After a violent clash between two factions of officers at the train station, a CRF officer was beaten to death by the time they reached the Chittoor Railway Station. It is said that ever since that fateful day, the station has been haunted by the ghost seeking justice for his death.
Along the coast of Andhra Pradesh lies the Chittoor Railway Station—a station with 3 platforms and a local rumor passed around. It is said that the station along the Gudur-Katpadi branch line is one of the most haunted stations in India.
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Legend has it that the ghost of a Central Reserve Police Force jawan named Hari Singh from Jharkhand roams the deserted halls of Chittoor Railway Station.
Haunted Railway Station: According to the legend, the Chittoor Railway Station is haunted by an officer who was beaten to death as he was on one of the trains. // Source: Moulalisaheb.g /Wikimedia
According to local lore, on that fateful day of October 31, 2013, Singh was aboard a New Delhi-Kerala train when he was attacked by Railway Protection Force personnel and a few Traveling Ticket Examiners.
Exactly why this happened is not specified, but there have been situations before this where the two forces have ended up in an argument or fight on the train, often because of unpaid tickets. Although, there was no mention of the cause for this incident in most of the sources.
As the train pulled into Chittoor Station, Singh was badly injured after the fight. He was rushed to a hospital in Chennai, but succumbed to his injuries ten days later.
The Haunted Chittoor Railway Station
Since that tragic day, the ghost of Hari Singh has been said to haunt the grounds of Chittoor Railway Station, forever wandering in search of the justice that eluded him in life. Locals speak of his ghostly apparition, his presence felt in the eerie silence that descends upon the station after dark.
According to a chilling report by The Hindu in 2015, the people of Chittoor have reported feeling the icy touch of Singh’s ghostly presence. This is also the earliest source found for this said incident, although not referring to other sources and if we are to believe the story, we must also believe that the death never reached the news.
The Indira Gandhi Medical College is located deep in the mountainous Shimla in India. The college campus as well as the road leading up to the school are thought to be haunted.
In the scenic lap of Shimla, the prestigious Indira Gandhi Medical College (IGMC) stands as both a medical college as well as a hospital. Established in 1966, it initially bore the name “Medical College, Shimla” and was housed in the former Snowdon Hospital.
IGMC, or इंदिरा गांधी राजकीय आयुर्विज्ञान महाविद्यालय और अस्पताल began its journey in the early 1960s, slowly growing into one of Himachal Pradesh’s preeminent medical institutions. Initially offering only MBBS classes, it progressed with time.
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Over the years, it evolved, and in 1984, it was rechristened as Indira Gandhi Medical College, Shimla. Today, it is the largest medical set up in not only Shimla, but the whole of Himachal Pradesh.
The Campus on the Hillside: Indira Gandhi Medical College (IGMC) is a state-owned medical college and hospital in Shimla. It was established in 1966 as the Himachal Pradesh Medical College (HPMC), and assumed the present name in 1984.// Source
Mysteries Beyond Medicine at Indira Gandhi Medical College
There exists an eerie and mysterious side to Indira Gandhi Medical College though and talks about paranormal experiences. It is said that patients, their families, doctors, and staff have encountered inexplicable incidents that lend an aura of mystery to the institution. The corridors, lifts, and rooms have become the stage for bizarre occurrences.
Strange noises, unexplained voices, and unsettling sensations have become a part of daily life for some within the college. Some claim they have had their names called out, only to turn and not see anyone there.
Visitors and personnel alike have described sensations of being pushed from behind while coming up and down some of the staircases. Some claim they have been stuck in the lifts for hours without it being anything wrong with them.
The collective belief holds that these perplexing activities are attributed to the lingering spirits of individuals who have met their fate within the hospital’s walls. Although the motives for these spirits to haunt the college remain uncertain, their presence has created an air of trepidation that envelops the premises.
The Haunted Road to IGMC
Not only is the building itself haunted, but it is also claimed that the road up to the hospital and college is also believed to be haunted. The forest road leading to the institution is not devoid of eerie legends, although not connected to the hospital legends at all.
Read more: Check out all of the Haunted Roads around the world
In the 1960s, it is said that a man who sold oranges along this very road met a tragic end while he was working. Some have claimed to witness his apparition while walking there. Clutching his basket of oranges, the spectral vendor appears, though he does not inflict harm on those who encounter him.
“In the Vault” by H.P. Lovecraft, written in 1925, is a tale of horror that delves into the macabre consequences of disrespecting the dead. The story centers on George Birch, a negligent and callous undertaker in a small town. One day, Birch finds himself trapped in a burial vault with several recently interred coffins. In his desperate attempt to escape, he carelessly climbs over the coffins, disturbing the corpses within. As he finally breaks free, Birch realizes too late the ghastly retribution he has invoked—his leg bears the unmistakable marks of a vampire.
In the Vault by H.P. Lovecraft (1925)
There is nothing more absurd, as I view it, than that conventional association of the homely and the wholesome which seems to pervade the psychology of the multitude. Mention a bucolic Yankee setting, a bungling and thick-fibred village undertaker, and a careless mishap in a tomb, and no average reader can be brought to expect more than a hearty albeit grotesque phase of comedy. God knows, though, that the prosy tale which George Birch’s death permits me to tell has in it aspects beside which some of our darkest tragedies are light.
Birch acquired a limitation and changed his business in 1881, yet never discussed the case when he could avoid it. Neither did his old physician Dr. Davis, who died years ago. It was generally stated that the affliction and shock were results of an unlucky slip whereby Birch had locked himself for nine hours in the receiving tomb of Peck Valley Cemetery, escaping only by crude and disastrous mechanical means; but while this much was undoubtedly true, there were other and blacker things which the man used to whisper to me in his drunken delirium toward the last. He confided in me because I was his doctor, and because he probably felt the need of confiding in someone else after Davis died. He was a bachelor, wholly without relatives.
Birch, before 1881, had been the village undertaker of Peck Valley; and was a very calloused and primitive specimen even as such specimens go. The practices I heard attributed to him would be unbelievable today, at least in a city; and even Peck Valley would have shuddered a bit had it known the easy ethics of its mortuary artist in such debatable matters as the ownership of costly “laying-out” apparel invisible beneath the casket’s lid, and the degree of dignity to be maintained in posing and adapting the unseen members of lifeless tenants to containers not always calculated with sublimest accuracy. Most distinctly Birch was lax, insensitive, and professionally undesirable; yet I still think he was not an evil man. He was merely crass of fibre and function—thoughtless, careless, and liquorish, as his easily avoidable accident proves, and without that modicum of imagination which holds the average citizen within certain limits fixed by taste.
Just where to begin Birch’s story I can hardly decide, since I am no practiced teller of tales. I suppose one should start in the cold December of 1880, when the ground froze and the cemetery delvers found they could dig no more graves till spring. Fortunately the village was small and the death rate low, so that it was possible to give all of Birch’s inanimate charges a temporary haven in the single antiquated receiving tomb. The undertaker grew doubly lethargic in the bitter weather, and seemed to outdo even himself in carelessness. Never did he knock together flimsier and ungainlier caskets, or disregard more flagrantly the needs of the rusty lock on the tomb door which he slammed open and shut with such nonchalant abandon.
At last the spring thaw came, and graves were laboriously prepared for the nine silent harvests of the grim reaper which waited in the tomb. Birch, though dreading the bother of removal and interment, began his task of transference one disagreeable April morning, but ceased before noon because of a heavy rain that seemed to irritate his horse, after having laid but one mortal tenement to its permanent rest. That was Darius Peck, the nonagenarian, whose grave was not far from the tomb. Birch decided that he would begin the next day with little old Matthew Fenner, whose grave was also near by; but actually postponed the matter for three days, not getting to work till Good Friday, the 15th. Being without superstition, he did not heed the day at all; though ever afterward he refused to do anything of importance on that fateful sixth day of the week. Certainly, the events of that evening greatly changed George Birch.
On the afternoon of Friday, April 15th, then, Birch set out for the tomb with horse and wagon to transfer the body of Matthew Fenner. That he was not perfectly sober, he subsequently admitted; though he had not then taken to the wholesale drinking by which he later tried to forget certain things. He was just dizzy and careless enough to annoy his sensitive horse, which as he drew it viciously up at the tomb neighed and pawed and tossed its head, much as on that former occasion when the rain had vexed it. The day was clear, but a high wind had sprung up; and Birch was glad to get to shelter as he unlocked the iron door and entered the side-hill vault. Another might not have relished the damp, odorous chamber with the eight carelessly placed coffins; but Birch in those days was insensitive, and was concerned only in getting the right coffin for the right grave. He had not forgotten the criticism aroused when Hannah Bixby’s relatives, wishing to transport her body to the cemetery in the city whither they had moved, found the casket of Judge Capwell beneath her headstone.
