The mysterious legend about the Blue Lady in Verdala Palace on Malta is shrouded in questions as she is supposedly haunting the beautiful castle. What happened to her and Who is she? Will she ever find peace?
On the height of the Buskett Gardens lies The Verdala Palace. Set in the heart of the idyllic gardens and surrounding forests it gives some breathtaking views of the island. Today it is used as a summer residence for the president of Malta and is an enormous building sitting alone at the hill.
The Verdala Palace is closed off to public except on the annual Moon Ball held every August. And perhaps, sometimes, a woman wearing her blue dress dances among the guests, not being able to escape the palace, even in her death.
The History of Malta and the Verdala Palace
For a time Malta was ruled by a religious order. The Order of Saint John, was a medieval and early modern Catholic military order and the ones that built the Verdala Palace in the 1500s as a hunting lodge. And the island of Malta was ruled by the Order of Saint John as a vassal state of the Kingdom of Sicily from 1530 to 1798 when the legend is said to have taken place.
The Verdala Palace: Majestic as it stands from it was built by the Grandmaster Verdalle in 1586, it is now used as a summer residence for the president of Malta. Local legend has it that the Verdala Palace is supposedly haunted by The Blue Lady, a tragic story about a woman who was imprisoned in one of the towers.//Photo: ERWEH
The order thought self that they turned, “merely a rock of soft sandstone” into a flourishing island with mighty defenses and a capital city among the great powers of Europe during the 268 years they ruled the island.
The native felt otherwise though, as the Knights were French and excluded the native islanders from important positions. They were especially loathed for the way they took advantage of the native women. Perhaps The Blue Lady is an echo of these women?
The Blue Lady in Verdala Palace
The order was ruled by a so called Grand Master. And the last Grand Master of Malta was Emmanuel de Rohan-Polduc. He had a niece according to legend who is said to be The Blue Lady in the Verdala Palace. But as the legend goes, even though the order were eventually expelled by the French from the Island, she remains there as a ghost, haunting the palace she ended up trapped inside of.
The Blue Lady: The Verdala Palace is supposedly haunted by the ghost of a lady wearing a blue dress.
Walking the halls of the Renaissance palace under the intricate frescoes in the ceiling, the bold architecture, grand staircases and passing under the high, arched ceilings, The Blue Lady is unable to find any rest in her castle prison.
The Blue Lady, sometimes referred to as Is-sinjura tal-Verdala, was supposed to marry a man she didn’t love according to legend often told about her. Who this man was varies, but it is often thought he was one of the knights.
She had no say in that matter and was forced to it but kept trying to refuse the man she would be forced to spend the rest of her life with. The man grew angry and impatient at her refusals and imprisoned her in her room in the palace to teach her a lesson and keep her in her place.
Imprisoned and forced to compliance, she had no way of getting out. Unless… the only way she saw an escape was through the windows. The palace was many floors high and it was dangerous, some might even say impossible to escape this way. She slipped and fell to her death.
In some version she just gave up completely and threw herself out from the window to take her own life instead of marrying a man she didn’t love. Today we will never know.
After her tragic death she returned as a ghost. The Blue Lady has been spotted inside of Verdala Palace, walking the halls in her blue dress. The very same dress she wore when she died.
The Moon Ball: Sightings of the Blue Lady in the Verdala Palace is often during the August Moon Ball held in the palace. //Photo: Pablo Torres Flickr.
So why is she haunting the place she felt so trapped in? Many of these so called ghost ladies often found in old castles and mansions is haunting the place because of the tragic way they died. They are perhaps bitter about how it ended, but harmless according to most ghost stories about those ladies in white, grey and black from Europe.
So exactly why she is haunting the place is harder to pinpoint, however, we do have many written accounts of her haunting dating over a century back in time.
One of the written accounts of seeing The Blue Lady is from a Howard Jones in 1917. At this time, Jones worked as a staff member of Admiral Sir Arthur Gough-Calthorpe. He once visited the Verdala Palace and came back with a ghost story. I
n the diary, penned by a Capt. Robert Ingham, the aide-de-camp of the Gouverneur of Malta, he relayed Jones story of him seeing the Lady in Blue at Verdala Palace.
One time, Jones went to the Verdala Palace for a weekend in July, 1917. There, he was given a small room with a window overlooking the ditch. On the second floor there is something that are known as “Blue Lady’s Quarters”.
Today these quarters are almost empty and uninhabited and houses little to no guests. The walls are painted in dark wedgewood blue.
According to the diary, The Blue Lady appeared there before him as a ghost. When Jones was doing his tie in the mirror, a lady dressed in blue walked up behind him, but when he turned around there was no one there.
The Lost Name of the Lady in Blue
Even though the story has persisted for a very long time, little is known about the name of the Lady in Blue in Verdala Palace, even though she is a descendant of a noble family. But she has been embraced by the Malta as part of the history and even the official presidential website mentions her, writing: “This is only a legend, however many people do confirm that she does indeed appear in the palace wearing a blue dress.”
A possible link could be one of the de Rohan Polduc members seemingly being linked as siblings to Emmanuel de Rohan-Polduc, which The Blue Lady is supposedly a niece of. They are:
Another version (a very dramatic one) of the legend behind the The Blue Lady in the Verdala Palace is:
Cecile, a niece of Grand Master de Rohan, who had eloped with a commoner and found herself in her uncle’s care. It is said that after the Grand Master’s death during the French occupation of Malta, her fiancé was tortured in order to make him divulge the whereabouts of a supposed treasure hoard at Verdala Castle. Cecile took hold of the sword belonging to a French soldier, killed her fiancé to end his misery, and then jumped to her death from a castle window.
Whoever The Blue Lady is, at the annual Ball at Verdala Palace in August, when the gates to the palace opens, when it is once filled with people, with life, the guests still, again and again, insist on seeing The Lady in Blue dancing in the halls in her blue dress.
Through carefully educated in medicine and surgery, I have never practiced either. The study of each continues, nevertheless, to interest me profoundly. Neither idleness nor caprice caused my secession from the honorable calling which I had just entered. The cause was a very trifling scratch inflicted by a dissecting knife. This trifle cost me the loss of two fingers, amputated promptly, and the more painful loss of my health, for I have never been quite well since, and have seldom been twelve months together in the same place.
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In my wanderings I became acquainted with Dr. Martin Hesselius, a wanderer like myself, like me a physician, and like me an enthusiast in his profession. Unlike me in this, that his wanderings were voluntary, and he a man, if not of fortune, as we estimate fortune in England, at least in what our forefathers used to term “easy circumstances.” He was an old man when I first saw him; nearly five-and-thirty years my senior. In Dr. Martin Hesselius, I found my master. His knowledge was immense, his grasp of a case was an vintuition. He was the very man to inspire a young enthusiast, like me, with awe and delight. My admiration has stood the test of time and survived the separation of death. I am sure it was well-founded. For nearly twenty years I acted as his medical secretary. His immense collection of papers he has left in my care, to be arranged, indexed and bound. His treatment of some of these cases is curious. He writes in two distinct characters. He describes what he saw and heard as an intelligent layman might, and when in this style of narrative he had seen the patient either through his own hall-door, to the light of day, or through the gates of darkness to the caverns of the dead, he returns upon the narrative, and in the terms of his art and with all the force and originality of genius, proceeds to the work of analysis, diagnosis and illustration. Here and there a case strikes me as of a kind to amuse or horrify a lay reader with an interest quite different from the peculiar one which it may possess for an expert. With slight modifications, chiefly of language, and of course a change of names, I copy the following.
The narrator is Dr. Martin Hesselius. I find it among the voluminous notes of cases which he made during a tour in England about sixty-four years ago. It is related in series of letters to his friend Professor Van Loo of Leyden. The professor was not a physician, but a chemist, and a man who read history and metaphysics and medicine, and had, in his day, written a play. The narrative is therefore, if somewhat less valuable as a medical record, necessarily written in a manner more likely to interest an unlearned reader. These letters, from a memorandum attached, appear to have been returned on the death of the professor, in 1819, to Dr. Hesselius. They are written, some in English, some in French, but the greater part in German. I am a faithful, though I am conscious, by no means a graceful translator, and although here and there ! omit some passages, and shorten others, and disguise names, I have interpolated nothing.
CHAPTER I
Dr. Hesselius Relates How He Met the Rev. Mr. Jennings
The Rev. Mr. Jennings is tall and thin. He is middle-aged, and dresses with a natty, old-fashioned, high-church precision. He is naturally a little stately, but not at all stiff. His features, without being handsome, are well formed, and their expression extremely kind, but also shy. I met him one evening at Lady Mary Haddock’s. The modesty and benevolence of his countenance are extremely prepossessing. We were but a small party, and he joined agreeably enough in the conversation, He seems to enjoy listening very much more than contributing to the talk; but what he says is always to the purpose and well said. He is a great favourite of Lady Mary’s, who it seems, consults him upon many things, and thinks him the most happy and blessed person on earth. Little knows she about him. The Rev. Mr. Jennings is a bachelor, and has, they say sixty thousand pounds in the funds. He is a charitable man. He is most anxious to be actively employed in his sacred profession, and yet though always tolerably well elsewhere, when he goes down to his vicarage in Warwickshire, to engage in the actual duties of his sacred calling, his health soon fails him, and in a very strange way. So says Lady Mary.
There is no doubt that Mr. Jennings’ health does break down in, generally, a sudden and mysterious way, sometimes in the very act of officiating in his old and pretty church at Kenlis. It may be his heart, it may be his brain. But so it has happened three or four times, or oftener, that after proceeding a certain way in the service, he has on a sudden stopped short, and after a silence, apparently quite unable to resume, he has fallen into solitary, inaudible prayer, his hands and his eyes uplifted, and then pale as death, and in the agitation of a strange shame and horror, descended trembling, and got into the vestry-room, leaving his congregation, without explanation, to themselves. This occurred when his curate was absent. When he goes down to Kenlis now, he always takes care to provide a clergyman to share his duty, and to supply his place on the instant should he become thus suddenly incapacitated.
When Mr. Jennings breaks down quite, and beats a retreat from the vicarage, and returns to London, where, in a dark street off Piccadilly, he inhabits a very narrow house, Lady Mary says that he is always perfectly well. I have my own opinion about that. There are degrees of course.
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We shall see.
Mr. Jennings is a perfectly gentlemanlike man. People, however, remark something odd. There is an impression a little ambiguous. One thing which certainly contributes to it, people ! think don’t remember; or, perhaps, distinctly remark. But I did, almost im mediately. Mr. Jennings has a way of looking sidelong upon the carpet, as if his eye followed the movements of something there. This, of course, is not always. It occurs now and then. But often enough to give a certain oddity, as I have said, to his manner, and in this glance traveling along the floor there is something both shy and anxious. A medical philosopher, as you are good enough to call me, elaborating theories by the aid of cases sought out by himself, and by him watched and scrutinized with more time at command, and consequently infinitely more minuteness than the ordinary practitioner can afford, falls insensibly into habits of observation, which accompany him everywhere, and are exercised, as some people would say, impertinently, upon every subject that presents itself with the least likelihood of rewarding inquiry. There was a promise of this kind in the slight, timid, kindly, but reserved gentleman, whom I met for the first time at this agreeable little evening gathering. I observed, of course, more than I here set down; but I reserve all that borden on the technical for a strictly scientific paper. I may remark, that when I here speak of medical science, I do so, as I hope some day to see it more generally understood, in a much more comprehensive sense than its generally material treatment would warrant. I believe the entire natural world is but the ultimate expression of that spiritual world from which, and in which alone, it has its life. I believe that the essential man is a spirit, that the spirit is an organized substance, but as different in point of material from what we ordinarily understand by matter, as light or electricity is; that the material body is, in the most literal sense, a vesture, and death consequently no interruption of the living man’s existence, but simply his extrication from the natural body –a process which commences at the moment of what we term death, and the completion of which, at furthest a few days later, is the resurrection “in power.” The person who weighs the consequences of these positions will probably see their practical bearing upon medical science. This is, however, by no means the proper place for displaying the proofs and discussing the consequences of this too generally unrecognized state of facts. In pursuance of my habit, I was covertly observing Mr. Jennings, with all my caution–l think he perceived it–and I saw plainly that he was as cautiously observing me. Lady Mary happening to address me by my name, as Dr. Hesselius, I saw that he glanced at me more sharply, and then became thoughtful for a few minutes.
After this, as I conversed with a gentleman at the other end of the room, I saw him look at me more steadily, and with an interest which I thought I understood. I then saw him take an opportunity of chatting with Lady Mary, and was, as one always is, perfectly aware of being the subject of a distant inquiry and answer.
This tall clergyman approached me by-and-by; and in a little time we had got into conversation.
When two people, who like reading, and know books and places, having traveled, wish to discourse, it is very strange if they can’t find topics. It was not accident that brought him near me, and led him into conversation. He knew German and had read my Essays on Metaphysical Medicine which suggest more than they actually say. This courteous man, gentle, shy, plainly a man of thought and reading, who moving and talking among us, was not altogether of us, and whom I already suspected of leading a life whose trans actions and alarms were carefully concealed, with an impenetrable reserve from, not only the world, but his best beloved friends- was cautiously weighing in his own mind the idea of taking a certain step with regard to me. I penetrated his thoughts without his being aware of it, and was careful to say nothing which could betray to his sensitive vigilance my suspicions respecting his position, or my surmises about his plans respecting myself.
We chatted upon indifferent subjects for a time but at last he said:
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“I was very much interested by some papers of yours, Dr. Hesselius, upon what you term Metaphysical Medicine–I read them in German, ten or twelve years ago–have they been translated?”
“No, I’m sure they have not–I should have heard. They would have asked my leave, I think.”
“I asked the publishers here, a few months ago, to get the book for me in the original German; but they tell me it is out of print.”
“So it is, and has been for some years; but it flatters me as an author to find that you have not forgotten my little book, although,” I added, laughing, “ten or twelve years is a considerable time to have managed without it; but I suppose you have been turning the subject over again in your mind, or something has happened lately to revive your interest in it.”
At this remark, accompanied by a glance of inquiry, a sudden embarrassment disturbed Mr. Jennings, analogous to that which makes a young lady blush and look foolish. He dropped his eyes, and folded his hands together uneasily, and looked oddly, and you would have said, guiltily, for a moment.
I helped him out of his awkwardness in the best way, by appearing not to observe it, and going straight on, I said: “Those revivals of interest in a subject happen to me often; one book suggests an other, and often sends me back a wild-goose chase over an interval of twenty years. But if you still care to possess a copy, I shall be only too happy to provide you; I have still got two or three by me –and if you allow me to present one I shall be very much honored.”
“You are very good indeed,” he said, quite at his ease again, in a moment: “I almost despaired–I don’t know how to thank you.
“Pray don’t say a word; the thing is really so little worth that I am only ashamed of having offered it, and if you thank me any more I shall throw it into the fire in a fit of modesty.”
Mr. Jennings laughed. He inquired where I was staying in London, and after a little more conversation on a variety of subjects, he took his departure. CHAPTER II The Doctor Questions Lady Mary and She Answers
CHAPTER II.
THE DOCTOR QUESTIONS LADY MARY, AND SHE ANSWERS.
“I like your vicar so much, Lady Mary,” said I, as soon as he was gone. “He has read, traveled, and thought, and having also suffered, he ought to be an accomplished companion.”
“So he is, and, better still,’ he is a really good man,” said she. “His advice is invaluable about my schools, and all my little undertakings at Dawlbridge, and he’s so painstaking, he takes so much trouble–you have no idea wherever he thinks he can be o~ use: he’s so good-natured and so sensible.”
“It is pleasant to hear so good an account of his neighbourly virtues. I can only testify to his being an agreeable and gentle companion, and in addition to what you have told me, I think I can tell you two or three things about him,” said I. “Really!” “Yes, to begin with, he’s unmarried.” “Yes, that’s right—go on.”
“He has been writing, that is he was, but for two or three years perhaps, he has not gone on with his work, and the book was upon some rather abstract subject–perhaps theology.”
“Well, he was writing a book, as you say; I’m not quite sure what it was about, but only that it was nothing that I cared for; very likely you are right, and he certainly did stop–yes.”
“And although he only drank a little coffee here to-night, he likes tea, at least, did like it extravagantly.”
“He drank green tea, a good deal, didn’t he?” I pursued.
“Well, that’s very odd! Green tea was a subject on which we used almost to quarrel.”
“But he has quite given that up,” said I. “So he has.”
“And, now, one more fact. His mother or his father, did you know them?”
“Yes, both; his father is only ten years dead, and their place is near Dawlbridge. We knew them very well,” she answered.
“Well, either his mother or his father–l should rather think his father, saw a ghost,” said I.
“Well, you really are a conjurer, Dr. Hesselius.” “Conjurer or no, haven’t I said right?” I answered merrily.
“You certainly have, and it was his father: he was a silent, whimsical man, and he used to bore my father about his dreams, and at last he told him a story about a ghost he had seen and talked with, and a very odd story it was. I remember it particularly, because I was so afraid of him. This story was long before he died–when I was quite a child–and his ways were so silent and moping, and he used to drop in sometimes, in the dusk, when I was alone in the drawing-room, and I used to fancy there were ghosts about him.” I smiled and nodded. “And now, having established my character as a conjurer, I think I must say good-night!’ said I. “But how did you find it out?”
“By the planets, of course, as the gypsies do,” I answered, and so, gaily we said good-night.
Next morning I sent the little book he had been inquiring after, and a note to Mr. Jennings, and on returning late that evening, I found that he had called at my lodgings, and left his card. He asked whether I was at home, and asked at what hour he would be most likely to find me. Does he intend opening his case, and consulting me “professionally,” as they say? I hope so. I have already conceived a theory about him. It is supported by Lady Mary’s answers to my parting questions. I should like much to ascertain from his own lips. But what can I do consistently with good breeding to invite a confession? Nothing. I rather think he meditates one. At all events, my dear Van L., I shan’t make myself difficult of access; I mean to re turn his visit tomorrow. It will be only civil in return for his polite ness, to ask to see him. Perhaps something may come of it.
Whether much, little, or nothing, my dear Van L., you shall hear.
CHAPTER III
Dr. Hesselius Picks Up Something in Latin Books
Well, I have called at Blank Street.
On inquiring at the door, the servant told me that Mr. Jennings was engaged very particularly with a gentleman, a clergyman from Kenlis, his parish in the country. Intending to reserve my privilege, and to call again, I merely intimated that I should try an- other time, and had turned to go, when the servant begged my pardon, and asked me, looking at me a little more attentively than well-bred persons of his order usually do, whether I was Dr. Hesselius; and, on learning that I was, he said, “Perhaps then, sir, you would allow me to mention it to Mr. Jennings, for I am sure he wishes to see you.” The servant returned in a moment, with a message from Mr. Jennings, asking me to go into his study, which was in effect his back drawing-room, promising to be with me in a very few minutes. This was really a study–almost a library. The room was lofty, with two tall slender windows, and rich dark curtains. It was much larger than I had expected, and stored with books on every side, from the floor to the ceiling. The upper carpet– for to my tread it felt that there were two or three–was a Turkey carpet. My steps fell noiselessly. The bookcases standing out, placed the windows, particularly narrow ones, in deep recesses. The effect of the room was, although extremely comfortable, and even luxurious, decidedly gloomy, and aided by the silence, almost oppressive. Perhaps, however, I ought to have allowed something for association. My mind had connected peculiar ideas with Mr. Jennings. I stepped into this perfectly silent room, of a very silent house, with a peculiar foreboding; and its darkness, and solemn clothing of books, for except where two narrow looking-glasses were set in the wall, they were everywhere, helped this somber feeling.
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“When man’s interior sight is opened, which is that of his spirit, then there appear the things of another life, which cannot possibly be made visible to the bodily sight.”….
While awaiting Mr. Jennings’ arrival, I amused myself by looking into some of the books with which his shelves were laden. Not among these, but immediately under them, with their backs up ward, on the floor, I lighted upon a complete set of Swedenborg’s “Arcana Celestia,” in the original Latin, a very fine folio set, bound in the natty livery which theology affects, pure vellum, namely, gold letters, and carmine edges. There were paper markers in several of these volumes, I raised and placed them, one after the other, upon the table, and opening where these papers were placed, I read in the solemn Latin phraseology, a series of sentences indicated by a penciled line at the margin. Of these I copy here a few, translating them into English.
“By the internal sight it has been granted me to see the things that are in the other life, more clearly than I see those that are in the world. From these considerations, it is evident that external vision exists from interior vision, and this from a vision still more interior, and so on.” …. “There are with every man at least two evil spirits.”…. “With wicked genii there is also a fluent speech, but harsh and grating. There is also among them a speech which is not fluent, wherein the dissent of the thoughts is perceived as something secretly creeping along within it.” “The evil spirits associated with man are, indeed from the hells, but when with man they are not then in hell, but are taken out thence. The place where they then are, is in the midst between heaven and hell, and is called the world of spirits–when the evil spirits who are with man, are in that world, they are not in any infernal torment, but in every thought and affection of man, and so, in all that the man himself enjoys. But when they are remitted into their hell, they return to their former state.”…. “If evil spirits could perceive that they were associated with man, and yet that they were spirits separate from him, and if they could flow in into the things of his body, they would attempt by a thousand means to destroy him; for they hate man with a deadly hatred.” …. “Knowing, therefore, that I was a man in the body, they were continually striving to destroy me, not as to the body only, but especially as to the soul; for to destroy any man or spirit is the very delight of the life of all who are in hell; but I have been continually protected by the Lord. Hence it appears how dangerous it is for man to be in a living consort with spirits, unless he be in the good of faith.” …. “Nothing is more carefully guarded from the knowledge of associate spirits than their being thus conjoint with a man, for if they knew it they would speak to him, with the intention to destroy him.” …. “The delight of hell is to do evil to man, and to hasten his eternal ruin.”
A long note, written with a very sharp and fine pencil, in Mr. Jennings’ neat hand, at the foot of the page, caught my eye. Expecting his criticism upon the text, I read a word or two, and stopped, for it was something quite different, and began with these words, Deus misereatur mei–“May God compassionate me.” Thus warned of its private nature, I averted my eyes, and shut the book, replacing all the volumes as I had found them, except one which interested me, and in which, as men studious and solitary in their habits will do, I grew so absorbed as to take no cognisance of the outer world, nor to remember where I was. I was reading some pages which refer to “representatives” and “correspondents,” in the technical language of Swedenborg, and had arrived at a passage, the substance of which is, that evil spirits, when seen by other eyes than those of their infernal associates, pre sent themselves, by “correspondence,” in the shape of the beast ()fera) which represents their particular lust and life, in aspect direful and atrocious. This is a long passage, and particularises a number of those bestial forms.
CHAPTER IV
Four Eyes Were Reading the Passage
I was running the head of my pencil-case along the line as I read it, and something caused me to raise my eyes.
Directly before me was one of the mirrors I have mentioned, in which I saw reflected the tall shape of my friend, Mr. Jennings, leaning over my shoulder, and reading the page at which I was busy, and with a face so dark and wild that I should hardly have known him.
I turned and rose. He stood erect also, and with an effort laughed a little, saying: “I came in and asked you how you did, but without succeeding in awaking you from your book; so I could not restrain my curiosity, and very impertinently, I’m afraid, peeped over your shoulder. This is not your first time of looking into those pages. You have looked into Swedenborg, no doubt, long ago?”
