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The Ghost of the Deep: The Legend of Blåmannen at Blaafarveværket

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The haunting of the Blue man, or Blåmannen at the cobalt mine, Modum Blaafarveværk in Norway has been told for ages now. What truly lies inside the darkness of the mines?

Blaafarveværket was Norway’s largest mine and also Norway’s largest industrial enterprise in the first half of the 19th century and is the largest and best-preserved mining museum in Europe. Could it be that it’s also one of the most haunted ones?

Read More: Check out all ghost stories from Norway

Far inside the old cobalt mines of Blaafarveværket in Modum, a figure has been reported for nearly two centuries. The tunnels once rang with the strikes of hammers and the clatter of ore carts as workers extracted the cobalt-rich stone used to make the famous deep blue pigment. But beneath the sweat and industry lurked a story every miner knew: the warning spirit called Blåmannen.

Roger Pihl.

A Shadow in Uniform Haunting the Deep Mines

Blåmannen (The Blue Man) was said to appear wearing a miner’s uniform, his lamp burning with an uncanny, bluish glow. He never spoke. He simply showed himself before the disaster. Miners claimed he emerged from the darker shafts just moments before a collapse, his presence a silent signal to get out while there was still time. Those who saw him whispered that he looked more resigned than frightening, as if burdened with a duty he could not escape.

According to Kai Hunstadbråten’s article, “The Blue Man in the Rock at Modum“, the Blue Man is also said to have been called “Hans med knappene” (Hans with the buttons), due to the Blue Man’s uniform. Hunstadbråten also claims that the miners called one of the open pits at Nordgruvene “The Blue Man’s Mine”.

The Miner’s Demon: The element cobalt got its name from a mythical rock demon, a kind of gnome-like creature, who terrorized miners in German mines. German miners traveled to Norway in the 15th and 17th centuries to work in Norwegian mines. Agricala described, among other things, a rock demon from the silver mines of Annaberg in present-day Germany, with “wild eyes and a long neck like a horse.” This demon is said to have killed 12 miners simply by breathing on them. The German mining demons probably joined the crossing, but had difficulty gaining a foothold among the Norwegian workers. Norway had its own traditions of underground mines, plots and pits.

Another miner who claimed to have met the Blue Man was Hans Simen Røtter. He also worked in the cobalt mines in the 19th century. One story goes: 

“Once when Hans Simen Røtter was burning a log at Norsgruva […] a blue man came to him […] and asked him to go out, because the mine was not safe. But Røtter now wanted to set the fire first, and would not go. Then the blue man came back one or two more times and almost threatened him to go, and no sooner had he come out than the log collapsed.”

The Christmas Collapse of 1854

The most chilling encounter came in December 1854. Seven workers entered a narrow tunnel, unaware that the supports had grown dangerously unstable. Deep inside, Blåmannen appeared before them, striding toward them with urgency. Only when he pointed toward the exit and shoved the lead worker backward did they grasp the danger. The men fled in a panic, but the last of them was buried under the collapse. The sole survivor was the one who had been pushed away first.

It was December 13th and Christmas was coming. Miner Ole Torstensen noticed that a fox was following him on his way to the mines. This omen could mean a sudden death, but what was he to do? The boss was not going to give him the day off just because of superstition. Legend has it that several workers saw the Blue Man that day, and that birds pecking ominously at the windows of the sugar house where the workers slept. Ole Bøenstøa was also going to work that day, and perhaps he and Ole Torstensen mentioned the omens to each other as they set off down the mine shaft to work. It was so narrow that the eight workers had to walk in a single file.

When they had gone a little way in, a shadowy man suddenly came towards them. He was dressed in a blue miner’s uniform and held an oil lamp in his hand. The blue man looked at them and pointed towards the exit, which if he wanted them to turn around. But the miners didn’t stop. The blue man disappeared, but it wasn’t long before he reappeared and wanted them out. This time they couldn’t be persuaded either.

The miners were now restless. For the third and final time, the Blue Man appeared in the darkness. This time he went straight for the first worker in line and tried to push him out of the mine. They realized that this was a warning they had to heed, but by then it was too late. The mine began to collapse around them.

People outside heard the terrifying roar. The oldest miners quickly realized what had happened. A landslide! When the masses of rock had settled, they could hear the trapped workers’ desperate cries for help. They managed to pull three men alive from the landslide, but one of them died afterwards. Five men were found dead. One of them was Ole Torstensen. Ole Bøenstøa came out of the incident unharmed, even though the two were standing right next to each other when the landslide came. Was it the Blue Man who saved Bøenstøa, while the encounter with the fox made Torstensen’s fateful day?

From that day on, Blåmannen was no longer seen as a guardian spirit. He became a grim omen, a ghost tied to death and ruin whether he wished it or not.

Where Did Blåmannen Come From?

After the Napoleonic Wars, the enterprise was taken over by the private owners Benjamin Wegner and Baron Benecke with Wegner as director, and their ownership period from 1822–1848 is known as the works’ heyday, and possible when the rumours about Blåmannen emerged. 

One of the oldest written sources though, sets the emergence of Blåmannen to the late 1840s when a man retold a story in a newspaper called Buskeruds Blad from 1903, only signed O:

Mother often told me about an incident that happened at one of the Blaafarveværket’s pits at Modum in the late 1840s, when a man by the name of Røtter, who worked in the so-called Nordpit, was alerted in a miraculous way, so he avoided being crushed by the collapsing pit.

At night he was busy in one of tunnels burning “Stull”. The fire blazed bright and cast its shine through the dark Tunnels. Røtter stands with his back to the fire and warms himself, when a young man comes up to him from one of the side passages of the pits and says: “You must get out quickly”.

Røtter was amazed at the young man’s appearance, when he knew that there was not a human being besides himself in the pit that night.

He replied: “No, I cannot do that.” The figure disappears, but comes back after a few minutes and says to him: “Yes, now you must go”. Røtter then replied again: “No, I can’t; I have to take care of the fire and can’t leave my post”.

The figure disappears, but immediately comes back, goes right up to him, follows him to the ladder and says: “Now get up”.

He ran up the ladder as fast as he could, and then went into a nearby chair room and sat down on a bench. But he had hardly sat down before he heard a huge bang, and the ground shook. Right after there is another bang, more violent than the first, the door bursts open, and he thought the mine was collapsing.

Now it was quiet. He began to wonder what had happened, but did not dare to go out; he wanted to wait until morning. Then he came down to my parents and told them what had happened that night. When people came to the mine in the morning, the whole tunnel where he had been working had collapsed and were the banging sounds he had been hearing.

Who was the mysterious young man who made him leave the pit, so that his life was saved at the last moment? In the mines, as mentioned before, there was no one but himself. The figure was a handsome, young man, wearing blue clothes with a cut, which was not used around there.

When I read some pieces in your magazine about “Visions and Omens” some time ago, I thought of writing down what Mother has told me so many times.

Was it a Warning?

– O.

The Warning Still Stands

Even now, visitors to Blaafarveværket sometimes speak of a dim blue light flickering deep within the closed tunnels or the sound of footsteps pacing in shafts that have been empty for generations. Guides tell the old legend quietly, and with a gravity that suggests they believe every word.

One thing remains constant in the stories. If you ever glimpse Blåmannen standing in the dark with his lamp raised, do not hesitate.

Run.

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  • Móhúsa-Skotta and her Haunting Companions in the Cold Winter Nights
    After dying a cold winter night, a young girl died and rose as the terrifying ghost now known as Móhúsa-Skotta. Together with her companions she was said to be behind terrible accidents, and even deaths.

References:

Buskeruds Blad, fredag 25. desember 1903

Halloween spesial – Blaafarveværket

DØDENS BUDBRINGER i koboltgruvene på Modum – Issuu

Blaafarveværket – Wikipedia

Móhúsa-Skotta and her Haunting Companions in the Cold Winter Nights

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After dying a cold winter night, a young girl died and rose as the terrifying ghost now known as Móhúsa-Skotta. Together with her companions she was said to be behind terrible accidents, and even deaths.

A ghost said to have plagued Iceland for ages as well as teaming up with other ghosts to create havoc, the legend about the Móhúsa-Skotta has become one of the more well known ghosts in Iceland. 

Read more: Check out all ghost stories from Iceland

Móhús is a small farm in the Stokkseyri district of Eyrarbakki on the south coast of Iceland. Jón ríki Þórðarson (Jón the rich) lived close to the small fishing village. He was famous in the South for his wealth in the late 18th century, and also being the target for the haunting said to be going on in the neighborhood. 

When Jón was young, he was very poor, but grew incredibly rich with little money when he managed to buy land at a very low price only a year after coming to Stokkseyri. Because of how quickly he went from rags to riches, people started to think he had made a deal with the devil to get rich and there is a completely separate legend about some magical pants made of human skin that gave him the money.

