Translated from the 1871 Czech original Vampyr. The story is set on the Island of Büyükada outside of Istanbul. It is called Prinkipos in the story as it is the Greek name for it. The Narrator tells us about what happened on an excursion to the Island with a few strangers. One of them is a sickly young girl. There is also a strange young man, who appears to be an artist saying he wants to paint everything he sees. It turns out that the locals call him The Vampire because whenever he draws someone he dies shortly after.
The excursion steamer brought us from Constantinople to the shore of the island of Prinkipo and we disembarked. The number of passengers was not large. There was one Polish family, a father, a mother, a daughter and her bridegroom, and then we two. Oh yes, I must not forget that when we were already on the wooden bridge which crosses the Golden Horn to Constantinople a Greek, a rather youthful man, joined us. He was probably an artist, judging by the portfolio he carried under his arm. Long black locks floated to his shoulders, his face was pale, and his black eyes were deeply set in their sockets. In the first moment he interested me, especially for his obligingness and for his knowledge of local conditions. But he talked too much, and I then turned away from him.
All the more agreeable was the Polish family. The father and mother were good-natured, fine people, the lover a handsome young fellow, of direct and refined manners. They had come to Prinkipo to spend the summer months for the sake of the daughter, who was slightly ailing. The beautiful pale girl was either just recovering from a severe illness or else a serious disease was just fastening its hold upon her. She leaned upon her lover when she walked and very often sat down to rest, while a frequent dry little cough interrupted her whispers. Whenever she coughed, her escort would considerately pause in their walk. He always cast upon her a glance of sympathetic suffering and she would look back at him as if she would say: “It is nothing. I am happy!” They believed in health and happiness.
On the recommendation of the Greek, who departed from us immediately at the pier, the family secured quarters in the hotel on the hill. The hotel-keeper was a Frenchman and his entire building was equipped comfortably and artistically, according to the French style.
We breakfasted together and when the noon heat had abated somewhat we all betook ourselves to the heights, where in the grove of Siberian stone-pines we could refresh ourselves with the view. Hardly had we found a suitable spot and settled ourselves when the Greek appeared again. He greeted us lightly, looked about and seated himself only a few steps from us. He opened his portfolio and began to sketch.
“I think he purposely sits with his back to the rocks so that we can’t look at his sketch,” I said.
“We don’t have to,” said the young Pole. “We have enough before us to look at.” After a while he added, “It seems to me he’s sketching us in as a sort of background. Well let him!”
We truly did have enough to gaze at. There is not a more beautiful or more happy corner in the world than that very Prinkipo! The political martyr, Irene, contemporary of Charles the Great, lived there for a month as an exile. If I could live a month of my life there I would be happy for the memory of it for the rest of my days! I shall never forget even that one day spent at Prinkipo.
The air was as clear as a diamond, so soft, so caressing, that one’s whole soul swung out upon it into the distance. At the right beyond the sea projected the brown Asiatic summits; to the left in the distance purpled the steep coasts of Europe. The neighboring Chalki, one of the nine islands of the “Prince’s Archipelago,” rose with its cypress forests into the peaceful heights like a sorrowful dream, crowned by a great structure—an asylum for those whose minds are sick.
The Sea of Marmora was but slightly ruffled and played in all colors like a sparkling opal. In the distance the sea was as white as milk, then rosy, between the two islands a glowing orange and below us it was beautifully greenish blue, like a transparent sapphire. It was resplendent in its own beauty. Nowhere were there any large ships—only two small craft flying the English flag sped along the shore. One was a steamboat as big as a watchman’s booth, the second had about twelve oarsmen and when their oars rose simultaneously molten silver dripped from them. Trustful dolphins darted in and out among them and dove with long, arching flights above the surface of the water. Through the blue heavens now and then calm eagles winged their way, measuring the space between two continents.
The entire slope below us was covered with blossoming roses whose fragrance filled the air. From the coffee-house near the sea music was carried up to us through the clear air, hushed somewhat by the distance.
The effect was enchanting. We all sat silent and steeped our souls completely in the picture of paradise. The young Polish girl lay on the grass with her head supported on the bosom of her lover. The pale oval of her delicate face was slightly tinged with soft color, and from her blue eyes tears suddenly gushed forth. The lover understood, bent down and kissed tear after tear. Her mother also was moved to tears, and I—even I—felt a strange twinge.
“Here mind and body both must get well,” whispered the girl. “How happy a land this is!”
“God knows I haven’t any enemies, but if I had I would forgive them here!” said the father in a trembling voice.
And again we became silent. We were all in such a wonderful mood—so unspeakably sweet it all was! Each felt for himself a whole world of happiness and each one would have shared his happiness with the whole world. All felt the same—and so no one disturbed another. We had scarcely even noticed that the Greek, after an hour or so, had arisen, folded his portfolio and with a slight nod had taken his departure. We remained.
Finally after several hours, when the distance was becoming overspread with a darker violet, so magically beautiful in the south, the mother reminded us it was time to depart. We arose and walked down towards the hotel with the easy elastic steps that characterize carefree children. We sat down in the hotel under the handsome veranda.
Hardly had we been seated when we heard below the sounds of quarrelling and oaths. Our Greek was wrangling with the hotel-keeper, and for the entertainment of it we listened.
The amusement did not last long. “If I didn’t have other guests,” growled the hotel-keeper, and ascended the steps towards us.
“I beg you to tell me, sir,” asked the young Pole of the approaching hotel-keeper, “who is that gentleman? What is his name?”
“Eh-who knows what the fellow’s name is?” grumbled the hotel-keeper, and he gazed venomously downwards. “We call him the Vampire.”
“An artist?”
“Fine trade! He sketches only corpses. Just as soon as someone in Constantinople or here in the neighborhood dies, that very day he has a picture of the dead one completed. That fellow paints them beforehand—and he never makes a mistake—just like a vulture!”
The old Polish woman shrieked affrightedly. In her arms lay her daughter pale as chalk. She had fainted.
In one bound the lover had leaped down the steps. With one hand he seized the Greek and with the other reached for the portfolio.
We ran down after him. Both men were rolling in the sand. The contents of the portfolio were scattered all about. On one sheet, sketched with a crayon, was the head of the young Polish girl, her eyes closed and a wreath of myrtle on her brow.
A lock keeper from the adjacent lock next The Portobello Bar in Dublin is said to be haunting it. Ever since his mistake cost the lives of someone crossing, he is said to be lingering in the area.
In an old sanatorium in Switzerland the ghost of Hermann is said to have been haunting for ages. But who was he when he was alive, and what was his true name before he died in the remote fortress up in the mountains? And is he still haunting the old halls where he never made his recovery?
After his master died at sea, the faithful dog was by his master’s grave, day in and day out. After dying of hunger and grief it is said that the Newfoundland dog is still seen, slipping between the graves at Glasnevin Cemetery in Dublin.
Once, the city of Bern was filled with nuns working and living inside of the city walls. According to ghost stories though, some of them remained, even after the Reformation that closed their convents down. And those stories tell about them being guilty of terrible things with terrible ends.
Seeking new land and a new life, the Salladay family went to Ohio, but brought a silent killer with them: Consumption. Falling into odd superstitions, they believed the only way to stop the disease was to stop the undead from rising from their graves.
Is Cell Number 11 in the former prison for the criminally insane haunted? The attic of the Norwegian Justice Museum in Trondheim, Norway has had many who come out, claiming so.
Now a place you can rent and stay at, the Beck House in Canada is said to be one of the more haunted places. Those who have stayed the night come back with stories of strange encounters, believed to be the ghost of the Beck family members.
Where the Nydegg Church is today, there once used to be a castle. Tales about ghosts lingering around the old Nydegg Castle and the stairs leading up to it still roams. And one of the more infamous and feared ghosts of Bern is the Burgträppe-Balzli.
The Haunted Ruins of Beaupre Castle in Wales is one of the places in Wales said to have been haunted by the wailing spirit and deadly omen of the The Gwrach y Rhibyn, also known as the Hag of Mist.
It is said a cross shows up in the window of the Iveagh House in Dublin, the former home of the powerful Guinness family. Legend has it’s a haunting that happened after a maid was denied her last rites in the house.
Said to have been conjured up by a sorcerer or even the fairy folk themselves, Pennard Castles history is both mysterious and haunted by the sound of the howling witch left in the sandy ruins of the abandoned castle in Wales.
For a long time, Larnach Castle was New Zealand’s only castle, and for a long time, also one of the more haunted places in the country. Built by a rich banker to live with his family, his dream of a lasting dynasty ended when personal tragedies as well as failed political and business ventures started to turn the family against each other.
The Transfer by Algernon Blackwood was first published in the magazine, Country Life, in 1911, tells of a child’s fascination with a barren patch of land in a big garden known as the Forbidden Corner. A story involving a mysterious and vampiric transfer of life force. It follows a governess who witnesses the visit of her employer’s brother, a psychic vampire who seems to suck the life force from all around him.
The Transfer by Algernon Blackwood (1911)
The child began to cry in the early afternoon—about three o’clock, to be exact. I remember the hour, because I had been listening with secret relief to the sound of the departing carriage. Those wheels fading into the distance down the gravel drive with Mrs. Frene, and her daughter Gladys to whom I was governess, meant for me some hours’ welcome rest, and the June day was oppressively hot. Moreover, there was this excitement in the little country household that had told upon us all, but especially upon myself. This excitement, running delicately behind all the events of the morning, was due to some mystery, and the mystery was of course kept concealed from the governess. I had exhausted myself with guessing and keeping on the watch. For some deep and unexplained anxiety possessed me, so that I kept thinking of my sister’s dictum that I was really much too sensitive to make a good governess, and that I should have done far better as a professional clairvoyante.
Mr. Frene, senior, ‘Uncle Frank,’ was expected for an unusual visit from town about teatime. That I knew. I also knew that his visit was concerned somehow with the future welfare of little Jamie, Gladys’ seven-year-old brother. More than this, indeed, I never knew, and this missing link makes my story in a fashion incoherent—an important bit of the strange puzzle left out. I only gathered that the visit of Uncle Frank was of a condescending nature, that Jamie was told he must be upon his very best behaviour to make a good impression, and that Jamie, who had never seen his uncle, dreaded him horribly already in advance. Then, trailing thinly through the dying crunch of the carriage wheels this sultry afternoon, I heard the curious little wail of the child’s crying, with the effect, wholly unaccountable, that every nerve in my body shot its bolt electrically, bringing me to my feet with a tingling of unequivocal alarm. Positively, the water ran into my eyes. I recalled his white distress that morning when told that Uncle Frank was motoring down for tea and that he was to be ‘very nice indeed’ to him. It had gone into me like a knife. All through the day, indeed, had run this nightmare quality of terror and vision.
‘The man with the ‘normous face?’ he had asked in a little voice of awe, and then gone speechless from the room in tears that no amount of soothing management could calm. That was all I saw; and what he meant by ‘the ‘normous face’ gave me only a sense of vague presentiment. But it came as anticlimax somehow—a sudden revelation of the mystery and excitement that pulsed beneath the quiet of the stifling summer day. I feared for him. For of all that commonplace household I loved Jamie best, though professionally I had nothing to do with him. He was a high-strung, ultra-sensitive child, and it seemed to me that no one understood him, least of all his honest, tender-hearted parents; so that his little wailing voice brought me from my bed to the window in a moment like a call for help.
The haze of June lay over that big garden like a blanket; the wonderful flowers, which were Mr. Frene’s delight, hung motionless; the lawns, so soft and thick, cushioned all other sounds; only the limes and huge clumps of guelder roses hummed with bees. Through this muted atmosphere of heat and haze the sound of the child’s crying floated faintly to my ears—from a distance. Indeed, I wonder now that I heard it at all, for the next moment I saw him down beyond the garden, standing in his white sailor suit alone, two hundred yards away. He was down by the ugly patch where nothing grew—the Forbidden Corner. A faintness then came over me at once, a faintness as of death, when I saw him there of all places-where he never was allowed to go, and where, moreover, he was usually too terrified to go. To see him standing solitary in that singular spot, above all to hear him crying there, bereft me momentarily of the power to act. Then, before I could recover my composure sufficiently to call him in, Mr. Frene came round the corner from the Lower Farm with the dogs, and, seeing his son, performed that office for me. In his loud, good-natured, hearty voice he called him, and Jamie turned and ran as though some spell had broken just in time—ran into the open arms of his fond but uncomprehending father, who carried him indoors on his shoulder, while asking ‘what all this hubbub was about?’ And, at their heels, the tailless sheepdogs followed, barking loudly, and performing what Jamie called their ‘Gravel Dance,’ because they ploughed up the moist, rolled gravel with their feet.
I stepped back swiftly from the window lest I should be seen. Had I witnessed the saving of the child from fire or drowning the relief could hardly have been greater. Only Mr. Frene, I felt sure, would not say and do the right thing quite. He would protect the boy from his own vain imaginings, yet not with the explanation that could really heal. They disappeared behind the rose trees, making for the house. I saw no more till later, when Mr. Frene, senior, arrived.
To describe the ugly patch as ‘singular’ is hard to justify, perhaps, yet some such word is what the entire family sought, though never—oh, never!—used. To Jamie and myself, though equally we never mentioned it, that treeless, flowerless spot was more than singular. It stood at the far end of the magnificent rose garden, a bald, sore place, where the black earth showed uglily in winter, almost like a piece of dangerous bog, and in summer baked and cracked with fissures where green lizards shot their fire in passing. In contrast to the rich luxuriance of death amid life, a centre of disease that cried for healing lest it spread. But it never did spread. Behind it stood the thick wood of silver birches and, glimmering beyond, the orchard meadow, where the lambs played.
The gardeners had a very simple explanation of its barrenness—that the water all drained off it owing to the lie of the slopes immediately about it, holding no remnant to keep the soil alive. I cannot say. It was Jamie—Jamie who felt its spell and haunted it, who spent whole hours there, even while afraid, and for whom it was finally labelled ‘strictly out of bounds’ because it stimulated his already big imagination, not wisely but too darkly—it was Jamie who buried ogres there and heard it crying in an earthy voice, swore that it shook its surface sometimes while he watched it, and secretly gave it food in the form of birds or mice or rabbits he found dead upon his wanderings. And it was Jamie who put so extraordinarily into words the feeling that the horrid spot had given me from the moment I first saw it.
‘It’s bad, Miss Gould,’ he told me.
‘But, Jamie, nothing in Nature is bad—exactly; only different from the rest sometimes.’
‘Miss Gould, if you please, then it’s empty. It’s not fed. It’s dying because it can’t get the food it wants.’ And when I stared into the little pale face where the eyes shone so dark and wonderful, seeking within myself for the right thing to say to him, he added, with an emphasis and conviction that made me suddenly turn cold: ‘Miss Gould’—he always used my name like this in all his sentences—’it’s hungry, don’t you see? But I know what would make it feel all right.’
Only the conviction of an earnest child, perhaps, could have made so outrageous a suggestion worth listening to for an instant; but for me, who felt that things an imaginative child believed were important, it came with a vast disquieting shock of reality. Jamie, in this exaggerated way, had caught at the edge of a shocking fact—a hint of dark, undiscovered truth had leaped into that sensitive imagination. Why there lay horror in the words I cannot say, but I think some power of darkness trooped across the suggestion of that sentence at the end, ‘I know what would make it feel all right.’ I remember that I shrank from asking explanation. Small groups of other words, veiled fortunately by his silence, gave life to an unspeakable possibility that hitherto had lain at the back of my own consciousness. The way it sprang to life proves, I think, that my mind already contained it. The blood rushed from my heart as I listened. I remember that my knees shook. Jamie’s idea was—had been all along—my own as well.
And now, as I lay down on my bed and thought about it all, I understood why the coming of his uncle involved somehow an experience that wrapped terror at its heart. With a sense of nightmare certainty that left me too weak to resist the preposterous idea, too shocked, indeed, to argue or reason it away, this certainty came with its full, black blast of conviction; and the only way I can put it into words, since nightmare horror really is not properly tellable at all, seems this: that there was something missing in that dying patch of garden; something lacking that it ever searched for; something, once found and taken, that would turn it rich and living as the rest; more—that there was some living person who could do this for it. Mr. Frene, senior, in a word, ‘Uncle Frank,’ was this person who out of his abundant life could supply the lack—unwittingly.
For this connection between the dying, empty patch and the person of this vigorous, wealthy, and successful man had already lodged itself in my subconsciousness before I was aware of it. Clearly it must have lain there all along, though hidden. Jamie’s words, his sudden pallor, his vibrating emotion of fearful anticipation had developed the plate, but it was his weeping alone there in the Forbidden Corner that had printed it. The photograph shone framed before me in the air. I hid my eyes. But for the redness—the charm of my face goes to pieces unless my eyes are clear—I could have cried. Jamie’s words that morning about the ”normous face’ came back upon me like a battering-ram.
Mr. Frene, senior, had been so frequently the subject of conversation in the family since I came, I had so often heard him discussed, and had then read so much about him in the papers—his energy, his philanthropy, his success with everything he laid his hand to—that a picture of the man had grown complete within me. I knew him as he was—within; or, as my sister would have said—clairvoyantly. And the only time I saw him (when I took Gladys to a meeting where he was chairman, and later felt his atmosphere and presence while for a moment he patronisingly spoke with her) had justified the portrait I had drawn. The rest, you may say, was a woman’s wild imagining; but I think rather it was that kind of divining intuition which women share with children. If souls could be made visible, I would stake my life upon the truth and accuracy of my portrait.
For this Mr. Frene was a man who drooped alone, but grew vital in a crowd—because he used their vitality. He was a supreme, unconscious artist in the science of taking the fruits of others’ work and living—for his own advantage. He vampired, unknowingly no doubt, everyone with whom he came in contact; left them exhausted, tired, listless. Others fed him, so that while in a full room he shone, alone by himself and with no life to draw upon he languished and declined. In the man’s immediate neighbourhood you felt his presence draining you; he took your ideas, your strength, your very words, and later used them for his own benefit and aggrandisement. Not evilly, of course; the man was good enough; but you felt that he was dangerous owing to the facile way he absorbed into himself all loose vitality that was to be had. His eyes and voice and presence devitalised you. Life, it seemed, not highly organised enough to resist, must shrink from his too near approach and hide away for fear of being appropriated, for fear, that is, of—death.
Jamie, unknowingly, put in the finishing touch to my unconscious portrait. The man carried about with him some silent, compelling trick of drawing out all your reserves—then swiftly pocketing them. At first you would be conscious of taut resistance; this would slowly shade off into weariness; the will would become flaccid; then you either moved away or yielded—agreed to all he said with a sense of weakness pressing ever closer upon the edges of collapse. With a male antagonist it might be different, but even then the effort of resistance would generate force that he absorbed and not the other. He never gave out. Some instinct taught him how to protect himself from that. To human beings, I mean, he never gave out. This time it was a very different matter. He had no more chance than a fly before the wheels of a huge—what Jamie used to call—’attraction’ engine.
So this was how I saw him—a great human sponge, crammed and soaked with the life, or proceeds of life, absorbed from others—stolen. My idea of a human vampire was satisfied. He went about carrying these accumulations of the life of others. In this sense his ‘life’ was not really his own. For the same reason, I think, it was not so fully under his control as he imagined.
And in another hour this man would be here. I went to the window. My eye wandered to the empty patch, dull black there amid the rich luxuriance of the garden flowers. It struck me as a hideous bit of emptiness yawning to be filled and nourished. The idea of Jamie playing round its bare edge was loathsome. I watched the big summer clouds above, the stillness of the afternoon, the haze. The silence of the overheated garden was oppressive. I had never felt a day so stifling, motionless. It lay there waiting. The household, too, was waiting—waiting for the coming of Mr. Frene from London in his big motorcar.
And I shall never forget the sensation of icy shrinking and distress with which I heard the rumble of the car. He had arrived. Tea was all ready on the lawn beneath the lime trees, and Mrs. Frene and Gladys, back from their drive, were sitting in wicker chairs. Mr. Frene, junior, was in the hall to meet his brother, but Jamie, as I learned afterwards, had shown such hysterical alarm, offered such bold resistance, that it had been deemed wiser to keep him in his room. Perhaps, after all, his presence might not be necessary. The visit clearly had to do with something on the uglier side of life—money, settlements, or whatnot; I never knew exactly; only that his parents were anxious, and that Uncle Frank had to be propitiated. It does not matter. That has nothing to do with the affair. What has to do with it—or I should not be telling the story—is that Mrs. Frene sent for me to come down ‘in my nice white dress, if I didn’t mind,’ and that I was terrified, yet pleased, because it meant that a pretty face would be considered a welcome addition to the visitor’s landscape. Also, most odd it was, I felt my presence was somehow inevitable, that in some way it was intended that I should witness what I did witness. And the instant I came upon the lawn—I hesitate to set it down, it sounds so foolish, disconnected—I could have sworn, as my eyes met his, that a kind of sudden darkness came, taking the summer brilliance out of everything, and that it was caused by troops of small black horses that raced about us from his person—to attack.
After a first momentary approving glance he took no further notice of me. The tea and talk went smoothly; I helped to pass the plates and cups, filling in pauses with little under-talk to Gladys. Jamie was never mentioned. Outwardly all seemed well, but inwardly everything was awful—skirting the edge of things unspeakable, and so charged with danger that I could not keep my voice from trembling when I spoke.
I watched his hard, bleak face; I noticed how thin he was, and the curious, oily brightness of his steady eyes. They did not glitter, but they drew you with a sort of soft, creamy shine like Eastern eyes. And everything he said or did announced what I may dare to call the suction of his presence. His nature achieved this result automatically. He dominated us all, yet so gently that until it was accomplished no one noticed it.
Before five minutes had passed, however, I was aware of one thing only. My mind focused exclusively upon it, and so vividly that I marvelled the others did not scream, or run, or do something violent to prevent it. And it was this; that, separated merely by some dozen yards or so, this man, vibrating with the acquired vitality of others, stood within easy reach of that spot of yawning emptiness, waiting and eager to be filled. Earth scented her prey.
These two active ‘centres’ were within fighting distance; he so thin, so hard, so keen, yet really spreading large with the loose ‘surround’ of others’ life he had appropriated, so practised and triumphant; that other so patient, deep, with so mighty a draw of the whole earth behind it, and—ugh!—so obviously aware that its opportunity at last had come.
I saw it all as plainly as though I watched two great animals prepare for battle, both unconsciously; yet in some inexplicable way I saw it, of course, within me, and not externally. The conflict would be hideously unequal. Each side had already sent out emissaries, how long before I could not tell, for the first evidence he gave that something was going wrong with him was when his voice grew suddenly confused, he missed his words, and his lips trembled a moment and turned flabby. The next second his face betrayed that singular and horrid change, growing somehow loose about the bones of the cheek, and larger, so that I remembered Jamie’s miserable phrase. The emissaries of the two kingdoms, the human and the vegetable, had met, I make it out, in that very second. For the first time in his long career of battening on others, Mr. Frene found himself pitted against a vaster kingdom than he knew and, so finding, shook inwardly in that little part that was his definite actual self. He felt the huge disaster coming.
‘Yes, John,’ he was saying, in his drawling, self-congratulating voice, ‘Sir George gave me that car—gave it to me as a present. Wasn’t it char—?’ and then broke off abruptly, stammered, drew breath, stood up, and looked uneasily about him. For a second there was a gaping pause. It was like the click which starts some huge machinery moving—that instant’s pause before it actually starts. The whole thing, indeed, then went with the rapidity of machinery running down and beyond control. I thought of a giant dynamo working silently and invisible.
‘What’s that?’ he cried, in a soft voice charged with alarm. ‘What’s that horrid place? And someone’s crying there—who is it?’
He pointed to the empty patch. Then, before anyone could answer, he started across the lawn towards it, going every minute faster. Before anyone could move he stood upon the edge. He leaned over—peering down into it.
It seemed a few hours passed, but really they were seconds, for time is measured by the quality and not the quantity of sensations it contains. I saw it all with merciless, photographic detail, sharply etched amid the general confusion. Each side was intensely active, but only one side, the human, exerted all its force—in resistance. The other merely stretched out a feeler, as it were, from its vast, potential strength; no more was necessary. It was such a soft and easy victory. Oh, it was rather pitiful! There was no bluster or great effort, on one side at least. Close by his side I witnessed it, for I, it seemed, alone had moved and followed him. No one else stirred, though Mrs. Frene clattered noisily with the cups, making some sudden impulsive gesture with her hands, and Gladys, I remember, gave a cry—it was like a little scream—’Oh, mother, it’s the heat, isn’t it?’ Mr. Frene, her father, was speechless, pale as ashes.
But the instant I reached his side, it became clear what had drawn me there thus instinctively. Upon the other side, among the silver birches, stood little Jamie. He was watching. I experienced—for him—one of those moments that shake the heart; a liquid fear ran all over me, the more effective because unintelligible really. Yet I felt that if I could know all, and what lay actually behind, my fear would be more than justified; that the thing was awful, full of awe.
And then it happened—a truly wicked sight—like watching a universe in action, yet all contained within a small square foot of space. I think he understood vaguely that if someone could only take his place he might be saved, and that was why, discerning instinctively the easiest substitute within reach, he saw the child and called aloud to him across the empty patch, ‘James, my boy, come here!’
His voice was like a thin report, but somehow flat and lifeless, as when a rifle misses fire, sharp, yet weak; it had no ‘crack’ in it. It was really supplication. And, with amazement, I heard my own ring out imperious and strong, though I was not conscious of saying it, ‘Jamie, don’t move. Stay where you are!’ But Jamie, the little child, obeyed neither of us. Moving up nearer to the edge, he stood there—laughing! I heard that laughter, but could have sworn it did not come from him. The empty, yawning patch gave out that sound.
Mr. Frene turned sideways, throwing up his arms. I saw his hard, bleak face grow somehow wider, spread through the air, and downwards. A similar thing, I saw, was happening at the same time to his entire person, for it drew out into the atmosphere in a stream of movement. The face for a second made me think of those toys of green india-rubber that children pull. It grew enormous. But this was an external impression only. What actually happened, I clearly understood, was that all this vitality and life he had transferred from others to himself for years was now in turn being taken from him and transferred—elsewhere.
One moment on the edge he wobbled horribly, then with that queer sideways motion, rapid yet ungainly, he stepped forward into the middle of the patch and fell heavily upon his face. His eyes, as he dropped, faded shockingly, and across the countenance was written plainly what I can only call an expression of destruction. He looked utterly destroyed. I caught a sound—from Jamie?—but this time not of laughter. It was like a gulp; it was deep and muffled and it dipped away into the earth. Again I thought of a troop of small black horses galloping away down a subterranean passage beneath my feet—plunging into the depths—their tramping growing fainter and fainter into buried distance. In my nostrils was a pungent smell of earth.
And then—all passed. I came back into myself. Mr. Frene, junior, was lifting his brother’s head from the lawn where he had fallen from the heat, close beside the tea-table. He had never really moved from there. And Jamie, I learned afterwards, had been the whole time asleep upon his bed upstairs, worn out with his crying and unreasoning alarm. Gladys came running out with cold water, sponge and towel, brandy too—all kinds of things. ‘Mother, it was the heat, wasn’t it?’ I heard her whisper, but I did not catch Mrs. Frene’s reply. From her face it struck me that she was bordering on collapse herself. Then the butler followed, and they just picked him up and carried him into the house. He recovered even before the doctor came.
But the queer thing to me is that I was convinced the others all had seen what I saw, only that no one said a word about it; and to this day no one has said a word. And that was, perhaps, the most horrid part of all.
From that day to this I have scarcely heard a mention of Mr. Frene, senior. It seemed as if he dropped suddenly out of life. The papers never mentioned him. His activities ceased, as it were. His afterlife, at any rate, became singularly ineffective. Certainly he achieved nothing worth public mention. But it may be only that, having left the employ of Mrs. Frene, there was no particular occasion for me to hear anything.
The afterlife of that empty patch of garden, however, was quite otherwise. Nothing, so far as I know, was done to it by gardeners, or in the way of draining it or bringing in new earth, but even before I left in the following summer it had changed. It lay untouched, full of great, luscious, driving weeds and creepers, very strong, full—fed, and bursting thick with life.
A lock keeper from the adjacent lock next The Portobello Bar in Dublin is said to be haunting it. Ever since his mistake cost the lives of someone crossing, he is said to be lingering in the area.
In an old sanatorium in Switzerland the ghost of Hermann is said to have been haunting for ages. But who was he when he was alive, and what was his true name before he died in the remote fortress up in the mountains? And is he still haunting the old halls where he never made his recovery?
After his master died at sea, the faithful dog was by his master’s grave, day in and day out. After dying of hunger and grief it is said that the Newfoundland dog is still seen, slipping between the graves at Glasnevin Cemetery in Dublin.
Once, the city of Bern was filled with nuns working and living inside of the city walls. According to ghost stories though, some of them remained, even after the Reformation that closed their convents down. And those stories tell about them being guilty of terrible things with terrible ends.
Seeking new land and a new life, the Salladay family went to Ohio, but brought a silent killer with them: Consumption. Falling into odd superstitions, they believed the only way to stop the disease was to stop the undead from rising from their graves.