The light was dim, but Birch’s sight was good, and he did not get Asaph Sawyer’s coffin by mistake, although it was very similar. He had, indeed, made that coffin for Matthew Fenner; but had cast it aside at last as too awkward and flimsy, in a fit of curious sentimentality aroused by recalling how kindly and generous the little old man had been to him during his bankruptcy five years before. He gave old Matt the very best his skill could produce, but was thrifty enough to save the rejected specimen, and to use it when Asaph Sawyer died of a malignant fever. Sawyer was not a lovable man, and many stories were told of his almost inhuman vindictiveness and tenacious memory for wrongs real or fancied. To him Birch had felt no compunction in assigning the carelessly made coffin which he now pushed out of the way in his quest for the Fenner casket.
It was just as he had recognised old Matt’s coffin that the door slammed to in the wind, leaving him in a dusk even deeper than before. The narrow transom admitted only the feeblest of rays, and the overhead ventilation funnel virtually none at all; so that he was reduced to a profane fumbling as he made his halting way among the long boxes toward the latch. In this funereal twilight he rattled the rusty handles, pushed at the iron panels, and wondered why the massive portal had grown so suddenly recalcitrant. In this twilight too, he began to realise the truth and to shout loudly as if his horse outside could do more than neigh an unsympathetic reply. For the long-neglected latch was obviously broken, leaving the careless undertaker trapped in the vault, a victim of his own oversight.
The thing must have happened at about three-thirty in the afternoon. Birch, being by temperament phlegmatic and practical, did not shout long; but proceeded to grope about for some tools which he recalled seeing in a corner of the tomb. It is doubtful whether he was touched at all by the horror and exquisite weirdness of his position, but the bald fact of imprisonment so far from the daily paths of men was enough to exasperate him thoroughly. His day’s work was sadly interrupted, and unless chance presently brought some rambler hither, he might have to remain all night or longer. The pile of tools soon reached, and a hammer and chisel selected, Birch returned over the coffins to the door. The air had begun to be exceedingly unwholesome; but to this detail he paid no attention as he toiled, half by feeling, at the heavy and corroded metal of the latch. He would have given much for a lantern or bit of candle; but lacking these, bungled semi-sightlessly as best he might.
When he perceived that the latch was hopelessly unyielding, at least to such meagre tools and under such tenebrous conditions as these, Birch glanced about for other possible points of escape. The vault had been dug from a hillside, so that the narrow ventilation funnel in the top ran through several feet of earth, making this direction utterly useless to consider. Over the door, however, the high, slit-like transom in the brick facade gave promise of possible enlargement to a diligent worker; hence upon this his eyes long rested as he racked his brains for means to reach it. There was nothing like a ladder in the tomb, and the coffin niches on the sides and rear—which Birch seldom took the trouble to use—afforded no ascent to the space above the door. Only the coffins themselves remained as potential stepping-stones, and as he considered these he speculated on the best mode of transporting them. Three coffin-heights, he reckoned, would permit him to reach the transom; but he could do better with four. The boxes were fairly even, and could be piled up like blocks; so he began to compute how he might most stably use the eight to rear a scalable platform four deep. As he planned, he could not but wish that the units of his contemplated staircase had been more securely made. Whether he had imagination enough to wish they were empty, is strongly to be doubted.
Finally he decided to lay a base of three parallel with the wall, to place upon this two layers of two each, and upon these a single box to serve as the platform. This arrangement could be ascended with a minimum of awkwardness, and would furnish the desired height. Better still, though, he would utilise only two boxes of the base to support the superstructure, leaving one free to be piled on top in case the actual feat of escape required an even greater altitude. And so the prisoner toiled in the twilight, heaving the unresponsive remnants of mortality with little ceremony as his miniature Tower of Babel rose course by course. Several of the coffins began to split under the stress of handling, and he planned to save the stoutly built casket of little Matthew Fenner for the top, in order that his feet might have as certain a surface as possible. In the semi-gloom he trusted mostly to touch to select the right one, and indeed came upon it almost by accident, since it tumbled into his hands as if through some odd volition after he had unwittingly placed it beside another on the third layer.
The tower at length finished, and his aching arms rested by a pause during which he sat on the bottom step of his grim device, Birch cautiously ascended with his tools and stood abreast of the narrow transom. The borders of the space were entirely of brick, and there seemed little doubt but that he could shortly chisel away enough to allow his body to pass. As his hammer blows began to fall, the horse outside whinnied in a tone which may have been encouraging and to others may have been mocking. In either case it would have been appropriate; for the unexpected tenacity of the easy-looking brickwork was surely a sardonic commentary on the vanity of mortal hopes, and the source of a task whose performance deserved every possible stimulus.
Dusk fell and found Birch still toiling. He worked largely by feeling now, since newly gathered clouds hid the moon; and though progress was still slow, he felt heartened at the extent of his encroachments on the top and bottom of the aperture. He could, he was sure, get out by midnight—though it is characteristic of him that this thought was untinged with eerie implications. Undisturbed by oppressive reflections on the time, the place, and the company beneath his feet, he philosophically chipped away the stony brickwork; cursing when a fragment hit him in the face, and laughing when one struck the increasingly excited horse that pawed near the cypress tree. In time the hole grew so large that he ventured to try his body in it now and then, shifting about so that the coffins beneath him rocked and creaked. He would not, he found, have to pile another on his platform to make the proper height; for the hole was on exactly the right level to use as soon as its size might permit.
It must have been midnight at least when Birch decided he could get through the transom. Tired and perspiring despite many rests, he descended to the floor and sat a while on the bottom box to gather strength for the final wriggle and leap to the ground outside. The hungry horse was neighing repeatedly and almost uncannily, and he vaguely wished it would stop. He was curiously unelated over his impending escape, and almost dreaded the exertion, for his form had the indolent stoutness of early middle age. As he remounted the splitting coffins he felt his weight very poignantly; especially when, upon reaching the topmost one, he heard that aggravated crackle which bespeaks the wholesale rending of wood. He had, it seems, planned in vain when choosing the stoutest coffin for the platform; for no sooner was his full bulk again upon it than the rotting lid gave way, jouncing him two feet down on a surface which even he did not care to imagine. Maddened by the sound, or by the stench which billowed forth even to the open air, the waiting horse gave a scream that was too frantic for a neigh, and plunged madly off through the night, the wagon rattling crazily behind it.
Birch, in his ghastly situation, was now too low for an easy scramble out of the enlarged transom; but gathered his energies for a determined try. Clutching the edges of the aperture, he sought to pull himself up, when he noticed a queer retardation in the form of an apparent drag on both his ankles. In another moment he knew fear for the first time that night; for struggle as he would, he could not shake clear of the unknown grasp which held his feet in relentless captivity. Horrible pains, as of savage wounds, shot through his calves; and in his mind was a vortex of fright mixed with an unquenchable materialism that suggested splinters, loose nails, or some other attribute of a breaking wooden box. Perhaps he screamed. At any rate he kicked and squirmed frantically and automatically whilst his consciousness was almost eclipsed in a half-swoon.
Instinct guided him in his wriggle through the transom, and in the crawl which followed his jarring thud on the damp ground. He could not walk, it appeared, and the emerging moon must have witnessed a horrible sight as he dragged his bleeding ankles toward the cemetery lodge; his fingers clawing the black mould in brainless haste, and his body responding with that maddening slowness from which one suffers when chased by the phantoms of nightmare. There was evidently, however, no pursuer; for he was alone and alive when Armington, the lodge-keeper, answered his feeble clawing at the door.
Armington helped Birch to the outside of a spare bed and sent his little son Edwin for Dr. Davis. The afflicted man was fully conscious, but would say nothing of any consequence; merely muttering such things as “Oh, my ankles!”, “Let go!”, or “Shut in the tomb”. Then the doctor came with his medicine-case and asked crisp questions, and removed the patient’s outer clothing, shoes, and socks. The wounds—for both ankles were frightfully lacerated about the Achilles’ tendons—seemed to puzzle the old physician greatly, and finally almost to frighten him. His questioning grew more than medically tense, and his hands shook as he dressed the mangled members; binding them as if he wished to get the wounds out of sight as quickly as possible.
For an impersonal doctor, Davis’ ominous and awestruck cross-examination became very strange indeed as he sought to drain from the weakened undertaker every least detail of his horrible experience. He was oddly anxious to know if Birch were sure—absolutely sure—of the identity of that top coffin of the pile; how he had chosen it, how he had been certain of it as the Fenner coffin in the dusk, and how he had distinguished it from the inferior duplicate coffin of vicious Asaph Sawyer. Would the firm Fenner casket have caved in so readily? Davis, an old-time village practitioner, had of course seen both at the respective funerals, as indeed he had attended both Fenner and Sawyer in their last illnesses. He had even wondered, at Sawyer’s funeral, how the vindictive farmer had managed to lie straight in a box so closely akin to that of the diminutive Fenner.