But let’s focus on the night the haunting started. Jón first lived in Refstokkur near Ferjunes (Óseyrarnes). At the time when the story was written down in the 19th century, it was deserted. 

One night, a young girl came to him and asked for a place to stay the night. No one knows who she was, where she came from or where she was going. The wind was howling, the night was black and she was both hungry and cold. Jón turned her away and she had to spend the night outside in the cold. She died this night, but although her mortal life was ending, another haunted one was just about to start. After her death, she walked back to Jón’s house and followed him for a long time as a ghost haunting him known as Móhúsa-Skotta.

Female Icelandic Ghosts

One of the popular names for the female ghosts was Skotta that really means to dangle, like hair or a tail. This comes from the traditional Icelandic headwear women wore together with the Faldbúningur dresses worn since the 17th century. Except the ghosts are said to have the headgear on backwards so it streams behind her like a tail. 

The Skotta Ghost: Icelandic woman in the 18th century faldbúningur with the spaðafaldur cap that the Skotta often are described wearing.

Skotta falls under the Old Norse Mythology of a Fylgja, that were supernatural spirits that followed or latched onto people. They could be animals, they could be goddesses or come in dreams. 

But the tales of the Fylga evolved and when we read about Skotta, they were not like totem animals or someone coming with your prophecy like in the old sagas. Icelandic ghosts are often described as being not like apparitions, but in real flesh that interacted with the living. And when we read about Skotta, the female version, she was highly dangerous and also deadly.

Icelandic Ghosts and Ghouls: Fylgja or the draugr ghosts attached themselves to people that they haunted. They could also attach themselves to buildings or even entire towns. Many stories also talk about it being a generational haunting where the ghost decides to haunt all of the descendants of the original person it cursed. Most often the female line of the family. // An illustration to the Icelandic legend of the Skeleton in Hólar Church (Beinagrindin í Hólakirkju). From Icelandic Legends : Collected by Jón Arnason, illustrated by Jules Worms.

The Ghost that Followed

She was called Móhúsa-Skotta because of the place where she haunted, and spent her time tormenting him and playing tricks on him as revenge. After Jón moved west to Móhús, she spoiled everything for him as much as she could and killed livestock both for him and others right in front of him. 

She was so close to him that she gnawed apart one by one the socks on his hamstrings and the laces of his shoes, and it was to such an extent that even though he put on new socks in the morning, they were in pieces by evening. 

At the same time, Jón only wore short ties or strings around his neck as it was said that he did it so that Móhúsa-Skotta would be less likely to strangle him because she would grab the string, not his throat.

It was also attributed to Móhúsa-Skotta that she had made a man go insane in broad daylight in Ranakoti in Stokkseyri. He was found dead and strangled there in a well nearby. Still, they thought of her as tolerable until she teamed up with Sels-Móri, another local ghost that was sort of said to have been her husband.

The Sels-Móri Teams upp with Skotta

In Eyrarbakki in Árnessýsla there is a ghost called Sels-Móri.A Móri is a male ghost in Iceland. When a male is raised from the dead for such a purpose like vengeance, he is not called a ghost, but a Móri. Often the term Fylgja ghost was used interchangeably with the Draug ghost. The female version of this vengeful ghost was called Skotta. Móri means rust brown in Icelandic and the ghosts were named so because of the color of their clothes.

A man named Einar lived in Borg in Hraunshverfi in the late 18th century. He used to give shelter to boys who had come wandering like many other people at that time from the east of Skaftafellsýsla after the Skaftá Fire raged there. This is a multi-year eruption of the volcanic system that began on June 8, 1783. 

It was winter, but when one of the boys asked for lodging, Einar turned him away, just as Jon had once done to the little girl. The boy was both hungry and poorly clothed and stayed outside during the winter night not far from Borg. The next morning he was found dead in a pond or ravine called Skersflóð. 

Although the boy was properly buried, it gradually became clear that he followed Einar and his descendants. It is said in particular that he followed Þuríð and Salgerði, Einar’s sisters’ daughters who lived in Efraseli for a long time. Because he was there the longest, he is called Sels-Móri. 

Read More: Sels-Móri in this story has the same name as another unfortunate soul who ended up haunting for generations. Check out The Sels-Móri or Ghost of Þorgarður Haunting for Generations for the whole story.

Who became a ghost first is uncertain, but when they found each other and teamed up, havoc and unrest ensued. It is not mentioned that he killed any men while he was alone in the heat before he came to the throne of Móhúsa-Skotta as mentioned earlier. 

Sels-Móri and Móhúsa-Skotta Takes Tomas With Them

One winter a man named Tómás in Norðurkot on Eyrarbakki went east to Stokkseyri for Christmas. For the feast he bought smoked meat and by nightfall he was heading home, but stopped somewhere along the way for some reason. 

The next morning he was found dead, dismembered, blue and bloody. He was found in Arnhólma, not far from where Sels-Móri had originally died from exposure. Because he was found ripped to pieces, all blue and bloody, the villagers thought that Sels-Móri and Móhúsa-Skotta had made up their minds to make him like them. 

After that, people saw the three ghosts traveling where before there were only the two, Sels-Móri and Móhúsa-Skotta, and people believed that Tómás had become their third companion. People of Stokkseyri never wanted to go out after twilight in fear of encountering one of the three ghosts that were tormenting the living. Besides, no one wanted to become the fourth ghost. 

Móhúsa-Jón felt the need to intervene in this as far as Móhúsa-Skotta was concerned, who was always considered the worst of the three and was haunting the place because of his actions. He had to get rid of them somehow. 

The Exorcism of the Ghosts

That winter Móhúsa-Jón wrote to Jón Magnússon who worked as a farmer at Þykkvabæjarklaustri, a 10th century cloister. The monastery, which was of the Augustinian order, survived until the Reformation and was long wealthy and influential.

Although the monastery was closed off for centuries already, Jón Magnússon tended the land and knew a thing or two about these kinds of hauntings and how to get rid of them. He was offered thirty government rigsdaler to come from the farm at Eyrarbakki and end the haunting. 

Móhúsa-Jón paid him half of the prize in advance when he arrived and Jón Magnússon set out to vanquish the ghosts. During that trip, it is believed that Cloister-Jón managed to destroy or exorcize Móhúsa-Skotta and Tómási, because they were never seen on Eyrarbakki after that. 

However, some say that Cloister-Jón took Móhúsa-Skotta east with him, and she almost drowned him and all the crew members who at that time were being transported across the Þjórsá on the Sandhóla ferry. But Cloister-Jón claimed that Móhúsa-Skotta really had been eradicated during his mission. 

But he didn’t manage to do anything about Sels-Móri and because of this, Móhúsa-Jón did not initially want to pay him the remaining half of the salary. According to Cloister-Jón, Sels-Móri was nowhere to be found and that his good name should be enough to believe his words. Móhúsa-Jón didn’t care about all of it anymore, or at least wanted it all over and paid him, although they parted with it no more than contentedly and never reconciled.

But what happened with Sels-Móri? There are those that say that he didn’t get cleansed from the earth and people say that he is alone wandering around Bakkann, howling in the cold wind that killed him, knocking on doors, asking if anyone is willing to let him in. .

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References:

Móhúsa-Skotta – An Icelandic Ghost Story | Your Friend in Reykjavik 

https://cleasby-vigfusson-dictionary.vercel.app/word/skotta

Íslenzkar þjóðsögur og æfintýri/Draugasögur/Móhúsa-Skotta – Wikiheimild

Íslenzkar þjóðsögur og æfintýri/Draugasögur/Sels-Móri – Wikiheimild 

The Haunting of the Frick Stairs: Bern’s Processions of Death and Ghosts of Murderesses

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There is not a single ghost story about the Frick Stairs in Bern, there is a plethora. Tales of women murdering their children and horrible funeral processions that left the spectators in shock is said to have walked up and down the steps for centuries. 

Between the Matte district and the cathedral heights, the old and wooden Frick Stairs in Bern appear to be nothing more than another steep passageway of stone steps, worn by centuries of footsteps. By day, they are ordinary, a shortcut for locals overlooking the Aare River coming down to the river from Münsterplatz. But when the city quiets and the cathedral clock strikes midnight, the stairs reveal their darker legacy. 

Read More: Check out all ghost stories from Switzerland

Where Munsterplatz turns into Herrengasse, at number 1, is the Fricktreppe, a covered wooden staircase, connecting the upper town with the Matte district. The staircase, with its 183 wooden steps, dates back to the 14th century. Ghostly processions, murdered children, and restless spirits are said to haunt this narrow stairway, where Bern’s sins of cruelty and bloodshed play out again and again.

