing!

One sentence was enough after that. “Madam, all I can tell you is, that the ghost who summoned your husband was marked by a singular deformity. The third finger of the left hand was missing,” I said sternly; and the next instant I had left that beautiful sinful presence.

That will was never disputed. The next morning, too, I received a check for a thousand pounds; and the next news I heard of the widow was, that she had herself seen that awful apparition, and had left the mansion immediately.

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The Haunted Qiu Mansion of Shanghai

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The Qiu Mansion in Shanghai is said to be one of the city’s most haunted places. It was owned by the Qiu brothers who mysteriously disappeared and left a haunted house and an unsolved mystery. 

The Qiu Brothers Mansion, also called the Cha House or Cha Gong Guan is an old mansion now restored as a historic building combining both western and chinese style in Shanghai in China. It is in the high end district of Jing’an and was built in a time where Shanghai was a place for people all over the country and world to make money.

Shanghai is known for its diverse cultural elements with a French or British flare to the architecture as well as traditional Chinese. In the early 1900s, it was known as the Athens of China by the Europeans and many tried to make the city their own as they saw the financial importance it played by the coast. 

Read Also: Check out all of the ghost stories from China

By the early 1900s there were a lot of from rags to riches stories, and plenty of people came to the Bund and to Shanghai to try to make a fortune. Some did make good money, although most just kept working away. Even fewer ended up keeping their riches forever.

The Qui Brothers

The Qiu brothers, Qiu Xinshan and Qiu Weiqing began their story as migrant workers in Shanghai that started from nothing and worked their way up. They came from a fishing family on Weishang Lake in Shandong Province, and had to go east in search of a better future.

The Qiu Brother Mansion: One of the most modern buildings in Shanghai is changing into an old classic in the city.

The pair made their fortunes selling paint in the early 1900s when the First World War broke out and the Germans couldn’t trade with China anymore, so the Qiu brothers took over the work from a German merchant selling paint and soon started to see their fortune grow.

With the money from the paint selling business, the two brothers took it and built two identical mansions next to one another in the heart of the city in 1913, or even later in the 1920s. 

The brothers became incredibly rich and lived a lavish lifestyle and their ornate Qiu Mansion grounds became home to the brother’s collection of exotic pets that included Burmese tigers, peacocks, and even crocodiles roamed the gardens.

The Missing Mystery

At the height of their fame and notoriety, the Qiu brothers mysteriously disappeared as their paint industry started to decline in the wake of the wars raging. The Qiu Mansions started to decay and their once great gardens withered. The animals disappeared one by one, many just straight up killed to get rid off or eaten.

What really happened could be something quite different though, as it is also said they moved to a smaller apartment, and they rented out the mansion to be used as a school. What happened to them in the end though, seems to be shrouded in shadows though.

Haunted Rumors of the Qiu Mansion

Rumors emerged of strange occurrences such as objects moving by themselves or shadows appearing in the abandoned mansion and eerie noises could be heard in the night. Yet, no one has been able to prove the legends. 

During World War II the mansions were used as a middle school until 2002 and one of the buildings of the Qiu Mansion was demolished in the 1950s. In 2010 they moved the remaining house almost 60 meters down the road and reopened in 2019 as a historic building. 

Just across the street there is a Four Seasons Hotel facing the former Qiu Mansion. From there, many visitors as well as staff have reported hearing and seeing strange animals roaming around the abandoned site. 

Perhaps the weirdest thing happening to the place is the rumors from the workers working all around the hotel. Construction workers from the restoration have sometimes sought hospital treatment for strange bites they believe come from animals, even though no one knows where and how they got injured. 

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References:

Cha Gong Guan (Qiu Mansion)

In Cold Blood: The Qiu Mansion Haunting | Paranormal World Wiki

威海路412号:邱氏兄弟住宅- 上海著名老洋房-OK房产网 

The Haunted Townhouse of 50 Berkeley Square in London

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One of the most haunted houses in London was 50 Berkeley Square, which according to the stories had a dangerous ghost that could kill the people staying in the attic. 

Once there was a house that was thought to be London’s most haunted house. The Georgian townhouse was located on 50 Berkeley Square in upmarket Mayfair. 

