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The Transfer by Algernon Blackwood

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The Transfer by Algernon Blackwood was first published in the magazine, Country Life, in 1911, tells of a child’s fascination with a barren patch of land in a big garden known as the Forbidden Corner. A story involving a mysterious and vampiric transfer of life force. It follows a governess who witnesses the visit of her employer’s brother, a psychic vampire who seems to suck the life force from all around him. 

The Transfer by Algernon Blackwood (1911)

The child began to cry in the early afternoon⁠—about three o’clock, to be exact. I remember the hour, because I had been listening with secret relief to the sound of the departing carriage. Those wheels fading into the distance down the gravel drive with Mrs. Frene, and her daughter Gladys to whom I was governess, meant for me some hours’ welcome rest, and the June day was oppressively hot. Moreover, there was this excitement in the little country household that had told upon us all, but especially upon myself. This excitement, running delicately behind all the events of the morning, was due to some mystery, and the mystery was of course kept concealed from the governess. I had exhausted myself with guessing and keeping on the watch. For some deep and unexplained anxiety possessed me, so that I kept thinking of my sister’s dictum that I was really much too sensitive to make a good governess, and that I should have done far better as a professional clairvoyante.

Mr. Frene, senior, ‘Uncle Frank,’ was expected for an unusual visit from town about teatime. That I knew. I also knew that his visit was concerned somehow with the future welfare of little Jamie, Gladys’ seven-year-old brother. More than this, indeed, I never knew, and this missing link makes my story in a fashion incoherent⁠—an important bit of the strange puzzle left out. I only gathered that the visit of Uncle Frank was of a condescending nature, that Jamie was told he must be upon his very best behaviour to make a good impression, and that Jamie, who had never seen his uncle, dreaded him horribly already in advance. Then, trailing thinly through the dying crunch of the carriage wheels this sultry afternoon, I heard the curious little wail of the child’s crying, with the effect, wholly unaccountable, that every nerve in my body shot its bolt electrically, bringing me to my feet with a tingling of unequivocal alarm. Positively, the water ran into my eyes. I recalled his white distress that morning when told that Uncle Frank was motoring down for tea and that he was to be ‘very nice indeed’ to him. It had gone into me like a knife. All through the day, indeed, had run this nightmare quality of terror and vision.

‘The man with the ‘normous face?’ he had asked in a little voice of awe, and then gone speechless from the room in tears that no amount of soothing management could calm. That was all I saw; and what he meant by ‘the ‘normous face’ gave me only a sense of vague presentiment. But it came as anticlimax somehow⁠—a sudden revelation of the mystery and excitement that pulsed beneath the quiet of the stifling summer day. I feared for him. For of all that commonplace household I loved Jamie best, though professionally I had nothing to do with him. He was a high-strung, ultra-sensitive child, and it seemed to me that no one understood him, least of all his honest, tender-hearted parents; so that his little wailing voice brought me from my bed to the window in a moment like a call for help.

The haze of June lay over that big garden like a blanket; the wonderful flowers, which were Mr. Frene’s delight, hung motionless; the lawns, so soft and thick, cushioned all other sounds; only the limes and huge clumps of guelder roses hummed with bees. Through this muted atmosphere of heat and haze the sound of the child’s crying floated faintly to my ears⁠—from a distance. Indeed, I wonder now that I heard it at all, for the next moment I saw him down beyond the garden, standing in his white sailor suit alone, two hundred yards away. He was down by the ugly patch where nothing grew⁠—the Forbidden Corner. A faintness then came over me at once, a faintness as of death, when I saw him there of all places-where he never was allowed to go, and where, moreover, he was usually too terrified to go. To see him standing solitary in that singular spot, above all to hear him crying there, bereft me momentarily of the power to act. Then, before I could recover my composure sufficiently to call him in, Mr. Frene came round the corner from the Lower Farm with the dogs, and, seeing his son, performed that office for me. In his loud, good-natured, hearty voice he called him, and Jamie turned and ran as though some spell had broken just in time⁠—ran into the open arms of his fond but uncomprehending father, who carried him indoors on his shoulder, while asking ‘what all this hubbub was about?’ And, at their heels, the tailless sheepdogs followed, barking loudly, and performing what Jamie called their ‘Gravel Dance,’ because they ploughed up the moist, rolled gravel with their feet.

I stepped back swiftly from the window lest I should be seen. Had I witnessed the saving of the child from fire or drowning the relief could hardly have been greater. Only Mr. Frene, I felt sure, would not say and do the right thing quite. He would protect the boy from his own vain imaginings, yet not with the explanation that could really heal. They disappeared behind the rose trees, making for the house. I saw no more till later, when Mr. Frene, senior, arrived.

To describe the ugly patch as ‘singular’ is hard to justify, perhaps, yet some such word is what the entire family sought, though never⁠—oh, never!⁠—used. To Jamie and myself, though equally we never mentioned it, that treeless, flowerless spot was more than singular. It stood at the far end of the magnificent rose garden, a bald, sore place, where the black earth showed uglily in winter, almost like a piece of dangerous bog, and in summer baked and cracked with fissures where green lizards shot their fire in passing. In contrast to the rich luxuriance of death amid life, a centre of disease that cried for healing lest it spread. But it never did spread. Behind it stood the thick wood of silver birches and, glimmering beyond, the orchard meadow, where the lambs played.

The gardeners had a very simple explanation of its barrenness⁠—that the water all drained off it owing to the lie of the slopes immediately about it, holding no remnant to keep the soil alive. I cannot say. It was Jamie⁠—Jamie who felt its spell and haunted it, who spent whole hours there, even while afraid, and for whom it was finally labelled ‘strictly out of bounds’ because it stimulated his already big imagination, not wisely but too darkly⁠—it was Jamie who buried ogres there and heard it crying in an earthy voice, swore that it shook its surface sometimes while he watched it, and secretly gave it food in the form of birds or mice or rabbits he found dead upon his wanderings. And it was Jamie who put so extraordinarily into words the feeling that the horrid spot had given me from the moment I first saw it.

‘It’s bad, Miss Gould,’ he told me.

‘But, Jamie, nothing in Nature is bad⁠—exactly; only different from the rest sometimes.’

‘Miss Gould, if you please, then it’s empty. It’s not fed. It’s dying because it can’t get the food it wants.’ And when I stared into the little pale face where the eyes shone so dark and wonderful, seeking within myself for the right thing to say to him, he added, with an emphasis and conviction that made me suddenly turn cold: ‘Miss Gould’⁠—he always used my name like this in all his sentences⁠—’it’s hungry, don’t you see? But I know what would make it feel all right.’