Is Cell Number 11 in the former prison for the criminally insane haunted? The attic of the Norwegian Justice Museum in Trondheim, Norway has had many who come out, claiming so.
Now a place you can rent and stay at, the Beck House in Canada is said to be one of the more haunted places. Those who have stayed the night come back with stories of strange encounters, believed to be the ghost of the Beck family members.
Where the Nydegg Church is today, there once used to be a castle. Tales about ghosts lingering around the old Nydegg Castle and the stairs leading up to it still roams. And one of the more infamous and feared ghosts of Bern is the Burgträppe-Balzli.
The Haunted Ruins of Beaupre Castle in Wales is one of the places in Wales said to have been haunted by the wailing spirit and deadly omen of the The Gwrach y Rhibyn, also known as the Hag of Mist.
It is said a cross shows up in the window of the Iveagh House in Dublin, the former home of the powerful Guinness family. Legend has it’s a haunting that happened after a maid was denied her last rites in the house.
Said to have been conjured up by a sorcerer or even the fairy folk themselves, Pennard Castles history is both mysterious and haunted by the sound of the howling witch left in the sandy ruins of the abandoned castle in Wales.
For a long time, Larnach Castle was New Zealand’s only castle, and for a long time, also one of the more haunted places in the country. Built by a rich banker to live with his family, his dream of a lasting dynasty ended when personal tragedies as well as failed political and business ventures started to turn the family against each other.
Who said that ghost stories only happen around Halloween? Summer horror can be just as chilling. Here is a list of horror short stories found in the public domain that are free to read, perfect for a hot summer day.
Although the nights are shorter during summer and the sun vanquishes the long shadows, the time is no less haunted. The ghosts under the midsummer sun can be just as scary as those appearing on a stormy winters night. With the rise of summer vacationing in the Victorian area, there was also a flux of ghost stories set in this time. This opened for more stories centered around renting a haunted summer cabin, ghosts in the rose gardens and travelers finding strange places where monsters lurk.
These stories, set during the warm and often deceptively calm summer months, create a stark contrast to the chilling ghostly encounters they depict, enhancing their eerie and suspenseful atmospheres. Here are some of the short stories of ghost stories and haunted places in the public domain you can read for free perfect for the summer days.
The Open Door recounts a man’s unsettling visit to a manor house in the summer, where he is cautioned about the mysterious door that leads to a haunted room. It’s a classic ghost story written about someone vacationing in a haunted house during the summer that the Victorian popularized. Written by Charlotte Riddell in 1882 under her pseudonym Mrs. J. H. Riddell, known for her chilling horror tales.
This short story was first published in 1913 in The Wind in the Rosebush and Other Stories of the Supernatural. Her books dealt with Puritanism, and she was one of the first women in America to be elected to the National Institute for Arts and Letters. She was distantly related to another American writer, Nathaniel Hawthorne. Set during the late summer, this story involves a about a spinster Rebecca Flint who has come to Ford Village to take her elder sister’s daughter with her back to Michigan. But something about the village is strange and she encounters strange and ghostly things surrounding a rose-bush in the garden.
“The Upper Berth” is a short story written by F. Marion Crawford, first published in 1886. The story takes place aboard a transatlantic ocean liner in June. A passenger named Brisbane travels this distance frequently. When the steward behaves oddly while taking his luggage to his stateroom, number 105, he thinks it’s odd, but continues his travels. In the middle of the first night his roommate suddenly leaps down from the upper berth and runs out of the cabin. The morning after he finds out that his roommate has gone overboard. According to the rumors, he was the fourth person staying at that very upper berth to have done the same.
“The Haunted Orchard” by Richard Le Gallienne is a ghost story that takes place in the countryside during the summer. The story follows a man who rents a country house in order to get some rest and inspiration for his work. The house has an old orchard that immediately captures his interest due to its neglected state and the eerie beauty of the overgrown apple trees. He begins to notice a mysterious presence in the orchard. One night, he encounters the ghostly figure of a beautiful young woman among the apple trees. She seems to be searching for something or someone and is clearly tied to the orchard in some tragic way. The story delves into the themes of lost love and lingering sorrow, as the man becomes more involved in uncovering the story behind the haunting and the tragic past of the ghostly figure.
Charlotte Perkins Gilman‘s short story The Giant Wistaria from 1891 is less known than her iconic story The Yellow Wallpaper, a feminist classic and deals with patriarchal values and the repression of women’s sexuality and motherhood. It starts off with a story about an unwed girl with a child and the family discussing what to do with her. The father wants to marry her to her cousin and leave the child behind when they leave the country. Years later, a young couple rents the house and starts to joke around with it being haunted. And perhaps they are right.
The short story One Summer Night by Ambrose Bierce tells the story about a man realizing how he has been buried alive and how he has to deal with it and accept his fate. The story was first published in Cosmopolitan in 1906, and written by a writer who disappeared and was as mysterious as his stories.
The Sand-Walker is a short story written by Fergus Hume. It was first published in the collection: The Dancer in Red, and Other Stories in 1906. It’s about a man coming to the beaches in England one summer where he is warned: Whatever you do, don’t go on to the beaches at dusk, or the Sand-Walker will come to your window at night.
“The Phantom Rickshaw” by Rudyard Kipling is a haunting tale set in colonial India at the end of the monsoon season, where British officer Jack Pansay is tormented by the ghost of his former lover, Agnes Keith-Wessington, whom he had callously abandoned. Following her death, Pansay begins to see her spectral figure riding in a rickshaw, relentlessly haunting him. His repeated encounters with the ghost drive him to the brink of madness, as his fiancée and friends dismiss his experiences as delusions. The story explores themes of guilt, psychological torment, and the supernatural, blending an eerie atmosphere with the complexities of colonial society.
The Rival Ghosts by Brander Matthews was written in 1884 and published in the collection Mystic-Humorous Stories. It tells the story about a group of passengers crossing the transatlantic by ship and debating if Europe or the States have the best ghost stories. They gather around one that has tales about both with a humorous twist.
“The Horla” by Guy de Maupassant is a psychological horror story that delves into the mind of an unnamed narrator who becomes convinced he is being haunted by an invisible entity. The story has been cited as an inspiration for Lovecraft’s “The Call of Cthulhu“. Set in the oppressive heat of a French summer, the narrator’s initially peaceful life is disrupted by a series of unsettling events, leading him to believe that a supernatural being, the Horla, is draining his life force and controlling his actions. As his paranoia deepens, he struggles to discern reality from delusion, culminating in a descent into madness. The story explores themes of mental illness, the supernatural, and the fragility of human sanity.
“A View from a Hill” is a captivating short ghost story penned by M.R. James and originally published in 1925. The narrative follows Fanshawe, a scholarly figure who embarks on a summer retreat to the English countryside, hosted by his friend Squire Henry Richards. During his stay, Fanshawe stumbles upon a pair of binoculars crafted by a man who met an untimely and enigmatic demise in years past. These binoculars possess a peculiar quality, allowing Fanshawe to behold objects that have long since ceased to exist. This intriguing premise sets the stage for a tale of mystery and suspense, as Fanshawe becomes entangled in a realm where the boundaries of time and perception blur. As the storyline unfolds, readers are drawn into a world where the supernatural seamlessly intertwines with the ordinary, creating an atmosphere of eerie fascination and spine-tingling intrigue.
“The Room in the Tower” by E.F. Benson is a chilling ghost story that centers around a recurring nightmare experienced by the narrator. In his dream, he visits a friend’s house and is always assigned to sleep in a foreboding tower room, accompanied by an overwhelming sense of dread. One summer, he finds himself invited to a real-life version of the house from his dreams. Despite his apprehensions, he is given the very room he fears. As night falls, the nightmare becomes a reality when he encounters the ghost of a previous occupant, revealing a dark and terrifying past. The story masterfully blends psychological tension with supernatural horror, leaving a lasting impression of unease and fear.
“The Wood of the Dead” is a story written by Algernon Blackwood. It appeared in his first collection, The Empty House and Other Ghost Stories, in 1906. The story is set during a summer where a person is making a solo summer walking tour of England’s west country and has stopped for a meal at a village inn. A local man tells the traveler to meet him at midnight in “The Wood of the Dead”. According to local lore when a person entered the nearby wood singing, he knew that person would soon die. Instead of continuing on his journey, the traveler decides to have a closer look at The Woods of the Dead.
“Mr Humphreys and His Inheritance” is a ghost story by British writer M. R. James first published when he included it in his 1911 collection More Ghost Stories of an Antiquary. The story is set in the late summer in England, when Mr Humphreys, arrives in Wilsthorpe. He has recently inherited an estate from his uncle, who died a mysterious death and the history of the strange maze and temple next to his new home.
“The Dead Valley” by Ralph Adams Cram from 1895 is a chilling tale that unfolds amidst the haunting landscape of rural New England. Set in the secluded valley of a decaying village, the story follows a young traveler who stumbles upon the eerie remnants of a once-thriving community. As he delves deeper into the desolate surroundings, he uncovers dark secrets and encounters malevolent forces that lurk in the shadows. Through vivid imagery and evocative prose, “The Dead Valley” explores themes of isolation, decay, and the supernatural, leaving readers captivated by its unsettling portrayal of a world teetering on the brink of madness.
This was just a small collection of some of the horror short stories found in the public domain that are free to read and are perfect for reading on a hot summer day or night. Have you read them all? Perhaps you know a couple of good ones that would be great for the list?
The good ship sped on her way across the calm Atlantic. It was an outward passage, according to the little charts which the company had charily distributed, but most of the passengers were homeward bound, after a summer of rest and recreation, and they were counting the days before they might hope to see Fire Island Light. On the lee side of the boat, comfortably sheltered from the wind, and just by the door of the captain’s room (which was theirs during the day), sat a little group of returning Americans. The Duchess (she was down on the purser’s list as Mrs. Martin, but her friends and familiars called her the Duchess of Washington Square) and Baby Van Rensselaer (she was quite old enough to vote, had her sex been entitled to that duty, but as the younger of two sisters she was still the baby of the family)—the Duchess and Baby Van Rensselaer were discussing the pleasant English voice and the not unpleasant English accent of a manly young lordling who was going to America for sport. Uncle Larry and Dear Jones were enticing each other into a bet on the ship’s run of the morrow.
“I’ll give you two to one she don’t make 420,” said Dear Jones.
“I’ll take it,” answered Uncle Larry. “We made 427 the fifth day last year.” It was Uncle Larry’s seventeenth visit to Europe, and this was therefore his thirty-fourth voyage.
“And when did you get in?” asked Baby Van Rensselaer. “I don’t care a bit about the run, so long as we get in soon.”
“We crossed the bar Sunday night, just seven days after we left Queenstown, and we dropped anchor off Quarantine at three o’clock on Monday morning.”
“I hope we shan’t do that this time. I can’t seem to sleep any when the boat stops.”
“I can; but I didn’t,” continued Uncle Larry; “because my state-room was the most for’ard in the boat, and the donkey-engine that let down the anchor was right over my head.”
“So you got up and saw the sunrise over the bay,” said Dear Jones, “with the electric lights of the city twinkling in the distance, and the first faint flush of the dawn in the east just over Fort Lafayette, and the rosy tinge which spread softly upward, and——”
“Did you both come back together?” asked the Duchess.
“Because he has crossed thirty-four times you must not suppose that he has a monopoly in sunrises,” retorted Dear Jones. “No, this was my own sunrise; and a mighty pretty one it was, too.”
“I’m not matching sunrises with you,” remarked Uncle Larry, calmly; “but I’m willing to back a merry jest called forth by my sunrise against any two merry jests called forth by yours.”
“I confess reluctantly that my sunrise evoked no merry jest at all.” Dear Jones was an honest man, and would scorn to invent a merry jest on the spur of the moment.
“That’s where my sunrise has the call,” said Uncle Larry, complacently.
“What was the merry jest?” was Baby Van Rensselaer’s inquiry, the natural result of a feminine curiosity thus artistically excited.
“Well, here it is. I was standing aft, near a patriotic American and a wandering Irishman, and the patriotic American rashly declared that you couldn’t see a sunrise like that anywhere in Europe, and this gave the Irishman his chance, and he said, ‘Sure ye don’t have ’em here till we’re through with ’em over there.’”
“It is true,” said Dear Jones, thoughtfully, “that they do have some things over there better than we do; for instance, umbrellas.”
“And gowns,” added the Duchess.
“And antiquities,”—this was Uncle Larry’s contribution.
“And we do have some things so much better in America!” protested Baby Van Rensselaer, as yet uncorrupted by any worship of the effete monarchies of despotic Europe. “We make lots of things a great deal nicer than you can get them in Europe—especially ice-cream.”
“And pretty girls,” added Dear Jones; but he did not look at her.
“And spooks,” remarked Uncle Larry casually.
“Spooks?” queried the Duchess.
“Spooks. I maintain the word. Ghosts, if you like that better, or specters. We turn out the best quality of spook——”
“You forget the lovely ghost stories about the Rhine, and the Black Forest,” interrupted Miss Van Rensselaer, with feminine inconsistency.
“I remember the Rhine and the Black Forest and all the other haunts of elves and fairies and hobgoblins; but for good honest spooks there is no place like home. And what differentiates our spook—Spiritus Americanus—from the ordinary ghost of literature is that it responds to the American sense of humor. Take Irving’s stories for example. The Headless Horseman, that’s a comic ghost story. And Rip Van Winkle—consider what humor, and what good-humor, there is in the telling of his meeting with the goblin crew of Hendrik Hudson’s men! A still better example of this American way of dealing with legend and mystery is the marvelous tale of the rival ghosts.”
“The rival ghosts?” queried the Duchess and Baby Van Rensselaer together. “Who were they?”
“Didn’t I ever tell you about them?” answered Uncle Larry, a gleam of approaching joy flashing from his eye.
“Since he is bound to tell us sooner or later, we’d better be resigned and hear it now,” said Dear Jones.
“If you are not more eager, I won’t tell it at all.”
“Oh, do, Uncle Larry; you know I just dote on ghost stories,” pleaded Baby Van Rensselaer.
“Once upon a time,” began Uncle Larry—”in fact, a very few years ago—there lived in the thriving town of New York a young American called Duncan—Eliphalet Duncan. Like his name, he was half Yankee and half Scotch, and naturally he was a lawyer, and had come to New York to make his way. His father was a Scotchman, who had come over and settled in Boston, and married a Salem girl. When Eliphalet Duncan was about twenty he lost both of his parents. His father left him with enough money to give him a start, and a strong feeling of pride in his Scotch birth; you see there was a title in the family in Scotland, and although Eliphalet’s father was the younger son of a younger son, yet he always remembered, and always bade his only son to remember, that his ancestry was noble. His mother left him her full share of Yankee grit, and a little house in Salem which has belonged to her family for more than two hundred years. She was a Hitchcock, and the Hitchcocks had been settled in Salem since the year 1. It was a great-great-grandfather of Mr. Eliphalet Hitchcock who was foremost in the time of the Salem witchcraft craze. And this little old house which she left to my friend Eliphalet Duncan was haunted.
“By the ghost of one of the witches, of course,” interrupted Dear Jones.
“Now how could it be the ghost of a witch, since the witches were all burned at the stake? You never heard of anybody who was burned having a ghost, did you?”
“That’s an argument in favor of cremation, at any rate,” replied Jones, evading the direct question.
“It is, if you don’t like ghosts; I do,” said Baby Van Rensselaer.
“And so do I,” added Uncle Larry. “I love a ghost as dearly as an Englishman loves a lord.”
“Go on with your story,” said the Duchess, majestically overruling all extraneous discussion.
“This little old house at Salem was haunted,” resumed Uncle Larry. “And by a very distinguished ghost—or at least by a ghost with very remarkable attributes.”
“What was he like?” asked Baby Van Rensselaer, with a premonitory shiver of anticipatory delight.
“It had a lot of peculiarities. In the first place, it never appeared to the master of the house. Mostly it confined its visitations to unwelcome guests. In the course of the last hundred years it had frightened away four successive mothers-in-law, while never intruding on the head of the household.”
“I guess that ghost had been one of the boys when he was alive and in the flesh.” This was Dear Jones’s contribution to the telling of the tale.
“In the second place,” continued Uncle Larry, “it never frightened anybody the first time it appeared. Only on the second visit were the ghost-seers scared; but then they were scared enough for twice, and they rarely mustered up courage enough to risk a third interview. One of the most curious characteristics of this well-meaning spook was that it had no face—or at least that nobody ever saw its face.”
“Perhaps he kept his countenance veiled?” queried the Duchess, who was beginning to remember that she never did like ghost stories.
“That was what I was never able to find out. I have asked several people who saw the ghost, and none of them could tell me anything about its face, and yet while in its presence they never noticed its features, and never remarked on their absence or concealment. It was only afterward when they tried to recall calmly all the circumstances of meeting with the mysterious stranger, that they became aware that they had not seen its face. And they could not say whether the features were covered, or whether they were wanting, or what the trouble was. They knew only that the face was never seen. And no matter how often they might see it, they never fathomed this mystery. To this day nobody knows whether the ghost which used to haunt the little old house in Salem had a face, or what manner of face it had.”
“How awfully weird!” said Baby Van Rensselaer. “And why did the ghost go away?”
“I haven’t said it went away,” answered Uncle Larry, with much dignity.
“But you said it used to haunt the little old house at Salem, so I supposed it had moved. Didn’t it?”
“You shall be told in due time. Eliphalet Duncan used to spend most of his summer vacations at Salem, and the ghost never bothered him at all, for he was the master of the house—much to his disgust, too, because he wanted to see for himself the mysterious tenant at will of his property. But he never saw it, never. He arranged with friends to call him whenever it might appear, and he slept in the next room with the door open; and yet when their frightened cries waked him the ghost was gone, and his only reward was to hear reproachful sighs as soon as he went back to bed. You see, the ghost thought it was not fair of Eliphalet to seek an introduction which was plainly unwelcome.”
Dear Jones interrupted the story-teller by getting up and tucking a heavy rug snugly around Baby Van Rensselaer’s feet, for the sky was now overcast and gray, and the air was damp and penetrating.
“One fine spring morning,” pursued Uncle Larry, “Eliphalet Duncan received great news. I told you that there was a title in the family in Scotland, and that Eliphalet’s father was the younger son of a younger son. Well, it happened that all Eliphalet’s father’s brothers and uncles had died off without male issue except the eldest son of the eldest, and he, of course, bore the title, and was Baron Duncan of Duncan. Now the great news that Eliphalet Duncan received in New York one fine spring morning was that Baron Duncan and his only son had been yachting in the Hebrides, and they had been caught in a black squall, and they were both dead. So my friend Eliphalet Duncan inherited the title and the estates.”
“How romantic!” said the Duchess. “So he was a baron!”
“Well,” answered Uncle Larry, “he was a baron if he chose. But he didn’t choose.”
“More fool he,” said Dear Jones sententiously.
“Well,” answered Uncle Larry, “I’m not so sure of that. You see, Eliphalet Duncan was half Scotch and half Yankee, and he had two eyes to the main chance. He held his tongue about his windfall of luck until he could find out whether the Scotch estates were enough to keep up the Scotch title. He soon discovered that they were not, and that the late Lord Duncan, having married money, kept up such state as he could out of the revenues of the dowry of Lady Duncan. And Eliphalet, he decided that he would rather be a well-fed lawyer in New York, living comfortably on his practice, than a starving lord in Scotland, living scantily on his title.”
“But he kept his title?” asked the Duchess.
“Well,” answered Uncle Larry, “he kept it quiet. I knew it, and a friend or two more. But Eliphalet was a sight too smart to put Baron Duncan of Duncan, Attorney and Counselor at Law, on his shingle.”
“What has all this got to do with your ghost?” asked Dear Jones pertinently.
“Nothing with that ghost, but a good deal with another ghost. Eliphalet was very learned in spirit lore—perhaps because he owned the haunted house at Salem, perhaps because he was a Scotchman by descent. At all events, he had made a special study of the wraiths and white ladies and banshees and bogies of all kinds whose sayings and doings and warnings are recorded in the annals of the Scottish nobility. In fact, he was acquainted with the habits of every reputable spook in the Scotch peerage. And he knew that there was a Duncan ghost attached to the person of the holder of the title of Baron Duncan of Duncan.”
“So, besides being the owner of a haunted house in Salem, he was also a haunted man in Scotland?” asked Baby Van Rensselaer.
“Just so. But the Scotch ghost was not unpleasant, like the Salem ghost, although it had one peculiarity in common with its trans-Atlantic fellow-spook. It never appeared to the holder of the title, just as the other never was visible to the owner of the house. In fact, the Duncan ghost was never seen at all. It was a guardian angel only. Its sole duty was to be in personal attendance on Baron Duncan of Duncan, and to warn him of impending evil. The traditions of the house told that the Barons of Duncan had again and again felt a premonition of ill fortune. Some of them had yielded and withdrawn from the venture they had undertaken, and it had failed dismally. Some had been obstinate, and had hardened their hearts, and had gone on reckless of defeat and to death. In no case had a Lord Duncan been exposed to peril without fair warning.”
“Then how came it that the father and son were lost in the yacht off the Hebrides?” asked Dear Jones.
“Because they were too enlightened to yield to superstition. There is extant now a letter of Lord Duncan, written to his wife a few minutes before he and his son set sail, in which he tells her how hard he has had to struggle with an almost overmastering desire to give up the trip. Had he obeyed the friendly warning of the family ghost, the latter would have been spared a journey across the Atlantic.”
“Did the ghost leave Scotland for America as soon as the old baron died?” asked Baby Van Rensselaer, with much interest.
“How did he come over,” queried Dear Jones—”in the steerage, or as a cabin passenger?”
“I don’t know,” answered Uncle Larry calmly, “and Eliphalet, he didn’t know. For as he was in no danger, and stood in no need of warning, he couldn’t tell whether the ghost was on duty or not. Of course he was on the watch for it all the time. But he never got any proof of its presence until he went down to the little old house of Salem, just before the Fourth of July. He took a friend down with him—a young fellow who had been in the regular army since the day Fort Sumter was fired on, and who thought that after four years of the little unpleasantness down South, including six months in Libby, and after ten years of fighting the bad Indians on the plains, he wasn’t likely to be much frightened by a ghost. Well, Eliphalet and the officer sat out on the porch all the evening smoking and talking over points in military law. A little after twelve o’clock, just as they began to think it was about time to turn in, they heard the most ghastly noise in the house. It wasn’t a shriek, or a howl, or a yell, or anything they could put a name to. It was an undeterminate, inexplicable shiver and shudder of sound, which went wailing out of the window. The officer had been at Cold Harbor, but he felt himself getting colder this time. Eliphalet knew it was the ghost who haunted the house. As this weird sound died away, it was followed by another, sharp, short, blood-curdling in its intensity. Something in this cry seemed familiar to Eliphalet, and he felt sure that it proceeded from the family ghost, the warning wraith of the Duncans.”
“Do I understand you to intimate that both ghosts were there together?” inquired the Duchess anxiously.
“Both of them were there,” answered Uncle Larry. “You see, one of them belonged to the house, and had to be there all the time, and the other was attached to the person of Baron Duncan, and had to follow him there; wherever he was there was the ghost also. But Eliphalet, he had scarcely time to think this out when he heard both sounds again, not one after another, but both together, and something told him—some sort of an instinct he had—that those two ghosts didn’t agree, didn’t get on together, didn’t exactly hit it off; in fact, that they were quarreling.”
“Quarreling ghosts! Well, I never!” was Baby Van Rensselaer’s remark.
“It is a blessed thing to see ghosts dwell together in unity,” said Dear Jones.
And the Duchess added, “It would certainly be setting a better example.”
“You know,” resumed Uncle Larry, “that two waves of light or of sound may interfere and produce darkness or silence. So it was with these rival spooks. They interfered, but they did not produce silence or darkness. On the contrary, as soon as Eliphalet and the officer went into the house, there began at once a series of spiritualistic manifestations, a regular dark séance. A tambourine was played upon, a bell was rung, and a flaming banjo went singing around the room.”
“Where did they get the banjo?” asked Dear Jones skeptically.
“I don’t know. Materialized it, maybe, just as they did the tambourine. You don’t suppose a quiet New York lawyer kept a stock of musical instruments large enough to fit out a strolling minstrel troupe just on the chance of a pair of ghosts coming to give him a surprise party, do you? Every spook has its own instrument of torture. Angels play on harps, I’m informed, and spirits delight in banjos and tambourines. These spooks of Eliphalet Duncan’s were ghosts with all the modern improvements, and I guess they were capable of providing their own musical weapons. At all events, they had them there in the little old house at Salem the night Eliphalet and his friend came down. And they played on them, and they rang the bell, and they rapped here, there, and everywhere. And they kept it up all night.”
“All night?” asked the awe-stricken Duchess.
“All night long,” said Uncle Larry solemnly; “and the next night, too. Eliphalet did not get a wink of sleep, neither did his friend. On the second night the house ghost was seen by the officer; on the third night it showed itself again; and the next morning the officer packed his grip-sack and took the first train to Boston. He was a New Yorker, but he said he’d sooner go to Boston than see that ghost again. Eliphalet, he wasn’t scared at all, partly because he never saw either the domiciliary or the titular spook, and partly because he felt himself on friendly terms with the spirit world, and didn’t scare easily. But after losing three nights’ sleep and the society of his friend, he began to be a little impatient, and to think that the thing had gone far enough. You see, while in a way he was fond of ghosts, yet he liked them best one at a time. Two ghosts were one too many. He wasn’t bent on making a collection of spooks. He and one ghost were company, but he and two ghosts were a crowd.”
“What did he do?” asked Baby Van Rensselaer.
“Well, he couldn’t do anything. He waited awhile, hoping they would get tired; but he got tired out first. You see, it comes natural to a spook to sleep in the daytime, but a man wants to sleep nights, and they wouldn’t let him sleep nights. They kept on wrangling and quarreling incessantly; they manifested and they dark-séanced as regularly as the old clock on the stairs struck twelve; they rapped and they rang bells and they banged the tambourine and they threw the flaming banjo about the house, and worse than all, they swore.”
“I did not know that spirits were addicted to bad language,” said the Duchess.
“How did he know they were swearing? Could he hear them?” asked Dear Jones.
“That was just it,” responded Uncle Larry; “he could not hear them—at least not distinctly. There were inarticulate murmurs and stifled rumblings. But the impression produced on him was that they were swearing. If they had only sworn right out, he would not have minded it so much, because he would have known the worst. But the feeling that the air was full of suppressed profanity was very wearing and after standing it for a week, he gave up in disgust and went to the White Mountains.”
“Leaving them to fight it out, I suppose,” interjected Baby Van Rensselaer.
“Not at all,” explained Uncle Larry. “They could not quarrel unless he was present. You see, he could not leave the titular ghost behind him, and the domiciliary ghost could not leave the house. When he went away he took the family ghost with him, leaving the house ghost behind. Now spooks can’t quarrel when they are a hundred miles apart any more than men can.”
“And what happened afterward?” asked Baby Van Rensselaer, with a pretty impatience.
“A most marvelous thing happened. Eliphalet Duncan went to the White Mountains, and in the car of the railroad that runs to the top of Mount Washington he met a classmate whom he had not seen for years, and this classmate introduced Duncan to his sister, and this sister was a remarkably pretty girl, and Duncan fell in love with her at first sight, and by the time he got to the top of Mount Washington he was so deep in love that he began to consider his own unworthiness, and to wonder whether she might ever be induced to care for him a little—ever so little.”
“I don’t think that is so marvelous a thing,” said Dear Jones glancing at Baby Van Rensselaer.
“Who was she?” asked the Duchess, who had once lived in Philadelphia.
“She was Miss Kitty Sutton, of San Francisco, and she was a daughter of old Judge Sutton, of the firm of Pixley and Sutton.”
“A very respectable family,” assented the Duchess.
“I hope she wasn’t a daughter of that loud and vulgar old Mrs. Sutton whom I met at Saratoga, one summer, four or five years ago?” said Dear Jones.
“Probably she was.”
“She was a horrid old woman. The boys used to call her Mother Gorgon.”
“The pretty Kitty Sutton with whom Eliphalet Duncan had fallen in love was the daughter of Mother Gorgon. But he never saw the mother, who was in ‘Frisco, or Los Angeles, or Santa Fe, or somewhere out West, and he saw a great deal of the daughter, who was up in the White Mountains. She was traveling with her brother and his wife, and as they journeyed from hotel to hotel, Duncan went with them, and filled out the quartette. Before the end of the summer he began to think about proposing. Of course he had lots of chances, going on excursions as they were every day. He made up his mind to seize the first opportunity, and that very evening he took her out for a moonlight row on Lake Winnipiseogee. As he handed her into the boat he resolved to do it, and he had a glimmer of a suspicion that she knew he was going to do it, too.”
“Girls,” said Dear Jones, “never go out in a rowboat at night with a young man unless you mean to accept him.”
“Sometimes it’s best to refuse him, and get it over once for all,” said Baby Van Rensselaer.
“As Eliphalet took the oars he felt a sudden chill. He tried to shake it off, but in vain. He began to have a growing consciousness of impending evil. Before he had taken ten strokes—and he was a swift oarsman—he was aware of a mysterious presence between him and Miss Sutton.”
“Was it the guardian-angel ghost warning him off the match?” interrupted Dear Jones.
