Tag Archives: norse

The Nordic Grave Dwelling Haugbúi Draugr (ᛏᚱᛅᚢᚴᛦ)

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An ancient ghost coming from the depths of graves across the nordic countries, the Haugbúi Draugr could be both dangerous and even deadly. Not merely a specter, but the rotten flesh of the dead, the ghosts are remembered as The Walking Dead of the North.

The draugr is not a distant spirit or a whisper in the dark, but the body itself, risen from the grave, swollen with death and driven by hatred, envy, or an unbroken will.

To the Viking mind, death did not always end a person’s power. A strong, malicious, or deeply wronged individual might carry their force beyond the grave. And even after the vikings are long gone, the stories of the draugr haunting the lands remain. 

The Norse Draug: The word draug itself is derived from the Old Norse word draugr , which originally could mean the ghost of any deceased person. The draugen was originally a dead person, either living in a mound (in Old Norse called haugbúi ) or going out to haunt the living. They were corporal ghosts.  // Illustration: Kim Diaz Holm

The Living Corpse of the Draugr

Unlike ghosts made of mist or memory, the draugr is corporeal. It has weight, strength, and substance. It can leave footprints in snow, crush bones with its grip, and wrestle the living like a man made of cold iron. In many stories, the draugr guards its burial mound or the land it once owned, attacking anyone foolish enough to trespass.

Haugbúi Draugr: In the Bronze and Iron age, people of power were often buried inside huge mound dwellings or tumuli. This led people to believe that the hills were haunted, and that these corporal ghosts resided inside of them. Although the Haugbúi is rather a type of draugr, it’s used as an umbrella term to separate it from the Norwegian Sea Draug. // Image: Osberghaugen / by Karl Ragnar Gjertsen.

Descriptions vary, but certain traits return again and again. Draugrs are often bloated and dark, their skin stretched tight by decay. They reek of death, a thick, sour stench that announces their presence before they are seen. Their eyes may glow with an unnatural light, or stare blankly from faces frozen in rage.

Some draugrs grow in size and strength after death, becoming far more powerful than they were in life. Others can change shape, slipping into the form of animals or mist, or riding the night winds to terrorize farms and villages. The draugr’s motivation was primarily envy and greed. 

Glámr and the curse of the draugr

One of the most famous draugrs appears in Grettis saga. Glámr was a shepherd whose arrogance and defiance marked him even before death. When he died under cursed circumstances, he rose again, haunting the countryside, killing livestock, and driving men mad with fear. Glámr’s draugr is not merely violent, but malevolent, spreading despair wherever he goes.

The Icelandic Draugr Types: The Draugr tale evolved differently in the nordic countries. In Iceland, the closest draugr ghost after the viking age and the saga era would be the Skotta or Mori. They also fall under the Old Norse Mythology of a Fylgja, that were supernatural spirits that followed or latched onto people. But the tales of the Fylga evolved and when we read about Skotta, they were not like totem animals or someone coming with your prophecy like in the old sagas. Icelandic ghosts are often described as being not like apparitions, but in real flesh that interacted with the living, like the nordic Draugr. And when we read about Skotta, the female version, she was highly dangerous and also deadly. // An illustration to the Icelandic legend of the Skeleton in Hólar Church (Beinagrindin í Hólakirkju). From Icelandic Legends : Collected by Jón Arnason, illustrated by Jules Worms.

When the hero Grettir finally defeats Glámr, it requires enormous physical strength and courage. Even then, the victory is incomplete. With his final breath, Glámr curses Grettir, ensuring that the shadow of the draugr follows him for the rest of his life. This reflects a core belief in draugr lore: even destroyed, the dead can still leave scars.

A second death

In Norse belief, killing a draugr was rarely simple. Weapons alone were often useless. To end its reign, the animated corpse had to suffer a second death. This might involve beheading the body, burning it, or destroying it so completely that nothing remained to rise again. Burial mounds were opened, corpses pinned down, and ashes scattered to the wind.

The main indication that a deceased person will become a draugr is that the corpse is not horizontal and is found standing upright, or in a sitting position, indicating that the dead might return. Breaking the draugr’s posture is a necessary or helpful step in destroying the draugr.