Only the conviction of an earnest child, perhaps, could have made so outrageous a suggestion worth listening to for an instant; but for me, who felt that things an imaginative child believed were important, it came with a vast disquieting shock of reality. Jamie, in this exaggerated way, had caught at the edge of a shocking fact⁠—a hint of dark, undiscovered truth had leaped into that sensitive imagination. Why there lay horror in the words I cannot say, but I think some power of darkness trooped across the suggestion of that sentence at the end, ‘I know what would make it feel all right.’ I remember that I shrank from asking explanation. Small groups of other words, veiled fortunately by his silence, gave life to an unspeakable possibility that hitherto had lain at the back of my own consciousness. The way it sprang to life proves, I think, that my mind already contained it. The blood rushed from my heart as I listened. I remember that my knees shook. Jamie’s idea was⁠—had been all along⁠—my own as well.

And now, as I lay down on my bed and thought about it all, I understood why the coming of his uncle involved somehow an experience that wrapped terror at its heart. With a sense of nightmare certainty that left me too weak to resist the preposterous idea, too shocked, indeed, to argue or reason it away, this certainty came with its full, black blast of conviction; and the only way I can put it into words, since nightmare horror really is not properly tellable at all, seems this: that there was something missing in that dying patch of garden; something lacking that it ever searched for; something, once found and taken, that would turn it rich and living as the rest; more⁠—that there was some living person who could do this for it. Mr. Frene, senior, in a word, ‘Uncle Frank,’ was this person who out of his abundant life could supply the lack⁠—unwittingly.

For this connection between the dying, empty patch and the person of this vigorous, wealthy, and successful man had already lodged itself in my subconsciousness before I was aware of it. Clearly it must have lain there all along, though hidden. Jamie’s words, his sudden pallor, his vibrating emotion of fearful anticipation had developed the plate, but it was his weeping alone there in the Forbidden Corner that had printed it. The photograph shone framed before me in the air. I hid my eyes. But for the redness⁠—the charm of my face goes to pieces unless my eyes are clear⁠—I could have cried. Jamie’s words that morning about the ”normous face’ came back upon me like a battering-ram.

Mr. Frene, senior, had been so frequently the subject of conversation in the family since I came, I had so often heard him discussed, and had then read so much about him in the papers⁠—his energy, his philanthropy, his success with everything he laid his hand to⁠—that a picture of the man had grown complete within me. I knew him as he was⁠—within; or, as my sister would have said⁠—clairvoyantly. And the only time I saw him (when I took Gladys to a meeting where he was chairman, and later felt his atmosphere and presence while for a moment he patronisingly spoke with her) had justified the portrait I had drawn. The rest, you may say, was a woman’s wild imagining; but I think rather it was that kind of divining intuition which women share with children. If souls could be made visible, I would stake my life upon the truth and accuracy of my portrait.

For this Mr. Frene was a man who drooped alone, but grew vital in a crowd⁠—because he used their vitality. He was a supreme, unconscious artist in the science of taking the fruits of others’ work and living⁠—for his own advantage. He vampired, unknowingly no doubt, everyone with whom he came in contact; left them exhausted, tired, listless. Others fed him, so that while in a full room he shone, alone by himself and with no life to draw upon he languished and declined. In the man’s immediate neighbourhood you felt his presence draining you; he took your ideas, your strength, your very words, and later used them for his own benefit and aggrandisement. Not evilly, of course; the man was good enough; but you felt that he was dangerous owing to the facile way he absorbed into himself all loose vitality that was to be had. His eyes and voice and presence devitalised you. Life, it seemed, not highly organised enough to resist, must shrink from his too near approach and hide away for fear of being appropriated, for fear, that is, of⁠—death.

Jamie, unknowingly, put in the finishing touch to my unconscious portrait. The man carried about with him some silent, compelling trick of drawing out all your reserves⁠—then swiftly pocketing them. At first you would be conscious of taut resistance; this would slowly shade off into weariness; the will would become flaccid; then you either moved away or yielded⁠—agreed to all he said with a sense of weakness pressing ever closer upon the edges of collapse. With a male antagonist it might be different, but even then the effort of resistance would generate force that he absorbed and not the other. He never gave out. Some instinct taught him how to protect himself from that. To human beings, I mean, he never gave out. This time it was a very different matter. He had no more chance than a fly before the wheels of a huge⁠—what Jamie used to call⁠—’attraction’ engine.

So this was how I saw him⁠—a great human sponge, crammed and soaked with the life, or proceeds of life, absorbed from others⁠—stolen. My idea of a human vampire was satisfied. He went about carrying these accumulations of the life of others. In this sense his ‘life’ was not really his own. For the same reason, I think, it was not so fully under his control as he imagined.

And in another hour this man would be here. I went to the window. My eye wandered to the empty patch, dull black there amid the rich luxuriance of the garden flowers. It struck me as a hideous bit of emptiness yawning to be filled and nourished. The idea of Jamie playing round its bare edge was loathsome. I watched the big summer clouds above, the stillness of the afternoon, the haze. The silence of the overheated garden was oppressive. I had never felt a day so stifling, motionless. It lay there waiting. The household, too, was waiting⁠—waiting for the coming of Mr. Frene from London in his big motorcar.

And I shall never forget the sensation of icy shrinking and distress with which I heard the rumble of the car. He had arrived. Tea was all ready on the lawn beneath the lime trees, and Mrs. Frene and Gladys, back from their drive, were sitting in wicker chairs. Mr. Frene, junior, was in the hall to meet his brother, but Jamie, as I learned afterwards, had shown such hysterical alarm, offered such bold resistance, that it had been deemed wiser to keep him in his room. Perhaps, after all, his presence might not be necessary. The visit clearly had to do with something on the uglier side of life⁠—money, settlements, or whatnot; I never knew exactly; only that his parents were anxious, and that Uncle Frank had to be propitiated. It does not matter. That has nothing to do with the affair. What has to do with it⁠—or I should not be telling the story⁠—is that Mrs. Frene sent for me to come down ‘in my nice white dress, if I didn’t mind,’ and that I was terrified, yet pleased, because it meant that a pretty face would be considered a welcome addition to the visitor’s landscape. Also, most odd it was, I felt my presence was somehow inevitable, that in some way it was intended that I should witness what I did witness. And the instant I came upon the lawn⁠—I hesitate to set it down, it sounds so foolish, disconnected⁠—I could have sworn, as my eyes met his, that a kind of sudden darkness came, taking the summer brilliance out of everything, and that it was caused by troops of small black horses that raced about us from his person⁠—to attack.

