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St. Patrick’s Cathedral: The Restless Spirit of Jonathan Swift

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In the ancient St. Patrick’s Cathedral in Dublin, there are said to be restless spirits still lingering. One of the more well known is said to be the ghost of Jonathan Swift, perhaps best known as the author of Gulliver’s Travels. 

In the shadow of its towering spire, the national St. Patrick’s Cathedral stands as one of Dublin’s oldest and most sacred landmarks from 1191. Its ancient stones have witnessed centuries of worship, music, mourning, and the silent passage of the dead. 

Read More: Check out all ghost stories from Ireland

Beneath its echoing arches lie hundreds of bodies, their names carved into time and dust. Among them, one spirit is said to stir still and haunt the cathedral. And it is said that the ghost wandering here is that of Jonathan Swift, the great satirist, clergyman, and author of Gulliver’s Travels.

The Ghost of Jonathan Swift

Swift served as Dean of St. Patrick’s from 1713 until his death in 1745, and in life, he was both revered and feared in life as in death. 

He was buried in St. Patrick’s Cathedral beside Esther Johnson, known as “Stella,” the woman whose love haunted his life as much as his own mind did. After she died in 1728, he made a death mask of her and him and asked to be buried next to her.

But death did not bring him peace. When his tomb was opened nearly a century later, his remains were exhumed for study, his skull handled, measured, and displayed. William Wilde who was the father of poet Oscar Wilde joined a team to exhume the bodies for examination in 1835. Perhaps that disturbance was enough to tether him forever to the place he once called home.

Visitors and clergy have long spoken of strange happenings within the cathedral walls after dusk. Footsteps echo through the empty nave, the steady tread of boots that pause near the Dean’s chair before fading away. Shadows flit across the marble floors when no one is there to cast them. Some have felt the faint brush of cold air along the pews, as if someone unseen had just passed by.

He has been seen standing near his memorial, a tall figure in clerical robes, his face pale and grave beneath the flicker of candlelight. One tale comes from Reverend Victor Griffin who was the Dean of the Cathedral from 1969-1991. A few times he claimed to have seen a figure wandering in the Deanery and going up and down the stairs. Although Swift is said to be the one haunting the cathedral, this Dean believed that the ghost could actually be one of the staff members who cared for Swift in his later years and is still doing his duty in his afterlife. 

Swift Haunting Marsh’s Library as Well

He is also said to be haunting the Marsh’s library that is right next door. They made casts of both Swift’s and Stella’s skulls as part of the study. Although it was seen as a very unchristian thing to do, the library preserved the skull and the one belonging to Stella is in one of the cages at the back of the library. It is said that Swift comes to visit the Marsh’s Library to see Stella, as his skull is still in the cathedral. 

Read More: Check out the Haunted Marsh’s Library in Dublin for more about the other ghosts said to linger there. 

In addition to the library, the ghost of Jonathan Switf has also been reported in The Phoenix Park as well for some reason. 

The Ghost of Glasnevin Cemetery

Glasnevin Cemetery in Dublin, Ireland’s largest burial ground, is a place where history and haunting intertwine beneath the watchful gaze of angels and crosses. Spanning over 124 acres with more than 1.5 million burials, it is home to both the nation’s heroes and its restless dead. Among its most famous legends is that of a Newfoundland dog who refused to abandon his master, Captain John McNeill Boyd, after the sailor’s death in 1861. 

Read the whole story: Glasnevin Cemetery and the Faithful Ghost Dog still Waiting for his Master 

The loyal creature is said to have starved to death by his grave, and even now, witnesses claim to see his ghost wandering the pathways or hear the soft padding of phantom paws in the dark. It is also said that the faithful dog has been seen around the cathedral by the statue of Boyd, as well as around the cemetery. 

If you ever visit St. Patrick’s Cathedral when the crowds have gone and the last hymn has faded, listen closely. You may hear the faint murmur of a sermon whispered through the stone, or feel the weight of eyes that no longer belong to the living. Jonathan Swift, it seems, still keeps watch over his cathedral as well as his beloved secret wife. 

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References:

Dublin: 30 Most Haunted Places To Visit 

St. Patrick’s Cathedral | Explore Haunted Ireland

St Patrick’s Cathedral, Dublin – Wikipedia

The Restless Dead Buried Inside of Basel’s Double Cloister

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The two adjoining cloisters by Basel Cathedral are said to be haunted by a couple of spectres entombed within the building. In the darkness of Basel’s Double Cloister, it is said you can hear the moaning of a man slowly suffocating and feel the unsuspected slap from a man, as mean in death as he was in life. 