“Oh dear, yes! I owe Swedenborg a great deal; you will discover traces of him in the little book on Metaphysical Medicine, which you were so good as to remember.” Although my friend affected a gaiety of manner, there was a slight flush in his face, and I could perceive that he was inwardly much perturbed. “I’m scarcely yet qualified, I know so little of Swedenborg. I’ve only had them a fortnight,” he answered, “and I think they are rather likely to make a solitary man nervous–that is, judging from the very little I have read—I don’t say that they have made me so,” he laughed; “and I’m so very much obliged for the book. I hope you got my note?”
I made all proper acknowledgments and modest disclaimers. “I never read a book that I go with, so entirely, as that of yours,” he continued. “I saw at once there is more in it than is quite un folded. Do you know Dr. Harley?” he asked, rather abruptly. In passing, the editor remarks that the physician here named was one of the most eminent who had ever practiced in England.
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I did, having had letters to him, and had experienced from him great courtesy and considerable assistance during my visit to England.
“I think that man one of the very greatest fools I ever met in my life,” said Mr. Jennings.
This was the first time I had ever heard him say a sharp thing of anybody, and such a term applied to so high a name a little startled me.
“Really! and in what way?” I asked. “In his profession,” he answered. I smiled.
“I mean this,” he said: “he seems to me, one half, blind–I mean one half[ of all he looks at is dark–preternaturally bright and vivid all the rest; and the worst of it is, it seems wilful. I can’t get him–I mean he won’t–I’ve had some experience of him as a physician, but I look on him as, in that sense, no better than a paralytic mind, an intellect half dead. I’ll tell you–I know I shall some time–all about it,” he said, with a little agitation. “You stay some months longer in England. If I should be out of town during your stay [or a little time, would you allow me to trouble you with a letter?”
“I should be only too happy,” I assured him.
“Very good of you. I am so utterly dissatisfied with Harley.”
“A little leaning to the materialistic school,” I said.
“A mere materialist,” he corrected me; “you can’t think how that sort of thing worries one who knows better. You won’t tell any one–any of my friends you know–that I am hippish; now, [or instance, no one knows–not even Lady Mary–that I have seen Dr. Harley, or any other doctor.
So pray don’t mention it; and, if I should have any threatening of an attack, you’ll kindly let me write, or, should I be in town, have a little talk with you.” I was full of conjecture, and unconsciously I found I had fixed my eyes gravely on him, for he lowered his for a moment, and he said: “I see you think I might as well tell you now, or else you are forming a conjecture; but you may as well give it up. If you were guessing all the rest of your Iife, you will never hit on it.”
He shook his head smiling, and over that wintry sunshine a black cloud suddenly came down, and he drew his breath in, through his teeth as men do in pain. “Sorry, of course, to learn that you apprehend occasion to consult any of us; but, command me when and how you like, and I need not assure you that your confidence is sacred.”
He then talked of quite other things, and in a comparatively cheerful way and after a little time, I took my leave.
CHAPTER V
Dr. Hesselius is Summoned to Richmond
We parted cheerfully, but he was not cheerful, nor was I. There are certain expressions of that powerful organ of spirit–the human face–which, although I have seen them often, and possess a doctor’s nerve, yet disturb me profoundly. One look of Mr. Jennings haunted me. It had seized my imagination with so dismal a power that I changed my plans for the evening, and went to the opera, feeling that I wanted a change of ideas.
I heard nothing of or from him for two or three days, when a note in his hand reached me. It was cheerful, and full of hope. He said that he had been for some little time so much better-quite well, in fact–that he was going to make a little experiment, and run down for a month or so to his parish, to try whether a little work might not quite set him up. There was in it a fervent religious expression of gratitude [or his restoration, as he now almost hoped he might call it.
A day or two later I saw Lady Mary, who repeated what his note had announced, and told me that he was actually in Warwickshire, having resumed his clerical duties at Kenlis; and she added, “I begin to think that he is really perfectly well, and that there never was anything the matter, more than nerves and fancy; we are all nervous, but I fancy there is nothing like a little hard work for that kind of weakness, and he has made up his mind to try it. I should not be surprised if he did not come back for a year.” Notwithstanding all this confidence, only two days later I had this note, dated from his house off Piccadilly:
DEAR Sir,–I have returned disappointed. If I should feel at all able to see you, I shall write to ask you kindly to call. At present, I am too low, and, in fact, simply unable to say all I wish to say. Pray don’t mention my name to my friends. I can see no one. By-and-by, please God, you shall hear from me. I mean to take a run into Shropshire, where some of my people are. God bless you! May we, on my return, meet more happily than I can now write.
About a week after this I saw Lady Mary at her own house, the last person, she said, left in town, and just on the wing for Brighton, for the London season was quite over. She told me that she had heard from Mr. Jenning’s niece, Martha, in Shropshire. There was nothing to be gathered from her letter, more than that he was low and nervous. In those words, of which healthy people think so lightly, what a world of suffering is sometimes hidden! Nearly five weeks had passed without any further news of Mr. Jennings. At the end of that time I received a note from him. He wrote: “I have been in the country, and have had change of air, change of scene, change of faces, change of everything–and in everything —but myself. I have made up my mind, so far as the most irresolute creature on earth can do it, to tell my case fully to you. If your engagements will permit, pray come to me to-day, to-morrow, or the next day; but, pray defer as little as possible. You know not how much I need help. I have a quiet house at Richmond, where I now am. Perhaps you can manage to come to dinner, or to lunch eon, or even to tea. You shall have no trouble in finding me out. The servant at Blank Street, who takes this note, will have a carriage at your door at any hour you please; and I am always to be found. You will say that I ought not to be alone. I have tried everything. Come and see.”
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I called up the servant, and decided on going out the same evening, which accordingly I did.
He would have been much better in a lodging-house, or hotel, I thought, as I drove up through a short double row of sombre elms to a very old-fashioned brick house, darkened by the foliage of these trees, which overtopped, and nearly surrounded it. It was a perverse choice, for nothing could be imagined more triste and silent. The house, I found, belonged to him. He had stayed for a day or two in town, and, finding it for some cause insupportable, had come out here, probably because being furnished and his own, he was relieved of the thought and delay of selection, by coming here.
The sun had already set, and the red reflected light of the western sky illuminated the scene with the peculiar effect with which we are all familiar. The hall seemed very dark, but, getting to the back drawing-room, whose windows command the west, I was again in the same dusky light. I sat down, looking out upon the richly-wooded landscape that glowed in the grand and melancholy light which was every moment fading. The corners of the room were already dark; all was growing dim, and the gloom was insensibly toning my mind, al ready prepared for what was sinister. I was waiting alone for his arrival, which soon took place. The door communicating with the front room opened, and the tall figure of Mr. Jennings, faintly seen in the ruddy twilight, came, with quiet stealthy steps, into the room.
We shook hands, and, taking a chair to the window, where there was still light enough to enable us to see each other’s faces, he sat down beside me, and, placing his hand upon my arm, with scarcely a word of preface began his narrative.
CHAPTER VI
How Mr. Jennings Met His Companion
The faint glow of the west, the pomp of the then lonely woods of Richmond, were before us, behind and about us the darkening room, and on the stony face of the sufferer for the character of his face, though still gentle and sweet, was changed rested that dim, odd glow which seems to descend and produce, where it touches, lights, sudden though faint, which are lost, almost with out gradation, in darkness. The silence, too, was utter: not a dis tant wheel, or bark, or whistle from without; and within the de pressing stillness of an invalid bachelor’s house.
I guessed well the nature, though not even vaguely the particulars of the revelations I was about to receive, from that fixed face of suffering that so oddly flushed stood out, like a portrait of Schalken’s, before its background of darkness.
“It began,” he said, “on the 15th of October, three years and eleven weeks ago, and two days–I keep very accurate count, for every day is torment. If I leave anywhere a chasm in my narrative tell me.
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“About four years ago I began a work, which had cost me very much thought and reading. It was upon the religious metaphysics of the ancients.”
“I know,” said I, “the actual religion of educated and thinking paganism, quite apart from symbolic worship? A wide and very interesting field.”
“Yes, but not good for the mind–the Christian mind, I mean. Paganism is all bound together in essential unity, and, with evil sympathy, their religion involves their art, and both their manners, and the subject is a degrading fascination and the Nemesis sure. God forgive me!
“I wrote a great deal; I wrote late at night. I was always thinking on the subject, walking about, wherever I was, everywhere. It thoroughly infected me. You are to remember that all the material ideas connected with it were more or less of the beautiful, the subject itself delightfully interesting, and I, then, without a care.” He sighed heavily. “I believe, that every one who sets about writing in earnest does his work, as a friend of mine phrased it, on something–tea, or coffee, or tobacco. I suppose there is a material waste that must be hourly supplied in such occupations, or that we should grow too abstracted, and the mind, as it were, pass out of the body, unless it were reminded often enough of the connection by actual sensation. At all events, I felt the want, and I supplied it. Tea was my companion-at first the ordinary black tea, made in the usual way, not too strong: but I drank a good deal, and increased its strength as I went on. I never, experienced an uncomfortable symptom from it. ! began to take a little green tea. I found the effect pleasanter, it cleared and intensified the power of thought so, I had come to take it frequently, but not stronger than one might take it for pleasure. I wrote a great deal out here, it was so quiet, and in this room. I used to sit up very late, and it became a habit with me to sip my tea–green tea–every now and then as my work proceeded. I had a little kettle on my table, that swung over a lamp, and made tea two or three times between eleven o’clock and two or three in the morning, my hours of going to bed. I used to go into town every day. I was not a monk, and, although I spent an hour or two in a library, hunting up authorities and looking out lights upon my theme, I was in no morbid state as far as I can judge. I met my friends pretty much as usual and enjoyed their society, and, on the whole, existence had never been, I think, so pleasant before.
“I had met with a man who had some odd old books, German editions in medieval Latin, and I was only too happy to be permitted access to them. This obliging person’s books were in the City, a very out-of-the-way part of it. I had rather out-stayed my intended hour, and, on coming out, seeing no cab near, I was tempted to get into the omnibus which used to drive past this house. It was darker than this by the time the ‘bus had reached an old house, you may have remarked, with four poplars at each side of the door, and there the last passenger but myself got out. We drove along rather faster. It was twilight now. I leaned back in my corner next the door ruminating pleasantly.
“The interior of the omnibus was nearly dark. I had observed in the corner opposite to me at the other side, and at the end next the horses, two small circular reflections, as it seemed to me of a reddish light. They were about two inches apart, and about the size of those small brass buttons that yachting men used to put upon their jackets. I began to speculate, as listless men will, upon this trifle, as it seemed. From what center did that faint but deep red light come, and from what–glass beads, buttons, toy decorations-was it reflected? We were lumbering along gently, having nearly a mile still to go. I had not solved the puzzle, and it be came in another minute more odd, for these two luminous points, with a sudden jerk, descended nearer and nearer the floor, keeping still their relative distance and horizontal position, and then, as suddenly, they rose to the level of the seat on which I was sitting and I saw them no more.
“My curiosity was now really excited, and, before I had time to think, I saw again these two dull lamps, again together near the floor; again they disappeared, and again in their old corner I saw them. “So, keeping my eyes upon them, I edged quietly up my own side, towards the end at which I still saw these tiny discs of red.
“There was very little light in the ‘bus. It was nearly dark. I leaned forward to aid my endeavor to discover what these little circles really were. They shifted position a little as I did so. I began now to perceive an outline of something black, and I soon saw, with tolerable distinctness, the outline of a small black monkey, pushing its face forward in mimicry to meet mine; those were its eyes, and I now dimly saw its teeth grinning at me. “I drew back, not knowing whether it might not meditate a spring. I fancied that one of the passengers had forgot this ugly pet, and wishing to ascertain something of its temper, though not caring to trust my fingers to it, I poked my umbrella softly towards it. It remained immovable–up to it–through it. For through it, and back and forward it passed, without the slightest resistance.
“I can’t, in the least, convey to you the kind of horror that I felt. When I had ascertained that the thing was an illusion, as I then supposed, there came a misgiving about myself and a terror that fascinated me in impotence to remove my gaze from the eyes of the brute for some moments. As I looked, it made a little skip back, quite into the corner, and I, in a panic, found myself at the door, having put my head out, drawing deep breaths of the outer air, and staring at the lights and tress we were passing, too glad to reassure myself of reality. “I stopped the ‘bus and got out. I perceived the man look oddly at me as I paid him. I dare say there was something unusual in my looks and manner, for I had never felt so strangely before.”
CHAPTER VII
The Journey: First Stage
“When the omnibus drove on, and I was alone upon the road, I looked carefully round to ascertain whether the monkey had fol lowed me. To my indescribable relief ! saw it nowhere. I can’t describe easily what a shock I had received, and my sense of genuine gratitude on finding myself, as I supposed, quite rid of it.
“I had got out a little before we reached this house, two or three hundred steps. A brick wall runs along the footpath, and inside the wall is a hedge of yew, or some dark evergreen of that kind, and within that again the row of fine trees which you may have remarked as you came. “This brick wall is about as high as my shoulder, and happening to raise my eyes I saw the monkey, with that stooping gait, on all fours, walking or creeping, close beside me, on top of the wall. I stopped, looking at it with a feeling of loathing and horror. As I stopped so did it. It sat up on the wall with its long hands on its knees looking at me. There was not light enough to see it much more than in outline, nor was it dark enough to bring the peculiar light of its eyes into strong relief. I still saw, however, that red foggy light plainly enough. It did not show its teeth, nor exhibit any sign of irritation, but seemed jaded and sulky, and was observing me steadily. “I drew back into the middle of the road. It was an unconscious recoil, and there I stood, still looking at it. It did not move.
“With an instinctive determination to try something–any thing, I turned about and walked briskly towards town with askance look, all the time, watching the movements of the beast. It crept swiftly along the wall, at exactly my pace.
“Where the wall ends, near the turn of the road, it came down, and with a wiry spring or two brought itself close to my feet, and continued to keep up with me, as I quickened my pace. It was at my left side, so dose to my leg that I felt every moment as if I should tread upon it.
“The road was quite deserted and silent, and it was darker every moment. I stopped dismayed and bewildered, turning as I did so, the other way–I mean, towards this house, away from which I had been walking. When I stood still, the monkey drew back to a distance of, I suppose, about five or six yards, and remained stationary, watching me. “I had been more agitated than I have said. I had read, of course, as everyone has, something about ‘spectral illusions,’ as you physicians term the phenomena of such cases. I considered my situation, and looked my misfortune in the face.
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“These affections, I had read, are sometimes transitory and sometimes obstinate. I had read of cases in which the appearance, at first harmless, had, step by step, degenerated into something direful and insupportable, and ended by wearing its victim out. Still as I stood there, but for my bestial companion, quite alone, I tried to comfort myself by repeating again and again the assurance, ‘the thing is purely disease, a well-known physical affection, as distinctly as small-pox or neuralgia. Doctors are all agreed on that, philosophy demonstrates it. I must not be a fool. I’ve been sitting up too late, and I daresay my digestion is quite wrong, and, with God’s help, I shall be all right, and this is but a symptom of nervous dyspepsia.’
Did I believe all this? Not one word of it, no more than any other miserable being ever did who is once seized and riveted in this satanic captivity. Against my convictions, I might say my knowledge, I was simply bullying myself into a false courage.
“I now walked homeward. I had only a few hundred yards to go. I had forced myself into a sort of resignation, but I had not got over the sickening shock and the flurry of the first certainty of my misfortune.
“I made up my mind to pass the night at home. The brute moved dose betide me, and I fancied there was the sort of anxious drawing toward the house, which one sees in tired horses or dogs, sometimes as they come toward home.
“I was afraid to go into town, I was afraid of any one’s seeing and recognizing me. I was conscious of an irrepressible agitation in my manner. Also, I was afraid of any violent change in my habits, such as going to a place of amusement, or walking from home in order to fatigue myself. At the hall door it waited till I mounted the steps, and when the door was opened entered with me.
“I drank no tea that night. I got cigars and some brandy and water. My idea was that I should act upon my material system, and by living for a while in sensation apart from thought, send myself forcibly, as it were, into a new groove. I came up here to this drawing-room. I sat just here. The monkey then got upon a small table that then stood there. It looked dazed and languid. An irrepressible uneasiness as to its movements kept my eyes always upon it. Its eyes were half closed, but I could see them glow. It was looking steadily at me. In all situations, at all hours, it is awake and looking at me. That never changes.
“I shall not continue in detail my narrative of this particular night. I shall describe, rather, the phenomena of the first year, which never varied, essentially. I shall describe the monkey as it appeared in daylight. In the dark, as you shall presently hear, there are peculiarities. It is a small monkey, perfectly black. It had only one peculiarity–a character of malignity–unfathomable malignity. During the first year looked sullen and sick. But this character of intense malice and vigilance was always underlying that surly languor. During all that time it acted as if on a plan of giving me as little trouble as was consistent with watching me. Its eyes were never off me. I have never lost sight of it, except in my sleep, light or dark, day or night, since it came here, excepting when it withdraws for some weeks at a time, unaccountably.
“In total dark it is visible as in daylight. I do not mean merely its eyes. It is all visible distinctly in a halo that resembles a glow of red embers, and which accompanies it in all its movements.
“When it leaves me for a time, it is always at night, in the dark, and in the same way. It grows at first uneasy, and then furious, and then advances towards me, ginning and shaking, its paws clenched, and, at the same time, there comes the appearance of fire in the grate. I never have any fire. I can’t sleep in the room where there is any, and it draws nearer and nearer to the chimney, quivering, it seems, with rage, and when its fury rises to the high est pitch, it springs into the grate, and up the chimney, and I see it no more.
“When first this happened, I thought I was released. I was now a new man. A day passed–a night–and no return, and a blessed week–a week–another week. I was always on my knees, Dr. Hesselius, always, thanking God and praying. A whole month passed of liberty, but on a sudden, it was with me again.”
CHAPTER VIII
The Second Stage
“It was with me, and the malice which before was torpid under a sullen exterior, was now active.
It was perfectly unchanged in every other respect. This new energy was apparent in its activity and its looks, and soon in other ways.
“For a time, you will understand, the change was shown only in an increased vivacity, and an air of menace, as if it were always brooding over some atrocious plan. Its eyes, as before, were never off me.”
“Is it here now?” I asked.
“No,” he replied, “it has been absent exactly a fortnight and a day–fifteen days. It has sometimes been away so long as nearly two months, once for three. Its absence always exceeds a fortnight, al though it may be but by a single day. Fifteen days having past since I saw it last, it may return now at any moment.”
“Is its return,” I asked, “accompanied by any peculiar manifestation?”
“Nothing–no,” he said. “It is simply with me again. On lifting my eyes from a book, or turning my head, I see it, as usual, looking at me, and then it remains, as before, for its appointed time. I have never told so much and so minutely before to any one.”
I perceived that he was agitated, and looking like death, and he repeatedly applied his handkerchief to his forehead; I suggested that he might be cured, and told him that I would call, with pleasure, in the morning, but he said: “No, if you don’t mind hearing it all now. I have got so far, and I should prefer making one effort of it. When I spoke to Dr. Harley, I had nothing like so much to tell. You are a philosophic physician. You give spirit its proper rank. If the thing is real—-“
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He paused looking at me with agitated inquiry.
“We can discuss it by-and-by, and very fully. I will give you all I think, ” I answered after an interval.
“Well–very well. If it is anything real, I say, it is prevailing. little by little, and drawing me more interiorly into hell. Optic nerves, he talked of. Ah! well–there are other nerves of communication. May God Almighty help me! You shall hear. “It is power of action, I tell you, had increased. Its malice became, in a way, aggressive. About two years ago, some questions that were pending between me and the bishop having been settled, I went down to my parish in Warwickshire, anxious to find occupation in my profession. I was not prepared for what happened, although I have since thought I might have apprehended something like it. The reason of my saying so is this–“
He was beginning to speak with a great deal more effort and reluctance, and sighted often, and seemed at times nearly overcome. But at this time his manner was not agitated. It was more like that of a sinking patient, who has given himself up.
“Yes, but I will first tell you about Kenlis my parish.
“It was with me when I left this place for Drawlbridge. It was my silent traveling companion, and it remained with me at the vicarage. When I entered on the discharge of my duties, another change took place. The thing exhibited an atrocious determination to thwart me. It was with me in the church–in the reading desk–in the pulpit–within the communion rails. At last, it reached this extremity, that while I was reading to the congregation, it would spring upon the book and squat there, so that I was unable to see the page. This happened more than once.
“I left Drawlbridge for a time. I placed myself in Dr. Harley’s hands. I did everything he told me. he gave my case a great deal of thought. It interested him, I think. He seemed successful.
For nearly three months I was perfectly free from a return. I began to think I was safe. With his full assent I returned to Drawlbridge.
“I traveled in a chaise. I was in good spirits. I was more–I was happy and grateful. I was returning , as I thought, delivered from a dreadful hallucination, to the scene of duties which I longed to enter upon. It was a beautiful sunny evening, everything looked serene and cheerful, and I was delighted, I remember looking out of the window to see the spire of my church at Kenlis among the trees, at the point where one has the earliest view of it. It is exactly where the little stream that bounds the parish passes under the road by a culvert, and where it emerges at the roadside, a stone with an old inscription is placed. As we passed this point, I drew my head in and sat down, and in the corner of the chaise was the monkey.
“For a moment I felt faint, and then quite wild with despair and horror, I called to the driver, and got out, and sat down at the road-side, and prayed to God silently for mercy. A despairing resignation supervened. My companion was with me as I reentered the vicarage. The same persecution followed. After a short struggle I submitted, and soon I left the place. “I told you,” he said, “that all the beast has before this become in certain ways aggressive. I will explain a little. It seemed to be actuated by intense and increasing fury, whenever I said my prayers, or even meditated prayer. It amounted at last to a dreadful interruption. You will ask, how could a silent immaterial phantom effect that? It was thus, whenever I meditated praying; It was always before me, and nearer and nearer. “It used to spring on the table, on the back of the chair, on the chimney-piece, and slowly swing itself from side to side, looking at me all the time. There is in its motion an indefinable power to dissipate thought, and to contract one’s attention to that monotony, till the ideas shrink, as it were, to a point, and at last to nothing–and unless I had started up , and shook off the catalepsy I have felt as if my mind were to a point of losing itself. There are no other ways,” he sighed heavily; “thus, for instance, while I pray with my eyes closed, it comes closer and closer and closer, and I see it. I know it is not to be accounted for physically, but I do actually see it, though my lids are closed, and so it rocks my mind, as it were, and overpowers me, and I am obliged to rise from my knees. If you had ever yourself known this, you would be acquainted with desperation.”
CHAPTER IX
The Third Stage
“I see, Dr. Hesselius, that you don’t lose one word of my statement. I need not ask you to listen specially to what I am now going to tell you. They talk of the optic nerves, and of spectral illusions, as if the organ of fight was the only point assailable by the influences that have fastened upon me–l know better. For two years in my direful case that limitation prevailed. But as food is taken in softly at the lips, and then brought under the teeth, as the tip of the little finger caught in a mill crank will draw in the hand, and the arm, and the whole body, so the miserable mortal who has been once caught firmly by the end of the finest fibre of his nerve, is drawn in and in, by the enormous machinery of hell, until he is as I am. Yes, Doctor, as I am, for a while I talk to you, and implore relief, I feel that my prayer is for the impossible, and my pleading with the inexorable.”