The Sea Draugr of Norway: Originally, the word draugr simply meant ghosts, and there are stories about them across Scandinavia since before the Viking area. This ghost is not the same creature as the draugr of the Viking sagas, the corporal ghost even though they share a name. The sea draug belongs to coastal Norwegian folklore and is shaped by centuries of fear, loss, and respect for the unforgiving ocean, especially along the coast of western Norway stretching up to the north, the draug is almost always a ghost from the sea. Read More: The Sea Draug: The Ghostly Fisherman of the Norwegian Coast

Heavy stones were placed on graves. Bodies were buried with care, or weighted down, to ensure they stayed where they belonged. The most effective means of preventing the return of the dead was believed to be a corpse door, a special door through which the corpse was carried feet-first with people surrounding it so that the corpse couldn’t see where it was going. The door was then bricked up to prevent a return.

The Mound Dwelling Ghost Across the North

The draugr is not confined to one land. Variants appear across the Nordic world, from Iceland to Norway, Sweden, and Finland. Each region shaped the creature slightly differently, but the core idea remained the same. The dead could walk. The past could rise up and harm the present.

The Nynorsk terminology, which often differs from the Bokmål usage by being more closely related to Old Norse, still defines the draug primarily as a revenant. Ola Raknes could therefore define a vampire as a “Blodsugar-draug” in his English-Norwegian dictionary .

Today, draugrs are often portrayed as Norse zombies or vampiric undead in games, films, and novels, mostly because of their slowness in movement and how sometimes, their form and fate could sometimes be contagious and they could make the living one of them. 

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References:

draug – Lille norske leksikon

Draug

Draugr – Wikipedia

Oskorsreia – the Wild Hunt in the North

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The wild hunt is a supernatural ghost ride in the sky during the dark winter days. In Scandinavia this hunt is called Oskorsreia, often a hunt led by Odin himself that could be dangerous for people to get entangled in. 

The sound of rumbling thunder, horses tramping in the pitch black night sky, and the screams of the hunters making their way through the sky is a familiar picture for many Europeans. The idea of the wild hunt that can take you away is a frightening one. Especially in the northern part of the world, where the fear from the hunt was real. 

Loudly through air at night they haste,
An uproar on wild black horses!
As a storm the wild crowds travel by
With nothing but clouds for foothold.
Over the valleys, the woods and meadows –
Through darkness and weather, they never heed.
The traveler throws himself frightened to ground.
Listen… what clamor! It’s the forces of Asgard!
Åsgårdsreien by Johan Sebastian Welhaven (english translation)

The time of Christmas is a cozy one for most people today. Many of the traditional customs however, have a much darker backstory than many know today. From the evil Krampus in Germany, the horse skull of Mari Lwyd in Wales to the wild hunt of Oskorsreia in the north.

Read more about ghost and hauntings during Christmas time: Ghost Stories of Christmas Hauntings

Especially in the northern part of the world, the idea of Christmas and winter have much more sinister connotations than elsewhere in the world. The days are shorter here, and the nights are much darker with more dangers lurking in the stormy winds, cold and snowy landscapes where the sun only peaks over the mountains a couple of hours each day. Christmas times are around the darkest time of the year and winter solstice has been celebrated and often feared as well as the time where the wild dark forces get unleashed into the world. 

The Wild Hunt in Europe

The idea, the fear and the legends about The Wild Hunt is found in many places in European mythologies. To the Germanic stories about the wild hunt between the Christmas weekend and new years weekend and the phenomenon was popularized when the brothers Grimm brought it up in their writings.

The Wild Hunt: Die Wilde Jagd, a German interpretation of the wild hunt by Johann Cordes from 1856. Almost every part of Europe have their own version of the wild hunt and there are many different historical, mythical or godly persons leading the hunt.

There are a lot of variations of the legends like Oskorsreia and the wild hunt, but mainly, it is the stories about restless spirits riding through the night sky. Often it is historical figures, like King Valdemar stalking a woman in Denmark, Theodoric the Great in Italy.