“That’s just what it was,” said Uncle Larry. “And he yielded to it, and kept his peace, and rowed Miss Sutton back to the hotel with his proposal unspoken.”
“More fool he,” said Dear Jones. “It will take more than one ghost to keep me from proposing when my mind is made up.” And he looked at Baby Van Rensselaer.
“The next morning,” continued Uncle Larry, “Eliphalet overslept himself, and when he went down to a late breakfast he found that the Suttons had gone to New York by the morning train. He wanted to follow them at once, and again he felt the mysterious presence overpowering his will. He struggled two days, and at last he roused himself to do what he wanted in spite of the spook. When he arrived in New York it was late in the evening. He dressed himself hastily and went to the hotel where the Suttons put up, in the hope of seeing at least her brother. The guardian angel fought every inch of the walk with him, until he began to wonder whether, if Miss Sutton were to take him, the spook would forbid the banns. At the hotel he saw no one that night, and he went home determined to call as early as he could the next afternoon, and make an end of it. When he left his office about two o’clock the next day to learn his fate, he had not walked five blocks before he discovered that the wraith of the Duncans had withdrawn his opposition to the suit. There was no feeling of impending evil, no resistance, no struggle, no consciousness of an opposing presence. Eliphalet was greatly encouraged. He walked briskly to the hotel; he found Miss Sutton alone. He asked her the question, and got his answer.”
“She accepted him, of course,” said Baby Van Rensselaer.
“Of course,” said Uncle Larry. “And while they were in the first flush of joy, swapping confidences and confessions, her brother came into the parlor with an expression of pain on his face and a telegram in his hand. The former was caused by the latter, which was from ‘Frisco, and which announced the sudden death of Mrs. Sutton, their mother.”
“And that was why the ghost no longer opposed the match?” questioned Dear Jones.
“Exactly. You see, the family ghost knew that Mother Gorgon was an awful obstacle to Duncan’s happiness, so it warned him. But the moment the obstacle was removed, it gave its consent at once.”
The fog was lowering its thick damp curtain, and it was beginning to be difficult to see from one end of the boat to the other. Dear Jones tightened the rug which enwrapped Baby Van Rensselaer, and then withdrew again into his own substantial coverings.
Uncle Larry paused in his story long enough to light another of the tiny cigars he always smoked.
“I infer that Lord Duncan”—the Duchess was scrupulous in the bestowal of titles—”saw no more of the ghosts after he was married.”
“He never saw them at all, at any time, either before or since. But they came very near breaking off the match, and thus breaking two young hearts.”
“You don’t mean to say that they knew any just cause or impediment why they should not forever after hold their peace?” asked Dear Jones.
“How could a ghost, or even two ghosts, keep a girl from marrying the man she loved?” This was Baby Van Rensselaer’s question.
“It seems curious, doesn’t it?” and Uncle Larry tried to warm himself by two or three sharp pulls at his fiery little cigar. “And the circumstances are quite as curious as the fact itself. You see, Miss Sutton wouldn’t be married for a year after her mother’s death, so she and Duncan had lots of time to tell each other all they knew. Eliphalet, he got to know a good deal about the girls she went to school with, and Kitty, she learned all about his family. He didn’t tell her about the title for a long time, as he wasn’t one to brag. But he described to her the little old house at Salem. And one evening toward the end of the summer, the wedding-day having been appointed for early in September, she told him that she didn’t want to bridal tour at all; she just wanted to go down to the little old house at Salem to spend her honeymoon in peace and quiet, with nothing to do and nobody to bother them. Well, Eliphalet jumped at the suggestion. It suited him down to the ground. All of a sudden he remembered the spooks, and it knocked him all of a heap. He had told her about the Duncan Banshee, and the idea of having an ancestral ghost in personal attendance on her husband tickled her immensely. But he had never said anything about the ghost which haunted the little old house at Salem. He knew she would be frightened out of her wits if the house ghost revealed itself to her, and he saw at once that it would be impossible to go to Salem on their wedding trip. So he told her all about it, and how whenever he went to Salem the two ghosts interfered, and gave dark séances and manifested and materialized and made the place absolutely impossible. Kitty, she listened in silence, and Eliphalet, he thought she had changed her mind. But she hadn’t done anything of the kind.”
“Just like a man—to think she was going to,” remarked Baby Van Rensselaer.
“She just told him she could not bear ghosts herself, but she would not marry a man who was afraid of them.”
“Just like a girl—to be so inconsistent,” remarked Dear Jones.
Uncle Larry’s tiny cigar had long been extinct. He lighted a new one, and continued: “Eliphalet protested in vain. Kitty said her mind was made up. She was determined to pass her honeymoon in the little old house at Salem, and she was equally determined not to go there as long as there were any ghosts there. Until he could assure her that the spectral tenants had received notice to quit, and that there was no danger of manifestations and materializing, she refused to be married at all. She did not intend to have her honeymoon interrupted by two wrangling ghosts, and the wedding could be postponed until he had made ready the house for her.”
“She was an unreasonable young woman,” said the Duchess.
“Well, that’s what Eliphalet thought, much as he was in love with her. And he believed he could talk her out of her determination. But he couldn’t. She was set. And when a girl is set, there’s nothing to do but yield to the inevitable. And that’s just what Eliphalet did. He saw he would either have to give her up or to get the ghosts out; and as he loved her and did not care for the ghosts, he resolved to tackle the ghosts. He had clear grit, Eliphalet had—he was half Scotch and half Yankee, and neither breed turns tail in a hurry. So he made his plans and he went down to Salem. As he said good-by to Kitty he had an impression that she was sorry she had made him go, but she kept up bravely, and put a bold face on it, and saw him off, and went home and cried for an hour, and was perfectly miserable until he came back the next day.”
“Did he succeed in driving the ghosts away?” asked Baby Van Rensselaer, with great interest.
“That’s just what I’m coming to,” said Uncle Larry, pausing at the critical moment, in the manner of the trained story teller. “You see, Eliphalet had got a rather tough job, and he would gladly have had an extension of time on the contract, but he had to choose between the girl and the ghosts, and he wanted the girl. He tried to invent or remember some short and easy way with ghosts, but he couldn’t. He wished that somebody had invented a specific for spooks—something that would make the ghosts come out of the house and die in the yard. He wondered if he could not tempt the ghosts to run in debt, so that he might get the sheriff to help him. He wondered also whether the ghosts could not be overcome with strong drink—a dissipated spook, a spook with delirium tremens, might be committed to the inebriate asylum. But none of these things seemed feasible.”
“What did he do?” interrupted Dear Jones. “The learned counsel will please speak to the point.”
“You will regret this unseemly haste,” said Uncle Larry, gravely, “when you know what really happened.”
“What was it, Uncle Larry?” asked Baby Van Rensselaer. “I’m all impatience.”
And Uncle Larry proceeded:
“Eliphalet went down to the little old house at Salem, and as soon as the clock struck twelve the rival ghosts began wrangling as before. Raps here, there, and everywhere, ringing bells, banging tambourines, strumming banjos sailing about the room, and all the other manifestations and materializations followed one another just as they had the summer before. The only difference Eliphalet could detect was a stronger flavor in the spectral profanity; and this, of course, was only a vague impression, for he did not actually hear a single word. He waited awhile in patience, listening and watching. Of course he never saw either of the ghosts, because neither of them could appear to him. At last he got his dander up, and he thought it was about time to interfere, so he rapped on the table, and asked for silence. As soon as he felt that the spooks were listening to him he explained the situation to them. He told them he was in love, and that he could not marry unless they vacated the house. He appealed to them as old friends, and he laid claim to their gratitude. The titular ghost had been sheltered by the Duncan family for hundreds of years, and the domiciliary ghost had had free lodging in the little old house at Salem for nearly two centuries. He implored them to settle their differences, and to get him out of his difficulty at once. He suggested they’d better fight it out then and there, and see who was master. He had brought down with him all needful weapons. And he pulled out his valise, and spread on the table a pair of navy revolvers, a pair of shot-guns, a pair of dueling swords, and a couple of bowie-knives. He offered to serve as second for both parties, and to give the word when to begin. He also took out of his valise a pack of cards and a bottle of poison, telling them that if they wished to avoid carnage they might cut the cards to see which one should take the poison. Then he waited anxiously for their reply. For a little space there was silence. Then he became conscious of a tremulous shivering in one corner of the room, and he remembered that he had heard from that direction what sounded like a frightened sigh when he made the first suggestion of the duel. Something told him that this was the domiciliary ghost, and that it was badly scared. Then he was impressed by a certain movement in the opposite corner of the room, as though the titular ghost were drawing himself up with offended dignity. Eliphalet couldn’t exactly see these things, because he never saw the ghosts, but he felt them. After a silence of nearly a minute a voice came from the corner where the family ghost stood—a voice strong and full, but trembling slightly with suppressed passion. And this voice told Eliphalet it was plain enough that he had not long been the head of the Duncans, and that he had never properly considered the characteristics of his race if now he supposed that one of his blood could draw his sword against a woman. Eliphalet said he had never suggested that the Duncan ghost should raise his hand against a woman and all he wanted was that the Duncan ghost should fight the other ghost. And then the voice told Eliphalet that the other ghost was a woman.”
“What?” said Dear Jones, sitting up suddenly. “You don’t mean to tell me that the ghost which haunted the house was a woman?”
“Those were the very words Eliphalet Duncan used,” said Uncle Larry; “but he did not need to wait for the answer. All at once he recalled the traditions about the domiciliary ghost, and he knew that what the titular ghost said was the fact. He had never thought of the sex of a spook, but there was no doubt whatever that the house ghost was a woman. No sooner was this firmly fixed in Eliphalet’s mind than he saw his way out of the difficulty. The ghosts must be married!—for then there would be no more interference, no more quarreling, no more manifestations and materializations, no more dark séances, with their raps and bells and tambourines and banjos. At first the ghosts would not hear of it. The voice in the corner declared that the Duncan wraith had never thought of matrimony. But Eliphalet argued with them, and pleaded and persuaded and coaxed, and dwelt on the advantages of matrimony. He had to confess, of course, that he did not know how to get a clergyman to marry them; but the voice from the corner gravely told him that there need be no difficulty in regard to that, as there was no lack of spiritual chaplains. Then, for the first time, the house ghost spoke, in a low, clear, gentle voice, and with a quaint, old-fashioned New England accent, which contrasted sharply with the broad Scotch speech of the family ghost. She said that Eliphalet Duncan seemed to have forgotten that she was married. But this did not upset Eliphalet at all; he remembered the whole case clearly, and he told her she was not a married ghost, but a widow, since her husband had been hung for murdering her. Then the Duncan ghost drew attention to the great disparity of their ages, saying that he was nearly four hundred and fifty years old, while she was barely two hundred. But Eliphalet had not talked to juries for nothing; he just buckled to, and coaxed those ghosts into matrimony. Afterward he came to the conclusion that they were willing to be coaxed, but at the time he thought he had pretty hard work to convince them of the advantages of the plan.”
“Did he succeed?” asked Baby Van Rensselaer, with a young lady’s interest in matrimony.
“He did,” said Uncle Larry. “He talked the wraith of the Duncans and the specter of the little old house at Salem into a matrimonial engagement. And from the time they were engaged he had no more trouble with them. They were rival ghosts no longer. They were married by their spiritual chaplain the very same day that Eliphalet Duncan met Kitty Sutton in front of the railing of Grace Church. The ghostly bride and bridegroom went away at once on their bridal tour, and Lord and Lady Duncan went down to the little old house at Salem to pass their honeymoon.”
Uncle Larry stopped. His tiny cigar was out again. The tale of the rival ghosts was told. A solemn silence fell on the little party on the deck of the ocean steamer, broken harshly by the hoarse roar of the fog-horn.
A lock keeper from the adjacent lock next The Portobello Bar in Dublin is said to be haunting it. Ever since his mistake cost the lives of someone crossing, he is said to be lingering in the area.
In an old sanatorium in Switzerland the ghost of Hermann is said to have been haunting for ages. But who was he when he was alive, and what was his true name before he died in the remote fortress up in the mountains? And is he still haunting the old halls where he never made his recovery?
After his master died at sea, the faithful dog was by his master’s grave, day in and day out. After dying of hunger and grief it is said that the Newfoundland dog is still seen, slipping between the graves at Glasnevin Cemetery in Dublin.
Once, the city of Bern was filled with nuns working and living inside of the city walls. According to ghost stories though, some of them remained, even after the Reformation that closed their convents down. And those stories tell about them being guilty of terrible things with terrible ends.
Seeking new land and a new life, the Salladay family went to Ohio, but brought a silent killer with them: Consumption. Falling into odd superstitions, they believed the only way to stop the disease was to stop the undead from rising from their graves.
Is Cell Number 11 in the former prison for the criminally insane haunted? The attic of the Norwegian Justice Museum in Trondheim, Norway has had many who come out, claiming so.
Now a place you can rent and stay at, the Beck House in Canada is said to be one of the more haunted places. Those who have stayed the night come back with stories of strange encounters, believed to be the ghost of the Beck family members.
Where the Nydegg Church is today, there once used to be a castle. Tales about ghosts lingering around the old Nydegg Castle and the stairs leading up to it still roams. And one of the more infamous and feared ghosts of Bern is the Burgträppe-Balzli.
The Haunted Ruins of Beaupre Castle in Wales is one of the places in Wales said to have been haunted by the wailing spirit and deadly omen of the The Gwrach y Rhibyn, also known as the Hag of Mist.
It is said a cross shows up in the window of the Iveagh House in Dublin, the former home of the powerful Guinness family. Legend has it’s a haunting that happened after a maid was denied her last rites in the house.
Said to have been conjured up by a sorcerer or even the fairy folk themselves, Pennard Castles history is both mysterious and haunted by the sound of the howling witch left in the sandy ruins of the abandoned castle in Wales.
For a long time, Larnach Castle was New Zealand’s only castle, and for a long time, also one of the more haunted places in the country. Built by a rich banker to live with his family, his dream of a lasting dynasty ended when personal tragedies as well as failed political and business ventures started to turn the family against each other.
“Meddle not with my new vine, child! See! Thou hast already broken the tender shoot! Never needle or distaff for thee, and yet thou wilt not be quiet!”
The nervous fingers wavered, clutched at a small carnelian cross that hung from her neck, then fell despairingly.
“Give me my child, mother, and then I will be quiet!”
“Hush! hush! thou fool-some one might be near! See-there is thy father coming, even now! Get in quickly!”
She raised her eyes to her mother’s face, weary eyes that yet had a flickering, uncertain blaze in their shaded depths.
“Art thou a mother and hast no pity on me, a mother? Give me my child!”
Her voice rose in a strange, low cry, broken by her father’s hand upon her mouth.
“Shameless!” said he, with set teeth. “Get to thy chamber, and be not seen again to-night, or I will have thee bound!”
She went at that, and a hard-faced serving woman followed, and presently returned, bringing a key to her mistress.
“Is all well with her-and the child also?”
“She is quiet, Mistress Dwining, well for the night, be sure. The child fretteth endlessly, but save for that it thriveth with me.”
The parents were left alone together on the high square porch with its great pillars, and the rising moon began to make faint shadows of the young vinc leaves that shot up luxuriantly around them: moving shadows, like lit-tie stretching fingers, on the broad and heavy planks of the oaken floor.
“It groweth well, this vine thou broughtest me in the ship, my husband.”
“Aye,” he broke in bitterly, “and so doth the shame I brought thee! Had I known of it I would sooner have had the ship founder beneath us, and have seen our child cleanly drowned, than live to this end!”
“Thou art very hard, Samuel, art thou not afeard for her life? She grieveth sore for the child, aye, and for the green fields to walk in!”
“Nay,” said he grimly, “I fear not. She hath lost already what is more than life; and she shall have air enough soon. To-morrow the ship is ready, and we return to England. None knoweth of our stain here, not one, and if the town hath a child unaccounted for to rear in decent ways—why, it is not the first, even here. It will be well enough cared for! And truly we have matter for thankfulness, that her cousin is yet willing to marry her.”
“Has thou told him?”
“Aye! Thinkest thou I would cast shame into another man’s house, unknowing it? He hath always desired her, but she would none of him, the stubborn! She hath small choice now!”
“Will he be kind, Samuel? can he-”
“Kind? What call’st thou it to take such as she to wife? Kind! How many men would take her, an’ she had double the fortune? and being of the family already, he is glad to hide the blot forever.”
“An’ if she would not? He is but a coarse fellow, and she ever shunned him.” “Art thou mad, woman? She weddeth him ere we? sail to-morrow, or she stayeth ever in that chamber. The girl is not so sheer a fool! He maketh an honest woman of her, and saveth our house from open shame. What other hope for her than a new life to cover the old? Let her have an honest child, an’ she so longeth for one!”
He strode heavily across the porch, till the loose planks creaked again, strode back and forth, with his arms folded and his brows fiercely knit above his iron mouth.
Overhead the shadows flickered mockingly across a white face amoung the leaves, with eyes of wasted fire.
“O, George, what a house! what a lovely house! I am sure it’s haunted! Let us get that house to live in this summer! We will have Kate and Jack and Susy and Jim of course, and a splendid time of it!”
Young husbands are indulgent, but still they have to recognize facts.
“My dear, the house may not be to rent: and it may also not be habitable.”
“There is surely somebody in it. I am going to inquire!”
The great central gate was rusted off its hinges, and the long drive had trees in it, but a little footpath showed signs of steady usage, and up that Mrs. Jenny went, followed by her obedient George. The front windows of the old mansion were blank, but in a wing at the back they found white curtains and open doors. Outside, in the clear May sunshine, a woman was washing. She was polite and friendly, and evidently glad of visitors in that lonely place. She “guessed it could be rented-didn’t know.” The heirs were in Europe, but “there was a lawyer in New York had the lettin’ of it.”
There had been folks there years ago, but not in her time. She and her husband had the rent of their part for taking care of the place. “Not that they took much care on’t either, but keepin’ robbers out.” It was furnished throughout, old-fashioned enough, but good; and “if they took it she could do the work for ’em herself, she guessed-if he was willin’!”
Never was a crazy scheme more easily arranged. George knew that lawyer in New York; the rent was not alarming; and the nearness to a rising sea-shore resort made it a still pleasanter place to spend the summer.
Kate and Jack and Susy and Jim cheerfully accepted, and the June moon found them all sitting on the high front porch.
They had explored the house from top to bottom, from the great room in the garret, with nothing in it but a rickety cradle, to the well in the cellar without a curb and with a rusty chain going down to unknown blackness below. They had explored the grounds, once beautiful with rare trees and shrubs, but now a gloomy wilderness of tangled shade.
The old lilacs and laburnums, the spirea and syringa, nodded against the second-story windows. What garden plants survived were great ragged bushes or great shapeless beds. A huge wistaria vine covered the whole front of the house. The trunk, it was too large to call a stem, rose at the corner of the porch by the high steps, and had once climbed its pillars; but now the pillars were wrenched from their places and held rigid and helpless by the tightly wound and knotted arms.
It fenced in all the upper story of the porch with a knitted wall of stem and leaf; it ran along the eaves, holding up the gutter that had once supported it; it shaded every window with heavy green; and the drooping, fragrant blossoms made a waving sheet of purple from roof to ground… “Did you ever see such a wistaria!” cried ecstatic Mrs. Jenny. “It is worth the rent just to sit under such a vine,-a fig tree beside it would be sheer superfluity and wicked extravagance!”
“Jenny makes much of her wistaria,” said George, “because she’s so disappointed about the ghosts. She made up her mind at first sight to have ghosts in the house, and she can’t find even a ghost story!”
“No,” Jenny assented mournfully; “I pumped poor Mrs. Pepperill for three days, but could get nothing out of her. But I’m convinced there is a story, if we could only find it. You need not tell me that a house like this, with a garden like this, and a cellar like this, isn’t haunted!”
“I agree with you,” said Jack. Jack was a reporter on a New York daily, and engaged to Mrs. Jenny’s pretty sister. “And if we don’t find a real ghost, you may be very sure I shall make one. It’s too good an opportunity to lose!”
The pretty sister, who sat next him, resented. “You shan’t do anything of the sort, Jack! This is a real ghostly place, and I won’t have you make fun of it! Look at that group of trees out there in the long grass-it looks for all the world like a crouching, hunted figure!”
“It looks to me like a woman picking huckleberries,” said Jim, who was married to George’s pretty sister.
“Be still, Jim!” said that fair young woman. “I believe in Jenny’s ghost as much as she does. Such a place! Just look at this great wistaria trunk crawling up by the steps here! It looks for all the world like a writhing body-cringing-beseeching!”
“Yes,” answered the subdued Jim, “it does, Susy. See its waist,-about two yards of it, and twisted at that! A waste of good material!”
“Don’t be so horrid, boys! Go off and smoke somewhere if you can’t be congenial!”
“We can! We will! We’ll be as ghostly as you please:’ And forthwith they began to see bloodstains and crouching figures so plentifully that the most delightful shivers multiplied, and the fair enthusiasts started for bed, declaring they should never sleep a wink.
“We shall all surely dream,” cried Mrs. Jenny, “and we must all tell our dreams in the morning!”
“There’s another thing certain,” said George, catching Susy as she tripped over a loose plank; “and that is that you frisky creatures must use the side door till I get this Eiffel tower of a portico fixed, or we shall have some fresh ghosts on our hands! We found a plank here that yawns like a trap-door-big enough to swallow you,-and I believe the bottom of the thing is in China!”
The next morning found them all alive, and eating a substantial New England breakfast, to the accompaniment of saws and hammers on the porch, where carpenters of quite miraculous promptness were tearing things to pieces generally.
“It’s got to come down mostly,” they had said. “These timbers are clean rotted through, what ain’t pulled out o’ line by this great creeper. That’s about all that holds the thing up.”
There was clear reason in what they said, and with a caution from anxious Mrs. Jenny not to hurt the wistaria, they were left to demolish and repair at leisure.
“How about ghosts?” asked Jack after a fourth griddle cake. “I had one, and it’s taken away my appetite!”
Mrs. Jenny gave a little shriek and dropped her knife and fork.
“Oh, so had I! I had the most awful-well, not dream exactly, but feeling. I had forgotten all about it!”
“Must have been awful,” said Jack, taking another cake. “Do tell us about the feeling. My ghost will wait.” “It makes me creep to think of it even now,” she said. “I woke up, all at once, with that dreadful feeling as if something were going to happen, you know! I was wide awake, and hearing every little sound for miles around, it seemed to me. There are so many strange little noises in the country for all it is so still. Millions of crickets and things outside, and all kinds of rustles in the trees! There wasn’t much wind, and the moonlight came through in my three great windows in three white squares on the black old floor, and those fingery wistaria leaves we were talking of last night just seemed to crawl all over them. And-O, girls, you know that dreadful well in the cellar?”
A most gratifying impression was made by this, and Jenny proceeded cheerfully:
“Well, while it was so horridly still, and I lay there trying not to wake George, I heard as plainly as if it were right in the room, that old chain down there rattle and creak over the stones!”
“Bravo!” cried Jack. “That’s fine! I’ll put it in the Sunday edition!”
“Be still!” said Kate. “What was it, Jenny? Did you really see anything?”
“No, I didn’t, I’m sorry to say. But just then I didn’t want to. I woke George, and made such a fuss that he gave me bromide, and said he’d go and look, and that’s the last I thought of it till Jack reminded me-the bromide worked so well.”
“Now, Jack, give us yours,” said Jim. “Maybe, it will dovetail in somehow. Thirsty ghost, I imagine; maybe they had prohibition here even then!”
Jack folded his napkin, and leaned back in his most impressive manner.
“It was striking twelve by the great hall clock-” he began.
“There isn’t any hall clock!”
“O hush, Jim, you spoil the current! It was just one o’clock then, by my old-fashioned repeater.
“Waterbury! Never mind what time it was!”
“Well, honestly, I woke up sharp, like our beloved hostess, and tried to go to sleep again, but couldn’t. I experienced all those moonlight and grasshopper sensations, just like Jenny, and was wondering what could have been the matter with the supper, when in came my ghost, and I knew it was all a dream! It was a female ghost, and I imagine she was young and handsome, but all those crouching, hunted figures of last evening ran riot in my brain, and this poor creature looked just like them. She was all wrapped up in a shawl, and had a big bundle under her arm,-dear me, I am spoiling the story! With the air and gait of one in frantic haste and terror, the muffled figure glided to a dark old bureau, and seemed taking things from the drawers. As she turned, the moonlight shone full on a little red cross that hung from her neck by a thin gold chain-I saw it glitter as she crept noiselessly’ from the room! That’s all.”
“O Jack, don’t be so horrid! Did you really? Is that all! What do you think it was?”
“I am not horrid by nature, only professionally. I really did. That was all. And I am fully convinced it was the genuine, legitimate ghost of an eloping chambermaid with kleptomania!”
“You are too bad, Jack!” cried Jenny. “You take all the horror out of it. There isn’t a ‘creep’ left among us.”
“It’s no time for creeps at nine-thirty A.M., with sunlight and carpenters outside! However, if you can’t wait till twilight for your creeps, I think I can furnish one or two,” said George. “I went down cellar after Jenny’s ghost!”
There was a delighted chorus of female voices, and Jenny cast upon her lord a glance of genuine gratitude.
“It’s all very well to lie in bed and see ghosts, or hear them,” he went on. “But the young householder suspecteth burglars, even though as a medical man he knoweth nerves, and after Jenny dropped off I started on a voyage of discovery. I never will again, I promise you!” “Why, what was it?”
“Oh, George!”
“I got a candle-”
“Good mark for the burglars,” murmured Jack.
“And went all over the house, gradually working down to the cellar and the well.”
“Well?” said Jack.
“Now you can laugh; but that cellar is no joke by daylight, and a candle there at night is about as inspiring as a lightning-bug in the Mammoth Cave. I went along with the light, trying not to fall into the well prematurely; got to it all at once; held the light down and then I saw, right under my feet-(I nearly fell over her, or walked through her, perhaps),-a woman, hunched up under a shawl! She had hold of the chain, and the candle shone on her hands-white, thin hands-on a little red cross that hung from her neck-ride Jack! I’m no believer in ghosts, and I firmly object to unknown parties in the house at night; so I spoke to her rather fiercely. She didn’t seem to notice that, and I reached down to take hold of her-then I came upstairs!”
“What for?”
“What happened?”
“What was the matter?”
“Well, nothing happened. Only she wasn’t there! May have been indigestion, of course, but as a physician I don’t advise any one to court indigestion alone at midnight in a cellar!”
“This is the most interesting and peripatetic and evasive ghost I ever heard of!” said Jack. “It’s my belief she has no end of silver tankards, and jewels galore, at the bottom of that well, and I move we go and see!”
“To the bottom of the well, Jack?”
“To the bottom of the mystery. Come on!”
There was unanimous assent, and the fresh cambrics and pretty boots were gallantly escorted below by gentlemen whose jokes were so frequent that many of them were a little forced.
The deep old cellar was so dark that they had to bring lights, and the well so gloomy in its blackness that the ladies recoiled.
“That well is enough to scare even a ghost. It’s my opinion you’d better let well enough alone?” quoth Jim.
“Truth lies hid in a well, and we must get her out,” said George. “Bear a hand with the chain?”
Jim pulled away on the chain, George turned the creaking windlass, and Jack was chorus.
“A wet sheet for this ghost, if not a flowing sea,” said he. “Seems to be hard work raising spirits! I suppose he kicked the bucket when he went down!”
As the chain lightened and shortened there grew a strained silence among them; and when at length the bucket appeared, rising slowly through the dark water, there was an eager, half reluctant peering, and a natural drawing back. They poked the gloomy contents. “Only water.”
“Nothing but mud.”
“Something-”
They emptied the bucket up on the dark earth, and then the girls all went out into the air, into the bright warm sunshine in front of the house, where was the sound of saw and hammer, and the smell of new wood. There was nothing said until the men joined them, and then Jenny timidly asked:
“How old should you think it was, George?”
“All of a century,” he answered. “That water is a preservative-lime in it. Oh!-you mean?—Not more than a month: a very little baby!”
There was another silence at this, broken by a cry from the workmen. They had removed the floor and the side walls of the old porch, so that the sunshine poured down to the dark stones of the cellar bottom. And there, in the strangling grasp of the roots of the great wistaria, lay the bones of a woman, from whose neck still hung a tiny scarlet cross on a thin chain of gold.
A lock keeper from the adjacent lock next The Portobello Bar in Dublin is said to be haunting it. Ever since his mistake cost the lives of someone crossing, he is said to be lingering in the area.
In an old sanatorium in Switzerland the ghost of Hermann is said to have been haunting for ages. But who was he when he was alive, and what was his true name before he died in the remote fortress up in the mountains? And is he still haunting the old halls where he never made his recovery?
After his master died at sea, the faithful dog was by his master’s grave, day in and day out. After dying of hunger and grief it is said that the Newfoundland dog is still seen, slipping between the graves at Glasnevin Cemetery in Dublin.
Once, the city of Bern was filled with nuns working and living inside of the city walls. According to ghost stories though, some of them remained, even after the Reformation that closed their convents down. And those stories tell about them being guilty of terrible things with terrible ends.