After a full two hours Dr. Davis left, urging Birch to insist at all times that his wounds were caused entirely by loose nails and splintering wood. What else, he added, could ever in any case be proved or believed? But it would be well to say as little as could be said, and to let no other doctor treat the wounds. Birch heeded this advice all the rest of his life till he told me his story; and when I saw the scars—ancient and whitened as they then were—I agreed that he was wise in so doing. He always remained lame, for the great tendons had been severed; but I think the greatest lameness was in his soul. His thinking processes, once so phlegmatic and logical, had become ineffaceably scarred; and it was pitiful to note his response to certain chance allusions such as “Friday”, “Tomb”, “Coffin”, and words of less obvious concatenation. His frightened horse had gone home, but his frightened wits never quite did that. He changed his business, but something always preyed upon him. It may have been just fear, and it may have been fear mixed with a queer belated sort of remorse for bygone crudities. His drinking, of course, only aggravated what it was meant to alleviate.
When Dr. Davis left Birch that night he had taken a lantern and gone to the old receiving tomb. The moon was shining on the scattered brick fragments and marred facade, and the latch of the great door yielded readily to a touch from the outside. Steeled by old ordeals in dissecting rooms, the doctor entered and looked about, stifling the nausea of mind and body that everything in sight and smell induced. He cried aloud once, and a little later gave a gasp that was more terrible than a cry. Then he fled back to the lodge and broke all the rules of his calling by rousing and shaking his patient, and hurling at him a succession of shuddering whispers that seared into the bewildered ears like the hissing of vitriol.
“It was Asaph’s coffin, Birch, just as I thought! I knew his teeth, with the front ones missing on the upper jaw—never, for God’s sake, show those wounds! The body was pretty badly gone, but if ever I saw vindictiveness on any face—or former face . . . You know what a fiend he was for revenge—how he ruined old Raymond thirty years after their boundary suit, and how he stepped on the puppy that snapped at him a year ago last August . . . He was the devil incarnate, Birch, and I believe his eye-for-an-eye fury could beat old Father Death himself. God, what a rage! I’d hate to have it aimed at me!
“Why did you do it, Birch? He was a scoundrel, and I don’t blame you for giving him a cast-aside coffin, but you always did go too damned far! Well enough to skimp on the thing some way, but you knew what a little man old Fenner was.
“I’ll never get the picture out of my head as long as I live. You kicked hard, for Asaph’s coffin was on the floor. His head was broken in, and everything was tumbled about. I’ve seen sights before, but there was one thing too much here. An eye for an eye! Great heavens, Birch, but you got what you deserved. The skull turned my stomach, but the other was worse—those ankles cut neatly off to fit Matt Fenner’s cast-aside coffin!”
Now a part of the museums in Drammen, Norway, Austad Estate used to be the home of the rich and powerful. Some say though its eternal resident is the ghost of The Lady in Black, who may or may not have been killed by her husband.
Thought to come back from beyond the grave, the restless spirit known as Hortdan in Turkey walks the line between being a tragic ghost and a bloodthirsty vampire.
In the Alpine foothills in Bavaria, strange boulders mark the landscape. Many legends linger over these mysterious stones, some claiming it was the Devil himself who placed it there.
Said to be cursed forever after mistreating his prisoners, the jailer in Bern’s former prison tower, Käfitier is said to be haunted by the ghost of a monstrous calf.
For decades, parents have told their children to be home before dark in Lafayette, Colorado. The reason being that local lore tells of a vampire rising from his grave in the cemetery. But who exactly was the man behind the story, buried under the tombstone?
Buried in the same place as the Danish kings and queens, a legend about one of the smaller graves haunts the Roskilde Cathedral. It is said that a horse was buried here before any people, and it haunts the graveyard as the three legged helhest, an omen of death.
As a place of dubious drug testing and the place where most lobotomies were done, the Lier Hospital and former asylum was left with a haunted rumor lingering in the decaying walls. Although most of the buildings are now torn down, it is still remembered as one of Norway’s most haunted places.
The Danish ghostly horse spirit Helhest is said to roam around St. Canute’s Cathedral in Odense, Denmark. It is believed seeing the three legged horse is an omen of imminent death.
According to old legends and Danish folklore, there are stories of three legged horses haunting the churches and graveyards in the country. in Saint Olaf’s Church, the spirit of the helhest is said to be the omen of death.
Could it be that the oldest church in Oslo also has the oldest haunting? From legends about a dragon’s den underneath the structure and the ghostly silhouette haunting, the Gamle Aker Church perhaps has more activity than what meets the naked eye.
During a time when Bulgaria was under the Ottoman Empire, there was talk about a vampire haunting the streets of Veliko Tarnovo. The rumours got so bad, that the Islamic rulers had to turn to pagan belief to rid themselves of the bloodthirsty creatures.
On an eternal path to greet the baby Jesus, the Italian Christmas Witch, La Befana leaves candy for the children and a question to the grown ups: Who was she really, and could her origins be older than her own tradition perhaps?
The Befana comes by night With her shoes all tattered and torn She comes dressed in the Roman way Long live the Befana!
Italy, with its rich tapestry of folklore and traditions, adds a unique twist to the festive season with the legend of La Befana. This Christmas witch, who predates Santa Claus in Italian tradition, is a figure shrouded in mystery, magic, and a touch of spookiness.
La Befana: a custom in January in Rome”, Italian illustration from 1821 showing children and women at a market stall with a Befana figure.
The Legend of La Befana
La Befana is an old woman, often depicted as a witch with a broomstick, who visits children on the night of January 5th, the eve of the Feast of the Epiphany. According to Italian folklore, she flies through the night sky, delivering gifts to children much like Santa Claus does on Christmas Eve. However, La Befana’s tale is much older and imbued with a darker, more mystical aura.
The origins of La Befana’s legend are diverse and multifaceted, drawing from ancient Roman, pagan, and Christian traditions, sources going back as far as the eighth century. Some say it evolved from the Sabine/Roman goddess named Strenia who symbolizes the new year and the seasonal cycles linked to agriculture, or relating to the harvest of the past year, now ready to be reborn as new.
The Goddess Strenua: a Sabine deity associated with the new year, purification, and health, was often depicted with a snake like the Roman God of medicine, Aesculapius. Her cult was introduced by the Sabine King Titus Tatius, and on new year’s day in ancient Rome, her image and branches of bay laurel from her sacred grove were carried in procession from her shrine to the Arx on the Capitoline Hill. The Romans included Strenua in the annual auspices, seeking her blessings for the coming year, and the ceremonies evolved to include the custom of exchanging gifts on the first day of the New Year, often laurel twigs symbolizing good health that were then burned as incense for Strenua.
Some believe that Strenua is the origin of “Befana”. In Italian folklore Befana is an old witch that flies around Italy on a broomstick and comes down chimneys on Epiphany Eve (the night of January 5) to deliver gifts.On the twelfth night after the winter solstice, the death and rebirth of nature was celebrated through Mother Nature . The Romans believed that in these twelve nights, female figures flew over the cultivated fields, to propitiate the fertility of future crops, hence the myth of the “flying” figure. According to some, this female figure was first identified in Diana , the lunar goddess not only linked to game, but also to vegetation, while according to others she was associated with a minor divinity called Sàtia (goddess of satiety), or Aboundia (goddess of abundance ). Another hypothesis would connect the Befana with an ancient Roman festival, which always took place in winter, in honor of Janus and Strenia (from which the term “strenna” also derives) and during which gifts were exchanged [9] .
One popular version of the story recounts that La Befana was approached by the Three Wise Men during their journey to find the newborn Jesus after the Betlehem appeared in the sky. They asked for directions, but La Befana, busy with her housework, initially refused to help. Later, feeling remorseful, she tried to find the Wise Men and the baby Jesus, bringing gifts for the child. Unable to find them, she continues to search for Jesus every year, leaving gifts for children in the hope that one of them might be the Christ child.
The Spooky Aspect of La Befana
While La Befana is generally seen as a benevolent figure, her appearance and certain aspects of her legend lend her a spooky, witch-like quality. Dressed in tattered clothes, with a soot-covered face from climbing down chimneys, La Befana’s witch-like appearance contrasts sharply with the jolly figure of Santa Claus.
Her annual visit is not without a touch of fear. Italian children believe that La Befana will leave a lump of coal or dark candy if they have been naughty, rather than the sweets and small gifts she bestows upon the well-behaved. The thought of a witch visiting their home in the dead of night can be as thrilling as it is terrifying for young children.