Source

The Funeral Procession of the Mutilated

Perhaps the most told ghost stories from these particular stairs is about The Restless Spirit of Hans Franz Nägeli, so check out the legend about him and who he was in life. He is certainly not the only ghost said to linger on the steps however, although the others remain nameless and largely forgotten. . 

One of the most chilling stories tells of a laundress returning home at midnight after a shift of ironing. As she climbed the Frick Stairs, she was suddenly surrounded by a silent funeral procession. A policeman led the way, followed by six bearers carrying a black coffin. Behind them came four children with horribly mutilated heads, and then followed an endless line of what she described as twisted dwarves and cripples, limping and staggering forward in silence. 

The parade of the grotesque seemed to go on forever, filling the stairway with a suffocating terror. The laundress let out a scream and collapsed, later falling into a fever that consumed her for months. And although there are stories about strange funeral processions that have been seen around Bern, this certainly 

The Woman With the Severed Head

Another tale tells of a poor musician making his way down the stairs at midnight on his way to his lodgings. There, he encountered a young woman in peasant dress, but her head was gone. Instead, she carried it tucked beneath her arm, while bats whirled and screeched in the bloody space where her head should have been. Horrified, the musician fled to an inn in the Matte and told his story. A story that was according to these sources, a well known one for the locals. 

They told him that the woman was the ghost of an executed murderess who was convicted of infanticide, condemned to roam forever with the souls of her slain children, who took the form of bats. But as the story would have it, she was apparently not the only woman haunting the stairs because of murdering children. 

Source

The Woman in White Murdering her Child

On other nights, witnesses have reported seeing a pale, slender woman in white, drifting up the steps with a child by her hand. Both child and mother are said to wear dresses trailing behind them. Could this be the same woman said to wander the stairs with her head under her arms? The two stories have certainly the same reason for the haunting. 

The two move in silence, the hems of their long dresses brushing the stone. They vanish through a doorway in the old monastery wall, but just before disappearing, the woman stops. She turns to her child, gazes at it for a long, dreadful moment, and then twists the child’s head until it snaps. A scream echoes through the night, followed by silence. When horrified onlookers rush to the spot, nothing remains. 

Some claim the woman was the disgraced daughter of a nobleman, cursed to reenact her unspeakable crime for eternity. Could there be two separate ghosts accused of infacide? Or is it the root of the haunting based on the same horrible tragedy? Truth will perhaps never be known completely, and all we have to speculate on are stories and rumors. 

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    Buried in the mounds of the Icelandic landscape, a murdered shepherd came back from the dead as a Draugr or perhaps a Haugbúi ghost to haunt the people living at Finnbogastaðir farm.
  • Kindlifresserbrunnen and the Ghosts of the Discarded Children Beneath Bern
    Around the terrifying statue of the Kindlifressenbrunnen devouring children, young ghosts are said to haunt like a misty night. Said to be the unwanted babies taken out of the city through the underground tunnels, they return to the scene of the crime.
  • The Ghost of the Deep: The Legend of Blåmannen at Blaafarveværket
    The haunting of the Blue man, or Blåmannen at the cobalt mine, Blaafarveværket in Norway has been told for ages now. What truly lies inside the darkness of the mines?
  • Móhúsa-Skotta and her Haunting Companions in the Cold Winter Nights
    After dying a cold winter night, a young girl died and rose as the terrifying ghost now known as Móhúsa-Skotta. Together with her companions she was said to be behind terrible accidents, and even deaths.

References:

https://www.maerchenstiftung.ch/maerchendatenbank/11865/ein-schauerlicher-leichenzug

https://www.maerchenstiftung.ch/maerchendatenbank/11490/ein-leichenzug

P. Keckeis, M. Waibel, Legends of Switzerland. Bern, Zurich 1986.

Hedwig Correvon, Ghost Stories from Bern, Langnau 1919

Skinnpilsa Haunting Miklabær

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The deep and northern valley and fjords of Skagafjörður is said to have been haunted by more than one ghost. One of them was called Skinnpilsa and was sent to torment a man after he broke a promise. 

Hallur, the father of Dean Jón Hallsson of Miklabær, lived for a long time at Geldingaholt farm in Skagafjörður, a deep fjord and valley at the north of Iceland. The Sturlunga Saga mentions a bloody battle there in 1255 during the power struggle between the alliances of the chieftains of the country, which led to the loss of independence in 1262. The place is said to be haunted, perhaps even to this day by a female ghost called Skinnpilsa. 

Read more: Check out all ghost stories from Iceland

He had earlier been betrothed to a young woman in the West, but broke his promise to her. Because of this, her relatives sent Hallur a female ghost. She wore red stockings and a leather skirt, and for that reason she was called Skinnpilsa (“Leather-Skirt”).

Fylgur/Fylgja: The Old Norse Ghost

There were many different types of ghosts in Norse mythology and that the vikings believed in. One of them was the Fylgjur or Fylgja ghost, or Attending Spirits that we can find traces back in Iceland since the 12th century. These were originally a ghost of a very physical substance that interacted with the real world as if they were a part of it still. 

Read Also: Check out the Irish Fetch ghost, that has a huge resemblance to the norse Fylgja. 

Fylgja attached themselves to people that they haunted. They could also attach themselves to buildings or even entire towns. Many stories also talk about it being a generational haunting where the ghost decides to haunt all of the descendants of the original person it cursed. Most often the female line of the family. Perhaps because of its origin as a female spirit. 

Icelandic Ghosts and Ghouls: Fylgja or the draugr ghosts attached themselves to people that they haunted. They could also attach themselves to buildings or even entire towns. Many stories also talk about it being a generational haunting where the ghost decides to haunt all of the descendants of the original person it cursed. Most often the female line of the family. // An illustration to the Icelandic legend of the Skeleton in Hólar Church (Beinagrindin í Hólakirkju). From Icelandic Legends : Collected by Jón Arnason, illustrated by Jules Worms.

In the Fylgjur stories from the middle ages, the spirits could be a beneficial one, almost like a messenger to help with the person’s path of life, some sort of totem animal or guiding spirit. But when the folklorist of Iceland started collecting old oral tales from farmers in the 17th century, the Fylgjur ghosts had drastically changed from its pagan old norse roots, throughout time, religious belief and superstition. 

One thing that really changed was the Fylgjur’s purpose of haunting the living, and it was rarely to be of any help. Many stories talk about how they were wronged and it caused their death. They then came back to take revenge and were dangerous, even deadly. 

Female Icelandic Ghosts

One of the popular names for the female ghosts was Skotta that really means to dangle, like hair or a tail. This comes from the traditional Icelandic headwear women wore together with the Faldbúningur dresses worn since the 17th century. Except the ghosts are said to have the headgear on backwards so it streams behind her like a tail. 

The Skotta Ghost: Icelandic woman in the 18th century faldbúningur with the spaðafaldur cap that the Skotta often are described wearing.

Skotta falls under the Old Norse Mythology of a Fylgja, that were supernatural spirits that followed or latched onto people. They could be animals, they could be goddesses or come in dreams. 

But the tales of the Fylga evolved and when we read about Skotta, they were not like totem animals or someone coming with your prophecy like in the old sagas. Icelandic ghosts are often described as being not like apparitions, but in real flesh that interacted with the living. And when we read about Skotta, the female version, she was highly dangerous and also deadly.

The Haunting of Skinnpilsa

She roamed widely through Skagafjörður, but had her main dwelling place at Geldingaholt, where she tormented Hallur badly night and day, and no one was able to get rid of her. That is also the main reason she was named after the place Hallur was from, and not where she mainly haunted like most other Skotta’s

Read Also: Another ghost story set in Miklabær, Skagafjörður and named after the place is The Tragic Tale of Miklabæjar-Solveig

She also haunted his people working for him and especially one girl had it worse. She came to her mostly in dreams though. Once she told her that she wanted to see the poet Níels but that it would not be easy because she was afraid of him. The girl said that she could see him somewhere where he could not see her.

Then Níels, who was called “the poet,” undertook a journey and visited Hallur at Geldingaholt. There isn’t really much information about who this poet actually was, or if he actually existed though. 

He stayed there three nights without any sign of her. On the fourth evening, around sunset, Níels sat opposite the entrance to the main room and saw Skinnpilsa come into the passage. He began to recite verses, and Skinnpilsa slipped into the wall, with Níels following after her. No one ever knew how that struggle ended, but Níels returned, and Skinnpilsa was never seen again.

Some say that the poet managed to place her in a pit below the farm, but it has been haunted ever since.