After a first momentary approving glance he took no further notice of me. The tea and talk went smoothly; I helped to pass the plates and cups, filling in pauses with little under-talk to Gladys. Jamie was never mentioned. Outwardly all seemed well, but inwardly everything was awful⁠—skirting the edge of things unspeakable, and so charged with danger that I could not keep my voice from trembling when I spoke.

I watched his hard, bleak face; I noticed how thin he was, and the curious, oily brightness of his steady eyes. They did not glitter, but they drew you with a sort of soft, creamy shine like Eastern eyes. And everything he said or did announced what I may dare to call the suction of his presence. His nature achieved this result automatically. He dominated us all, yet so gently that until it was accomplished no one noticed it.

Before five minutes had passed, however, I was aware of one thing only. My mind focused exclusively upon it, and so vividly that I marvelled the others did not scream, or run, or do something violent to prevent it. And it was this; that, separated merely by some dozen yards or so, this man, vibrating with the acquired vitality of others, stood within easy reach of that spot of yawning emptiness, waiting and eager to be filled. Earth scented her prey.

These two active ‘centres’ were within fighting distance; he so thin, so hard, so keen, yet really spreading large with the loose ‘surround’ of others’ life he had appropriated, so practised and triumphant; that other so patient, deep, with so mighty a draw of the whole earth behind it, and⁠—ugh!⁠—so obviously aware that its opportunity at last had come.

I saw it all as plainly as though I watched two great animals prepare for battle, both unconsciously; yet in some inexplicable way I saw it, of course, within me, and not externally. The conflict would be hideously unequal. Each side had already sent out emissaries, how long before I could not tell, for the first evidence he gave that something was going wrong with him was when his voice grew suddenly confused, he missed his words, and his lips trembled a moment and turned flabby. The next second his face betrayed that singular and horrid change, growing somehow loose about the bones of the cheek, and larger, so that I remembered Jamie’s miserable phrase. The emissaries of the two kingdoms, the human and the vegetable, had met, I make it out, in that very second. For the first time in his long career of battening on others, Mr. Frene found himself pitted against a vaster kingdom than he knew and, so finding, shook inwardly in that little part that was his definite actual self. He felt the huge disaster coming.

‘Yes, John,’ he was saying, in his drawling, self-congratulating voice, ‘Sir George gave me that car⁠—gave it to me as a present. Wasn’t it char⁠—?’ and then broke off abruptly, stammered, drew breath, stood up, and looked uneasily about him. For a second there was a gaping pause. It was like the click which starts some huge machinery moving⁠—that instant’s pause before it actually starts. The whole thing, indeed, then went with the rapidity of machinery running down and beyond control. I thought of a giant dynamo working silently and invisible.

‘What’s that?’ he cried, in a soft voice charged with alarm. ‘What’s that horrid place? And someone’s crying there⁠—who is it?’

He pointed to the empty patch. Then, before anyone could answer, he started across the lawn towards it, going every minute faster. Before anyone could move he stood upon the edge. He leaned over⁠—peering down into it.

It seemed a few hours passed, but really they were seconds, for time is measured by the quality and not the quantity of sensations it contains. I saw it all with merciless, photographic detail, sharply etched amid the general confusion. Each side was intensely active, but only one side, the human, exerted all its force⁠—in resistance. The other merely stretched out a feeler, as it were, from its vast, potential strength; no more was necessary. It was such a soft and easy victory. Oh, it was rather pitiful! There was no bluster or great effort, on one side at least. Close by his side I witnessed it, for I, it seemed, alone had moved and followed him. No one else stirred, though Mrs. Frene clattered noisily with the cups, making some sudden impulsive gesture with her hands, and Gladys, I remember, gave a cry⁠—it was like a little scream⁠—’Oh, mother, it’s the heat, isn’t it?’ Mr. Frene, her father, was speechless, pale as ashes.

But the instant I reached his side, it became clear what had drawn me there thus instinctively. Upon the other side, among the silver birches, stood little Jamie. He was watching. I experienced⁠—for him⁠—one of those moments that shake the heart; a liquid fear ran all over me, the more effective because unintelligible really. Yet I felt that if I could know all, and what lay actually behind, my fear would be more than justified; that the thing was awful, full of awe.

And then it happened⁠—a truly wicked sight⁠—like watching a universe in action, yet all contained within a small square foot of space. I think he understood vaguely that if someone could only take his place he might be saved, and that was why, discerning instinctively the easiest substitute within reach, he saw the child and called aloud to him across the empty patch, ‘James, my boy, come here!’

His voice was like a thin report, but somehow flat and lifeless, as when a rifle misses fire, sharp, yet weak; it had no ‘crack’ in it. It was really supplication. And, with amazement, I heard my own ring out imperious and strong, though I was not conscious of saying it, ‘Jamie, don’t move. Stay where you are!’ But Jamie, the little child, obeyed neither of us. Moving up nearer to the edge, he stood there⁠—laughing! I heard that laughter, but could have sworn it did not come from him. The empty, yawning patch gave out that sound.

Mr. Frene turned sideways, throwing up his arms. I saw his hard, bleak face grow somehow wider, spread through the air, and downwards. A similar thing, I saw, was happening at the same time to his entire person, for it drew out into the atmosphere in a stream of movement. The face for a second made me think of those toys of green india-rubber that children pull. It grew enormous. But this was an external impression only. What actually happened, I clearly understood, was that all this vitality and life he had transferred from others to himself for years was now in turn being taken from him and transferred⁠—elsewhere.

One moment on the edge he wobbled horribly, then with that queer sideways motion, rapid yet ungainly, he stepped forward into the middle of the patch and fell heavily upon his face. His eyes, as he dropped, faded shockingly, and across the countenance was written plainly what I can only call an expression of destruction. He looked utterly destroyed. I caught a sound⁠—from Jamie?⁠—but this time not of laughter. It was like a gulp; it was deep and muffled and it dipped away into the earth. Again I thought of a troop of small black horses galloping away down a subterranean passage beneath my feet⁠—plunging into the depths⁠—their tramping growing fainter and fainter into buried distance. In my nostrils was a pungent smell of earth.