Read More: Check out all haunted legends from the Christmas Season
Moreover, the image of an old witch flying through the night sky, broomstick in hand, evokes classic Halloween imagery, adding a layer of spookiness to the festive season. The idea that she continues her eternal search for the Christ child, year after year, wandering the dark winter skies, gives her story a haunting, almost ghostly dimension.
La Befana’s Rituals and Traditions
In Italy, the arrival of La Befana is celebrated with various customs and traditions. On the night of January 5th, children hang stockings by the fireplace and leave out food and wine for La Befana, hoping to appease the witch and receive her blessings. The next morning, they eagerly check their stockings for gifts or coal, depending on their behavior over the past year.
Throughout Italy, especially in the regions of Rome and the surrounding Lazio area, towns and cities host Epiphany fairs and parades. Dolls are made of her and effigies are burnt and bonfires are often lit. One of the most famous celebrations takes place in Urbania, where thousands gather to celebrate La Befana with a grand festival featuring street performers, music, and, of course, the arrival of the Christmas witch herself.
La Befana in Modern Culture
Despite her spooky undertones, La Befana remains a beloved figure in Italian culture. She represents the blending of ancient traditions with modern festivities, embodying the spirit of both giving and penance. There is even a Viva la Befana in Roma at St. Peter’s Square in the mornings.
In recent years, La Befana has also become a symbol of female empowerment and independence, reflecting the strength and resilience of the old woman who braves the winter night alone. La Befana’s tale is a fascinating blend of whimsy, mystery, and a hint of spookiness. As Italy’s Christmas witch, she adds a unique and eerie charm to the festive season, reminding us that the magic of Christmas is not just about joy and light, but also about the mysteries that lurk in the shadows Her story continues to captivate and enchant, ensuring that the Christmas witch will remain an enduring part of Italy’s rich cultural heritage.
One of the many evil helpers of St. Nicholas, coming during the Christmas season to punish children, we find the story about Père Fouettard, or Father Whipper from Lorraine.
While Christmas is often associated with joy, kindness, and festive cheer, certain legends remind us that this season also harbors a darker side. One such legend is that of Père Fouettard, or Father Whipper, a fearsome figure who emerges from the folklore of Lorraine, France, to cast a sinister shadow over the holiday celebrations.
He is one of the many helpers of St. Nicholas to punish the bad children together with Krampus, Frau Perchta and Hans Trapp among others in areas that culturally used to be a part of the Holy Roman Empire. This particular helper is mostly known in the north and east in Franche, South in Belgium and in the French speaking part of Switzerland.
The Origins of Père Fouettard
The story of Père Fouettard dates back to 1252. The legend was particularly popular in the regions of Lorraine and Alsace, where he became an integral part of the Christmas traditions.
Père Fouettard is often depicted as a grim, bearded man dressed in dark, tattered robes, wielding a whip, switch, or rod. His face is sometimes shown as sinister and sooty, reflecting his role as a punisher of naughty children. The character is believed to have been inspired by various European tales of dark, punitive figures who accompanied benevolent gift-givers during the festive season.
The Dark Tale of Père Fouettard
One of the most chilling versions of Père Fouettard’s origin story involves a gruesome crime. According to the legend, Père Fouettard was once an innkeeper or butcher who, along with his wife, lured three wealthy boys into their home. The couple murdered the children, planning to rob them and in the darkest versions, cut them up to eat them.
However, their heinous act was discovered by Saint Nicholas, who revived the boys and condemned Père Fouettard to an eternity of penance, or just simply forces him.
In some versions of the story, the children were salted and left in barrels for around seven years until St. Nicholas came knocking on their door.
As punishment, Père Fouettard was forced to serve as Saint Nicholas’s dark companion, responsible for doling out punishments to naughty children. While Saint Nicholas would reward the good children with gifts and sweets, Père Fouettard would whip the misbehaving ones, leaving them with painful reminders of their misdeeds.
Père Fouettard in Christmas Traditions
In many parts of France and Belgium, Père Fouettard is still a prominent figure in Christmas celebrations. On December 6th, Saint Nicholas Day, he accompanies Saint Nicholas on his rounds, adding a touch of fear to the festive joy. The contrast between the kind, generous Saint Nicholas and the fearsome Père Fouettard serves as a moral lesson, reinforcing the importance of good behavior throughout the year.
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Children are often warned that if they do not behave, Père Fouettard will pay them a visit, armed with his whip or rod. This fearsome aspect of Christmas traditions acts as a cautionary tale, ensuring that children remain on their best behavior during the holiday season.
The Enduring Legacy of Père Fouettard
Despite his terrifying reputation, Père Fouettard remains an integral part of the Christmas folklore in many French-speaking regions. His story has been passed down through generations, evolving over time but retaining its core message of reward and punishment. The local twist on this story though, might come from when Charles V attacked Metz and the tanner’s guild came up with the story, making an effigy of the emperor with a whip to mock him. After the siege, it is said that the stories merged.
Modern interpretations of Père Fouettard often tone down his more gruesome aspects, portraying him as a stern but necessary figure who helps maintain the balance between good and bad. However, his presence in the festive season still serves as a reminder that Christmas, with all its joy and warmth, also has a darker side that must be acknowledged.
During the Christmas season, tales were told of Frau Perchta, who would visit people’s home and check if they had been good or bad. She would reward the good ones, but punish the bad ones by slicing their bellies open.
Christmas, a season synonymous with joy, love, and warmth, also harbors chilling legends that evoke a sense of fear and caution. Among these eerie tales is that of Frau Perchta, often known as the Alpine Goddess of Winter, The Belly Slitter and the Witch of Christmas, a figure from Alpine folklore whose story casts a dark shadow over the festive season. Known as the Christmas witch, Frau Perchta is a sinister counterpart to the more benign Christmas legends, embodying a blend of pagan and Christian traditions that make her one of the most terrifying characters of the holiday season.
Haunted Christmas Legend: Perechta and goat in the vicinity of Milevsko. Photographed by Štěpán Dvořák around 1910
The Origins of Frau Perchta
Frau Perchta’s legend is deeply rooted in the folklore of Austria, Germany, Slovenia and other Alpine regions. Her name, which varies in spelling and pronunciation, is believed to derive from the Old High German word “perht,” meaning “bright” or “shiny.” However, despite this seemingly benign name, Frau Perchta is far from a benevolent figure. She has been given many names, many being like Perchta, Bertha and sometimes she was known as Posterli,Quatemberca and Fronfastenweiber
Originally, Frau Perchta was a goddess of nature and fertility, associated with the cycles of life and the changing seasons probably stemming from Holda or Frija-Frigg. There are also connections to the women in white trope and belief from German pagan lore.
As Christianity spread through Europe, many pagan traditions and deities were transformed or demonized, and Frau Perchta’s image darkened significantly. Even Martin Luther mentioned her in a negative way. She became a figure of fear and moral retribution, known for her dual nature: rewarding the good and punishing the wicked.
Frigga Spinning the Clouds: Could the ugly witch of Christmas actually come from the legends about Frigga and or other fertility goddesses in pagan times? Many of the more monstrous and witch like characters in Christian folklore, often morphed goddesses like this to more evil and horrible characters.
The Dual Nature of Frau Perchta
Frau Perchta’s dual nature is central to her legend. On one hand, she is a kind and generous figure, rewarding those who have been good and industrious throughout the year, appearing beautiful and white as snow. On the twelfth night of Christmas, known as Epiphany or Perchtennacht, she would visit homes and leave a silver coin in the shoes of those who had completed their tasks and behaved well.
On the other hand, Frau Perchta is a fearsome and malevolent presence. She is often depicted as a haggard old woman with a beaked nose, dressed in rags and carrying a long knife hidden beneath her skirts. This darker aspect of her nature comes to the fore when she encounters those who have been lazy, disobedient, or dishonest.
The Spooky Tale of Frau Perchta
Perchta: Peruchty in Hrdly, Kingdom of Bohem 1910
The most chilling aspect of Frau Perchta’s legend is her method of punishment. According to the tales, Frau Perchta would enter homes on the twelfth night of Christmas to check if children and servants had worked hard and behaved well throughout the year. If she found them wanting, she would do more than just leave a lump of coal or a switch.
In the darkest versions of the legend, Frau Perchta would slit open the bellies of the lazy and deceitful, remove their internal organs, and stuff the cavity with straw, pebbles, or other harsh materials. This gruesome punishment was meant to serve as a dire warning to children and adults alike, ensuring they adhered to societal norms and performed their duties diligently.
That is the main core legend about her today, but there are many stories. Like about when she crashed a wedding she wasn’t invited to and cursed them all and transformed them into wolves.