In Scandinavia they called it Oskorsreia and Wild Hunt was not only connected with the restless spirits in the sky, but also to the Gods and it was told before Christian times, it was believed it was Odin himself that led the hunt, the leader of the Norse Gods. 

Oskorsreia in Scandinavia

The Wild Hunt of Asgard raids the county
Whilst fall and winter at stormy nights.
But it favors to travel at Yuletide…
They feast with trolls and giants;
they closely ride by meadow and path
And pass the fearful nation.
Then, – take care farmer! Keep all in order!
As the wild hunt of Asgard may visit your home!
Åsgårdsreien by Johan Sebastian Welhaven (english translation)

Oskoreia, or Åsgardsreia as it was later called by the 1800s national romantics as a connotation to Åsgard, where the norse Gods resided, was in Scandinavian lore restless spirits riding in the sky in the night. This happened especially around christmas time, or yule, called Juleskreia. Oskoreia was the older world for it, from a time when even Christmas hadn’t reached the icy tips of Scandinavia. 

Oskorsreia was often in folklore about making sure you were ready with the preparations for Christmas and not being outside when the hunt was on. If you were not prepared and out and about when they came riding, chances were high that you would be carried along with them. 

Julereia: Jul, meaning Yule or Christmas was also a version, sometimes used in stead of the more godly ride we oten connect Oskorsreia with. It was a group of goblins, witches, trolls, elfs and other obscure creatures, travelling around during christmas time in order to cause chaos and havoc.//Picture: Nils Bergslien 1922.

Oskorsreia was supposedly dangerous for humans to get entangled with the hunt, as it would tear at your soul and carry you so far you might not get home. Many sagas tell about people taken from their homestead and are let down in an unfamiliar place. 

To stay safe against the Oskorsreia hunt, people painted crosses of tar or chalk on their doors both for humans and animals in the more Christian area. They also placed sharp steel over the doors to protect both the people in the house as well as the horses in the stables. If you were already out when you heard the ghost riders coming, your only hope was to throw yourself on the ground, arms and legs spread out and just hope that the riders would pass you. 

The Danger of Oskorsreia

As through the air in the dark came a thunder,
– a howling horde on ferocious horses,
It raced over woods to the wedding house,
Intended to visit the bloody performance.
Then horns blew, and an awesome noise
From bells and riding-gear resounded.
Now it was close – it came over the hill –
There was an outcry: The wild hunt of Asgard!

There was a tempest in Heaven and Earth,
That hurled a horror in every heart,
It blasted along in growing circles,
It punched with wings and grabbed with arms.
Then Wolf was dragged away by his hair,
thrown up in the air and taken away,
Yes, taken away over woods and mountains,
He was never seen or heard of again.
Åsgårdsreien by Johan Sebastian Welhaven (english translation)

Over time when there was a mysterious death no one could explain, it was often blamed on the Oskorsreia, especially during Christmas times. There are many folk tales from Scandinavia where they tell about someone trying to celebrate Christmas, but an unknown corpse appears on the farm, in the woods or close to the house no one knows where it came from. Then it was thought it was a person who got tangled up in the ride, was taken away and dropped down from the sky again. 

In the 1800, Oskorsreia and The Wild Hunt was a popular motif for the Germanic painters, poets and sculpture, and today we have many pieces of art depicting the hunt. But it is not the only place we can see the remnants of people’s fear of the wild hunt. 

Back in pre Christian times the hunt was either a ride of witches through the night, meaning Gandferd. Gand was originally the word for a pointy staff the witches used, and this witch ride is one of the origins stories of why we think witches ride on brooms. 

Why the wild hunt like Oskorsreia was happening varied, but most likely it started as an explanation to the stormy weathers during winter times. Oskorsreia and the Wild Hunt was often thought to be a warning of a coming plague or war, and also more harmless reasons as to check on people if they were doing their Christmas preparations correctly. 

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References

Salomonsen konversasjonsleksikon om Asgaardsrei

https://snl.no/%C3%85sg%C3%A5rdsrei

Wild Hunt – Wikipedia

Complete translated poem of Åsgårsreia by Johan Sebastian Welhaven: http://www.odins-gift.com/pclass/asgardsreien.htm