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The Myth of Oiwa — The Paper Lantern Ghost

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The blinking paper lantern hides a vengeful ghost in one of the most famous Japanese ghost stories. From a local legend about a real woman to the stage, the myth of the ghost of Oiwa continues to inspire horror.

Many of the more well known stories of ghost and horror from Japan is about the Onryō, meaning a vengeful spirit. A ghost so full of regret and rage, they are posing a threat to living humans. And sometimes, they can come in the form as a Japanese Paper Lantern Ghost. This is the case of the ghost of Oiwa.

Read more about the Onryō

Onryō — the Vengeful Japanese Spirit

In many cultures, ghosts are put in different categories. Such is the case with Onryō (怨霊 onryō,) It basically means “vengeful spirit” or “wrathful spirit” in Japanese and is a mythological spirit of vengeance from Japanese folklore. They also have ghosts, called yurei, but these differ in the will of the ghost. As opposed to…

There are many movies, books and popular culture that feeds on the old legend of the vengeful spirit. Today in modern time we have The Ring and The Grudge series that makes use of this old legend, and in many instances, they are both also inspired by the most iconic Onryō throughout time, the ghost of Oiwa.

Yotsuya Kaidan — The Tale of Oiwa and Tamiya Iemon

The ghost of Oiwa is a vengeful spirit that we first learned of through the kabuki play called Yotsuya Kaidan (四谷怪談) or Ghost Story of Yotsuya from 1825. It was written by the writer Tsuruya Namboku IV, known for his plays with supernatural themes and macabre and grotesque characters.

She is an easy recognisable character on stage with her droopy eye and hair falling out or as the iconic Paper Lantern Ghost. She is also often seen as a Japanese ghost lantern in art.

Read Also: Check out all of the ghost stories from Japan

Kabuki Theatre

The Kabuki theatre is a traditional Japanese style plays originating in the Edo period. It is well known for its characteristics wigs, costumes, makeup and masks. It is exclusively theatre troops of men playing all roles. The distinct styled stage performances is the origin of many iconic looks in modern pop culture, like the distinct style of the Onryō with the white dress, white makeup and long black hair.

Yotsuya Kaidan is not the first and original written account of the legend, but certainly the most famous one. The first written manuscript about the ghost of Oiwa is dated to 1727 called Yotsuya zōtan 四谷雑談. It was an underground publication, most likely of the scandalous rumour of the true rumours of a noble family and lady that acted as an Onryō after her death.

Yotsuya Kaidan tells the story of Oiwa and Tamiya Iemon and in this play it tells the story of a woman scorned by her man and coming back from the dead for revenge. Throughout the years, there have been many adaptation and versions of the story and it was a popular story to tell as a part of a samurai parlor game.

Read Also: Games to Play in the Dark – including Hyakumonogatari Kaidankai

It is considered to be one of Nihon san dai kaidan — Japan’s Big Three Ghost Stories. It is arguably the most famous Japanese ghost story of all time and has spurned a couple of local legends of its own.

Read about the Nihon san dai kaidan—Japan’s Big Three Ghost Stories:

Banchō Sarayashiki — the Ghost of Okiku

The tale of Banchō Sarayashiki (番町皿屋敷, The Dish Mansion at Banchō) is a well known Japanese ghost story (kaidan). It was popularized in the kabuki theater tradition, and lives on in popular culture and folklore alike.

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The Ghost of Oiwa — The Vengeful Spirit

Yotsuya Kaidan starts out as a classical romantic tale. Oiwa was said to be a loving and devoted wife that risked everything for her husband, Tamiya Iemon. They married in secret, without her father’s consent. Tamiya Iemon was a wandering samurai, a poor rōnin and not suited to marry his daughter according to the father.

The ghost of Oiwa
From the ”Thirty-six Ghosts” series by Tsukioka Yoshitoshi, ”The Yotsuya Ghost Story”, 1892.