Basel is a city where history lingers not just in its ancient streets and Gothic spires but in the very earth beneath its feet. Nowhere is this more palpable than in the Cathedral and its adjoining Double Cloister of Basel Minster.  solemn, shadow-cloaked place where the line between the living and the dead has always felt unsettlingly thin. 

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Built in the 15th century, the cloisters once rang with sacred hymns and church rites, housing as many as six altars for medieval services. There are actually two different cloisters, connected by the open gardens surrounding them.

After the Reformation, one of the cloisters turned into a marketplace, but also a cemetery for the city’s upper middle class. Long after the Reformation’s sweeping changes silenced the rituals of the monks, the ritual of burial within the cloister’s cold embrace.

Basel Minster

A Cemetery Hiding in Plain Sight

For centuries, this peaceful cloister functioned as a cemetery for the city’s wealthy and influential, seen as their graves marked with ornately carved stones, some still intact within the shaded arcades. This was known as Münster Cemetery. Even as the world outside modernized, these hallowed grounds remained a final resting place, with burials continuing into the 19th century. The place is heavy with history, and as any Basler will tell you, such places seldom stay quiet after dark.

When the evening mists curl in from the Rhine and the last of the daylight dies behind the Minster’s towers, strange things are said to stir amid the cloister’s arches.

Cloister of Basel Minster

The Moaning of Emanuel Büchel

Among the restless souls tied to these ancient stones is Emanuel Büchel (1705–1775), a respected draftsman and master baker whose demise is steeped in grim folklore. He also painted, mainly nature and landscapes.

Emanuel Büchel completed his apprenticeship with a master baker in Basel in 1723. He then set out on a journeyman’s journey, and upon his return in 1726, he applied for membership in the city’s bakers’ guild. In 1728, he applied for the position of gatekeeper to the Steinentor. He married Susanna Felber in 1726.

Self Portrait

In 1773 he was assigned the task of copying the dance of death in Basel, a huge honor for an artist. At that time he was 68 and he died 2 years later at 70, 24 September in 1775. The question his legend asks though, did he truly die on that day though?

Legend insists that poor Büchel was buried alive, mistaken for dead in an era when death’s finality could sometimes be tragically premature. On long, hushed nights, visitors claim to hear his ghost moaning, wheezing, and rustling beneath the cloister’s stones, a soul forever reliving the terror of suffocation in his tomb.

The Malevolent Shade of Master Tailor Schnyyder Hagenbach

But if Büchel is a sorrowful spirit, Master Tailor Schnyyder Hagenbach is an entirely different creature of the night. Even in life, the tailor was, by all accounts, an unpleasant man. It was said he was cruel to his family, dishonest in business, and feared by neighbors. It comes as little surprise, then, that his spirit would choose to linger in malevolence.

The Cloister Cemetery: The cloister of Basel Minster consists of a small and a large cloister. Numerous epitaphs (grave and memorial monuments) are attached to their walls.

For generations, tales have spoken of an invisible, vindictive specter haunting the cathedral cloister. Passersby walking the dim, ancient pathways have felt sudden, icy slaps on their faces or hands, delivered by unseen forces. Locals blame Hagenbach’s ghost, a being said to emerge not at the witching hour, but as early as dusk, prowling the arcades in search of fresh victims to torment.

His ghost, it’s said, lashes out without warning — a sudden blow accompanied by mocking laughter, leaving the victim shaken, their skin cold where the invisible hand landed.

A Living Monument to Basel’s Darker Past

The Double Cloister stands as both a treasured historical site and a place of uneasy quiet. Its arched walkways and sun-dappled courtyards are beautiful by day, but at night, the air thickens with something ancient, something watching.

A cemetery masquerading as a courtyard, a sanctum where moaning spirits and unseen hands remind the living of the unforgiving past.

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References:

Emanuel Büchel – Personenlexikon BL

Spuk und Geister im alten Basel

Happy Halloween! 🎃 Ein Streifzug durch Basels grusligste Orte — Bajour

Basler Phänomene: Spuk, Phantome, Poltergeister | barfi.ch

The Ghosts Haunting the Mattentreppe, Ringing the New Year In

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The old stairs around the old town in Bern are most definitely haunted. Ascending from the Cathedral on Münsterplattform towards the Aare River, ghosts of the past are said to be the ones behind the creaks on the stairs. 