Seeking new land and a new life, the Salladay family went to Ohio, but brought a silent killer with them: Consumption. Falling into odd superstitions, they believed the only way to stop the disease was to stop the undead from rising from their graves.
Is Cell Number 11 in the former prison for the criminally insane haunted? The attic of the Norwegian Justice Museum in Trondheim, Norway has had many who come out, claiming so.
Now a place you can rent and stay at, the Beck House in Canada is said to be one of the more haunted places. Those who have stayed the night come back with stories of strange encounters, believed to be the ghost of the Beck family members.
Where the Nydegg Church is today, there once used to be a castle. Tales about ghosts lingering around the old Nydegg Castle and the stairs leading up to it still roams. And one of the more infamous and feared ghosts of Bern is the Burgträppe-Balzli.
The Haunted Ruins of Beaupre Castle in Wales is one of the places in Wales said to have been haunted by the wailing spirit and deadly omen of the The Gwrach y Rhibyn, also known as the Hag of Mist.
It is said a cross shows up in the window of the Iveagh House in Dublin, the former home of the powerful Guinness family. Legend has it’s a haunting that happened after a maid was denied her last rites in the house.
Said to have been conjured up by a sorcerer or even the fairy folk themselves, Pennard Castles history is both mysterious and haunted by the sound of the howling witch left in the sandy ruins of the abandoned castle in Wales.
For a long time, Larnach Castle was New Zealand’s only castle, and for a long time, also one of the more haunted places in the country. Built by a rich banker to live with his family, his dream of a lasting dynasty ended when personal tragedies as well as failed political and business ventures started to turn the family against each other.
One summer, in my wanderings with a knapsack, I was at luncheon in the room of a wayside inn in the western country, when the door opened and there entered an old rustic, who crossed close to my end of the table and sat himself down very quietly in the seat by the bow window. We exchanged glances, or, properly speaking, nods, for at the moment I did not actually raise my eyes to his face, so concerned was I with the important business of satisfying an appetite gained by tramping twelve miles over a difficult country.
The fine warm rain of seven o’clock, which had since risen in a kind of luminous mist about the tree tops, now floated far overhead in a deep blue sky, and the day was settling down into a blaze of golden light. It was one of those days peculiar to Somerset and North Devon, when the orchards shine and the meadows seem to add a radiance of their own, so brilliantly soft are the colourings of grass and foliage.
The inn-keeper’s daughter, a little maiden with a simple country loveliness, presently entered with a foaming pewter mug, enquired after my welfare, and went out again. Apparently she had not noticed the old man sitting in the settle by the bow window, nor had he, for his part, so much as once turned his head in our direction.
Under ordinary circumstances I should probably have given no thought to this other occupant of the room; but the fact that it was supposed to be reserved for my private use, and the singular thing that he sat looking aimlessly out of the window, with no attempt to engage me in conversation, drew my eyes more than once somewhat curiously upon him, and I soon caught myself wondering why he sat there so silently, and always with averted head.
He was, I saw, a rather bent old man in rustic dress, and the skin of his face was wrinkled like that of an apple; corduroy trousers were caught up with a string below the knee, and he wore a sort of brown fustian jacket that was very much faded. His thin hand rested upon a stoutish stick. He wore no hat and carried none, and I noticed that his head, covered with silvery hair, was finely shaped and gave the impression of something noble.
Though rather piqued by his studied disregard of my presence, I came to the conclusion that he probably had something to do with the little hostel and had a perfect right to use this room with freedom, and I finished my luncheon without breaking the silence and then took the settle opposite to smoke a pipe before going on my way.
Through the open window came the scents of the blossoming fruit trees; the orchard was drenched in sunshine and the branches danced lazily in the breeze; the grass below fairly shone with white and yellow daisies, and the red roses climbing in profusion over the casement mingled their perfume with the sweetly penetrating odour of the sea.
It was a place to dawdle in, to lie and dream away a whole afternoon, watching the sleepy butterflies and listening to the chorus of birds which seemed to fill every corner of the sky. Indeed, I was already debating in my mind whether to linger and enjoy it all instead of taking the strenuous pathway over the hills, when the old rustic in the settle opposite suddenly turned his face towards me for the first time and began to speak.
His voice had a quiet dreamy note in it that was quite in harmony with the day and the scene, but it sounded far away, I thought, almost as though it came to me from outside where the shadows were weaving their eternal tissue of dreams upon the garden floor. Moreover, there was no trace in it of the rough quality one might naturally have expected, and, now that I saw the full face of the speaker for the first time, I noted with something like a start that the deep, gentle eyes seemed far more in keeping with the timbre of the voice than with the rough and very countrified appearance of the clothes and manner. His voice set pleasant waves of sound in motion towards me, and the actual words, if I remember rightly, were–
“You are a stranger in these parts?” or “Is not this part of the country strange to you?”
There was no “sir,” nor any outward and visible sign of the deference usually paid by real country folk to the town-bred visitor, but in its place a gentleness, almost a sweetness, of polite sympathy that was far more of a compliment than either.
I answered that I was wandering on foot through a part of the country that was wholly new to me, and that I was surprised not to find a place of such idyllic loveliness marked upon my map.
“I have lived here all my life,” he said, with a sigh, “and am never tired of coming back to it again.”
“Then you no longer live in the immediate neighbourhood?”
“I have moved,” he answered briefly, adding after a pause in which his eyes seemed to wander wistfully to the wealth of blossoms beyond the window; “but I am almost sorry, for nowhere else have I found the sunshine lie so warmly, the flowers smell so sweetly, or the winds and streams make such tender music. . . .”
His voice died away into a thin stream of sound that lost itself in the rustle of the rose-leaves climbing in at the window, for he turned his head away from me as he spoke and looked out into the garden. But it was impossible to conceal my surprise, and I raised my eyes in frank astonishment on hearing so poetic an utterance from such a figure of a man, though at the same time realising that it was not in the least inappropriate, and that, in fact, no other sort of expression could have properly been expected from him.
“I am sure you are right,” I answered at length, when it was clear he had ceased speaking; “or there is something of enchantment here–of real fairy-like enchantment–that makes me think of the visions of childhood days, before one knew anything of–of–“
I had been oddly drawn into his vein of speech, some inner force compelling me. But here the spell passed and I could not catch the thoughts that had a moment before opened a long vista before my inner vision.
“To tell you the truth,” I concluded lamely, “the place fascinates me and I am in two minds about going further–“
Even at this stage I remember thinking it odd that I should be talking like this with a stranger whom I met in a country inn, for it has always been one of my failings that to strangers my manner is brief to surliness. It was as though we were figures meeting in a dream, speaking without sound, obeying laws not operative in the everyday working world, and about to play with a new scale of space and time perhaps. But my astonishment passed quickly into an entirely different feeling when I became aware that the old man opposite had turned his head from the window again, and was regarding me with eyes so bright they seemed almost to shine with an inner flame. His gaze was fixed upon my face with an intense ardour, and his whole manner had suddenly become alert and concentrated. There was something about him I now felt for the first time that made little thrills of excitement run up and down my back. I met his look squarely, but with an inward tremor.
“Stay, then, a little while longer,” he said in a much lower and deeper voice than before; “stay, and I will teach you something of the purpose of my coming.”
He stopped abruptly. I was conscious of a decided shiver.
“You have a special purpose then–in coming back?” I asked, hardly knowing what I was saying.
“To call away someone,” he went on in the same thrilling voice, “someone who is not quite ready to come, but who is needed elsewhere for a worthier purpose.” There was a sadness in his manner that mystified me more than ever.
“You mean–?” I began, with an unaccountable access of trembling.
“I have come for someone who must soon move, even as I have moved.”
He looked me through and through with a dreadfully piercing gaze, but I met his eyes with a full straight stare, trembling though I was, and I was aware that something stirred within me that had never stirred before, though for the life of me I could not have put a name to it, or have analysed its nature. Something lifted and rolled away. For one single second I understood clearly that the past and the future exist actually side by side in one immense Present; that it was I who moved to and fro among shifting, protean appearances.
The old man dropped his eyes from my face, and the momentary glimpse of a mightier universe passed utterly away. Reason regained its sway over a dull, limited kingdom.
“Come to-night,” I heard the old man say, “come to me to-night into the Wood of the Dead. Come at midnight–“
Involuntarily I clutched the arm of the settle for support, for I then felt that I was speaking with someone who knew more of the real things that are and will be, than I could ever know while in the body, working through the ordinary channels of sense–and this curious half-promise of a partial lifting of the veil had its undeniable effect upon me.
The breeze from the sea had died away outside, and the blossoms were still. A yellow butterfly floated lazily past the window. The song of the birds hushed–I smelt the sea–I smelt the perfume of heated summer air rising from fields and flowers, the ineffable scents of June and of the long days of the year–and with it, from countless green meadows beyond, came the hum of myriad summer life, children’s voices, sweet pipings, and the sound of water falling.
I knew myself to be on the threshold of a new order of experience–of an ecstasy. Something drew me forth with a sense of inexpressible yearning towards the being of this strange old man in the window seat, and for a moment I knew what it was to taste a mighty and wonderful sensation, and to touch the highest pinnacle of joy I have ever known. It lasted for less than a second, and was gone; but in that brief instant of time the same terrible lucidity came to me that had already shown me how the past and future exist in the present, and I realised and understood that pleasure and pain are one and the same force, for the joy I had just experienced included also all the pain I ever had felt, or ever could feel. . . .
The sunshine grew to dazzling radiance, faded, passed away. The shadows paused in their dance upon the grass, deepened a moment, and then melted into air. The flowers of the fruit trees laughed with their little silvery laughter as the wind sighed over their radiant eyes the old, old tale of its personal love. Once or twice a voice called my name. A wonderful sensation of lightness and power began to steal over me.
Suddenly the door opened and the inn-keeper’s daughter came in. By all ordinary standards, her’s was a charming country loveliness, born of the stars and wild-flowers, of moonlight shining through autumn mists upon the river and the fields; yet, by contrast with the higher order of beauty I had just momentarily been in touch with, she seemed almost ugly. How dull her eyes, how thin her voice, how vapid her smile, and insipid her whole presentment.
For a moment she stood between me and the occupant of the window seat while I counted out the small change for my meal and for her services; but when, an instant later, she moved aside, I saw that the settle was empty and that there was no longer anyone in the room but our two selves.
This discovery was no shock to me; indeed, I had almost expected it, and the man had gone just as a figure goes out of a dream, causing no surprise and leaving me as part and parcel of the same dream without breaking of continuity. But, as soon as I had paid my bill and thus resumed in very practical fashion the thread of my normal consciousness, I turned to the girl and asked her if she knew the old man who had been sitting in the window seat, and what he had meant by the Wood of the Dead.
The maiden started visibly, glancing quickly round the empty room, but answering simply that she had seen no one. I described him in great detail, and then, as the description grew clearer, she turned a little pale under her pretty sunborn and said very gravely that it must have been the ghost.
“Ghost! What ghost?”
“Oh, the village ghost,” she said quietly, coming closer to my chair with a little nervous movement of genuine alarm, and adding in a lower voice, “He comes before a death, they say!”
It was not difficult to induce the girl to talk, and the story she told me, shorn of the superstition that had obviously gathered with the years round the memory of a strangely picturesque figure, was an interesting and peculiar one.
The inn, she said, was originally a farmhouse, occupied by a yeoman farmer, evidently of a superior, if rather eccentric, character, who had been very poor until he reached old age, when a son died suddenly in the Colonies and left him an unexpected amount of money, almost a fortune.
The old man thereupon altered no whit his simple manner of living, but devoted his income entirely to the improvement of the village and to the assistance of its inhabitants; he did this quite regardless of his personal likes and dislikes, as if one and all were absolutely alike to him, objects of a genuine and impersonal benevolence. People had always been a little afraid of the man, not understanding his eccentricities, but the simple force of this love for humanity changed all that in a very short space of time; and before he died he came to be known as the Father of the Village and was held in great love and veneration by all.
A short time before his end, however, he began to act queerly. He spent his money just as usefully and wisely, but the shock of sudden wealth after a life of poverty, people said, had unsettled his mind. He claimed to see things that others did not see, to hear voices, and to have visions. Evidently, he was not of the harmless, foolish, visionary order, but a man of character and of great personal force, for the people became divided in their opinions, and the vicar, good man, regarded and treated him as a “special case.” For many, his name and atmosphere became charged almost with a spiritual influence that was not of the best. People quoted texts about him; kept when possible out of his way, and avoided his house after dark. None understood him, but though the majority loved him, an element of dread and mystery became associated with his name, chiefly owing to the ignorant gossip of the few.
A grove of pine trees behind the farm–the girl pointed them out to me on the slope of the hill–he said was the Wood of the Dead, because just before anyone died in the village he saw them walk into that wood, singing. None who went in ever came out again. He often mentioned the names to his wife, who usually published them to all the inhabitants within an hour of her husband’s confidence; and it was found that the people he had seen enter the wood–died. On warm summer nights he would sometimes take an old stick and wander out, hatless, under the pines, for he loved this wood, and used to say he met all his old friends there, and would one day walk in there never to return. His wife tried to break him gently off this habit, but he always had his own way; and once, when she followed and found him standing under a great pine in the thickest portion of the grove, talking earnestly to someone she could not see, he turned and rebuked her very gently, but in such a way that she never repeated the experiment, saying–
“You should never interrupt me, Mary, when I am talking with the others; for they teach me, remember, wonderful things, and I must learn all I can before I go to join them.”
This story went like wild-fire through the village, increasing with every repetition, until at length everyone was able to give an accurate description of the great veiled figures the woman declared she had seen moving among the trees where her husband stood. The innocent pine-grove now became positively haunted, and the title of “Wood of the Dead” clung naturally as if it had been applied to it in the ordinary course of events by the compilers of the Ordnance Survey.
On the evening of his ninetieth birthday the old man went up to his wife and kissed her. His manner was loving, and very gentle, and there was something about him besides, she declared afterwards, that made her slightly in awe of him and feel that he was almost more of a spirit than a man.
He kissed her tenderly on both cheeks, but his eyes seemed to look right through her as he spoke.
“Dearest wife,” he said, “I am saying good-bye to you, for I am now going into the Wood of the Dead, and I shall not return. Do not follow me, or send to search, but be ready soon to come upon the same journey yourself.”
The good woman burst into tears and tried to hold him, but he easily slipped from her hands, and she was afraid to follow him. Slowly she saw him cross the field in the sunshine, and then enter the cool shadows of the grove, where he disappeared from her sight.
That same night, much later, she woke to find him lying peacefully by her side in bed, with one arm stretched out towards her, dead. Her story was half believed, half doubted at the time, but in a very few years afterwards it evidently came to be accepted by all the countryside. A funeral service was held to which the people flocked in great numbers, and everyone approved of the sentiment which led the widow to add the words, “The Father of the Village,” after the usual texts which appeared upon the stone over his grave.
This, then, was the story I pieced together of the village ghost as the little inn-keeper’s daughter told it to me that afternoon in the parlour of the inn.
“But you’re not the first to say you’ve seen him,” the girl concluded; “and your description is just what we’ve always heard, and that window, they say, was just where he used to sit and think, and think, when he was alive, and sometimes, they say, to cry for hours together.”
“And would you feel afraid if you had seen him?” I asked, for the girl seemed strangely moved and interested in the whole story.
“I think so,” she answered timidly. “Surely, if he spoke to me. He did speak to you, didn’t he, sir?” she asked after a slight pause.
“He said he had come for someone.”
“Come for someone,” she repeated. “Did he say–” she went on falteringly.
“No, he did not say for whom,” I said quickly, noticing the sudden shadow on her face and the tremulous voice.
“Are you really sure, sir?”
“Oh, quite sure,” I answered cheerfully. “I did not even ask him.” The girl looked at me steadily for nearly a whole minute as though there were many things she wished to tell me or to ask. But she said nothing, and presently picked up her tray from the table and walked slowly out of the room.
Instead of keeping to my original purpose and pushing on to the next village over the hills, I ordered a room to be prepared for me at the inn, and that afternoon I spent wandering about the fields and lying under the fruit trees, watching the white clouds sailing out over the sea. The Wood of the Dead I surveyed from a distance, but in the village I visited the stone erected to the memory of the “Father of the Village”–who was thus, evidently, no mythical personage–and saw also the monuments of his fine unselfish spirit: the schoolhouse he built, the library, the home for the aged poor, and the tiny hospital.
That night, as the clock in the church tower was striking half-past eleven, I stealthily left the inn and crept through the dark orchard and over the hayfield in the direction of the hill whose southern slope was clothed with the Wood of the Dead. A genuine interest impelled me to the adventure, but I also was obliged to confess to a certain sinking in my heart as I stumbled along over the field in the darkness, for I was approaching what might prove to be the birth-place of a real country myth, and a spot already lifted by the imaginative thoughts of a considerable number of people into the region of the haunted and ill-omened.
The inn lay below me, and all round it the village clustered in a soft black shadow unrelieved by a single light. The night was moonless, yet distinctly luminous, for the stars crowded the sky. The silence of deep slumber was everywhere; so still, indeed, that every time my foot kicked against a stone I thought the sound must be heard below in the village and waken the sleepers.
I climbed the hill slowly, thinking chiefly of the strange story of the noble old man who had seized the opportunity to do good to his fellows the moment it came his way, and wondering why the causes that operate ceaselessly behind human life did not always select such admirable instruments. Once or twice a night-bird circled swiftly over my head, but the bats had long since gone to rest, and there was no other sign of life stirring.
Then, suddenly, with a singular thrill of emotion, I saw the first trees of the Wood of the Dead rise in front of me in a high black wall. Their crests stood up like giant spears against the starry sky; and though there was no perceptible movement of the air on my cheek I heard a faint, rushing sound among their branches as the night breeze passed to and fro over their countless little needles. A remote, hushed murmur rose overhead and died away again almost immediately; for in these trees the wind seems to be never absolutely at rest, and on the calmest day there is always a sort of whispering music among their branches.
For a moment I hesitated on the edge of this dark wood, and listened intently. Delicate perfumes of earth and bark stole out to meet me. Impenetrable darkness faced me. Only the consciousness that I was obeying an order, strangely given, and including a mighty privilege, enabled me to find the courage to go forward and step in boldly under the trees.
Instantly the shadows closed in upon me and “something” came forward to meet me from the centre of the darkness. It would be easy enough to meet my imagination half-way with fact, and say that a cold hand grasped my own and led me by invisible paths into the unknown depths of the grove; but at any rate, without stumbling, and always with the positive knowledge that I was going straight towards the desired object, I pressed on confidently and securely into the wood. So dark was it that, at first, not a single star-beam pierced the roof of branches overhead; and, as we moved forward side by side, the trees shifted silently past us in long lines, row upon row, squadron upon squadron, like the units of a vast, soundless army.
And, at length, we came to a comparatively open space where the trees halted upon us for a while, and, looking up, I saw the white river of the sky beginning to yield to the influence of a new light that now seemed spreading swiftly across the heavens.
“It is the dawn coming,” said the voice at my side that I certainly recognised, but which seemed almost like a whispering from the trees, “and we are now in the heart of the Wood of the Dead.”
We seated ourselves on a moss-covered boulder and waited the coming of the sun. With marvellous swiftness, it seemed to me, the light in the east passed into the radiance of early morning, and when the wind awoke and began to whisper in the tree tops, the first rays of the risen sun fell between the trunks and rested in a circle of gold at our feet.
“Now, come with me,” whispered my companion in the same deep voice, “for time has no existence here, and that which I would show you is already there!”
We trod gently and silently over the soft pine needles. Already the sun was high over our heads, and the shadows of the trees coiled closely about their feet. The wood became denser again, but occasionally we passed through little open bits where we could smell the hot sunshine and the dry, baked pine needles. Then, presently, we came to the edge of the grove, and I saw a hayfield lying in the blaze of day, and two horses basking lazily with switching tails in the shafts of a laden hay-waggon.
So complete and vivid was the sense of reality, that I remember the grateful realisation of the cool shade where we sat and looked out upon the hot world beyond.
The last pitchfork had tossed up its fragrant burden, and the great horses were already straining in the shafts after the driver, as he walked slowly in front with one hand upon their bridles. He was a stalwart fellow, with sunburned neck and hands. Then, for the first time, I noticed, perched aloft upon the trembling throne of hay, the figure of a slim young girl. I could not see her face, but her brown hair escaped in disorder from a white sun-bonnet, and her still browner hands held a well-worn hay rake. She was laughing and talking with the driver, and he, from time to time, cast up at her ardent glances of admiration–glances that won instant smiles and soft blushes in response.
The cart presently turned into the roadway that skirted the edge of the wood where we were sitting. I watched the scene with intense interest and became so much absorbed in it that I quite forgot the manifold, strange steps by which I was permitted to become a spectator.
“Come down and walk with me,” cried the young fellow, stopping a moment in front of the horses and opening wide his arms. “Jump! and I’ll catch you!”
“Oh, oh,” she laughed, and her voice sounded to me as the happiest, merriest laughter I had ever heard from a girl’s throat. “Oh, oh! that’s all very well. But remember I’m Queen of the Hay, and I must ride!”
“Then I must come and ride beside you,” he cried, and began at once to climb up by way of the driver’s seat. But, with a peal of silvery laughter, she slipped down easily over the back of the hay to escape him, and ran a little way along the road. I could see her quite clearly, and noticed the charming, natural grace of her movements, and the loving expression in her eyes as she looked over her shoulder to make sure he was following. Evidently, she did not wish to escape for long, certainly not for ever.
In two strides the big, brown swain was after her, leaving the horses to do as they pleased. Another second and his arms would have caught the slender waist and pressed the little body to his heart. But, just at that instant, the old man beside me uttered a peculiar cry. It was low and thrilling, and it went through me like a sharp sword.
HE had called her by her own name–and she had heard.
For a second she halted, glancing back with frightened eyes. Then, with a brief cry of despair, the girl swerved aside and dived in swiftly among the shadows of the trees.
But the young man saw the sudden movement and cried out to her passionately–
“Not that way, my love! Not that way! It’s the Wood of the Dead!”
She threw a laughing glance over her shoulder at him, and the wind caught her hair and drew it out in a brown cloud under the sun. But the next minute she was close beside me, lying on the breast of my companion, and I was certain I heard the words repeatedly uttered with many sighs: “Father, you called, and I have come. And I come willingly, for I am very, very tired.”
At any rate, so the words sounded to me, and mingled with them I seemed to catch the answer in that deep, thrilling whisper I already knew: “And you shall sleep, my child, sleep for a long, long time, until it is time for you to begin the journey again.”
In that brief second of time I had recognised the face and voice of the inn-keeper’s daughter, but the next minute a dreadful wail broke from the lips of the young man, and the sky grew suddenly as dark as night, the wind rose and began to toss the branches about us, and the whole scene was swallowed up in a wave of utter blackness.
Again the chill fingers seemed to seize my hand, and I was guided by the way I had come to the edge of the wood, and crossing the hayfield still slumbering in the starlight, I crept back to the inn and went to bed.
A year later I happened to be in the same part of the country, and the memory of the strange summer vision returned to me with the added softness of distance. I went to the old village and had tea under the same orchard trees at the same inn.
But the little maid of the inn did not show her face, and I took occasion to enquire of her father as to her welfare and her whereabouts.
“Married, no doubt,” I laughed, but with a strange feeling that clutched at my heart.
“No, sir,” replied the inn-keeper sadly, “not married–though she was just going to be–but dead. She got a sunstroke in the hayfields, just a few days after you were here, if I remember rightly, and she was gone from us in less than a week.”
A lock keeper from the adjacent lock next The Portobello Bar in Dublin is said to be haunting it. Ever since his mistake cost the lives of someone crossing, he is said to be lingering in the area.
In an old sanatorium in Switzerland the ghost of Hermann is said to have been haunting for ages. But who was he when he was alive, and what was his true name before he died in the remote fortress up in the mountains? And is he still haunting the old halls where he never made his recovery?
After his master died at sea, the faithful dog was by his master’s grave, day in and day out. After dying of hunger and grief it is said that the Newfoundland dog is still seen, slipping between the graves at Glasnevin Cemetery in Dublin.
Once, the city of Bern was filled with nuns working and living inside of the city walls. According to ghost stories though, some of them remained, even after the Reformation that closed their convents down. And those stories tell about them being guilty of terrible things with terrible ends.
Seeking new land and a new life, the Salladay family went to Ohio, but brought a silent killer with them: Consumption. Falling into odd superstitions, they believed the only way to stop the disease was to stop the undead from rising from their graves.
Is Cell Number 11 in the former prison for the criminally insane haunted? The attic of the Norwegian Justice Museum in Trondheim, Norway has had many who come out, claiming so.
Now a place you can rent and stay at, the Beck House in Canada is said to be one of the more haunted places. Those who have stayed the night come back with stories of strange encounters, believed to be the ghost of the Beck family members.
Where the Nydegg Church is today, there once used to be a castle. Tales about ghosts lingering around the old Nydegg Castle and the stairs leading up to it still roams. And one of the more infamous and feared ghosts of Bern is the Burgträppe-Balzli.
The Haunted Ruins of Beaupre Castle in Wales is one of the places in Wales said to have been haunted by the wailing spirit and deadly omen of the The Gwrach y Rhibyn, also known as the Hag of Mist.
It is said a cross shows up in the window of the Iveagh House in Dublin, the former home of the powerful Guinness family. Legend has it’s a haunting that happened after a maid was denied her last rites in the house.
Said to have been conjured up by a sorcerer or even the fairy folk themselves, Pennard Castles history is both mysterious and haunted by the sound of the howling witch left in the sandy ruins of the abandoned castle in Wales.
For a long time, Larnach Castle was New Zealand’s only castle, and for a long time, also one of the more haunted places in the country. Built by a rich banker to live with his family, his dream of a lasting dynasty ended when personal tragedies as well as failed political and business ventures started to turn the family against each other.
I have a friend, Olof Ehrensvärd, a Swede by birth, who yet, by reason of a strange and melancholy mischance of his early boyhood, has thrown his lot with that of the New World. It is a curious story of a headstrong boy and a proud and relentless family: the details do not matter here, but they are sufficient to weave a web of romance around the tall yellow-bearded man with the sad eyes and the voice that gives itself perfectly to plain tive little Swedish songs remembered out of childhood. In the winter evenings we play chess together, he and I, and after some close, fierce battle has been fought to a finish—usually with my own defeat—we fill our pipes again, and Ehrensvärd tells me stories of the far, half-remembered daysin the fatherland, before he went to sea: stories that grow very strange and incredible as the night deepens and the fire falls together, but stories that, nevertheless, I fully believe.
One of them made a strong impression on me,so I set it down here, only regretting that I cannot reproduce the curiously per fect English and the delicate accent which to me increased the fascination of the tale. Yet, as best I can remember it, here it is.
“I never told you how Nils and I went over the hills to Hallsberg, and how we found the Dead Valley, did I? Well, this is the way it happened. I must have been about twelve years old, and Nils Sjöberg, whose father’s estate joined ours, was a few months younger. We were inseparable just at that time, and whatever we did, we did together.
“Once a week it was market day in Engelholm, and Nils and I went always there to see the strange sights that the market gathered from all the surrounding country. One day we quite lost our hearts, for an old man from across the Elfborg had brought a little dog to sell, that seemed to us the most beautiful dog in all the world. He was a round, woolly puppy, so funny that Nils and I sat down on the ground and laughed at him, until he came and played with us in so jolly a way that we felt that there was only one really desirable thing in life, and that was the little dog of the old man from across the hills. But alas! we had not half money enough wherewith to buy him, so we were forced to beg the old man not to sell him before the next market day, promising that we would bring the money for him then. He gave us his word, and we ran home very fast and implored our mothers to give us money for the little dog.
“We got the money, but we could not wait for the next market day. Suppose the puppy should be sold! The thought frightened us so that we begged and implored that we might be allowed to go over the hills to Hallsberg where the old man lived, and get the little dog ourselves, and at last they told us we might go. By starting early in the morning we should reach Hallsberg by three o’clock, and it was arranged that we should stay there that night with Nils’s aunt, and, leaving by noon the next day, be home again by sunset.
“Soon after sunrise we were on our way, after having received minute instructions as to just what we should do in all possible and impossible circumstances, and finally a repeated injunction that we should start for home at the same hour the next day, so that we might get safely back before nightfall.
“For us, it was magnificent sport, and we started off with our rifles, full of the sense of our very great importance: yet the journey was simple enough, along a good road, across the big hills we knew so well, for Nils and I had shot over half the territory this side of the dividing ridge of the Elfborg. Back of Engelholm lay a long valley, from which rose the low mountains, and we had to cross this, and then follow the road along the side of the hills for three or four miles, before a narrow path branched off to the left, leading up through the pass.
“Nothing occurred of interest on the way over, and we reached Hallsberg in due season, found to our inexpressible joy that the little dog was not sold, secured him, and so went to the house of Nils’s aunt to spend the night.
“Why we did not leave early on the following day, I can’t quite remember; at all events, I know we stopped at a shooting range just outside of the town, where most attractive paste board pigs were sliding slowly through painted foliage, serving so as beautiful marks. The result was that we did not get fairly started for home until afternoon, and as we found ourselves at last pushing up the side of the mountain with the sun dangerously near their summits, I think we were a little scared at the prospect of the examination and possible punishment that awaited us when we got home at midnight.
