In the rural areas of Derry, Northern Ireland, there is a small dolmen grave under a hawthorn tree. It is said to be the grave of the vampire king, Abhartach who is said to still be lusting after blood.
Ireland’s ancient hills and mossy graveyards are no strangers to ghost stories and restless spirits. Yet among these tales of banshees and fairies lies one of the island’s oldest, darkest legends — the story of Abhartach, a tyrant chieftain whose insatiable thirst for blood refused to end, even in death.
Thought by some folklorists to be Ireland’s original vampire myth, Abhartach’s grim story predates Bram Stoker’s Dracula, and may well have been its inspiration.
The Tyrant of Slaghtaverty
According to legend, Abhartach was a cruel and malevolent chieftain who ruled in what is now Slaghtaverty in the parish of Errigal in Derry, Northern Ireland. Although he is remembered as a vampire, the name and description of him is much closer to a dwarf. As the name suggests, he might have been remembered for his height.
Irish Hero: In some accounts Abhartach is combined with the similarly named Abartach, a figure associated with Fionn mac Cumhaill and pre-christian irish mythology. Fionn mac Cumhaill,[a] often anglicised Finn McCool or MacCool, is a hero in Irish mythology, as well as in later Scottish and Manx folklore. He is the leader of the Fianna bands of young roving hunter-warriors, as well as being a seer and poet. He is said to have a magic thumb that bestows him with great wisdom. He is often depicted hunting with his hounds Bran and Sceólang, and fighting with his spear and sword.In modern retellings it is said the hero was called Cathán or O’Kane.
He is said to have lived in the 5th or 6th century, at a time when the Glenullin area of Ireland was a patchwork of small kingdoms of tribal warlords were the mysterious druids still lived and practiced their magic and when the catholic saints started settling on the emerald island.
Feared by his own people, he was said to possess dark powers and a fascination with the occult. Through his practice of dark magic, he killed his subjects for fun. His tyrannical ways became so unbearable that local warriors, desperate for relief, conspired to kill him.
In one version of the tale, a neighboring chieftain named Cathán rose up against Abhartach and struck him down, burying him in a standing grave, marked by a solitary stone. Burying in a standing position was a custom at the time for high-ranking chieftains. But peace would not come so easily.
In other versions his first death was through no fault but his own and he died when he was stalking his wife. He was a jealous man and trusted no one. He thought she was having an affair and crept on the ledge outside of the castle to the window outside her bedroom. He slipped and fell to his death and they quickly buried him for the first time. But it would not be his last.
The Undying Menace
The day after his burial, Abhartach returned — clawing his way out of the earth, demanding blood from his terrified subjects to collect in a bowl for him to consume. In some versions of the legend, his subjects were so afraid of him and submitted to him, making blood sacrifices to him, waiting for someone to save them.
Again, Cathán slew him, and again, Abhartach returned. It was then the people sought counsel from a druid or wise elder who revealed the grim truth: Abhartach was no ordinary man, but one of the neamh-mairbh, the undead. In more modern retellings of the story it was a Christian Saint giving the solution to the undead.
Druid Forest: There are several hermitages in the area. According to tradition, these were the dwellings of particularly holy men. The most notable is in Gortnamoyagh Forest on the very edge of Glenullin, where local people will still point out the saint’s track, a series of stations near a holy well.
To stop his monstrous resurrection, he could not be buried in consecrated ground. Instead, he must be killed with a sword made of yew wood, buried upside down, and his grave encircled with thorns and heavy stones to prevent his escape.
Cathán followed the instructions, and Abhartach was finally trapped — but local legend holds that his restless spirit still lingers beneath the earth.
The Cursed Grave of Slaghtaverty
According to a lecturer in Celtic history at the University of UIster, Bob Curran, the real castle he lived in an be found between the towns of Garvagh and Dungiven, where a small hill now stands. He says that it was here that the fortress of a 5th or 6th-century chieftain with magical powers called the Abhartach once resided.
The Slaghtaverty Dolmen: By locals called the Gian’ts grave, associated with the legend of Abhartach, under a solitary hawthorn tree in rural Derry, Northern Ireland.Strange things are said to happen around this grave.
Today, the place believed to be Abhartach’s grave is a modest site known as Slaghtaverty Dolmen or The Giant’s Grave. Nestled in a field near the village of Slaughtaverty in Londonderry in Northern Ireland, it’s marked by an ancient stone surrounded by a ring of Hawthorn trees and undergrowth. It used to be more stones as remnants of an old monument, but these have been removed over time by local farmers for building purposes.
Locals claim the spot is cursed; farmers avoid working the land around it, and strange misfortunes are said to befall those who disturb the grave. Some say on misty nights, you can hear faint whispers, or catch the flicker of a shadow moving between the trees — as though Abhartach himself still walks, searching for blood.
In 1997, attempts were made to clear the land, but, if local tradition is to be believed, workmen who tried to fell the tree found that their brand-new chainsaw stopped for no reason on three occasions. When attempting to lift the great stone, a steel chain suddenly snapped, cutting the hand of one of the labourers and, significantly, allowing blood to soak into the ground.
The Dracula Connection
We first have the legend written down in Patrick Weston Joyce’s The Origin and History of Irish Names and Places from 1870. In modern versions of the lore, the story is said to be solved by an earlier Christian, and not a druid.
Intriguingly, scholars have speculated that Abhartach’s legend may have inspired Bram Stoker’s Dracula. Stoker, an Irishman born in Dublin, would have likely been familiar with the story of the blood-drinking undead chieftain. While Dracula is commonly associated with Vlad the Impaler and Eastern European folklore, it’s possible that the sinister figure of Abhartach left its own mark on Gothic horror’s most famous vampire.
An ancient ghost coming from the depths of graves across the nordic countries, the Haugbúi Draugr could be both dangerous and even deadly. Not merely a specter, but the rotten flesh of the dead, the ghosts are remembered as The Walking Dead of the North.
In the dark Hendrick Street in Dublin, there once were two houses said to be some of the most haunted ones in town. Occupied by at least six ghosts, some say they still linger in their old street.
In the pre civil war Hollywood Cemetery in Richmond, Virginia, the mausoleum of W.W Pool is said to be the grave of The Richmond Vampire. A more recent urban legend is now also connected with The Church Hill Tunnel collapse.
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Said to be the mass burial place for the dead Irish Independence rebels from 1798, the Croppie’s Acre in Dublin is said to be haunted by their lingering souls.
Once a green paradise, the legend says the fairies protected the people of Val Gerina valley in the Swiss alps. Driven by greed to impress a woman however, the son meant to continue the tradition and friendship with the fairies, brought it all down.
Haunted by its former Fellows, Trinity College in Dublin is said to be filled with eerie spirits where even the bell tolls after dark when the shadows take over campus.
A true story morphed into a fairytale, the life and death of the French Countess Marie Louise St. Simon-Montleart has become the stuff of legends. Buried in the forest close to Wildegg Castle in Switzerland, it is said she is haunting the castle and the forest, her sanctuary.
Crossing through the Jura Mountains in Switzerland, an urban legend about the ghost of a lady in white is said to have haunted the Belchen Tunnel and was widely known and written about in the 80s. Question is, is she still haunting the tunnel?
Is Corvin Castle in Romania haunted by something? Perhaps the ghost of Vlad the Impaler? As one of the biggest castles in Europe it also houses a whole load of ghost stories. Who is hiding in the shadows?
Are you ready to embark on a spine-chilling journey through Romania’s dark history? Join me as we explore the haunted Corvin Castle, a place that has been the subject of countless legends, myths, and tales of horror. Built in the 15th century and considered as one of the Seven Wonders of Romania, this Gothic fortress has witnessed centuries of bloodshed, torture, and tragedy.
Read More: Check out all ghost stories from Romania
But the ghosts of the past still linger within its walls and as one of Europe’s biggest and old castles overlooking the Ziasti River, it’s bound to have a ghost story or two.
Corvin Castle: The majestic Corvin Castle, a Gothic fortress steeped in history and legends, located in Hunedoara, Romania. Holding back the Ottoman army for years, it is filled with ghosts and the castle is believed to be some of the most haunted places in Romania. And that is saying something.
History of Corvin Castle
Corvin Castle, also known as Hunyadi Castle, is a Gothic-Renaissance fortress located in the town of Hunedoara, Romania. It was built on top of an old Roman camp in 1446 by John Hunyadi, a Hungarian military leader, and served as a strategic stronghold against the Ottoman Empire. He was a Voivode of Transylvania, the highest ranking official during the 12th and 16th century. Back then, it was a part of the Kingdom of Hungary, a monarchy that existed for nearly a millennium. Over the centuries, the castle has been expanded and renovated by various owners, including the Corvin family, who gave it its current name.
Despite its impressive architecture and historical significance, the castle is best known for its dark and twisted past. It has been the site of numerous battles, sieges, and executions, and has been home to some of the most infamous figures in history.
On 13 April 1854, Corvin Castle was struck by lightning, severely damaged and abandoned until 1869.
The Legend of the Raven: Some historians think John Hunyadi was the illegitimate son of King Sigimund of Luxemburg and an Elizabeth. To protect everyone, this was kept secret. Sigimund gave Elizabeth a gold ring for their son. When John grew up, Elizabeth gave him the ring. One day at lunch, John took off the ring, and a raven tried to steal it. John killed the raven with a bow and arrow and got the ring back. Later, he told the king (possibly his father) this story. Impressed, the king chose a raven with a gold ring for the Hunyadi family crest. The family liked this symbol, which stood for wisdom and longevity, and adopted the name Corvin, from the Latin word “Corvus” meaning Raven. It’s also said that Elizabeth used a raven to send a letter to Matthias when he and his brother were imprisoned, which is why the raven was the symbol of the Hungarian postal service for over a hundred years. The family also had a property called Raven’s Rock.