The Mattentreppe may appear as a simple stone stairway leading from the dignified heights of Bern’s center to the working-class roots of the Matte district, known in centuries past for its bathhouses, its brothels, and even a visit from Casanova himself. This steep flight of steps, carved into the hillside and shadowed by the cathedral’s towering silhouette, is more than a picturesque shortcut. It is one of the city’s most haunted places, a corridor of shame, sorrow, and long-held secrets.

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As the bells of the Bern Minster chime twelve on New Year’s Eve, and fireworks erupt over the Aare, there are those who claim they see more than celebration unfolding in the ancient quarter. Ghosts rise with the fog. Footsteps echo with no source. 

The Nobleman and the Cripple haunting the Mattetreppe

The Mattentreppe is not only said to have been haunted by the ghosts appearing on New Years. It is also said to be haunted by the ghost of a nobleman from the olden times. He fell in love, or at least had an affair with a maid. When she became pregnant with his child, scandal loomed. The nobleman, unable to bear the disgrace and unwilling to face the consequences of his actions, hurled himself down the Mattentreppe in despair.

To this day, people have reported seeing the pale figure of a well-dressed man, pacing or rushing down the stairs, as if in torment. His cloak flutters even on windless nights.

Source

In earlier years, a terribly crippled man was often seen on the matted steps where they had a landing. Hunched and crippled, he was sitting with two heavy baskets balancing impossibly from each finger. Passersby, moved by his suffering, would offer help. But whenever someone reached for a basket, the man would vanish in a puff of smoke, leaving only a mocking “Hahahaha!” echoing off the stone walls.

New Years Haunting of the Stairs

The eeriest of all tales tied to the Mattentreppe comes with the tolling of the New Year’s bell. When the bells in the cathedral begin to ring at the turn of the year, a poor soul rises from her grave: a young woman in a long, flowing gown, her face shaded beneath a wide-brimmed hat tied neatly with ribbons. 

During the 20th century, the terrace by the Cathedral was changed from a graveyard to an open plaza by the Münsterplattform. We don’t know when she was buried as the location was built as a churchyard in 1334 and 1919 as this is when the ghost story was first published in print. 

Source

She ascends the stairs going from the cathedral down towards the river. She is aiming at one of the houses in the Schifflaube street between the cathedral and the Aare Riverbanks, where she lived and is now haunting. The Schifflaube/Schiffländte was a place for reloading the boats that were going up and down the river. It’s an old street with old buildings, although which number or if it’s still there is uncertain. 

On the attic floor, she stands thoughtfully in the same spot, always silent. And when the last toll of the bell has faded away, she departs again, as silently as she came. She carefully closes the doors behind her. Without looking back, she walks past the houses, up the path toward the gardens, only to suddenly vanish like a mist.

In the place she keeps returning to, she once murdered her child, secretly, without anyone ever finding out.

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References:

Märchenstiftung – Die Unglückliche Mutter (The Unhappy Mother)

Märchenstiftung – Auf der Mattentreppe (On the Mattentreppe)

Wikipedia – Mattequartier

Berner Zeitung – Die Gruseltreppen von Bern (The Haunted Stairs of Bern)

The Evil Bishop Against the Maiden in Love – The Ghost of Haapsalu Castle

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There is a ghost story that a Lady in White is haunting Haapsalu Castle in Estonia. According to the legend, she was walled up alive inside of the walls when the Bishop discovered her true identity. Her crime? She fell in love.

The ghost of the Lady in White is a wide spread thing in Europe. Every country and even region have their own local version on it. Many are haunting the old castles, cathedrals and mansions scattered across the universe. Some are haunting the waterfalls, some haunts whole families. Estonia is no exception and according to legend, their White Lady is found in Haapsalu Castle.

Sitting in the midst at the cusp of the eastern Europe Baltic heritage as well as so far north, the culture of Estonia is somewhat of a mix of the two. Many consider themselves more Nordic than Baltic, being so influenced by both Sweden and Finland, they have a rich and varied lore still alive and well today.

The Haunted Haapsalu Castle

On the western shore, the sleepy seaside town of Haapsalu is best known for its warm seawater, curative mud and peaceful atmosphere facing the Vaiinameri Sea. Salt mud spas frequented by the Russian Romanov family still operate. Everything is made for a relaxing weekend and a nice holiday for sunny days. Just don’t go to the Haapsalu Castle, it’s haunted.

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In the 13th century in the coastal city of Haapsalu, a castle and a cathedral was built from 1279 and it’s the only one of its kind preserved today. It was also known as Haapsalu piiskopilinnus, or more simply Bishop’s Castle. It was to be the new seat of the Bishopric of Ösel-Wiek, were God’s law was the lands law. So it was a sort of royal as well as godly position, and the design of the castle was as well.