I endeavoured to calm his visibly increasing agitation, and told him that he must not despair.
While we talked the night had overtaken us. The filmy moon light was wide over the scene which the window commanded, and I said: “Perhaps you would prefer having candles. This light, you know, is odd. I should wish you, as much as possible, under your usual conditions while I make my diagnosis, shall I call it–otherwise I don’t care.”
“All lights are the same to me,” he said; “except when I read or write, I care not if night were perpetual. I am going to tell you what happened about a year ago. The thing began to speak to me.”
“Speak! How do you mean–speak as a man does, do you mean?” “yes; speak in words and consecutive sentences, with perfect coherence and articulation; but there is a peculiarity. It is not like the tone of a human voice. It is not by my ears it reaches me-it comes like a singing through my head.
“This faculty, the power of speaking to me, will be my undoing. It won’t let me pray, it interrupts me with dreadful blasphemies. I dare not go on, I could not. Oh! Doctor, can the skill, and thought, and prayers of man avail me nothing!”
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“You must promise me, my dear sir, not to trouble yourself with unnecessarily exciting thoughts; confine yourself strictly to the narrative of facts; and recollect, above all, that even if the thing that infests you be, you seem to suppose a reality with an actual in dependent life and will, yet it can have no power to hurt you, unless it be given from above: its access to your senses depends mainly upon your physical condition–this is, under God, your com fort and reliance: we are all alike environed. It is only that in your case, the ‘parties,’ the veil of the flesh, the screen, is a little out of repair, and sights and sounds are transmitted. We must enter on a new course, sir,—be encouraged. I’ll give to-night to the careful consideration of the whole case.”
“You are very good, sir; you think it worth trying, you don’t give me quite up; but, sir, you don’t know, it is gaining such an influence over me: it orders me about, it is such a tyrant, and I’m growing so helpless. May God deliver me!”
“It orders you about–of course you mean by speech?”
“Yes, yes; it is always urging me to crimes, to injure others, or myself. You see, Doctor, the situation is urgent, it is indeed. When I was in Shropshire, a few weeks ago” (Mr. Jennings was speaking rapidly and trembling now, holding my arm with one hand, and looking in my face), “I went out one day with a party of friends for a walk: my persecutor, I tell you, was with me at the time. I lagged behind the rest: the country near the Dee, you know, is beautiful. Our path happened to lie near a coal mine, and at the verge of the wood is a perpendicular shaft, they say, a hundred and fifty feet deep. My niece had remained behind with me–she knows, of course nothing of the nature of my sufferings. She knew, however, that I had been ill, and was low, and she remained to prevent my being quite alone. As we loitered slowly on together, the brute that accompanied me was urging me to throw myself down the shaft. I tell you now–oh, sir, think of it!–the one consideration that saved me from that hideous death was the fear lest the shock of witnessing the occurrence should be too much for the poor girl. I asked her to go on and walk with her friends, saying that I could go no further. She made excuses, and the more I urged her the firmer she became. She looked doubtful and frightened. I suppose there was something in my looks or manner that alarmed her; but she would not go, and that literally saved me. You had no idea, sir, that a living man could be made so abject a slave of Satan,” he said, with a ghastly groan and a shudder.
There was a pause here, and I said, “You were preserved nevertheless. It was the act of God. You are in His hands and in the power of no other being: be therefore confident for the future.”
CHAPTER X
Home
I made him have candles lighted, and saw the room looking cheery and inhabited before I left him. I told him that he must regard his illness strictly as one dependent on physical, though subtle physical causes. I told him that he had evidence of God’s care and love in the deliverance which he had just described, and that I had perceived with pain that he seemed to regard its peculiar features as indicating that he had been delivered over to spiritual reprobation. Than such a conclusion nothing could be, I insisted, less warranted; and not only so, but more contrary to [acts, as disclosed in his mysterious deliverance from that murderous in fluence during his Shropshire excursion. First, his niece had been retained by his side without his intending to keep her near him; and, secondly, there had been infused into his mind an irresistible repugnance to execute the dreadful suggestion in her presence.
As I reasoned this point with him, Mr. Jennings wept. He seemed comforted. One promise I exacted, which was that should the monkey at any time return, I should be sent for immediately; and, repeating my assurance that I would give neither time nor thought to any other subject until I had thoroughly investigated his case, and that to-morrow he should hear the result, I took my leave.
Before getting into the carriage I told the servant that his master was far from well, and that he should make a point of frequently looking into his room. My own arrangements I made with a view to being quite secure from interruption. I merely called at my lodgings, and with a traveling-desk and carpet-bag, set off in a hackney carriage for an inn about two miles out of town, called “The Horns,” a very quiet and comfortable house, with good thick walls. And there I resolved, without the possibility of intrusion or distraction, to devote some hours of the night, in my comfortable sitting-room, to Mr. Jennings’ case, and so much of the morning as it might require. (There occurs here a careful note of Dr. Hesselius’ opinion on the case, and of the habits, dietary, and medicines which he prescribed. It is curious–some persons would say mystical. But, on the whole, I doubt whether it would sufficiently interest a reader of the kind I am likely to meet with, to warrant its being here reprinted. The whole letter was plainly written at the inn where he had hid himself for the occasion. The next letter is dated from his town lodgings.) I left town for the inn where I slept last night at half-past nine, and did not arrive at my room in town until one o’clock this after- noon. I found a letter m Mr. Jennings’ hand upon my table. It. had not come by post, and, on inquiry, I learned that Mr. Jennings’ servant had brought it, and on learning that I was not to return until to-day, and that no one could tell him my address, he seemed very uncomfortable, and said his orders from his master were that he was not to return without an answer.
I opened the letter and read:
Dear Dr. Hesselius.–It is here. You had not been an hour gone when it returned. It is speaking. It knows all that has happened. It knows every thing-it knows you, and is frantic and atrocious. It reviles. I send you this. It knows every word I have written–I write. This I promised, and I therefore write, but I fear very confused, very incoherently. I am so interrupted, disturbed.
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Ever yours, sincerely yours,
ROBERT LYNDER JENNINGS.
“When did this come?” I asked.
“About eleven last night: the man was here again, and has been here three times to-day. The last time is about an hour since.”
Thus answered, and with the notes ! had made upon his case in my pocket, I was in a few minutes driving towards Richmond, to see Mr. Jennings. I by no means, as you perceive, despaired of Mr. Jennings’ case. He had himself remembered and applied, though quite in a mistaken way, the principle which I lay down in my Metaphysical Medicine, and which governs all such cases. I was about to apply it in earnest. I was profoundly interested, and very anxious to see and examine him while the “enemy” was actually present. I drove up to the sombre house, and ran up the steps, and knocked. The door, in a little time, was opened by a tall woman in black silk. She looked ill, and as if she had been crying. She curtseyed, and heard my question, but she did not answer. She turned her face away, extending her hand towards two men who were coming down-stairs; and thus having, as it were, tacitly made me over to them, she passed through a side-door hastily and shut it.
The man who was nearest the hall, I at once accosted, but being now close to him, I was shocked to see that both his hands were covered with blood.
I drew back a little, and the man, passing downstairs, merely said in a low tone, “Here’s the servant, sir.”
The servant had stopped on the stairs, confounded and dumb at seeing me. He was rubbing his hands in a handkerchief, and it was steeped in blood.
“Jones, what is it? what has happened?” I asked, while a sickening suspicion overpowered me.
The man asked me to come up to the lobby. I was beside him in a moment, and, frowning and pallid, with contracted eyes, he told me the horror which I already half guessed.
His master had made away with himself.
I went upstairs with him to the room–what I saw there I won’t tell you. He had cut his throat with his razor. It was a frightful gash. The two men had laid him on the bed, and composed his limbs. It had happened, as the immense pool of blood on the floor declared, at some distance between the bed and the window. There was carpet round his bed, and a carpet under his dressing. table, but none on the rest of the floor, for the man said he did not like a carpet on his bedroom. In this sombre and now terrible room, one of the great elms that darkened the house was slowly moving the shadow of one of its great boughs upon this dreadful floor.
I beckoned to the servant, and we went downstairs together. I turned off the hall into an old-fashioned paneled room, and there standing, I heard all the servant had to tell. It was not a great deal.
“! concluded, sir, from your words, and looks, sir, as you left last night, that you thought my master was seriously ill. I thought it might be that you were afraid of a fit, or something. So I attended very close to your directions. He sat up late, till past three o’clock. He was not writing or reading. He was talking a great deal to him self, but that was nothing unusual. At about that hour I assisted him to undress, and left him in his slippers and dressing-gown. I went back softly in about half-an-hour. He was in his bed, quite undressed, and a pair of candles lighted on the table beside his bed. He was leaning on his elbow, and looking out at the other side of the bed when I came in. I asked him if he wanted anything, and he said No. “I don’t know whether it was what you said to me, sir, or some thing a little unusual about him, but I was uneasy, uncommon uneasy about him last night.
“In another half hour, or it might be a little more, I went up again. I did not hear him talking as before. I opened the door a little. The candles were both out, which was not usual. I had a bedroom candle, and I let the light in, a little bit, looking softly round. I saw him sitting in that chair beside the dressing-table with his clothes on again. He turned round and looked at me. I thought it strange he should get up and dress, and put out the candles to sit in the dark, that way.
But I only asked him again if I could do anything for him. He said, No, rather sharp, I thought. He said, ‘Tell me truth, Jones; why did you come again–you did not hear anyone cursing?’ ‘No, sir,’ I said, wondering what he could mean.
“‘No,’ said he, after me, ‘of course, no;’ and I said to him, ‘Wouldn’t it be well, sir, you went to bed? It’s just five o’clock;’ and he said nothing, but, ‘Very likely; good-night, Jones.’ so I went, sir, but in less than an hour I came again. The door was fast, and he heard me, and called as I thought from the bed to know what I wanted, and he desired me not to disturb him again. I lay down and slept for a little. It must have been between six and seven when I went up again. The door was still fast, and he made no answer, so I did not like to disturb him, and thinking he was asleep, I left him till nine. It was his custom to ring when he wished me to come, and I had no particular hour for calling him. I tapped very gently, and getting no answer, I stayed away a good while, supposing he was getting some rest then. It was not till eleven o’clock I grew really uncomfortable about him–for at the latest he was never, that I could remember, later than half past ten. I got no answer. I knocked and called, and still no answer. So not being able to force the door, I called Thomas from the stables, and together we forced it, and found him in the shocking way you saw.”
Jones had no more to tell. Poor Mr. Jennings was very gentle, and very kind. All his people were fond of him. I could see that the servant was very much moved. So, dejected and agitated, I passed from that terrible house, and its dark canopy of elms, and I hope I shall never see it more. While I write to you I feel like a man who has but half waked from a frightful and monotonous dream. My memory rejects the picture with incredulity and horror.
Yet I know it is true. It is the story of the process of a poison, a poison which excites the reciprocal action of spirit and nerve, and paralyses the tissue that separates those cognate functions of the senses, the external and the interior. Thus we find strange bed-fellows, and the mortal and immortal prematurely make acquaintance.
CONCLUSION
A Word for Those Who Suffer
My dear Van L–, you have suffered from an affection similar to that which I have just described. You twice complained of a re turn of it. Who, under God, cured you? Your humble servant, Martin Hesselius. Let me rather adopt the more emphasized piety o[ a certain good old French surgeon of three hundred years ago: “I treated, and God cured you.”
Come, my friend, you are not to be hippish. Let me tell you a fact. I have met with, and treated, as my book shows, fifty-seven cases of this kind of vision, which I term indifferently “sublimated,” “precocious,” and “interior.” There is another class of affections which are truly termed- though commonly confounded with those which I describe–spectral illusions.
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These latter I look upon as being no less simply curable than a cold in the head or a trifling dyspepsia. It is those which rank in the first category that test our promptitude of thought. Fifty-seven such cases have I encountered, neither more nor less. And in how many of these have I failed? In no one single instance.There is no one affliction of mortality more easily and certainly reducible, with a little patience, and a rational confidence in the physician. With these simple conditions, I look upon the cure as absolutely certain. You are to remember that I had not even commenced to treat Mr. Jennings’ case. I have not any doubt that I should have cured him perfectly in eighteen months, or possibly it might have ex tended to two years. Some cases are very rapidly curable, others extremely tedious. Every intelligent physician who will give thought and diligence to the task, will effect a cure. You know my tract on “The Cardinal Functions of the Brain.” I there, by the evidence of innumerable facts, prove, as I think, the high probability of a circulation arterial and venous in its anism, through the nerves. Of this system, thus considered, the brain is the heart. The fluid, which is propagated hence through one class of nerves, returns in an altered state through another, and the nature of that fluid is spiritual, though not immaterial, any more than, as I before remarked, light or electricity are so. By various abuses, among which the habitual use of such agents . as green tea is one, this fluid may be affected as to its quality, but it is more frequently disturbed as to equilibrium. This fluid being that which we have in common with spirits, a congestion found on the masses of brain or nerve, connected with the interior sense, forms a surface unduly exposed, on which disembodied spirits may operate: communication is thus more or less effectually established. Between this brain circulation and the heart circulation there is an intimate sympathy. The seat, or rather the instrument of exterior vision, is the eye. The seat of interior vision is the nervous tissue and brain, immediately about and above the eyebrow. You remember how effectually I dissipated your pictures by the simple application of iced eau-de-cologne. Few cases, how ever, can be treated exactly alike with anything like rapid success. Cold acts powerfully as a repellant of the nervous fluid. Long enough continued it will even produce that permanent insensibility which we call numbness, and a little longer, muscular as well as sensational paralysis.
I have not, I repeat, the slightest doubt that I should have first dimmed and ultimately sealed that inner eye which Mr. Jennings had inadvertently opened. The same senses are opened in delirium tremens, and entirely shut up again when the overaction of the cerebral heart, and the prodigious nervous congestions that attend it, are terminated by a decided change in the state of the body. It is by acting steadily upon the body, by a simple process, that this result is produced–and inevitably produced–l have never yet failed. Poor Mr. Jennings made away with himself. But that catastrophe was the result of a totally different malady, which, as it were, projected itself upon the disease which was established. His case was in the distinctive manner a complication, and the com plaint under which he really succumbed, was hereditary suicidal mania. Poor Mr. Jennings I cannot call a patient of mine, for I had not even begun to treat his case, and he had not yet given me, I am convinced, his full and unreserved confidence. If the patient do not array himself on the side of the disease, his cure is certain.
The creepy stuff on TV is often visual or sound based. Jump scares and scary costumes. It makes me wonder how on earth one can sustain the same type of scare in a book. But then I pick up one of these and I remember. The internal images in my head is pretty messed up as well.
In that regard, let’s have a look at the books that inspired some pretty iconic movies. The links provided are from Audible, and are affiliated links. That means I make a commission from each of the purchases coming off the links. And with that disclaimer out of the way, let’s look at the books and movies.
Part One
American Psycho by Bret Easton Ellis
This is sort of the most well known book as well as a very iconic movie. Those thinking the horror and gore will be like in the movie, will be very disappointed, but those that wish for a deeper dive down to the psychology and way of thinking of the characters are in for a treat.
Summary
In American Psycho, Bret Easton Ellis imaginatively explores the incomprehensible depths of madness and captures the insanity of violence in our time or any other. Patrick Bateman moves among the young and trendy in 1980s Manhattan. Young, handsome, and well educated, Bateman earns his fortune on Wall Street by day while spending his nights in ways we cannot begin to fathom. Expressing his true self through torture and murder, Bateman prefigures an apocalyptic horror that no society could bear to confront.
What I feel the difference between the two version is that the book is just so. Lonely. It truly taps into something that the movie never manages. Even though (unpopular opinion), the movie had its own merits aside from the book.
Summary
obert Neville may well be the last living man on Earth . . . but he is not alone.
An incurable plague has mutated every other man, woman, and child into bloodthirsty, nocturnal creatures who are determined to destroy him.
By day, he is a hunter, stalking the infected monstrosities through the abandoned ruins of civilization. By night, he barricades himself in his home and prays for dawn….
The novel was inspired by a 1949 case of demonic possession and exorcism that Blatty heard about while he was a student in the 1950’s at Georgetown University. The movie is often credited of its meticulous research to get an actual exorcism right presented. The book did the same, talking with priests, taking inspiration from actual cases and history to create a story around this factual practice.
Summary
The terror begins unobtrusively. Noises in the attic. In the child’s room, an odd smell, the displacement of furniture, an icy chill. At first, easy explanations are offered. Then frightening changes begin to appear in eleven-year-old Regan. Medical tests fail to shed any light on her symptoms, but it is as if a different personality has invaded her body.
Father Damien Karras, a Jesuit priest, is called in. Is it possible that a demonic presence has possessed the child? Exorcism seems to be the only answer…
Another entry of Ira Levin. He truly captured something about society best explained through horror books. Just like Rosemary’s Baby, the Stepford Wives challenges our perception of humanity and society.
Summary
The women of Stepford are not all that they seem…
All the beautiful people live in idyllic Stepford, Connecticut, an affluent, suburban Eden populated with successful, satisfied hubbies and beautiful, dutiful wives. For Joanna Eberhart, newly arrived with her husband and two children, it all seems too good to be true – from the sweet Welcome Wagon lady to all those cheerful, friendly faces in the supermarket checkout lines.
But just beneath the town’s flawless surface, something is sordid and wrong – something abominable with roots in the local Men’s Association. And it may already be too late for Joanna to save herself from being devoured by Stepford’s hideous perfection.
The wicker man is iconic. Both the original movie for the horror, and the remake for the memes. But the book is still this mysterious thing most people haven’t read. And we all should.
Summary
The protagonist of Ritual is an English police officer named David Hanlin. A puritanical Christian, Hanlin is requested to investigate what appears to be the ritualistic murder of a local child in an enclosed rural Cornish village. During his short stay, Hanlin deals with psychological trickery, sexual seduction, ancient religious practices and nightmarish sacrificial rituals.
FOUND AMONG THE PAPERS OF THE LATE DIEDRICH KNICKERBOCKER.
“A pleasing land of drowsy head it was, Of dreams that wave before the half-shut eye; And of gay castles in the clouds that pass, Forever flushing round a summer sky.”
N the bosom of one of those spacious coves which indent the eastern shore of the Hudson, at that broad expansion of the river denominated by the ancient Dutch navigators the Tappan Zee, and where they always prudently shortened sail, and implored the protection of St. Nicholas when they crossed, there lies a small market-town or rural port, which by some is called Greensburgh, but which is more generally and properly known by the name of Tarry Town. This name was given, we are told, in former days, by the good housewives of the adjacent country, from the inveterate propensity of their husbands to linger about the village tavern on market-days. Be that as it may, I do not vouch for the fact, but merely advert to it, for the sake of being precise and authentic. Not far from this village, perhaps about two miles, there is a little valley, or rather lap of land, among high hills, which is one of the quietest places in the whole world. A small brook glides through it, with just murmur enough to lull one to repose; and the occasional whistle of a quail, or tapping of a woodpecker, is almost the only sound that ever breaks in upon the uniform tranquillity.
I recollect that, when a stripling, my first exploit in squirrel-shooting was in a grove of tall walnut-trees that shades one side of the valley. I had wandered into it at noon-time, when all nature is peculiarly quiet, and was startled by the roar of my own gun, as it broke the Sabbath stillness around, and was prolonged and reverberated by the angry echoes. If ever I should wish for a retreat, whither I might steal from the world and its distractions, and dream quietly away the remnant of a troubled life, I know of none more promising than this little valley.
From the listless repose of the place, and the peculiar character of its inhabitants, who are descendants from the original Dutch settlers, this sequestered glen has long been known by the name of Sleepy Hollow, and its rustic lads are called the Sleepy Hollow Boys throughout all the neighboring country. A drowsy, dreamy influence seems to hang over the land, and to pervade the very atmosphere. Some say that the place was bewitched by a high German doctor, during the early days of the settlement; others, that an old Indian chief, the prophet or wizard of his tribe, held his powwows there before the country was discovered by Master Hendrick Hudson. Certain it is, the place still continues under the sway of some witching power, that holds a spell over the minds of the good people, causing them to walk in a continual reverie. They are given to all kinds of marvellous beliefs; are subject to trances and visions; and frequently see strange sights, and hear music and voices in the air. The whole neighborhood abounds with local tales, haunted spots, and twilight superstitions: stars shoot and meteors glare oftener across the valley than in any other part of the country, and the nightmare, with her whole nine fold, seems to make it the favorite scene of her gambols.
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The dominant spirit, however, that haunts this enchanted region, and seems to be commander-in-chief of all the powers of the air, is the apparition of a figure on horseback without a head. It is said by some to be the ghost of a Hessian trooper, whose head had been carried away by a cannon-ball, in some nameless battle during the revolutionary war; and who is ever and anon seen by the country folk, hurrying along in the gloom of night, as if on the wings of the wind. His haunts are not confined to the valley, but extend at times to the adjacent roads, and especially to the vicinity of a church at no great distance. Indeed, certain of the most authentic historians of those parts, who have been careful in collecting and collating the floating facts concerning this spectre, allege that the body of the trooper having been buried in the churchyard, the ghost rides forth to the scene of battle in nightly quest of his head; and that the rushing speed with which he sometimes passes along the Hollow, like a midnight blast, is owing to his being belated, and in a hurry to get back to the churchyard before daybreak.
Such is the general purport of this legendary superstition, which has furnished materials for many a wild story in that region of shadows; and the spectre is known, at all the country firesides, by the name of the Headless Horseman of Sleepy Hollow.
It is remarkable that the visionary propensity I have mentioned is not confined to the native inhabitants of the valley, but is unconsciously imbibed by every one who resides there for a time. However wide awake they may have been before they entered that sleepy region, they are sure, in a little while, to inhale the witching influence of the air, and begin to grow imaginative—to dream dreams, and see apparitions.
I mention this peaceful spot with all possible laud; for it is in such little retired Dutch valleys, found here and there embosomed in the great State of New York, that population, manners, and customs, remain fixed; while the great torrent of migration and improvement, which is making such incessant changes in other parts of this restless country, sweeps by them unobserved. They are like those little nooks of still water which border a rapid stream; where we may see the straw and bubble riding quietly at anchor, or slowly revolving in their mimic harbor, undisturbed by the rush of the passing current. Though many years have elapsed since I trod the drowsy shades of Sleepy Hollow, yet I question whether I should not still find the same trees and the same families vegetating in its sheltered bosom.In this by-place of nature, there abode, in a remote period of American history, that is to say, some thirty years since, a worthy wight of the name of Ichabod Crane; who sojourned, or, as he expressed it, “tarried,” in Sleepy Hollow, for the purpose of instructing the children of the vicinity. He was a native of Connecticut; a State which supplies the Union with pioneers for the mind as well as for the forest, and sends forth yearly its legions of frontier woodsmen and country schoolmasters. The cognomen of Crane was not inapplicable to his person. He was tall, but exceedingly lank, with narrow shoulders, long arms and legs, hands that dangled a mile out of his sleeves, feet that might have served for shovels, and his whole frame most loosely hung together. His head was small, and flat at top, with huge ears, large green glassy eyes, and a long snipe nose, so that it looked like a weather-cock, perched upon his spindle neck, to tell which way the wind blew. To see him striding along the profile of a hill on a windy day, with his clothes bagging and fluttering about him, one might have mistaken him for the genius of famine descending upon the earth, or some scarecrow eloped from a corn-field.