“Therefore we hurried as fast as possible up the mountain side, while the blue dusk closed in about us, and the light died in the purple sky. At first we had talked hilariously, and the little dog had leaped ahead of us with the utmost joy. Latterly, however, a curious oppression came on us; we did not speak or even whistle, while the dog fell behind, following us with hesitation in every muscle.
“We had passed through the foothills and the low spurs of the mountains, and were almost at the top of the main range, when life seemed to go out of everything, leaving the world dead, so suddenly silent the forest became, so stagnant the air. Instinctively we halted to listen.
“Perfect silence,—the crushing silence of deep forests at night; and more, for always, even in the most impenetrable fastnesses of the wooded mountains, is the multitudinous mur mur of little lives, awakened by the darkness, exaggerated and intensified by the stillness of the air and the great dark: but here and now the silence seemed unbroken even by the turn of a leaf, the movement of a twig, the note of night bird or insect. I could hear the blood beat through my veins; and the crushing of the grass under our feet as we advanced with hesitating steps sounded like the falling of trees.
“And the air was stagnant,—dead. The atmosphere seemed to lie upon the body like the weight of sea on a diver who has ventured too far into its awful depths. What we usually call silence seems so only in relation to the din of ordinary experience. This was silence in the absolute, and it crushed the mind while it intensified the senses, bringing down the awful weight of inextinguishable fear.
“I know that Nils and I stared towards each other in abject terror, listening to our quick, heavy breathing, that sounded to our acute senses like the fitful rush of waters. And the poor little dog we were leading justified our terror. The black oppression seemed to crush him even as it did us. He lay close on the ground, moaning feebly, and dragging himself painfully and slowly closer to Nils’s feet. I think this exhibition of utter animal fear was the last touch, and must inevitably have blasted our reason—mine anyway; but just then, as we stood quaking on the bounds of madness, came a sound, so awful, so ghastly, so horrible, that it seemed to rouse us from the dead spell that was on us.
“In the depth of the silence came a cry, beginning as a low, sorrowful moan, rising to a tremulous shriek, culminating in a yell that seemed to tear the night in sunder and rend the world as by a cataclysm. So fearful was it that I could not believe it had actual existence: it passed previous experience, the powers of belief, and for a moment I thought it the result of my own animal terror, an hallucination born of tottering reason.
“A glance at Nils dispelled this thought in a flash. In the pale light of the high stars he was the embodiment of all possible human fear, quaking with an ague, his jaw fallen, his tongue out, his eyes protruding like those of a hanged man. Without a word we fled, the panic of fear giving us strength, and together, the little dog caught close in Nils’s arms, we sped down the side of the cursed mountains,—anywhere, goal was of no account: we had but one impulse—to get away from that place.
“So under the black trees and the far white stars that flashed through the still leaves overhead, we leaped down the mountain side, regardless of path or landmark, straight through the tangled underbrush, across mountain streams, through fens and copses, anywhere, so only that our course was downward.
“How long we ran thus, I have no idea, but by and by the forest fell behind, and we found ourselves among the foothills, and fell exhausted on the dry short grass, panting like tired dogs.
“It was lighter here in the open, and presently we looked around to see where we were, and how we were to strike out in order to find the path that would lead us home. We looked in vain for a familiar sign. Behind us rose the great wall of black forest on the flank of the mountain: before us lay the undulating mounds of low foothills, unbroken by trees or rocks, and beyond, only the fall of black sky bright with multitudinous stars that turned its velvet depth to a luminous gray.
“As I remember, we did not speak to each other once: the terror was too heavy on us for that, but by and by we rose simultaneously and started out across the hills.
“Still the same silence, the same dead, motionless air—air that was at once sultry and chilling: a heavy heat struck through with an icy chill that felt almost like the burning of frozen steel. Still carrying the helpless dog, Nils pressed on through the hills, and I followed close behind. At last, in front of us, rose a slope of moor touching the white stars. We climbed it wearily, reached the top, and found ourselves gazing down into a great, smooth valley, filled half way to the brim with— what?
“As far as the eye could see stretched a level plain of ashy white, faintly phosphorescent, a sea of velvet fog that lay like motionless water, or rather like a floor of alabaster, so dense did it appear, so seemingly capable of sustaining weight. If it were possible, I think that sea of dead white mist struck even greater terror into my soul than the heavy silence or the deadly cry—so ominous was it, so utterly unreal, so phantasmal, so impossible, as it lay there like a dead ocean under the steady stars. Yet through that mist we must go! there seemed no other way home, and, shattered with abject fear, mad with the one desire to get back, we started down the slope to where the sea of milky mist ceased, sharp and distinct around the stems of the rough grass.
“I put one foot into the ghostly fog. A chill as of death struck through me, stopping my heart, and I threw myself backward on the slope. At that instant came again the shriek, close, close, right in our ears, in ourselves, and far out across that damnable sea I saw the cold fog lift like a water-spout and toss itself high in writhing convolutions towards the sky. The stars began to grow dim as thick vapor swept across them, and in the growing dark I saw a great, watery moon lift itself slowly above the pal pitating sea, vast and vague in the gathering mist.
“This was enough: we turned and fled along the margin of the white sea that throbbed now with fitful motion below us, rising, rising, slowly and steadily, driving us higher and higher up the side of the foothills.
“It was a race for life; that we knew. How we kept it up I cannot understand, but we did, and at last we saw the white sea fall behind us as we staggered up the end of the valley, and then down into a region that we knew, and so into the old path. The last thing I remember was hearing a strange voice, that of
Nils, but horribly changed, stammer brokenly, ‘The dog is dead!’ and then the whole world turned around twice, slowly and resistlessly, and consciousness went out with a crash.
“It was some three weeks later, as I remember, that I awoke in my own room, and found my mother sitting beside the bed. I could not think very well at first, but as I slowly grew strong again, vague flashes of recollection began to come to me, and little by little the whole sequence of events of that awful night in the Dead Valley came back. All that I could gain from what was told me was that three weeks before I had been found in my own bed, raging sick, and that my illness grew fast into brain fever. I tried to speak of the dread things that had happened to me, but I saw at once that no one looked on them save as the hauntings of a dying frenzy, and so I closed my mouth and kept my own counsel.
“I must see Nils, however, and so I asked for him. My mother told me that he also had been ill with a strange fever, but that he was now quite well again. Presently they brought him in, and when we were alone I began to speak to him of the night on the mountain. I shall never forget the shock that struck me down on my pillow when the boy denied every thing: denied having gone with me, ever having heard the cry, having seen the valley, or feeling the deadly chill of the ghostly fog. Nothing would shake his determined ignorance, and in spite of myself I was forced to admit that his denials came from no policy of concealment, but from blank oblivion.
“My weakened brain was in a turmoil. Was it all but the floating phantasm of delirium? Or had the horror of the real thing blotted Nils’s mind into blankness so far as the events of the night in the Dead Valley were concerned? The latter explanation seemed the only one, else how explain the sudden illness which in a night had struck us both down? I said nothing more, either to Nils or to my own people, but waited, with a growing determination that, once well again, I would find that valley if it really existed.
“It was some weeks before I was really well enough to go, but finally, late in September, I chose a bright, warm, still day, the last smile of the dying summer, and started early in the morning along the path that led to Hallsberg. I was sure I knew where the trail struck off to the right, down which we had come from the valley of dead water, for a great tree grew by the Hallsberg path at the point where, with a sense of salvation, we had found the home road. Presently I saw itto the right, a little distance ahead.
“I think the bright sunlight and the clear air had worked as a tonic to me, for by the time I came to the foot of the great pine, I had quite lost faith in the verity of the vision that haunted me, believing at last that it was indeed but the night mare of madness. Nevertheless, I turned sharply to the right, at the base of the tree, into a narrow path that led through a dense thicket. As I did so I tripped over something. A swarm of flies sung into the air around me, and looking down I saw the matted fleece, with the poor little bones thrusting through, of the dog we had bought in Hallsberg.
“Then my courage went out with a puff, and I knew that it all was true, and that now I was frightened. Pride and the desire for adventure urged me on, however, and I pressed into the close thicket that barred my way. The path was hardly visible: merely the worn road of some small beasts, for, though it showed in the crisp grass, the bushes above grew thick and hardly penetrable. The land rose slowly, and rising grew clearer, until at last I came out on a great slope of hill, unbroken by trees or shrubs, very like my memory of that rise of land we had topped in order that we might find the dead valley and the icy fog. I looked at the sun; it was bright and clear, and all around insects were humming in the autumn air, and birds were darting to and fro. Surely there was no danger, not until nightfall at least;so I began to whistle, and with a rush mounted the last crest of brown hill.
“There lay the Dead Valley! A great oval basin, almost as smooth and regular as though made by man. On all sides the grass crept over the brink of the encircling hills, dusty green on the crests, then fading into ashy brown, and so to a deadly white, this last color forming a thin ring, running in a long line around the slope. And then? Nothing. Bare, brown, hard earth, glittering with grains of alkali, but otherwise dead and barren. Not a tuft of grass, not a stick of brushwood, not even a stone, but only the vast expanse of beaten clay.
“In the midst of the basin, perhaps a mile and a half away, the level expanse was broken by a great dead tree, rising leafless and gaunt into the air. Without a moment’s hesitation I started
down into the valley and made for this goal. Every particle of fear seemed to have left me, and even the valley itself did not look so very terrifying. At all events, I was driven by an over whelming curiosity, and there seemed to be but one thing in the world to do,—to get to that Tree! As I trudged along over the hard earth, I noticed that the multitudinous voices of birds and insects had died away. No bee or butterfly hovered through the air, no insects leaped or crept over the dull earth. The very air itself was stagnant.
“As I drew near the skeleton tree, I noticed the glint of sun light on a kind of white mound around its roots, and I wondered curiously. It was not until I had come close that I saw its nature.
“All around the roots and barkless trunk was heaped a wilderness of little bones. Tiny skulls of rodents and of birds, thousands of them, rising about the dead tree and streaming off for several yards in all directions, until the dreadful pile ended in isolated skulls and scattered skeletons. Here and there a larger bone appeared,—the thigh of a sheep, the hoofs of a horse, and to one side, grinning slowly, a human skull.
“I stood quite still, staring with all my eyes, when suddenly the dense silence was broken by a faint, forlorn cry high over my head. I looked up and saw a great falcon turning and sailing downward just over the tree. In a moment more she fell motionless on the bleaching bones.
“Horror struck me, and I rushed for home, my brain whirling, a strange numbness growing in me. I ran steadily, on and on. At last I glanced up. Where was the rise of hill? I looked around wildly. Close before me was the dead tree with its pile of bones. I had circled it round and round, and the valley wall was still a mile and a half away.
“I stood dazed and frozen. The sun was sinking, red and dull, towards the line of hills. In the east the dark was growing fast. Was there still time? Time! It was not that I wanted, it was will! My feet seemed clogged as in a nightmare. I could hardly drag them over the barren earth. And then I felt the slow chill creeping through me. I looked down. Out of the earth a thin mist was rising, collecting in little pools that grew ever larger until they joined here and there, their currents swirling slowly like thin blue smoke. The western hills halved the copper sun.
When it was dark I should hear that shriek again, and then I should die. I knew that, and with every remaining atom of will I staggered towards the red west through the writhing mist that crept clammily around my ankles, retarding my steps.
“And as I fought my way off from the Tree, the horror grew, until at last I thought I was going to die. The silence pursued me like dumb ghosts, the still air held my breath, the hellish fog caught at my feet like cold hands.
“But I won! though not a moment too soon. As I crawled on my hands and knees up the brown slope, I heard, far away and high in the air, the cry that already had almost bereft me of reason. It was faint and vague, but unmistakable in its horrible intensity. I glanced behind. The fog was dense and pallid, heaving undulously up the brown slope. The sky was gold under the setting sun, but below was the ashy gray of death. I stood for a moment on the brink of this sea of hell, and then leaped down the slope. The sunset opened before me, the night closed behind, and as I crawled home weak and tired, darkness shut down on the Dead Valley.”
A lock keeper from the adjacent lock next The Portobello Bar in Dublin is said to be haunting it. Ever since his mistake cost the lives of someone crossing, he is said to be lingering in the area.
In an old sanatorium in Switzerland the ghost of Hermann is said to have been haunting for ages. But who was he when he was alive, and what was his true name before he died in the remote fortress up in the mountains? And is he still haunting the old halls where he never made his recovery?
After his master died at sea, the faithful dog was by his master’s grave, day in and day out. After dying of hunger and grief it is said that the Newfoundland dog is still seen, slipping between the graves at Glasnevin Cemetery in Dublin.
Once, the city of Bern was filled with nuns working and living inside of the city walls. According to ghost stories though, some of them remained, even after the Reformation that closed their convents down. And those stories tell about them being guilty of terrible things with terrible ends.
Seeking new land and a new life, the Salladay family went to Ohio, but brought a silent killer with them: Consumption. Falling into odd superstitions, they believed the only way to stop the disease was to stop the undead from rising from their graves.
Is Cell Number 11 in the former prison for the criminally insane haunted? The attic of the Norwegian Justice Museum in Trondheim, Norway has had many who come out, claiming so.
Now a place you can rent and stay at, the Beck House in Canada is said to be one of the more haunted places. Those who have stayed the night come back with stories of strange encounters, believed to be the ghost of the Beck family members.
Where the Nydegg Church is today, there once used to be a castle. Tales about ghosts lingering around the old Nydegg Castle and the stairs leading up to it still roams. And one of the more infamous and feared ghosts of Bern is the Burgträppe-Balzli.
The Haunted Ruins of Beaupre Castle in Wales is one of the places in Wales said to have been haunted by the wailing spirit and deadly omen of the The Gwrach y Rhibyn, also known as the Hag of Mist.
It is said a cross shows up in the window of the Iveagh House in Dublin, the former home of the powerful Guinness family. Legend has it’s a haunting that happened after a maid was denied her last rites in the house.
Said to have been conjured up by a sorcerer or even the fairy folk themselves, Pennard Castles history is both mysterious and haunted by the sound of the howling witch left in the sandy ruins of the abandoned castle in Wales.
For a long time, Larnach Castle was New Zealand’s only castle, and for a long time, also one of the more haunted places in the country. Built by a rich banker to live with his family, his dream of a lasting dynasty ended when personal tragedies as well as failed political and business ventures started to turn the family against each other.
About fifteen years ago, on a date late in August or early in September, a train drew up at Wilsthorpe, a country station in Eastern England. Out of it stepped (with other passengers) a rather tall and reasonably good-looking young man, carrying a handbag and some papers tied up in a packet. He was expecting to be met, one would say, from the way in which he looked about him: and he was, as obviously, expected. The stationmaster ran forward a step or two, and then, seeming to recollect himself, turned and beckoned to a stout and consequential person with a short round beard who was scanning the train with some appearance of bewilderment. ‘Mr. Cooper,’ he called out,—‘Mr. Cooper, I think this is your gentleman’; and then to the passenger who had just alighted, ‘Mr. Humphreys, sir? Glad to bid you welcome to Wilsthorpe. There’s a cart from the Hall for your luggage, and here’s Mr. Cooper, what I think you know.’ Mr. Cooper had hurried up, and now raised his hat and shook hands. ‘Very pleased, I’m sure,’ he said, ‘to give the echo to Mr. Palmer’s kind words. I should have been the first to render expression to them but for the face not being familiar to me, Mr. Humphreys. May your residence among us be marked as a red-letter day, sir.’ ‘Thank you very much, Mr. Cooper,’ said Humphreys, ‘for your good wishes, and Mr. Palmer also. I do hope very much that this change of—er—tenancy—which you must all regret, I am sure—will not be to the detriment of those with whom I shall be brought in contact.’ He stopped, feeling that the words were not fitting themselves together in the happiest way, and Mr. Cooper cut in, ‘Oh, you may rest satisfied of that, Mr. Humphreys. I’ll take it upon myself to assure you, sir, that a warm welcome awaits you on all sides. And as to any change of propriety turning out detrimental to the neighbourhood, well, your late uncle—’ And here Mr. Cooper also stopped, possibly in obedience to an inner monitor, possibly because Mr. Palmer, clearing his throat loudly, asked Humphreys for his ticket. The two men left the little station, and—at Humphreys’ suggestion—decided to walk to Mr. Cooper’s house, where luncheon was awaiting them.
The relation in which these personages stood to each other can be explained in a very few lines. Humphreys had inherited—quite unexpectedly—a property from an uncle: neither the property nor the uncle had he ever seen. He was alone in the world—a man of good ability and kindly nature, whose employment in a Government office for the last four or five years had not gone far to fit him for the life of a country gentleman. He was studious and rather diffident, and had few out-of-door pursuits except golf and gardening. To-day he had come down for the first time to visit Wilsthorpe and confer with Mr. Cooper, the bailiff, as to the matters which needed immediate attention. It may be asked how this came to be his first visit? Ought he not in decency to have attended his uncle’s funeral? The answer is not far to seek: he had been abroad at the time of the death, and his address had not been at once procurable. So he had put off coming to Wilsthorpe till he heard that all things were ready for him. And now we find him arrived at Mr. Cooper’s comfortable house, facing the parsonage, and having just shaken hands with the smiling Mrs. and Miss Cooper.
During the minutes that preceded the announcement of luncheon the party settled themselves on elaborate chairs in the drawing-room, Humphreys, for his part, perspiring quietly in the consciousness that stock was being taken of him.
‘I was just saying to Mr. Humphreys, my dear,’ said Mr. Cooper, ‘that I hope and trust that his residence among us here in Wilsthorpe will be marked as a red-letter day.’
‘Yes, indeed, I’m sure,’ said Mrs. Cooper heartily, ‘and many, many of them.’
Miss Cooper murmured words to the same effect, and Humphreys attempted a pleasantry about painting the whole calendar red, which, though greeted with shrill laughter, was evidently not fully understood. At this point they proceeded to luncheon.
‘Do you know this part of the country at all, Mr. Humphreys?’ said Mrs. Cooper, after a short interval. This was a better opening.
‘No, I’m sorry to say I do not,’ said Humphreys. ‘It seems very pleasant, what I could see of it coming down in the train.’
‘Oh, it is a pleasant part. Really, I sometimes say I don’t know a nicer district, for the country; and the people round, too: such a quantity always going on. But I’m afraid you’ve come a little late for some of the better garden parties, Mr. Humphreys.’
‘I suppose I have; dear me, what a pity!’ said Humphreys, with a gleam of relief; and then, feeling that something more could be got out of this topic, ‘But after all, you see, Mrs. Cooper, even if I could have been here earlier, I should have been cut off from them, should I not? My poor uncle’s recent death, you know—’
‘Oh dear, Mr. Humphreys, to be sure; what a dreadful thing of me to say!’ (And Mr. and Miss Cooper seconded the proposition inarticulately.) ‘What must you have thought? I am sorry: you must really forgive me.’
‘Not at all, Mrs. Cooper, I assure you. I can’t honestly assert that my uncle’s death was a great grief to me, for I had never seen him. All I meant was that I supposed I shouldn’t be expected to take part for some little time in festivities of that kind.’
‘Now, really it’s very kind of you to take it in that way, Mr. Humphreys, isn’t it, George? And you do forgive me? But only fancy! You never saw poor old Mr. Wilson!’
‘Never in my life; nor did I ever have a letter from him. But, by the way, you have something to forgive me for. I’ve never thanked you, except by letter, for all the trouble you’ve taken to find people to look after me at the Hall.’
‘Oh, I’m sure that was nothing, Mr. Humphreys; but I really do think that you’ll find them give satisfaction. The man and his wife whom we’ve got for the butler and housekeeper we’ve known for a number of years: such a nice respectable couple, and Mr. Cooper, I’m sure, can answer for the men in the stables and gardens.’
‘Yes, Mr. Humphreys, they’re a good lot. The head gardener’s the only one who’s stopped on from Mr. Wilson’s time. The major part of the employees, as you no doubt saw by the will, received legacies from the old gentleman and retired from their posts, and as the wife says, your housekeeper and butler are calculated to render you every satisfaction.’
‘So everything, Mr. Humphreys, is ready for you to step in this very day, according to what I understood you to wish,’ said Mrs. Cooper. ‘Everything, that is, except company, and there I’m afraid you’ll find yourself quite at a standstill. Only we did understand it was your intention to move in at once. If not, I’m sure you know we should have been only too pleased for you to stay here.’
‘I’m quite sure you would, Mrs. Cooper, and I’m very grateful to you. But I thought I had really better make the plunge at once. I’m accustomed to living alone, and there will be quite enough to occupy my evenings—looking over papers and books and so on—for some time to come, I thought if Mr. Cooper could spare the time this afternoon to go over the house and grounds with me—’
‘Certainly, certainly, Mr. Humphreys. My time is your own, up to any hour you please.’
‘Till dinner-time, father, you mean,’ said Miss Cooper. ‘Don’t forget we’re going over to the Brasnetts’. And have you got all the garden keys?’
‘Are you a great gardener, Miss Cooper?’ said Mr. Humphreys. ‘I wish you would tell me what I’m to expect at the Hall.’
‘Oh, I don’t know about a great gardener, Mr. Humphreys: I’m very fond of flowers—but the Hall garden might be made quite lovely, I often say. It’s very old-fashioned as it is: and a great deal of shrubbery. There’s an old temple, besides, and a maze.’
‘Really? Have you explored it ever?’
‘No-o,’ said Miss Cooper, drawing in her lips and shaking her head. ‘I’ve often longed to try, but old Mr. Wilson always kept it locked. He wouldn’t even let Lady Wardrop into it. (She lives near here, at Bentley, you know, and she’s a great gardener, if you like.) That’s why I asked father if he had all the keys.’
‘I see. Well, I must evidently look into that, and show you over it when I’ve learnt the way.’
‘Oh, thank you so much, Mr. Humphreys! Now I shall have the laugh of Miss Foster (that’s our rector’s daughter, you know; they’re away on their holiday now—such nice people). We always had a joke between us which should be the first to get into the maze.’
‘I think the garden keys must be up at the house,’ said Mr. Cooper, who had been looking over a large bunch. ‘There is a number there in the library. Now, Mr. Humphreys, if you’re prepared, we might bid goodbye to these ladies and set forward on our little tour of exploration.’
As they came out of Mr. Cooper’s front gate, Humphreys had to run the gauntlet—not of an organized demonstration, but of a good deal of touching of hats and careful contemplation from the men and women who had gathered in somewhat unusual numbers in the village street. He had, further, to exchange some remarks with the wife of the lodge-keeper as they passed the park gates, and with the lodge-keeper himself, who was attending to the park road. I cannot, however, spare the time to report the progress fully. As they traversed the half-mile or so between the lodge and the house, Humphreys took occasion to ask his companion some question which brought up the topic of his late uncle, and it did not take long before Mr. Cooper was embarked upon a disquisition.
‘It is singular to think, as the wife was saying just now, that you should never have seen the old gentleman. And yet—you won’t misunderstand me, Mr. Humphreys, I feel confident, when I say that in my opinion there would have been but little congeniality betwixt yourself and him. Not that I have a word to say in deprecation—not a single word. I can tell you what he was,’ said Mr. Cooper, pulling up suddenly and fixing Humphreys with his eye. ‘Can tell you what he was in a nutshell, as the saying goes. He was a complete, thorough valentudinarian. That describes him to a T. That’s what he was, sir, a complete valentudinarian. No participation in what went on around him. I did venture, I think, to send you a few words of cutting from our local paper, which I took the occasion to contribute on his decease. If I recollect myself aright, such is very much the gist of them. But don’t, Mr. Humphreys,’ continued Cooper, tapping him impressively on the chest,—‘don’t you run away with the impression that I wish to say aught but what is most creditable—most creditable—of your respected uncle and my late employer. Upright, Mr. Humphreys—open as the day; liberal to all in his dealings. He had the heart to feel and the hand to accommodate. But there it was: there was the stumbling-block—his unfortunate health—or, as I might more truly phrase it, his want of health.’
‘Yes, poor man. Did he suffer from any special disorder before his last illness—which, I take it, was little more than old age?’
‘Just that, Mr. Humphreys—just that. The flash flickering slowly away in the pan,’ said Cooper, with what he considered an appropriate gesture,—‘the golden bowl gradually ceasing to vibrate. But as to your other question I should return a negative answer. General absence of vitality? yes: special complaint? no, unless you reckon a nasty cough he had with him. Why, here we are pretty much at the house. A handsome mansion, Mr. Humphreys, don’t you consider?’
It deserved the epithet, on the whole: but it was oddly proportioned—a very tall red-brick house, with a plain parapet concealing the roof almost entirely. It gave the impression of a town house set down in the country; there was a basement, and a rather imposing flight of steps leading up to the front door. It seemed also, owing to its height, to desiderate wings, but there were none. The stables and other offices were concealed by trees. Humphreys guessed its probable date as 1770 or thereabouts.
The mature couple who had been engaged to act as butler and cook-housekeeper were waiting inside the front door, and opened it as their new master approached. Their name, Humphreys already knew, was Calton; of their appearance and manner he formed a favourable impression in the few minutes’ talk he had with them. It was agreed that he should go through the plate and the cellar next day with Mr. Calton, and that Mrs. C. should have a talk with him about linen, bedding, and so on—what there was, and what there ought to be. Then he and Cooper, dismissing the Caltons for the present, began their view of the house. Its topography is not of importance to this story. The large rooms on the ground floor were satisfactory, especially the library, which was as large as the dining-room, and had three tall windows facing east. The bedroom prepared for Humphreys was immediately above it. There were many pleasant, and a few really interesting, old pictures. None of the furniture was new, and hardly any of the books were later than the seventies. After hearing of and seeing the few changes his uncle had made in the house, and contemplating a shiny portrait of him which adorned the drawing-room, Humphreys was forced to agree with Cooper that in all probability there would have been little to attract him in his predecessor. It made him rather sad that he could not be sorry—dolebat se dolere non posse—for the man who, whether with or without some feeling of kindliness towards his unknown nephew, had contributed so much to his well-being; for he felt that Wilsthorpe was a place in which he could be happy, and especially happy, it might be, in its library.
And now it was time to go over the garden: the empty stables could wait, and so could the laundry. So to the garden they addressed themselves, and it was soon evident that Miss Cooper had been right in thinking that there were possibilities. Also that Mr. Cooper had done well in keeping on the gardener. The deceased Mr. Wilson might not have, indeed plainly had not, been imbued with the latest views on gardening, but whatever had been done here had been done under the eye of a knowledgeable man, and the equipment and stock were excellent. Cooper was delighted with the pleasure Humphreys showed, and with the suggestions he let fall from time to time. ‘I can see,’ he said, ‘that you’ve found your meatear here, Mr. Humphreys: you’ll make this place a regular signosier before very many seasons have passed over our heads. I wish Clutterham had been here—that’s the head gardener—and here he would have been of course, as I told you, but for his son’s being horse doover with a fever, poor fellow! I should like him to have heard how the place strikes you.’
‘Yes, you told me he couldn’t be here today, and I was very sorry to hear the reason, but it will be time enough tomorrow. What is that white building on the mound at the end of the grass ride? Is it the temple Miss Cooper mentioned?’
‘That it is, Mr. Humphreys—the Temple of Friendship. Constructed of marble brought out of Italy for the purpose, by your late uncle’s grandfather. Would it interest you perhaps to take a turn there? You get a very sweet prospect of the park.’
The general lines of the temple were those of the Sibyl’s Temple at Tivoli, helped out by a dome, only the whole was a good deal smaller. Some ancient sepulchral reliefs were built into the wall, and about it all was a pleasant flavour of the grand tour. Cooper produced the key, and with some difficulty opened the heavy door. Inside there was a handsome ceiling, but little furniture. Most of the floor was occupied by a pile of thick circular blocks of stone, each of which had a single letter deeply cut on its slightly convex upper surface. ‘What is the meaning of these?’ Humphreys inquired.
‘Meaning? Well, all things, we’re told, have their purpose, Mr. Humphreys, and I suppose these blocks have had theirs as well as another. But what that purpose is or was [Mr. Cooper assumed a didactic attitude here], I, for one, should be at a loss to point out to you, sir. All I know of them—and it’s summed up in a very few words—is just this: that they’re stated to have been removed by your late uncle, at a period before I entered on the scene, from the maze. That, Mr. Humphreys, is—’
‘Oh, the maze!’ exclaimed Humphreys. ‘I’d forgotten that: we must have a look at it. Where is it?’
Cooper drew him to the door of the temple, and pointed with his stick. ‘Guide your eye,’ he said (somewhat in the manner of the Second Elder in Handel’s ‘Susanna’—
Far to the west direct your straining eyes Where yon tall holm-tree rises to the skies)
‘Guide your eye by my stick here, and follow out the line directly opposite to the spot where we’re standing now, and I’ll engage, Mr. Humphreys, that you’ll catch the archway over the entrance. You’ll see it just at the end of the walk answering to the one that leads up to this very building. Did you think of going there at once? because if that be the case, I must go to the house and procure the key. If you would walk on there, I’ll rejoin you in a few moments’ time.’