The Haapsalu Castle by night: The castle in Haapsalu is said to be haunted by a lady in white that still lingers long after her death. She is perhaps the most well known ghost in Estonia. Here is a picture from Haapsalu Castle in the dark, or, at least what is left, is still there. Photo:Sergei Gussev/

It was not a particular popular way of ruling as the last seat they had ruled from in Perona, where the Lithuanians burned his home down to the ground. Although he needed the place quick as his previous residence had been burned down, the whole castle took around 300 years to complete with the attached cathedral and monastery to it.

The position of Bishopric of Ösel-Wiek changed hands all up to the 1500s, and in 1279, the Bishopric of Ösel-Wiek was Hermann of Buxhoeveden. It was also then he founded the castle and probably the bishop who is talked about in the legend of the Lady in White in Haapsalu Castle.

The life there, especially in the episcopal castle, was a strict one. Every canon working and living there in the monasteries were meant to live a chaste and virtuous life according to the monastery rules.

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Meeting women in the Haapsalu Castle was therefore strictly forbidden and punishable by death. The castle forbade all access for women and the monks rarely ventured outside to test their vows. But all of these rules is useless, love will always find a way.

The Maiden and the Canon in Love

The Forbidden Love inside of the Castle Walls: One of the monks was on a walk outside of the castle walls when he fell in love with a woman he brought back to the castle with him.

As legend of the White Lady Haapsalu Castle tells, one of the canon working there fell in love with a girl when he was outside of the castle walls. When it was clear they had to be together no matter what, he brought her with him to the Haapsalu Castle.

As there was a strict no women allowed policy, they had to disguise her so that no one would now her true identity. She went undercover and was working as a choirboy for a while to be able to meet and have a relationship with him.

They were then able to meet and talk and be in each others lives as long as they were able to pass her off as a boy to the rest of the men living there. They had no other choice if they wanted to be together. He had taken a vow to god that couldn’t be broken, and she had no way of following him with being herself.

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Their little scheme worked for a while. That is, until the bishop came back to the castle and their whole world came crashing down.

The bishop had been away for some time while this was going on and when he returned, a young choirboy caught his eye. Something was off, and even though they had been able to fool the rest he caught on to the deceit.

Perhaps he wasn’t the only one who knew, but everyone else had left them in peace as long as it was discreet. These details we’ll never know for sure. The bishop however couldn’t be fooled and he ordered an investigation, finding out the singer’s gender and found her to be a woman.

Starving to Death inside of Haapsalu Castle Walls

Sightings of the White Lady: The ghost of the Lady in White in Haapsalu Castle has been spotted in the chapel for a long time. Photo: Sander Säde

When the girl was found out, the bishop summoned his council to decide on their punishment. The boy was sentenced to prison were he was going to starve to death. But the girl got the worst end of the deal according to some.

She was to be put immured inside of the walls of Haapsalu Castle. The chapel was under construction at the time and they made a space where they could wall her up. They gave her a single piece of bread and mug of water before they closed up the wall with her inside and left her to die.

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For several days her cries for help, her banging on the walls rung throughout the castle. No one came to her aid and everyone just passed the wall in silence, ignoring the screams that grew fainter and fainter.

Who know what she must have been thinking. She probably didn’t know she would die the way that she had been living since she arrived at Haapsalu castle, hidden inside of the castle walls.

Eventually, she died. But her soul, according to legend, remained and came back as a ghost.

Haunting the Chapel During Full Moon

Now the White Lady can move through the walls. In Haapsalu Castle there was built a chapel still standing today, and this girl is always seen at the inner wall of it, or standing by the Baptistery window around the place she is said to have been walled up.

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Whether some have actually done some digging and looked if there actually is a walled up skeleton inside of the chapel wall, is unknown.

The sightseeing of this Lady in White are always around full moons, particularly in August, when it is said is when the Bishop returned to Haapsalu Castle and she was walled up inside of the walls. Why full moon? Did it all happen during a full moon? Perhaps because of the legends that strange things happen during full moons? Or perhaps it was the imagination of the writer Carl Russwurn who popularized the legend, or perhaps even made it up?

Full Moon Haunting: It is said that the ghost of the Lady in White comes out and shows herself during the hot August full moons. Photo by Ben Mack on Pexels.com

The Lady in White is not said to do anything in particular other than to mourn her lost love and life that were taken from her because of the verdic of one man.

Coincidentally, the sightings of her in Haapsalu Castle happens during full moon in the hot August nights. This sightings is also said to happen when a music festival is held in her honor, called: The White Lady Days.

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