Back in the 18th and 19th century the place was linked with many horrific deaths and mysterious things happening. Residents as well as guests claimed to have seen ghosts in the house before they themselves were found dead. Their mouths and eyes wide open as if they died of pure fear. 

In 1879, reports of the house were published in Mayfair Magazine, telling about a maid who stayed in the attic and was found mad and died in an asylum the day after. In the same article there was also said a nobleman spent the night in the same attic and by morning he was found paralyzed, so scared that he couldn’t even speak. Also he died shortly after.  

The Victorian Christmas Deaths

Britain is known for its ghost stories tied to Christmastime, and this is one of those. One of the more haunted happenings in the house is said to have taken place on Christmas Eve, at least it was published in the magazine as it. 

This is what happened on Christmas Eve in 1887 when two sailors came to London. Blunden and Martin were on leave from HMS Penelope from the Royal Navy and walked through the dark and foggy winter streets, trying to find a place to stay for the night. 
If they were allowed to come in for the night or if they broke into the house is unclear, but they at least settled for the night in the attic. 

What they didn’t know at the time when they found lodging at 50 Berkeley Square when they stumbled upon it, happy to find someplace warm in the cold night, was all the haunted rumors and that the previous occupants of their room had been found mysteriously dead in the very room. 

During the night, Blunden felt uneasy and unable to fall asleep. Something wasn’t right in the house. He woke up Martin when he saw a ghost hanging over him. Blunden acted quickly and went for his weapon to protect them. The ghost came toward him as Martin managed to get out to the streets and found a policeman. 

Martin came back with the bobby and went inside of the house. They found Blunden at the bottom of the stairs, dead. His neck had been broken, probably because of the fall from the stairs. His eyes were wide open, as if from pure terror and fear. 

The Woman in the Attic

The most told legend is that the house was haunted by the spirit of a young woman who killed herself in the attic. After being abused by her uncle for a long time, she is said to have thrown herself out from the top-floor window in the attic. 
She is said to be the one behind the strange deaths as well, as her sight is so frightful people have died from fear of it. Depending who you ask, her spirit takes mostly form as a brown mist or a white ghostly figure.

The Starved Man

Another version of the haunted legends of the house is that there once was a man who was locked in the attic room and was only fed through a hole in the door. His brother, Mr. Du Pre of Wilton Park had to lock him inside because of his violent madness. In some versions he wasn’t mad to start with, but he eventually went mad and died. 

After his death he became a ghost and his moans and screams haunted the whole neighborhood. 

The Strange Thomas Myers of 50 Berkeley Square

So who was haunting the house that in modern times were owned by the Maggs Bros, Antiquarian Booksellers? Most stories are thought to have come from one of the peculiars occupants, Thomas Myers. He slept during the day, and in the night he made strange noises that many believed became exaggerated later. 

He moved into 50 Berkeley Square in 1859 after having been rejected by his fiancee according to the stories. He lived there alone and was said to be slowly getting mad as he locked himself in all day until he died in 1874 at 76. 

When he stayed there, the house with the sweeping stairs, high plaster ceilings and marble floors slowly started decaying more and more and rumors about it being haunted started to form around this time. 

When he was summoned to court for not paying his rates of 50 Berkeley Square, the magistrate excused him because they all knew he lived in a haunted house. So what came first? Thomas Myers or the hauntings?

The Haunted House

The spirits of the house at 50 Berkeley Square are said to be so strong that you only need to touch the Gregorian exterior of the house to feel the shivering hauntings that have infected the house. 

In modern times, we don’t really hear much about any more of the haunted incidents as before, and owners have refuted that the building is haunted. 

So the question is really, was the strange behavior of Mr. Myers the cause behind all of the haunting in the house, or did he see something that made him so?

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References:

Nightmare before Christmas: The history of festive ghost stories

50 Berkeley Square – Wikipedia

https://web.archive.org/web/20140122120101/http://www.walksoflondon.co.uk/37/50-berkeley-square-the-mo.shtml

https://london-beyond-time-and-place.com/50-berkeley-square-the-most-haunted-house-in-london/

An online magazine about the paranormal, haunted and macabre. We collect the ghost stories from all around the world as well as review horror and gothic media.

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