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    Buried in the mounds of the Icelandic landscape, a murdered shepherd came back from the dead as a Draugr or perhaps a Haugbúi ghost to haunt the people living at Finnbogastaðir farm.
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References:

Ísmús | Skinnpilsa

Skinnpilsa II

Geldingaholt – Wikipedia

GELDINGAHOLT – NAT

The Restless Spirit of Hans Franz Nägeli: The Ghost of the Fricktreppe

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An old staircase in Bern, Switzerland is said to hold an old legend. Hans Franz Nägeli, a former leader of the city is said to haunt the Fricktreppe in the Old Town, appearing to those calling out his name thrice. 

High above the winding banks of the Aare River, in the heart of Bern’s storied Old Town, stands the Fricktreppe, a picturesque, covered wooden staircase that leads from Münsterplatz down to the river’s edge. 

Read more: Check out all ghost stories from Switzerland

Hidden among the cobbled streets and steep medieval passageways, the Frick Staircase feels like a place suspended in time. And for some in Bern, the stairs are reportedly haunted by one of the city’s most infamous spirits: the ghost of former city leader, Hans Franz Nägeli.

Source

A Mayor, a Warrior, a Tormented Soul

Hans Franz Nägeli was born around 1497 and rose to great prominence as a military commander and politician. His most famous accomplishment was the 1536 conquest of Vaud, expanding Bernese territory deep into French-speaking lands. But despite his victories and public service, something seems to have followed him beyond the grave.

Hans Franz Nägeli: (c. 1497 – 9 January 1579) was a Swiss politician, military leader and diplomat who was a prominent force in Bern for four decades. He was the Schultheiß, or the chief magistrate, of Bern from 1540 to 1568.

When Nägeli died in 1579, his name was already legendary. Yet, in the centuries that followed, whispers began to spread that his spirit never found rest. Locals say that Nägeli, once a man of power and control, is now a restless presence wandering the Fricktreppe where his soul is said to still be bound to the city he ruled and fought for. 

The Haunted Fricktreppe

Where Munsterplatz turns into Herrengasse, at number 1, is the Fricktreppe, a covered wooden staircase, connecting the upper town with the Matte district. The staircase, with its 183 wooden steps, dates back to the 14th century.

Though the Fricktreppe is charming by day with its covered wooden roof, age-worn steps, and atmospheric views of the river below, it takes on an entirely different air at night. The creaking boards, the rustle of wind through ancient timbers, and the eerie silence of the Aare below all contribute to a deep sense of unease. Locals have reported feeling watched when passing through after dark, and a few even claim to have heard boots pacing steadily above them, echoing down through centuries.

As the legend goes, Nägeli’s ghost appears to those bold enough to summon him. According to an old urban legend passed through generations of Bernese youth, if you stand at the base of the Fricktreppe at precisely midnight and call out “Vater Nägeli” three times, the mayor’s spirit will descend the stairs from the top, cloaked in darkness.

A story tells of two women who were in great need once, desperate to try anything. As they had heard, they called out his name three times to ask for help. Suddenly, a wall opened, and a tall, bright figure stepped out of it. “What do you want?” asked a grumpy voice. Then one of the women summoned all her courage and told the man about their shared misfortune. “Just go home,” the voice replied. But as the women looked, they saw that the figure became darker and darker and finally disappeared completely.

When the women returned to their rooms, a bright light burned on the table. A pile of gold lay beside it, along with a large loaf of bread. And although the women took some of the gold every day, some of the pile still remained.

The Ghost of Hans Franz Nägeli

This ritual has become a rite of passage for daring locals. Young boys, in particular, are said to try their luck by shouting the ghost’s name after the witching hour. Some do it for fun, others to impress their friends—but few are prepared for what might actually happen.

Witnesses have claimed to see a tall, stern figure in 16th-century attire appear at the top of the stairs. Even more chilling are the tales of those who say they felt an invisible hand strike them—slapped by the ghostly mayor himself for mocking his name. It’s said that Nägeli will only tolerate respectful summoning; those who jeer or tease may find themselves with a bruised cheek or a shaken spirit.

The Treasure Underground

The city’s underground passages conceal a treasure; everyone knows that. But not everyone knows that Father Nägeli can give the key that leads to it. Near the Münzgraben, the passage leads deep, deep underground, and after feeling your way along its walls for a while, you notice a small, bluish light in the distance. You approach the light – and suddenly a larger-than-life, snarling dog blocks your way. If you know the password, it lets you through. And if you are allowed to continue on your way, you come to a gate through which a light-filled room sends a sea of rays out into the dark passage.

Source

Once you’ve become accustomed to the intense light, you’ll see three sacks on the floor of the crypt. From these, you must take a handful of earth and then leave the place immediately. Woe to those who cannot pause in silence or cannot bring themselves to look back once more. The earth turns to ash in their hands. But whoever leaves the corridor as he was commanded will hold bright gold in both hands at the exit.

Other Ghosts Haunting the Stairs and Street

The ghost of Hans Franz Nägeli is certainly not the only ghost said to haunt the area. From time to time, at midnight, an old man walks from the Frick stairs toward Junkerngasse. Some claim he walks on goat’s feet, others say he has no feet at all. On his way, however, he moans and complains loudly: “Put shoes on every dead man’s feet in the grave.”

Perhaps this story has a connection with the ghost of the butcher apprentice said to haunt Rathausgate after being cursed. 

Read the whole story: The Cursed Butcher Apprentice Haunting Rathausgasse in Bern  

Others claim to see a young woman wandering around. She died in childbirth, they say, and now has to search for her child again and again because no one had put shoes on her in the grave.

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    The haunting of the Blue man, or Blåmannen at the cobalt mine, Blaafarveværket in Norway has been told for ages now. What truly lies inside the darkness of the mines?
  • Móhúsa-Skotta and her Haunting Companions in the Cold Winter Nights
    After dying a cold winter night, a young girl died and rose as the terrifying ghost now known as Móhúsa-Skotta. Together with her companions she was said to be behind terrible accidents, and even deaths.

References:

Geisterstadt Bern – SWI swissinfo.ch 

Diese Geister spuken durch die Gassen und Häuser der Stadt 

Greeley Daily Tribune from Greeley, Colorado – Newspapers.com™ 

Hans Franz Nägeli – Wikipedia

Die Fricktreppe – Historisches Bern

Von Vater Nägeli | Märchenstiftung

https://www.maerchenstiftung.ch/maerchendatenbank/11830/schuhe-ins-grab

https://www.maerchenstiftung.ch/maerchendatenbank/11883/der-unterirdische-schatz

The Blue Room’s Lament The Haunted Legend of Hotel Union Øye

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Left by her lover, the ghost of a maid who once worked at the Hotel Union Øye in Norway is said to be lingering inside of the Blue Room. Is she still staying there?

Hotel Union Øye beside the still waters of Norangsfjorden in Sunnmøre, is known as one of Norway’s most breathtaking historic hotels. Could it be that it is also one of the most haunted ones?

In 1887, Christian Thams, a Norwegian architect, industrialist and diplomat, experienced a violent earthquake that shook the Italian and French Rivieras where he lived, claiming 600 lives, mainly due to the collapse of mortar and brick buildings. He believed that such a tragedy would have been prevented if the building tradition of Norway, with its half-timbered houses. This would eventually lead him home to Norway and build the Hotel Union Øye.

Read More: Check out all ghost stories from Norway

This way and in this tradition, the hotel opened its door in 1891 with its 38 rooms, all named after their famous guests that would end up staying there, from Emperor William, King Oscar, Queen Maud and Princess Victoria. There were also authors like Karen Blixen, Knut Hamsun, Henrik Ibsen and Sir Arthur Conan Doyle; composer Edvard Grieg, mountain pioneers William Cecil Slingsby and Kristoffer Randers and polar explorer Roald Amundsen.

Source

But one room is not named after its famous guest, but rather for its haunting story. Sometimes you can apparently hear the footsteps wandering at night, a chill that slips along the halls and the unmistakable sound of quiet sobbing drifting from a single, timeworn chamber known as the Blue Room. 

A Forbidden Love at the Edge of the Fjord

Near the end of the 1800s, Hotel Union Øye was a retreat for Europe’s elite. Its guestbook carried the names of kings, artists and adventurers. Among its most frequent visitors was Kaiser Wilhelm II, who often traveled with a retinue of officers. Every other year from 1890 to 1908, he holidayed as a guest at the hotel with his entourage. One of these men, a young German count, became the center of a secret affection that would leave a permanent shadow on the hotel.

Linda, a Norwegian maid working at Øye, was known for her warm nature and quiet charm. The officer, Philip von Moltke from Dortmund, Germany, was trapped in a loveless arranged marriage, found in her a kindness and sincerity he had never known at home. Their meetings were discreet, hidden from the eyes of the aristocratic circle surrounding him. When he visited Øye, they stayed together in the Blue Room, a chamber with deep sapphire walls and heavy antique furnishings that seemed to seal them away from the world beyond the fjord.