Dark Tales and Legends of Corvin Castle
The legends surrounding Corvin Castle are as numerous as they are chilling. One of the most famous tales involves Vlad the Impaler, who was imprisoned in the castle’s dungeon for seven years by John Hunyadi. According to legend, Vlad was kept in a small, dark cell and tortured mercilessly by his captors. This is what inspired him to impale his enemies, as it was what he did to the rats he ate alive in his cell. Some say that his ghost still haunts the castle’s halls to this day, seeking revenge against those who wronged him.
Vlad the Impaler: A historical depiction of Vlad the Impaler’s brutal methods of torture and execution, reflecting the dark history of Corvin Castle. Woodcut from the title page of a 1499 pamphlet published by Markus Ayrer in Nuremberg. It depicts Vlad III “the Impaler” (identified as Dracole wayde = Draculea voivode) dining among the impaled corpses of his victims.
If he really was is uncertain and most likely it’s a tall tale, but many of the tour guides of the castle show his holding cell they say he stayed in. Many say that he was imprisoned in 1462, but seeing that John Hunyadi was already dead by then, it carves a dent in the truth of the story. What has been said though, is that Bram Stoker was inspired by the castle, although he apparently had no idea about the Vlad the Impaler connection when he wrote Dracula.
Haunted sightings and experiences at in the Capistrano Tower
Over the years, there have been numerous reports of paranormal activity at Corvin Castle. Visitors have reported seeing ghostly apparitions, hearing strange noises, and feeling cold spots throughout the castle. Some have even claimed to have been physically touched or pushed by unseen forces.
One such legend talks about a monk haunting the Capistrano Tower. The Capistrano Tower, one of the most significant parts of the construction, was a circular tower and this was used as a prison like many of the other towers of Corvin castle, named of the Franciscan monk, John of Capistrano.
The Towers of Corvin Castle: The towers of the castle was known to be used as prison cells. This is also what fuels the haunted rumors about something not being quite right in one of them. Could the ghost of a monk be haunting one of the towers?
He was said to have been sentenced to death because he was spying on a nobleman in the council room. As punishment he was entombed alive in the brick wall of the tower and slowly died of starvation. To this day it is said his ghost is there, spying on those venturing into his tower.
Exploring the castle’s architecture and hidden rooms
Despite its dark history, Corvin Castle is a marvel of Gothic architecture and design. From its towering walls and turrets to its ornate carvings and frescoes, the castle is a testament to the skill and craftsmanship of its builders.
One of the most interesting features of the castle is its hidden rooms and secret passages. These were often used by the castle’s inhabitants to escape during times of siege or to hide valuable treasures. Some of the most famous hidden rooms include the Knight’s Hall, which was used to store weapons and armor, and the secret room of John Hunyadi, which was used as a private study and meditation space.
One time though, some tourists got locked in the Corbin Castle after it closed for the day. Some say that they bribed the security guard to let them stay overnight. When the castle opened the next day, they were found, bruised, beaten and terrified. They were unable to explain what had happened to them, but claimed that some unseen force had tortured them throughout the night.
The torture chamber and its gruesome history
One of the most chilling places in Corvin Castle is the torture chamber, where prisoners were subjected to horrific acts of violence and torture. The chamber is located in the castle’s basement and features a variety of torture devices, including the rack designed to tear a victim in half, the iron maiden that was a spiked iron chamber the prisoner had to sit in, and the Spanish Donkey were the victim was places on a triangle with pointed edges between the legs where the prisoner eventually split in half.
There was also a bear pit that prisoners were thrown into alive to be eaten by the creatures residing there. No wonder that the castle is filled with ghosts.
The Bottomless Well
Another famous tale involves the castle’s well, which is said to be bottomless and connected to the underworld. Legend has it that the well was dug by three Turkish prisoners who were promised their freedom if they could complete the task of digging after water. However, once they finished digging after ten to fifteen hard labored years, they were thrown into the well and left to die.
The Well: What will you find at the bottom of the well? The gateway to hell or the skulls of some Turkish prisoners? Source: Stanisław Ludwiński/Flickr
Some say that he held them there, laughed in their face and kept them in the basement until they died. Some think that it was Hunyadi who promised them their freedom, but died while they were working. The one telling them to get back into their cell was his wife, Elizabeth. One of the prisoners allegedly wrote on the wall: You now have water, but no soul/heart. With this, he cursed the castle forever.
Some say that they were beheaded and hteir skulls thrown into the well, still there to this day. It’s said that their ghosts can still be heard crying out for help from the depths of the well.
Is Corvin Castle really haunted?
While there’s no scientific proof that Corvin Castle is haunted, there’s no denying the countless reports of paranormal activity and ghostly sightings that have been recorded over the years. Whether you believe in ghosts or not, there’s no denying the eerie feeling that permeates the castle’s walls.
An ancient ghost coming from the depths of graves across the nordic countries, the Haugbúi Draugr could be both dangerous and even deadly. Not merely a specter, but the rotten flesh of the dead, the ghosts are remembered as The Walking Dead of the North.
In the dark Hendrick Street in Dublin, there once were two houses said to be some of the most haunted ones in town. Occupied by at least six ghosts, some say they still linger in their old street.
In the pre civil war Hollywood Cemetery in Richmond, Virginia, the mausoleum of W.W Pool is said to be the grave of The Richmond Vampire. A more recent urban legend is now also connected with The Church Hill Tunnel collapse.
Old cities carry old ghost stories, and Bern in Switzerland is no exception. From the old buildings filled with history to the depth of the Aare river, here are some of the most haunted places in Bern.
Centuries after the vampire panic starting with the death of Petar Blagojević, another vampire was said to haunt the Serbian village, Kisiljevo. Who was Ruža Vlajna and what happened to her?
Said to be the mass burial place for the dead Irish Independence rebels from 1798, the Croppie’s Acre in Dublin is said to be haunted by their lingering souls.
Once a green paradise, the legend says the fairies protected the people of Val Gerina valley in the Swiss alps. Driven by greed to impress a woman however, the son meant to continue the tradition and friendship with the fairies, brought it all down.
Haunted by its former Fellows, Trinity College in Dublin is said to be filled with eerie spirits where even the bell tolls after dark when the shadows take over campus.
A true story morphed into a fairytale, the life and death of the French Countess Marie Louise St. Simon-Montleart has become the stuff of legends. Buried in the forest close to Wildegg Castle in Switzerland, it is said she is haunting the castle and the forest, her sanctuary.
Crossing through the Jura Mountains in Switzerland, an urban legend about the ghost of a lady in white is said to have haunted the Belchen Tunnel and was widely known and written about in the 80s. Question is, is she still haunting the tunnel?
Introduction to Dracula’s Guest by Bram Stoker: “Dracula’s Guest” is a chilling short story by Bram Stoker, believed to be a deleted chapter from his iconic novel “Dracula.” Set on Walpurgis Night, the eve of May Day, the story follows an unnamed Englishman who finds himself traveling through a remote corner of Munich. As he ventures deeper into the eerie landscape, he encounters unsettling omens and inexplicable occurrences.
When we started for our drive the sun was shining brightly on Munich, and the air was full of the joyousness of early summer. Just as we were about to depart, Herr Delbruck (the maitre d’hotel of the Quatre Saisons, where I was staying) came down bareheaded to the carriage and, after wishing me a pleasant drive, said to the coachman, still holding his hand on the handle of the carriage door, “Remember you are back by nightfall. The sky looks bright but there is a shiver in the north wind that says there may be a sudden storm. But I am sure you will not be late.” Here he smiled and added, “for you know what night it is.”
Johann answered with an emphatic, “Ja, mein Herr,” and, touching his hat, drove off quickly. When we had cleared the town, I said, after signalling to him to stop:
“Tell me, Johann, what is tonight?”
He crossed himself, as he answered laconically: “Walpurgis nacht.” Then he took out his watch, a great, old-fashioned German silver thing as big as a turnip and looked at it, with his eyebrows gathered together and a little impatient shrug of his shoulders. I realized that this was his way of respectfully protesting against the unnecessary delay and sank back in the carriage, merely motioning him to proceed. He started off rapidly, as if to make up for lost time. Every now and then the horses seemed to throw up their heads and sniff the air suspiciously. On such occasions I often looked round in alarm. The road was pretty bleak, for we were traversing a sort of high windswept plateau. As we drove, I saw a road that looked but little used and which seemed to dip through a little winding valley. It looked so inviting that, even at the risk of offending him, I called Johann to stop—and when he had pulled up, I told him I would like to drive down that road. He made all sorts of excuses and frequently crossed himself as he spoke. This somewhat piqued my curiosity, so I asked him various questions. He answered fencingly and repeatedly looked at his watch in protest.
Finally I said, “Well, Johann, I want to go down this road. I shall not ask you to come unless you like; but tell me why you do not like to go, that is all I ask.” For answer he seemed to throw himself off the box, so quickly did he reach the ground. Then he stretched out his hands appealingly to me and implored me not to go. There was just enough of English mixed with the German for me to understand the drift of his talk. He seemed always just about to tell me something—the very idea of which evidently frightened him; but each time he pulled himself up saying, “Walpurgis nacht!”