And then⁠—all passed. I came back into myself. Mr. Frene, junior, was lifting his brother’s head from the lawn where he had fallen from the heat, close beside the tea-table. He had never really moved from there. And Jamie, I learned afterwards, had been the whole time asleep upon his bed upstairs, worn out with his crying and unreasoning alarm. Gladys came running out with cold water, sponge and towel, brandy too⁠—all kinds of things. ‘Mother, it was the heat, wasn’t it?’ I heard her whisper, but I did not catch Mrs. Frene’s reply. From her face it struck me that she was bordering on collapse herself. Then the butler followed, and they just picked him up and carried him into the house. He recovered even before the doctor came.

But the queer thing to me is that I was convinced the others all had seen what I saw, only that no one said a word about it; and to this day no one has said a word. And that was, perhaps, the most horrid part of all.

From that day to this I have scarcely heard a mention of Mr. Frene, senior. It seemed as if he dropped suddenly out of life. The papers never mentioned him. His activities ceased, as it were. His afterlife, at any rate, became singularly ineffective. Certainly he achieved nothing worth public mention. But it may be only that, having left the employ of Mrs. Frene, there was no particular occasion for me to hear anything.

The afterlife of that empty patch of garden, however, was quite otherwise. Nothing, so far as I know, was done to it by gardeners, or in the way of draining it or bringing in new earth, but even before I left in the following summer it had changed. It lay untouched, full of great, luscious, driving weeds and creepers, very strong, full⁠—fed, and bursting thick with life.

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The Wood of the Dead by Algernon Blackwood

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One summer, in my wanderings with a knapsack, I was at luncheon in the room of a wayside inn in the western country, when the door opened and there entered an old rustic, who crossed close to my end of the table and sat himself down very quietly in the seat by the bow window. We exchanged glances, or, properly speaking, nods, for at the moment I did not actually raise my eyes to his face, so concerned was I with the important business of satisfying an appetite gained by tramping twelve miles over a difficult country.

The fine warm rain of seven o’clock, which had since risen in a kind of luminous mist about the tree tops, now floated far overhead in a deep blue sky, and the day was settling down into a blaze of golden light. It was one of those days peculiar to Somerset and North Devon, when the orchards shine and the meadows seem to add a radiance of their own, so brilliantly soft are the colourings of grass and foliage.

The inn-keeper’s daughter, a little maiden with a simple country loveliness, presently entered with a foaming pewter mug, enquired after my welfare, and went out again. Apparently she had not noticed the old man sitting in the settle by the bow window, nor had he, for his part, so much as once turned his head in our direction.

Under ordinary circumstances I should probably have given no thought to this other occupant of the room; but the fact that it was supposed to be reserved for my private use, and the singular thing that he sat looking aimlessly out of the window, with no attempt to engage me in conversation, drew my eyes more than once somewhat curiously upon him, and I soon caught myself wondering why he sat there so silently, and always with averted head.

He was, I saw, a rather bent old man in rustic dress, and the skin of his face was wrinkled like that of an apple; corduroy trousers were caught up with a string below the knee, and he wore a sort of brown fustian jacket that was very much faded. His thin hand rested upon a stoutish stick. He wore no hat and carried none, and I noticed that his head, covered with silvery hair, was finely shaped and gave the impression of something noble.

Though rather piqued by his studied disregard of my presence, I came to the conclusion that he probably had something to do with the little hostel and had a perfect right to use this room with freedom, and I finished my luncheon without breaking the silence and then took the settle opposite to smoke a pipe before going on my way.

Through the open window came the scents of the blossoming fruit trees; the orchard was drenched in sunshine and the branches danced lazily in the breeze; the grass below fairly shone with white and yellow daisies, and the red roses climbing in profusion over the casement mingled their perfume with the sweetly penetrating odour of the sea.

It was a place to dawdle in, to lie and dream away a whole afternoon, watching the sleepy butterflies and listening to the chorus of birds which seemed to fill every corner of the sky. Indeed, I was already debating in my mind whether to linger and enjoy it all instead of taking the strenuous pathway over the hills, when the old rustic in the settle opposite suddenly turned his face towards me for the first time and began to speak.

His voice had a quiet dreamy note in it that was quite in harmony with the day and the scene, but it sounded far away, I thought, almost as though it came to me from outside where the shadows were weaving their eternal tissue of dreams upon the garden floor. Moreover, there was no trace in it of the rough quality one might naturally have expected, and, now that I saw the full face of the speaker for the first time, I noted with something like a start that the deep, gentle eyes seemed far more in keeping with the timbre of the voice than with the rough and very countrified appearance of the clothes and manner. His voice set pleasant waves of sound in motion towards me, and the actual words, if I remember rightly, were–

“You are a stranger in these parts?” or “Is not this part of the country strange to you?”

There was no “sir,” nor any outward and visible sign of the deference usually paid by real country folk to the town-bred visitor, but in its place a gentleness, almost a sweetness, of polite sympathy that was far more of a compliment than either.

I answered that I was wandering on foot through a part of the country that was wholly new to me, and that I was surprised not to find a place of such idyllic loveliness marked upon my map.

“I have lived here all my life,” he said, with a sigh, “and am never tired of coming back to it again.”

“Then you no longer live in the immediate neighbourhood?”

“I have moved,” he answered briefly, adding after a pause in which his eyes seemed to wander wistfully to the wealth of blossoms beyond the window; “but I am almost sorry, for nowhere else have I found the sunshine lie so warmly, the flowers smell so sweetly, or the winds and streams make such tender music. . . .”

His voice died away into a thin stream of sound that lost itself in the rustle of the rose-leaves climbing in at the window, for he turned his head away from me as he spoke and looked out into the garden. But it was impossible to conceal my surprise, and I raised my eyes in frank astonishment on hearing so poetic an utterance from such a figure of a man, though at the same time realising that it was not in the least inappropriate, and that, in fact, no other sort of expression could have properly been expected from him.

“I am sure you are right,” I answered at length, when it was clear he had ceased speaking; “or there is something of enchantment here–of real fairy-like enchantment–that makes me think of the visions of childhood days, before one knew anything of–of–“

I had been oddly drawn into his vein of speech, some inner force compelling me. But here the spell passed and I could not catch the thoughts that had a moment before opened a long vista before my inner vision.