Accordingly Humphreys strolled down the ride leading to the temple, past the garden-front of the house, and up the turfy approach to the archway which Cooper had pointed out to him. He was surprised to find that the whole maze was surrounded by a high wall, and that the archway was provided with a padlocked iron gate; but then he remembered that Miss Cooper had spoken of his uncle’s objection to letting anyone enter this part of the garden. He was now at the gate, and still Cooper came not. For a few minutes he occupied himself in reading the motto cut over the entrance, Secretum meum mihi et filiis domus meae, and in trying to recollect the source of it. Then he became impatient and considered the possibility of scaling the wall. This was clearly not worth while; it might have been done if he had been wearing an older suit: or could the padlock—a very old one—be forced? No, apparently not: and yet, as he gave a final irritated kick at the gate, something gave way, and the lock fell at his feet. He pushed the gate open inconveniencing a number of nettles as he did so, and stepped into the enclosure.
It was a yew maze, of circular form, and the hedges, long untrimmed, had grown out and upwards to a most unorthodox breadth and height. The walks, too, were next door to impassable. Only by entirely disregarding scratches, nettle-stings, and wet, could Humphreys force his way along them; but at any rate this condition of things, he reflected, would make it easier for him to find his way out again, for he left a very visible track. So far as he could remember, he had never been in a maze before, nor did it seem to him now that he had missed much. The dankness and darkness, and smell of crushed goosegrass and nettles were anything but cheerful. Still, it did not seem to be a very intricate specimen of its kind. Here he was (by the way, was that Cooper arrived at last? No!) very nearly at the heart of it, without having taken much thought as to what path he was following. Ah! there at last was the centre, easily gained. And there was something to reward him. His first impression was that the central ornament was a sundial; but when he had switched away some portion of the thick growth of brambles and bindweed that had formed over it, he saw that it was a less ordinary decoration. A stone column about four feet high, and on the top of it a metal globe—copper, to judge by the green patina—engraved, and finely engraved too, with figures in outline, and letters. That was what Humphreys saw, and a brief glance at the figures convinced him that it was one of those mysterious things called celestial globes, from which, one would suppose, no one ever yet derived any information about the heavens. However, it was too dark—at least in the maze—for him to examine this curiosity at all closely, and besides, he now heard Cooper’s voice, and sounds as of an elephant in the jungle. Humphreys called to him to follow the track he had beaten out, and soon Cooper emerged panting into the central circle. He was full of apologies for his delay; he had not been able, after all, to find the key. ‘But there!’ he said, ‘you’ve penetrated into the heart of the mystery unaided and unannealed, as the saying goes. Well! I suppose it’s a matter of thirty to forty years since any human foot has trod these precincts. Certain it is that I’ve never set foot in them before. Well, well! what’s the old proverb about angels fearing to tread? It’s proved true once again in this case.’ Humphreys’ acquaintance with Cooper, though it had been short, was sufficient to assure him that there was no guile in this allusion, and he forbore the obvious remark, merely suggesting that it was fully time to get back to the house for a late cup of tea, and to release Cooper for his evening engagement. They left the maze accordingly, experiencing well-nigh the same ease in retracing their path as they had in coming in.
‘Have you any idea,’ Humphreys asked, as they went towards the house, ‘why my uncle kept that place so carefully locked?’
Cooper pulled up, and Humphreys felt that he must be on the brink of a revelation.
‘I should merely be deceiving you, Mr. Humphreys, and that to no good purpose, if I laid claim to possess any information whatsoever on that topic. When I first entered upon my duties here, some eighteen years back, that maze was word for word in the condition you see it now, and the one and only occasion on which the question ever arose within my knowledge was that of which my girl made mention in your hearing. Lady Wardrop—I’ve not a word to say against her—wrote applying for admission to the maze. Your uncle showed me the note—a most civil note—everything that could be expected from such a quarter. ‘Cooper,’ he said, ‘I wish you’d reply to that note on my behalf.’ ‘Certainly Mr. Wilson,’ I said, for I was quite inured to acting as his secretary, ‘what answer shall I return to it?’ ‘Well,’ he said, ‘give Lady Wardrop my compliments, and tell her that if ever that portion of the grounds is taken in hand I shall be happy to give her the first opportunity of viewing it, but that it has been shut up now for a number of years, and I shall be grateful to her if she kindly won’t press the matter.’ That, Mr. Humphreys, was your good uncle’s last word on the subject, and I don’t think I can add anything to it. Unless,’ added Cooper, after a pause, ‘it might be just this: that, so far as I could form a judgement, he had a dislike (as people often will for one reason or another) to the memory of his grandfather, who, as I mentioned to you, had that maze laid out. A man of peculiar teenets, Mr. Humphreys, and a great traveller. You’ll have the opportunity, on the coming Sabbath, of seeing the tablet to him in our little parish church; put up it was some long time after his death.’
‘Oh! I should have expected a man who had such a taste for building to have designed a mausoleum for himself.’
‘Well, I’ve never noticed anything of the kind you mention; and, in fact, come to think of it, I’m not at all sure that his resting-place is within our boundaries at all: that he lays in the vault I’m pretty confident is not the case. Curious now that I shouldn’t be in a position to inform you on that heading! Still, after all, we can’t say, can we, Mr. Humphreys, that it’s a point of crucial importance where the pore mortal coils are bestowed?’
At this point they entered the house, and Cooper’s speculations were interrupted.
Tea was laid in the library, where Mr. Cooper fell upon subjects appropriate to the scene. ‘A fine collection of books! One of the finest, I’ve understood from connoisseurs, in this part of the country; splendid plates, too, in some of these works. I recollect your uncle showing me one with views of foreign towns—most absorbing it was: got up in first-rate style. And another all done by hand, with the ink as fresh as if it had been laid on yesterday, and yet, he told me, it was the work of some old monk hundreds of years back. I’ve always taken a keen interest in literature myself. Hardly anything to my mind can compare with a good hour’s reading after a hard day’s work; far better than wasting the whole evening at a friend’s house—and that reminds me, to be sure. I shall be getting into trouble with the wife if I don’t make the best of my way home and get ready to squander away one of these same evenings! I must be off, Mr. Humphreys.’
‘And that reminds me,’ said Humphreys, ‘if I’m to show Miss Cooper the maze tomorrow we must have it cleared out a bit. Could you say a word about that to the proper person?’
‘Why, to be sure. A couple of men with scythes could cut out a track tomorrow morning. I’ll leave word as I pass the lodge, and I’ll tell them, what’ll save you the trouble, perhaps, Mr. Humphreys, of having to go up and extract them yourself: that they’d better have some sticks or a tape to mark out their way with as they go on.’
‘A very good idea! Yes, do that; and I’ll expect Mrs. and Miss Cooper in the afternoon, and yourself about half-past ten in the morning.’
‘It’ll be a pleasure, I’m sure, both to them and to myself, Mr. Humphreys. Good night!’
Humphreys dined at eight. But for the fact that it was his first evening, and that Calton was evidently inclined for occasional conversation, he would have finished the novel he had bought for his journey. As it was, he had to listen and reply to some of Calton’s impressions of the neighbourhood and the season: the latter, it appeared, was seasonable, and the former had changed considerably—and not altogether for the worse—since Calton’s boyhood (which had been spent there). The village shop in particular had greatly improved since the year 1870. It was now possible to procure there pretty much anything you liked in reason: which was a conveniency, because suppose anythink was required of a suddent (and he had known such things before now), he (Calton) could step down there (supposing the shop to be still open), and order it in, without he borrered it of the Rectory, whereas in earlier days it would have been useless to pursue such a course in respect of anything but candles, or soap, or treacle, or perhaps a penny child’s picture-book, and nine times out of ten it’d be something more in the nature of a bottle of whisky you’d be requiring; leastways—On the whole Humphreys thought he would be prepared with a book in future.
The library was the obvious place for the after-dinner hours. Candle in hand and pipe in mouth, he moved round the room for some time, taking stock of the titles of the books. He had all the predisposition to take interest in an old library, and there was every opportunity for him here to make systematic acquaintance with one, for he had learned from Cooper that there was no catalogue save the very superficial one made for purposes of probate. The drawing up of a catalogue raisonné would be a delicious occupation for winter. There were probably treasures to be found, too: even manuscripts, if Cooper might be trusted.
As he pursued his round the sense came upon him (as it does upon most of us in similar places) of the extreme unreadableness of a great portion of the collection. ‘Editions of Classics and Fathers, and Picart’s Religious Ceremonies, and the Harleian Miscellany, I suppose are all very well, but who is ever going to read Tostatus Abulensis, or Pineda on Job, or a book like this?’ He picked out a small quarto, loose in the binding, and from which the lettered label had fallen off; and observing that coffee was waiting for him, retired to a chair. Eventually he opened the book. It will be observed that his condemnation of it rested wholly on external grounds. For all he knew it might have been a collection of unique plays, but undeniably the outside was blank and forbidding. As a matter of fact, it was a collection of sermons or meditations, and mutilated at that, for the first sheet was gone. It seemed to belong to the latter end of the seventeenth century. He turned over the pages till his eye was caught by a marginal note: ‘A Parable of this Unhappy Condition,’ and he thought he would see what aptitudes the author might have for imaginative composition. ‘I have heard or read,’ so ran the passage, ‘whether in the way of Parable or true Relation I leave my Reader to judge, of a Man who, like Theseus, in the Attick Tale, should adventure himself, into a Labyrinth or Maze: and such an one indeed as was not laid out in the Fashion of our Topiary artists of this Age, but of a wide compass, in which, moreover, such unknown Pitfalls and Snares, nay, such ill-omened Inhabitants were commonly thought to lurk as could only be encountered at the Hazard of one’s very life. Now you may be sure that in such a Case the Disswasions of Friends were not wanting. ‘Consider of such-an-one’ says a Brother ‘how he went the way you wot of, and was never seen more.’ ‘Or of such another’ says the Mother ‘that adventured himself but a little way in, and from that day forth is so troubled in his Wits that he cannot tell what he saw, nor hath passed one good Night.’ ‘And have you never heard’ cries a Neighbour ‘of what Faces have been seen to look out over the Palisadoes and betwixt the Bars of the Gate?’ But all would not do: the Man was set upon his Purpose: for it seems it was the common fireside Talk of that Country that at the Heart and Centre of this Labyrinth there was a Jewel of such Price and Rarity that would enrich the Finder thereof for his life: and this should be his by right that could persever to come at it. What then? Quid multa? The Adventurer pass’d the Gates, and for a whole day’s space his Friends without had no news of him, except it might be by some indistinct Cries heard afar off in the Night, such as made them turn in their restless Beds and sweat for very Fear, not doubting but that their Son and Brother had put one more to the Catalogue of those unfortunates that had suffer’d shipwreck on that Voyage. So the next day they went with weeping Tears to the Clark of the Parish to order the Bell to be toll’d. And their Way took them hard by the gate of the Labyrinth: which they would have hastened by, from the Horrour they had of it, but that they caught sight of a sudden of a Man’s Body lying in the Roadway, and going up to it (with what Anticipations may be easily figured) found it to be him whom they reckoned as lost: and not dead, though he were in a Swound most like Death. They then, who had gone forth as Mourners came back rejoycing, and set to by all means to revive their Prodigal. Who, being come to himself, and hearing of their Anxieties and their Errand of that Morning, ‘Ay’ says he ‘you may as well finish what you were about: for, for all I have brought back the Jewel (which he shew’d them, and ’twas indeed a rare Piece) I have brought back that with it that will leave me neither Rest at Night nor Pleasure by Day.’ Whereupon they were instant with him to learn his Meaning, and where his Company should be that went so sore against his Stomach. ‘O’ says he ‘ ’tis here in my Breast: I cannot flee from it, do what I may.’ So it needed no Wizard to help them to a guess that it was the Recollection of what he had seen that troubled him so wonderfully. But they could get no more of him for a long Time but by Fits and Starts. However at long and at last they made shift to collect somewhat of this kind: that at first, while the Sun was bright, he went merrily on, and without any Difficulty reached the Heart of the Labyrinth and got the Jewel, and so set out on his way back rejoycing: but as the Night fell, wherein all the Beasts of the Forest do move, he begun to be sensible of some Creature keeping Pace with him and, as he thought, peering and looking upon him from the next Alley to that he was in; and that when he should stop, this Companion should stop also, which put him in some Disorder of his Spirits. And, indeed, as the Darkness increas’d, it seemed to him that there was more than one, and, it might be, even a whole Band of such Followers: at least so he judg’d by the Rustling and Cracking that they kept among the Thickets; besides that there would be at a Time a Sound of Whispering, which seem’d to import a Conference among them. But in regard of who they were or what Form they were of, he would not be persuaded to say what he thought. Upon his Hearers asking him what the Cries were which they heard in the Night (as was observ’d above) he gave them this Account: That about Midnight (so far as he could judge) he heard his Name call’d from a long way off, and he would have been sworn it was his Brother that so call’d him. So he stood still and hilloo’d at the Pitch of his Voice, and he suppos’d that the Echo, or the Noyse of his Shouting, disguis’d for the Moment any lesser sound; because, when there fell a Stillness again, he distinguish’d a Trampling (not loud) of running Feet coming very close behind him, wherewith he was so daunted that himself set off to run, and that he continued till the Dawn broke. Sometimes when his Breath fail’d him, he would cast himself flat on his Face, and hope that his Pursuers might over-run him in the Darkness, but at such a Time they would regularly make a Pause, and he could hear them pant and snuff as it had been a Hound at Fault: which wrought in him so extream an Horrour of mind, that he would be forc’d to betake himself again to turning and doubling, if by any Means he might throw them off the Scent. And, as if this Exertion was in itself not terrible enough, he had before him the constant Fear of falling into some Pit or Trap, of which he had heard, and indeed seen with his own Eyes that there were several, some at the sides and other in the Midst of the Alleys. So that in fine (he said) a more dreadful Night was never spent by Mortal Creature than that he had endur’d in that Labyrinth; and not that Jewel which he had in his Wallet, nor the richest that was ever brought out of the Indies, could be a sufficient Recompence to him for the Pains he had suffered.
‘I will spare to set down the further Recital of this Man’s Troubles, inasmuch as I am confident my Reader’s Intelligence will hit the Parallel I desire to draw. For is not this Jewel a just Emblem of the Satisfaction which a Man may bring back with him from a Course of this World’s Pleasures? and will not the Labyrinth serve for an Image of the World itself wherein such a Treasure (if we may believe the common Voice) is stored up?’
At about this point Humphreys thought that a little Patience would be an agreeable change, and that the writer’s ‘improvement’ of his Parable might be left to itself. So he put the book back in its former place, wondering as he did so whether his uncle had ever stumbled across that passage; and if so, whether it had worked on his fancy so much as to make him dislike the idea of a maze, and determine to shut up the one in the garden. Not long afterwards he went to bed.
The next day brought a morning’s hard work with Mr. Cooper, who, if exuberant in language, had the business of the estate at his fingers’ ends. He was very breezy this morning, Mr. Cooper was: had not forgotten the order to clear out the maze—the work was going on at that moment: his girl was on the tentacles of expectation about it. He also hoped that Humphreys had slept the sleep of the just, and that we should be favoured with a continuance of this congenial weather. At luncheon he enlarged on the pictures in the dining-room, and pointed out the portrait of the constructor of the temple and the maze. Humphreys examined this with considerable interest. It was the work of an Italian, and had been painted when old Mr. Wilson was visiting Rome as a young man. (There was, indeed, a view of the Colosseum in the background.) A pale thin face and large eyes were the characteristic features. In the hand was a partially unfolded roll of paper, on which could be distinguished the plan of a circular building, very probably the temple, and also part of that of a labyrinth. Humphreys got up on a chair to examine it, but it was not painted with sufficient clearness to be worth copying. It suggested to him, however, that he might as well make a plan of his own maze and hang it in the hall for the use of visitors.
This determination of his was confirmed that same afternoon; for when Mrs. and Miss Cooper arrived, eager to be inducted into the maze, he found that he was wholly unable to lead them to the centre. The gardeners had removed the guide-marks they had been using, and even Clutterham, when summoned to assist, was as helpless as the rest. ‘The point is, you see, Mr. Wilson—I should say ‘Umphreys—these mazes is purposely constructed so much alike, with a view to mislead. Still, if you’ll foller me, I think I can put you right. I’ll just put my ‘at down ’ere as a starting-point.’ He stumped off, and after five minutes brought the party safe to the hat again. ‘Now that’s a very peculiar thing,’ he said, with a sheepish laugh. ‘I made sure I’d left that ‘at just over against a bramble-bush, and you can see for yourself there ain’t no bramble-bush not in this walk at all. If you’ll allow me, Mr. Humphreys—that’s the name, ain’t it, sir?—I’ll just call one of the men in to mark the place like.’
William Crack arrived, in answer to repeated shouts. He had some difficulty in making his way to the party. First he was seen or heard in an inside alley, then, almost at the same moment, in an outer one. However, he joined them at last, and was first consulted without effect and then stationed by the hat, which Clutterham still considered it necessary to leave on the ground. In spite of this strategy, they spent the best part of three-quarters of an hour in quite fruitless wanderings, and Humphreys was obliged at last, seeing how tired Mrs. Cooper was becoming, to suggest a retreat to tea, with profuse apologies to Miss Cooper. ‘At any rate you’ve won your bet with Miss Foster,’ he said; ‘you have been inside the maze; and I promise you the first thing I do shall be to make a proper plan of it with the lines marked out for you to go by.’ ‘That’s what’s wanted, sir,’ said Clutterham, ‘someone to draw out a plan and keep it by them. It might be very awkward, you see, anyone getting into that place and a shower of rain come on, and them not able to find their way out again; it might be hours before they could be got out, without you’d permit of me makin’ a short cut to the middle: what my meanin’ is, takin’ down a couple of trees in each ‘edge in a straight line so as you could git a clear view right through. Of course that’d do away with it as a maze, but I don’t know as you’d approve of that.’
‘No, I won’t have that done yet: I’ll make a plan first, and let you have a copy. Later on, if we find occasion, I’ll think of what you say.’
Humphreys was vexed and ashamed at the fiasco of the afternoon, and could not be satisfied without making another effort that evening to reach the centre of the maze. His irritation was increased by finding it without a single false step. He had thoughts of beginning his plan at once; but the light was fading, and he felt that by the time he had got the necessary materials together, work would be impossible.
Next morning accordingly, carrying a drawing-board, pencils, compasses, cartridge paper, and so forth (some of which had been borrowed from the Coopers and some found in the library cupboards), he went to the middle of the maze (again without any hesitation), and set out his materials. He was, however, delayed in making a start. The brambles and weeds that had obscured the column and globe were now all cleared away, and it was for the first time possible to see clearly what these were like. The column was featureless, resembling those on which sundials are usually placed. Not so the globe. I have said that it was finely engraved with figures and inscriptions, and that on a first glance Humphreys had taken it for a celestial globe: but he soon found that it did not answer to his recollection of such things. One feature seemed familiar; a winged serpent—Draco—encircled it about the place which, on a terrestrial globe, is occupied by the equator: but on the other hand, a good part of the upper hemisphere was covered by the outspread wings of a large figure whose head was concealed by a ring at the pole or summit of the whole. Around the place of the head the words princeps tenebrarum could be deciphered. In the lower hemisphere there was a space hatched all over with cross-lines and marked as umbra mortis. Near it was a range of mountains, and among them a valley with flames rising from it. This was lettered (will you be surprised to learn it?) vallis filiorum Hinnom. Above and below Draco were outlined various figures not unlike the pictures of the ordinary constellations, but not the same. Thus, a nude man with a raised club was described, not as Hercules but as Cain. Another, plunged up to his middle in earth and stretching out despairing arms, was Chore, not Ophiuchus, and a third, hung by his hair to a snaky tree, was Absolon. Near the last, a man in long robes and high cap, standing in a circle and addressing two shaggy demons who hovered outside, was described as Hostanes magus (a character unfamiliar to Humphreys). The scheme of the whole, indeed, seemed to be an assemblage of the patriarchs of evil, perhaps not uninfluenced by a study of Dante. Humphreys thought it an unusual exhibition of his great-grandfather’s taste, but reflected that he had probably picked it up in Italy and had never taken the trouble to examine it closely: certainly, had he set much store by it, he would not have exposed it to wind and weather. He tapped the metal—it seemed hollow and not very thick—and, turning from it, addressed himself to his plan. After half an hour’s work he found it was impossible to get on without using a clue: so he procured a roll of twine from Clutterham, and laid it out along the alleys from the entrance to the centre, tying the end to the ring at the top of the globe. This expedient helped him to set out a rough plan before luncheon, and in the afternoon he was able to draw it in more neatly. Towards tea-time Mr. Cooper joined him, and was much interested in his progress. ‘Now this—’ said Mr. Cooper, laying his hand on the globe, and then drawing it away hastily. ‘Whew! Holds the heat, doesn’t it, to a surprising degree, Mr. Humphreys. I suppose this metal—copper, isn’t it?—would be an insulator or conductor, or whatever they call it.’
‘The sun has been pretty strong this afternoon,’ said Humphreys, evading the scientific point, ‘but I didn’t notice the globe had got hot. No—it doesn’t seem very hot to me,’ he added.
‘Odd!’ said Mr. Cooper. ‘Now I can’t hardly bear my hand on it. Something in the difference of temperament between us, I suppose. I dare say you’re a chilly subject, Mr. Humphreys: I’m not: and there’s where the distinction lies. All this summer I’ve slept, if you’ll believe me, practically in statu quo, and had my morning tub as cold as I could get it. Day out and day in-let me assist you with that string.’
‘It’s all right, thanks; but if you’ll collect some of these pencils and things that are lying about I shall be much obliged. Now I think we’ve got everything, and we might get back to the house.’
They left the maze, Humphreys rolling up the clue as they went.
The night was rainy.
Most unfortunately it turned out that, whether by Cooper’s fault or not, the plan had been the one thing forgotten the evening before. As was to be expected, it was ruined by the wet. There was nothing for it but to begin again (the job would not be a long one this time). The clue therefore was put in place once more and a fresh start made. But Humphreys had not done much before an interruption came in the shape of Calton with a telegram. His late chief in London wanted to consult him. Only a brief interview was wanted, but the summons was urgent. This was annoying, yet it was not really upsetting; there was a train available in half an hour, and, unless things went very cross, he could be back, possibly by five o’clock, certainly by eight. He gave the plan to Calton to take to the house, but it was not worth while to remove the clue.
All went as he had hoped. He spent a rather exciting evening in the library, for he lighted tonight upon a cupboard where some of the rarer books were kept. When he went up to bed he was glad to find that the servant had remembered to leave his curtains undrawn and his windows open. He put down his light, and went to the window which commanded a view of the garden and the park. It was a brilliant moonlight night. In a few weeks’ time the sonorous winds of autumn would break up all this calm. But now the distant woods were in a deep stillness; the slopes of the lawns were shining with dew; the colours of some of the flowers could almost be guessed. The light of the moon just caught the cornice of the temple and the curve of its leaden dome, and Humphreys had to own that, so seen, these conceits of a past age have a real beauty. In short, the light, the perfume of the woods, and the absolute quiet called up such kind old associations in his mind that he went on ruminating them for a long, long time. As he turned from the window he felt he had never seen anything more complete of its sort. The one feature that struck him with a sense of incongruity was a small Irish yew, thin and black, which stood out like an outpost of the shrubbery, through which the maze was approached. That, he thought, might as well be away: the wonder was that anyone should have thought it would look well in that position.
However, next morning, in the press of answering letters and going over books with Mr. Cooper, the Irish yew was forgotten. One letter, by the way, arrived this day which has to be mentioned. It was from that Lady Wardrop whom Miss Cooper had mentioned, and it renewed the application which she had addressed to Mr. Wilson. She pleaded, in the first place, that she was about to publish a Book of Mazes, and earnestly desired to include the plan of the Wilsthorpe Maze, and also that it would be a great kindness if Mr. Humphreys could let her see it (if at all) at an early date, since she would soon have to go abroad for the winter months. Her house at Bentley was not far distant, so Humphreys was able to send a note by hand to her suggesting the very next day or the day after for her visit; it may be said at once that the messenger brought back a most grateful answer, to the effect that the morrow would suit her admirably.
The only other event of the day was that the plan of the maze was successfully finished.
This night again was fair and brilliant and calm, and Humphreys lingered almost as long at his window. The Irish yew came to his mind again as he was on the point of drawing his curtains: but either he had been misled by a shadow the night before, or else the shrub was not really so obtrusive as he had fancied. Anyhow, he saw no reason for interfering with it. What he would do away with, however, was a clump of dark growth which had usurped a place against the house wall, and was threatening to obscure one of the lower range of windows. It did not look as if it could possibly be worth keeping; he fancied it dank and unhealthy, little as he could see of it.
Next day (it was a Friday—he had arrived at Wilsthorpe on a Monday) Lady Wardrop came over in her car soon after luncheon. She was a stout elderly person, very full of talk of all sorts and particularly inclined to make herself agreeable to Humphreys, who had gratified her very much by his ready granting of her request. They made a thorough exploration of the place together; and Lady Wardrop’s opinion of her host obviously rose sky-high when she found that he really knew something of gardening. She entered enthusiastically into all his plans for improvement, but agreed that it would be a vandalism to interfere with the characteristic laying-out of the ground near the house. With the temple she was particularly delighted, and, said she, ‘Do you know, Mr. Humphreys, I think your bailiff must be right about those lettered blocks of stone. One of my mazes—I’m sorry to say the stupid people have destroyed it now—it was at a place in Hampshire—had the track marked out in that way. They were tiles there, but lettered just like yours, and the letters, taken in the right order, formed an inscription—what it was I forget—something about Theseus and Ariadne. I have a copy of it, as well as the plan of the maze where it was. How people can do such things! I shall never forgive you if you injure your maze. Do you know, they’re becoming very uncommon? Almost every year I hear of one being grubbed up. Now, do let’s get straight to it: or, if you’re too busy, I know my way there perfectly, and I’m not afraid of getting lost in it; I know too much about mazes for that. Though I remember missing my lunch—not so very long ago either—through getting entangled in the one at Busbury. Well, of course, if you can manage to come with me, that will be all the nicer.’
After this confident prelude justice would seem to require that Lady Wardrop should have been hopelessly muddled by the Wilsthorpe maze. Nothing of that kind happened: yet it is to be doubted whether she got all the enjoyment from her new specimen that she expected. She was interested—keenly interested—to be sure, and pointed out to Humphreys a series of little depressions in the ground which, she thought, marked the places of the lettered blocks. She told him, too, what other mazes resembled his most closely in arrangement, and explained how it was usually possible to date a maze to within twenty years by means of its plan. This one, she already knew, must be about as old as 1780, and its features were just what might be expected. The globe, furthermore, completely absorbed her. It was unique in her experience, and she pored over it for long. ‘I should like a rubbing of that,’ she said, ‘if it could possibly be made. Yes, I am sure you would be most kind about it, Mr. Humphreys, but I trust you won’t attempt it on my account, I do indeed; I shouldn’t like to take any liberties here. I have the feeling that it might be resented. Now, confess,’ she went on, turning and facing Humphreys, ‘don’t you feel—haven’t you felt ever since you came in here—that a watch is being kept on us, and that if we overstepped the mark in any way there would be a—well, a pounce? No? I do; and I don’t care how soon we are outside the gate.’
‘After all,’ she said, when they were once more on their way to the house, ‘it may have been only the airlessness and the dull heat of that place that pressed on my brain. Still, I’ll take back one thing I said. I’m not sure that I shan’t forgive you after all, if I find next spring that that maze has been grubbed up.’
‘Whether or no that’s done, you shall have the plan, Lady Wardrop. I have made one, and no later than tonight I can trace you a copy.’
‘Admirable: a pencil tracing will be all I want, with an indication of the scale. I can easily have it brought into line with the rest of my plates. Many, many thanks.’
‘Very well, you shall have that tomorrow. I wish you could help me to a solution of my block-puzzle.’
‘What, those stones in the summer-house? That is a puzzle; they are in no sort of order? Of course not. But the men who put them down must have had some directions—perhaps you’ll find a paper about it among your uncle’s things. If not, you’ll have to call in somebody who’s an expert in ciphers.’
‘Advise me about something else, please,’ said Humphreys. ‘That bush-thing under the library window: you would have that away, wouldn’t you?’
‘Which? That? Oh, I think not,’ said Lady Wardrop. ‘I can’t see it very well from this distance, but it’s not unsightly.’
‘Perhaps you’re right; only, looking out of my window, just above it, last night, I thought it took up too much room. It doesn’t seem to, as one sees it from here, certainly. Very well, I’ll leave it alone for a bit.’
Tea was the next business, soon after which Lady Wardrop drove off; but, half-way down the drive, she stopped the car and beckoned to Humphreys, who was still on the front-door steps. He ran to glean her parting words, which were: ‘It just occurs to me, it might be worth your while to look at the underside of those stones. They must have been numbered, mustn’t they? Good-bye again. Home, please.’
The main occupation of this evening at any rate was settled. The tracing of the plan for Lady Wardrop and the careful collation of it with the original meant a couple of hours’ work at least. Accordingly, soon after nine Humphreys had his materials put out in the library and began. It was a still, stuffy evening; windows had to stand open, and he had more than one grisly encounter with a bat. These unnerving episodes made him keep the tail of his eye on the window. Once or twice it was a question whether there was—not a bat, but something more considerable—that had a mind to join him. How unpleasant it would be if someone had slipped noiselessly over the sill and was crouching on the floor!