I tried to argue with him, but it was difficult to argue with a man when I did not know his language. The advantage certainly rested with him, for although he began to speak in English, of a very crude and broken kind, he always got excited and broke into his native tongue—and every time he did so, he looked at his watch. Then the horses became restless and sniffed the air. At this he grew very pale, and, looking around in a frightened way, he suddenly jumped forward, took them by the bridles, and led them on some twenty feet. I followed and asked why he had done this. For an answer he crossed himself, pointed to the spot we had left, and drew his carriage in the direction of the other road, indicating a cross, and said, first in German, then in English, “Buried him—him what killed themselves.”
I remembered the old custom of burying suicides at cross roads: “Ah! I see, a suicide. How interesting!” But for the life of me I could not make out why the horses were frightened.
Whilst we were talking, we heard a sort of sound between a yelp and a bark. It was far away; but the horses got very restless, and it took Johann all his time to quiet them. He was pale and said, “It sounds like a wolf—but yet there are no wolves here now.”
“No?” I said, questioning him. “Isn’t it long since the wolves were so near the city?”
“Long, long,” he answered, “in the spring and summer; but with the snow the wolves have been here not so long.”
Whilst he was petting the horses and trying to quiet them, dark clouds drifted rapidly across the sky. The sunshine passed away, and a breath of cold wind seemed to drift over us. It was only a breath, however, and more of a warning than a fact, for the sun came out brightly again.
Johann looked under his lifted hand at the horizon and said, “The storm of snow, he comes before long time.” Then he looked at his watch again, and, straightway holding his reins firmly—for the horses were still pawing the ground restlessly and shaking their heads—he climbed to his box as though the time had come for proceeding on our journey.
I felt a little obstinate and did not at once get into the carriage.
“Tell me,” I said, “about this place where the road leads,” and I pointed down.
Again he crossed himself and mumbled a prayer before he answered, “It is unholy.”
“What is unholy?” I enquired.
“The village.”
“Then there is a village?”
“No, no. No one lives there hundreds of years.”
My curiosity was piqued, “But you said there was a village.”
“There was.”
“Where is it now?”
Whereupon he burst out into a long story in German and English, so mixed up that I could not quite understand exactly what he said. Roughly I gathered that long ago, hundreds of years, men had died there and been buried in their graves; but sounds were heard under the clay, and when the graves were opened, men and women were found rosy with life and their mouths red with blood. And so, in haste to save their lives (aye, and their souls!—and here he crossed himself) those who were left fled away to other places, where the living lived and the dead were dead and not—not something. He was evidently afraid to speak the last words. As he proceeded with his narration, he grew more and more excited. It seemed as if his imagination had got hold of him, and he ended in a perfect paroxysm of fear—white-faced, perspiring, trembling, and looking round him as if expecting that some dreadful presence would manifest itself there in the bright sunshine on the open plain.
Finally, in an agony of desperation, he cried, “Walpurgis nacht!” and pointed to the carriage for me to get in.
All my English blood rose at this, and standing back I said, “You are afraid, Johann—you are afraid. Go home, I shall return alone, the walk will do me good.” The carriage door was open. I took from the seat my oak walking stick—which I always carry on my holiday excursions—and closed the door, pointing back to Munich, and said, “Go home, Johann—Walpurgis nacht doesn’t concern Englishmen.”
The horses were now more restive than ever, and Johann was trying to hold them in, while excitedly imploring me not to do anything so foolish. I pitied the poor fellow, he was so deeply in earnest; but all the same I could not help laughing. His English was quite gone now. In his anxiety he had forgotten that his only means of making me understand was to talk my language, so he jabbered away in his native German. It began to be a little tedious. After giving the direction, “Home!” I turned to go down the cross road into the valley.
With a despairing gesture, Johann turned his horses towards Munich. I leaned on my stick and looked after him. He went slowly along the road for a while, then there came over the crest of the hill a man tall and thin. I could see so much in the distance. When he drew near the horses, they began to jump and kick about, then to scream with terror. Johann could not hold them in; they bolted down the road, running away madly. I watched them out of sight, then looked for the stranger; but I found that he, too, was gone.
With a light heart I turned down the side road through the deepening valley to which Johann had objected. There was not the slightest reason, that I could see, for his objection; and I daresay I tramped for a couple of hours without thinking of time or distance and certainly without seeing a person or a house. So far as the place was concerned, it was desolation itself. But I did not notice this particularly till, on turning a bend in the road, I came upon a scattered fringe of wood; then I recognized that I had been impressed unconsciously by the desolation of the region through which I had passed.
I sat down to rest myself and began to look around. It struck me that it was considerably colder than it had been at the commencement of my walk—a sort of sighing sound seemed to be around me with, now and then, high overhead, a sort of muffled roar. Looking upwards I noticed that great thick clouds were drafting rapidly across the sky from north to south at a great height. There were signs of a coming storm in some lofty stratum of the air. I was a little chilly, and, thinking that it was the sitting still after the exercise of walking, I resumed my journey.
The ground I passed over was now much more picturesque. There were no striking objects that the eye might single out, but in all there was a charm of beauty. I took little heed of time, and it was only when the deepening twilight forced itself upon me that I began to think of how I should find my way home. The air was cold, and the drifting of clouds high overhead was more marked. They were accompanied by a sort of far away rushing sound, through which seemed to come at intervals that mysterious cry which the driver had said came from a wolf. For a while I hesitated. I had said I would see the deserted village, so on I went and presently came on a wide stretch of open country, shut in by hills all around. Their sides were covered with trees which spread down to the plain, dotting in clumps the gentler slopes and hollows which showed here and there. I followed with my eye the winding of the road and saw that it curved close to one of the densest of these clumps and was lost behind it.
As I looked there came a cold shiver in the air, and the snow began to fall. I thought of the miles and miles of bleak country I had passed, and then hurried on to seek shelter of the wood in front. Darker and darker grew the sky, and faster and heavier fell the snow, till the earth before and around me was a glistening white carpet the further edge of which was lost in misty vagueness. The road was here but crude, and when on the level its boundaries were not so marked as when it passed through the cuttings; and in a little while I found that I must have strayed from it, for I missed underfoot the hard surface, and my feet sank deeper in the grass and moss. Then the wind grew stronger and blew with ever increasing force, till I was fain to run before it. The air became icy-cold, and in spite of my exercise I began to suffer. The snow was now falling so thickly and whirling around me in such rapid eddies that I could hardly keep my eyes open. Every now and then the heavens were torn asunder by vivid lightning, and in the flashes I could see ahead of me a great mass of trees, chiefly yew and cypress all heavily coated with snow.
I was soon amongst the shelter of the trees, and there in comparative silence I could hear the rush of the wind high overhead. Presently the blackness of the storm had become merged in the darkness of the night. By-and-by the storm seemed to be passing away, it now only came in fierce puffs or blasts. At such moments the weird sound of the wolf appeared to be echoed by many similar sounds around me.
Now and again, through the black mass of drifting cloud, came a straggling ray of moonlight which lit up the expanse and showed me that I was at the edge of a dense mass of cypress and yew trees. As the snow had ceased to fall, I walked out from the shelter and began to investigate more closely. It appeared to me that, amongst so many old foundations as I had passed, there might be still standing a house in which, though in ruins, I could find some sort of shelter for a while. As I skirted the edge of the copse, I found that a low wall encircled it, and following this I presently found an opening. Here the cypresses formed an alley leading up to a square mass of some kind of building. Just as I caught sight of this, however, the drifting clouds obscured the moon, and I passed up the path in darkness. The wind must have grown colder, for I felt myself shiver as I walked; but there was hope of shelter, and I groped my way blindly on.
I stopped, for there was a sudden stillness. The storm had passed; and, perhaps in sympathy with nature’s silence, my heart seemed to cease to beat. But this was only momentarily; for suddenly the moonlight broke through the clouds showing me that I was in a graveyard and that the square object before me was a great massive tomb of marble, as white as the snow that lay on and all around it. With the moonlight there came a fierce sigh of the storm which appeared to resume its course with a long, low howl, as of many dogs or wolves. I was awed and shocked, and I felt the cold perceptibly grow upon me till it seemed to grip me by the heart. Then while the flood of moonlight still fell on the marble tomb, the storm gave further evidence of renewing, as though it were returning on its track. Impelled by some sort of fascination, I approached the sepulchre to see what it was and why such a thing stood alone in such a place. I walked around it and read, over the Doric door, in German—
COUNTESS DOLINGEN OF GRATZ IN STYRIA SOUGHT AND FOUND DEATH 1801
On the top of the tomb, seemingly driven through the solid marble—for the structure was composed of a few vast blocks of stone—was a great iron spike or stake. On going to the back I saw, graven in great Russian letters: “The dead travel fast.”
There was something so weird and uncanny about the whole thing that it gave me a turn and made me feel quite faint. I began to wish, for the first time, that I had taken Johann’s advice. Here a thought struck me, which came under almost mysterious circumstances and with a terrible shock. This was Walpurgis Night!
Walpurgis Night was when, according to the belief of millions of people, the devil was abroad—when the graves were opened and the dead came forth and walked. When all evil things of earth and air and water held revel. This very place the driver had specially shunned. This was the depopulated village of centuries ago. This was where the suicide lay; and this was the place where I was alone—unmanned, shivering with cold in a shroud of snow with a wild storm gathering again upon me! It took all my philosophy, all the religion I had been taught, all my courage, not to collapse in a paroxysm of fright.