His school-house was a low building of one large room, rudely constructed of logs; the windows partly glazed, and partly patched with leaves of old copy-books. It was most ingeniously secured at vacant hours, by a withe twisted in the handle of the door, and stakes set against the window-shutters; so that, though a thief might get in with perfect ease, he would find some embarrassment in getting out; an idea most probably borrowed by the architect, Yost Van Houten, from the mystery of an eel-pot. The school-house stood in a rather lonely but pleasant situation, just at the foot of a woody hill, with a brook running close by, and a formidable birch-tree growing at one end of it. From hence the low murmur of his pupils’ voices, conning over their lessons, might be heard in a drowsy summer’s day, like the hum of a bee-hive; interrupted now and then by the authoritative voice of the master, in the tone of menace or command; or, peradventure, by the appalling sound of the birch, as he urged some tardy loiterer along the flowery path of knowledge. Truth to say, he was a conscientious man, and ever bore in mind the golden maxim, “Spare the rod and spoil the child.”—Ichabod Crane’s scholars certainly were not spoiled.
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I would not have it imagined, however, that he was one of those cruel potentates of the school, who joy in the smart of their subjects; on the contrary, he administered justice with discrimination rather than severity; taking the burden off the backs of the weak, and laying it on those of the strong. Your mere puny stripling, that winced at the least flourish of the rod, was passed by with indulgence; but the claims of justice were satisfied by inflicting a double portion on some little, tough, wrong-headed, broad-skirted Dutch urchin, who sulked and swelled, and grew dogged and sullen beneath the birch. All this he called “doing his duty by their parents;” and he never inflicted a chastisement without following it by the assurance, so consolatory to the smarting urchin, that “he would remember it, and thank him for it the longest day he had to live.”
When school hours were over, he was even the companion and playmate of the larger boys; and on holiday afternoons would convoy some of the smaller ones home, who happened to have pretty sisters, or good housewives for mothers, noted for the comforts of the cupboard. Indeed, it behooved him to keep on good terms with his pupils. The revenue arising from his school was small, and would have been scarcely sufficient to furnish him with daily bread, for he was a huge feeder, and, though lank, had the dilating powers of an anaconda; but to help out his maintenance, he was, according to country custom in those parts, boarded and lodged at the houses of the farmers, whose children he instructed. With these he lived successively a week at a time; thus going the rounds of the neighborhood, with all his worldly effects tied up in a cotton handkerchief.
That all this might not be too onerous on the purses of his rustic patrons, who are apt to consider the cost of schooling a grievous burden, and schoolmasters as mere drones, he had various ways of rendering himself both useful and agreeable. He assisted the farmers occasionally in the lighter labors of their farms; helped to make hay; mended the fences; took the horses to water; drove the cows from pasture; and cut wood for the winter fire. He laid aside, too, all the dominant dignity and absolute sway with which he lorded it in his little empire, the school, and became wonderfully gentle and ingratiating. He found favor in the eyes of the mothers, by petting the children, particularly the youngest; and like the lion bold, which whilom so magnanimously the lamb did hold, he would sit with a child on one knee, and rock a cradle with his foot for whole hours together.
In addition to his other vocations, he was the singing-master of the neighborhood, and picked up many bright shillings by instructing the young folks in psalmody. It was a matter of no little vanity to him, on Sundays, to take his station in front of the church gallery, with a band of chosen singers; where, in his own mind, he completely carried away the palm from the parson. Certain it is, his voice resounded far above all the rest of the congregation; and there are peculiar quavers still to be heard in that church, and which may even be heard half a mile off, quite to the opposite side of the mill-pond, on a still Sunday morning, which are said to be legitimately descended from the nose of Ichabod Crane. Thus, by divers little make-shifts in that ingenious way which is commonly denominated “by hook and by crook,” the worthy pedagogue got on tolerably enough, and was thought, by all who understood nothing of the labor of headwork, to have a wonderfully easy life of it.
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The schoolmaster is generally a man of some importance in the female circle of a rural neighborhood; being considered a kind of idle gentlemanlike personage, of vastly superior taste and accomplishments to the rough country swains, and, indeed, inferior in learning only to the parson. His appearance, therefore, is apt to occasion some little stir at the tea-table of a farmhouse, and the addition of a supernumerary dish of cakes or sweetmeats, or, peradventure, the parade of a silver teapot. Our man of letters, therefore, was peculiarly happy in the smiles of all the country damsels. How he would figure among them in the churchyard, between services on Sundays! gathering grapes for them from the wild vines that overrun the surrounding trees; reciting for their amusement all the epitaphs on the tombstones; or sauntering, with a whole bevy of them, along the banks of the adjacent mill-pond; while the more bashful country bumpkins hung sheepishly back, envying his superior elegance and address.
From his half itinerant life, also, he was a kind of travelling gazette, carrying the whole budget of local gossip from house to house; so that his appearance was always greeted with satisfaction. He was, moreover, esteemed by the women as a man of great erudition, for he had read several books quite through, and was a perfect master of Cotton Mather’s history of New England Witchcraft, in which, by the way, he most firmly and potently believed.
He was, in fact, an odd mixture of small shrewdness and simple credulity. His appetite for the marvellous, and his powers of digesting it, were equally extraordinary; and both had been increased by his residence in this spellbound region. No tale was too gross or monstrous for his capacious swallow. It was often his delight, after his school was dismissed in the afternoon, to stretch himself on the rich bed of clover, bordering the little brook that whimpered by his school-house, and there con over old Mather’s direful tales, until the gathering dusk of the evening made the printed page a mere mist before his eyes. Then, as he wended his way, by swamp and stream and awful woodland, to the farm-house where he happened to be quartered, every sound of nature, at that witching hour, fluttered his excited imagination: the moan of the whip-poor-will[1] from the hill-side; the boding cry of the tree-toad, that harbinger of storm; the dreary hooting of the screech-owl, or the sudden rustling in the thicket of birds frightened from their roost. The fire-flies, too, which sparkled most vividly in the darkest places, now and then startled him, as one of uncommon brightness would stream across his path; and if, by chance, a huge blockhead of a beetle came winging his blundering flight against him, the poor varlet was ready to give up the ghost, with the idea that he was struck with a witch’s token. His only resource on such occasions, either to drown thought, or drive away evil spirits, was to sing psalm tunes;—and the good people of Sleepy Hollow, as they sat by their doors of an evening, were often filled with awe, at hearing his nasal melody, “in linked sweetness long drawn out,” floating from the distant hill, or along the dusky road.
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Another of his sources of fearful pleasure was, to pass long winter evenings with the old Dutch wives, as they sat spinning by the fire, with a row of apples roasting and spluttering along the hearth, and listen to their marvellous tales of ghosts and goblins, and haunted fields, and haunted brooks, and haunted bridges, and haunted houses, and particularly of the headless horseman, or galloping Hessian of the Hollow, as they sometimes called him. He would delight them equally by his anecdotes of witchcraft, and of the direful omens and portentous sights and sounds in the air, which prevailed in the earlier times of Connecticut; and would frighten them wofully with speculations upon comets and shooting stars; and with the alarming fact that the world did absolutely turn round, and that they were half the time topsy-turvy!
But if there was a pleasure in all this, while snugly cuddling in the chimney corner of a chamber that was all of a ruddy glow from the crackling wood fire, and where, of course, no spectre dared to show his face, it was dearly purchased by the terrors of his subsequent walk homewards. What fearful shapes and shadows beset his path amidst the dim and ghastly glare of a snowy night!—With what wistful look did he eye every trembling ray of light streaming across the waste fields from some distant window!—How often was he appalled by some shrub covered with snow, which, like a sheeted spectre, beset his very path!—How often did he shrink with curdling awe at the sound of his own steps on the frosty crust beneath his feet; and dread to look over his shoulder, lest he should behold some uncouth being tramping close behind him!—and how often was he thrown into complete dismay by some rushing blast, howling among the trees, in the idea that it was the Galloping Hessian on one of his nightly scourings! All these, however, were mere terrors of the night, phantoms of the mind that walk in darkness; and though he had seen many spectres in his time, and been more than once beset by Satan in divers shapes, in his lonely perambulations, yet daylight put an end to all these evils; and he would have passed a pleasant life of it, in despite of the devil and all his works, if his path had not been crossed by a being that causes more perplexity to mortal man than ghosts, goblins, and the whole race of witches put together, and that was—a woman.
Among the musical disciples who assembled, one evening in each week, to receive his instructions in psalmody, was Katrina Van Tassel, the daughter and only child of a substantial Dutch farmer. She was a blooming lass of fresh eighteen; plump as a partridge; ripe and melting and rosy cheeked as one of her father’s peaches, and universally famed, not merely for her beauty, but her vast expectations. She was withal a little of a coquette, as might be perceived even in her dress, which was a mixture of ancient and modern fashions, as most suited to set off her charms. She wore the ornaments of pure yellow gold, which her great-great-grandmother had brought over from Saardam; the tempting stomacher of the olden time; and withal a provokingly short petticoat, to display the prettiest foot and ankle in the country round.Ichabod Crane had a soft and foolish heart towards the sex; and it is not to be wondered at, that so tempting a morsel soon found favor in his eyes; more especially after he had visited her in her paternal mansion. Old Baltus Van Tassel was a perfect picture of a thriving, contented, liberal-hearted farmer. He seldom, it is true, sent either his eyes or his thoughts beyond the boundaries of his own farm; but within those every thing was snug, happy, and well-conditioned. He was satisfied with his wealth, but not proud of it; and piqued himself upon the hearty abundance, rather than the style in which he lived. His stronghold was situated on the banks of the Hudson, in one of those green, sheltered, fertile nooks, in which the Dutch farmers are so fond of nestling. A great elm-tree spread its broad branches over it; at the foot of which bubbled up a spring of the softest and sweetest water, in a little well, formed of a barrel; and then stole sparkling away through the grass, to a neighboring brook, that bubbled along among alders and dwarf willows. Hard by the farm-house was a vast barn, that might have served for a church; every window and crevice of which seemed bursting forth with the treasures of the farm; the flail was busily resounding within it from morning to night; swallows and martins skimmed twittering about the eaves; and rows of pigeons, some with one eye turned up, as if watching the weather, some with their heads under their wings, or buried in their bosoms, and others swelling, and cooing, and bowing about their dames, were enjoying the sunshine on the roof. Sleek unwieldy porkers were grunting in the repose and abundance of their pens; whence sallied forth, now and then, troops of sucking pigs, as if to snuff the air. A stately squadron of snowy geese were riding in an adjoining pond, convoying whole fleets of ducks; regiments of turkeys were gobbling through the farmyard, and guinea fowls fretting about it, like ill-tempered housewives, with their peevish discontented cry. Before the barn door strutted the gallant cock, that pattern of a husband, a warrior, and a fine gentleman, clapping his burnished wings, and crowing in the pride and gladness of his heart—sometimes tearing up the earth with his feet, and then generously calling his ever-hungry family of wives and children to enjoy the rich morsel which he had discovered.
The pedagogue’s mouth watered, as he looked upon this sumptuous promise of luxurious winter fare. In his devouring mind’s eye, he pictured to himself every roasting-pig running about with a pudding in his belly, and an apple in his mouth; the pigeons were snugly put to bed in a comfortable pie, and tucked in with, a coverlet of crust; the geese were swimming in their own gravy; and the ducks pairing cosily in dishes, like snug married couples, with a decent competency of onion sauce. In the porkers he saw carved out the future sleek side of bacon, and juicy relishing ham; not a turkey but he beheld daintily trussed up, with its gizzard under its wing, and, peradventure, a necklace of savory sausages; and even bright chanticleer himself lay sprawling on his back, in a side-dish, with uplifted claws, as if craving that quarter which his chivalrous spirit disdained to ask while living.
As the enraptured Ichabod fancied all this, and as he rolled his great green eyes over the fat meadow-lands, the rich fields of wheat, of rye, of buckwheat, and Indian corn, and the orchards burthened with ruddy fruit, which surrounded the warm tenement of Van Tassel, his heart yearned after the damsel who was to inherit these domains, and his imagination expanded with the idea, how they might be readily turned into cash, and the money invested in immense tracts of wild land, and shingle palaces in the wilderness. Nay, his busy fancy already realized his hopes, and presented to him the blooming Katrina, with a whole family of children, mounted on the top of a wagon loaded with household trumpery, with pots and kettles dangling beneath; and he beheld himself bestriding a pacing mare, with a colt at her heels, setting out for Kentucky, Tennessee, or the Lord knows where.
When he entered the house the conquest of his heart was complete. It was one of those spacious farm-houses, with high-ridged, but lowly-sloping roofs, built in the style handed down from the first Dutch settlers; the low projecting eaves forming a piazza along the front, capable of being closed up in bad weather. Under this were hung flails, harness, various utensils of husbandry, and nets for fishing in the neighboring river. Benches were built along the sides for summer use; and a great spinning-wheel at one end, and a churn at the other, showed the various uses to which this important porch might be devoted. From this piazza the wondering Ichabod entered the hall, which formed the centre of the mansion and the place of usual residence. Here, rows of resplendent pewter, ranged on a long dresser, dazzled his eyes. In one corner stood a huge bag of wool ready to be spun; in another a quantity of linseywoolsey just from the loom; ears of Indian corn, and strings of dried apples and peaches, hung in gay festoons along the walls, mingled with the gaud of red peppers; and a door left ajar gave him a peep into the best parlor, where the claw-footed chairs, and dark mahogany tables, shone like mirrors; and irons, with their accompanying shovel and tongs, glistened from their covert of asparagus tops; mock-oranges and conch-shells decorated the mantel-piece; strings of various colored birds’ eggs were suspended above it; a great ostrich egg was hung from the centre of the room, and a corner cupboard, knowingly left open, displayed immense treasures of old silver and well-mended china.
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From the moment Ichabod laid his eyes upon these regions of delight, the peace of his mind was at an end, and his only study was how to gain the affections of the peerless daughter of Van Tassel. In this enterprise, however, he had more real difficulties than generally fell to the lot of a knight-errant of yore, who seldom had any thing but giants, enchanters, fiery dragons, and such like easily-conquered adversaries, to contend with; and had to make his way merely through gates of iron and brass, and walls of adamant, to the castle keep, where the lady of his heart was confined; all which he achieved as easily as a man would carve his way to the centre of a Christmas pie; and then the lady gave him her hand as a matter of course. Ichabod, on the contrary, had to win his way to the heart of a country coquette, beset with a labyrinth of whims and caprices, which were forever presenting new difficulties and impediments; and he had to encounter a host of fearful adversaries of real flesh and blood, the numerous rustic admirers, who beset every portal to her heart; keeping a watchful and angry eye upon each other, but ready to fly out in the common cause against any new competitor.
Among these the most formidable was a burly, roaring, roystering blade, of the name of Abraham, or, according to the Dutch abbreviation, Brom Van Brunt, the hero of the country round, which rang with his feats of strength and hardihood. He was broad-shouldered and double-jointed, with short curly black hair, and a bluff, but not unpleasant countenance, having a mingled air of fun and arrogance. From his Herculean frame and great powers of limb, he had received the nickname of Brom Bones, by which he was universally known. He was famed for great knowledge and skill in horsemanship, being as dexterous on horseback as a Tartar. He was foremost at all races and cock-fights; and, with the ascendency which bodily strength acquires in rustic life, was the umpire in all disputes, setting his hat on one side, and giving his decisions with an air and tone admitting of no gainsay or appeal. He was always ready for either a fight or a frolic; but had more mischief than ill-will in his composition; and, with all his overbearing roughness, there was a strong dash of waggish good humor at bottom. He had three or four boon companions, who regarded him as their model, and at the head of whom he scoured the country, attending every scene of feud or merriment for miles round. In cold weather he was distinguished by a fur cap, surmounted with a flaunting fox’s tail; and when the folks at a country gathering descried this well-known crest at a distance, whisking about among a squad of hard riders, they always stood by for a squall. Sometimes his crew would be heard dashing along past the farm-houses at midnight, with whoop and halloo, like a troop of Don Cossacks; and the old dames, startled out of their sleep, would listen for a moment till the hurry-scurry had clattered by, and then exclaim, “Ay, there goes Brom Bones and his gang!” The neighbors looked upon him with a mixture of awe, admiration, and good-will; and when any madcap prank, or rustic brawl, occurred in the vicinity, always shook their heads, and warranted Brom Bones was at the bottom of it.
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This rantipole hero had for some time singled out the blooming Katrina for the object of his uncouth gallantries; and though his amorous toyings were something like the gentle caresses and endearments of a bear, yet it was whispered that she did not altogether discourage his hopes. Certain it is, his advances were signals for rival candidates to retire, who felt no inclination to cross a lion in his amours; insomuch, that when his horse was seen tied to Van Tassel’s paling, on a Sunday night, a sure sign that his master was courting, or, as it is termed, “sparking,” within, all other suitors passed by in despair, and carried the war into other quarters.
Such was the formidable rival with whom Ichabod Crane had to contend; and, considering all things, a stouter man than he would have shrunk from the competition, and a wiser man would have despaired. He had, however, a happy mixture of pliability and perseverance in his nature; he was in form and spirit like a supple-jack—yielding, but tough; though he bent, he never broke; and though he bowed beneath the slightest pressure, yet, the moment it was away—jerk! he was as erect, and carried his head as high as ever.To have taken the field openly against his rival would have been madness; for he was not a man to be thwarted in his amours, any more than that stormy lover, Achilles. Ichabod, therefore, made his advances in a quiet and gently-insinuating manner. Under cover of his character of singing-master, he made frequent visits at the farm-house; not that he had any thing to apprehend from the meddlesome interference of parents, which is so often a stumbling-block in the path of lovers. Balt Van Tassel was an easy, indulgent soul; he loved his daughter better even than his pipe, and, like a reasonable man and an excellent father, let her have her way in every thing. His notable little wife, too, had enough to do to attend to her housekeeping and manage her poultry; for, as she sagely observed, ducks and geese are foolish things, and must be looked after, but girls can take care of themselves. Thus, while the busy dame bustled about the house, or plied her spinning-wheel at one end of the piazza, honest Balt would sit smoking his evening pipe at the other, watching the achievements of a little wooden warrior, who, armed with a sword in each hand, was most valiantly fighting the wind on the pinnacle of the barn. In the mean time, Ichabod would carry on his suit with the daughter by the side of the spring under the great elm, or sauntering along in the twilight, that hour so favorable to the lover’s eloquence.
I profess not to know how women’s hearts are wooed and won. To me they have always been matters of riddle and admiration. Some seem to have but one vulnerable point, or door of access; while others have a thousand avenues, and may be captured in a thousand different ways. It is a great triumph of skill to gain the former, but a still greater proof of generalship to maintain possession of the latter, for the man must battle for his fortress at every door and window. He who wins a thousand common hearts is therefore entitled to some renown; but he who keeps undisputed sway over the heart of a coquette, is indeed a hero. Certain it is, this was not the case with the redoubtable Brom Bones; and from the moment Ichabod Crane made his advances, the interests of the former evidently declined; his horse was no longer seen tied at the palings on Sunday nights, and a deadly feud gradually arose between him and the preceptor of Sleepy Hollow.
Brom, who had a degree of rough chivalry in his nature, would fain have carried matters to open warfare, and have settled their pretensions to the lady according to the mode of those most concise and simple reasoners, the knights-errant of yore—by single combat; but Icbabod was too conscious of the superior might of his adversary to enter the lists against him: he had overheard a boast of Bones, that he would “double the schoolmaster up, and lay him on a shelf of his own school house;” and he was too wary to give him an opportunity. There was something extremely provoking in this obstinately pacific system; it left Brom no alternative but to draw upon the funds of rustic waggery in his disposition, and to play off boorish practical jokes upon his rival. Ichabod became the object of whimsical persecution to Bones, and his gang of rough riders. They harried his hitherto peaceful domains; smoked out his singing-school, by stopping up the chimney; broke into the school-house at night, in spite of its formidable fastenings of with and window-stakes, and turned every thing topsy-turvy: so that the poor schoolmaster began to think all the witches in the country held their meetings there. But what was still more annoying, Brom took all opportunities of turning him into ridicule in presence of his mistress, and had a scoundrel dog which he taught to whine in the most ludicrous manner, and introduced as a rival of Ichabod’s to instruct her in psalmody.In this way matters went on for some time, without producing any material effect on the relative situation of the contending powers. On a fine autumnal afternoon, Ichabod, in pensive mood, sat enthroned on the lofty stool whence he usually watched all the concerns of his little literary realm. In his hand he swayed a ferule, that sceptre of despotic power; the birch of justice reposed on three nails, behind the throne, a constant terror to evil-doers; while on the desk before him might be seen sundry contraband articles and prohibited weapons, detected upon the persons of idle urchins; such as half-munched apples, popguns, whirligigs, fly-cages, and whole legions of rampant little paper game-cocks. Apparently there had been some appalling act of justice recently inflicted, for his scholars were all busily intent upon their books, or slyly whispering behind them with one eye kept upon the master; and a kind of buzzing stillness reigned throughout the school-room.
It was suddenly interrupted by the appearance of a negro, in tow-cloth jacket and trousers, a round-crowned fragment of a hat, like the cap of Mercury, and mounted on the back of a ragged, wild, half-broken colt, which he managed with a rope by way of halter. He came clattering up to the school door, with an invitation to Ichabod to attend a merry-making or “quilting frolic,” to be held that evening at Mynheer Van Tassel’s; and having delivered his message with that air of importance, and effort at fine language, which a negro is apt to display on petty embassies of the kind, he dashed over the brook, and was seen scampering away up the hollow, full of the importance and hurry of his mission.
All was now bustle and hubbub in the late quiet schoolroom. The scholars were hurried through their lessons, without stopping at trifles; those who were nimble skipped over half with impunity, and those who were tardy had a smart application now and then in the rear, to quicken their speed, or help them over a tall word. Books were flung aside without being put away on the shelves, inkstands were overturned, benches thrown down, and the whole school was turned loose an hour before the usual time, bursting forth like a legion of young imps, yelping and racketing about the green, in joy at their early emancipation.
The gallant Ichabod now spent at least an extra half hour at his toilet, brushing and furbishing up his best, and indeed only suit of rusty black, and arranging his looks by a bit of broken looking-glass, that hung up in the school-house. That he might make his appearance before his mistress in the true style of a cavalier, he borrowed a horse from the farmer with whom he was domiciliated, a choleric old Dutchman, of the name of Hans Van Ripper, and, thus gallantly mounted, issued forth, like a knight-errant in quest of adventures. But it is meet I should, in the true spirit of romantic story, give some account of the looks and equipments of my hero and his steed. The animal he bestrode was a broken-down plough-horse, that had outlived almost every thing but his viciousness. He was gaunt and shagged, with a ewe neck and a head like a hammer; his rusty mane and tail were tangled and knotted with burrs; one eye had lost its pupil, and was glaring and spectral; but the other had the gleam of a genuine devil in it. Still he must have had fire and mettle in his day, if we may judge from the name he bore of Gunpowder. He had, in fact, been a favorite steed of his master’s, the choleric Van Ripper, who was a furious rider, and had infused, very probably, some of his own spirit into the animal; for, old and broken-down as he looked, there was more of the lurking devil in him than in any young filly in the country.