“To tell you the truth,” I concluded lamely, “the place fascinates me and I am in two minds about going further–“

Even at this stage I remember thinking it odd that I should be talking like this with a stranger whom I met in a country inn, for it has always been one of my failings that to strangers my manner is brief to surliness. It was as though we were figures meeting in a dream, speaking without sound, obeying laws not operative in the everyday working world, and about to play with a new scale of space and time perhaps. But my astonishment passed quickly into an entirely different feeling when I became aware that the old man opposite had turned his head from the window again, and was regarding me with eyes so bright they seemed almost to shine with an inner flame. His gaze was fixed upon my face with an intense ardour, and his whole manner had suddenly become alert and concentrated. There was something about him I now felt for the first time that made little thrills of excitement run up and down my back. I met his look squarely, but with an inward tremor.

“Stay, then, a little while longer,” he said in a much lower and deeper voice than before; “stay, and I will teach you something of the purpose of my coming.”

He stopped abruptly. I was conscious of a decided shiver.

“You have a special purpose then–in coming back?” I asked, hardly knowing what I was saying.

“To call away someone,” he went on in the same thrilling voice, “someone who is not quite ready to come, but who is needed elsewhere for a worthier purpose.” There was a sadness in his manner that mystified me more than ever.

“You mean–?” I began, with an unaccountable access of trembling.

“I have come for someone who must soon move, even as I have moved.”

He looked me through and through with a dreadfully piercing gaze, but I met his eyes with a full straight stare, trembling though I was, and I was aware that something stirred within me that had never stirred before, though for the life of me I could not have put a name to it, or have analysed its nature. Something lifted and rolled away. For one single second I understood clearly that the past and the future exist actually side by side in one immense Present; that it was I who moved to and fro among shifting, protean appearances.

The old man dropped his eyes from my face, and the momentary glimpse of a mightier universe passed utterly away. Reason regained its sway over a dull, limited kingdom.

“Come to-night,” I heard the old man say, “come to me to-night into the Wood of the Dead. Come at midnight–“

Involuntarily I clutched the arm of the settle for support, for I then felt that I was speaking with someone who knew more of the real things that are and will be, than I could ever know while in the body, working through the ordinary channels of sense–and this curious half-promise of a partial lifting of the veil had its undeniable effect upon me.

The breeze from the sea had died away outside, and the blossoms were still. A yellow butterfly floated lazily past the window. The song of the birds hushed–I smelt the sea–I smelt the perfume of heated summer air rising from fields and flowers, the ineffable scents of June and of the long days of the year–and with it, from countless green meadows beyond, came the hum of myriad summer life, children’s voices, sweet pipings, and the sound of water falling.

I knew myself to be on the threshold of a new order of experience–of an ecstasy. Something drew me forth with a sense of inexpressible yearning towards the being of this strange old man in the window seat, and for a moment I knew what it was to taste a mighty and wonderful sensation, and to touch the highest pinnacle of joy I have ever known. It lasted for less than a second, and was gone; but in that brief instant of time the same terrible lucidity came to me that had already shown me how the past and future exist in the present, and I realised and understood that pleasure and pain are one and the same force, for the joy I had just experienced included also all the pain I ever had felt, or ever could feel. . . .

The sunshine grew to dazzling radiance, faded, passed away. The shadows paused in their dance upon the grass, deepened a moment, and then melted into air. The flowers of the fruit trees laughed with their little silvery laughter as the wind sighed over their radiant eyes the old, old tale of its personal love. Once or twice a voice called my name. A wonderful sensation of lightness and power began to steal over me.

Suddenly the door opened and the inn-keeper’s daughter came in. By all ordinary standards, her’s was a charming country loveliness, born of the stars and wild-flowers, of moonlight shining through autumn mists upon the river and the fields; yet, by contrast with the higher order of beauty I had just momentarily been in touch with, she seemed almost ugly. How dull her eyes, how thin her voice, how vapid her smile, and insipid her whole presentment.

For a moment she stood between me and the occupant of the window seat while I counted out the small change for my meal and for her services; but when, an instant later, she moved aside, I saw that the settle was empty and that there was no longer anyone in the room but our two selves.

This discovery was no shock to me; indeed, I had almost expected it, and the man had gone just as a figure goes out of a dream, causing no surprise and leaving me as part and parcel of the same dream without breaking of continuity. But, as soon as I had paid my bill and thus resumed in very practical fashion the thread of my normal consciousness, I turned to the girl and asked her if she knew the old man who had been sitting in the window seat, and what he had meant by the Wood of the Dead.

The maiden started visibly, glancing quickly round the empty room, but answering simply that she had seen no one. I described him in great detail, and then, as the description grew clearer, she turned a little pale under her pretty sunborn and said very gravely that it must have been the ghost.

“Ghost! What ghost?”

“Oh, the village ghost,” she said quietly, coming closer to my chair with a little nervous movement of genuine alarm, and adding in a lower voice, “He comes before a death, they say!”

It was not difficult to induce the girl to talk, and the story she told me, shorn of the superstition that had obviously gathered with the years round the memory of a strangely picturesque figure, was an interesting and peculiar one.

The inn, she said, was originally a farmhouse, occupied by a yeoman farmer, evidently of a superior, if rather eccentric, character, who had been very poor until he reached old age, when a son died suddenly in the Colonies and left him an unexpected amount of money, almost a fortune.

The old man thereupon altered no whit his simple manner of living, but devoted his income entirely to the improvement of the village and to the assistance of its inhabitants; he did this quite regardless of his personal likes and dislikes, as if one and all were absolutely alike to him, objects of a genuine and impersonal benevolence. People had always been a little afraid of the man, not understanding his eccentricities, but the simple force of this love for humanity changed all that in a very short space of time; and before he died he came to be known as the Father of the Village and was held in great love and veneration by all.

A short time before his end, however, he began to act queerly. He spent his money just as usefully and wisely, but the shock of sudden wealth after a life of poverty, people said, had unsettled his mind. He claimed to see things that others did not see, to hear voices, and to have visions. Evidently, he was not of the harmless, foolish, visionary order, but a man of character and of great personal force, for the people became divided in their opinions, and the vicar, good man, regarded and treated him as a “special case.” For many, his name and atmosphere became charged almost with a spiritual influence that was not of the best. People quoted texts about him; kept when possible out of his way, and avoided his house after dark. None understood him, but though the majority loved him, an element of dread and mystery became associated with his name, chiefly owing to the ignorant gossip of the few.