Oiwa’s father whoever, was not as pleased with her marrying this man without honor and no money. When he found out the rōnin’s misdeeds, he confronted him. After a heated argument, the father was killed by the son in law when he threatened to make them stay apart from each other, and he did not bless their marriage.

After his death, Oiwa mourned her father. Iemon comforted Oiwa, claiming they would find her father’s killer.

To earn money he had to take up work as an umbrella maker to care for his pregnant wife. The old samurai grew bored doing the tedious work and turned resentful towards his wife, Oiwa. A woman he once loved and done horrible things to stay with. But in the end, there was no love left.

Next door they had a neighbor with a granddaughter that loved Iemon. The neighbor himself wanted his granddaughter and Iemon to get married. They were wealthy neighbors, and Iemon wanted to be that as well. So they planned how to get rid of Oiwa together.

Unbeknownst to Oiwa they sent her either an ointment or face cream laced with poison. But the poison didn’t kill her and only left her disfigured with one eye drooping and her hair falling off as she tried to brush through it, making Iemon so disgusted by her, he came up with a plan to rid himself of her. He hired one of his friends to rape her so that he would have grounds for a divorce.

His friend however is unable to go through with the plan and shows her a mirror instead. When she sees herself she understands what has happen and how she has been deceived. She takes a sword and accidently kills herself with it, and on her last breath, she curses Iemons name. In some versions there is actually Iemon that kills her.

Iemon threw her in the river to rot and went on to plan the wedding to the neighbors granddaughter. That night, the night before his wedding, he had terrible night terrors, and he saw his dead wife manifesting. In a burning paper lantern she comes out as a ghost, frightening him as a warning of the hauntings that are about to come.

The Chōchin obake

In Japanese legends, they have this concept of Tsukumogami (付喪神, “Kami of tool). This is the belief that inanimate objects, when they ‘serve’ their owners for a hundred years, they are granted life and a soul. When the Japanese lantern, or Chōchin reaches this age, it can become Chōchin obake, a Japanese lantern ghost, a mostly harmless ghost that laughs and lightly scares humans. But they could also be inhabited by a powerful onryō.

The Lantern: The print depicts a Kamiya Iantern haunted by the ghost of Oiwa as the Paper Lantern Ghost in Yotsuya Kaidan
Kuniyoshi Utagawa, ”The Ghost in the Lantern”, 1852.

But he is not frightened enough as he still goes on with the wedding the next day. When he lifted the veil of his bride though, it was the ghost of Oiwas disfigured face staring back at him. He beheaded her, and therefore, his new bride as well. There is all in all a lot of killing going on.

He was then pursued by the ghost of Oiwa, not wanting him to escape. She was turned into a vengeful ghost, pursuing him into madness, making him suffer. He dies in the end, after suffering horrible.

It changes in the different adaptations of Yotsuya Kaidan how he dies though. Sometimes he is killed by Oiwa’s brother, or brother in law and in other versions it’s the haunting of the ghost of Oiwa that drives him out of his mind and into death. Sometimes it’s Oiwa herself, that pulls him down from the height with her. Either way her revenge is complete.

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The Deaths Behind The Play of the Paper Lantern Ghost

The success of the Yotsuya Kaidan play was so big that they had to reschedule more performances to meet the demands. It was mostly believed that the popularity of the play was because it tapped into the zeitgeist of the society at the time.

Oiwa as the lantern: The ghost of Oiwa manifesting herself as a Japanese Paper Lantern Ghost. From the series One Hundred Tales (Hyaku monogatari).
Print by Katsushika Hokusai. 1830

The theme of repressed women was something that reflected the Bunsei era that was also a time of great unrest. And the story of the victim taking her revenge of her oppressor was something the audience revelled in.

But where did the story come from? Was it just from the imagination to Nanboku when he wrote the play?

In most blogs it is said the legend created the play. But was it actually the play that created the legend? Yes, it is based on the terrifying vengeful ghost, something older than the kabuki play. But were did Nanboku really get his story from?