And now a perfect tornado burst upon me. The ground shook as though thousands of horses thundered across it; and this time the storm bore on its icy wings, not snow, but great hailstones which drove with such violence that they might have come from the thongs of Balearic slingers—hailstones that beat down leaf and branch and made the shelter of the cypresses of no more avail than though their stems were standing corn. At the first I had rushed to the nearest tree; but I was soon fain to leave it and seek the only spot that seemed to afford refuge, the deep Doric doorway of the marble tomb. There, crouching against the massive bronze door, I gained a certain amount of protection from the beating of the hailstones, for now they only drove against me as they ricochetted from the ground and the side of the marble.
As I leaned against the door, it moved slightly and opened inwards. The shelter of even a tomb was welcome in that pitiless tempest and I was about to enter it when there came a flash of forked lightning that lit up the whole expanse of the heavens. In the instant, as I am a living man, I saw, as my my eyes turned into the darkness of the tomb, a beautiful woman with rounded cheeks and red lips, seemingly sleeping on a bier. As the thunder broke overhead, I was grasped as by the hand of a giant and hurled out into the storm. The whole thing was so sudden that, before I could realize the shock, moral as well as physical, I found the hailstones beating me down. At the same time I had a strange, dominating feeling that I was not alone. I looked towards the tomb. Just then there came another blinding flash which seemed to strike the iron stake that surmounted the tomb and to pour through to the earth, blasting and crumbling the marble, as in a burst of flame. The dead woman rose for a moment of agony while she was lapped in the flame, and her bitter scream of pain was drowned in the thundercrash. The last thing I heard was this mingling of dreadful sound, as again I was seized in the giant grasp and dragged away, while the hailstones beat on me and the air around seemed reverberant with the howling of wolves. The last sight that I remembered was a vague, white, moving mass, as if all the graves around me had sent out the phantoms of their sheeted dead, and that they were closing in on me through the white cloudiness of the driving hail.
Gradually there came a sort of vague beginning of consciousness, then a sense of weariness that was dreadful. For a time I remembered nothing, but slowly my senses returned. My feet seemed positively racked with pain, yet I could not move them. They seemed to be numbed. There was an icy feeling at the back of my neck and all down my spine, and my ears, like my feet, were dead yet in torment; but there was in my breast a sense of warmth which was by comparison delicious. It was as a nightmare—a physical nightmare, if one may use such an expression; for some heavy weight on my chest made it difficult for me to breathe.
This period of semilethargy seemed to remain a long time, and as it faded away I must have slept or swooned. Then came a sort of loathing, like the first stage of seasickness, and a wild desire to be free of something—I knew not what. A vast stillness enveloped me, as though all the world were asleep or dead—only broken by the low panting as of some animal close to me. I felt a warm rasping at my throat, then came a consciousness of the awful truth which chilled me to the heart and sent the blood surging up through my brain. Some great animal was lying on me and now licking my throat. I feared to stir, for some instinct of prudence bade me lie still; but the brute seemed to realize that there was now some change in me, for it raised its head. Through my eyelashes I saw above me the two great flaming eyes of a gigantic wolf. Its sharp white teeth gleamed in the gaping red mouth, and I could feel its hot breath fierce and acrid upon me.
For another spell of time I remembered no more. Then I became conscious of a low growl, followed by a yelp, renewed again and again. Then seemingly very far away, I heard a “Holloa! holloa!” as of many voices calling in unison. Cautiously I raised my head and looked in the direction whence the sound came, but the cemetery blocked my view. The wolf still continued to yelp in a strange way, and a red glare began to move round the grove of cypresses, as though following the sound. As the voices drew closer, the wolf yelped faster and louder. I feared to make either sound or motion. Nearer came the red glow over the white pall which stretched into the darkness around me. Then all at once from beyond the trees there came at a trot a troop of horsemen bearing torches. The wolf rose from my breast and made for the cemetery. I saw one of the horsemen (soldiers by their caps and their long military cloaks) raise his carbine and take aim. A companion knocked up his arm, and I heard the ball whiz over my head. He had evidently taken my body for that of the wolf. Another sighted the animal as it slunk away, and a shot followed. Then, at a gallop, the troop rode forward—some towards me, others following the wolf as it disappeared amongst the snow-clad cypresses.
As they drew nearer I tried to move but was powerless, although I could see and hear all that went on around me. Two or three of the soldiers jumped from their horses and knelt beside me. One of them raised my head and placed his hand over my heart.
“Good news, comrades!” he cried. “His heart still beats!”
Then some brandy was poured down my throat; it put vigor into me, and I was able to open my eyes fully and look around. Lights and shadows were moving among the trees, and I heard men call to one another. They drew together, uttering frightened exclamations; and the lights flashed as the others came pouring out of the cemetery pell-mell, like men possessed. When the further ones came close to us, those who were around me asked them eagerly, “Well, have you found him?”
The reply rang out hurriedly, “No! no! Come away quick-quick! This is no place to stay, and on this of all nights!”
“What was it?” was the question, asked in all manner of keys. The answer came variously and all indefinitely as though the men were moved by some common impulse to speak yet were restrained by some common fear from giving their thoughts.
“It—it—indeed!” gibbered one, whose wits had plainly given out for the moment.
“A wolf—and yet not a wolf!” another put in shudderingly.
“No use trying for him without the sacred bullet,” a third remarked in a more ordinary manner.
“Serve us right for coming out on this night! Truly we have earned our thousand marks!” were the ejaculations of a fourth.
“There was blood on the broken marble,” another said after a pause, “the lightning never brought that there. And for him—is he safe? Look at his throat! See comrades, the wolf has been lying on him and keeping his blood warm.”
The officer looked at my throat and replied, “He is all right, the skin is not pierced. What does it all mean? We should never have found him but for the yelping of the wolf.”
“What became of it?” asked the man who was holding up my head and who seemed the least panic-stricken of the party, for his hands were steady and without tremor. On his sleeve was the chevron of a petty officer.
“It went home,” answered the man, whose long face was pallid and who actually shook with terror as he glanced around him fearfully. “There are graves enough there in which it may lie. Come, comrades—come quickly! Let us leave this cursed spot.”
The officer raised me to a sitting posture, as he uttered a word of command; then several men placed me upon a horse. He sprang to the saddle behind me, took me in his arms, gave the word to advance; and, turning our faces away from the cypresses, we rode away in swift military order.
As yet my tongue refused its office, and I was perforce silent. I must have fallen asleep; for the next thing I remembered was finding myself standing up, supported by a soldier on each side of me. It was almost broad daylight, and to the north a red streak of sunlight was reflected like a path of blood over the waste of snow. The officer was telling the men to say nothing of what they had seen, except that they found an English stranger, guarded by a large dog.
“Dog! that was no dog,” cut in the man who had exhibited such fear. “I think I know a wolf when I see one.”
The young officer answered calmly, “I said a dog.”
“Dog!” reiterated the other ironically. It was evident that his courage was rising with the sun; and, pointing to me, he said, “Look at his throat. Is that the work of a dog, master?”
Instinctively I raised my hand to my throat, and as I touched it I cried out in pain. The men crowded round to look, some stooping down from their saddles; and again there came the calm voice of the young officer, “A dog, as I said. If aught else were said we should only be laughed at.”
I was then mounted behind a trooper, and we rode on into the suburbs of Munich. Here we came across a stray carriage into which I was lifted, and it was driven off to the Quatre Saisons—the young officer accompanying me, whilst a trooper followed with his horse, and the others rode off to their barracks.
When we arrived, Herr Delbruck rushed so quickly down the steps to meet me, that it was apparent he had been watching within. Taking me by both hands he solicitously led me in. The officer saluted me and was turning to withdraw, when I recognized his purpose and insisted that he should come to my rooms. Over a glass of wine I warmly thanked him and his brave comrades for saving me. He replied simply that he was more than glad, and that Herr Delbruck had at the first taken steps to make all the searching party pleased; at which ambiguous utterance the maitre d’hotel smiled, while the officer plead duty and withdrew.
“But Herr Delbruck,” I enquired, “how and why was it that the soldiers searched for me?”
He shrugged his shoulders, as if in depreciation of his own deed, as he replied, “I was so fortunate as to obtain leave from the commander of the regiment in which I serve, to ask for volunteers.”
“But how did you know I was lost?” I asked.
“The driver came hither with the remains of his carriage, which had been upset when the horses ran away.”
“But surely you would not send a search party of soldiers merely on this account?”
“Oh, no!” he answered, “but even before the coachman arrived, I had this telegram from the Boyar whose guest you are,” and he took from his pocket a telegram which he handed to me, and I read:
Bistritz. Be careful of my guest—his safety is most precious to me. Should aught happen to him, or if he be missed, spare nothing to find him and ensure his safety. He is English and therefore adventurous. There are often dangers from snow and wolves and night. Lose not a moment if you suspect harm to him. I answer your zeal with my fortune. —Dracula.
As I held the telegram in my hand, the room seemed to whirl around me, and if the attentive maitre d’hotel had not caught me, I think I should have fallen. There was something so strange in all this, something so weird and impossible to imagine, that there grew on me a sense of my being in some way the sport of opposite forces—the mere vague idea of which seemed in a way to paralyze me. I was certainly under some form of mysterious protection. From a distant country had come, in the very nick of time, a message that took me out of the danger of the snow sleep and the jaws of the wolf.