A grove of pine trees behind the farm–the girl pointed them out to me on the slope of the hill–he said was the Wood of the Dead, because just before anyone died in the village he saw them walk into that wood, singing. None who went in ever came out again. He often mentioned the names to his wife, who usually published them to all the inhabitants within an hour of her husband’s confidence; and it was found that the people he had seen enter the wood–died. On warm summer nights he would sometimes take an old stick and wander out, hatless, under the pines, for he loved this wood, and used to say he met all his old friends there, and would one day walk in there never to return. His wife tried to break him gently off this habit, but he always had his own way; and once, when she followed and found him standing under a great pine in the thickest portion of the grove, talking earnestly to someone she could not see, he turned and rebuked her very gently, but in such a way that she never repeated the experiment, saying–

“You should never interrupt me, Mary, when I am talking with the others; for they teach me, remember, wonderful things, and I must learn all I can before I go to join them.”

This story went like wild-fire through the village, increasing with every repetition, until at length everyone was able to give an accurate description of the great veiled figures the woman declared she had seen moving among the trees where her husband stood. The innocent pine-grove now became positively haunted, and the title of “Wood of the Dead” clung naturally as if it had been applied to it in the ordinary course of events by the compilers of the Ordnance Survey.

On the evening of his ninetieth birthday the old man went up to his wife and kissed her. His manner was loving, and very gentle, and there was something about him besides, she declared afterwards, that made her slightly in awe of him and feel that he was almost more of a spirit than a man.

He kissed her tenderly on both cheeks, but his eyes seemed to look right through her as he spoke.

“Dearest wife,” he said, “I am saying good-bye to you, for I am now going into the Wood of the Dead, and I shall not return. Do not follow me, or send to search, but be ready soon to come upon the same journey yourself.”

The good woman burst into tears and tried to hold him, but he easily slipped from her hands, and she was afraid to follow him. Slowly she saw him cross the field in the sunshine, and then enter the cool shadows of the grove, where he disappeared from her sight.

That same night, much later, she woke to find him lying peacefully by her side in bed, with one arm stretched out towards her, dead. Her story was half believed, half doubted at the time, but in a very few years afterwards it evidently came to be accepted by all the countryside. A funeral service was held to which the people flocked in great numbers, and everyone approved of the sentiment which led the widow to add the words, “The Father of the Village,” after the usual texts which appeared upon the stone over his grave.

This, then, was the story I pieced together of the village ghost as the little inn-keeper’s daughter told it to me that afternoon in the parlour of the inn.

“But you’re not the first to say you’ve seen him,” the girl concluded; “and your description is just what we’ve always heard, and that window, they say, was just where he used to sit and think, and think, when he was alive, and sometimes, they say, to cry for hours together.”

“And would you feel afraid if you had seen him?” I asked, for the girl seemed strangely moved and interested in the whole story.

“I think so,” she answered timidly. “Surely, if he spoke to me. He did speak to you, didn’t he, sir?” she asked after a slight pause.

“He said he had come for someone.”

“Come for someone,” she repeated. “Did he say–” she went on falteringly.

“No, he did not say for whom,” I said quickly, noticing the sudden shadow on her face and the tremulous voice.

“Are you really sure, sir?”

“Oh, quite sure,” I answered cheerfully. “I did not even ask him.” The girl looked at me steadily for nearly a whole minute as though there were many things she wished to tell me or to ask. But she said nothing, and presently picked up her tray from the table and walked slowly out of the room.

Instead of keeping to my original purpose and pushing on to the next village over the hills, I ordered a room to be prepared for me at the inn, and that afternoon I spent wandering about the fields and lying under the fruit trees, watching the white clouds sailing out over the sea. The Wood of the Dead I surveyed from a distance, but in the village I visited the stone erected to the memory of the “Father of the Village”–who was thus, evidently, no mythical personage–and saw also the monuments of his fine unselfish spirit: the schoolhouse he built, the library, the home for the aged poor, and the tiny hospital.

That night, as the clock in the church tower was striking half-past eleven, I stealthily left the inn and crept through the dark orchard and over the hayfield in the direction of the hill whose southern slope was clothed with the Wood of the Dead. A genuine interest impelled me to the adventure, but I also was obliged to confess to a certain sinking in my heart as I stumbled along over the field in the darkness, for I was approaching what might prove to be the birth-place of a real country myth, and a spot already lifted by the imaginative thoughts of a considerable number of people into the region of the haunted and ill-omened.

The inn lay below me, and all round it the village clustered in a soft black shadow unrelieved by a single light. The night was moonless, yet distinctly luminous, for the stars crowded the sky. The silence of deep slumber was everywhere; so still, indeed, that every time my foot kicked against a stone I thought the sound must be heard below in the village and waken the sleepers.

I climbed the hill slowly, thinking chiefly of the strange story of the noble old man who had seized the opportunity to do good to his fellows the moment it came his way, and wondering why the causes that operate ceaselessly behind human life did not always select such admirable instruments. Once or twice a night-bird circled swiftly over my head, but the bats had long since gone to rest, and there was no other sign of life stirring.

Then, suddenly, with a singular thrill of emotion, I saw the first trees of the Wood of the Dead rise in front of me in a high black wall. Their crests stood up like giant spears against the starry sky; and though there was no perceptible movement of the air on my cheek I heard a faint, rushing sound among their branches as the night breeze passed to and fro over their countless little needles. A remote, hushed murmur rose overhead and died away again almost immediately; for in these trees the wind seems to be never absolutely at rest, and on the calmest day there is always a sort of whispering music among their branches.

For a moment I hesitated on the edge of this dark wood, and listened intently. Delicate perfumes of earth and bark stole out to meet me. Impenetrable darkness faced me. Only the consciousness that I was obeying an order, strangely given, and including a mighty privilege, enabled me to find the courage to go forward and step in boldly under the trees.

Instantly the shadows closed in upon me and “something” came forward to meet me from the centre of the darkness. It would be easy enough to meet my imagination half-way with fact, and say that a cold hand grasped my own and led me by invisible paths into the unknown depths of the grove; but at any rate, without stumbling, and always with the positive knowledge that I was going straight towards the desired object, I pressed on confidently and securely into the wood. So dark was it that, at first, not a single star-beam pierced the roof of branches overhead; and, as we moved forward side by side, the trees shifted silently past us in long lines, row upon row, squadron upon squadron, like the units of a vast, soundless army.

And, at length, we came to a comparatively open space where the trees halted upon us for a while, and, looking up, I saw the white river of the sky beginning to yield to the influence of a new light that now seemed spreading swiftly across the heavens.

“It is the dawn coming,” said the voice at my side that I certainly recognised, but which seemed almost like a whispering from the trees, “and we are now in the heart of the Wood of the Dead.”