According to some sources Nanboku’s play was based of an actual murder of the wife of a samurai that went insane after her husband got another woman pregnant. She wandered off from her home, never to be seen again.

It is also claimed that Nanboku based his play from to separate murders. One of the murders was that of two servants who had murdered their masters. They were caught and executed on the same day. The second murder that inspired the play was a samurai that nailed his wife and her lover to a wooden board and threw them into the Kanda River for being faithless.

In any case what source the play was created from, the play itself became something that created more legend. It has adapted for film over 30 times, and continues to be an influence on Japanese horror today.

The Real Oiwa and her Rocks

But who was the real Oiwa behind the manuscript? Both the play and the written account from 1727 from the underground publication that claimed a dead wife had turned into an onryo. Wether this account really refers to this Oiwa, is a bit uncertaint though.

We can find an Oiwa Tamiya in the real life that had something mysterious happening to her. Living in the 17th century, she was born into a powerful family, but she and her husband had financial difficulties.

One day Oiwa came over two very large rocks she felt was something special and put them both in her garden. She prayed to these rocks for good luck and prosperity for her family to overcome their financial difficulties.

And over time, the things she prayed for to the rocks really happened for the family and everyone believed it was because of the magic rocks that she had prayed to. The rocks became famous, and was called Oiwa Inari or Yotsuya Inary. In the end, a shrine was built for it, and this is the shrine people flock to pray to.

Even the Tokyo Metropolitan Board of Education found it necessary to distinguish the real life Oiwa and the play and they have put this message:

Tamiya Inari Shrine, commonly known as Oiwa Inari, used to be i the premises of Tamiya family of Osakitegumi doshin (military officer in the Edo period).

An old story is passed down that Oiwa (died in 1636), a daughter of Tamiya Matazaemon, worshipped at the shrine and restored her family with Iemon, her husband. Therefore, the shrine was gradually worshipped as ‘Oiwa Inari* by people. There was yet another story to attract further worshippers, the ghost story ‘Tokaido Yotsuya Kaidan’, written by Tsuruya Nanbuko and was staged in 1825 and was very popular.

However, it was written after 200 years of time when Oiwa and Iemon actually lived. Unlike the famous ghost story, their marriage in reality was enjoyable. After Inari shrine was lost by a fire in 1879, it moved to Shinkawa in Chuo Ward. The present shrine was rebuilt here at Yotsuya in 1952.

— Tokyo Metropolitan Board of Education

Although not like in the play, there were rumours about Oiwa being a vengeful ghost, long before the Kabuki actors entered the stage for the first time. Something we can read about in the manuscript from 1727 that also hinted to this fate for her.

A more sinister legend of this lady though is the curse she apparently set on three houses had been disrupted, rumour saying it was the grudge of Tamiya’s wife, Oiwa that killed them. They were both victims of the reforming rule of the eight Tokugawa Shōgun, Yoshimune Kō. In some accounts she disappeared, in others she commited suicide, vowing to revenge those who wronged her. In all she was blamed for the deaths of at least fifteen people.

The Shrine in Oiwa’s Honor

Already in 1717, there was a shrine erected in her honor, something they sometimes did to appease the wrath of an Onryō, long before the publication that were written ten years after. This is a list of some of the shrines that were built to restore her honor and protect from the harmful ghost, or at least connected to the Oiwa legend:

  1. Yotsuya O’Iwa-inari Tamiya Shrine
    四谷於岩稲荷田宮神社
    新宿区左門町
  2. O’Iwa-inari Yōunji
    於岩稲荷陽雲寺
    新宿区左門町
  3. O’Iwa-inari Tamiya Shrine
    於岩稲荷田宮神社
    中央区荒川
  4. Myōkōji
    妙行寺
    豊島区西巣鴨

They say that when visiting her grave, there is a statue of Oiwa inside the main building in some of her shrines, although not accessible to visitors. you can wish upon it as it is said she grants the wishes of her worshippers. This is also the rumours about her grave.