Traveling the Wild Hunt of Twelve Days of Christmas
She is said to be more of a witch now, flying in the sky, attending the Wild Hunt together with the rest of the demonic forces of Christmas on Rauhnächte, the darkest night of the season. She is followed by her crowd of minions known as Perchten, said to be unbaptised children who died.
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Today in some parts of Austria and Bavaria, there are processions called Perchtenlauft of Schönperchten and Schiachperchten, beautiful and ugly Perchtas during the twelve nights between Christmas and Epiphany. People are wearing masks, making noise and setting off fireworks.
Schiechperchten: Frau Perchta with her minions in her own parade known as Schiechperchten in St. Johann from 2017. // Source: Holger Uwe Schmitt/Wikimedia
You are supposed to leave her a little tribute as well and that varies from region to region. They gave her dumplings and herring in Central Germany’s Thuringia, a porridge of oats and herring called Perchtenmilch in parts of Austria, or eggs and more dumplings, left on the roof, in Tyrol.
So by Perctentag Eve on January the fifth, you better have your house in order and spinning done, if not, the christmas witch will come and get you.
The children of Alsace are often reminded to watch out for Hans Trapp, a cursed Baron now dressing as a scarecrow, waiting for passing by children. Today now also said to be one of Santa’s helpers, punishing the bad children.
When the festive season rolls around, most of us are filled with joy, anticipation, and warmth as we prepare for Christmas. However, lurking in the shadows of holiday cheer, some tales remind us of the darker side of this time of year. Among these is the chilling legend of Hans Trapp, a figure from Alsatian folklore whose story is steeped in terror and moral warning.
“Hans Trapp is coming for Christmas” parents in the Lorraine and Alsace regions on the German and French border can say. But he is not there to give presents, but beatings and is said to be a cannibal dressed up as a scarecrow, hungry for children.
The Christ child and Hans Trapp: The Christ Child is one of the good helpers to Santa Claus. Parts of Europea white-skinned, fresh-faced version of Jesus does the job of delivering presents. He often appears dressed in white—sometimes with wings. The Christ child can be anywhere from age two to twenty-two, and pretty much always blonde. Sometimes he’s not even the actual Jesus, but a young angel , heralding the arrival of Jesus. Here he is distributed gifts while Hans Trapp stuffed the naughties into a sack to eat later.
The Origins of Hans Trapp
The legend of Hans Trapp originates from the region of Alsace, which straddles the border between France and Germany. This area has a rich tapestry of folklore, where the lines between the real and the supernatural often blur. Hans Trapp is one such figure, deeply rooted in the region’s history and culture.
All the way north in the region you will find Wissembourg, now a border area, but back then, part of the Holy Roman Empire.
Hans Trapp, or Hans von Trotha, which was his actual name, was once a wealthy and powerful man, known for his insatiable greed and cruelty living at Berwartstein Castle, born in the mid 1400s. His riches were acquired through ruthless means, and he was feared and despised by those who lived in his dominion. According to legend, his malevolence grew so great that he dabbled in black magic and made a pact with the Devil to increase his wealth and power.
There are many stories, but what we do know is that he came into a fight with the Abbot of Wissembourg about land, and Hans Trapp decided to cut off their water supply in retaliation. He built a dam on top of the Wieslauter to stop its flow down to Wissembourg, flooding the abbot’s land.
When they demanded he stop though, he destroyed the dam, causing a flooding, gushing down the mountain, flooding the town.
Hans Trapp’s actions did not go unnoticed. But the Holy Roman Emperor did nothing to stop him. His heinous deeds and dark practices eventually drew the attention of the Church. The pope summoned him, but he refused. Instead he called the pope all sorts of immoral things. He was excommunicated by the church and banished from society, a punishment he hated. He was sent to French court instead during the Italian wars, dying in 1503 at his castle and his lineage died out around 40 years after his death.
TheBurg Berwartstein: Berwartstein is a castle in Rhineland-Palatinate, Germany, and where Hans von Trotha lived, the one that would mostly be remembered as Hans Trapp, scarecrow and child eater.
The Legacy of Hans Trapp
People started in the following years after his death to attribute horrible things to him, even changing his name to Tapp, where trappen is to make a noise while walking in order to chase away spirits. Soon he was turned into a devilish figure, a demon and a spook, always after revenge on those who wronged him.
In the legend he is mostly talked about as a hermit, excommunicated to the woods, not to court. They tell about him living in the forest and building a shelter on the mountain of Geisberg in Bavaria in Germany, turning less and less human, living by luring children into his lair to eat them. One story tells that God himself turned him into a scarecrow because he devoured a young shepherd.
Another version claimed it was Trapp who dressed up as a scarecrow to lure the children, stuffing his clothes with straw and hiding among the fields. As time went by after his exile, he turned mad, bitter and hungry for both revenge and flesh. With a grim visage and a sinister air, he would wait for his next victim.
One day, Hans Trapp set his sights on a young boy from a nearby village, only ten years old. He captured the child and took him back to his lair in the woods. As he prepared to cook and eat the boy, cooking him over the open fire, a divine intervention occurred. A bolt of lightning struck Hans Trapp down, killing him instantly and saving the child from a gruesome fate.
Le Hans Trapp: Man dressed up as the scarecrow man with the sack Christmas of 1953 in Wintzenheim (Alsace, France)
D’r Hans Trapp Schoi, do kummt d’r Hans Trapp. Ar het a scheni Zepfelkapp’ Un a Bart wiss wie a Schimmel. Ar kummt vum schena Starnehimmel Un bringt da Kinder a Ruada, Wu net dien singe un bata. Schoi, Hans Trapp, mir sin so klein Un brav un folje d’heim. Müesch net kumme mit dim Stacka, Denn mir kenne singe un oi bata.
English Translation
The Hans Trapp Look, there’s Hans Trapp. He’s got a nice pointed hood And a beard as white as a white horse. He comes from the starry sky He brings a rod to the children Who neither sing nor pray. Look, Hans Trapp, we are so small We are wise and we follow the house. You don’t need to come with your rod, For we know how to sing and pray.
The Haunting of Christmas
Though Hans Trapp was destroyed, his evil spirit was not at rest. According to legend, he continues to roam the region, especially during the Christmas season as he became the helper of St. Nicholas to punish children. Some claim that St. Nicholas happened to walk past as Trapp was struck by lightning. He came with him and has since tried to redeem himself for his sins. Another version for why he is involved in the Christmas season is, well… Misbehaving children need a story.
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Much like Krampus, Hans Trapp is said to visit misbehaving children, but his presence is far more sinister. It is said he is riding his black horse on the countryside of northern Alsace looking for vengeance. On St. Nicholas’ Eve he takes part in the parade of the holy man in the region. He embodies the fearsome consequences of moral corruption and the dangers that lurk in the darkness.
Parents in Alsace would tell their children the story of Hans Trapp to instill good behavior and to keep them from wandering too far from home. The tale serves as a chilling reminder that while Christmas is a time of joy and celebration, it also has its shadows.
Leading up to Christmas, the Lefferts-Laidlaw House at 136 Clinton Avenue in Brooklyn got uninvited visitors, knocking on the doors. The haunting lead to a spectacle of onlookers trying to solve the strange case that even the New York Police couldn’t solve.
In the bustling borough of Brooklyn, New York, among the charming brownstones of Clinton Avenue, one address stands out for its eerie reputation: 136 Clinton Avenue, a grand Greek Revival House built around the end of the 1830s, still standing close to the Brooklyn Navy Yard on Clinton Hill. Today it is known as the Lefferts-Laidlaw House and when it was put on the market in 2020, it was listed for 3.4 million dollars after being on and off the market for years.
The residents that have lived there in modern times as well as the agent trying to sell the house all say that it isn’t haunted. But could the haunted ghost story be the reason buyers are deterred from it? The chilling events that took place here in the winter of 1878 have left an indelible mark on local lore, giving rise to one of Brooklyn’s most infamous Christmas hauntings.
The whole story was told in a series of news articles in the New York Times on the 20th and 21st of December.
The Uninvited Guest at 136 Clinton Avenue
It all began a few weeks before Christmas in 1878. Edward F. Smith, a resident of 136 Clinton Avenue, was enjoying a quiet evening at home when the doorbell rang. He answered the door, expecting a visitor, but found no one there. It happened several times more that night, the doors of the house kicked, banged and rattled. It was so loud, but not a single thing was seen and carried on until 10 in the evening. Mr. Smith had to tell himself that: It was only the wind, and went to sleep.
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That was only the beginning of a pre-Christmas nightmare. This seemingly innocent event soon turned into a nightly occurrence, each time with the same perplexing result: the doorbell would ring, but there would be no one outside, and no signs that anyone had been there at all.