An ancient ghost coming from the depths of graves across the nordic countries, the Haugbúi Draugr could be both dangerous and even deadly. Not merely a specter, but the rotten flesh of the dead, the ghosts are remembered as The Walking Dead of the North.
In the dark Hendrick Street in Dublin, there once were two houses said to be some of the most haunted ones in town. Occupied by at least six ghosts, some say they still linger in their old street.
In the pre civil war Hollywood Cemetery in Richmond, Virginia, the mausoleum of W.W Pool is said to be the grave of The Richmond Vampire. A more recent urban legend is now also connected with The Church Hill Tunnel collapse.
Old cities carry old ghost stories, and Bern in Switzerland is no exception. From the old buildings filled with history to the depth of the Aare river, here are some of the most haunted places in Bern.
Centuries after the vampire panic starting with the death of Petar Blagojević, another vampire was said to haunt the Serbian village, Kisiljevo. Who was Ruža Vlajna and what happened to her?
Said to be the mass burial place for the dead Irish Independence rebels from 1798, the Croppie’s Acre in Dublin is said to be haunted by their lingering souls.
Once a green paradise, the legend says the fairies protected the people of Val Gerina valley in the Swiss alps. Driven by greed to impress a woman however, the son meant to continue the tradition and friendship with the fairies, brought it all down.
Haunted by its former Fellows, Trinity College in Dublin is said to be filled with eerie spirits where even the bell tolls after dark when the shadows take over campus.
A true story morphed into a fairytale, the life and death of the French Countess Marie Louise St. Simon-Montleart has become the stuff of legends. Buried in the forest close to Wildegg Castle in Switzerland, it is said she is haunting the castle and the forest, her sanctuary.
Crossing through the Jura Mountains in Switzerland, an urban legend about the ghost of a lady in white is said to have haunted the Belchen Tunnel and was widely known and written about in the 80s. Question is, is she still haunting the tunnel?
British TV has given us countless of ghostly figures running down the grand stairwells of the manors and castles in long dresses and dark hallways. It has also given us some of the most funny parodies on the horror genre as well. This is a compilation of some of the more horroresque British TV-Series.
Dracula (2013)
One of the many adaptations of the Dracula legacy, was a one season series from 2013. With Jonathan Rhys Meyers (The Tudors, Vikings), the story starts with the classical premise of when Dracula travels to London, originally for revenge for a centuries old grudge of those who wronged him. However, the plans get complicated and conflicted when he meets the woman that looks like the reincarnation of his dead wife.
Tired of the same old vampire formula? Try find a vampire movie with a twist here:
Five movies about #vampires that made their own twist on the vampire lore and its meaning. This is a list of five vampire movie, telling all very different parts about the human experience and the life and desires we have. #horror #paranormal
This show from 2014 may be a joint production between Britain, USA and Ireland, but it is perhaps the most quintessential British of them all. Everything from the Victorian Gothic, to the stellar cast of brits carrying the show. In this show, the universe is drawn from the old horror stories sold for a penny in the Victorian era, combining them to a intertwining set of stories. In the midst of them is medium Vanessa Ives that battles the supernatural entities in London with the American gunslinger, Ethan Chandler and the scientist Victor Frankenstein. I confused about the different stories used in the Penny Dreadful series, have a look at this:
Read more about the background of the Penny Dreadful series here:
The sort of sequel to “Haunting on Hill House”, is set in England this time. Based on the story, “The Turn of the Screw”, it follows an American nanny trying to escape her past as she is set to care for two orphans living at Bly Manor. Together with the chef, groundskeeper and housekeeper they have to unlock the mysteries of the house, both what happened to the former nanny, the children’s parents as well as an old curse and haunting in the house that won’t let go.
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Requiem
This part psychological horror as well as an supernatural thriller is set in a small Welsh village. A cello star’s mother suddenly takes her own life without a reason in London. Unable to grapple with her death, the daughter digs into her mother’s past and finds a link to a little girl that disappeared in the small village in the 90s. The daughter travels to Wales to find the truth and who she really is. But there is not only a dark past waiting for her there, but dark forces as well.
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Truth Seekers
Comedy Horror geniuses Simon Pegg and Nick Frost (Shaun of the Dead, Hot Fuzz, Paul) is back with a new series. It centers around a part-time paranormal investigators with homemade equipment to track down ghosts and the supernatural to share it online to go viral. But the deeper they dig, the closer they get to a huge and apocalyptic conspiracy.
Yes, in these times, zombie movies are all the rage as well as pandemic movies. And they sort of belong together, don’t they? But we also need to laugh, so here are five funny zombie movies, to fill the zombie cravings of the times, but also that can make the trying days a bit more…
This BBC drama is like a marriage like Poldark and Turn of The Screw. Or if Howard’s End and Jane Eyre had a ghostly child. The premise is that of a young couple inherits a farm and wants to start a new life together on the countryside. But the farm they inherited turns out to be of a haunted kind. And their presence in the isolated place they live in triggers paranormal happenings that starts to put a strain on their marriage as well as their minds.
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Apparitions
Martin Shaw (The Chief) leads this drama series as a catholic priest. After an encounter he is drawn into the world of exorcism and a battle between good and evil.
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Being Human
This series originally aired on BBC back in 2008, but still holds up. It follows a werewolf, a vampire and a ghost that tries to live together as flatmates and get along as they keep getting mixed up in supernatural events. It was a hit when it aired until 2013, and even got itself an American remake.
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The Turn of the Screw (2009)
As a fairly faithful adaptation to its source material from Henry James, the mini series follows a naive and sexually repressed young governess played by Michelle Dockery (Downton Abbey). She is haunted by the ghosts of previous occupants of a mansion. She keeps battling between what is and isn’t real as the readers of the story has done since its publication.
Read more about the classics of gothic horror here:
From the minds of Charlie Brooker, most known for the hit series “Black Mirror”. Set at the set of a fictional version of Big Brother, there is a zombie outbreak. However, the house-mates keeps being unaware of the happenings of what goes on outside of the Big Brother House until someone comes to warn them. As the house is fan-proof, and therefore zombie-proof, it serves as an excellent hideout to stay in during the zombie apocalypse.
The vampire genre is one that has been intertwined in our storytelling, perhaps the longest. From folklore, mythology, classic tales and modern ones. High cultured to the lowest, the vampire walks among them all. So how to keep it fresh? Is there really such a thing as ‘a generic vampire movie’? Or is it all about choosing the one fitting our personal taste?
A list of works about vampires that were published before Dracula.
This is a list of five vampire movie, telling all very different parts about the human experience and the life and desires we have.
Only Lovers Left Alive – The Deep One
2013
Director: Jim Jarmusch Starring: Tilda Swinton, Tom Hiddleston, Mia Wasikowska
Premise: A depressed musician reunites with his lover. Though their romance, which has already endured several centuries, is disrupted by the arrival of her uncontrollable younger sister.
What Kind of Vampire Story: This is one of these moody movies capturing the brooding boredom of vampiric lore and were the vampires are an instrument of showing the human spirit throughout the ages. The instruments are vintage, the music and literature talked about are classics, the clothes are mouth eaten. More than a scary action story that are common for the modern vampire, it is more a discussion about the very human questions. What keeps us going on? What is the point of it all? For more philosophical discussions from Shakespearean theater actors, this is the Vampire movie for you.
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Bram Stoker’s Dracula – The Classic
1992
Director: Francis Ford Coppola
Stars: Gary Oldman, Winona Ryder, Anthony Hopkins, Keanu Reeves
Premise: This movie version is one of those Dracula adaptations that are following the plot of the original novel pretty close. A young man travels to eastern Europe and are captured by the vampire Dracula. He goes to London after seeing a picture of the man’s betrothed, Mina Murray. From there on, the streets of London are victim to the reign of horror caused by the undead.
What Kind of Vampire Story: A love it or hate it movie, this is one that divide vampire fans all over. The over the top costumes, the stiff acting, the cliche dialogue, it is certainly an acquired taste. But even though it can get to cute for some, no one can deny this movie was a game changer for vampires in movies. It stripped away the black cloak, introduced us to retractable fangs among other things. It is a movie for those that love the campy and gothic feeling of flowing dresses with long hair and in all seriousness loves the used and tested gothic horror tropes.
Premise: Viago, Deacon and Vladislav are vampires who are finding that modern life has them struggling with the mundane – like paying rent, keeping up with the chore wheel, trying to get into nightclubs and overcoming flatmate conflicts.
What Kind of Vampire Story: Now a household name in Hollywood, the world was perhaps introduced to Taika Waititi though this low budget mockumentary. It was what the vampire lore needed. Something fun, something that didn’t need to take itself so serious and some dark humor to laugh at. At that time, a great fresh breath of air combining both the vampire genre as well as the found footage horror genre, it is still today used to satire and honor the vampire lore. With an american TV-series adaptation from the original New Zealand movie, this is the movie for those that want to have a laugh, but still uphold the gothic horror aesthetic.
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Thirst – The Uncomfortable One
2009
Director: Chan-wook Park (as Park Chan-wook)
Stars: Kang-ho Song, Ok-bin Kim, Hee-jin Choi
Premise: Through a failed medical experiment, a priest is stricken with vampirism and is forced to abandon his ascetic ways.