We seated ourselves on a moss-covered boulder and waited the coming of the sun. With marvellous swiftness, it seemed to me, the light in the east passed into the radiance of early morning, and when the wind awoke and began to whisper in the tree tops, the first rays of the risen sun fell between the trunks and rested in a circle of gold at our feet.

“Now, come with me,” whispered my companion in the same deep voice, “for time has no existence here, and that which I would show you is already there!”

We trod gently and silently over the soft pine needles. Already the sun was high over our heads, and the shadows of the trees coiled closely about their feet. The wood became denser again, but occasionally we passed through little open bits where we could smell the hot sunshine and the dry, baked pine needles. Then, presently, we came to the edge of the grove, and I saw a hayfield lying in the blaze of day, and two horses basking lazily with switching tails in the shafts of a laden hay-waggon.

So complete and vivid was the sense of reality, that I remember the grateful realisation of the cool shade where we sat and looked out upon the hot world beyond.

The last pitchfork had tossed up its fragrant burden, and the great horses were already straining in the shafts after the driver, as he walked slowly in front with one hand upon their bridles. He was a stalwart fellow, with sunburned neck and hands. Then, for the first time, I noticed, perched aloft upon the trembling throne of hay, the figure of a slim young girl. I could not see her face, but her brown hair escaped in disorder from a white sun-bonnet, and her still browner hands held a well-worn hay rake. She was laughing and talking with the driver, and he, from time to time, cast up at her ardent glances of admiration–glances that won instant smiles and soft blushes in response.

The cart presently turned into the roadway that skirted the edge of the wood where we were sitting. I watched the scene with intense interest and became so much absorbed in it that I quite forgot the manifold, strange steps by which I was permitted to become a spectator.

“Come down and walk with me,” cried the young fellow, stopping a moment in front of the horses and opening wide his arms. “Jump! and I’ll catch you!”

“Oh, oh,” she laughed, and her voice sounded to me as the happiest, merriest laughter I had ever heard from a girl’s throat. “Oh, oh! that’s all very well. But remember I’m Queen of the Hay, and I must ride!”

“Then I must come and ride beside you,” he cried, and began at once to climb up by way of the driver’s seat. But, with a peal of silvery laughter, she slipped down easily over the back of the hay to escape him, and ran a little way along the road. I could see her quite clearly, and noticed the charming, natural grace of her movements, and the loving expression in her eyes as she looked over her shoulder to make sure he was following. Evidently, she did not wish to escape for long, certainly not for ever.

In two strides the big, brown swain was after her, leaving the horses to do as they pleased. Another second and his arms would have caught the slender waist and pressed the little body to his heart. But, just at that instant, the old man beside me uttered a peculiar cry. It was low and thrilling, and it went through me like a sharp sword.

HE had called her by her own name–and she had heard.

For a second she halted, glancing back with frightened eyes. Then, with a brief cry of despair, the girl swerved aside and dived in swiftly among the shadows of the trees.

But the young man saw the sudden movement and cried out to her passionately–

“Not that way, my love! Not that way! It’s the Wood of the Dead!”

She threw a laughing glance over her shoulder at him, and the wind caught her hair and drew it out in a brown cloud under the sun. But the next minute she was close beside me, lying on the breast of my companion, and I was certain I heard the words repeatedly uttered with many sighs: “Father, you called, and I have come. And I come willingly, for I am very, very tired.”

At any rate, so the words sounded to me, and mingled with them I seemed to catch the answer in that deep, thrilling whisper I already knew: “And you shall sleep, my child, sleep for a long, long time, until it is time for you to begin the journey again.”

In that brief second of time I had recognised the face and voice of the inn-keeper’s daughter, but the next minute a dreadful wail broke from the lips of the young man, and the sky grew suddenly as dark as night, the wind rose and began to toss the branches about us, and the whole scene was swallowed up in a wave of utter blackness.

Again the chill fingers seemed to seize my hand, and I was guided by the way I had come to the edge of the wood, and crossing the hayfield still slumbering in the starlight, I crept back to the inn and went to bed.

A year later I happened to be in the same part of the country, and the memory of the strange summer vision returned to me with the added softness of distance. I went to the old village and had tea under the same orchard trees at the same inn.

But the little maid of the inn did not show her face, and I took occasion to enquire of her father as to her welfare and her whereabouts.

“Married, no doubt,” I laughed, but with a strange feeling that clutched at my heart.

“No, sir,” replied the inn-keeper sadly, “not married–though she was just going to be–but dead. She got a sunstroke in the hayfields, just a few days after you were here, if I remember rightly, and she was gone from us in less than a week.”

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The Kit-Bag by Algernon Blackwood

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When the words ‘Not Guilty’ sounded through the crowded courtroom that dark December afternoon, Arthur Wilbraham, the great criminal KC, and leader for the triumphant defence, was represented by his junior; but Johnson, his private secretary, carried the verdict across to his chambers like lightning.

‘It’s what we expected, I think,’ said the barrister, without emotion; ‘and, personally, I am glad the case is over.’ There was no particular sign of pleasure that his defence of John Turk, the murderer, on a plea of insanity, had been successful, for no doubt he felt, as everybody who had watched the case felt, that no man had ever better deserved the
gallows.

‘I’m glad too,’ said Johnson. He had sat in the court for ten days watching the face of the man who had carried out with callous detail one of the most brutal and cold-blooded murders of recent years.

Be counsel glanced up at his secretary. They were more than employer and employed; for family and other reasons, they were friends. ‘Ah, I remember; yes,’ he said with a kind smile, ‘and you want to get away for Christmas? You’re going to skate and ski in the Alps, aren’t you? If I was your age I’d come with you.’

Johnson laughed shortly. He was a young man of twenty-six, with a delicate face like a girl’s. ‘I can catch the morning boat now,’ he said; ‘but that’s not the reason I’m glad the trial is over. I’m glad it’s over because I’ve seen the last of that man’s dreadful face. It positively haunted me. Bat white skin, with the black hair brushed low over the
forehead, is a thing I shall never forget, and the description of the way the dismembered body was crammed and packed with lime into that–‘

‘Don’t dwell on it, my dear fellow,’ interrupted the other, looking at him curiously out of his keen eyes, ‘don’t think about it. Such pictures have a trick of coming back when one least wants them.’ He paused a moment. ‘Now go,’ he added presently, ‘and enjoy your holiday. I shall want all your energy for my Parliamentary work when you get back. And don’t break your neck skiing.’

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Johnson shook hands and took his leave. At the door he turned suddenly.