The Curse of Oiwa’s Grave and The Curse on the Play

The revenge of Oiwa: The ghost of Oiwa coming out from the Japanese lantern in Yotsuya Kaidan as a ghost with her son in her arms.
Artist:Kuniyoshi

It is said her body is buried at Myogo-ji temple in Sugamo, Tokyo. Her death is listed in February 22. 1636 and the grave has been rumoured to have been haunted for ages.

After the play started, there have been reports of accidents, injuries and deaths around the production of the play or even TV or movie adaptions of the story. This has been blamed on the ghost of Oiwa and her wish for revenge. Therefore it has become a tradition to visit and pay respect for the people involved in a production of Yotsuya Kaidan just to be safe.

I you go straight through the graveyard, there is suppose to be a red torii (a Shinto shrine archway) by a tree. Under the tree, her grave is supposed to be. But don’t run off to check it out just because you are curious and nothing more. According to legend, if you visit the grave just because of curiosity, your right eye will swell up, just like hers did with the poison.

It is said to be a curse over it all. And very much like the Macbeth curse, the people involved in productions of the legend of Yotsuya Kaidan, still honors it. Before retelling the story there is a tradition to go to her grave, to ask her permission, asking for her blessing to tell her story again. So… will you?

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References:

Chōchin obake

Tsukumogami | Yokai Wiki | Fandom

https://www.japan-guide.com/e/e2090.html

Tsuruya Namboku IV | Japanese dramatist | Britannica

Japan’s Three Great Ghost Stories | Japanese Art

O-Iwa’s Curse

https://kokoro-jp.com/culture/1489/

YOTSUYA KAIDAN

YOTSUYA KAIDAN

Oiwa-Inari Tamiya shrine – Shinjuku, Tokyo

Tokyo Ghost Hunting: Visiting Oiwa’s Haunted Shrine in Yotsuya

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The Ghosts of Japan

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In Japan, the ghosts are called Yūrei (幽霊). The word means faint or dim and soul or spirit. And as well as language and cultures divides different types of ghost in different categories, so does the Japanese. Here are some of the ghosts of Japan.

There are a lot of creatures, entities that haunts in Japanese culture. But yūrei is probably one of the more classic Ghosts of Japan and its legends and differs slightly from the others entities. They are for example the only ones haunting at a specific time, with the hour of the ox as a preference, which is from 2 to 2:30 am. This is when the veil between the dead and the living, the different worlds is at is thinnest.

The yūrei is also more geographical bound than other entities, and with a specific purpose for the hauntings. Unfinished business or vengeance, being the most common perhaps. The real tragedy is when a spirit can never find peace, because their unfinished business can never be fulfilled.

The Different Ghosts of Japan
  1. Onryō
  2. Goryō
  3. Funayūrei
  4. Ubume
  5. Zashiki-warashi
  6. Fuyūrei and Jibakurei
  7. Ikiryō

Onryō

怨霊

The Vengeful Ghost of Japan

The Vengeful Ghost of Japan

The Onryō is probably the most well known type of ghosts in Japanese culture there is. Onryō (怨霊), basically means “vengeful spirit” or “wrathful spirit” in Japanese and is a very iconic image with her white kimono and long black hair in modern ghost stories.

This particular ghost of Japan is driven by rage and consumed by revenge. This Yūrei will do anything to punish those who wronged them in life. Mostly, the spirit never starts out as evil, and wasn’t an evil person when alive. But the circumstances around their life and particularly around their death made them bit by bit as time went on and anger built up.

This type of vengeful spirit are sometimes created from the basis of love, but the jealousy perverted the love so much, it turned to hatred. In both cases, their soul are unable to pass on to be reborn and lingers in the realm of between the living and dead.