What Kind of Vampire Story: It is a very dark look at life and the human nature, inspired by the very bleak naturalist novel, Thérèse Raquin. By making the main character a catholic priest in celibate, the contrast the flesh thirsty for intimacy and warm blood makes an eerie watch. Also, did we mention it is loosely based on the bleakest novel of all time?
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Let the Right One In – The Endearing One
2008
Director: Tomas Alfredson
Stars: Kåre Hedebrant, Lina Leandersson, Per Ragnar
Premise: Oskar, an overlooked and bullied boy, finds love and revenge through Eli, a beautiful but peculiar girl.
What Kind of Vampire Story: This takes the outsider perspective to the max, showcasing a very humane story about being an outcast, both in the broader society as well as in the more social settings. The cold and sterile Scandinavian pessimistic social democratic onlook on vampires contrasts the steamy and sensual stereotype.
The gothic haunting of the small town of Whitby is said to be by the old Whitby Abbey were the ghost of a nun is haunting the ruins. Whitby was also a place Bram Stoker used for a setting for Dracula’s arrival to England.
Whitby is cute little English town on the Yorkshire Coast, like taken out from any period drama movie. By the sea on nice days, the people are out in the streets, walking up the piers, sitting in the small cute boat and walking past the picturesque houses. But that is until the weather turns and the clouds are gathering in the sky, making the once blue sea foam. And the weather always turns for the worse in these seaside towns facing the North Sea.
Steeped in history, one need only to spin around to touch ruins, memories and ghosts of the past. And Whitby town is indeed haunted, at least if you believe Bram Stoker, the father of modern horror.
The Legends of Whitby Abbey
But before talking about Dracula, let’s have a look at some of the older legends the place is haunted by.
Much of the settlements back in the day was attributed to Whitby Abbey that was built in the mid 600 and founded by Hilda of Whitby, the abbess of several monasteries and an important figure in the Christianisation of Anglo-Saxon England. At that time the Whitby Abbey was a center for the medieval Northumbrian kingdom.
Hilda of Whitby was renowned for her wisdom and counseled Kings, princes and nuns alike. Whitby Abbey was known as Streoneshalh, and she remained there for the rest of her years as an abbess. Hilda of Whitby was was also the one inspiring one of the first British poets, Cædmon, to start out in his endeavor.
Saint Hilda of Whitby: The Abbess of Whitby Abbey was a well known woman and known for her wisdom and good counselling. She is also one of the ghost reported to haunt the ruins of the abbey.//Source: Detail from St. Hilda at Hartlepool by James Clark James (artist) (oil painting)
The last seven years of her life was a struggle for Hilda as she suffered from a fever. But nevertheless she continued her work until her death on 17th of November in 680 AD. She was then 66 years old, and that was pretty impressive in those days. According to a nun who lived there called Begu, she saw Hilda’s soul being carried to heaven by angels and she became a Saint.
The Ghost of Hilda of Whitby
Many strange legends arose after her death, like how a local legend says that when sea birds fly over the abbey they dip their wings in honour of Saint Hilda.
And it was not the last time someone would claim to see her after her death. On dark nights in Whitby there have been reports of Hilda in the highest window on the northern side of Whitby Abbey when the winds comes blowing in from the sea. She is only seen for a few moments, looking out the window before she again disappears.
According to lore there are also two faiths that can befall you if you look into the well at the abbey at midnight. Those with a pure heart will see Hilda of Whitby, those without a pure will be taken by the devil. So perhaps seeing a ghost here is just a good omen?
We know little of what happened to Whitby Abbey after the death of Hilda, as Danish Vikings invaded it in 867, leaving it desolate for more than 200 years. It was first then the name Whitby was being used, meaning White City in old Norse.
The Picturesque Scenery:The ruins of Whitby Abbeyin the sunset. There have been many legends about this abbey being haunted by the founding abbess, seen in the dark nights in one of the windows, the bells that used to hang in the abbey are sometimes heard ringing under the water where they sank./Wikimedia
After the invaders of the Norman, they made the Whitby Abbey to a Benedictine house for men that lasted to the Dissolution of Monasteries in 1539. A process that was often painted with the blood of the Catholics and where they stripped the churches, abbeys and other holy catholic places for its riches. In any case they stole the bells in Whitby Abbey and tried to take them to London, but on the way there, the ship sank together with the bells.
It is said that the ghost of St Hilda of Whitby appears in the ruins sometime as the bells can be heard ringing under the water were they sank. Now the ruins of the abbey stands at the top of East Cliff, looking out to the sea, missing its bells, its walls and its roof that are now only a story.
The Ghost of the Walled up Nun Haunting Whitby Abbey
But Hilda isn’t alone in the ruins of Whitby Abbey according to the local legend. The legend tells of another nun, a Constance De Beverley, who is haunting the walls of the ruined abbey.
Constance De Beverley was a young girl, but had already taken her vow to become a nun and devote herself to God and take no man for the rest of her life. But she broke them when she fell in love with a young knight and thereby breaking her celibacy. She was found out and the sisters in Whitby Abbey walled her inside the walls when she was still alive in the dungeon.
Haunted by the Ghost of its Nuns: Ruins of Whitby Abbey filled of history, myths and secrets. One of them is the story about the nun who according to legend became walled up inside the walls of the abbey because of her sins. Photo by Pixabay on Pexels.com
Could it be St. Hilda of Whitby who did it? A confirmed Saint that could have done something like burying one of her sisters inside of the walls? These were, as they’re called: The Dark Ages. The abbey had many abbesses over the years though, and who and when it was suppose to happen, is a bit unclear.
It is said that according to legend, if you walk around the ruins one can perhaps hear the screams of a woman in the wind and a plea for forgiveness and mercy. Perhaps it is coming from the walls? There has also reported a fleeting image of the ghost of a young girl, fleeing the abbey, trying to free herself for her eternal tomb in the walls.
Whether the story is true or not, it has certainly left an impression on those who heard it. The story of Constance De Beverley being condemned to be walled up in the abbey might have been the inspiration of Sir Walter Scott’s poem ‘Marmion‘ . It is about a nun of the same name that meets the same fate. Or perhaps the poem gave birth to a legend? Who’s to say?
But perhaps today, Whitby is more known for its fiction than for its history. Today, every summer there is a performance of the story of Dracula at Whitby Abbey. Wonder what Hilda thinks of that.
But many things found in Dracula is drawn on the experience of the Whitby history, even the legend about a nun haunting hte abbey. In the book, Mina writes in her diary:
“Right over the town is the ruin of Whitby Abbey, which was sacked by the Danes … It is a most noble ruin, of immense size, and full of beautiful and romantic bits; there is a legend that a white lady is seen in one of the windows.”
In the book, Dracula arrives with a ship that beaches on the shores of Whitby. This actually happened with the Russian ship Dmitri: “The sequel to the strange arrival of the derelict in the storm last night is almost more startling than the thing itself. It turns out that the schooner is a Russian from Varna, and is called the Demeter. She is almost entirely in ballast of silver sand . . . “ (Bram Stoker, Dracula, 1897). Even the name, Dracula, Stoker found in the old library there.
Dracula in Whitby Town: The arrival of Dracula arriving on the ship Demeter has become a pretty iconic part of the lore. Bram Stoker became inspired to write his story when he visited Whitby Town and and saw the gothic ruins of Whitby Abbey and the grey shores on the English countryside.
Bram Stoker arrived and stayed at Mrs Vewazey’s Guesthouse in the summer of 1890. He was supposed to work on a new story, set in Styria, Austria with a character called Count Wampyr (thank you old public library of Whitby for giving the character another name than that). The Gothic literature drew on landscapes like this, and maybe not surprisingly, the ruins of Whitby Abbey, the desolated shores and the ghostly tales by the locals made it a perfect setting for what would become Dracula’s first encounter with England.
The Last Voyage of the Demeter
The interest for Dracula related movies and books continues to this day, and is based on the single chapter, the Captain’s Log, from Bram Stoker’s classic 1897 novel Dracula, the story is set aboard the Russian schooner Demeter and what happens before they arrive at Whitby Harbour.
The Last Voyage of the Demeter is scheduled to be released theatrically in the United States on August 11, 2023 and will help keep the legends of the Whitby haunting alive as well as creating its own vampiric lore there.
And before you ask – no, I don’t look at Stephen King as a classic. Not yet. What I am talking about are these major players that started it all before they even knew what they were doing. They are not only scary fiction, but an examination of the human darkness before it was OK to talk about it in the open. They are sort of at a junction between classical literature and folklore. They helped to build the bridges of the mythology from our cultures and to the modern horror and scares in daily life. I only wish they could have seen how it impacted the culture, even for those not loving the horror genre. So this a small deep dive into the classics and why they are important.
Disclaimer – Oh look, it’s the affiliate ghost at out side. Yes, these links will take you to the works I’ve written about. If one chooses to purchase anything through these links, we will earn a small commission from it. The opinions are as always, our own. No let’s go!
Let’s get the more obvious out of the picture first. But let me ask you; have you ever heard about Dracula? Do you know a lot about the work? But have you actually read it? Surprisingly many haven’t even if they have an extensive knowledge of the tale. That is how important Dracula has been for later literature and movies. And even, I would say, fashion, culture, language, and interest in the country of Romania. But all good, it is all good, we thank our Lord, Dracula for it. Although it wasn’t really the first modern vampire tale, not even the one that got the vampire genre popular, it was however the one that iconified it for future generation.