The love between them grew, but so did the tension around their affair. The count sought a divorce, desperate to free himself and build a life with Linda. He gave her a brooch and a wedding ring before he left. His request was denied, coming from a catholic family. Bound by duty, honor and the rigid expectations of his rank as well as the risk of being banished, he saw no escape. In a moment of despair, he took his own life, leaving Linda shattered. Some say that he jumped off the boat coming back to Norway. 

Her grief was unbearable. Wearing a bridal gown and a crown of flowers meant for a wedding that would never come, she walked into the waters of the fjord and drowned, in 1901, according to some sources.. Some say she waded out into the cold waters to join him in his death, some say that she had lost his brooch gifted to her in the river and that she was looking along the riverbank to find it. 

The Lady in the Blue Room

Since that night, guests who stay in the Blue Room in room nr. 7, often speak of strange happenings and that they are both haunting the area around the Blue Room. The most common report is the sound of a woman crying softly in the darkness. Some say the weeping drifts through the walls as if someone is sitting beside the bed, shoulders shaking with sorrow. Others hear footsteps pacing the floorboards, slow and restless, pausing near the window that overlooks the fjord.

Read More: Check out all ghost stories from haunted hotels

A few visitors claim to have seen the faint outline of a woman in a white gown standing at the foot of the bed. She is described as delicate, her face partially hidden by hair damp and tangled, as if she has just stepped out of the cold fjord. She never approaches. She only fades when the witness blinks or looks away.

Hotel staff speak of sudden pockets of cold air in the Blue Room, even during the warmest summer nights. Objects are sometimes found moved from where they were placed, and the heavy door has been known to creak open by itself. Those who experience these disturbances describe an overwhelming sense of sorrow rather than fear, as if Linda’s grief saturates the very walls.

A Haunting That Became Legend

The story of Linda and the count has become part of the identity of Hotel Union Øye. Some visitors come hoping to glimpse the Blue Room’s restless spirit. Others avoid it entirely. The owners do not shy away from the tale and claim that Linda was in fact a real person, although the details of the story are less certain. Phillip von Moltke on the other hand, is a plausible, but uncertain element. 

It is true that the Moltke family was European nobility in Germany, Prussia and Scandinavia, and made into counts in 1868 by King William 1. Curiously though, the closest friends of Kaiser Wilhelm II were Prince Philip von Eulenburg and General Moltke, involved in the Eulenburg scandal about homosexual affairs within the Kaiser’s closest circle. So if there ever was an officer von Moltke who had an affair with a maid in Norway, there is little to no evidence of it found. 

Source

They preserve the room exactly as it has been described for more than a century, honoring the tragic love that took place within it.

In the reception, a bowl of garlic is placed for the guests staying in the Blue Room they can bring to the room. Placing it inside will keep the ghost away, so you will have a good night’s sleep. If you want something more happening throughout the night, you place the bowl outside the door. 

Despite its haunting reputation, the hotel is not known for malevolent spirits. According to an article, there has only been one cancellation when people have heard about the haunted rumours. The haunting of the Blue Room is quiet, mournful and deeply human. It is the echo of a promise that could never be fulfilled, preserved in the heavy silence of the fjord and the deep blue walls of the room where two lovers once found a fleeting happiness.

Guests leave Hotel Union Øye with memories of grandeur, mountain shadows and still waters. Some leave with more. They speak of tears that were not their own, the faint scent of wet flowers, or the unsettling certainty that someone unseen sat beside them in the dark.

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  • Móhúsa-Skotta and her Haunting Companions in the Cold Winter Nights
    After dying a cold winter night, a young girl died and rose as the terrifying ghost now known as Móhúsa-Skotta. Together with her companions she was said to be behind terrible accidents, and even deaths.

References:

https://www.unionoye.no/no/hotellet/?gad_source=1&gad_campaignid=23046816155&gbraid=0AAAAADeWuny510Elimp6MbDkZox2IlNrq&gclid=CjwKCAiAxc_JBhA2EiwAFVs7XNZhAeuBCWFT9yJCokGesPRGskVkFP5VUw2YthAPBhZsXCbZRUv9CxoClVUQAvD_BwE

Det uforklarlige

Spøkelset på Union Øye

Moltke family – Wikipedia

The Hörghóll-Móri Raised from the Dead to Kill

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A particular violent ghost from Icelandic ghost stories was called The Hörghóll-Móri. Once a drowned man, he was raised from the dead to be sent on a revenge mission to kill a certain farmer. And legend goes, he didn’t stop until he succeeded. 

A man named Jón, son of Símon, lived at Hörghóll in Vesturhóp village. He had a son named Kristján, who was a grown man when this story took place. The hill called Hörghóll can translate into “shrine hillside” and might have been a place of worship for the pagans. In any case it became the location for a violent haunting some centuries ago. 

Read more: Check out all ghost stories from Iceland

One summer Jón the farmer hired a laborer from west of the glacier, named Ívar, and paid him his wages in the autumn. The laborer thought the pay was meager and poorly handled, but there was no changing it. The next winter, Jón’s son Kristján went fishing under the glacier and stayed at the same farm where Ívar was living. One winter’s day, Kristján’s mittens disappeared and could not be found despite much searching. Kristján accused Ívar of causing their disappearance and struck him hard across the face. Ívar took it seemingly calmly and said, “It will be bad for you if I neither repay that blow nor the wages.”

Vesturhópsvatn: Source

In spring Kristján returned home to Hörghóll and stayed with his father the following winter unaware of the plans Ívar had put in motion. Early that winter, many boats were lost under the bay by the glacier and many lost their lives. One day Ívar was walking by the sea where he found a drowned man washed ashore. Some say that the man was only half dead

He cut off one of the man’s arms and raised the dead man back as a revenant, as a Móri. He commanded him to go north to Hörghóll. “What am I to do there?” asked the revenant. “Kill the farmer’s son Kristján and give no one peace at the farm,” said Ívar. Then the ghost vanished and went to follow his new master’s command.

The Undead in Icelandic Folklore

A Móri is a male ghost in Iceland. When a male is raised from the dead for such a purpose like vengeance, he is not called a fylgja or draugr ghost, but a Móri. Often the term Fylgja ghost was used interchangeably with the Draug ghost. The female version of this vengeful ghost was called Skotta. Móri means rust brown in Icelandic and the ghosts were named so because of the color of their clothes.

Icelandic Ghosts and Ghouls: Fylgja or the draugr ghosts attached themselves to people that they haunted. They could also attach themselves to buildings or even entire towns. Many stories also talk about it being a generational haunting where the ghost decides to haunt all of the descendants of the original person it cursed. Most often the female line of the family. // An illustration to the Icelandic legend of the Skeleton in Hólar Church (Beinagrindin í Hólakirkju). From Icelandic Legends : Collected by Jón Arnason, illustrated by Jules Worms.

That evening the ghost came north to Hörghóll, where the lamps were lit. Kristján sat on a bed opposite the entrance to the living room, eating his evening meal from a wooden bowl. They heard something climbing onto the roof outside. Suddenly, Kristján hurled his bowl away and collapsed onto the floor, and all the lamps went out. They tried to relight them with tinder with a wax candle, and succeeded; this time the light held and they saw the horror before them. 

A brownish boy crouched over Kristján as he lay on the floor, but he had only one arm. The ghost glared at the light with dreadful eyes and drew back when the people approached. Kristján then leapt to his feet in a frenzy. An old woman at the farm, named Vigdís, was able to stop him from going after him. Kristján now told about his quarrel with Ívar the winter before, and said Ívar must have sent this haunting against him.

The Hörghóll-Móri Haunting Kristján

At Böðvarshólar, the next farm over, lived a farmer known as a wise man, as many were in those days. Kristján was sent there to be kept safe from the ghost. While he stayed with that farmer, the ghost could not touch him for some reason. 

But then the ghost began wreaking havoc back at Hörghóll, killing livestock and spoiling food. The vengeful ghost rampaged openly through the farm and grew so malicious that everyone fled except the old woman Vigdís. She said she would not bother fleeing from such “dust” and the ghost didn’t harm her. She tended the cows and they were left alone, but other farmers had to care for the sheep, and the ghost preyed upon them. This lasted until the days grew longer and the nights lighter, at which time the sheep-killing ceased.

Now the people sought advice from the priest at Breiðabólstaður about what to do. The priest advised that everyone return home at Easter; he himself would come then and hold household devotions to see how matters stood. 

Fighting the The Hörghóll-Móri

On Easter Monday the people returned, and the priest came, bringing with him the farmer from Böðvarshólar. The priest began to read, but when he finished the gospel, the ghost attacked the house so furiously that the beams creaked. The priest stopped reading, and he and the farmer from Böðvarshólar went outside. They saw the ghost moving about; he avoided them and drew back. 