Smith and his family were initially baffled and soon grew frustrated. Determined to catch the prankster, Smith sprinkled ash and flour along the path to the door, expecting to find footprints. But the substances remained undisturbed, and the mysterious noises continued unabated.
Escalation of Fear
As the days passed, the unsettling events escalated. The doorbell ringing turned into aggressive banging on the doors. The Smith family, now deeply concerned, decided to seek help. They contacted the police, who began to investigate the strange occurrences as they spent the night, but nothing came of it.
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Despite the police presence, the disturbances did not cease. The ringing and banging persisted, defying all attempts to identify their source. The Police Captain McLaughlin was even there, opening the door as it banged only to find empty air. This was on Monday the 16th of December when things took a darker turn.
The situation took an even more sinister turn one night when a brick suddenly flew through a window from outside. Officers standing nearby saw no one who could have thrown the brick, adding to the growing sense of fear and confusion.
The Paranormal Conclusion
Weeks of investigation yielded no answers. The police were unable to determine the cause of the disturbances, and the relentless noises and inexplicable events continued to plague the Smith family. With no rational explanation in sight, Smith and the witnesses to these bizarre happenings began to suspect a supernatural cause.
The haunting of 136 Clinton Avenue became a topic of local gossip, with many speculating that the house was cursed or that it harbored restless spirits. Some suggested that the disturbances were the work of a mischievous poltergeist, while others believed it was the ghost of a former resident seeking vengeance or closure.
Paranormal seekers and spiritualists begged to come inside to have a look, but Mr. Smith refused them all as he would have none of that nonsense. This didn’t stop them though and it was reported of semi-seances on the sidewalk with a crowd the police had to send away at times. One police officer was even bitten on the fingers by what the paper described as: ‘one powerful German who refused to move.’
Who was the Ghost Haunting the Lefferts-Laidlaw House?
After three weeks of mayhem, the haunting suddenly stopped according to the residence, and no answer was given to what really happened there. The local gossip claimed that it had to be the work of the ghost of a lawyer said to have committed suicide inside of the house years before.
According to Mr. Smith, he was so rattled and annoyed he was said to have said it had to be Satan himself in his home. He claimed it was he who had driven the ghost away with long prayers and had previously said to the newspaper that: ‘we consider ourselves perfectly able to take care of any ghost that comes along.’
There are also stories about the original owner and his chef, where according to this story, the owner murdered the chef when he found out about the affair with his wife.
According to the police, they remained inconclusive. It wasn’t like they could accept the theory about the devil or the ghost of a lawyer, but even they had to stand behind what they saw the things that happened, and that there was no way a living human could have done it without having been seen.
The Legacy of the Haunting
The haunting of 136 Clinton Avenue remains one of Brooklyn’s most enduring ghost stories. Over the years, the house has changed hands multiple times, and each new owner has been regaled with tales of the Christmas haunting. Some residents have reported experiencing strange noises and unsettling events, while others have lived there without incident.
Today, the story of the Christmas haunting serves as a chilling reminder of the unexplained phenomena that sometimes invade our lives. Whether a skeptic or a believer, the tale of 136 Clinton Avenue continues to captivate those who hear it, adding a touch of mystery to the holiday season in Brooklyn.
“The Water Ghost of Harrowby Hall” by John Kendrick Bangs is a macabre short story that combines humor with supernatural elements. Published in 1891, the tale centers around the cursed Harrowby Hall, where each Christmas Eve, a spectral figure drenched in water appears to haunt the inhabitants. The ghost, a former occupant who perished tragically, brings an unnerving and persistent flood that leaves the manor in chaos. The protagonist, determined to rid his home of this annual menace, devises a clever plan to confront and ultimately outwit the ghost.
The Water Ghost of Harrowby Hall by John Kendrick Bangs (1891)
The trouble with Harrowby Hall was that it was haunted, and, what was worse, the ghost did not content itself with merely appearing at the bedside of the afflicted person who saw it, but persisted in remaining there for one mortal hour before it would disappear.
It never appeared except on Christmas Eve, and then as the clock was striking twelve, in which respect alone was it lacking in that originality which in these days is a sine qua non of success in spectral life. The owners of Harrowby Hall had done their utmost to rid themselves of the damp and dewy lady who rose up out of the best bedroom floor at midnight, but without avail. They had tried stopping the clock, so that the ghost would not know when it was midnight; but she made her appearance just the same, with that fearful miasmatic personality of hers, and there she would stand until everything about her was thoroughly saturated.
Then the owners of Harrowby Hall calked up every crack in the floor with the very best quality of hemp, and over this was placed layers of tar and canvas; the walls were made water-proof, and the doors and windows likewise, the proprietors having conceived the notion that the unexorcised lady would find it difficult to leak into the room after these precautions had been taken; but even this did not suffice. The following Christmas Eve she appeared as promptly as before, and frightened the occupant of the room quite out of his senses by sitting down alongside of him and gazing with her cavernous blue eyes into his; and he noticed, too, that in her long, aqueously bony fingers bits of dripping sea-weed were entwined, the ends hanging down, and these ends she drew across his forehead until he became like one insane. And then he swooned away, and was found unconscious in his bed the next morning by his host, simply saturated with sea-water and fright, from the combined effects of which he never recovered, dying four years later of pneumonia and nervous prostration at the age of seventy-eight.
The next year the master of Harrowby Hall decided not to have the best spare bedroom opened at all, thinking that perhaps the ghost’s thirst for making herself disagreeable would be satisfied by haunting the furniture, but the plan was as unavailing as the many that had preceded it.
The ghost appeared as usual in the room—that is, it was supposed she did, for the hangings were dripping wet the next morning, and in the parlor below the haunted room a great damp spot appeared on the ceiling. Finding no one there, she immediately set out to learn the reason why, and she chose none other to haunt than the owner of the Harrowby himself. She found him in his own cosey room drinking whiskey—whiskey undiluted—and felicitating himself upon having foiled her ghostship, when all of a sudden the curl went out of his hair, his whiskey bottle filled and overflowed, and he was himself in a condition similar to that of a man who has fallen into a water-butt. When he recovered from the shock, which was a painful one, he saw before him the lady of the cavernous eyes and sea-weed fingers. The sight was so unexpected and so terrifying that he fainted, but immediately came to, because of the vast amount of water in his hair, which, trickling down over his face, restored his consciousness.
Now it so happened that the master of Harrowby was a brave man, and while he was not particularly fond of interviewing ghosts, especially such quenching ghosts as the one before him, he was not to be daunted by an apparition. He had paid the lady the compliment of fainting from the effects of his first surprise, and now that he had come to he intended to find out a few things he felt he had a right to know. He would have liked to put on a dry suit of clothes first, but the apparition declined to leave him for an instant until her hour was up, and he was forced to deny himself that pleasure. Every time he would move she would follow him, with the result that everything she came in contact with got a ducking. In an effort to warm himself up he approached the fire, an unfortunate move as it turned out, because it brought the ghost directly over the fire, which immediately was extinguished. The whiskey became utterly valueless as a comforter to his chilled system, because it was by this time diluted to a proportion of ninety per cent of water. The only thing he could do to ward off the evil effects of his encounter he did, and that was to swallow ten two-grain quinine pills, which he managed to put into his mouth before the ghost had time to interfere. Having done this, he turned with some asperity to the ghost, and said:
“Far be it from me to be impolite to a woman, madam, but I’m hanged if it wouldn’t please me better if you’d stop these infernal visits of yours to this house. Go sit out on the lake, if you like that sort of thing; soak the water-butt, if you wish; but do not, I implore you, come into a gentleman’s house and saturate him and his possessions in this way. It is damned disagreeable.”
“Henry Hartwick Oglethorpe,” said the ghost, in a gurgling voice, “you don’t know what you are talking about.”
“Madam,” returned the unhappy householder, “I wish that remark were strictly truthful. I was talking about you. It would be shillings and pence—nay, pounds, in my pocket, madam, if I did not know you.”
“That is a bit of specious nonsense,” returned the ghost, throwing a quart of indignation into the face of the master of Harrowby. “It may rank high as repartee, but as a comment upon my statement that you do not know what you are talking about, it savors of irrelevant impertinence. You do not know that I am compelled to haunt this place year after year by inexorable fate. It is no pleasure to me to enter this house, and ruin and mildew everything I touch. I never aspired to be a shower-bath, but it is my doom. Do you know who I am?”
“No, I don’t,” returned the master of Harrowby. “I should say you were the Lady of the Lake, or Little Sallie Waters.”
“You are a witty man for your years,” said the ghost.
“Well, my humor is drier than yours ever will be,” returned the master.