The importance of the Other – vampires are often depicted as foreigners, they are of a different race. Stoker himself was writing stuff about the invasion and threat to the British Empire. On a small funny not, he was Irish himself, as Sheridan LaFenu that wrote Carmilla. Was this perhaps something about not feeling as the rest, perhaps they themselves were feeling like an outsider? Surely we can see this is a thing that are still relevant, still as delicate and must sometimes be treated through these codes, the codes of vampires, and vampires as our self. We are them, they are us.
Stoker spent seven years researching European folklore and drew from this when he wrote. It was not an instant bestseller and has meant more to the modern reader than those of Victorian times. Something that is very evident our culture.
Richard Matheson gave us a continuation of vampires as dangerous and the reason why mankind falls
Ann Rice with her books gave the vampires a heart that are very in now. And every time we think the vampire genre is played out, it continues to reinvent itself (read Let the Right one in)
Even what we consider the most silly spins on the vampire tropes (read Twilight), we can sense the important of it when looking at it as a metaphore for teenage angst for their own sexual drives and desires they feel will consume them.
Preface
Dracula comprises journal entries, letters, and telegrams written by the main characters. It begins with Jonathan Harker, a young English lawyer, as he travels to Transylvania. Harker plans to meet with Count Dracula, a client of his firm, in order to finalize a property transaction. When he arrives in Transylvania, the locals react with terror after he discloses his destination: Castle Dracula. Though this unsettles him slightly, he continues onward. The ominous howling of wolves rings through the air as he arrives at the castle.
Where to find it
Books
Luckily, this classic has been in circulation since it came out (me thinks) and it is translated into so many languages, formats and the likes. It is really to pick and choose what you like best. So for this, I have looked at the two things that decides what to go for. Price and cover.
If you care for the cheaper option, go for the Wordsworth Classic. Don’t worry. If you don’t collect the Wordsworth ones, Collins Classics also have one pretty cheap.
If you are more of a collector you got to get to Barnes and Nobles Collectible Classics, Omnibus Edition. Its leather bound cover is just everyone’s dream for a grand library, filled with thick books that you just want to put on display. It also have a couple of other stories, including The Jewel of Seven Stars and The Lair of the White Worm. In also includes a dozen of Stoker’s short tales of the macabre, including “Dracula’s Guest,” a sidebar to his famous novel.
There are a lot of Dracula audio books to listen to, and I mean, a lot. First, start off with two things, do you want to hear the full version or the short one. Because the long one is long, but then again, in an abridged version you will miss out on some details.
For the full version, I recommend the version were Alan Cumming is one of the narrators of several (there are a lot of character so be warned).
The abridged version is a bit altered, a bit cut, but I think overall they managed to keep it in the same feeling. Also, bonus point, In the abridged version, Tom Hiddelston is on of the narrators.
Sort of like Dracula, this has spun its own franchise it has no control over and a people knows a lot about it without ever having read a page of it. At least they think they know the story. I don’t know at how many accounts I’ve corrected when they call the monster for Frankenstein. Yes, I know, I’m that person, and I regret having open my mouth every time, but alas, it has become a reflex – sorry in advance.
What is it about monsters? What made a 19 year old girl write something so profoundly harrowing and deep beyond her years? We love reading about the underdog, but the underdog in fiction we always need to see evolve as a hero and come out on top. This is the way, but not the horror way. This is the only genre that can deal with the failing monster that tries to come out as a hero, but will ever remain as the villain. It is deeply uncomfortable reading the same tales if the monsters, vampires and ghosts were actual living human beings, the stories wouldn’t work because that meant we have to acknowledge something about ourselves, not everyone comes out as the hero, not all underdogs will win. The only way we accept this in horror is that is a thinly veil between us and them that makes us able to leave the moral high ground and preconceived notions at the door.
The Modern Version
Frankenstein is like made for modern area. Every bit of human enhancement, every bit of artificial intelligence, everything that makes us question what is a human, and who has the right to live and in that, what does that entail. That is a pretty powerful question I personally only think will take Frankenstein with its creature on a long journey.
Preface
Frankenstein is written in the form of a frame story that starts with Captain Robert Walton writing letters to his sister. It takes place at an unspecified time in the 18th century, as the letters’ dates are given as “17—”. In the story following the letters by Walton, the readers find that Victor Frankenstein creates a monster that brings tragedy to his life.
Where to find it
Books
If you are looking for a cheap paperback, they got it all over. Collins, Penguin, everyone. I personally collect the Collins ones because I like the size of them. Choose your favorite. If you look for a paperback, but want a more exiting cover, Barnes and Nobles got you covered with their slick Flexibound Collection. Check them out!
If however, you are after a hardcover to look nice in your bookshelve, there are also a bunch of them. I personally like the one from Penguin Classic Hardcover Collection. If you are starting to collect minimalism hardcover books, this is the series you want. Look how cute and creepy it is!
My personal favorite it the edition narrated by Derek Jacobi. Just listen to the sample of the audio and you will see exactly what I mean.
The abridged version is also pretty cool. The director and star of the movie Mary Shelley’s Frankenstein, Kenneth Branagh is the one doing the narration, and knows the story in and out, and it shows, or hears… whatever. That guy must really like Frankenstein.
What happens when complex human beings have to hide their true selves, their other side so to speak, the one not necessarily fun one to bring to dinner parties. This is what Robert Louis Stevenson explored when he wrote the Strange Case of Dr. Jekyll and Mr. Hyde, or at least, that is what we were faced with when reading it.
The Modern Version
All psychological an character driven piece of fiction has certain elements to what makes a whole human, and how does it look if it’s split and let loose. What happens to a person too constrained, what happens to a person too careless.
Perhaps the on the nose and direct character from modern fiction must be the character of Hulk, constantly battling the darker side of himself, in a perhaps self inflicted happening because of his quest of perfection.
Preface
Gabriel John Utterson and his cousin Richard Enfield reach the door of a large house on their weekly walk. Enfield tells Utterson that months ago he saw a sinister-looking man named Edward Hyde trample a young girl after accidentally bumping into her. Enfield forced Hyde to pay £100 to avoid a scandal. Hyde brought them to this door and provided a cheque signed by a reputable gentleman (later revealed to be Doctor Henry Jekyll, a friend and client of Utterson). Utterson is disturbed because Jekyll recently changed his will to make Hyde the sole beneficiary. Utterson fears that Hyde is blackmailing Jekyll. When Utterson tries to discuss Hyde with Jekyll, Jekyll tells Utterson he can be rid of Hyde when he wants and for Utterson to drop the matter. And then the investigation starts.
Where to find it
Book
This is a pretty slim book, and easy to carry around. Me personally like when the classics use old photographs, even if it isn’t hundred percent accurate. Therefore I like this Penguin Classic paperback more than the others. It also includes some bonus stories like: The other stories in this volume also testify to Stevenson’s inventiveness within the Gothic tradition: ‘Olalla’, a tale of vampirism and tainted family blood, and ‘The Body Snatcher’, a gruesome fictionalisation of the exploits of the notorious Burke and Hare.
For the hardcover, I came upon this one right here. Have you ever seen something so beautiful! This edition only have like 100 copies, is cloth-bound book includes a Victorian inspired dust-jacket, and is my librarian wet dream.
The novella is not so long that it needs it’s own abridged version. This one her is narrated by Martin Jarvis. He started out in a career in film and television, but I think he has become particularly noted for his voice acting for radio and audio books. Or perhaps I listen too much, either way:
The story is a masterpiece for those interested in the unreliable narrator. Or is she? I- I don’t really know, but i gets me guessing. What do we know, and what is made up in our minds. How long can we only rely on our own mind when other tell us we’re crazy. It is a question about who we can trust and how far we can go for a job. Jesus, the life of a governess was a tough one.
It is also something about the children. They are cute, innocent and one wants to look after them. But still. There is something there… an eeriness that doesn’t go away. We can’t trust them, and at times, those kids scare us profoundly.
The Modern Version
In the century following its publication, The Turn of the Screw became a cornerstone text of academics who subscribed to New Criticism. The novella has had differing interpretations, often mutually exclusive. Many critics have tried to determine the exact nature of the evil hinted at by the story. However, others have argued that the brilliance of the novella results from its ability to create an intimate sense of confusion and suspense within the reader.
No a days it lives on in the little details. The creepy children, the big house in the dark. Television embraced it for instance with shows like Dark Shadows, the second season of Haunting of Hill House and a constant source for BBC dramas. Keep them coming.
Preface
On Christmas Eve, an unnamed narrator, along with some other unnamed characters, listens to Douglas, a friend, read a manuscript written by a former governess whom Douglas claims to have known and who is now dead. The manuscript tells the story of how the young governess is hired by a man who has become responsible for his young nephew and niece after the deaths of their parents. He lives mainly in London but also has a country house, Bly. He is uninterested in raising the children and she takes on the job. And creepiness ensues.
Where to find it
Book
So, one of the lesser known collection of classics are from Arcturus Publishing. Of some of the more gothic and horror genre classics, they have these cool graphic covers that i enjoy. Other titles they do are from Edgar Allan Poe, Lovefract, The Yellow Wallpaper and many others.
But the beauty of hardcover is back at it again. I mean, the color, the font, the cover and the idea of a limited edition is just the thing I wish dearly for in my heart. And you know it’s legit when the publisher calls themselves Royal Classics
I Personally like this performance with Emma Thomson and Richard Armitage in the introduction. Emma Thomson is such a well read in British literature and it really shows in her work that deals with the written word of a time long forgotten.