They pursued him up to the ridge above the farm, called Kjölur. There they caught him and wrestled with him for a while. They could not subdue him entirely, but after that he was much diminished and did no harm, so that people could live at the farm again.

Kjölur: Source

It is also said that the The Hörghóll-Móri weakened after his encounter with a man called Þórður the Strong at Bjarnastaðir. It is said that they fought all night and tore apart a new bridge. Þórður could not get a hold of The Hörghóll-Móri anywhere because he was most like a tangled woolen fleece. Þórður was never the same after that.

Kristján, the farmer’s son, returned home and lived there many years, married, and took over Hörghóll after his father. He could never be left alone, for the ghost always pursued him. Once he was alone on a journey and was later found dead on Vesturhópsvatn, the lake near Hörghóll. 

People attributed his death to the power of the ghost. Since then, the ghost has harmed no one, though people have often thought they saw him, and those from Hörghóll have often been troubled. 

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References:

Íslenzkar þjóðsögur og æfintýri/Draugasögur/Hörghóls-Móri (2) – Wikiheimild

https://ismus.is/tjodfraedi/sagnir_aevintyri/1223

The Eyjafjörður Skotta Sent to Torture the Women of the Fjord

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After insulting some Dutch fishermen, a ghost was sent to torture the local women in Eyjafjörður in Iceland. For a long time, The Eyjafjörður Skotta was said to have been behind several deaths of both cattle and people. 

Along the longest fjord in Iceland, all the way north, there was a ghost that got her named from the place she was roaming. Her name was Eyjafjörður-Skotta.

Read more: Check out all ghost stories from Iceland

It is said that some Dutchmen came ashore at Vöðluþing by the fjord. German, Dutch and French traders became more prominent in the mid-17th century for fishing business. The Dutchmen were, according to the stories, very bold and went after the local women. Something that the women themselves did not care for at all. One of the women then mocked them with gestures and possibly some curses, which angered them greatly and made them want revenge. 

When they later returned overseas, they purchased from a sorcerer the sending of a female ghost to Iceland. According to the story this happened in the Netherlands, however, the way it went about in the stories is very quintessentially an Icelandic haunting where they raise someone from the dead to send on a revenge mission. This is where the Skotta ghost comes in. 

Fylgur/Fylgja: The Old Norse Ghost

There were many different types of ghosts in Norse mythology and that the vikings believed in. One of them was the Fylgjur or Fylgja ghost, or Attending Spirits that we can find traces back in Iceland since the 12th century. These were originally a ghost of a very physical substance that interacted with the real world as if they were a part of it still. 

Read Also: Check out the Irish Fetch ghost, that has a huge resemblance to the norse Fylgja. 

Fylgja attached themselves to people that they haunted. They could also attach themselves to buildings or even entire towns. Many stories also talk about it being a generational haunting where the ghost decides to haunt all of the descendants of the original person it cursed. Most often the female line of the family. Perhaps because of its origin as a female spirit. 

Icelandic Ghosts and Ghouls: Fylgja or the draugr ghosts attached themselves to people that they haunted. They could also attach themselves to buildings or even entire towns. Many stories also talk about it being a generational haunting where the ghost decides to haunt all of the descendants of the original person it cursed. Most often the female line of the family. // An illustration to the Icelandic legend of the Skeleton in Hólar Church (Beinagrindin í Hólakirkju). From Icelandic Legends : Collected by Jón Arnason, illustrated by Jules Worms.

In the Fylgjur stories from the middle ages, the spirits could be a beneficial one, almost like a messenger to help with the person’s path of life, some sort of totem animal or guiding spirit. But when the folklorist of Iceland started collecting old oral tales from farmers in the 17th century, the Fylgjur ghosts had drastically changed from its pagan old norse roots, throughout time, religious belief and superstition. 

One thing that really changed was the Fylgjur’s purpose of haunting the living, and it was rarely to be of any help. Many stories talk about how they were wronged and it caused their death. They then came back to take revenge and were dangerous, even deadly. 

Female Icelandic Ghosts

One of the popular names for the female ghosts was Skotta that really means to dangle, like hair or a tail. This comes from the traditional Icelandic headwear women wore together with the Faldbúningur dresses worn since the 17th century. Except the ghosts are said to have the headgear on backwards so it streams behind her like a tail. 

The Skotta Ghost: Icelandic woman in the 18th century faldbúningur with the spaðafaldur cap that the Skotta often are described wearing.

Skotta falls under the Old Norse Mythology of a Fylgja, that were supernatural spirits that followed or latched onto people. They could be animals, they could be goddesses or come in dreams. 

But the tales of the Fylga evolved and when we read about Skotta, they were not like totem animals or someone coming with your prophecy like in the old sagas. Icelandic ghosts are often described as being not like apparitions, but in real flesh that interacted with the living. And when we read about Skotta, the female version, she was highly dangerous and also deadly.

The Eyjafjörður Skotta Haunting the Fjords

The ghost the Dutchmen raised was called Eyjafjörður Skotta because of her haunting territory. She was to kill and torment all the women in Vöðluþing. It is said that she first came ashore at Sauðanesi on Upsaströnd, a stretch of coastline west of Eyjafjörður. 

Today Sauðanesi is a deserted farm and has been since 1957. But in between 1597-1680 Þorvaldur the poet Rögnvaldsson lived there. He was considered a very learned man and was watching when the Skotta came ashore. Some, however, have heard that it was then Þorvaldur the old Magnússon who lived there, not very long before, and both were called poets of spells and much learned; but more people reckon it was Þorvaldur Rögnvaldsson.

Þorvaldur was down by the sea when he saw this ghost approaching, while the Dutch were fishing out at sea. She appeared as a woman in foreign dress, with a red peaked cap and bare arms up to the elbows. Þorvaldur addressed her in verse and asked who she was and what her errand might be. She said she was Flemish (others say Finnish) and that her task was to torment or else kill all the women in Eyjafjörður. 

He managed to stop her from harming the women, but she was so powerfully conjured that Þorvaldur could not prevail entirely against her. He was forced to allow her to kill his best cow, and in addition to kill a cow on every third farm in Eyjafjörður, and to play other tricks upon men and livestock for a long time. She was also said to have been behind the murder of a drowned man in the Eyjafjörður River.

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References:

Sauðanes (Upsaströnd) – Wikipedia, frjálsa alfræðiritið

Eyjafjarðar-Skotta

Íslenzkar þjóðsögur og æfintýri/Draugasögur/Eyjafjarðar-Skotta – Wikiheimild

Most Haunted Places in Basel, Switzerland and its Ghostly Legends

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From poltergeists, ghostly monks, nuns and knights as well as a procession of skeletons, some of the most haunted places in Basel, Switzerland are said to be centuries old. Let’s have a closer look at some of them.

Beneath Basel’s charming medieval streets, vibrant culture, and picturesque riverbanks lies a darker, more unsettling layer of history—one whispered about in hushed tones and kept alive through ghost stories passed down for generations. As one of Switzerland’s oldest cities, Basel is steeped in centuries of war, plague, and religious upheaval, leaving behind more than just ruins and gravestones. From restless spirits in ancient cloisters to poltergeists in quiet apartments, this city is home to eerie legends that refuse to fade and some of the most haunted places in Basel.

The Restless Spirits of Kleines Klingental: Basel’s Haunted Nunnery

Museum Klingental Basel: The old nunnery is said to be haunted by the sinful nuns that used to live there, centuries ago and one of the most haunted places in Basel. // Source: Mikatu/Wikimedia

The former Dominican cloister of Kleines Klingental in Basel, once a house of piety, became a notorious retreat for wealthy, noble-born nuns whose lives allegedly strayed far from monastic vows. Rumors of secret lovers, drowned infants, and defiance of church authority plagued its reputation. 

After the Reformation, the cloister was turned into military barracks, where soldiers reported chilling hauntings: ghostly nuns praying, wailing, and wandering the halls in sorrow, still seeking forgiveness for their sins. Today, the site houses the Kleines Klingental Museum, but tales persist of phantom nuns, flickering lights, and shadowy figures that suggest the past has yet to release its grip on this once-sacred ground.

Read the whole story: The Restless Spirits of Kleines Klingental: Basel’s Haunted Nunnery

The Headless Heretic of Basel: The Haunting of the Spießhof Building

Source: Wikimedia

In the heart of Basel’s Old Town, the Spießhof Building harbors the chilling legacy of David Joris, a 16th-century Dutch Anabaptist preacher who fled persecution only to meet a gruesome fate after death. Living under a false name, Joris built a secret life in Basel before his heretical beliefs were posthumously revealed. In a dramatic act of vengeance, his corpse was exhumed, beheaded, and burned—an attempt to erase him from salvation. Since then, his headless ghost, often seen with two eerie black dogs, is said to haunt his former home. Mediums and witnesses claim he won’t rest until his name is cleared, cementing his place as one of Basel’s most enduring and unsettling phantoms.