“No doubt. I’m never dry. I am the Water Ghost of Harrowby Hall, and dryness is a quality entirely beyond my wildest hope. I have been the incumbent of this highly unpleasant office for two hundred years to-night.”
“How the deuce did you ever come to get elected?” asked the master.
“Through a suicide,” replied the spectre. “I am the ghost of that fair maiden whose picture hangs over the mantel-piece in the drawing-room. I should have been your great-great-great-great-great-aunt if I had lived, Henry Hartwick Oglethorpe, for I was the own sister of your great-great-great-great-grandfather.”
“But what induced you to get this house into such a predicament?”
“I was not to blame, sir,” returned the lady. “It was my father’s fault. He it was who built Harrowby Hall, and the haunted chamber was to have been mine. My father had it furnished in pink and yellow, knowing well that blue and gray formed the only combination of color I could tolerate. He did it merely to spite me, and, with what I deem a proper spirit, I declined to live in the room; whereupon my father said I could live there or on the lawn, he didn’t care which. That night I ran from the house and jumped over the cliff into the sea.”
“That was rash,” said the master of Harrowby.
“So I’ve heard,” returned the ghost. “If I had known what the consequences were to be I should not have jumped; but I really never realized what I was doing until after I was drowned. I had been drowned a week when a sea-nymph came to me and informed me that I was to be one of her followers forever afterwards, adding that it should be my doom to haunt Harrowby Hall for one hour every Christmas Eve throughout the rest of eternity. I was to haunt that room on such Christmas Eves as I found it inhabited; and if it should turn out not to be inhabited, I was and am to spend the allotted hour with the head of the house.”
“I’ll sell the place.”
“That you cannot do, for it is also required of me that I shall appear as the deeds are to be delivered to any purchaser, and divulge to him the awful secret of the house.”
“Do you mean to tell me that on every Christmas Eve that I don’t happen to have somebody in that guest-chamber, you are going to haunt me wherever I may be, ruining my whiskey, taking all the curl out of my hair, extinguishing my fire, and soaking me through to the skin?” demanded the master.
“You have stated the case, Oglethorpe. And what is more,” said the water ghost, “it doesn’t make the slightest difference where you are, if I find that room empty, wherever you may be I shall douse you with my spectral pres—”
Here the clock struck one, and immediately the apparition faded away. It was perhaps more of a trickle than a fade, but as a disappearance it was complete.
“By St. George and his Dragon!” ejaculated the master of Harrowby, wringing his hands. “It is guineas to hot-cross buns that next Christmas there’s an occupant of the spare room, or I spend the night in a bath-tub.”
But the master of Harrowby would have lost his wager had there been any one there to take him up, for when Christmas Eve came again he was in his grave, never having recovered from the cold contracted that awful night. Harrowby Hall was closed, and the heir to the estate was in London, where to him in his chambers came the same experience that his father had gone through, saving only that, being younger and stronger, he survived the shock. Everything in his rooms was ruined—his clocks were rusted in the works; a fine collection of water-color drawings was entirely obliterated by the onslaught of the water ghost; and what was worse, the apartments below his were drenched with the water soaking through the floors, a damage for which he was compelled to pay, and which resulted in his being requested by his landlady to vacate the premises immediately.
The story of the visitation inflicted upon his family had gone abroad, and no one could be got to invite him out to any function save afternoon teas and receptions. Fathers of daughters declined to permit him to remain in their houses later than eight o’clock at night, not knowing but that some emergency might arise in the supernatural world which would require the unexpected appearance of the water ghost in this on nights other than Christmas Eve, and before the mystic hour when weary churchyards, ignoring the rules which are supposed to govern polite society, begin to yawn. Nor would the maids themselves have aught to do with him, fearing the destruction by the sudden incursion of aqueous femininity of the costumes which they held most dear.
So the heir of Harrowby Hall resolved, as his ancestors for several generations before him had resolved, that something must be done. His first thought was to make one of his servants occupy the haunted room at the crucial moment; but in this he failed, because the servants themselves knew the history of that room and rebelled. None of his friends would consent to sacrifice their personal comfort to his, nor was there to be found in all England a man so poor as to be willing to occupy the doomed chamber on Christmas Eve for pay.
Then the thought came to the heir to have the fireplace in the room enlarged, so that he might evaporate the ghost at its first appearance, and he was felicitating himself upon the ingenuity of his plan, when he remembered what his father had told him—how that no fire could withstand the lady’s extremely contagious dampness. And then he bethought him of steam-pipes. These, he remembered, could lie hundreds of feet deep in water, and still retain sufficient heat to drive the water away in vapor; and as a result of this thought the haunted room was heated by steam to a withering degree, and the heir for six months attended daily the Turkish baths, so that when Christmas Eve came he could himself withstand the awful temperature of the room.
The scheme was only partially successful. The water ghost appeared at the specified time, and found the heir of Harrowby prepared; but hot as the room was, it shortened her visit by no more than five minutes in the hour, during which time the nervous system of the young master was wellnigh shattered, and the room itself was cracked and warped to an extent which required the outlay of a large sum of money to remedy. And worse than this, as the last drop of the water ghost was slowly sizzling itself out on the floor, she whispered to her would-be conqueror that his scheme would avail him nothing, because there was still water in great plenty where she came from, and that next year would find her rehabilitated and as exasperatingly saturating as ever.
It was then that the natural action of the mind, in going from one extreme to the other, suggested to the ingenious heir of Harrowby the means by which the water ghost was ultimately conquered, and happiness once more came within the grasp of the house of Oglethorpe.
The heir provided himself with a warm suit of fur under-clothing. Donning this with the furry side in, he placed over it a rubber garment, tightfitting, which he wore just as a woman wears a jersey. On top of this he placed another set of under-clothing, this suit made of wool, and over this was a second rubber garment like the first. Upon his head he placed a light and comfortable diving helmet, and so clad, on the following Christmas Eve he awaited the coming of his tormentor.
It was a bitterly cold night that brought to a close this twenty-fourth day of December. The air outside was still, but the temperature was below zero. Within all was quiet, the servants of Harrowby Hall awaiting with beating hearts the outcome of their master’s campaign against his supernatural visitor.
The master himself was lying on the bed in the haunted room, clad as has already been indicated, and then—
The clock clanged out the hour of twelve.
There was a sudden banging of doors, a blast of cold air swept through the halls, the door leading into the haunted chamber flew open, a splash was heard, and the water ghost was seen standing at the side of the heir of Harrowby, from whose outer dress there streamed rivulets of water, but whose own person deep down under the various garments he wore was as dry and as warm as he could have wished.
“Ha!” said the young master of Harrowby. “I’m glad to see you.”
“You are the most original man I’ve met, if that is true,” returned the ghost. “May I ask where did you get that hat?”
“Certainly, madam,” returned the master, courteously. “It is a little portable observatory I had made for just such emergencies as this. But, tell me, is it true that you are doomed to follow me about for one mortal hour—to stand where I stand, to sit where I sit?”
“That is my delectable fate,” returned the lady.
“We’ll go out on the lake,” said the master, starting up.
“You can’t get rid of me that way,” returned the ghost. “The water won’t swallow me up; in fact, it will just add to my present bulk.”
“Nevertheless,” said the master, firmly, “we will go out on the lake.”
“But, my dear sir,” returned the ghost, with a pale reluctance, “it is fearfully cold out there. You will be frozen hard before you’ve been out ten minutes.”
“Oh no, I’ll not,” replied the master. “I am very warmly dressed. Come!” This last in a tone of command that made the ghost ripple.
And they started.
They had not gone far before the water ghost showed signs of distress.
“You walk too slowly,” she said. “I am nearly frozen. My knees are so stiff now I can hardly move. I beseech you to accelerate your step.”
“I should like to oblige a lady,” returned the master, courteously, “but my clothes are rather heavy, and a hundred yards an hour is about my speed. Indeed, I think we would better sit down here on this snowdrift, and talk matters over.”
“Do not! Do not do so, I beg!” cried the ghost. “Let me move on. I feel myself growing rigid as it is. If we stop here, I shall be frozen stiff.”
“That, madam,” said the master slowly, and seating himself on an ice-cake—”that is why I have brought you here. We have been on this spot just ten minutes, we have fifty more. Take your time about it, madam, but freeze, that is all I ask of you.”
“I cannot move my right leg now,” cried the ghost, in despair, “and my overskirt is a solid sheet of ice. Oh, good, kind Mr. Oglethorpe, light a fire, and let me go free from these icy fetters.”
“Never, madam. It cannot be. I have you at last.”
“Alas!” cried the ghost, a tear trickling down her frozen cheek. “Help me, I beg. I congeal!”
“Congeal, madam, congeal!” returned Oglethorpe, coldly. “You have drenched me and mine for two hundred and three years, madam. To-night you have had your last drench.”