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Ichabod was a suitable figure for such a steed. He rode with short stirrups, which brought his knees nearly up to the pommel of the saddle; his sharp elbows stuck out like grasshoppers’; he carried his whip perpendicularly in his hand, like a sceptre, and, as his horse jogged on, the motion of his arms was not unlike the flapping of a pair of wings. A small wool hat rested on the top of his nose, for so his scanty strip of forehead might be called; and the skirts of his black coat fluttered out almost to the horse’s tail. Such was the appearance of Ichabod and his steed, as they shambled out of the gate of Hans Van Ripper, and it was altogether such an apparition as is seldom to be met with in broad daylight.
It was, as I have said, a fine autumnal day; the sky was clear and serene, and nature wore that rich and golden livery which we always associate with the idea of abundance. The forests had put on their sober brown and yellow, while some trees of the tenderer kind had been nipped by the frosts into brilliant dyes of orange, purple, and scarlet. Streaming files of wild ducks began to make their appearance high in the air; the bark of the squirrel might be heard from the groves of beech and hickory nuts, and the pensive whistle of the quail at intervals from the neighboring stubble-field.
The small birds were taking their farewell banquets. In the fulness of their revelry, they fluttered, chirping and frolicking, from bush to bush, and tree to tree, capricious from the very profusion and variety around them. There was the honest cock-robin, the favorite game of stripling sportsmen, with its loud, querulous note; and the twittering blackbirds flying in sable clouds; and the golden-winged woodpecker, with his crimson crest, his broad black gorget, and splendid plumage; and the cedar-bird, with its red-tipt wings and yellow-tipt tail, and its little montero cap of feathers; and the blue jay, that noisy coxcomb, in his gay light-blue coat and white underclothes—screaming and chattering, nodding and bobbing and bowing, and pretending to be on good terms with every songster of the grove.
As Ichabod jogged slowly on his way, his eye, ever open to every symptom of culinary abundance, ranged with delight over the treasures of jolly autumn. On all sides he beheld vast store of apples; some hanging in oppressive opulence on the trees; some gathered into baskets and barrels for the market; others heaped up in rich piles for the cider-press. Farther on he beheld great fields of Indian corn, with its golden ears peeping from their leafy coverts, and holding out the promise of cakes and hasty-pudding; and the yellow pumpkins lying beneath them, turning up their fair round bellies to the sun, and giving ample prospects of the most luxurious of pies; and anon he passed the fragrant buckwheat fields, breathing the odor of the bee-hive, and as he beheld them soft anticipations stole over his mind of dainty slapjacks, well buttered, and garnished with honey or treacle, by the delicate little dimpled hand of Katrina Van Tassel.Thus feeding his mind with many sweet thoughts and “sugared suppositions,” he journeyed along the sides of a range of hills which look out upon some of the goodliest scenes of the mighty Hudson. The sun gradually wheeled his broad disk down into the west. The wide bosom of the Tappan Zee lay motionless and glassy, excepting that here and there a gentle undulation waved and prolonged the blue shadow of the distant mountain. A few amber clouds floated in the sky, without a breath of air to move them. The horizon was of a fine golden tint, changing gradually into a pure apple green, and from that into the deep blue of the mid-heaven. A slanting ray lingered on the woody crests of the precipices that overhung some parts of the river, giving greater depth to the dark-gray and purple of their rocky sides. A sloop was loitering in the distance, dropping slowly down with the tide, her sail hanging uselessly against the mast; and as the reflection of the sky gleamed along the still water, it seemed as if the vessel was suspended in the air.
It was toward evening that Ichabod arrived at the castle of the Heer van Tassel, which he found thronged with the pride and flower of the adjacent country;—old farmers, a spare, leathern-faced race, in homespun coats and breeches, blue stockings, huge shoes, and magnificent pewter buckles; their brisk withered little dames, in close crimped caps, long-waisted shortgowns, homespun petticoats, with scissors and pincushions, and gay calico pockets hanging on the outside; buxom lasses, almost as antiquated as their mothers, excepting where a straw hat, a fine ribbon, or perhaps a white frock, gave symptoms of city innovation; the sons, in short square-skirted coats, with rows of stupendous brass buttons, and their hair generally queued in the fashion of the times, especially if they could procure an eel-skin for the purpose, it being esteemed, throughout the country, as a potent nourisher and strengthener of the hair.
Brom Bones, however, was the hero of the scene, having come to the gathering on his favorite steed Daredevil, a creature, like himself, full of mettle and mischief, and which no one but himself could manage. He was, in fact, noted for preferring vicious animals, given to all kinds of tricks, which kept the rider in constant risk of his neck, for he held a tractable, well-broken horse as unworthy of a lad of spirit.
Fain would I pause to dwell upon the world of charms that burst upon the enraptured gaze of my hero, as he entered the state parlor of Van Tassel’s mansion;—not those of the bevy of buxom lasses, with their luxurious display of red and white; but the ample charms of a genuine Dutch country tea-table, in the sumptuous time of autumn. Such heaped-up platters of cakes of various and almost indescribable kinds, known only to experienced Dutch housewives! There was the doughty dough-nut, the tenderer oly koek, and the crisp and crumbling kruller; sweet-cakes and short-cakes, ginger-cakes and honey-cakes, and the whole family of cakes. And then there were apple-pies and peach-pies and pumpkin-pies; besides slices of ham and smoked beef; and moreover delectable dishes of preserved plums, and peaches, and pears, and quinces; not to mention broiled shad and roasted chickens; together with bowls of milk and cream, all mingled higgledy-piggledy, pretty much as I have enumerated them, with the motherly tea-pot sending up its clouds of vapor from the midst—Heaven bless the mark! I want breath and time to discuss this banquet as it deserves, and am too eager to get on with my story. Happily, Ichabod Crane was not in so great a hurry as his historian, but did ample justice to every dainty.
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He was a kind and thankful creature, whose heart dilated in proportion as his skin was filled with good cheer; and whose spirits rose with eating as some men’s do with drink. He could not help, too, rolling his large eyes round him as he ate, and chuckling with the possibility that he might one day be lord of all this scene of almost unimaginable luxury and splendor. Then, he thought, how soon he’d turn his back upon the old school-house; snap his fingers in the face of Hans Van Ripper, and every other niggardly patron, and kick any itinerant pedagogue out of doors that should dare to call him comrade!
Old Baltus Van Tassel moved about among his guests with a face dilated with content and good-humor, round and jolly as the harvest moon. His hospitable attentions were brief, but expressive, being confined to a shake of the hand, a slap on the shoulder, a loud laugh, and a pressing invitation to “fall to and help themselves.”
And now the sound of the music from the common room, or hall, summoned to the dance. The musician was an old grayheaded negro, who had been the itinerant orchestra of the neighborhood for more than half a century. His instrument was as old and battered as himself The greater part of the time he scraped on two or three strings, accompanying every movement of the bow with a motion of the head; bowing almost to the ground, and stamping with his foot whenever a fresh couple were to start.
Ichabod prided himself upon his dancing as much as upon his vocal powers. Not a limb, not a fibre about him was idle; and to have seen his loosely hung frame in full motion, and clattering about the room, you would have thought Saint Vitus himself, that blessed patron of the dance, was figuring before you in person. He was the admiration of all the negroes; who having gathered, of all ages and sizes, from the farm and the neighborhood, stood forming a pyramid of shining black faces at every door and window, gazing with delight at the scene, rolling their white eye-balls, and showing grinning rows of ivory from ear to ear. How could the flogger of urchins be otherwise than animated and joyous? the lady of his heart was his partner in the dance, and smiling graciously in reply to all his amorous oglings; while Brom Bones, sorely smitten with love and jealousy, sat brooding by himself in one corner.
When the dance was at an end, Ichabod was attracted to a knot of the sager folks, who, with old Van Tassel, sat smoking at one end of the piazza, gossiping over former times, and drawing out long stories about the war.
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This neighborhood, at the time of which I am speaking, was one of those highly-favored places which abound with chronicle and great men. The British and American line had run near it during the war; it had, therefore, been the scene of marauding, and infested with refugees, cow-boys, and all kinds of border chivalry. Just sufficient time had elapsed to enable each story-teller to dress up his tale with a little becoming fiction, and, in the indistinctness of his recollection, to make himself the hero of every exploit.
There was the story of Doffue Martling, a large blue-bearded Dutchman, who had nearly taken a British frigate with an old iron nine-pounder from a mud breastwork, only that his gun burst at the sixth discharge. And there was an old gentleman who shall be nameless, being too rich a mynheer to be lightly mentioned, who, in the battle of Whiteplains, being an excellent master of defence, parried a musket-ball with a small sword, insomuch that he absolutely felt it whiz round the blade, and glance off at the hilt: in proof of which, he was ready at any time to show the sword, with the hilt a little bent. There were several more that had been equally great in the field, not one of whom but was persuaded that he had a considerable hand in bringing the war to a happy termination.
But all these were nothing to the tales of ghosts and apparitions that succeeded. The neighborhood is rich in legendary treasures of the kind. Local tales and superstitions thrive best in these sheltered long-settled retreats; but are trampled under foot by the shifting throng that forms the population of most of our country places. Besides, there is no encouragement for ghosts in most of our villages, for they have scarcely had time to finish their first nap, and turn themselves in their graves, before their surviving friends have travelled away from the neighborhood; so that when they turn out at night to walk their rounds, they have no acquaintance left to call upon. This is perhaps the reason why we so seldom hear of ghosts except in our long-established Dutch communities.
The immediate cause, however, of the prevalence of supernatural stories in these parts, was doubtless owing to the vicinity of Sleepy Hollow. There was a contagion in the very air that blew from that haunted region; it breathed forth an atmosphere of dreams and fancies infecting all the land. Several of the Sleepy Hollow people were present at Van Tassel’s, and, as usual, were doling out their wild and wonderful legends. Many dismal tales were told about funeral trains, and mourning cries and wailings heard and seen about the great tree where the unfortunate Major André was taken, and which stood in the neighborhood. Some mention was made also of the woman in white, that haunted the dark glen at Raven Rock, and was often heard to shriek on winter nights before a storm, having perished there in the snow. The chief part of the stories, however, turned upon the favorite spectre of Sleepy Hollow, the headless horseman, who had been heard several times of late, patrolling the country; and, it was said, tethered his horse nightly among the graves in the churchyard.The sequestered situation of this church seems always to have made it a favorite haunt of troubled spirits. It stands on a knoll, surrounded by locust-trees and lofty elms, from among which its decent whitewashed walls shine modestly forth, like Christian purity beaming through the shades of retirement. A gentle slope descends from it to a silver sheet of water, bordered by high trees, between which, peeps may be caught at the blue hills of the Hudson. To look upon its grass-grown yard, where the sunbeams seem to sleep so quietly, one would think that there at least the dead might rest in peace. On one side of the church extends a wide woody dell, along which raves a large brook among broken rocks and trunks of fallen trees. Over a deep black part of the stream, not far from the church, was formerly thrown a wooden bridge; the road that led to it, and the bridge itself, were thickly shaded by overhanging trees, which cast a gloom about it, even in the daytime; but occasioned a fearful darkness at night. This was one of the favorite haunts of the headless horseman; and the place where he was most frequently encountered. The tale was told of old Brouwer, a most heretical disbeliever in ghosts, how he met the horseman returning from his foray into Sleepy Hollow, and was obliged to get up behind him; how they galloped over bush and brake, over hill and swamp, until they reached the bridge; when the horseman suddenly turned into a skeleton, threw old Brouwer into the brook, and sprang away over the tree-tops with a clap of thunder.
This story was immediately matched by a thrice marvellous adventure of Brom Bones, who made light of the galloping Hessian as an arrant jockey. He affirmed that, on returning one night from the neighboring village of Sing Sing, he had been overtaken by this midnight trooper; that he had offered to race with him for a bowl of punch, and should have won it too, for Daredevil beat the goblin horse all hollow, but, just as they came to the church-bridge, the Hessian bolted, and vanished in a flash of fire.
All these tales, told in that drowsy undertone with which men talk in the dark, the countenances of the listeners only now and then receiving a casual gleam from the glare of a pipe, sank deep in the mind of Ichabod. He repaid them in kind with large extracts from his invaluable author, Cotton Mather, and added many marvellous events that had taken place in his native State of Connecticut, and fearful sights which he had seen in his nightly walks about Sleepy Hollow.
The revel now gradually broke up. The old farmers gathered together their families in their wagons, and were heard for some time rattling along the hollow roads, and over the distant hills. Some of the damsels mounted on pillions behind their favorite swains, and their light-hearted laughter, mingling with the clatter of hoofs, echoed along the silent woodlands, sounding fainter and fainter until they gradually died away—and the late scene of noise and frolic was all silent and deserted. Ichabod only lingered behind, according to the custom of country lovers, to have a téte-à-téte with the heiress, fully convinced that he was now on the high road to success. What passed at this interview I will not pretend to say, for in fact I do not know. Something, however, I fear me, must have gone wrong, for he certainly sallied forth, after no very great interval, with an air quite desolate and chop-fallen.—Oh these women! these women! Could that girl have been playing off any of her coquettish tricks?—Was her encouragement of the poor pedagogue all a mere sham to secure her conquest of his rival?—Heaven only knows, not I!—Let it suffice to say, Ichabod stole forth with the air of one who had been sacking a hen-roost, rather than a fair lady’s heart. Without looking to the right or left to notice the scene of rural wealth, on which he had so often gloated, he went straight to the stable, and with several hearty cuffs and kicks, roused his steed most uncourteously from the comfortable quarters in which he was soundly sleeping, dreaming of mountains of corn and oats, and whole valleys of timothy and clover.
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It was the very witching time of night that Ichabod, heavyhearted and crest-fallen, pursued his travel homewards, along the sides of the lofty hills which rise above Tarry Town, and which he had traversed so cheerily in the afternoon. The hour was as dismal as himself. Far below him, the Tappan Zee spread its dusky and indistinct waste of waters, with here and there the tall mast of a sloop, riding quietly at anchor under the land. In the dead hush of midnight, he could even hear the barking of the watch-dog from the opposite shore of the Hudson; but it was so vague and faint as only to give an idea of his distance from this faithful companion of man. Now and then, too, the long-drawn crowing of a cock, accidentally awakened, would sound far, far off, from some farm-house away among the hills—but it was like a dreaming sound in his ear. No signs of life occurred near him, but occasionally the melancholy chirp of a cricket, or perhaps the guttural twang of a bull-frog, from a neighboring marsh, as if sleeping uncomfortably, and turning suddenly in his bed.
All the stories of ghosts and goblins that he had heard in the afternoon, now came crowding upon his recollection. The night grew darker and darker; the stars seemed to sink deeper in the sky, and driving clouds occasionally hid them from his sight. He had never felt so lonely and dismal. He was, moreover, approaching the very place where many of the scenes of the ghost stories had been laid. In the centre of the road stood an enormous tulip-tree, which towered like a giant above all the other trees of the neighborhood, and formed a kind of landmark. Its limbs were gnarled and fantastic, large enough to form trunks for ordinary trees, twisting down almost to the earth, and rising again into the air. It was connected with the tragical story of the unfortunate André, who had been taken prisoner hard by; and was universally known by the name of Major André’s tree. The common people regarded it with a mixture of respect and superstition, partly out of sympathy for the fate of its ill-starred namesake, and partly from the tales of strange sights and doleful lamentations told concerning it.
As Ichabod approached this fearful tree, he began to whistle: he thought his whistle was answered—it was but a blast sweeping sharply through the dry branches. As he approached a little nearer, he thought he saw something white, hanging in the midst of the tree—he paused and ceased whistling; but on looking more narrowly, perceived that it was a place where the tree had been scathed by lightning, and the white wood laid bare. Suddenly he heard a groan—his teeth chattered and his knees smote against the saddle; it was but the rubbing of one huge bough upon another, as they were swayed about by the breeze. He passed the tree in safety, but new perils lay before him.
About two hundred yards from the tree a small brook crossed the road, and ran into a marshy and thickly-wooded glen, known by the name of Wiley’s swamp. A few rough logs, laid side by side, served for a bridge over this stream. On that side of the road where the brook entered the wood, a group of oaks and chestnuts, matted thick with wild grapevines, threw a cavernous gloom over it. To pass this bridge was the severest trial. It was at this identical spot that the unfortunate André was captured, and under the covert of those chestnuts and vines were the sturdy yeomen concealed who surprised him. This has ever since been considered a haunted stream, and fearful are the feelings of the schoolboy who has to pass it alone after dark.
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As he approached the stream his heart began to thump; he summoned up, however, all his resolution, gave his horse half a score of kicks in the ribs, and attempted to dash briskly across the bridge; but instead of starting forward, the perverse old animal made a lateral movement, and ran broadside against the fence. Ichabod, whose fears increased with the delay, jerked the reins on the other side, and kicked lustily with the contrary foot: it was all in vain; his steed started, it is true, but it was only to plunge to the opposite side of the road into a thicket of brambles and alder bushes. The schoolmaster now bestowed both whip and heel upon the starveling ribs of old Gunpowder, who dashed forward, snuffling and snorting, but came to a stand just by the bridge, with a suddenness that had nearly sent his rider sprawling over his head. Just at this moment a plashy tramp by the side of the bridge caught the sensitive ear of Ichabod. In the dark shadow of the grove, on the margin of the brook, he beheld something huge, misshapen, black, and towering. It stirred not, but seemed gathered up in the gloom, like some gigantic monster ready to spring upon the traveller.
The hair of the affrighted pedagogue rose upon his head with terror. What was to be done? To turn and fly was now too late; and besides, what chance was there of escaping ghost or goblin, if such it was, which could ride upon the wings of the wind? Summoning up, therefore, a show of courage, he demanded in stammering accents—”Who are you?” He received no reply. He repeated his demand in a still more agitated voice. Still there was no answer. Once more he cudgelled the sides of the inflexible Gunpowder, and, shutting his eyes, broke forth with involuntary fervor into a psalm-tune. Just then the shadowy object of alarm put itself in motion, and, with a scramble and a bound, stood at once in the middle of the road. Though the night was dark and dismal, yet the form of the unknown might now in some degree be ascertained. He appeared to be a horseman of large dimensions, and mounted on a black horse of powerful frame. He made no offer of molestation or sociability, but kept aloof on one side of the road, jogging along on the blind side of old Gunpowder, who had now got over his fright and waywardness.Ichabod, who had no relish for this strange midnight companion, and bethought himself of the adventure of Brom Bones with the Galloping Hessian, now quickened his steed, in hopes of leaving him behind. The stranger, however, quickened his horse to an equal pace. Ichabod pulled up, and fell into a walk, thinking to lag behind—the other did the same. His heart began to sink within him; he endeavored to resume his psalm-tune, but his parched tongue clove to the roof of his mouth, and he could not utter a stave. There was something in the moody and dogged silence of this pertinacious companion, that was mysterious and appalling. It was soon fearfully accounted for. On mounting a rising ground, which brought the figure of his fellow-traveller in relief against the sky, gigantic in height, and muffled in a cloak, Ichabod was horrorstruck on perceiving that he was headless!—but his horror was still more increased, on observing that the head, which should have rested on his shoulders, was carried before him on the pommel of the saddle: his terror rose to desperation; he rained a shower of kicks and blows upon Gunpowder, hoping by a sudden movement, to give his companion the slip—but the spectre started full jump with him. Away then they dashed, through thick and thin; stones flying, and sparks flashing at every bound. Ichabod’s flimsy garments fluttered in the air, as he stretched his long lank body away over his horse’s head, in the eagerness of his flight.
They had now reached the road which turns off to Sleepy Hollow; but Gunpowder, who seemed possessed with a demon, instead of keeping up it, made an opposite turn, and plunged headlong down hill to the left. This road leads through a sandy hollow, shaded by trees for about a quarter of a mile, where it crosses the bridge famous in goblin story, and just beyond swells the green knoll on which stands the whitewashed church.
As yet, the panic of the steed had given his unskilful rider an apparent advantage in the chase; but just as he had got half way through the hollow, the girths of the saddle gave way, and he felt it slipping from under him. He seized it by the pommel, and endeavored to hold it firm, but in vain; and had just time to save himself by clasping old Gunpowder round the neck, when the saddle fell to the earth, and he heard it trampled under foot by his pursuer. For a moment the terror of Hans Van Ripper’s wrath passed across his mind—for it was his Sunday saddle; but this was no time for petty fears; the goblin was hard on his haunches; and (unskilful rider that he was!) he had much ado to maintain his seat; sometimes slipping on one side, sometimes on another, and sometimes jolted on the high ridge of his horse’s backbone, with a violence that he verily feared would cleave him asunder.An opening in the trees now cheered him with the hopes that the church bridge was at hand. The wavering reflection of a silver star in the bosom of the brook told him that he was not mistaken. He saw the walls of the church dimly glaring under the trees beyond. He recollected the place where Brom Bones’s ghostly competitor had disappeared. “If I can but reach that bridge,” thought Ichabod, “I am safe.” Just then he heard the black steed panting and blowing close behind him; he even fancied that he felt his hot breath. Another convulsive kick in the ribs, and old Gunpowder sprang upon the bridge; he thundered over the resounding planks; he gained the opposite side; and now Ichabod cast a look behind, to see if his pursuer should vanish, according to rule, in a flash of fire and brimstone. Just then he saw the goblin rising in his stirrups, and in the very act of hurling his head at him Ichabod endeavored to dodge the horrible missile, but too late. It encountered his cranium with a tremendous crash—he was tumbled headlong into the dust, and Gunpowder, the black steed, and the goblin rider, passed by like a whirlwind.
The next morning the old horse was found without his saddle, and with the bridle under his feet, soberly cropping the grass at his master’s gate. Ichabod did not make his appearance at breakfast—dinner-hour came, but no Ichabod. The boys assembled at the school-house, and strolled idly about the banks of the brook; but no schoolmaster. Hans Van Ripper now began to feel some uneasiness about the fate of poor Ichabod, and his saddle. An inquiry was set on foot, and after diligent investigation they came upon his traces. In one part of the road leading to the church was found the saddle trampled in the dirt; the tracks of horses’ hoofs deeply dented in the road, and evidently at furious speed, were traced to the bridge, beyond which, on the bank of a broad part of the brook, where the water ran deep and black, was found the hat of the unfortunate Ichabod, and close beside it a shattered pumpkin.
The brook was searched, but the body of the schoolmaster was not to be discovered. Hans Van Ripper, as executor of his estate, examined the bundle which contained all his worldly effects. They consisted of two shirts and a half; two stocks for the neck; a pair or two of worsted stockings; an old pair of corduroy small-clothes; a rusty razor; a book of psalm-tunes, full of dogs’ ears; and a broken pitchpipe. As to the books and furniture of the school-house, they belonged to the community, excepting Cotton Mather’s History of Witchcraft, a New England Almanac, and a book of dreams and fortunetelling; in which last was a sheet of foolscap much scribbled and blotted, in several fruitless attempts to make a copy of verses in honor of the heiress of Van Tassel. These magic books and the poetic scrawl were forthwith consigned to the flames by Hans Van Ripper; who from that time forward determined to send his children no more to school; observing, that he never knew any good come of this same reading and writing. Whatever money the schoolmaster possessed, and he had received his quarter’s pay but a day or two before, he must have had about his person at the time of his disappearance.