Read the whole story: The Headless Heretic of Basel: The Haunting of the Spießhof Building

The Restless Gatekeeper of the Rhine Gate in Basel

In 17th-century Basel, a troubled gatekeeper at the Rhine Gate lost his beloved young daughter when she drowned in the river, a tragedy he witnessed but was too drunk to prevent. Consumed by grief and guilt, he later died—likely by suicide—and was denied burial in consecrated ground beside her at St. Martin’s Church. Instead, he was interred among outcasts at Klingental. 

Yet his spirit found no rest; legend holds that his ghost still haunts the churchyard, silently keeping vigil by his daughter’s grave, a spectral figure glimpsed beneath the moonlight, forever bound by sorrow and denied peace.

Read the whole story: The Restless Gatekeeper of the Rhine Gate in Basel 

The Ghostly Monk of Spittelsprung (Münsterberg) in Basel

Back at a time when the hills of Münsterberg were called Spittelsprung in the old parts of Basel, Switzerland, a haunting tale emerged about a spectral monk. This ghostly figure would glide silently through the streets, frightening children while immersed in silent prayers, oblivious to the living around him.

He was often seen illuminated faintly by candlelight, engrossed in his breviary, and indifferent to the fear he instilled in children watching from the shadows. Only when confronted by an adult would he vanish, leaving behind the scent of candle wax.

The reasons for the monk’s haunting remain a mystery—was he a victim of the plagues, seeking penance for sins, or perhaps a witness to grim events? The story of another haunting monk from the 1626 poorhouse adds to the intrigue, where travelers would watch in terror as he glided through their rooms.

Read the whole story: The Ghostly Monk of Spittelsprung (Münsterberg) in Basel

Knightly Ghosts Haunting St. Johanns-Vorstadt by the Rhine River

In Basel’s St. Johann district—once home to the medieval Commandery of the Knights of St. John—ghostly legends linger beneath the modern apartments now standing there. Once filled with crusader knights and sod wells, the area was long haunted by the phantom of an armored rider galloping through the Ritterhaus courtyard, ghostly apparitions of a pale-faced man, a cloaked lady, and even a spectral white dog. Most chilling were the cries of a child said to echo from the depths of an old well. 

Though the original knightly buildings were demolished by 1929 and archives lost, eerie sightings and stories continue to haunt the district, keeping its haunted past alive and still considered one of the most haunted places in Basel.

Read the whole story: Knightly Ghosts Haunting St. Johanns-Vorstadt by the Rhine River 

The Knocking Ghost of Utengasse 47: Basel’s Poltergeist Case

Utengasse 47: Considered to be one of the most haunted places in Basel

In 1929, a small apartment at Utengasse 47 in Basel’s Kleinbasel district became the center of one of Switzerland’s most infamous poltergeist cases. What began as unexplained knocking sounds soon escalated into terrifying disturbances that seemed to center around a ten-year-old boy named Marcel. 

Despite multiple investigations by police, doctors, and even spiritualists, no source for the strange rapping and chilling atmosphere could be found. Marcel’s intense reactions and the persistence of the disturbances, even under observation, only deepened the mystery. As public anxiety mounted, the Basel authorities took the unusual step of ordering the apartment vacated—an extraordinary measure during a housing shortage. Though the building still stands today, no further incidents were reported, and the haunting remains an unsolved and eerie chapter in the city’s folklore.

Read the whole story: The Knocking Ghost of Utengasse 47: Basel’s Poltergeist Case

The Restless Dead Buried Inside of Basel’s Double Cloister

The Double Cloister of Basel Minster, a serene courtyard by day, is said to transform into a haunting ground by night, echoing with the restless spirits of those entombed within its ancient walls and said to be one of the most haunted places in Basel. Among them are two infamous specters: Emanuel Büchel, a respected artist and baker believed to have been buried alive, whose ghost moans and wheezes beneath the stone floors; and Master Tailor Schnyyder Hagenbach, a cruel man in life whose malevolent spirit is said to slap unsuspecting passersby without warning. 

Once a sacred site filled with altars and later a cemetery for the city’s elite, the cloister has long been steeped in death and memory. Though modern life carries on just beyond its arches, many locals still avoid the cloisters after dark, wary of the unseen hands and the whispered echoes of Basel’s darker past.

Read the whole story: The Restless Dead Buried Inside of Basel’s Double Cloister 

The Ghost Procession of Basel and the Dance Macabre

Predigerkirche: © Roland Fischer, Zürich (Switzerland) – Mail notification to: roland_zh(at)hispeed(dot)ch / Wikimedia Commons / CC-BY-SA-3.0 Unported

Mirroring the famous Dance Macabre mural that used to hang near the Predigerkirche in Basel, legend claims that plague victims buried in the nearby grass will rise in a ghostly procession to warn the living of impending disasters.

In Basel’s old town, a haunting memory of the plague remains, as thousands perished indiscriminately during the Black Death. The city’s dark history is marked by the rapid deaths caused by the disease and the need for mass graves, particularly around the Predigerkirche.

The Dance of Death mural, painted in the 15th century, depicted skeletal figures leading both the rich and poor alike in a dance, emphasizing that death spares no one. Though the mural was dismantled in 1805, it became a legend, claiming that the dead rise in times of danger.

Local lore states that the plague victims buried near the Predigerkirche do not rest peacefully. When Basel faces calamity, they are said to rise and march in a spectral procession through the streets, symbolizing death’s universal reach, uniting all in decay regardless of their former status.

Read the whole story: The Ghost Procession of Basel and the Dance of Death

The Dream of the Basel Rhine Bridge about the Buried Treasure

The Emmental: is a valley in west-central Switzerland, forming part of the canton of Bern, mostly made up by farmers and known for its cheese and pottery. Rafrüti is mostly known for being the place where the first and second latest meteorite was found in Switzerland.

The tale of “The Dream of the Basel Rhine Bridge” tells of a poor farmer from the Emmental who dreams of finding gold at the Mittlere Brücke in Basel were the bridge is considered one of the most haunted places in Basel. After several nights of the same dream, he decides to make the journey to Basel, where he searches for the treasure on the bridge without success. A policeman, noticing his distress, shares a dream about treasure in Rafrüti, prompting the farmer to return home. He digs in his kitchen and uncovers a pot of gold with the help of a mysterious black figure, appearing like a ghost to him. 

The figure offers him three piles of gold to choose from but warns him to decide wisely. Instead of choosing, the farmer combines the piles and vows to share the wealth as he sees fit. The figure then disappears, and the farmer’s family lives in comfort thereafter, proving that the bridge indeed brought him fortune.

Read the whole story: The Dream of the Basel Rhine Bridge about the Buried Treasure

The Gray Ghost of Claraplatz: Kleinbasel’s Neighborhood Spirit

The Gray One, a haunting spirit, is said to linger around houses in Kleinbasel, Switzerland, especially in the now-demolished Abbess’ Court. The ghost was not confided into a single home, and was one of the more famous ghosts in the city and Abbess’ Court one of the most haunted places in Basel. This eerie ghost, dressed in traditional Franconian garb, particularly troubled the Schetty family in the 19th century, appearing in their daughters’ bedroom and causing unsettling disturbances throughout the house.

The ghost would often retreat to the attic, creating loud noises that disturbed the family. To keep the ghost away, locals painted a pentagram at the house’s threshold, but it’s unclear if this truly worked. After the death of Joseph Schetty, the family patriarch, his ghost was also reportedly seen in the house. Despite the Abbess’ Court being demolished in 1951, legends of haunting phenomena persisted in the area, with reports of phantom footsteps and sightings of a gray figure near the old foundations.

Read the whole story: The Gray Ghost of Claraplatz: Kleinbasel’s Neighborhood Spirit

The Evil Eye of Rebgasse: Curses, Shadows, and an Exorcism in Basel

Haus Zur Alten Trotte: The haunted house on Rebgasse 38 in Basel, was said to have had an exorcism twice and considered to be one of the most haunted places in Basel. // Source: Laloom/Wikimedia

The Kleinbasel neighborhood in Basel, Switzerland, is known for its haunted history, particularly at Rebgasse 38. This house, also known as the Haus zur alten Trotte, was home to many ghostly encounters, including spirits associated with a former couple who lived there from 1888 to 1907. Two main ghosts were reported: Grethi Beck, a former maid who was believed to have the Evil Eye, and the deceased wife of Pastor Johann Jakob Übelin, who returned as a ghost after his infidelity.