“Ah, but I shall thaw out again, and then you’ll see. Instead of the comfortably tepid, genial ghost I have been in my past, sir, I shall be iced-water,” cried the lady, threateningly.
“No, you won’t, either,” returned Oglethorpe; “for when you are frozen quite stiff, I shall send you to a cold-storage warehouse, and there shall you remain an icy work of art forever more.”
“But warehouses burn.”
“So they do, but this warehouse cannot burn. It is made of asbestos and surrounding it are fire-proof walls, and within those walls the temperature is now and shall forever be 416 degrees below the zero point; low enough to make an icicle of any flame in this world—or the next,” the master added, with an ill-suppressed chuckle.
“For the last time let me beseech you. I would go on my knees to you, Oglethorpe, were they not already frozen. I beg of you do not doo—”
Here even the words froze on the water ghost’s lips and the clock struck one. There was a momentary tremor throughout the ice-bound form, and the moon, coming out from behind a cloud, shone down on the rigid figure of a beautiful woman sculptured in clear, transparent ice. There stood the ghost of Harrowby Hall, conquered by the cold, a prisoner for all time.
The heir of Harrowby had won at last, and to-day in a large storage house in London stands the frigid form of one who will never again flood the house of Oglethorpe with woe and sea-water.
As for the heir of Harrowby, his success in coping with a ghost has made him famous, a fame that still lingers about him, although his victory took place some twenty years ago; and so far from being unpopular with the fair sex, as he was when we first knew him, he has not only been married twice, but is to lead a third bride to the altar before the year is out.
Now a part of the museums in Drammen, Norway, Austad Estate used to be the home of the rich and powerful. Some say though its eternal resident is the ghost of The Lady in Black, who may or may not have been killed by her husband.
Thought to come back from beyond the grave, the restless spirit known as Hortdan in Turkey walks the line between being a tragic ghost and a bloodthirsty vampire.
In the Alpine foothills in Bavaria, strange boulders mark the landscape. Many legends linger over these mysterious stones, some claiming it was the Devil himself who placed it there.
Said to be cursed forever after mistreating his prisoners, the jailer in Bern’s former prison tower, Käfitier is said to be haunted by the ghost of a monstrous calf.
For decades, parents have told their children to be home before dark in Lafayette, Colorado. The reason being that local lore tells of a vampire rising from his grave in the cemetery. But who exactly was the man behind the story, buried under the tombstone?
Buried in the same place as the Danish kings and queens, a legend about one of the smaller graves haunts the Roskilde Cathedral. It is said that a horse was buried here before any people, and it haunts the graveyard as the three legged helhest, an omen of death.
As a place of dubious drug testing and the place where most lobotomies were done, the Lier Hospital and former asylum was left with a haunted rumor lingering in the decaying walls. Although most of the buildings are now torn down, it is still remembered as one of Norway’s most haunted places.
The Danish ghostly horse spirit Helhest is said to roam around St. Canute’s Cathedral in Odense, Denmark. It is believed seeing the three legged horse is an omen of imminent death.
According to old legends and Danish folklore, there are stories of three legged horses haunting the churches and graveyards in the country. in Saint Olaf’s Church, the spirit of the helhest is said to be the omen of death.
Could it be that the oldest church in Oslo also has the oldest haunting? From legends about a dragon’s den underneath the structure and the ghostly silhouette haunting, the Gamle Aker Church perhaps has more activity than what meets the naked eye.
During a time when Bulgaria was under the Ottoman Empire, there was talk about a vampire haunting the streets of Veliko Tarnovo. The rumours got so bad, that the Islamic rulers had to turn to pagan belief to rid themselves of the bloodthirsty creatures.
The original owner of the Dorrington Hotel in California is said to be haunting it. One Christmas the ghost of the former mistress of the place went knocking down every fake Christmas Tree the current owner had put up.
In the picturesque and mountainous landscape of Calaveras County, California, the Dorrington Hotel is not just a charming relic of the past, but also a hotbed of paranormal activity. Established in the mid-19th century, this historic hotel of the Gold Rush Time in California, is said to be haunted by its former mistress, Rebecca Dorrington Gardner, whose restless spirit roams the halls, particularly during the Christmas season.
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With its storied past and eerie occurrences, like the very name, Calaveras, Spanish for Skulls after the reported remains of natives, the Dorrington Hotel offers a chilling blend of history and hauntings in the sequoia redwoods.
Dorrington Hotel: The place is still in operation even to this day, even years after the Gold Rush died down. It is however said to be haunted by the original owner today.
The Legacy of John Gardner and his Inn
The Dorrington Hotel was built in 1852 by John and Rebecca Gardner, on top of the Big Valley Road as a coach stop were it served as a depot for stockmen as well as a summer resort. John Gardner, a Scottish immigrant, purchased a small sheep ranch and 160 acres of land from Barnabus Smith when it was still just a trail passing by the Miwok and Washoe Native land. Smith, a former Private Captain in the Massachusetts Militia during the War of 1812, had been granted the land for his military service.
“This is the place!” he wrote to his new bride, Rebecca, who had remained at home in Scotland, waiting for his word. Gardner quickly turned the property known for its cold springs, and he called it first, Cold Spring Ranch, into a profitable roadside business, providing refuge for countless emigrants journeying over the Central Sierra Mountains.
The Lady of the Night: Rebecca Dorrington Gardner
Rebecca Dorrington Gardner, the beloved mistress of the hotel, sailed from Scotland to join her husband in the Sierra Gold Country, and the place was soon called Dorrington, her maiden name. She survived her husband by many years, however, legend has it that she met a tragic end that left her spirit bound to the place she once managed.
It is said that Rebecca suffered fatal injuries in 1870 when she fell down the rear staircase of the hotel. Some also claim she went out in a snowstorm and lost her way as she froze to death. Others say she was massacred by the natives. Though historical records indicate she passed away on October 16, 1910, in Altaville, California when she was 83 years old, her ghostly presence remains a fixture at the Dorrington Hotel.
Visitors and staff have frequently reported encountering Rebecca’s spirit, peeking out threw curtains in unopccupied rooms, not really liking how the new owners keeps interfering in her buisness. Her spectral activities include doors mysteriously opening and closing, lights flickering, and furniture inexplicably moving.
The hotel’s dining room is a common spot for sightings, with many claiming to see or feel her presence as she glides through the space. Many guests also claim that they have seen the ghost of her fall down the stairs as a ghostly reenactment of her death.
Rebecca’s ghost also seems to enjoy interacting with modern technology, often triggering the motion detectors installed around the hotel.
One time it was said she warned the owner at the time og a gas leak in the kitchen. According to the stoy, she woke him up in the middle of the night to warn him.
The Christmas Tree Incident
The Christmas season brings an increase in Rebecca’s ghostly activities. One particularly spine-chilling tale involves the annual holiday decorations. One year, the hotel’s owner decided to place an artificial Christmas tree in every room. To everyone’s astonishment, each night Rebecca would go from room to room, knocking the trees down. Every morning, the staff and guests would find the trees toppled over, a clear sign of Rebecca’s nocturnal rounds.
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In another eerie incident, the owner, Marc Lanthier, experienced something that solidified the hotel’s haunted reputation. One Christmas after this event, Marc took two pictures of the hotel adorned with Christmas lights. When he uploaded the photos to his computer, he discovered something unsettling. One photo was bright and clear, while the other showed a vaporous figure floating over the hotel. Could this be Rebecca Dorrington Gardner, still overseeing her beloved establishment?
Christmas Haunting: Christmas seems to be a season where the haunted occurrences get more frequent. The alleged ghost seems to have a period of adjustments to new owners and new traditions and way of operating the hotel. Could the use of plastic Christmas trees be a trigger this one Christmas?
Other Ghostly Residents at Dorrington Hotel
Rebecca is not the only spirit said to haunt the Dorrington Hotel. Guests have reported hearing the laughter and footsteps of children in the dead of night, despite there being no children present. Could this be some of the four children of the original owners that are haunting the hotel together with their mother?
Many guests visiting the Dorrington Hotel specifically seek out the paranormal, hoping for a glimpse of Rebecca or the other spirits said to reside there. Some overnight visitors have reported finding a single footprint by their beds, believed to be left by Rebecca as she patrols the hotel at night.
A Night In the Gold Rush Country
The Dorrington Hotel remains a captivating blend of history and hauntings, with its rich past and active ghostly presence. And during the Christmas season, the chances of encountering Rebecca Dorrington Gardner increases if we are to believe the stories, not pleased at all about the fake and plastic aspect of the modern Christmas traditions.
An online magazine about the paranormal, haunted and macabre. We collect the ghost stories from all around the world as well as review horror and gothic media.