Read more about the Onryō at the Moonmausoleum

Onryō — the Vengeful Japanese Spirit

In many cultures, ghosts are put in different categories. Such is the case with Onryō (怨霊 onryō,) It basically means “vengeful spirit” or “wrathful spirit” in Japanese and is a mythological spirit of vengeance from Japanese folklore. They also have ghosts, called yurei, but these differ in the will of the ghost. As opposed to…

Banchō Sarayashiki — the Ghost of Okiku

The tale of Banchō Sarayashiki (番町皿屋敷, The Dish Mansion at Banchō) is a well known Japanese ghost story (kaidan). It was popularized in the kabuki theater tradition, and lives on in popular culture and folklore alike.

Goryō

御霊

The Noble Ghost of Japan

The Noble Ghost of Japan

Is sort of the same av an Onryō and often a Goryō ghost story follows the same pattern. It is vengeful spirits and ghosts in Japanese legends, capable of so much destruction and with a single goal in mind. The main difference from the Onryō, is that the Goryō is mostly a noble man, not a female, and the main goal is often to restore his honour he lost in real life than revenge on those who wronged him.

This Japanese ghost known as Goryō was most often from the aristocratic or royal class when in life. The Kanji 御 (go) actually means honorable while 霊 (ryō) means some sort of soul or spirit. And it is especially the case when those people were martyred or wronged, loosing their honor etc.

Funayūrei

船幽霊

The Sea Ghost of Japan

The Sea Ghost of Japan

The Funayūrei: Boatman and Funayūrei by Kawanabe Kyōsai (河鍋暁斎.

This is the Japanese ghost of those dying at sea. It literally means boat spirit and is the same as an Onryō, only out at sea. Often fishermen, sailors and the likes, people dying in shipwreck and want other to join them in the deep sea.

These types of ghosts in Japanese legends are described as being surrounded by an atmospheric light, so you can see them, even when they turn up on dark, foggy nights, rainy days and under the full or new moon. They can be described as ghost haunting the rivers and lake as well. At times, these ghost are shown as scaly fish-like, and pictures of them might be confused with mermaids or mermen.

UBUME

産女

The Mother Ghost of Japan

The Mother Ghost of Japan

Ubume: うふめ from Bakemono no e (化物之繪, c. 1700), Harry F. Bruning Collection of Japanese Books and Manuscripts, L. Tom Perry Special Collections, Harold B. Lee Library, Brigham Young University. source Date: circa 1700

This is the Japanese ghost of a mother who died in childbirth. It could also come if she died leaving very young children. This ghost differs a lot from the Onryō for example, for its purpose. It is not after revenge, but stays out of compassion, giving sweets and looking after her children she left behind. 

Those seeing her will see what looks like a pregnant woman pass by. Or she will approach you, telling you to hold her child, only for you to realize there isn’t a child, just a bundle of rocks or leaves.

Zashiki-warashi

座敷童子

The Child Ghost of Japan

The Child Ghost of Japan

This is what happens when children becomes ghosts in Japanese legends. They are not really depicted as dangerous, but at times mischievous. They would do pranks, leaving prints in the kitchen and the likes, but it also meant good fortune for them who saw them. But what are these Japanese ghosts? Strange otherworldly child-like creatures, or spirits of children?

It has been theories that they are the spirit of children that were killed when there were too many mouths to feed. It was back in the day a rather gruesome tradition to be killed by a stone and buried in the dirt floor room called doma or in the kitchen.

Fuyūrei and Jibakurei

浮遊霊

The Wandering Ghost of Japan

The Wandering Ghost of Japan

These two Japanese ghosts are very similar to each other. They are both spirit with no purpose, wandering aimlessly around, earthbound, often just going in circle and in a loop. Unable to find peace.

Ikiryō

生き霊

The Living Ghost of Japan

The Living Ghost of Japan

This is a very peculiar one and a bit on the side from the other ghosts in Japanese culture. It is when a part of the living soul or spirit leaves the body to haunt people or a specific place. Often across distances as well.