The tracing of the plan was done: it remained to compare it with the original, and to see whether any paths had been wrongly closed or left open. With one finger on each paper, he traced out the course that must be followed from the entrance. There were one or two slight mistakes, but here, near the centre, was a bad confusion, probably due to the entry of the Second or Third Bat. Before correcting the copy he followed out carefully the last turnings of the path on the original. These, at least, were right; they led without a hitch to the middle space. Here was a feature which need not be repeated on the copy—an ugly black spot about the size of a shilling. Ink? No. It resembled a hole, but how should a hole be there? He stared at it with tired eyes: the work of tracing had been very laborious, and he was drowsy and oppressed… But surely this was a very odd hole. It seemed to go not only through the paper, but through the table on which it lay. Yes, and through the floor below that, down, and still down, even into infinite depths. He craned over it, utterly bewildered. Just as, when you were a child, you may have pored over a square inch of counterpane until it became a landscape with wooded hills, and perhaps even churches and houses, and you lost all thought of the true size of yourself and it, so this hole seemed to Humphreys for the moment the only thing in the world. For some reason it was hateful to him from the first, but he had gazed at it for some moments before any feeling of anxiety came upon him; and then it did come, stronger and stronger—a horror lest something might emerge from it, and a really agonizing conviction that a terror was on its way, from the sight of which he would not be able to escape. Oh yes, far, far down there was a movement, and the movement was upwards—towards the surface. Nearer and nearer it came, and it was of a blackish-grey colour with more than one dark hole. It took shape as a face—a human face—a burnt human face: and with the odious writhings of a wasp creeping out of a rotten apple there clambered forth an appearance of a form, waving black arms prepared to clasp the head that was bending over them. With a convulsion of despair Humphreys threw himself back, struck his head against a hanging lamp, and fell.
There was concussion of the brain, shock to the system, and a long confinement to bed. The doctor was badly puzzled, not by the symptoms, but by a request which Humphreys made to him as soon as he was able to say anything. ‘I wish you would open the ball in the maze.’ ‘Hardly room enough there, I should have thought,’ was the best answer he could summon up; ‘but it’s more in your way than mine; my dancing days are over.’ At which Humphreys muttered and turned over to sleep, and the doctor intimated to the nurses that the patient was not out of the wood yet. When he was better able to express his views, Humphreys made his meaning clear, and received a promise that the thing should be done at once. He was so anxious to learn the result that the doctor, who seemed a little pensive next morning, saw that more harm than good would be done by saving up his report. ‘Well,’ he said, ‘I am afraid the ball is done for; the metal must have worn thin, I suppose. Anyhow, it went all to bits with the first blow of the chisel.’ ‘Well? go on, do!’ said Humphreys impatiently. ‘Oh! you want to know what we found in it, of course. Well, it was half full of stuff like ashes.’ ‘Ashes? What did you make of them?’ ‘I haven’t thoroughly examined them yet; there’s hardly been time: but Cooper’s made up his mind—I dare say from something I said—that it’s a case of cremation… Now don’t excite yourself, my good sir: yes, I must allow I think he’s probably right.’
The maze is gone, and Lady Wardrop has forgiven Humphreys; in fact, I believe he married her niece. She was right, too, in her conjecture that the stones in the temple were numbered. There had been a numeral painted on the bottom of each. Some few of these had rubbed off, but enough remained to enable Humphreys to reconstruct the inscription. It ran thus:
PENETRANS AD INTERIORA MORTIS
Grateful as Humphreys was to the memory of his uncle, he could not quite forgive him for having burnt the journals and letters of the James Wilson who had gifted Wilsthorpe with the maze and the temple. As to the circumstances of that ancestor’s death and burial no tradition survived; but his will, which was almost the only record of him accessible, assigned an unusually generous legacy to a servant who bore an Italian name.
Mr. Cooper’s view is that, humanly speaking, all these many solemn events have a meaning for us, if our limited intelligence permitted of our disintegrating it, while Mr. Calton has been reminded of an aunt now gone from us, who, about the year 1866, had been lost for upwards of an hour and a half in the maze at Covent Gardens, or it might be Hampton Court.
One of the oddest things in the whole series of transactions is that the book which contained the Parable has entirely disappeared. Humphreys has never been able to find it since he copied out the passage to send to Lady Wardrop.
A lock keeper from the adjacent lock next The Portobello Bar in Dublin is said to be haunting it. Ever since his mistake cost the lives of someone crossing, he is said to be lingering in the area.
In an old sanatorium in Switzerland the ghost of Hermann is said to have been haunting for ages. But who was he when he was alive, and what was his true name before he died in the remote fortress up in the mountains? And is he still haunting the old halls where he never made his recovery?
After his master died at sea, the faithful dog was by his master’s grave, day in and day out. After dying of hunger and grief it is said that the Newfoundland dog is still seen, slipping between the graves at Glasnevin Cemetery in Dublin.
Once, the city of Bern was filled with nuns working and living inside of the city walls. According to ghost stories though, some of them remained, even after the Reformation that closed their convents down. And those stories tell about them being guilty of terrible things with terrible ends.
Seeking new land and a new life, the Salladay family went to Ohio, but brought a silent killer with them: Consumption. Falling into odd superstitions, they believed the only way to stop the disease was to stop the undead from rising from their graves.
Is Cell Number 11 in the former prison for the criminally insane haunted? The attic of the Norwegian Justice Museum in Trondheim, Norway has had many who come out, claiming so.
Now a place you can rent and stay at, the Beck House in Canada is said to be one of the more haunted places. Those who have stayed the night come back with stories of strange encounters, believed to be the ghost of the Beck family members.
Where the Nydegg Church is today, there once used to be a castle. Tales about ghosts lingering around the old Nydegg Castle and the stairs leading up to it still roams. And one of the more infamous and feared ghosts of Bern is the Burgträppe-Balzli.
The Haunted Ruins of Beaupre Castle in Wales is one of the places in Wales said to have been haunted by the wailing spirit and deadly omen of the The Gwrach y Rhibyn, also known as the Hag of Mist.
It is said a cross shows up in the window of the Iveagh House in Dublin, the former home of the powerful Guinness family. Legend has it’s a haunting that happened after a maid was denied her last rites in the house.
Said to have been conjured up by a sorcerer or even the fairy folk themselves, Pennard Castles history is both mysterious and haunted by the sound of the howling witch left in the sandy ruins of the abandoned castle in Wales.
For a long time, Larnach Castle was New Zealand’s only castle, and for a long time, also one of the more haunted places in the country. Built by a rich banker to live with his family, his dream of a lasting dynasty ended when personal tragedies as well as failed political and business ventures started to turn the family against each other.
It is probable that everybody who is at all a constant dreamer has had at least one experience of an event or a sequence of circumstances which have come to his mind in sleep being subsequently realized in the material world. But, in my opinion, so far from this being a strange thing, it would be far odder if this fulfilment did not occasionally happen, since our dreams are, as a rule, concerned with people whom we know and places with which we are familiar, such as might very naturally occur in the awake and daylit world. True, these dreams are often broken into by some absurd and fantastic incident, which puts them out of court in regard to their subsequent fulfilment, but on the mere calculation of chances, it does not appear in the least unlikely that a dream imagined by anyone who dreams constantly should occasionally come true. Not long ago, for instance, I experienced such a fulfilment of a dream which seems to me in no way remarkable and to have no kind of psychical significance. The manner of it was as follows.
A certain friend of mine, living abroad, is amiable enough to write to me about once in a fortnight. Thus, when fourteen days or thereabouts have elapsed since I last heard from him, my mind, probably, either consciously or subconsciously, is expectant of a letter from him. One night last week I dreamed that as I was going upstairs to dress for dinner I heard, as I often heard, the sound of the postman’s knock on my front door, and diverted my direction downstairs instead. There, among other correspondence, was a letter from him. Thereafter the fantastic entered, for on opening it I found inside the ace of diamonds, and scribbled across it in his well-known handwriting, “I am sending you this for safe custody, as you know it is running an unreasonable risk to keep aces in Italy.” The next evening I was just preparing to go upstairs to dress when I heard the postman’s knock, and did precisely as I had done in my dream. There, among other letters, was one from my friend. Only it did not contain the ace of diamonds. Had it done so, I should have attached more weight to the matter, which, as it stands, seems to me a perfectly ordinary coincidence. No doubt I consciously or subconsciously expected a letter from him, and this suggested to me my dream. Similarly, the fact that my friend had not written to me for a fortnight suggested to him that he should do so. But occasionally it is not so easy to find such an explanation, and for the following story I can find no explanation at all. It came out of the dark, and into the dark it has gone again.
All my life I have been a habitual dreamer: the nights are few, that is to say, when I do not find on awaking in the morning that some mental experience has been mine, and sometimes, all night long, apparently, a series of the most dazzling adventures befall me. Almost without exception these adventures are pleasant, though often merely trivial. It is of an exception that I am going to speak.
It was when I was about sixteen that a certain dream first came to me, and this is how it befell. It opened with my being set down at the door of a big red-brick house, where, I understood, I was going to stay. The servant who opened the door told me that tea was being served in the garden, and led me through a low dark-panelled hall, with a large open fireplace, on to a cheerful green lawn set round with flower beds. There were grouped about the tea-table a small party of people, but they were all strangers to me except one, who was a schoolfellow called Jack Stone, clearly the son of the house, and he introduced me to his mother and father and a couple of sisters. I was, I remember, somewhat astonished to find myself here, for the boy in question was scarcely known to me, and I rather disliked what I knew of him; moreover, he had left school nearly a year before. The afternoon was very hot, and an intolerable oppression reigned. On the far side of the lawn ran a red-brick wall, with an iron gate in its centre, outside which stood a walnut tree. We sat in the shadow of the house opposite a row of long windows, inside which I could see a table with cloth laid, glimmering with glass and silver. This garden front of the house was very long, and at one end of it stood a tower of three stories, which looked to me much older than the rest of the building.
Before long, Mrs. Stone, who, like the rest of the party, had sat in absolute silence, said to me, “Jack will show you your room: I have given you the room in the tower.”
Quite inexplicably my heart sank at her words. I felt as if I had known that I should have the room in the tower, and that it contained something dreadful and significant. Jack instantly got up, and I understood that I had to follow him. In silence we passed through the hall, and mounted a great oak staircase with many corners, and arrived at a small landing with two doors set in it. He pushed one of these open for me to enter, and without coming in himself, closed it after me. Then I knew that my conjecture had been right: there was something awful in the room, and with the terror of nightmare growing swiftly and enveloping me, I awoke in a spasm of terror.
Now that dream or variations on it occurred to me intermittently for fifteen years. Most often it came in exactly this form, the arrival, the tea laid out on the lawn, the deadly silence succeeded by that one deadly sentence, the mounting with Jack Stone up to the room in the tower where horror dwelt, and it always came to a close in the nightmare of terror at that which was in the room, though I never saw what it was. At other times I experienced variations on this same theme. Occasionally, for instance, we would be sitting at dinner in the dining-room, into the windows of which I had looked on the first night when the dream of this house visited me, but wherever we were, there was the same silence, the same sense of dreadful oppression and foreboding. And the silence I knew would always be broken by Mrs. Stone saying to me, “Jack will show you your room: I have given you the room in the tower.” Upon which (this was invariable) I had to follow him up the oak staircase with many corners, and enter the place that I dreaded more and more each time that I visited it in sleep. Or, again, I would find myself playing cards still in silence in a drawing-room lit with immense chandeliers, that gave a blinding illumination. What the game was I have no idea; what I remember, with a sense of miserable anticipation, was that soon Mrs. Stone would get up and say to me, “Jack will show you your room: I have given you the room in the tower.” This drawing-room where we played cards was next to the dining-room, and, as I have said, was always brilliantly illuminated, whereas the rest of the house was full of dusk and shadows. And yet, how often, in spite of those bouquets of lights, have I not pored over the cards that were dealt me, scarcely able for some reason to see them. Their designs, too, were strange: there were no red suits, but all were black, and among them there were certain cards which were black all over. I hated and dreaded those.
As this dream continued to recur, I got to know the greater part of the house. There was a smoking-room beyond the drawing-room, at the end of a passage with a green baize door. It was always very dark there, and as often as I went there I passed somebody whom I could not see in the doorway coming out. Curious developments, too, took place in the characters that peopled the dream as might happen to living persons. Mrs. Stone, for instance, who, when I first saw her, had been black-haired, became gray, and instead of rising briskly, as she had done at first when she said, “Jack will show you your room: I have given you the room in the tower,” got up very feebly, as if the strength was leaving her limbs. Jack also grew up, and became a rather ill-looking young man, with a brown moustache, while one of the sisters ceased to appear, and I understood she was married.
Then it so happened that I was not visited by this dream for six months or more, and I began to hope, in such inexplicable dread did I hold it, that it had passed away for good. But one night after this interval I again found myself being shown out onto the lawn for tea, and Mrs. Stone was not there, while the others were all dressed in black. At once I guessed the reason, and my heart leaped at the thought that perhaps this time I should not have to sleep in the room in the tower, and though we usually all sat in silence, on this occasion the sense of relief made me talk and laugh as I had never yet done. But even then matters were not altogether comfortable, for no one else spoke, but they all looked secretly at each other. And soon the foolish stream of my talk ran dry, and gradually an apprehension worse than anything I had previously known gained on me as the light slowly faded.
Suddenly a voice which I knew well broke the stillness, the voice of Mrs. Stone, saying, “Jack will show you your room: I have given you the room in the tower.” It seemed to come from near the gate in the red-brick wall that bounded the lawn, and looking up, I saw that the grass outside was sown thick with gravestones. A curious greyish light shone from them, and I could read the lettering on the grave nearest me, and it was, “In evil memory of Julia Stone.” And as usual Jack got up, and again I followed him through the hall and up the staircase with many corners. On this occasion it was darker than usual, and when I passed into the room in the tower I could only just see the furniture, the position of which was already familiar to me. Also there was a dreadful odour of decay in the room, and I woke screaming.
The dream, with such variations and developments as I have mentioned, went on at intervals for fifteen years. Sometimes I would dream it two or three nights in succession; once, as I have said, there was an intermission of six months, but taking a reasonable average, I should say that I dreamed it quite as often as once in a month. It had, as is plain, something of nightmare about it, since it always ended in the same appalling terror, which so far from getting less, seemed to me to gather fresh fear every time that I experienced it. There was, too, a strange and dreadful consistency about it. The characters in it, as I have mentioned, got regularly older, death and marriage visited this silent family, and I never in the dream, after Mrs. Stone had died, set eyes on her again. But it was always her voice that told me that the room in the tower was prepared for me, and whether we had tea out on the lawn, or the scene was laid in one of the rooms overlooking it, I could always see her gravestone standing just outside the iron gate. It was the same, too, with the married daughter; usually she was not present, but once or twice she returned again, in company with a man, whom I took to be her husband. He, too, like the rest of them, was always silent. But, owing to the constant repetition of the dream, I had ceased to attach, in my waking hours, any significance to it. I never met Jack Stone again during all those years, nor did I ever see a house that resembled this dark house of my dream. And then something happened.
I had been in London in this year, up till the end of the July, and during the first week in August went down to stay with a friend in a house he had taken for the summer months, in the Ashdown Forest district of Sussex. I left London early, for John Clinton was to meet me at Forest Row Station, and we were going to spend the day golfing, and go to his house in the evening. He had his motor with him, and we set off, about five of the afternoon, after a thoroughly delightful day, for the drive, the distance being some ten miles. As it was still so early we did not have tea at the club house, but waited till we should get home. As we drove, the weather, which up till then had been, though hot, deliciously fresh, seemed to me to alter in quality, and become very stagnant and oppressive, and I felt that indefinable sense of ominous apprehension that I am accustomed to before thunder. John, however, did not share my views, attributing my loss of lightness to the fact that I had lost both my matches. Events proved, however, that I was right, though I do not think that the thunderstorm that broke that night was the sole cause of my depression.
Our way lay through deep high-banked lanes, and before we had gone very far I fell asleep, and was only awakened by the stopping of the motor. And with a sudden thrill, partly of fear but chiefly of curiosity, I found myself standing in the doorway of my house of dream. We went, I half wondering whether or not I was dreaming still, through a low oak-panelled hall, and out onto the lawn, where tea was laid in the shadow of the house. It was set in flower beds, a red-brick wall, with a gate in it, bounded one side, and out beyond that was a space of rough grass with a walnut tree. The façade of the house was very long, and at one end stood a three-storied tower, markedly older than the rest.
Here for the moment all resemblance to the repeated dream ceased. There was no silent and somehow terrible family, but a large assembly of exceedingly cheerful persons, all of whom were known to me. And in spite of the horror with which the dream itself had always filled me, I felt nothing of it now that the scene of it was thus reproduced before me. But I felt intensest curiosity as to what was going to happen.
Tea pursued its cheerful course, and before long Mrs. Clinton got up. And at that moment I think I knew what she was going to say. She spoke to me, and what she said was:
“Jack will show you your room: I have given you the room in the tower.”
At that, for half a second, the horror of the dream took hold of me again. But it quickly passed, and again I felt nothing more than the most intense curiosity. It was not very long before it was amply satisfied.
John turned to me.
“Right up at the top of the house,” he said, “but I think you’ll be comfortable. We’re absolutely full up. Would you like to go and see it now? By Jove, I believe that you are right, and that we are going to have a thunderstorm. How dark it has become.”
I got up and followed him. We passed through the hall, and up the perfectly familiar staircase. Then he opened the door, and I went in. And at that moment sheer unreasoning terror again possessed me. I did not know what I feared: I simply feared. Then like a sudden recollection, when one remembers a name which has long escaped the memory, I knew what I feared. I feared Mrs. Stone, whose grave with the sinister inscription, “In evil memory,” I had so often seen in my dream, just beyond the lawn which lay below my window. And then once more the fear passed so completely that I wondered what there was to fear, and I found myself, sober and quiet and sane, in the room in the tower, the name of which I had so often heard in my dream, and the scene of which was so familiar.
I looked around it with a certain sense of proprietorship, and found that nothing had been changed from the dreaming nights in which I knew it so well. Just to the left of the door was the bed, lengthways along the wall, with the head of it in the angle. In a line with it was the fireplace and a small bookcase; opposite the door the outer wall was pierced by two lattice-paned windows, between which stood the dressing-table, while ranged along the fourth wall was the washing-stand and a big cupboard. My luggage had already been unpacked, for the furniture of dressing and undressing lay orderly on the wash-stand and toilet-table, while my dinner clothes were spread out on the coverlet of the bed. And then, with a sudden start of unexplained dismay, I saw that there were two rather conspicuous objects which I had not seen before in my dreams: one a life-sized oil painting of Mrs. Stone, the other a black-and-white sketch of Jack Stone, representing him as he had appeared to me only a week before in the last of the series of these repeated dreams, a rather secret and evil-looking man of about thirty. His picture hung between the windows, looking straight across the room to the other portrait, which hung at the side of the bed. At that I looked next, and as I looked I felt once more the horror of nightmare seize me.
It represented Mrs. Stone as I had seen her last in my dreams: old and withered and white-haired. But in spite of the evident feebleness of body, a dreadful exuberance and vitality shone through the envelope of flesh, an exuberance wholly malign, a vitality that foamed and frothed with unimaginable evil. Evil beamed from the narrow, leering eyes; it laughed in the demon-like mouth. The whole face was instinct with some secret and appalling mirth; the hands, clasped together on the knee, seemed shaking with suppressed and nameless glee. Then I saw also that it was signed in the left-hand bottom corner, and wondering who the artist could be, I looked more closely, and read the inscription, “Julia Stone by Julia Stone.”
There came a tap at the door, and John Clinton entered.
“Got everything you want?” he asked.
“Rather more than I want,” said I, pointing to the picture.
He laughed.
“Hard-featured old lady,” he said. “By herself, too, I remember. Anyhow she can’t have flattered herself much.”
“But don’t you see?” said I. “It’s scarcely a human face at all. It’s the face of some witch, of some devil.”
He looked at it more closely.
“Yes; it isn’t very pleasant,” he said. “Scarcely a bedside manner, eh? Yes; I can imagine getting the nightmare if I went to sleep with that close by my bed. I’ll have it taken down if you like.”
“I really wish you would,” I said.
He rang the bell, and with the help of a servant we detached the picture and carried it out onto the landing, and put it with its face to the wall.
“By Jove, the old lady is a weight,” said John, mopping his forehead. “I wonder if she had something on her mind.”
The extraordinary weight of the picture had struck me too. I was about to reply, when I caught sight of my own hand. There was blood on it, in considerable quantities, covering the whole palm.
“I’ve cut myself somehow,” said I.
John gave a little startled exclamation.
“Why, I have too,” he said.
Simultaneously the footman took out his handkerchief and wiped his hand with it. I saw that there was blood also on his handkerchief.
John and I went back into the tower room and washed the blood off; but neither on his hand nor on mine was there the slightest trace of a scratch or cut. It seemed to me that, having ascertained this, we both, by a sort of tacit consent, did not allude to it again. Something in my case had dimly occurred to me that I did not wish to think about. It was but a conjecture, but I fancied that I knew the same thing had occurred to him.
The heat and oppression of the air, for the storm we had expected was still undischarged, increased very much after dinner, and for some time most of the party, among whom were John Clinton and myself, sat outside on the path bounding the lawn, where we had had tea. The night was absolutely dark, and no twinkle of star or moon ray could penetrate the pall of cloud that overset the sky. By degrees our assembly thinned, the women went up to bed, men dispersed to the smoking or billiard room, and by eleven o’clock my host and I were the only two left. All the evening I thought that he had something on his mind, and as soon as we were alone he spoke.
“The man who helped us with the picture had blood on his hand, too, did you notice?” he said. “I asked him just now if he had cut himself, and he said he supposed he had, but that he could find no mark of it. Now where did that blood come from?”
By dint of telling myself that I was not going to think about it, I had succeeded in not doing so, and I did not want, especially just at bedtime, to be reminded of it.
“I don’t know,” said I, “and I don’t really care so long as the picture of Mrs. Stone is not by my bed.”
He got up.
“But it’s odd,” he said. “Ha! Now you’ll see another odd thing.”
A dog of his, an Irish terrier by breed, had come out of the house as we talked. The door behind us into the hall was open, and a bright oblong of light shone across the lawn to the iron gate which led on to the rough grass outside, where the walnut tree stood. I saw that the dog had all his hackles up, bristling with rage and fright; his lips were curled back from his teeth, as if he was ready to spring at something, and he was growling to himself. He took not the slightest notice of his master or me, but stiffly and tensely walked across the grass to the iron gate. There he stood for a moment, looking through the bars and still growling. Then of a sudden his courage seemed to desert him: he gave one long howl, and scuttled back to the house with a curious crouching sort of movement.
“He does that half-a-dozen times a day.” said John. “He sees something which he both hates and fears.”
I walked to the gate and looked over it. Something was moving on the grass outside, and soon a sound which I could not instantly identify came to my ears. Then I remembered what it was: it was the purring of a cat. I lit a match, and saw the purrer, a big blue Persian, walking round and round in a little circle just outside the gate, stepping high and ecstatically, with tail carried aloft like a banner. Its eyes were bright and shining, and every now and then it put its head down and sniffed at the grass.
I laughed.
“The end of that mystery, I am afraid.” I said. “Here’s a large cat having Walpurgis night all alone.”
“Yes, that’s Darius,” said John. “He spends half the day and all night there. But that’s not the end of the dog mystery, for Toby and he are the best of friends, but the beginning of the cat mystery. What’s the cat doing there? And why is Darius pleased, while Toby is terror-stricken?”
At that moment I remembered the rather horrible detail of my dreams when I saw through the gate, just where the cat was now, the white tombstone with the sinister inscription. But before I could answer the rain began, as suddenly and heavily as if a tap had been turned on, and simultaneously the big cat squeezed through the bars of the gate, and came leaping across the lawn to the house for shelter. Then it sat in the doorway, looking out eagerly into the dark. It spat and struck at John with its paw, as he pushed it in, in order to close the door.
Somehow, with the portrait of Julia Stone in the passage outside, the room in the tower had absolutely no alarm for me, and as I went to bed, feeling very sleepy and heavy, I had nothing more than interest for the curious incident about our bleeding hands, and the conduct of the cat and dog. The last thing I looked at before I put out my light was the square empty space by my bed where the portrait had been. Here the paper was of its original full tint of dark red: over the rest of the walls it had faded. Then I blew out my candle and instantly fell asleep.
My awaking was equally instantaneous, and I sat bolt upright in bed under the impression that some bright light had been flashed in my face, though it was now absolutely pitch dark. I knew exactly where I was, in the room which I had dreaded in dreams, but no horror that I ever felt when asleep approached the fear that now invaded and froze my brain. Immediately after a peal of thunder crackled just above the house, but the probability that it was only a flash of lightning which awoke me gave no reassurance to my galloping heart. Something I knew was in the room with me, and instinctively I put out my right hand, which was nearest the wall, to keep it away. And my hand touched the edge of a picture-frame hanging close to me.
I sprang out of bed, upsetting the small table that stood by it, and I heard my watch, candle, and matches clatter onto the floor. But for the moment there was no need of light, for a blinding flash leaped out of the clouds, and showed me that by my bed again hung the picture of Mrs. Stone. And instantly the room went into blackness again. But in that flash I saw another thing also, namely a figure that leaned over the end of my bed, watching me. It was dressed in some close-clinging white garment, spotted and stained with mould, and the face was that of the portrait.
Overhead the thunder cracked and roared, and when it ceased and the deathly stillness succeeded, I heard the rustle of movement coming nearer me, and, more horrible yet, perceived an odour of corruption and decay. And then a hand was laid on the side of my neck, and close beside my ear I heard quick-taken, eager breathing. Yet I knew that this thing, though it could be perceived by touch, by smell, by eye and by ear, was still not of this earth, but something that had passed out of the body and had power to make itself manifest. Then a voice, already familiar to me, spoke.
“I knew you would come to the room in the tower,” it said. “I have been long waiting for you. At last you have come. Tonight I shall feast; before long we will feast together.”
And the quick breathing came closer to me; I could feel it on my neck.
At that the terror, which I think had paralyzed me for the moment, gave way to the wild instinct of self-preservation. I hit wildly with both arms, kicking out at the same moment, and heard a little animal-squeal, and something soft dropped with a thud beside me. I took a couple of steps forward, nearly tripping up over whatever it was that lay there, and by the merest good-luck found the handle of the door. In another second I ran out on the landing, and had banged the door behind me. Almost at the same moment I heard a door open somewhere below, and John Clinton, candle in hand, came running upstairs.
“What is it?” he said. “I sleep just below you, and heard a noise as if—Good heavens, there’s blood on your shoulder.”
I stood there, so he told me afterwards, swaying from side to side, white as a sheet, with the mark on my shoulder as if a hand covered with blood had been laid there.
“It’s in there,” I said, pointing. “She, you know. The portrait is in there, too, hanging up on the place we took it from.”
At that he laughed.
“My dear fellow, this is mere nightmare,” he said.
He pushed by me, and opened the door, I standing there simply inert with terror, unable to stop him, unable to move.
“Phew! What an awful smell,” he said.
Then there was silence; he had passed out of my sight behind the open door. Next moment he came out again, as white as myself, and instantly shut it.
“Yes, the portrait’s there,” he said, “and on the floor is a thing—a thing spotted with earth, like what they bury people in. Come away, quick, come away.”
How I got downstairs I hardly know. An awful shuddering and nausea of the spirit rather than of the flesh had seized me, and more than once he had to place my feet upon the steps, while every now and then he cast glances of terror and apprehension up the stairs. But in time we came to his dressing-room on the floor below, and there I told him what I have here described.
The sequel can be made short; indeed, some of my readers have perhaps already guessed what it was, if they remember that inexplicable affair of the churchyard at West Fawley, some eight years ago, where an attempt was made three times to bury the body of a certain woman who had committed suicide. On each occasion the coffin was found in the course of a few days again protruding from the ground. After the third attempt, in order that the thing should not be talked about, the body was buried elsewhere in unconsecrated ground. Where it was buried was just outside the iron gate of the garden belonging to the house where this woman had lived. She had committed suicide in a room at the top of the tower in that house. Her name was Julia Stone.
Subsequently the body was again secretly dug up, and the coffin was found to be full of blood.
A lock keeper from the adjacent lock next The Portobello Bar in Dublin is said to be haunting it. Ever since his mistake cost the lives of someone crossing, he is said to be lingering in the area.
In an old sanatorium in Switzerland the ghost of Hermann is said to have been haunting for ages. But who was he when he was alive, and what was his true name before he died in the remote fortress up in the mountains? And is he still haunting the old halls where he never made his recovery?
After his master died at sea, the faithful dog was by his master’s grave, day in and day out. After dying of hunger and grief it is said that the Newfoundland dog is still seen, slipping between the graves at Glasnevin Cemetery in Dublin.
Once, the city of Bern was filled with nuns working and living inside of the city walls. According to ghost stories though, some of them remained, even after the Reformation that closed their convents down. And those stories tell about them being guilty of terrible things with terrible ends.