The mysterious event caused much speculation at the church on the following Sunday. Knots of gazers and gossips were collected in the churchyard, at the bridge, and at the spot where the hat and pumpkin had been found. The stories of Brouwer, of Bones, and a whole budget of others, were called to mind; and when they had diligently considered them all, and compared them with the symptoms of the present case, they shook their heads, and came to the conclusion that Ichabod had been carried off by the Galloping Hessian. As he was a bachelor, and in nobody’s debt, nobody troubled his head any more about him. The school was removed to a different quarter of the hollow, and another pedagogue reigned in his stead.
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It is true, an old farmer, who had been down to New York on a visit several years after, and from whom this account of the ghostly adventure was received, brought home the intelligence that Ichabod Crane was still alive; that he had left the neighborhood, partly through fear of the goblin and Hans Van Ripper, and partly in mortification at having been suddenly dismissed by the heiress; that he had changed his quarters to a distant part of the country; had kept school and studied law at the same time, had been admitted to the bar, turned politician, electioneered, written for the newspapers, and finally had been made a justice of the Ten Pound Court. Brom Bones too, who shortly after his rival’s disappearance conducted the blooming Katrina in triumph to the altar, was observed to look exceedingly knowing whenever the story of Ichabod was related, and always burst into a hearty laugh at the mention of the pumpkin; which led some to suspect that he knew more about the matter than he chose to tell.
The old country wives, however, who are the best judges of these matters, maintain to this day that Ichabod was spirited away by supernatural means; and it is a favorite story often told about the neighborhood round the winter evening fire. The bridge became more than ever an object of superstitious awe, and that may be the reason why the road has been altered of late years, so as to approach the church by the border of the mill-pond. The school-house, being deserted, soon fell to decay, and was reported to be haunted by the ghost of the unfortunate pedagogue; and the ploughboy, loitering homeward of a still summer evening, has often fancied his voice at a distance, chanting a melancholy psalm-tune among the tranquil solitudes of Sleepy Hollow.
The preceding Tale is given almost in the precise words in which I heard it related, at a Corporation meeting of the ancient city of Manhattoes, at which were present many of its sagest and most illustrious burghers. The narrator was a pleasant, shabby, gentlemanly old fellow in pepper-and-salt clothes, with a sadly humorous face; and one whom I strongly suspected of being poor,—he made such efforts to be entertaining. When his story was concluded, there was much laughter and approbation, particularly from two or three deputy aldermen, who had been asleep the greater part of the time. There was, however, one tall dry-looking old gentleman, with beetling eyebrows, who maintained a grave and rather severe face throughout: now and then folding his arms inclining his head, and looking down upon the floor, as if turning a doubt over in his mind. He was one of your wary men, who never laugh but upon good grounds—when they have reason and the law on their side. When the mirth of the rest of the company had subsided and silence was restored, he leaned one arm on the elbow of his chair and, sticking the other akimbo, demanded, with a slight but exceedingly sage motion of the head, and contraction of the brow, what was the moral of the story, and what it went to prove?
The story-teller, who was just putting a glass of wine to his lips, as a refreshment after his toils, paused for a moment, looked at his inquirer with an air of infinite deference, and, lowering the glass slowly to the table, observed, that the story was intended most logically to prove:—
“That there is no situation in life but has its advantages and pleasures—provided we will but take a joke as we find it:
“That, therefore, he that runs races with goblin troopers is likely to have a rough riding of it.
“Ergo, for a country schoolmaster to be refused the hand of a Dutch heiress, is a certain step to high preferment in the state.”
The cautious old gentleman knit his brows tenfold closer after this explanation, being sorely puzzled by the ratiocination of the syllogism; while, methought, the one in pepper-and-salt eyed him with something of a triumphant leer. At length he observed that all this was very well, but still he thought the story a little on the extravagant—there were one or two points on which he had his doubts.
“Faith, sir,” replied the story-teller, “as to that matter, I don’t believe one-half of it myself.”
Loftus Hall is said to be one of Ireland’s most haunted mansions. It is thought that the place is haunted by one of the daughters that had an encounter with the devil himself in disguise and never recovered from the shock after she found out the truth.
A magnificent and stately manor to look at is Loftus Hall, one of Ireland’s finer ones of the Hook peninsula of County Wexford. This area is a famous site in Irish history, known as the place “where Ireland was lost and won”. The coastline offers a beach a day for a fortnight and is one of the special attractions of this area. Pretty fishing villages and bird watching on the mudflats of Bannow Estuary.
Read More: Have a look at all of our ghost stories from Ireland.
A little aside from the shore, from the village and from people, a Hall stands. Weathered, sure, but still in all its glory a moldy, ancient place inhabits. It stands alone in the austere and rather bleak landscape. But a dark legends hangs over the old house, and it has done so, for quite some time. Rumors about the devil that roams the ground as well as the ghost of a woman haunting the place.
A Windy Place: The Loftus Hallhas been withstanding the test of times, even in a weathered place like it was built on the coast of Ireland.
The Loftus Hall was built in the 1350’s, also known for being the time of the Black Death Plague, taking the lives of so many in Ireland. It was built by the Redmond family to replace their castle. Back then it was known as Redmond Hall.
The Loftus Hall has always attracted the eyes of the darker and more sinister stories, especially since the legends started to cross the sea that lies so dark and rough just ahead. It even featured as the plays were they shot the horror movie, The Lodgers.
The Lodgers from 2017 is an Irish Gothic horror film by David Turpin and Brian O’Malley. It stars Charlotte Vega, Bill Milner and Eugene Simon. If you like eerily dark and hauntingly beautiful movies like The Others or newer one like Crimson Peak, The Lodgers will be an obvious next escape to a haunted house…
The Legend Behind Loftus Hall
In the mid 1700s, Charles Tottenham became Lord of the manor by marrying Anne Loftus. They had six children, one of their daughters, was also called Anne and this is her story. About her and the devil himself that knocked on her door and entered her heart.
Inside Loftus Hall: The movie, The Lodgers is worth watching just to catch glimpse of the interior of the Loftus Hall inside the three-storey, 22-bedroom Palladian mansion.
According to the legend, on a dark and stormy night, a mysterious stranger came to the house on horseback. He went straight to the hall, asking for shelter, claiming that his ship ran ashore in the rough sea. The Tottenham family, who lived there at the time, invited the strange in.
The young daughter, Lady Anne Tottenham met this stranger, and instantly took a liking to him. And he to her. And soon they became very close. In some accounts, they even became lovers.
Whatever they were he stayed for a while and no one really noticed anything strange about the stranger before one fateful evening.
On one particular evening, she played cards with the mysterious visitor in one of the rooms of Loftus Hall. In the game, each player received 3 cards apart from Anne who was only dealt 2 by the mystery man. A butler serving the Tottenham family at the table was just about to question the man when Anne bent down to pick another card from the floor which she must have been dropped.
She bent over to pick them up and that is when she saw it under the table. The man had no feet of that of a man. They were cloven hooves, like a beast and she understood he had to be Beelzebub, the devil himself.
Anne screamed at the sight of the man she thought she knew. As soon as the man noticed Anne’s look on her face, he knew that he’s been found out and disappeared from the mansion in most extra way possible by shooting himself through the roof of the halls, in a ball of flames.
The Ghost Haunting Loftus Hall
Anne herself never recovered after this traumatic incident and went into some sort of shock people say that she never got out of.
Haunting the Manor: It is said that Anne is still haunting the place.//Source: Loftus Hall Facebook
Some say her family was so ashamed of her and her unladylike behaviour that they locked her away in her favorite room, called the tapestry room. She didn’t want anything to eat or drink after the shock, only staring out her window, across the sea to where Dunmore east is today.
What she was thinking about differs from who you ask. Some say that she was waiting for her mysterious stranger to return, even though she knew who he was. Others say she locked herself in the room, wanting to feel safe from the devil who had invaded her safe space, her home and her heart unknowingly.
Read More: Check out more mansions and castles believed to be haunted from all over the world.
No matter what the reason was and what happened that night at Loftus Hall we will probably never know for sure. What we do know is that Anne died in the very room in 1775. She died sitting and when she died, they could not straighten her body out, and she had to be buried in the same sitting position she died in.
After her death many talked about the place becoming haunted. Some claims she stills walks the corridors in her ghostly form, still in shock after her encounter with the devil, unable to move on, or perhaps even scared for where she would end up.
The Paranormal Reports
Now, that is one hell of a story. And a pretty crazy one at that. But the reports of strange encounters and supposed evidence of the paranormal still keeps coming, even after all this time.
Loftus Hall was after the devil incident the owners of the manor had an exorcism by Father Thomas Broaders whose powers is said to have worked and the evil that lingered went away. Father Broarders went on to become Parish Priest of the parishes of the Hook and Ramsgrange for almost 50 years.
Even the original building was almost leveled to the ground, and the manor we see today is the one they rebuilt in 1865 to 1875 were it went through extensive renovations.
But even though it is said that the exorcism worked, reports about strange paranormal activity has been reported a lot. And a lot more since it was opened to the public in 2012. And this is why some say that Loftus Hall is Ireland’s most haunted place in Ireland.
There are stuff though, that are without a question just very creepy. Like when during a renovation of the house years later in recent times, the skeleton of an infant was discovered in the walls. What the story behind this could be, only the dead knows.
One of the supposed evidence of paranormal happenings in the manor comes from a nice summer of 2014, when Thomas Beavis made a trip to the scenic place to do some sightseeing. When he looked through his pictures from his holiday after he came home he was shocked.
Picture of a ghost: This is the viral photo of the alleged ghost a visitor took when visiting Loftus Hall in 2014. What do we think? Could it be the ghost of Anne who has been rumoured to haunt the place ever since her death?
In the background there is a ghostly outline, most likely of a young girl or woman, looking out the windows of the hall. Could it just be a reflection of the tourist walking outside? Or could it be something more eerie. Could it be Anne who is said to haunt Loftus Hall?
Throughout the years, the hall has been a lot. A castle, a convent, a school and under attack from foreign invaders. Today it remains as a tourist attraction. A dark one at that, embracing its history and people travelling from all over the world to take part in paranormal investigations following Ghost Adventures with Zak Bagans, Aaron Goodwin and Nick Groff. But know, in the summer of 2020, the Hall will once again close its doors for visitors. And the answers we seek will maybe never be answered.
As of 2023, Loftus Hall is still closed down and not open to the public as it is renovated.
The Haunted House filmed: A Youtube snippet about the house and the hauntings that is rumored to be going on inside of the Loftus Hall.
Being a Seventh Extract from the Legacy of the late Francis Purcell, P. P. of Drumcoolagh.
You will no doubt be surprised, my dear friend, at the subject of the following narrative. What had I to do with Schalken, or Schalken with me? He had returned to his native land, and was probably dead and buried, before I was born; I never visited Holland nor spoke with a native of that country. So much I believe you already know. I must, then, give you my authority, and state to you frankly the ground upon which rests the credibility of the strange story which I am, about to lay before you.
I was acquainted, in my early days, with a Captain Vandael, whose father had served King William in the Low Countries, and also in my own unhappy land during the Irish campaigns. I know not how it happened that I liked this man’s society, spite of his politics and religion: but so it was; and it was by means of the free intercourse to which our intimacy gave rise that I became possessed of the curious tale which you are about to hear.
I had often been struck, while visiting Vandael, by a remarkable picture, in which, though no connoisseur myself, I could not fail to discern some very strong peculiarities, particularly in the distribution of light and shade, as also a certain oddity in the design itself, which interested my curiosity. It represented the interior of what might be a chamber in some antique religious building—the foreground was occupied by a female figure, arrayed in a species of white robe, part of which is arranged so as to form a veil. The dress, however, is not strictly that of any religious order. In its hand the figure bears a lamp, by whose light alone the form and face are illuminated; the features are marked by an arch smile, such as pretty women wear when engaged in successfully practising some roguish trick; in the background, and, excepting where the dim red light of an expiring fire serves to define the form, totally in the shade, stands the figure of a man equipped in the old fashion, with doublet and so forth, in an attitude of alarm, his hand being placed upon the hilt of his sword, which he appears to be in the act of drawing.
‘There are some pictures,’ said I to my friend, ‘which impress one, I know not how, with a conviction that they represent not the mere ideal shapes and combinations which have floated through the imagination of the artist, but scenes, faces, and situations which have actually existed. When I look upon that picture, something assures me that I behold the representation of a reality.’
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Vandael smiled, and, fixing his eyes upon the painting musingly, he said:
‘Your fancy has not deceived you, my good friend, for that picture is the record, and I believe a faithful one, of a remarkable and mysterious occurrence. It was painted by Schalken, and contains, in the face of the female figure, which occupies the most prominent place in the design, an accurate portrait of Rose Velderkaust, the niece of Gerard Douw, the first and, I believe, the only love of Godfrey Schalken. My father knew the painter well, and from Schalken himself he learned the story of the mysterious drama, one scene of which the picture has embodied. This painting, which is accounted a fine specimen of Schalken’s style, was bequeathed to my father by the artist’s will, and, as you have observed, is a very striking and interesting production.’
I had only to request Vandael to tell the story of the painting in order to be gratified; and thus it is that I am enabled to submit to you a faithful recital of what I heard myself, leaving you to reject or to allow the evidence upon which the truth of the tradition depends, with this one assurance, that Schalken was an honest, blunt Dutchman, and, I believe, wholly incapable of committing a flight of imagination; and further, that Vandael, from whom I heard the story, appeared firmly convinced of its truth.
There are few forms upon which the mantle of mystery and romance could seem to hang more ungracefully than upon that of the uncouth and clownish Schalken—the Dutch boor—the rude and dogged, but most cunning worker in oils, whose pieces delight the initiated of the present day almost as much as his manners disgusted the refined of his own; and yet this man, so rude, so dogged, so slovenly, I had almost said so savage, in mien and manner, during his after successes, had been selected by the capricious goddess, in his early life, to figure as the hero of a romance by no means devoid of interest or of mystery.
Who can tell how meet he may have been in his young days to play the part of the lover or of the hero—who can say that in early life he had been the same harsh, unlicked, and rugged boor that, in his maturer age, he proved—or how far the neglected rudeness which afterwards marked his air, and garb, and manners, may not have been the growth of that reckless apathy not unfrequently produced by bitter misfortunes and disappointments in early life?
These questions can never now be answered.
1694 self-portrait of Godfried Schalcken, whom Sheridan Le Fanu calls Godfrey Schalken.
We must content ourselves, then, with a plain statement of facts, or what have been received and transmitted as such, leaving matters of speculation to those who like them.
When Schalken studied under the immortal Gerard Douw, he was a young man; and in spite of the phlegmatic constitution and unexcitable manner which he shared, we believe, with his countrymen, he was not incapable of deep and vivid impressions, for it is an established fact that the young painter looked with considerable interest upon the beautiful niece of his wealthy master.
Rose Velderkaust was very young, having, at the period of which we speak, not yet attained her seventeenth year, and, if tradition speaks truth, possessed all the soft dimpling charms of the fail; light-haired Flemish maidens. Schalken had not studied long in the school of Gerard Douw, when he felt this interest deepening into something of a keener and intenser feeling than was quite consistent with the tranquillity of his honest Dutch heart; and at the same time he perceived, or thought he perceived, flattering symptoms of a reciprocity of liking, and this was quite sufficient to determine whatever indecision he might have heretofore experienced, and to lead him to devote exclusively to her every hope and feeling of his heart. In short, he was as much in love as a Dutchman could be. He was not long in making his passion known to the pretty maiden herself, and his declaration was followed by a corresponding confession upon her part.
Schalken, however, was a poor man, and he possessed no counterbalancing advantages of birth or position to induce the old man to consent to a union which must involve his niece and ward in the strugglings and difficulties of a young and nearly friendless artist. He was, therefore, to wait until time had furnished him with opportunity, and accident with success; and then, if his labours were found sufficiently lucrative, it was to be hoped that his proposals might at least be listened to by her jealous guardian. Months passed away, and, cheered by the smiles of the little Rose, Schalken’s labours were redoubled, and with such effect and improvement as reasonably to promise the realisation of his hopes, and no contemptible eminence in his art, before many years should have elapsed.
The even course of this cheering prosperity was, however, destined to experience a sudden and formidable interruption, and that, too, in a manner so strange and mysterious as to baffle all investigation, and throw upon the events themselves a shadow of almost supernatural horror.
Schalken had one evening remained in the master’s studio considerably longer than his more volatile companions, who had gladly availed themselves of the excuse which the dusk of evening afforded, to withdraw from their several tasks, in order to finish a day of labour in the jollity and conviviality of the tavern.
But Schalken worked for improvement, or rather for love. Besides, he was now engaged merely in sketching a design, an operation which, unlike that of colouring, might be continued as long as there was light sufficient to distinguish between canvas and charcoal. He had not then, nor, indeed, until long after, discovered the peculiar powers of his pencil, and he was engaged in composing a group of extremely roguish-looking and grotesque imps and demons, who were inflicting various ingenious torments upon a perspiring and pot-bellied St. Anthony, who reclined in the midst of them, apparently in the last stage of drunkenness.
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The young artist, however, though incapable of executing, or even of appreciating, anything of true sublimity, had nevertheless discernment enough to prevent his being by any means satisfied with his work; and many were the patient erasures and corrections which the limbs and features of saint and devil underwent, yet all without producing in their new arrangement anything of improvement or increased effect.
The large, old-fashioned room was silent, and, with the exception of himself, quite deserted by its usual inmates. An hour had passed—nearly two—without any improved result. Daylight had already declined, and twilight was fast giving way to the darkness of night. The patience of the young man was exhausted, and he stood before his unfinished production, absorbed in no very pleasing ruminations, one hand buried in the folds of his long dark hair, and the other holding the piece of charcoal which had so ill executed its office, and which he now rubbed, without much regard to the sable streaks which it produced, with irritable pressure upon his ample Flemish inexpressibles.
‘Pshaw!’ said the young man aloud, ‘would that picture, devils, saint, and all, were where they should be—in hell!’
A short, sudden laugh, uttered startlingly close to his ear, instantly responded to the ejaculation.
The artist turned sharply round, and now for the first time became aware that his labours had been overlooked by a stranger.
1635 self-portrait of Gerrit Dou, whom Sheridan Le Fanu calls Gerard Douw.
Within about a yard and a half, and rather behind him, there stood what was, or appeared to be, the figure of an elderly man: he wore a short cloak, and broad-brimmed hat with a conical crown, and in his hand, which was protected with a heavy, gauntlet-shaped glove, he carried a long ebony walking-stick, surmounted with what appeared, as it glittered dimly in the twilight, to be a massive head of gold, and upon his breast, through the folds of the cloak, there shone what appeared to be the links of a rich chain of the same metal.
The room was so obscure that nothing further of the appearance of the figure could be ascertained, and the face was altogether overshadowed by the heavy flap of the beaver which overhung it, so that not a feature could be discerned. A quantity of dark hair escaped from beneath this sombre hat, a circumstance which, connected with the firm, upright carriage of the intruder, proved that his years could not yet exceed threescore or thereabouts.
There was an air of gravity and importance about the garb of this person, and something indescribably odd, I might say awful, in the perfect, stone-like movelessness of the figure, that effectually checked the testy comment which had at once risen to the lips of the irritated artist. He therefore, as soon as he had sufficiently recovered the surprise, asked the stranger, civilly, to be seated, and desired to know if he had any message to leave for his master.
‘Tell Gerard Douw,’ said the unknown, without altering his attitude in the smallest degree, ‘that Mynher Vanderhauseny of Rotterdam, desires to speak with him to-morrow evening at this hour, and, if he please, in this room, upon matters of weight—that is all. Good-night.’
The stranger, having finished this message, turned abruptly, and, with a quick but silent step, quitted the room, before Schalken had time to say a word in reply.
The young man felt a curiosity to see in what direction the burgher of Rotterdam would turn on quitting the studio, and for that purpose he went directly to the window which commanded the door.
A lobby of considerable extent intervened between the inner door of the painter’s room and the street entrance, so that Schalken occupied the post of observation before the old man could possibly have reached the street.
He watched in vain, however. There was no other mode of exit.
Had the old man vanished, or was he lurking about the recesses of the lobby for some bad purpose? This last suggestion filled the mind of Schalken with a vague horror, which was so unaccountably intense as to make him alike afraid to remain in the room alone and reluctant to pass through the lobby.
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However, with an effort which appeared very disproportioned to the occasion, he summoned resolution to leave the room, and, having double-locked the door and thrust the key in his pocket, without looking to the right or left, he traversed the passage which had so recently, perhaps still, contained the person of his mysterious visitant, scarcely venturing to breathe till he had arrived in the open street.
‘Mynher Vanderhausen,’ said Gerard Douw within himself, as the appointed hour approached, ‘Mynher Vanderhausen of Rotterdam! I never heard of the man till yesterday. What can he want of me? A portrait, perhaps, to be painted; or a younger son or a poor relation to be apprenticed; or a collection to be valued; or —pshaw I there’s no one in Rotterdam to leave me a legacy. Well, whatever the business may be, we shall soon know it all.’
It was now the close of day, and every easel, except that of Schalken, was deserted. Gerard Douw was pacing the apartment with the restless step of impatient expectation, every now and then humming a passage from a piece of music which he was himself composing; for, though no great proficient, he admired the art; sometimes pausing to glance over the work of one of his absent pupils, but more frequently placing himself at the window, from whence he might observe the passengers who threaded the obscure by-street in which his studio was placed.
‘Said you not, Godfrey,’ exclaimed Douw, after a long and fruitless gaze from his post of observation, and turning to Schalken—’said you not the hour of appointment was at about seven by the clock of the Stadhouse?’
‘It had just told seven when I first saw him, sir,’ answered the student.
‘The hour is close at hand, then,’ said the master, consulting a horologe as large and as round as a full-grown orange. ‘Mynher Vanderhausen, from Rotterdam —is it not so?’
‘Such was the name.’
“Young Girl with a Candle”, painted between 1670 and 1675 by Godfried Schalcken.
‘And an elderly man, richly clad?’ continued Douw.
‘As well as I might see,’ replied his pupil; ‘he could not be young, nor yet very old neither, and his dress was rich and grave, as might become a citizen of wealth and consideration.’
At this moment the sonorous boom of the Stadhouse clock told, stroke after stroke, the hour of seven; the eyes of both master and student were directed to the door; and it was not until the last peal of the old bell had ceased to vibrate, that Douw exclaimed:
‘So, so; we shall have his worship presently—that is, if he means to keep his hour; if not, thou mayst wait for him, Godfrey, if you court the acquaintance of a capricious burgomaster. As for me, I think our old Leyden contains a sufficiency of such commodities, without an importation from Rotterdam.’
Schalken laughed, as in duty bound; and after a pause of some minutes, Douw suddenly exclaimed:
‘What if it should all prove a jest, a piece of mummery got up by Vankarp, or some such worthy! I wish you had run all risks, and cudgelled the old burgomaster, stadholder, or whatever else he may be, soundly. I would wager a dozen of Rhenish, his worship would have pleaded old acquaintance before the third application.’