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Ghost of Tu-Po — The Hungry Ghost

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After the Chinese nobleman Tu Po was betrayed by his own king and fellow nobles, he became a vengeful ghost, or Hungry Ghost as it is known as in Buddhism. Even in his afterlife he sought revenge on those who betrayed him and fought to restore his honor.

The concept of a ghost with unfinished business is found around the globe. In the eastern part of the world they are often known as Hungry Ghosts and they are deadly.

China has such a varied an long history, diverse culture, with different regions, religions and traditions as most ancient countries has. The tales and beliefs changes according to the ebb and flow of time and the legends of the hungry ghosts are many and varied.

Read More about: Chinese Ghosts and Haunted Places

The Hungry Ghost in Chinese Mythology

Before delving into the legend about Tu Po and how he was betrayed by his own king, let us have a closer look at exactly what a Hungry Ghost is.

As much of Chinese folklore and mythology comes from Buddhism, there are many similarities to other Buddhist countries. In any case it has been believed that every living person will become a ghost when we die known as a guǐ 鬼. It will then weaken, and fade away, dying again for a second time.

As mentioned earlier, the Hungry Ghost is not only a Chinese phenomenon, but a Buddhist as well as Asian one. Ghost stories of vengeful ghost can be found also in Japan with the Onryo or Korea with the Virgin Ghost for example.

This concept of the spirit of the deceased weakening before disappearing is seen as only natural and how it is supposed to be. The ancestors are honored, given sacrifices and held in esteem, thinking they have a part in the world as much as the living. Ancestral worship is the original basic of Chinese religions, and it is a core belief there is an existence after death. A deceased person’s soul is made up of yin and yang parts called hun and po. They are not immortal, and need offerings before going to the underworld for eternal rest.

When Revenge is more Important than Peace

The trouble with ghosts however is when that spirit is driven by anger and malice rather than a peaceful afterlife. This is called a Hungry Ghost (餓鬼 èguǐ and quỷ đói) and only happens on rare occasions as most spirits only wants to be at peace.

The Hungry Ghost: The concept of hungry ghost is found throughout Buddhist traditions. This is from the Sixth section of the Japanese Hungry Ghosts Scroll located at the Kyoto National Museum. The scroll depicts the world of the hungry ghosts, one of the six realms of Buddhism and contains tales of salvation of the hungry ghosts. This particular section shows Ananda, a disciple of Shakyamuni, teaching an incantation to achieve salvation to a hungry ghost who continuously belches flames from his mouth.

The creation of a Hungry Ghost happens when a person’s death has been exceptionally violent or unhappy. The ghosts are often given quite animalistic traits in the ghost stories and records. Although there are different categories and types of hungry ghosts, one common trait among them are that they are seeking a type of revenge of those who wronged them, or simply those who got in the way.

Although most accounts of Tu Po doesn’t give him animalistic traits like a monster, he definitely sought his revenge on those who wronged him like most vengeful ghosts are looking for, and therefore given the title of a Hungry Ghost.

Before becoming a Ghost – Tu-Po the Emperor’s Minister

Before becoming an ancient ghost, Tu Po used to be an important man in ancient China. The nobleman Tu Po 杜伯 is sometimes translated as Du Bo and he was the Duke of Tangdu. This was a Dukedom situated west of State of Yi Lin around were the Shaanxi province in northwest of China is today.

According to legend, the Tangdu people were descendants of the people living in the State of Tang, a Dukedom destroyed by Zhou Gong Dan that now ruled the empire. They were allowed to form a new State of Du, and became known as Tangdu or Du shi (杜氏).

Tu-Po was not always remembered as a hungry ghost, but was a prominent minister to King Xuan of Zhou (also known as Emperor Hsuan) who reigned from 827-783 B.C. Emperor Hsuan was the eleventh king of the Chinese Zhou Dynasty in a time were the kings words were the law and his minister Tu Po had to pay the ultimate price.