Seeking new land and a new life, the Salladay family went to Ohio, but brought a silent killer with them: Consumption. Falling into odd superstitions, they believed the only way to stop the disease was to stop the undead from rising from their graves.
Is Cell Number 11 in the former prison for the criminally insane haunted? The attic of the Norwegian Justice Museum in Trondheim, Norway has had many who come out, claiming so.
Now a place you can rent and stay at, the Beck House in Canada is said to be one of the more haunted places. Those who have stayed the night come back with stories of strange encounters, believed to be the ghost of the Beck family members.
Where the Nydegg Church is today, there once used to be a castle. Tales about ghosts lingering around the old Nydegg Castle and the stairs leading up to it still roams. And one of the more infamous and feared ghosts of Bern is the Burgträppe-Balzli.
The Haunted Ruins of Beaupre Castle in Wales is one of the places in Wales said to have been haunted by the wailing spirit and deadly omen of the The Gwrach y Rhibyn, also known as the Hag of Mist.
It is said a cross shows up in the window of the Iveagh House in Dublin, the former home of the powerful Guinness family. Legend has it’s a haunting that happened after a maid was denied her last rites in the house.
Said to have been conjured up by a sorcerer or even the fairy folk themselves, Pennard Castles history is both mysterious and haunted by the sound of the howling witch left in the sandy ruins of the abandoned castle in Wales.
For a long time, Larnach Castle was New Zealand’s only castle, and for a long time, also one of the more haunted places in the country. Built by a rich banker to live with his family, his dream of a lasting dynasty ended when personal tragedies as well as failed political and business ventures started to turn the family against each other.
I make no endeavour to explain this experience. Explanation of it is impossible. I can conceive no theory upon which to base even the most slender attempt. It baffles me, it has always baffled me and it will continue to baffle me. Yet the impress of the thing loses nothing of its vividness with time. It is as clear before me now, as it was within a few hours of its event. I believe I heard a ghost knocking; I am certain I saw a ghost moving. “Indigestion, fancy, an overwrought and distorted brain,” you will say, no doubt.
I wish I could think it was. But it wasn’t. The sequel to that glimpse of the dead was too terrible, the cause too pertinent to the effect, to permit for one moment of any attribution to disorder, mental or alimentary. No,—What I saw was actual self-existent. I will set down the facts for you as they occurred, and you shall explain them away—if you can. Then, if you remain unconvinced—go to Gartholm, by the German Ocean, and hear what the folk there have to say. They are a stodgy people, incapable utterly of the most insignificant hyperbole. They will tell you this tale plainly as I tell it to you. They believe as I believe.
It was in the summer of ’96. I was travelling in “woollens” for the great Huddersfield firm of Carbury and Crank. Furnished with a gig and a fast-trotting mare, it was my duty to exploit the more scattered parts of the country, where the railroad was still unknown and civilisation, as we use the term, tarried a while.
Gartholm is the name given to a certain wide, low-lying plain, shut in from the North Sea by mile upon mile of sandhills. They are heaped up like hummocks along the coast. It was along a kind of causeway running straight through many miles of grain that I drove that hot July. I had never been in these parts, and I rejoiced at such ample evidence of fertility. It argued prosperity for those around; hence good business for myself and my employers. I made up my mind to remain there for at least a month. I left in less than half that time.
As if the plain itself were not sufficiently damp and low-lying, the village of Gartholm had been built in a kind of central depression, immediately beside the river. In other respects it differed but slightly from the ordinary English village, save that there was no inn. Close by the tower of the rubble-built church there was a pot-house, licensed for the sale of liquor “to be drunk on the premises,” but I failed there to get sleeping room either for myself or Tilly, my weary mare.
Darkness was close upon us and I was worn out with my day’s drive, There seemed little prospect of comfort, even had I gained admittance to this miserable hovel. But that was denied me. The landlord, a bulky monumental lump of indolence, stood in the doorway and effectually blocked all entrance. A dozen or so of idlers collected to admire Tilly and amuse themselves at my expense. And I realised that there were worse fates than that of being cast upon an uninhabited island, even in this England of ours at the close of the nineteenth century.
While I was in this plight, arguing with the landlord and endeavouring to arrive approximately at the sense of his dialect, a being, human by contrast to those around, made his appearance from out the crowd, and approached my gig. He turned out to be the village schoolmaster, and those around called him “Muster Abram.”
“You are looking for a lodging?” he said, in a smooth and (by comparison) strangely civilised voice.
“I am,” I replied, soothing Tilly, who, small blame to her, in no wise appreciated her immediate surroundings. “I’m Dick Trossall, C.T. to Carbury and Crank, if you’ve ever heard of ’em in this forsaken hole.”
“C.T.?” repeated Master Abraham interrogatively, cocking his one eye (he had lost the other) which was as bright as any robin’s.
“Commercial Traveller,” said I in explanation; “or bagman if you like it better. You don’t comprehend Queen’s English I see in these parts.”
“Hardly; when so abbreviated. But if it really be board and lodging you seek, you can get that only from Mrs. Jarzil at the Beach Farm.”
There was a murmur from those at hand, as he said the name, and, I thought, a somewhat dubious express ion upon the faces of one or two. I did not on the whole, feel drawn towards Mrs. Jarzil and her farm, and I looked at the schoolmaster enquiringly. Utterly ignoring this, and vouchsafing me no reply, he proceeded straightway to climb into my gig, without so much as “by your leave.” There was neither modesty nor undue hesitancy about Master Abraham.
“We will get on, then to Mrs. Jarzil’s farm,” said I. A touch from the whip and Tilly was off at a good spanking trot in the direction Master Abraham
had indicated. In a few moments we were out of sight of the hangers-on and driving through the street into another causeway similar to the first. In the distance we could see the house lying under the lee of the sandhills. A dismal sort of place it seemed, and wholly solitary.
“Yes, yonder is the Beach Farm,” said the schoolmaster, “and Mrs. Jarzil—” He stopped suddenly, so that I turned to look at him.
“What on earth is the matter with Mrs. Jarzil?”
“Nothing, nothing—I was merely wondering, not so much if she could, as whether she would, accommodate you. You see Mrs. Jarzil had some trouble with her last lodger. He was a botanist. He called himself Amber—Samuel Amber. Some two years ago it was; he boarded at the Beach Farm, then suddenly he disappeared.”
“Disappeared? Good Lord! what do you mean?”
“Exactly what I say. He walked out of yonder house one night, and never returned.”
We were close to the house now. It loomed up suddenly in the mist, which lay thick and heavy over the sandhills. I felt horribly depressed. Apart from the intense gloominess of the surroundings, the damp and darkness and desolation, all of which had perhaps more than their due effect upon my jaded nerves, I was conscious of an indefinite sense of uneasiness. This one-eyed creature at my elbow made me decidedly uncomfortable. I have not a robust nervous system at the best of times, and he with his sinister innuendoes was fast gaining a hold upon me.
“There was a daughter, you see,” he went on, before I could speak.
“Oh, there was a daughter, was there?” I repeated somewhat relieved. It might be, after all, that he was nothing more than a mere scandal-monger. I fervently hoped so.
“Yes; and Mr. Amber made love to her—at least so it is supposed. At all events she disappeared, too.”
“At the same time as the man?”
“Lottie was her name,” continued Master Abraham, utterly heedless of my query,
“and a pretty pink and white creature she was, with the loveliest golden hair. I used to call her Venus of the Fen. She was at the Farm when Amber first arrived. After a while he left, and she with him. He did not return for a twelvemonth, and then only to—to disappear.”
“What on earth are you telling me all this rigmarole for? I don’t care two pence for any of your Ambers and Lotties or Venuses either, for that matter. If the girl was as pretty as you say, I don’t blame the man for going off with her. I presume she was a willing party to the arrangement.”
“Mrs. Jarzil will have it that Amber forced her daughter to elope with him. You see he returned a year later—alone.”
“Well, what explanation did he make?”
“None—none whatever.”
“And what did the lady have to say to that?”
“Nothing. Amber took up his residence at the Farm as before, and remained there until—until he disappeared.”
Upon my soul I was beginning to feel thoroughly scared.
“Do you mean to tell me that Mrs. Jarzil got rid of him by foul play?”
“Oh, dear me, no; nothing of the kind. Mrs. Jarzil is a most religious woman.”
“Then what the—; perhaps you will kindly make yourself clear. For what reason do you retail to me this parcel of rubbish? ”
“Only this—-” He laid his skinny hand upon my arm. We were turning into the drive which led up to the house. He pointed with the other hand towards the sand-ridge.
“Only what?”
The man nodded. Then he whispered to me. “The Sand-Walker, you know.”
An elderly woman had come to the door and was standing there. The chief thing I noticed about her was her determinedly masculine appearance. For the rest she was a veritable study in half tone. Her hair, her dress, her complexion, in fact everything about her, was of various shades of grey. Her mouth denoted a vile if not a violent temper.
My reception was anything but cordial; in fact at the outset she refused altogether to take me in, but under the persuasive eloquence of Master Abraham she relented so far as to agree to board me by the week at what to me seemed an exorbitant charge. She was evidently grasping as well as religious—a highly unpleasant combination I thought. But in the circumstances I had no option but to accept the inevitable. It was a case of any port in a storm.
As I proceeded to drive round to the stable to put up Tilly—a thing which I invariably attended to myself—Master Abraham accompanied me. And somehow I was glad of even his company. There was not a living soul about. I asked him why this was.
“Mrs. Jarzil keeps no servants,” he replied. “She has not kept any since Lottie and Mr. Amber went away; or rather, to be precise, since Mr. Amber disappeared.”
“How is that?”
“She can get none to come here—or to remain if they do come. They are afraid of the Sand-walker.”
I asked him point blank what he meant. But I could get nothing out of him.
“Whatever you do, don’t go on to the beaches at dusk,” was all he said. Then he vanished. I say vanished advisedly, for though I ran after him to the door for the moment I could see no sign of him; I rushed on round the corner of the house, and came plump on to Mrs. Jarzil.
“Master Abraham!” I gasped.
Then Mrs. Jarzil pointed down the road, and I saw a flying figure disappearing into the darkness.
“Why does he run off like that?” I asked. I began to think I was losing my senses.
“Every one runs from Beach F arm,” replied the woman in the coolest manner possible, and with that she left me staring in amazement.
I don’t think anyone could dub me a coward, but this place unnerved me. Both within and without the house all was mysterious, weird, and uncanny. My spirits sank to zero and my nerves were strung up to a tension positively unendurable. Even the bright light from the kitchen fire filled me with apprehension. I could not touch food or drink.
Mrs. Jarzil, gliding about the room, in no wise reassured me. Masculine and ponderous as she was, the deftness and stealthiness of her movements were uncomfortably incongruous. She spoke not a word. She totally ignored my presence. I began to loathe the woman. But I determined that anything was better than the horrible suspense I was enduring. So I went straight for the thing which was making havoc of me.
“What is the Sand-walker, Mrs. Jarzil?”
At the moment she was polishing a dish cover. As I spoke it crashed on the floor. I never saw a woman turn quite so pale as she did then.
“Who has been talking to you about the Sand-walker?”
“Master Abraham,” was my answer. By this time she was visibly shaking.
“ Fool!” she exclaimed. “A triple fool, and dangerous, too. See here, you Mr. Trossall. I am willing to board you, but not to answer your silly questions. And if you don’t like my house and my ways, you can leave them both. I can do without you. God knows I have had enough of boarders.”
Though it was rash, and for all I knew dangerous, willy-nilly the name Amber slipped my tongue. But she had regained her self-possession now, and laughed contemptuously as she picked up the dish cover.
“I see Abraham’s been telling you my story. It is not a very pretty story, is it? Yes, Mr. Amber was a scoundrel. He carried off my daughter Lottie to London. Ay, and he had the boldness, too, to return here after his wickedness. I said nothing. It was my duty to forgive him, like a Christian, and I did. Although a mother, I am a Christian first. Poor Lottie! Poor child! I wonder where she is now.”
“Do you know where Mr. Amber is?”
“Yes, Abraham told you no doubt that he disappeared. One would think he had been caught up into the moon; the way the fools round here talk. Yet the explanation is perfectly simple. The man was accustomed to walk on the Beaches at night. There are quicksands there, and he fell into one.”
“How do you know that? ”
“I found his hat by one of the worst of them. He had sunk. I am glad he did. He ruined my life and Lottie’s. But ‘Vengeance is Mine; I will repay saith the Lord.’”
“And this Sand-walker; who, what is it?”
“That does not concern you. I have told you enough. I am not going to answer all your silly questions,” she reiterated.
Not another word would she say. Still I felt somewhat relieved. Abraham had contrived to surround with an atmosphere of mystery what after all was purely an accident. I saw that now; and I was able to go to bed in a much more tranquil state of mind than I would otherwise have done.
My room was just off the kitchen. I hadn’t been in it more than half an hour when I heard Mrs. Jarzil at her devotional exercises. I could hear her reading aloud certain Biblical extracts of a uniformly comminatory character. Her voice was peculiarly resonant and booming. Her choice seemed to me to range from Deuteronomy to Ezekiel and back again. “And Thine eye shall not pity; but life shall go for life, eye for eye, tooth for tooth, hand for hand, foot for foot.”
“And the earth opened her mouth and swallowed them up; they and all that appertained to them went down alive into the pit, and the earth closed upon them.”
“The wicked are overthrown and are not.”
So for half an hour or more she went on, until I was in a cold perspiration. Then she knelt down and prayed, I was in hopes she had unbosomed herself for the night at all events. But then followed such a prayer as I have never heard. The ban of Jeremiah was a blessing to it. She cursed Amber, dead though he was. She cursed her daughter and called down upon her unfortunate head such visitations that I confess I shuddered. The woman was raving; yet all the time I could hear her sobbing, sobbing bitterly. The .whole thing was ghastly, revolting. I would have given anything to get away. At last she ceased, and, I presume, went to bed; though how she could sleep after such an indulgence was a marvel to me. But perhaps now that she had so assuaged her wrath, exhaustion if not relief would follow. I hoped so. At all events she was quiet. After a while I got up, to make sure that my door was securely fastened. Then I scrambled back to bed, and fell into an uneasy fitful doze. So I got through the long night. I never once slept soundly, and when I awoke in the morning I felt but little refreshed.
With the light came the sense of shame. I was inclined to deal severely with myself for my—as they now appeared to me—absurd apprehensions of the previous night. I made up my mind then and there that I should be a downright coward if I carried out my determination to leave the place. My room was comfortable, and the food was good. And I rated myself roundly for being such an impressionable booby. Besides, I knew enough to make me curious to know more.
Albeit as silent as ever, I found Mrs. Jarzil civil and composed enough at breakfast. So although I had not succeeded in getting rid wholly of my aversion to the place, I started off in quest of business, saying that I would return about five o’clock.
I soon found out that so far as business went, at all events, I had fallen on my feet. The very excellent woollen goods of Messrs. Carbury and Crank appealed to these fen dwellers. They were a rheumatic lot. But that was more the fault of the locality than of themselves. At any rate the local dealers seized upon my samples with avidity, and I booked more orders in the day than I was accustomed to do in a week in some places. I returned therefore that evening to the Beach Farm in the best of spirits, but at the gate I encountered Master Abraham. He soon reduced them to a normal level.
Well, how did you sleep?” he said, I thought with a twinkle in his eye.
“Like a top, of course; I always do.”
“You heard nothing at your window?”
“Of course not. What should I hear?”
“Then you didn’t go on to the Beaches?”
“Certainly not. I was only too glad to get to bed. Besides, were you not at particular pains to advise me against going there?”
“Yes, perhaps I was; and I repeat my advice. If you do, it will come to you at the window.”
“What in heaven’s name do you mean, man?”
“I mean the Sand-walker.”
At that moment Tilly made a bound forward—she hates standing—and there was nothing for it but to let her go. The schoolmaster took himself off, and I drove up to the door.
But I silently swore at that skinny Abraham for bringing back to me the uneasy feelings of the previous night. His warning still rang in my ears. I could not get rid of it. I was determined I would not pass the night in ignorance. I resolved to take the bull by the horns and face whatever there was to face then and there.
After a “high tea ” (that was between six and seven o’clock) I mentioned casually to Mrs. Jarzil that I was going for a stroll. She neither bade me go nor stay; so over the sandhills at the back of the house I scrambled until I found myself on the sea shore.
The beach was very dreary. All was still, save for the gentle swash of the wavelets breaking in upon the ribbed sand. There was but little wind. To right and left of me there stretched an interminable vista of sand, vanishing only to blend itself in the distance with the heavy mists, which even at that season of the year hung around. The little land-locked pools were blood red with reflection of the sun. Through the off-shore of the sea and sun were ablaze with crimson light. I felt an awful sense of desolation as I sat there in the dip of a sand-hill watching the departing sun ring its changes on the spectrum. The crimson merged to amethyst, the amethyst to pearl, until in sombre greyness the light shut down upon the lonely shore.
A mad purposeless impulse seized me. With a whoop I ran down the firm sand to the brink of the water. I stood there for some moments looking out to sea. When I turned, the mists were thick even between me and the sand-hills. Darkness came down fold over fold. Every moment the fog became more damp and clammy, the sense of desolation more intense. I was isolated from all that was human; from God for aught I knew.
Then I thought of the quicksands—of Mr. Amber —of Mr. Amber’s hat found lying there; and I ran back, as I thought, to the sand hills. But I must have moved circuitously, for I could not reach even their friendly shelter. I lost my bearings hopelessly. Where the sea or where the hills I knew not. I rushed first this way, and then that, heedless and without design, intent only on escaping from the enshrouding mists, from the awesome desolation.
Suddenly the sands quaked under me. I stopped. The fate of Korah and his brethren flashed through my mind. My heart drummed loudly in the stillness. The mists grew thicker, the night darker. Then it was I saw It beside me.
At first I thought it was mortal—human—for its shape was that of a man. With an exclamation of thankfulness I endeavoured to approach it. But try as I might, I could not get near it. It did not walk, it did not glide, it did not fly. It simply melted in the mist, yet always visible, always retreating. That was the horror of the Thing.
My flesh creeped. I felt an icy cold through every pore of my skin. With awful insistence it was borne in upon me 1 was in the presence of the dead. Yet I was powerless. I could utter no cry. I could not even stop myself. On, on I went following that melting receding thing, until suddenly my foot stumbled on a sand-hill. Then It became mist with the mist, and I saw It no more. I scrambled up the hill and wept like a child.
How I reached the Beach Farm I cannot tell. I stumbled, blind with terror into the lamplight of the kitchen. I almost fell into Mrs. Jarzil’s arms. She uttered no word of surprise, but sat there staring at my terror-stricken face and quivering limbs, silent and unsympathetic. At last she spoke.
“You have seen the Sand-walker?”
“In God’s name what is it ?”
“God has nothing to do with the Sand-walker,” she replied. “It is wholly of hell.”
I could speak no more that night. By help of some raw spirit I managed to pull myself together sufficiently to scramble into bed. The very sheets were a comfort to me; at all events they were between me and It.
I was utterly exhausted, and for a few hours I slept. I awoke suddenly with every nerve on the stretch, every sense acute almost beyond bearing. Mrs. Jarzil was vociferating in the kitchen, and sobbing between whiles. Then, as surely as I am a man and a Christian, I heard three loud knocks upon the window-pane. Mrs. Jarzil turned her imprecations into prayer. In her deep voice she boomed out verses from the Psalms: “Hear my cry, O God; attend unto my prayer.”
I could stand it no longer. I flung myself out of bed, wrapped the coverlet around me, and rushed into the kitchen. Mrs. Jarzil was kneeling. Her face poured with perspiration. She paused as I appeared. There were three loud knocks at the door.
“What—O God, what is it?” I cried.
“The Sand-walker.”
Then she prayed again: “I will abide in Thy tabernacle for ever. I will trust in the cover of Thy wings.”
I made for the door, but Mrs. Jarzil seized me by the arm.
“Don’t let him in, don’t let him in. He wants me. It is Amber, I tell you. It is Amber.”
“Amber! The Sand-walker!”
“Yes, yes. He is the Sand-walker. He wants me –down on the Beaches. If you open the door I am bound to go. He draws me; he compels me. But the Lord is my strength, and shall prevail against the powers of hell.”
I had to prevent her from unbarring the door. She flung herself upon it and fumbled with the lock in frenzy. I dragged her back fearful lest she should admit the thing outside. Gradually she grew more calm, until at last she stood before me with a composure almost as terrible to behold as had been her frenzy.
“I have resisted the Devil, and he is tied!” she said. “You can go to bed now, Mr. Trossall. You will be disturbed no more. There will be no more knocking, no—more—knocking.” She caught up the candle to go. I detained her till I took a light from it. Then I went to bed. I kept the light burning all night, but there was no more knocking.
Next morning not a word passed between us about what had occurred. I ate my breakfast and drove off to my business. In the main street I met Abraham. I hailed him.
“Is there no other place where I can find a lodging?” I asked him.
“Ah! so you have been on the Beaches?”
“Yes. I was there yesterday evening.”
“You have seen the Sand-walker?”
“For God’s sake don’t speak of it,” I said. For it terrified me even in the open day—here with the sunshine hot upon me.
“And you have heard the knocking?”
“Yes, I have heard everything—seen everything; let that suffice. Can I find another lodging, I ask you?”
“No; there is none other in the district. But why need you fear. It is she-—not you, the Sand-walker wants, ay, and he’ll get her one night.”
“You know this Sand-walker, as you call him, is Amber.”
“All Gartholm knows that. He has been walking for a year past now on the Beaches. No one would go there now for any money you could offer them—at least not after sun-down. I warned you, you remember.”
“I know you did. But nevertheless I went, you see. And this Sand-walker saved my life. For he led me back to the sand hills when I had lost myself hopelessly in the fog.”
“It’s not you he wants, I tell you, it’s she.”
“Why does he want her?” I asked.
The man’s tone was very strange.
“Ask of the quicksands!” he replied; and with that disappeared in a hurry. I was getting quite accustomed to this, and would have been surprised had he taken his leave in anything approaching a rational manner.
Now, you may perhaps hardly credit it, but I tossed a shilling then and there to decide my action in the immediate future. “Heads I go, tails I stay.”
The coin spun up in the sunlight. Tails it was.
So I was to remain, and in that devil-haunted house. Well, at all events I was doing a brisk trade. There was some comfort in that.
During the next ten days I drove for miles over the district, and did uncommonly well everywhere. I found that the legend of the Beach Farm was universally familiar, and they all shook their heads very gravely indeed when they learned that I lodged there. In fact, I am not at all sure that this was not of assistance to me rather than otherwise. I became an object of intense interest, and, no doubt, of sympathy had I known it.
After that terrible night, there was a lull in the torment of the Sand-walker. Occasionally it rapped at the door or the window, but that was all. As for me I walked no more on the Beaches.
But the time was near at hand when the Devil would have his own. It came one evening about six o’clock. There had been heavy rain, and the marshy lands were flooded and the mists were thick around.
Overhead all was opaque and grey, and the ground was sodden under foot. I was anxious to get home, and Tilly was doing all she knew.
“On arrival I looked after her as was my wont, first and foremost. When I had made her comfortable for the night I returned to the kitchen. To my surprise I found Mrs. Jarzil in conversation with a girl, in whom from Abraham’s description, meagre though it had been, I had no difficulty in recognising his Venus of the Fen. She was certainly pretty. I agreed with Abraham there. She was crying bitterly, whilst her mother raged at her. They both stopped short as I entered—a sense of delicacy, no doubt.
“Whatever is the matter? ” I asked, surveying the pair of them.
“Oh, sir, you are mother’s new lodger, aren’t you?” said the girl. “Master Abraham told me as she had one. Do please ask her to hear reason, do, I implore you, sir.”
“I will allow no one to interfere with my private affairs,” said Mrs. Jarzil, stamping her foot. “If you are wise you will not seek to make public your disgrace.”
“There is no disgrace. I have done nothing to be ashamed of, I tell you.”
“No disgrace? No disgrace in allowing yourself to be beguiled by that man—to be fooled by his good looks and soft speeches?”
“What do you mean, mother? I have nothing to do with Mr. Amber.”
“Liar, you ran, away with him. What more could you have to do with him, I should like to know?”
Lottie’s spirit rose, and with it the colour to her cheeks. “I ran away with him? Indeed I did nothing of the kind. It was you who made me run away. You treated me so cruelly that I determined to go into service in London. I was sick to death of your scolding, and your preaching and praying, and this dismal house, and these horrible mists, and never a soul to speak to, sick to death of it I tell you. That’s why I went. Mr. Amber indeed!” (this with a toss of her head). “I have more taste than to take up with the likes of him. I met him as he was leaving here. I was walking, and he offered me a lift—.”
“Abr’am saw you; Abr’am saw you both!” interrupted her mother savagely. “He told me you had eloped with the man.”
“That was a lie. I parted from Mr. Amber at the London railway station. From that time to this I have never set eyes upon him. For my own sake I made him promise to hold his tongue.”
“He did—he did!” cried Mrs. Jarzil, wildly. “God help him and me, he did. He returned here, but he said nothing—made no explanation. I believed he had ruined you. Now, oh now, I see it all. And you have ruined me.”
“Oh, mother, what do you mean?”
“Why did you not let him speak? Oh, why did you not write and explain. I believed—I thought he had robbed me of you— and I revenged myself upon him.
“Revenged yourself?” I cried. I began to have an inkling of what was coming. But Mrs. Jarzil paid no heed to me. She shook Lottie furiously.
“Do you know what your silence has cost me?” (She was beside herself now). “It has cost me my soul—my soul, I say. “ Oh, why did you let me believe him guilty? I killed him. I murdered him for your sake. It was not vengeance, it was not justice, it was crime—crime and evil.”
“You—killed—Mr. Amber?
“Yes; I killed him. I swore he should pay for what he had done. His own curiosity did for him. I played upon it. I lured him to the quicksands.”
“The quicksands? ” I repeated, horrified.
“I placed a lantern on the brink of the most dangerous of them,” the woman continued, feverishly. “He used habitually to walk on the Beaches at dark. His curiosity did the rest. He had to see what that light was. I knew he would. It was the last light he ever saw in this world. Yes, you call it murder. It was murder. But it was your fault—your fault. And now he walks, and taps at the door for me. He wants me; he wants me. I thought I had justice on my side—that I was avenging your disgrace; and I fought with my soul; oh, how I fought!
“But now—I see he is right. It is I who must now be punished. I must go. I must go. Oh, God be merciful to me, a sinner.”
Lottie lay stretched on the floor. She had fainted. I placed myself between her mother and the door. I dared not let her out.
“Where would you go?” I cried, seizing her by the arm and frustrating a desperate effort to get away. She was fairly demented, and seemed possessed of strength almost demoniacal.
“To the Beaches—to my death. Let me go—let me go. An eye for an eye, I say—a tooth for a tooth. That is the law of God. Hark! He calls—he calls me. Listen!”
(I could hear nothing but the howling of the wind.)
“I must go, I must go, I must…”
She was too quick for me. Before I had time to stop her she was away into the desolate night. I rushed after her. In her present condition there was no knowing what she might do. Clearly her mind was unhinged. I could hardly see for the rain. It was nearly dark too. But on through the mire and the mist I went. I jostled up against a man. It was Abraham. I remembered it was he who had caused all this, and with the thought I lost control of myself. I gripped him by the throat.
“You dog—you liar! Lottie the girl has come back!”
“I—-I—-I know!” he gasped. “I was coming up to see her. Leave, me alone. What do you mean by this?”
“You deserve it, and more, you villain. You know well the girl did not go with Amber. You lied to her mother; you made her think so. You were in love with her yourself. The man’s death lies at your door more than at hers. She has gone to the Beaches—to her death, I tell you—unless she is stopped.”
Then I realised that I was wasting time. I hastened on, regretting deeply that my feelings had so got the better of me just then.
It was blowing half a gale, though it was not till I had crossed the sandhills that I realised it. Then the full blast of the wind struck me. It was as much as I could do to keep my feet. I could not see the woman anywhere, though I peered into the gloom until my head swam. Not a sign of her or any living creature could I see. There was nothing but the roar of the wind and the sea, and the swish of the driving rain.
Then I thought I heard a cry—a faint cry. I ploughed my way down in the direction whence I fancied it came. I became aware that Abraham had followed me. He was close behind me. Together we groped blindly on.
“He’ll get her this time!” shouted the man.
“Come on! Come on!” I roared at him. “Yonder she is.”
“And yonder the Sand-walker.”
The wretch hung back. Then a gust of wind, more concentrated and more fierce than before, seemed to rend an opening in the fog. Two shadows could be seen fluttering along—one a man of unusual height, the other a woman, reeling and swaying. She followed the Thing. As we gazed, a light appeared in the distance, radiant as a star. Its brilliance grew, and spread far and wide through the fog. The tall figure moved up to and past the light—the other following, always following.
She staggered and flung up her arms, and a wild and despairing cry rang out above the elements. And the light gradually died away, and the wind howled on, driving the mists across the sinking figure.
Slowly she sank into the sand, deeper and deeper. One last terrible moan reached us where we were, then she disappeared. For the moment the storm seemed to hush. Then all was darkness.
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An online magazine about the paranormal, haunted and macabre. We collect the ghost stories from all around the world as well as review horror and gothic media.