Despite attempts by local clergy to suppress belief in hauntings, the presence of these spirits persisted, prompting the famous exorcist Johann Jakob von Brunn to be called upon. He successfully banished Grethi Beck’s spirit, though sightings of her continued, and the haunting by Übelin’s wife also lingered until she was expelled.

Although the hauntings ceased, the house retained its ghostly reputation, and the location of Rebgasse 38 is now a kindergarten. The tales of the hauntings continue to live on through local folklore and ghost tours, suggesting that the shadows of Kleinbasel’s past may never fully fade.

Read the whole story: The Evil Eye of Rebgasse: Curses, Shadows, and an Exorcism in Basel  

Ghosts of the New Moon: The White Death and the Restless Shadows of Basel

Markgräflerhof Palace: An engraving of the Markgräflerhof Palace from 1845 were the White Death was said to roam and being one of the most haunted places in Basel.

In Basel, the ghost known as Weisse Tod, or The White Death, haunts the area around the historic Markgräflerhof building. This terror manifests during the new moon when the veil between the worlds is said to thin, prompting the city’s restless spirits to rise. Locals believed that every new moon, The White Death would emerge from a nearby hole, peering into homes with its dark eye sockets, and those who met its gaze would soon fall ill, as if marked for death.

The Markgräflerhof, built in the early 1700s, was once tied to various rumors, including the suggestion that its haunting is linked to the building’s past as a hospital or an asylum. Compounding the legend, tuberculosis was often referred to as The White Death, possibly intertwining fears of disease with ghostly lore.

Additionally, another ghost appears at an old urban fountain near the Rhine, a man in dark garments whose presence evokes mystery and sorrow, believed to be a soul lost to the river. Each new moon, the church bells toll extra hours to ward off restless spirits, but even as modernity transforms the city, the supernatural aura persists, suggesting the new moon still belongs to the dead in Basel.

Read the whole story: Ghosts of the New Moon: The White Death and the Restless Shadows of Basel 

The Basilisk of Basel: The Beast Beneath Gerberberglein

Beneath the quiet street of Gerberberglein in central Basel, legend tells of a deadly basilisk—a mythical creature part serpent, part rooster, with a gaze so lethal it could kill. Said to have lived in a cave beneath the city, the beast terrified locals until a brave apprentice used a mirror to turn the creature’s power against itself. Though the cave was sealed long ago, the basilisk lives on in Basel’s identity, with its fearsome image adorning fountains and railings throughout the city. 

Read the whole story: The Basilisk of Basel: The Beast Beneath Gerberberglein

Exploring the most Haunted Places in Basel

From spectral knights riding through vanished courtyards to sorrowful moans echoing in cathedral cloisters, Basel’s haunted places are more than just eerie tales—they are echoes of a city that remembers its dead. Whether rooted in history, folklore, or something stranger still, these stories remind us that even the most beautiful places can hide unsettling secrets. So if you ever find yourself wandering Basel’s narrow alleys at dusk or standing alone on the Mittlere Brücke under a full moon, don’t be surprised if the past comes whispering. After all, in Basel, the line between the living and the dead is thinner than you think.

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The Tschäggättä: Switzerland’s Masked Monsters of Winter

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Deep in the heart of the Swiss Alps, the enchanting yet eerie Lötschental Valley harbors a chilling tradition that has captivated and terrified generations. Known as the Tschäggättä, these fearsome, fur-clad figures emerge from the shadows of snow-laden forests during the dark, cold months of winter. Combining ancient folklore with theatrical spectacle, the Tschäggättä embody the primal fears and superstitions of a bygone era.

Deep within the isolated Lötschental Valley of the Swiss Alps, amid snow-laden forests and frostbitten villages, lurks a chilling winter tradition few outside of Switzerland have heard of: the Tschäggättä. These grotesque, fur-clad figures prowl the narrow streets during the coldest, darkest months of the year — a living echo of ancient Alpine superstitions and forgotten fears.

The Origins of the Tschäggättä

Though no one can say exactly when the tradition began, written references to the Tschäggättä date back to the 19th century, with local authorities at times attempting to ban the custom due to its rowdy and unsettling nature. Way back, this used to be one of the poorest regions of Switserland. The first written record dates back to 1860, when prior Johann Baptist Gibsten banned the use of masks during carnival.

However, folklore scholars suggest the practice is far older, a survival of pre-Christian beliefs in malevolent winter spirits that roamed the mountains when the sun was weakest. The second theory links the Tschäggättä to the demonic figures that appeared in ecclesiastical Baroque theatre.

In earlier centuries, the Alpine winter was an unforgiving season of darkness, hunger, and death. Isolated valleys like Lötschental often felt cut off from the world, and stories of spirits, witches, and vengeful phantoms were common. The Tschäggättä became a way to personify these fears — and perhaps to ward them off.

Wooden Masks: The oldest Lötschental wooden mask still in existence from 1790-1810. // Source: Lötschental Museum; Deposit Swiss National Museum

The Schurten Thieves

The best-known legend of the origins of the Tschäggättä is the legend of the Schurten thieves from the middle ages. In the shady forests on the opposite side of the valley once resided the legendary Schurten thieves. They were thieves who lived on the shady side of the valley and disguised themselves to plunder farms on the sunny and richer side of the valley. 

Even today, their farmsteads can still be recognised, particularly clearly visible on the Giätrich, in the “Obri Wald” forest opposite the village of Wiler. 

At nightfall, they went on the prowl in wild disguise with masks on. It was said that the Schurten thieves did not accept anyone into their ranks who was not able to jump over the Lonza with a load of a hundred pounds.

The Appearance of the Tschäggättä

Each Tschäggättä is immediately recognizable by its disturbing appearance. The figures wear heavy animal furs, typically from goats or sheep, to shield them from the brutal cold. Most terrifying, however, are the wooden masks they don — hand-carved, each unique from Swiss stone pine, and featuring grotesque, distorted faces with exaggerated noses, glaring eyes, twisted mouths, and long, matted hair.

Read More: Check out all ghost stories and haunted legends from Switzerland

Some masks resemble demons or monstrous old men, while others are bestial and almost supernatural in form. The craftsmanship of these masks is a source of local pride, with some families passing them down through generations.

The Ritual and Terror of Carnival Nights

The Tschäggättä emerge during Fasnacht — the Swiss pre-Lenten Carnival season, typically in February. from Candlemas until “Gigiszischtag” (i.e. the Tuesday before Ash Wednesday) with the traditional Lötschental carnival procession in Wiler, on the Saturday after the “feisten Frontag”. As night falls, these masked beings descend from the mountains and roam the villages of Lötschental. Carrying cowbells and sticks, they chase anyone they encounter, especially the young, and revel in causing fright.

Craftsmanship: Today there are masks made for the masses, but some of them have hours and hours of time spent carving, some being passed down in the family. Tschäggättä Masks, traditionnal wooden mask from Lötschental in Switzerland. // Source: photographed by Robbie Conceptuel

Traditionally, the Tschäggättä are adult men of the valley, though the anonymity provided by the masks has allowed even women and children to join the fray. The Tschäggättä will often burst uninvited into homes, overturn furniture, scatter hearth ashes, and steal food — an ancient ritual chaos meant to purge winter’s stagnation and welcome the coming spring.

Symbolism and Folkloric Meaning

The Tschäggättä tradition is thought to serve as a way of confronting and mastering communal fears during the most perilous season. The masks might have once represented the spirits of the dead, ancestral ghosts, or demonic forces banished by light and human defiance.

The Tschäggätä: carnival figures wander through the remote Lötschental in the canton of Valais, Switzerland, for several weeks in February, scaring the population. The costumes consist of masks made of Swiss stone pine, sheep or goat skins and cowbells. // Source

Some folklorists believe the Tschäggättä also embodied social rebellion. In a culture tightly controlled by religious and communal expectations, the anonymity of the mask allowed for a brief, sanctioned breakdown of norms — a time when men could mock the authorities, frighten neighbors, and behave wildly without consequence.

The Tschäggättä Today

While modernization has softened some of its rougher edges, the Tschäggättä remain a vital part of Lötschental’s identity. Each year, the locals still carve the terrifying masks and don the heavy furs, parading through villages in eerie processions. Today, any villager can take part, but historically, the fur-clad revelers were exclusively young, unmarried men who moved alone or in small groups during the day (save Sundays) during Carnival.

Though now mingled with festive Carnival celebrations, the primal eeriness of the Tschäggättä endures — a living link to a time when long winters meant living with darkness, death, and things unseen.

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Tschäggättä Lötschental

Face time: the terrifying Swiss tradition of Tschäggättä – SWI swissinfo.ch