The empire: Map over the Jin (Tang) state during the late Spring and Autumn period as it was called, around the time of Tu-Po’s death and after. This is were he, and his ancestors resided and ruled.//Photo: Hugo Lopez – Wikimedia Commons user: Yug

The king is mostly remembered for fighting the ‘Western Barbarians‘, most probably Xianyun, an ancient nomadic tribe that invaded the Zhou empire on the Huai River. He also meddled in debacles of successions in States of Lu, Wey an Qi and was, according to history, not a popular one. Sima Qian, considered father of Chinese historiography, said: “From this time on, the many lords mostly rebelled against royal commands.” And the way the king ended his reign, is rumoured to be the work of the hungry ghost of Tu Po.

So Tu Po was from a stately and very powerful family and not afraid to speak up for what he believed in, even to the most powerful man in the dynasty. And this would cost him his life and make him a hungry ghost, haunting the earth and seeking revenge.

The Fall From Grace and Becoming a Vengeful Ghost

There are not very many sources detailing what happened before the haunting of Tu Po’s hauntings started. But according to one account, this is what happened.

The King: King Xuan of Zhou (827-783 B.C). Formerly known as Emperor Hsuan or King Suan.

On the ninth year as King, King Xuan of Zhou called all the lords of his empire into a meeting that would seal the fate of Tu Po to discuss an oncoming attack.

A rumor was out that a woman was about to become a danger of the town of Jiangshan for some reason, and the King ordered a mass execution of women. Exactly how this one woman could be considered a danger to an entire town is not really explained.

No matter what the reason behind this mass execution of women, it was seen as a truly horrible act that Tu Po disagreed with. Tu-Po publicly opposed to the order he was given and he spoke against his king in a time when the kings word was the law and anything else considered treason.

This final act of opposition would cost him his life as King Xuan ordered his execution for this as he saw this act of opposition as treason.

Before Tu Po was executed however, King Xuan of Zhou was warned that Tu Po’s ghost would stay in this world even in his afterlife to haunt him as Tu-Po himself said:

“If my majesty kills me without reason, the dead may not know, well that’s it. However, on the other hand, I will avenge myself on him, within three years.”

But despise the warnings, King Xuan went through the execution. Even though he was considered innocent of treason by most, Tu-Po was executed around 786 B.C. But this would not be the last time he was seen.

The Revenge of the Hungry Ghost

Weather Tu Po’s final words were taken seriously, is not mentioned. Three years after the execution however, the King brought his dukes to hunt on his own hunting grounds. There were hundreds of chariots, thousands of escorts following them as well as a ghost that promised he would return for revenge.

Ghost festival: Lotus-shaped lanterns are lit and set afloat in rivers and out onto seas to symbolically guide the lost souls to the afterlife.

At noon, Tu-Po appeared as a ghost, riding a white horse and a cart, wearing a red coat with a red bow and arrow in hand. He took up the chase of King Xuan and shot the king in the heart and broke the king’s spine. At the time, it is reported that no one saw the killing and no one heard it. No matter what the real situation was like, The king fell and Tu Po got his revenge.

If King Xuan really died of an arrow is today a bit unclear. In some accounts it is said that King Xuan died of something else after dreaming that Tu Po shot him to death with an arrow.

In both cases, the innocent and wronged minister got his revenge and King Xuan’s son, was the last of the western Zhou to lead.

The story has gone down in traditional legends, ever since. The Chinese philosopher, Mo Zi (470-391 B.C), said this about ghosts and about Tu-Po’s revenge:

“If from antiquity to the present, and since the beginning of man, there are men who have seen the bodies of ghosts and spirits and heard their voices, how can we say that they do not exist?

If none have heard them and none have seen them, then how can we say they do? But those who deny the existence of the spirits say: “Many in the world have heard and seen something of ghosts and spirits. Since they vary in testimony, who are to be accepted as really having heard and seen them?”

As we are to rely on what many have jointly seen and what many have jointly heard, the case of Tu Po is to be accepted.”

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Ghost of Tu-Po — The Hungry Ghost