I brought this on the list here, because I know of several becoming aware of the concept of The King in Yellow through True Detective’s first season, and I just saw it. So many years behind, but in my defense, I thought is was just a boring cop-show. But then everyone was like: what the fuck is the King in Yellow? And why is so many talking about it?
The King in Yellow is a book of short stories by the American writer Robert W. Chambers, first published by F. Tennyson Neely in 1895. It contains several weird stories easily categorized as supernatural
This is sort of an elusive one, that many doesn’t take the reference to. It is reference by many authors in books, movies, tv-series, but it is never really explained were it is from. Stephen King used it in Thinner, Edgar Allan Poe referenced it in The Masque of the Red Death and Lovecraft referenced it so much it became a part of the Cthulhu mythos and people often mistake Lovecraft as the sole creator.
List of Stories
The stories in the book are:
“The Repairer of Reputations” – A weird story of egotism and paranoia which carries the imagery of the book’s title.
“The Mask” – A dream story of art, love, and uncanny science.
“In the Court of the Dragon” – A man is pursued by a sinister church organist who is after his soul.
“The Yellow Sign” – An artist is troubled by a sinister churchyard watchman who resembles a coffin worm.
“The Demoiselle d’Ys” – A ghost story
“The Prophets’ Paradise” – A sequence of eerie prose poems that develop the style and theme of a quote from the fictional play The King in Yellow which introduces “The Mask”.
“The Street of the Four Winds” – An atmospheric tale of an artist in Paris who is drawn to a neighbor’s room by a cat; the story ends with a macabre touch.
“The Street of the First Shell” – A war story set in the Paris Siege of 1870.
“The Street of Our Lady of the Fields” – Romantic American bohemians in Paris.
“Rue Barrée” – Romantic American bohemians in Paris, with a discordant ending that playfully reflects some of the tone of the first story.
Where to find it
Book
There are many to choose from. For the paperback, Wordsworth Classics have one that is cheap, yellow and totally adequate. But my personal favorite is the graphic novel adaption, with really cool illustration by I. N. J. Culbard it really brings new life into the old story.
For the Hardcover you also must chose between some cool content or a cool cover. For the best cover I think the edition from The Pushkin Press have a nice cover on it. Contains: ‘The Repairer of Reputations’, ‘The Mask’, ‘In the Court of the Dragon’, ‘The Yellow Sign’
Horrorbabble have this great thing were they narrate lesser known horror stories. It is not often a thing that is prioritized so that little fact makes me happy. This is only one of the stories they have at audible, they have a bunch, check them out!
Any of this seem interesting for you? How about getting into the listening train of audio books. Now, get 50% off for the next 3 months. I’ve checked and I am now firmly sure these are the one that can offer most horror titles of the audio book platforms.
In honor of the new spin-off series, Penny Dreadful: City of Angels (2020), we took a nostalgic look back to the awesome Showtime series that started it all. RIP Original series, you were cancelled all too soon.
Penny Dreadful is a British-American horror drama television series created for Showtime and Sky by John Logan. It ran for three seasons from 2014-2016.
Iconic Vanessa Ives (Eva Green). An original character and also some of the most well crafted ones.
Penny Dreadful is an old term used during the nineteenth century to refer to cheap popular serial literature. Sort of like pulp fiction. It was also called penny blood, penny awful, or penny horrible. It means a story published in weekly parts, with the cost of one (old) penny. The main plot of these stories were typically sensational, focusing on the adventures of detectives, criminals, or supernatural entities.
This is exactly what Penny Dreadful was, and what it payed homage to. So we found some old stuff the series borrowed or was inspired by. And there is A LOT. So get your cigarette on a stick and let’s go on some vampiric monster hunt with out pals.
Frankenstein; or, The Modern Prometheus is a novel written by English author Mary Shelley (1797–1851) that tells the story of Victor Frankenstein, a young scientist who creates a hideous sapient creature in an unorthodox scientific experiment.
Harry Treadaway played Victor Frankenstein, an arrogant, reclusive young doctor whose ambition and research involve transcending the barrier between life and death. In this show, Dr. Victor Frankenstein likes to quote the romantic poet Percy Bysshe Shelley. Shelley’s second wife was Mary Shelley.
The Picture of Dorian Gray is a Gothic and philosophical novel by Oscar Wilde, first published complete in the July 1890 issue of Lippincott’s Monthly Magazine. Fearing the story was indecent, the magazine’s editor deleted roughly five hundred words before publication without Wilde’s knowledge. It is Wilde’s only novel.
In the series he was played by Reeve Carney. A charismatic man who is ageless and immortal. And this Dorian Gray had a great, but utterly confusing story line. Where his purpose in the show was to throw great balls and parties and have sex with absolutely every character.
In Mary Shelley’s Frankenstein or the Modern Prometheus, Victor Frankenstein is tempted by his monster’s proposal to create a female creature so that the monster can have a wife: “Shall each man,” cried he, “find a wife for his bosom, and each beast have his mate, and I be alone?”
In Penny Dreadful, the bride of Frankenstein is Brona Croft (portrayed by Billie Piper), an Irish immigrant with a dark past who dies of tuberculosis at the end of Season 1. In season 2, she is brought back to life with no memory after Frankenstein’s monster demands a bride and given the new name “Lily Frankenstein” by Victor. That last scene of her speech will haunt television forever.
Often called John Clare. He was a labour poet in the mid 1800’s England. But if it is a reference to the creature is unclear. What is clear though is that the creature often is called Caliban as well, a character from Shakespear’s The tempes. Half human, half monster. In some traditions he is depicted as a wild man, or a deformed man, or a beast man, or sometimes a mix of fish and man, a dwarf or even a tortoise. Another connection from the creature to penny dreadful is Dorian Gray. In the preface of The Picture of Dorian Gray, Oscar Wilde muses: “The nineteenth century dislike of Realism is the rage of Caliban seeing his own face in a glass. The nineteenth century dislike of Romanticism is the rage of Caliban not seeing his own face in a glass.”
In the series he was played with Rory Kinnear, and had long storylines without many of the characters, alone.
Dracula is an 1897 Gothic horror novel by Irish author Bram Stoker. Dracula was a big influence from the start. From Mina being taken by him, the chase after Dracula and several character that appears in the series. Van Helsing included. But the series managed to make a twist of it all, and the influence of Dracula is almost as if just a eerily familiar setting and feeling of the series. He did however show up in series three in the flesh. Christian Camargo as Dracula, the brother of Lucifer who fell to Earth to feed on the blood of the living as the first vampire. In London, he takes the guise of kindly zoologist Alexander Sweet to captivate Vanessa.
In season 3 of TV series Penny Dreadful, Patti LuPone portrays Dr. Florence Seward, a female version of the character. It is originally a character from Dracula, a doctor in the insane asylum, He calls in his mentor, Abraham Van Helsing, to help him with her illness, and he helps Seward to realize that Lucy has been bitten by a vampire and is doomed to become one herself. He was in love with her and proposed to her, but was rejected. After she is officially destroyed and her soul can go to heaven, Seward is determined to destroy Dracula.
Strange Case of Dr Jekyll and Mr Hyde is a gothicnovella by Scottish author Robert Louis Stevenson, first published in 1886. It is about a London legal practitioner named Gabriel John Utterson who investigates strange occurrences between his old friend, Dr Henry Jekyll, and the evil Edward Hyde.
Dr. Jekyll (Shazad Latif) as a former classmate of Dr. Frankenstein’s.
Varney the vampire
Abraham Van Helsing gives a copy of Varney the Vampire to Victor Frankenstein, explaining that the story is more truth than fiction and that the mysterious creature the series’ characters are pursuing is a vampire.
Justine
Justine, or The Misfortunes of Virtue is a 1791 novel by Donatien Alphonse François de Sade, better known as the Marquis de Sade. Justine is set just before the French Revolution in France and tells the story of a young girl who goes under the name of Thérèse. Her story is recounted to Madame de Lorsagne while defending herself for her crimes, en route to punishment and death.
In Penny Dreadful she is the a homeless, brutalized young prostitute who becomes an acolyte to Lily played by Jessica Barden. In an interview with John Logan from the show, he also said the relationship between Justine and Lily was inspired by th Novella Carmilla by Joseph Sheridan LeFanu
Larry Talbot was the main character in the movie series the Wolfman from 1941 and onward. There are sequels, reboots and several other medias tied into this franchise. He has his own interaction with all the Penny Dreadful characters from Dracula, Frankenstein and so on in his own franchise as well.
In the TV series Penny Dreadful, Ethan Chandler’s real name is revealed to be Ethan Lawrence Talbot, and he suffers from the curse of lycanthropy. This version of the character is played by Josh Hartnett.
Hecate
Hecate Poole is the witch played by Sarah Greene and is Evelyn Pool’s eldest daughter. She is the witch who pursues Ethan Chandler in seasons two and three. She shares her name with the ancient Greek goddess of witchcraft and the moon. Like Ethan’s relationship with the moon and her witchcraft ability as a Nightcomer witch.
The unquiet grave
“The Unquiet Grave” is an English folk song in which a young man mourns his dead love too hard and prevents her from obtaining peace. It is thought to date from 1400. It is heard in the mansion of the Nightcomer witches.
An online magazine about the paranormal, haunted and macabre. We collect the ghost stories from all around the world as well as review horror and gothic media.