‘Here he comes, sir,’ said Schalken, in a low admonitory tone; and instantly, upon turning towards the door, Gerard Douw observed the same figure which had, on the day before, so unexpectedly greeted the vision of his pupil Schalken.
There was something in the air and mien of the figure which at once satisfied the painter that there was no mummery in the case, and that he really stood in the presence of a man of worship; and so, without hesitation, he doffed his cap, and courteously saluting the stranger, requested him to be seated.
The visitor waved his hand slightly, as, if in acknowledgment of the courtesy, but remained standing.
‘I have the honour to see Mynher Vanderhausen, of Rotterdam?’ said Gerard Douw.
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‘The same,’ was the laconic reply of his visitant.
‘I understand your worship desires to speak with me,’ continued Douw, ‘and I am here by appointment to wait your commands.’
‘Is that a man of trust?’ said Vanderhausen, turning towards Schalken, who stood at a little distance behind his master.
‘Certainly,’ replied Gerard.
‘Then let him take this box and get the nearest jeweller or goldsmith to value its contents, and let him return hither with a certificate of the valuation.’
At the same time he placed a small case, about nine inches square, in the hands of Gerard Douw, who was as much amazed at its weight as at the strange abruptness with which it was handed to him.
In accordance with the wishes of the stranger, he delivered it into the hands of Schalken, and repeating HIS directions, despatched him upon the mission.
Schalken disposed his precious charge securely beneath the folds of his cloak, and rapidly traversing two or three narrow streets, he stopped at a corner house, the lower part of which was then occupied by the shop of a Jewish goldsmith.
Schalken entered the shop, and calling the little Hebrew into the obscurity of its back recesses, he proceeded to lay before him Vanderhausen’s packet.
On being examined by the light of a lamp, it appeared entirely cased with lead, the outer surface of which was much scraped and soiled, and nearly white with age. This was with difficulty partially removed, and disclosed beneath a box of some dark and singularly hard wood; this, too, was forced, and after the removal of two or three folds of linen, its contents proved to be a mass of golden ingots, close packed, and, as the Jew declared, of the most perfect quality.
Every ingot underwent the scrutiny of the little Jew, who seemed to feel an epicurean delight in touching and testing these morsels of the glorious metal; and each one of them was replaced in the box with the exclamation:
‘Mein Gott, how very perfect! not one grain of alloy—beautiful, beautiful!’
The task was at length finished, and the Jew certified under his hand the value of the ingots submitted to his examination to amount to many thousand rix-dollars.
With the desired document in his bosom, and the rich box of gold carefully pressed under his arm, and concealed by his cloak, he retraced his way, and entering the studio, found his master and the stranger in close conference.
Schalken had no sooner left the room, in order to execute the commission he had taken in charge, than Vanderhausen addressed Gerard Douw in the following terms:
‘I may not tarry with you to-night more than a few minutes, and so I shall briefly tell you the matter upon which I come. You visited the town of Rotterdam some four months ago, and then I saw in the church of St. Lawrence your niece, Rose Velderkaust. I desire to marry her, and if I satisfy you as to the fact that I am very wealthy—more wealthy than any husband you could dream of for her—I expect that you will forward my views to the utmost of your authority. If you approve my proposal, you must close with it at once, for I cannot command time enough to wait for calculations and delays.’
Gerard Douw was, perhaps, as much astonished as anyone could be by the very unexpected nature of Mynher Vanderhausen’s communication; but he did not give vent to any unseemly expression of surprise, for besides the motives supplied by prudence and politeness, the painter experienced a kind of chill and oppressive sensation, something like that which is supposed to affect a man who is placed unconsciously in immediate contact with something to which he has a natural antipathy—an undefined horror and dread while standing in the presence of the eccentric stranger, which made him very unwilling to say anything which might reasonably prove offensive.
‘I have no doubt,’ said Gerard, after two or three prefatory hems, ‘that the connection which you propose would prove alike advantageous and honourable to my niece; but you must be aware that she has a will of her own, and may not acquiesce in what WE may design for her advantage.’
‘Do not seek to deceive me, Sir Painter,’ said Vanderhausen; ‘you are her guardian —she is your ward. She is mine if YOU like to make her so.’
The man of Rotterdam moved forward a little as he spoke, and Gerard Douw, he scarce knew why, inwardly prayed for the speedy return of Schalken.
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‘I desire,’ said the mysterious gentleman, ‘to place in your hands at once an evidence of my wealth, and a security for my liberal dealing with your niece. The lad will return in a minute or two with a sum in value five times the fortune which she has a right to expect from a husband. This shall lie in your hands, together with her dowry, and you may apply the united sum as suits her interest best; it shall be all exclusively hers while she lives. Is that liberal?’
Douw assented, and inwardly thought that fortune had been extraordinarily kind to his niece. The stranger, he thought, must be both wealthy and generous, and such an offer was not to be despised, though made by a humourist, and one of no very prepossessing presence.
Rose had no very high pretensions, for she was almost without dowry; indeed, altogether so, excepting so far as the deficiency had been supplied by the generosity of her uncle. Neither had she any right to raise any scruples against the match on the score of birth, for her own origin was by no means elevated; and as to other objections, Gerard resolved, and, indeed, by the usages of the time was warranted in resolving, not to listen to them for a moment.
‘Sir,’ said he, addressing the stranger, ‘your offer is most liberal, and whatever hesitation I may feel in closing with it immediately, arises solely from my not having the honour of knowing anything of your family or station. Upon these points you can, of course, satisfy me without difficulty?’
‘As to my respectability,’ said the stranger, drily, ‘you must take that for granted at present; pester me with no inquiries; you can discover nothing more about me than I choose to make known. You shall have sufficient security for my respectability—my word, if you are honourable: if you are sordid, my gold.’
‘A testy old gentleman,’ thought Douw; ‘he must have his own way. But, all things considered, I am justified in giving my niece to him. Were she my own daughter, I would do the like by her. I will not pledge myself unnecessarily, however.’
‘You will not pledge yourself unnecessarily,’ said Vanderhausen, strangely uttering the very words which had just floated through the mind of his companion; ‘but you will do so if it IS necessary, I presume; and I will show you that I consider it indispensable. If the gold I mean to leave in your hands satisfy you, and if you desire that my proposal shall not be at once withdrawn, you must, before I leave this room, write your name to this engagement.’
Having thus spoken, he placed a paper in the hands of Gerard, the contents of which expressed an engagement entered into by Gerard Douw, to give to Wilken Vanderhausen, of Rotterdam, in marriage, Rose Velderkaust, and so forth, within one week of the date hereof.
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While the painter was employed in reading this covenant, Schalken, as we have stated, entered the studio, and having delivered the box and the valuation of the Jew into the hands of the stranger, he was about to retire, when Vanderhausen called to him to wait; and, presenting the case and the certificate to Gerard Douw, he waited in silence until he had satisfied himself by an inspection of both as to the value of the pledge left in his hands. At length he said:
‘Are you content?’
The painter said he would fain have an other day to consider.
‘Not an hour,’ said the suitor, coolly.
‘Well, then,’ said Douw, ‘I am content; it is a bargain.’
‘Then sign at once,’ said Vanderhausen; ‘I am weary.’
At the same time he produced a small case of writing materials, and Gerard signed the important document.
‘Let this youth witness the covenant,’ said the old man; and Godfrey Schalken unconsciously signed the instrument which bestowed upon another that hand which he had so long regarded as the object and reward of all his labours.
The compact being thus completed, the strange visitor folded up the paper, and stowed it safely in an inner pocket.
‘I will visit you to-morrow night, at nine of the clock, at your house, Gerard Douw, and will see the subject of our contract. Farewell.’ And so saying, Wilken Vanderhausen moved stiffly, but rapidly out of the room.
Schalken, eager to resolve his doubts, had placed himself by the window in order to watch the street entrance; but the experiment served only to support his suspicions, for the old man did not issue from the door. This was very strange, very odd, very fearful. He and his master returned together, and talked but little on the way, for each had his own subjects of reflection, of anxiety, and of hope.
Schalken, however, did not know the ruin which threatened his cherished schemes.
Gerard Douw knew nothing of the attachment which had sprung up between his pupil and his niece; and even if he had, it is doubtful whether he would have regarded its existence as any serious obstruction to the wishes of Mynher Vanderhausen.
Marriages were then and there matters of traffic and calculation; and it would have appeared as absurd in the eyes of the guardian to make a mutual attachment an essential element in a contract of marriage, as it would have been to draw up his bonds and receipts in the language of chivalrous romance.
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The painter, however, did not communicate to his niece the important step which he had taken in her behalf, and his resolution arose not from any anticipation of opposition on her part, but solely from a ludicrous consciousness that if his ward were, as she very naturally might do, to ask him to describe the appearance of the bridegroom whom he destined for her, he would be forced to confess that he had not seen his face, and, if called upon, would find it impossible to identify him.
Upon the next day, Gerard Douw having dined, called his niece to him, and having scanned her person with an air of satisfaction, he took her hand, and looking upon her pretty, innocent face with a smile of kindness, he said:
‘Rose, my girl, that face of yours will make your fortune.’ Rose blushed and smiled. ‘Such faces and such tempers seldom go together, and, when they do, the compound is a love-potion which few heads or hearts can resist. Trust me, thou wilt soon be a bride, girl. But this is trifling, and I am pressed for time, so make ready the large room by eight o’clock to-night, and give directions for supper at nine. I expect a friend to-night; and observe me, child, do thou trick thyself out handsomely. I would not have him think us poor or sluttish.’
With these words he left the chamber, and took his way to the room to which we have already had occasion to introduce our readers—that in which his pupils worked.
When the evening closed in, Gerard called Schalken, who was about to take his departure to his obscure and comfortless lodgings, and asked him to come home and sup with Rose and Vanderhausen.
The invitation was of course accepted, and Gerard Douw and his pupil soon found themselves in the handsome and somewhat antique-looking room which had been prepared for the reception of the stranger.
A cheerful wood-fire blazed in the capacious hearth; a little at one side an old-fashioned table, with richly-carved legs, was placed—destined, no doubt, to receive the supper, for which preparations were going forward; and ranged with exact regularity, stood the tall-backed chairs, whose ungracefulness was more than counterbalanced by their comfort.
The little party, consisting of Rose, her uncle, and the artist, awaited the arrival of the expected visitor with considerable impatience.
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Nine o’clock at length came, and with it a summons at the street-door, which, being speedily answered, was followed by a slow and emphatic tread upon the staircase; the steps moved heavily across the lobby, the door of the room in which the party which we have described were assembled slowly opened, and there entered a figure which startled, almost appalled, the phlegmatic Dutchmen, and nearly made Rose scream with affright; it was the form, and arrayed in the garb, of Mynher Vanderhausen; the air, the gait, the height was the same, but the features had never been seen by any of the party before.
The stranger stopped at the door of the room, and displayed his form and face completely. He wore a dark-coloured cloth cloak, which was short and full, not falling quite to the knees; his legs were cased in dark purple silk stockings, and his shoes were adorned with roses of the same colour. The opening of the cloak in front showed the under-suit to consist of some very dark, perhaps sable material, and his hands were enclosed in a pair of heavy leather gloves which ran up considerably above the wrist, in the manner of a gauntlet. In one hand he carried his walking-stick and his hat, which he had removed, and the other hung heavily by his side. A quantity of grizzled hair descended in long tresses from his head, and its folds rested upon the plaits of a stiff ruff, which effectually concealed his neck.
So far all was well; but the face!—all the flesh of the face was coloured with the bluish leaden hue which is sometimes produced by the operation of metallic medicines administered in excessive quantities; the eyes were enormous, and the white appeared both above and below the iris, which gave to them an expression of insanity, which was heightened by their glassy fixedness; the nose was well enough, but the mouth was writhed considerably to one side, where it opened in order to give egress to two long, discoloured fangs, which projected from the upper jaw, far below the lower lip; the hue of the lips themselves bore the usual relation to that of the face, and was consequently nearly black. The character of the face was malignant, even satanic, to the last degree; and, indeed, such a combination of horror could hardly be accounted for, except by supposing the corpse of some atrocious malefactor, which had long hung blackening upon the gibbet, to have at length become the habitation of a demon—the frightful sport of Satanic possession.
It was remarkable that the worshipful stranger suffered as little as possible of his flesh to appear, and that during his visit he did not once remove his gloves.
Having stood for some moments at the door, Gerard Douw at length found breath and collectedness to bid him welcome, and, with a mute inclination of the head, the stranger stepped forward into the room.
There was something indescribably odd, even horrible, about all his motions, something undefinable, that was unnatural, unhuman—it was as if the limbs were guided and directed by a spirit unused to the management of bodily machinery.
The stranger said hardly anything during his visit, which did not exceed half an hour; and the host himself could scarcely muster courage enough to utter the few necessary salutations and courtesies: and, indeed, such was the nervous terror which the presence of Vanderhausen inspired, that very little would have made all his entertainers fly bellowing from the room.
They had not so far lost all self-possession, however, as to fail to observe two strange peculiarities of their visitor.
During his stay he did not once suffer his eyelids to close, nor even to move in the slightest degree; and further, there was a death-like stillness in his whole person, owing to the total absence of the heaving motion of the chest, caused by the process of respiration.
These two peculiarities, though when told they may appear trifling, produced a very striking and unpleasant effect when seen and observed. Vanderhausen at length relieved the painter of Leyden of his inauspicious presence; and with no small gratification the little party heard the street-door close after him.
‘Dear uncle,’ said Rose, ‘what a frightful man! I would not see him again for the wealth of the States!’
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‘Tush, foolish girl!’ said Douw, whose sensations were anything but comfortable. ‘A man may be as ugly as the devil, and yet if his heart and actions are good, he is worth all the pretty-faced, perfumed puppies that walk the Mall. Rose, my girl, it is very true he has not thy pretty face, but I know him to be wealthy and liberal; and were he ten times more ugly—’
‘Which is inconceivable,’ observed Rose.
‘These two virtues would be sufficient,’ continued her uncle, ‘to counterbalance all his deformity; and if not of power sufficient actually to alter the shape of the features, at least of efficacy enough to prevent one thinking them amiss.’
‘Do you know, uncle,’ said Rose, ‘when I saw him standing at the door, I could not get it out of my head that I saw the old, painted, wooden figure that used to frighten me so much in the church of St. Laurence of Rotterdam.’
Gerard laughed, though he could not help inwardly acknowledging the justness of the comparison. He was resolved, however, as far as he could, to check his niece’s inclination to ridicule the ugliness of her intended bridegroom, although he was not a little pleased to observe that she appeared totally exempt from that mysterious dread of the stranger which, he could not disguise it from himself, considerably affected him, as also his pupil Godfrey Schalken.
Early on the next day there arrived, from various quarters of the town, rich presents of silks, velvets, jewellery, and so forth, for Rose; and also a packet directed to Gerard Douw, which, on being opened, was found to contain a contract of marriage, formally drawn up, between Wilken Vanderhausen of the Boom-quay, in Rotterdam, and Rose Velderkaust of Leyden, niece to Gerard Douw, master in the art of painting, also of the same city; and containing engagements on the part of Vanderhausen to make settlements upon his bride, far more splendid than he had before led her guardian to believe likely, and which were to be secured to her use in the most unexceptionable manner possible—the money being placed in the hands of Gerard Douw himself.
I have no sentimental scenes to describe, no cruelty of guardians, or magnanimity of wards, or agonies of lovers. The record I have to make is one of sordidness, levity, and interest. In less than a week after the first interview which we have just described, the contract of marriage was fulfilled, and Schalken saw the prize which he would have risked anything to secure, carried off triumphantly by his formidable rival.
For two or three days he absented himself from the school; he then returned and worked, if with less cheerfulness, with far more dogged resolution than before; the dream of love had given place to that of ambition.
Months passed away, and, contrary to his expectation, and, indeed, to the direct promise of the parties, Gerard Douw heard nothing of his niece, or her worshipful spouse. The interest of the money, which was to have been demanded in quarterly sums, lay unclaimed in his hands. He began to grow extremely uneasy.
Mynher Vanderhausen’s direction in Rotterdam he was fully possessed of. After some irresolution he finally determined to journey thither—a trifling undertaking, and easily accomplished—and thus to satisfy himself of the safety and comfort of his ward, for whom he entertained an honest and strong affection.
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His search was in vain, however. No one in Rotterdam had ever heard of Mynher Vanderhausen.
Gerard Douw left not a house in the Boom-quay untried; but all in vain. No one could give him any information whatever touching the object of his inquiry; and he was obliged to return to Leyden, nothing wiser than when he had left it.
On his arrival he hastened to the establishment from which Vanderhausen had hired the lumbering though, considering the times, most luxurious vehicle which the bridal party had employed to convey them to Rotterdam. From the driver of this machine he learned, that having proceeded by slow stages, they had late in the evening approached Rotterdam; but that before they entered the city, and while yet nearly a mile from it, a small party of men, soberly clad, and after the old fashion, with peaked beards and moustaches, standing in the centre of the road, obstructed the further progress of the carriage. The driver reined in his horses, much fearing, from the obscurity of the hour, and the loneliness of the road, that some mischief was intended.
His fears were, however, somewhat allayed by his observing that these strange men carried a large litter, of an antique shape, and which they immediately set down upon the pavement, whereupon the bridegroom, having opened the coach-door from within, descended, and having assisted his bride to do likewise, led her, weeping bitterly and wringing her hands, to the litter, which they both entered. It was then raised by the men who surrounded it, and speedily carried towards the city, and before it had proceeded many yards the darkness concealed it from the view of the Dutch charioteer.
In the inside of the vehicle he found a purse, whose contents more than thrice paid the hire of the carriage and man. He saw and could tell nothing more of Mynher Vanderhausen and his beautiful lady. This mystery was a source of deep anxiety and almost of grief to Gerard Douw.
There was evidently fraud in the dealing of Vanderhausen with him, though for what purpose committed he could not imagine. He greatly doubted how far it was possible for a man possessing in his countenance so strong an evidence of the presence of the most demoniac feelings, to be in reality anything but a villain; and every day that passed without his hearing from or of his niece, instead of inducing him to forget his fears, on the contrary tended more and more to exasperate them.
The loss of his niece’s cheerful society tended also to depress his spirits; and in order to dispel this despondency, which often crept upon his mind after his daily employment was over, he was wont frequently to prevail upon Schalken to accompany him home, and by his presence to dispel, in some degree, the gloom of his otherwise solitary supper.
One evening, the painter and his pupil were sitting by the fire, having accomplished a comfortable supper, and had yielded to that silent pensiveness sometimes induced by the process of digestion, when their reflections were disturbed by a loud sound at the street-door, as if occasioned by some person rushing forcibly and repeatedly against it. A domestic had run without delay to ascertain the cause of the disturbance, and they heard him twice or thrice interrogate the applicant for admission, but without producing an answer or any cessation of the sounds.
They heard him then open the hall-door, and immediately there followed a light and rapid tread upon the staircase. Schalken laid his hand on his sword, and advanced towards the door. It opened before he reached it, and Rose rushed into the room. She looked wild and haggard, and pale with exhaustion and terror; but her dress surprised them as much even as her unexpected appearance. It consisted of a kind of white woollen wrapper, made close about the neck, and descending to the very ground. It was much deranged and travel-soiled. The poor creature had hardly entered the chamber when she fell senseless on the floor. With some difficulty they succeeded in reviving her, and on recovering her senses she instantly exclaimed, in a tone of eager, terrified impatience:
‘Wine, wine, quickly, or I’m lost!’
Much alarmed at the strange agitation in which the call was made, they at once administered to her wishes, and she drank some wine with a haste and eagerness which surprised them. She had hardly swallowed it, when she exclaimed, with the same urgency:
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‘Food, food, at once, or I perish!’
A considerable fragment of a roast joint was upon the table, and Schalken immediately proceeded to cut some, but he was anticipated; for no sooner had she become aware of its presence than she darted at it with the rapacity of a vulture, and, seizing it in her hands she tore off the flesh with her teeth and swallowed it.
When the paroxysm of hunger had been a little appeased, she appeared suddenly to become aware how strange her conduct had been, or it may have been that other more agitating thoughts recurred to her mind, for she began to weep bitterly and to wring her hands.
‘Oh! send for a minister of God,’ said she; ‘I am not safe till he comes; send for him speedily.’
Gerard Douw despatched a messenger instantly, and prevailed on his niece to allow him to surrender his bedchamber to her use; he also persuaded her to retire to it at once and to rest; her consent was extorted upon the condition that they would not leave her for a moment.
‘Oh that the holy man were here!’ she said; ‘he can deliver me. The dead and the living can never be one—God has forbidden it.’
With these mysterious words she surrendered herself to their guidance, and they proceeded to the chamber which Gerard Douw had assigned to her use.
‘Do not—do not leave me for a moment,’ said she. ‘I am lost for ever if you do.’
Gerard Douw’s chamber was approached through a spacious apartment, which they were now about to enter. Gerard Douw and Schalken each carried a was candle, so that a sufficient degree of light was cast upon all surrounding objects. They were now entering the large chamber, which, as I have said, communicated with Douw’s apartment, when Rose suddenly stopped, and, in a whisper which seemed to thrill with horror, she said:
‘O God! he is here—he is here! See, see—there he goes!’
She pointed towards the door of the inner room, and Schalken thought he saw a shadowy and ill-defined form gliding into that apartment. He drew his sword, and raising the candle so as to throw its light with increased distinctness upon the objects in the room, he entered the chamber into which the shadow had glided. No figure was there—nothing but the furniture which belonged to the room, and yet he could not be deceived as to the fact that something had moved before them into the chamber.
A sickening dread came upon him, and the cold perspiration broke out in heavy drops upon his forehead; nor was he more composed when he heard the increased urgency, the agony of entreaty, with which Rose implored them not to leave her for a moment.
‘I saw him,’ said she. ‘He’s here! I cannot be deceived—I know him. He’s by me—he’s with me—he’s in the room. Then, for God’s sake, as you would save, do not stir from beside me!’
They at length prevailed upon her to lie down upon the bed, where she continued to urge them to stay by her. She frequently uttered incoherent sentences, repeating again and again, ‘The dead and the living cannot be one—God has forbidden it!’ and then again, ‘Rest to the wakeful—sleep to the sleep-walkers.’
These and such mysterious and broken sentences she continued to utter until the clergyman arrived.
Gerard Douw began to fear, naturally enough, that the poor girl, owing to terror or ill-treatment, had become deranged; and he half suspected, by the suddenness of her appearance, and the unseasonableness of the hour, and, above all, from the wildness and terror of her manner, that she had made her escape from some place of confinement for lunatics, and was in immediate fear of pursuit. He resolved to summon medical advice as soon as the mind of his niece had been in some measure set at rest by the offices of the clergyman whose attendance she had so earnestly desired; and until this object had been attained, he did not venture to put any questions to her, which might possibly, by reviving painful or horrible recollections, increase her agitation.
The clergyman soon arrived—a man of ascetic countenance and venerable age— one whom Gerard Douw respected much, forasmuch as he was a veteran polemic, though one, perhaps, more dreaded as a combatant than beloved as a Christian—of pure morality, subtle brain, and frozen heart. He entered the chamber which communicated with that in which Rose reclined, and immediately on his arrival she requested him to pray for her, as for one who lay in the hands of Satan, and who could hope for deliverance—only from heaven.
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That our readers may distinctly understand all the circumstances of the event which we are about imperfectly to describe, it is necessary to state the relative position of the parties who were engaged in it. The old clergyman and Schalken were in the anteroom of which we have already spoken; Rose lay in the inner chamber, the door of which was open; and by the side of the bed, at her urgent desire, stood her guardian; a candle burned in the bed-chamber, and three were lighted in the outer apartment
The old man now cleared his voice, as if about to commence; but before he had time to begin, a sudden gust of air blew out the candle which served to illuminate the room in which the poor girl lay, and she, with hurried alarm, exclaimed:
‘Godfrey, bring in another candle; the darkness is unsafe.’
Gerard Douw, forgetting for the moment her repeated injunctions in the immediate impulse, stepped from the bedchamber into the other, in order to supply what she desired.
‘O God I do not go, dear uncle!’ shrieked the unhappy girl; and at the same time she sprang from the bed and darted after him, in order, by her grasp, to detain him.
But the warning came too late, for scarcely had he passed the threshold, and hardly had his niece had time to utter the startling exclamation, when the door which divided the two rooms closed violently after him, as if swung to by a strong blast of wind.
Schalken and he both rushed to the door, but their united and desperate efforts could not avail so much as to shake it.
Shriek after shriek burst from the inner chamber, with all the piercing loudness of despairing terror. Schalken and Douw applied every energy and strained every nerve to force open the door; but all in vain.
There was no sound of struggling from within, but the screams seemed to increase in loudness, and at the same time they heard the bolts of the latticed window withdrawn, and the window itself grated upon the sill as if thrown open.
One LAST shriek, so long and piercing and agonised as to be scarcely human, swelled from the room, and suddenly there followed a death-like silence.
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A light step was heard crossing the floor, as if from the bed to the window; and almost at the same instant the door gave way, and, yielding to the pressure of the external applicants, they were nearly precipitated into the room. It was empty. The window was open, and Schalken sprang to a chair and gazed out upon the street and canal below. He saw no form, but he beheld, or thought he beheld, the waters of the broad canal beneath settling ring after ring in heavy circular ripples, as if a moment before disturbed by the immersion of some large and heavy mass.
No trace of Rose was ever after discovered, nor was anything certain respecting her mysterious wooer detected or even suspected; no clue whereby to trace the intricacies of the labyrinth and to arrive at a distinct conclusion was to be found. But an incident occurred, which, though it will not be received by our rational readers as at all approaching to evidence upon the matter, nevertheless produced a strong and a lasting impression upon the mind of Schalken.
Many years after the events which we have detailed, Schalken, then remotely situated, received an intimation of his father’s death, and of his intended burial upon a fixed day in the church of Rotterdam. It was necessary that a very considerable journey should be performed by the funeral procession, which, as it will readily be believed, was not very numerously attended. Schalken with difficulty arrived in Rotterdam late in the day upon which the funeral was appointed to take place. The procession had not then arrived. Evening closed in, and still it did not appear.
Schalken strolled down to the church— be found it open—notice of the arrival of the funeral had been given, and the vault in which the body was to be laid had been opened. The official who corresponds to our sexton, on seeing a well-dressed gentleman, whose object was to attend the expected funeral, pacing the aisle of the church, hospitably invited him to share with him the comforts of a blazing wood fire, which, as was his custom in winter time upon such occasions, he had kindled on the hearth of a chamber which communicated, by a flight of steps, with the vault below.
In this chamber Schalken and his entertainer seated themselves, and the sexton, after some fruitless attempts to engage his guest in conversation, was obliged to apply himself to his tobacco-pipe and can to solace his solitude.
In spite of his grief and cares, the fatigues of a rapid journey of nearly forty hours gradually overcame the mind and body of Godfrey Schalken, and he sank into a deep sleep, from which he was awakened by some one shaking him gently by the shoulder. He first thought that the old sexton had called him, but HE was no longer in the room.
He roused himself, and as soon as he could clearly see what was around him, he perceived a female form, clothed in a kind of light robe of muslin, part of which was so disposed as to act as a veil, and in her hand she carried a lamp. She was moving rather away from him, and towards the flight of steps which conducted towards the vaults.
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Schalken felt a vague alarm at the sight of this figure, and at the same time an irresistible impulse to follow its guidance. He followed it towards the vaults, but when it reached the head of the stairs, he paused; the figure paused also, and, turning gently round, displayed, by the light of the lamp it carried, the face and features of his first love, Rose Velderkaust. There was nothing horrible, or even sad, in the countenance. On the contrary, it wore the same arch smile which used to enchant the artist long before in his happy days.
A feeling of awe and of interest, too intense to be resisted, prompted him to follow the spectre, if spectre it were. She descended the stairs—he followed; and, turning to the left, through a narrow passage, she led him, to his infinite surprise, into what appeared to be an old-fashioned Dutch apartment, such as the pictures of Gerard Douw have served to immortalise.
Abundance of costly antique furniture was disposed about the room, and in one corner stood a four-post bed, with heavy black-cloth curtains around it; the figure frequently turned towards him with the same arch smile; and when she came to the side of the bed, she drew the curtains, and by the light of the lamp which she held towards its contents, she disclosed to the horror-stricken painter, sitting bolt upright in the bed, the livid and demoniac form of Vanderhausen. Schalken had hardly seen him when he fell senseless upon the floor, where he lay until discovered, on the next morning, by persons employed in closing the passages into the vaults. He was lying in a cell of considerable size, which had not been disturbed for a long time, and he had fallen beside a large coffin which was supported upon small stone pillars, a security against the attacks of vermin.
To his dying day Schalken was satisfied of the reality of the vision which he had witnessed, and he has left behind him a curious evidence of the impression which it wrought upon his fancy, in a painting executed shortly after the event we have narrated, and which is valuable as exhibiting not only the peculiarities which have made Schalken’s pictures sought after, but even more so as presenting a portrait, as close and faithful as one taken from memory can be, of his early love, Rose Velderkaust, whose mysterious fate must ever remain matter of speculation.
The picture represents a chamber of antique masonry, such as might be found in most old cathedrals, and is lighted faintly by a lamp carried in the hand of a female figure, such as we have above attempted to describe; and in the background, and to the left of him who examines the painting, there stands the form of a man apparently aroused from sleep, and by his attitude, his hand being laid upon his sword, exhibiting considerable alarm: this last figure is illuminated only by the expiring glare of a wood or charcoal fire.
The whole production exhibits a beautiful specimen of that artful and singular distribution of light and shade which has rendered the name of Schalken immortal among the artists of his country. This tale is traditionary, and the reader will easily perceive, by our studiously omitting to heighten many points of the narrative, when a little additional colouring might have added effect to the recital, that we have desired to lay before him, not a figment of the brain, but a curious tradition connected with, and belonging to, the biography of a famous artist.
There has always been one or two at a big Halloween party sporting the long nose tip mask, masquerading as the classical plague doctor. The same person that are always sending invitations to a Steampunk convention. But this year, the costume is on the front on so many marketing campaigns for Costume shops.
Of course, there are other costumes showing up as well. A new Harlequin costume from Birds of Prey, because we truly need a new one every other year, a Mandalorian costume, because of course, as well as a costume for every rebooted Disney movie this year.
Iconic Halloween Costumes Throughout the Ages
It is not a new thing that Halloween costumes reflects the pop-cultural impact that year. Like Game of Thrones characters lately, the Star Wars characters when they came out, and even further back, think of when Batman, Zorro or Micheal Jackson’s Thriller hit the world. It is all reflected in the costumes.
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It’s not only fictional characters or singers inspiring them, but the society around us, the news and the happenings of the world. Like when everybody dressed as astronauts the year of the Moonlanding, a royal baby when the British Royal family gave birth to a new heir. This will of course have regional impacts as well, as the modern Halloween tradition grow global, we still have our national differences in the political landscapes.
Although the costumes are always changing, it is never the trends that really tops the most bought costumes. It is always the same costumes that overflood the Halloween parties every year: Witches, vampires, zombies, pirates and superheroes. Both the slutty and non-slutty versions. But among them, the echo of society walks among the living dead.
The Plague Doctor is in
A new corner of costumes has snuck its way into the new arrivals or made a new category in many costume shops. Like the Bio Hazard Suit, the Plague Doctor has been brushed dust from its tired look and put in showcase in front of the store. And like the Harlequin costume, there is only one reason why: It is a demand for it.
It would perhaps be weird if this costumed popped up out of no where, but seeing the global landscape and what impacted us most this year, it goes without saying this is the cosplayer’s response to 2020.
Popular: On Wish, thousands of people have already bought the costume for this years Halloween. And it appears as one of the top searches for ‘Halloween Costume’ there as well.
In many ways, it showcase the need for human kind to put our fears from the everyday world into firm material. It is an interesting thing about the human condition. And a telling one, especially in the western hemisphere that it is this particular imagery that we conjure up, every time we fear sickness we can’t control. A new sort of unconscious mythological icon to separate ourselves from a deadly disease.
In many ways we can see this as the same with the fashion face masks. You know, the one looking great, but are no were near effective to shield us from any diseases? Perhaps buy one of these plague doctor costumes instead. It kind of worked in the middle ages. It is most likely more effective than many of the fashion face masks.
But what was this Plague Doctor?
A plague doctor was a physician who treated victims of the bubonic plague. You know, from medieval times. Another case that no fashion is out forever. As they had a rather narrow understanding of how sickness worked back in those days, they seldom cured any of their patients. They served to record a count of the number of people contaminated for demographic purposes.
Vintage Costume: For the true fan of vintage and historically accurate costumes, a 17th century costume from Germany.
They wore the famous beak mask to protect them from illness which they believed was airborne. In fact, they thought disease was spread by miasma, a noxious form of ‘bad air.’ Today this practice is obsolete, although, some would say the thoughts like it is making a combat, trying to combat the bad air or energy with esoteric oils. The plague doctors themselves put sweet smells of flowers, herbs and spices to combat this illness they though lingered in the air.
The costume have changed throughout the years though. Medical historians have in fact attributed the invention of the ‘beak doctor’ costume to a French doctor named Charles de Lorme in 1619.
They were also rarely proper doctors, and there are stories that in one case, a plague doctor had been a fruit salesman before his employment as a physician.
But the strong imagery of them has lingered, long after their failed methods of treading plague patients with leeches and herbs was replaced with modern medicine. The doctors themselves morphed into a sort of dark omen, a warning of imminent death. Because if these doctors started walking your streets, it was a certain telling you probably were gonna die.
In these strange and scary pandemic times, its nice to live in a world of modern health care, science and the wide spread information about the internet. But pandemics and epidemics have always been a part of the human experience through history, and it’s really just in the last couple of centuries, we’ve really been…
Too Medievaly Mainstream
And don’t you worry, if the plague doctor gets too mainstream for you, there is always the Hazmat Suit option this year. For a more up to date imagery, icon and way of dealing with this fear of disease and help us social distancing at Halloween parties. If you are allowed to step outside that is. Or rather, if you let yourself.
Ah, anyway, what is the point. What is the point of acquiring a costume is all Halloween this year is sitting on your couch, skyping with friends and watching horror movies by yourself? Also, check out this list about ideas for costumes to wear on Skype or Zoom.
So what do you think? What will be the Halloween costume of the year? How about next year?
Along the road in the English town, the ghost of a lady on the run haunts the area, allegedly causing accidents, and even deaths. This is the legend of the running lady of Beeford.
Beeford, East Yorkshire in England doesn’t sound like the most haunted place on earth. With the red bricked houses it looks like a classical quaint English town, never changing, dormant. Perhaps like the set of Midsummer Murders or the location of an Agatha Christie novel. Perhaps it indeed look a bit haunted, after all. Truth is, this place has been there even before England came to be. Mention in the Domesday Book, it has been there for a thousand years. Perhaps it will last a thousand more?
And everyone knows that old towns must have their own local ghosts. And here, they have the legend of the running lady of Beeford that is haunting the roads leading in and out of the town.
Causing Accidents and Deaths
This particular ghost is a ghost on the road. On a stretch of road between Beeford and Brandenburton, a ghost of a lady has been seen roaming around late at night. The ghost lady is also called the Running Lady as she is seen running across the Beeford Straight toward the North Frodingham junction.
Tales of her ghost causing accidents have been told over the years in the more modern area, as it’s usually involves cars. Not only is the ghost reported on being seen, but the running lady of Beeford has also been the one to blame for several accidents on this particular road.
The Running Lady of Beeford: There is a local legend that people have seen the Runnin Lady of Beeford, haunting the road. Some of the stories about her, even hints that she was the cause of a deadly car crash.
One of these stories details the curse she has supposedly put on this place made a car crash into a three, killing six people. What made the crash? An accident caused by witnessing the running lady of Beeford, or something more sinister as some of the version of the legend hints at?
There is also an anecdote about a motorcyclist picking up a female on the stretch on that road, only to find her gone when he turned around after a few miles. This story collides a bit with her habit of being on the run, but falls in line of the urban legend of a hitchhiker wanting a lift, but disappearing.
The Vanishing Hitchhiker is a well known urban legend throughout the world. Here is a Moonmausoleum original writings based on the Urban Legend – The Vanishing Hitchhiker
What’s the Truth Behind the Running Lady of Beeford?
This ghost story falls right into the White Lady legend from Europe we can read about in so many of the classic ghost stories. Also, stories about ghosts along the road is also a well documented phenomenon across the world by now. But what about this particular legend of the running lady of Beeford? How much does it ring true?
Considering that Beeford is such a small place there would be more documented that six people actually died in a car crash around that area. But as per now, we have found no such proof.
And the description of her appearance is so vague and non existing that it’s hard to make out what type of lady we are seeing. Well that is, if we see anything at all.
There are certain games that makes you laugh, that are just for fun. Then there are the games that makes your skin crawl, that makes your blood pumps. If you haven’t already, head over and have a look at part one of this series:
A collection of five games to play in the dark. Or not, depending how in touch with the spirits one feels.
This is a list of games that have been played for a long time, or new. Some are old in its new form. Many of these games are best played in the dark in the middle of the night, far from any other sounds. Some you are tired of, as we do with old games, some are always a welcomed suggestion to do.
Darumasan or The Bath Game
Darumasan ga Koronda is an equivalent to the American Red light/Green light game or the British Grandmother’s Footsteps. It literary means ‘the daruma fell over’. And like the weeping angels version on this child’s game, the Japanese version also has a more sinister version.
Traditional Toy:A Daruma doll (達磨, daruma)
A Daruma doll is a hollow, round, Japanese traditional doll. Though considered a toy by some, Daruma has a design that is rich in symbolism and is regarded more as a talisman of good luck to the Japanese. It also holds some spiritual symbolism as well. Daruma dolls are seen as a symbol of perseverance and good luck, making them a popular gift of encouragement.
The Darumesan or today known more as ‘The Bath Game’, is a sort of ritual game of summoning evil. It is said it is summoning a girl that slipped in the tub and poked her eye out. That is why the ghost of her only has one eye. It was difficult finding an original source as it is a game supposedly old, but of Japanese origin. The oldest mention on this was on certain Japanese forums from the 2011/2012 that talked about it as an urban legend. Seems like the game evolved as a sort of protection against it.
What follows here however, is how the game has been played in later years.
It is a one player game and only require on thing: A bathtub.
Part One
Before you go to bed, take a bath with the light turned off. Face the tap, close your eyes and begin to wash your hair.
While washing, repeat the words, Daruma-san fell down. Continue to wash your hair, chanting this and do not open your eyes.
This is when you will start getting a mental image of the woman in the tub, slipping ang falling face into the tap and poke her eye out. Do not turn around if you hear a noise behind you, do not open your eyes to check if you feel movement in the tub. But ask out loud: “Why did you fall in the bathtub?”
After this, get out of the tub without opening your eyes. Without draining the water, leave the bathroom, shutting the door behind you.
Now go to sleep.
Part two
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The minute you open your eyes, the game has begun. Throughout the day, you will feel a constant presence behind you. Turning to look at her will not work, but you might catch the occasional glimpses of her lingering over your right shoulder, her hair black and tangled, her eye socket empty and hollow.
As the day press on, she will etch closer and gloser to you. If she is too close shout Tomare, meaning stop and run. However, for each time you shout this at her, the less effective it will be.
Part Three
At the end of the day, it is time to end the game. Look directly at her over your right shoulder, sever the bond you have created between you two.
Shout: Kitta, meaning something along the lines of ‘I cut you loose’. While saying this, swing your arm in a chopping motion. You must have her in sight while doing this.
Done correctly, the game is now over. If not, well… it is recommended to run away.
Also:
Some claim to avoid dark and places with a lot of water.
The ending mus be done before midnight, or else, you are granting her permission to stay and enter your dreams.
When doing the game a second time, it is said she will start were you left her off. Hopefully, she was far enough away from you. It will not be as easy to escape her otherwise.
This is also a game, of online presence and can be traced back to username Emeryy on creepypasta. The original creepypasta story has now been deleted in 2018 on the authors request. It is however narrated by a Youtube Narrator and is probably pretty close to the original creepypasta which is writte as a sort of instruction to a game.
It is a bit different game as it is clearly a work of fiction. However, there is something about the classical mythical journey that will reward all of your desires if you just stick to the rules that keeps the appeal, still after the story itself is deleted.
The game is suppose to help you get a prize after following a set of rules on a road that isn’t technically there. It is a magical story game and balances the fine line of thrilling adventure to creepy nightmares.
Before you Begin
There is some things to consider before starting the game. First, the game is about desire and finding something you are looking for. So you are suppose to have a goal or a wish before you start.
It is a game of solitude and can only be played alone. Oh, and by the way, you will be needing a car. It was specified in the creepypasta it shouldn’t be a very noticeable car.
Then there is the list of stuff you can’t do. If you do it, you will fail the test and can’t claim the prize. Besides, there is something lurking outside your car. You won’t find out what happens with those if you break the rules. They are as follows: – Do not turn on the radio or cellphone – Do not open the windows or try to leave your car – Do not drive over thirty miles per hour
The Game
Fuel up your car and start driving when night falls and few people are around.
Finding the road is difficult, it isn’t on any maps, shouldn’t exist and can’t be located by asking around. You will only find it when aimlessly driving around, preferably near a forest. It will appear different for everyone.
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Once you’ve found the road, take a turn and drive it. This is were the test comes in. The air will appear colder and figures will appear in the darkness. Ignore them and keep your eyes on the road.
When you reach the dirt path of the road voices will begin whispering. Ignore them as well. When reaching a clearing you will find an endless lake with a bright moon hovering over it. Do not look at the moon.
Now the radio will start acting up, the headlights will start to fail. Ignore it all don’t look in the mirror. Eyes on the road, remember the speed limit.
When you have driven around nine miles, your car will fail. This is not something you can fix. The only thing to do is close your eyes and restart the car. Figures will surround your car, but don’t look. Just restart the car. When reaching ten miles, all will go back to normal.
On the eleventh mile however, your car will stop again. But it will still move. Move towards a red light. Close them again, and cover your ears. The once cold air will become hot.
But don’t worry, it will end. You will reach a dead end. Then take a minute, relax, imagine what you desired, perhaps it changed during the journey. It will then appear before your eyes or happen soon enough.
After the Game
If you follow all of the rules, you will be fine, your journey will end. And you’ve overcome the tests, making you worthy of the prize.
From then on, you will suffer from terrible dreams, but it will be worth it. Or… will it?
If you are a part of the horror community, Halloween is definitely the time of the year. Sometimes it can be a bit tricky to think that it actually is mainly focused on children, and well… I say MAINLY. But if you are a child, there is nothing more exiting than Halloween, but it can also be a bit scary. And if you are an adult into hardcore horror suddenly in charge of a child’s experience and in need for some child-friendly Halloween content, look no further than to this list right here. It is also for the adult with a bit of Halloween nostalgia.
Harry Potter
By J.K Rowling
Yes, the Harry Potter series is on the list. But have you ever thought of how perfect it is to read it out loud to children at Halloween? If just for a quick revisit, how about reading the part of the troll at Halloween in the first one, being in the Mystery Chamber in the second or how about when they have the tri-wizard tournament trial in the maze form the forth one? Perfection!
Synopsis: Escape to Hogwarts with the unmissable series that has sparked a lifelong reading journey for children and families all over the world. The magic starts here. Harry Potter has never even heard of Hogwarts when the letters start dropping on the doormat at number four, Privet Drive. Addressed in green ink on yellowish parchment with a purple seal, they are swiftly confiscated by his grisly aunt and uncle. Then, on Harry’s eleventh birthday, a great beetle-eyed giant of a man called Rubeus Hagrid bursts in with some astonishing news: Harry Potter is a wizard, and he has a place at Hogwarts School of Witchcraft and Wizardry. The magic starts here!
Before Harry Potter, there was the Worst Witch. And equally fun. For some reason though I always watched the TV-series in Easter, and don’t now why. But anyway, it works year round for my part.
Synopsis: ‘Mildred Hubble was in her first year at the school. She was one of those people who always seemed be in trouble.’
Hold on to your broomstick for magical mayhem with Jill Murphy’s much-loved classic The Worst Witch- the original story of life at a magical boarding school.
Mildred Hubble is a trainee at Miss Cackle’s Academy for Witches, but she’s making an awful mess of it.
She keeps getting her spells wrong and crashing her broomstick. And when she turns Ethel, the teacher’s pet into her worst enemy, chaos ensues…
Yeah, nope! This is just. I know it’s for kids, I just…. Well, I suppose I am still recovering for the sleep I lost when I first read this book. Not again. I need my sleep. But anyway. Everything from Roald Dahl will work on Halloween.
Synopsis: Grandmamma loves to tell about witches. Real witches are the most dangerous of all living creatures on earth. There’s nothing they hate so much as children, and they work all kinds of terrifying spells to get rid of them. Her grandson listens closely to Grandmamma’s stories–but nothing can prepare him for the day he comes face-to-face with The Grand High Witch herself!
This is sort of a long one, but for the particular Halloween parts, I find that the first book were Narnia was created is a good Halloween story. It is sort of creepy and we get some origin for the witch as well as some Victorian England. I also think the Island parts in The Voyage of the Dawn Treader were they visit the different islands are good Halloween content.
Synopsis: Epic battles between good and evil, fantastic creatures, betrayals, heroic deeds, and friendships won and lost all come together in this unforgettable world, which has been enchanting readers of all ages for over sixty years.
You might have watched the anime movie, but have you read the book from the 80s? A glorious nostalgia clash with wondrous witchy vibes.
Synopsis: Nostalgic fans of the Hiyao Miyazaki film and newcomers alike–soar into the modern classic about a young witch and her clever cat that started it all! Half-witch Kiki never runs from a challenge. So when her thirteenth birthday arrives, she’s eager to follow a witch’s tradition: choose a new town to call home for one year. Brimming with confidence, Kiki flies to the seaside village of Koriko and expects that her powers will easily bring happiness to the townspeople. But gaining the trust of the locals is trickier than she expected. With her faithful, wise-cracking black cat, Jiji, by her side, Kiki forges new friendships and builds her inner strength, ultimately realizing that magic can be found in even the most ordinary places. Blending fantasy with the charm of everyday life, this enchanting new translation will inspire both new readers and dedicated fans.
An online magazine about the paranormal, haunted and macabre. We collect the ghost stories from all around the world as well as review horror and gothic media.