‘I knew there was something I wanted to ask you,’ he said. ‘Would you mind lendang me one of your kit-bags? It’s too late to get one tonight, and I leave in the morning before the shops are open.’

‘Of course; I’ll send Henry over with it to your rooms. You shall have it the moment I get home.’

‘I promise to take great care of it,’ said Johnson gratefully, delighted to think that within thirty hours he would be nearing the brilliant sunshine of the high Alps in winter. Be thought of that criminal court was like an evil dream in his mind.

He dined at his club and went on to Bloomsbury, where he occupied the top floor in one of those old, gaunt houses in which the rooms are large and lofty. The floor below his own was vacant and unfurnished, and below that were other lodgers whom he did not know. It was cheerless, and he looked forward heartily to a change. The night was even more cheerless: it was miserable, and few people were about. A cold, sleety rain was driving down the streets before the keenest east wind he had ever felt. It howled dismally among the big, gloomy houses of the great squares, and when he reached his rooms he heard it whistling and shouting over the world of black roofs beyond his windows.

In the hall he met his landlady, shading a candle from the draughts with her thin hand. ‘This come by a man from Mr Wilbr’im’s, sir.’

She pointed to what was evidently the kit-bag, and Johnson thanked her and took it upstairs with him. ‘I shall be going abroad in the morning for ten days, Mrs Monks,’ he said. ‘I’ll leave an address for letters.’

‘And I hope you’ll ‘ave a merry Christmas, sir,’ she said, in a raucous, wheezy voice that suggested spirits, ‘and better weather than this.’

‘I hope so too,’ replied her lodger, shuddering a little as the wind went roaring down the street outside.

When he got upstairs he heard the sleet volleying against the window panes. He put his kettle on to make a cup of hot coffee, and then set about putting a few things in order for his absence. ‘And now I must pack–such as my packing is,’ he laughed to himself, and set to work at once.

He liked the packing, for it brought the snow mountains so vividly before him, and made him forget the unpleasant scenes of the past ten days. Besides, it was not elaborate in nature. His fraend had lent him the very thing–a stout canvas kit-bag, sack-shaped, with holes round the neck for the brass bar and padlock. It was a bit shapeless, true, and not
much to look at, but its capacity was unlimited, and there was no need to pack carefully. He shoved in his waterproof coat, his fur cap and gloves, his skates and climbing boots, his sweaters, snow-boots, and ear-caps; and then on the top of these he piled his woollen shirts and underwear, his thick socks, puttees, and knickerbockers. The dress suit came next, in case the hotel people dressed for dinner, and then, thinking of the best way to pack his white shirts, he paused a moment to reflect. ‘Bat’s the worst of these kit-bags,’ he mused vaguely, standing in the centre of the sitting-room, where he had come to fetch some string.

It was after ten o’clock. A furious gust of wind rattled the windows as though to hurry him up, and he thought with pity of the poor Londoners whose Christmas would be spent in such a climate, whilst he was skimming over snowy slopes in bright sunshine, and dancing in the evening with rosy-checked girls–Ah! that reminded him; he must put in his dancing-pumps and evening socks. He crossed over from his sitting-room to the cupboard on the landing where he kept his linen.

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And as he did so he heard someone coming softly up the stairs.

He stood still a moment on the landing to listen. It was Mrs Monks’s step, he thought; she must he coming up with the last post. But then the steps ceased suddenly, and he heard no more. They were at least two flights down, and he came to the conclusion they were too heavy to be those of his bibulous landlady. No doubt they belonged to a late lodger who had mistaken his floor. He went into his bedroom and packed his pumps and dress-shirts as best he could.

Be kit-bag by this time was two-thirds full, and stood upright on its own base like a sack of flour. For the first time he noticed that it was old and dirty, the canvas faded and worn, and that it had obviously been subjected to rather rough treatment. It was not a very nice bag to have sent him–certainly not a new one, or one that his chief valued. He gave the matter a passing thought, and went on with his packing. Once or twice, however, he caught himself wondering who it could have been wandering down below, for Mrs Monks had not come up with letters, and the floor was empty and unfurnished. From time to time, moreover, he was almost certain he heard a soft tread of someone padding about over the bare boards–cautiously, stealthily, as silently as possible–and, further, that the sounds had been lately coming distinctly nearer.

For the first time in his life he began to feel a little creepy. Then, as though to emphasize this feeling, an odd thing happened: as he left the bedroom, having, just packed his recalcitrant white shirts, he noticed that the top of the kit-bag lopped over towards him with an extraordinary resemblance to a human face. Be camas fell into a fold like a nose and forehead, and the brass rings for the padlock just filled the position of the eyes. A shadow–or was it a travel stain? for he could not tell exactly–looked like hair. It gave him rather a turn, for it was so absurdly, so outrageously, like the face of John Turk the murderer.

He laughed, and went into the front room, where the light was stronger.

‘That horrid case has got on my mind,’ he thought; ‘I shall be glad of a change of scene and air.’ In the sitting-room, however, he was not pleased to hear again that stealthy tread upon the stairs, and to realize that it was much closer than before, as well as unmistakably real. And this time he got up and went out to see who it could be creeping about on the upper staircase at so late an hour.

But the sound ceased; there was no one visible on the stairs. He went to the floor below, not without trepidation, and turned on the electric light to make sure that no one was hiding in the empty rooms of the unoccupied suite. There was not a stick of furniture large enough to hide a dog. Then he called over the banisters to Mrs Monks, but there was no answer, and his voice echoed down into the dark vault of the house, and was lost in the roar of the gale that howled outside. Everyone was in bed and asleep–everyone except himself and the owner of this soft and stealthy tread.

‘My absurd imagination, I suppose,’ he thought. ‘It must have been the wind after all, although–it seemed so very real and close, I thought.’ He went back to his packing. It was by this time getting on towards midnight. He drank his coffee up and lit another pipe–the last before turning in.

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It is difficult to say exactly at what point fear begins, when the causes of that fear are not plainly before the eyes. Impressions gather on the surface of the mind, film by film, as ice gathers upon the surface of still water, but often so lightly that they claim no definite recognation from the consciousness. Then a point is reached where the accumulated impressions become a definite emotion, and the mind realizes that something has happened. With something of a start, Johnson suddenly recognized that he felt nervous–oddly nervous; also, that for some time past the causes of this feeling had been gathering slowly in has mind, but that he had only just reached the point where he was forced to acknowledge them.

It was a singular and curious malaise that had come over him, and he hardly knew what to make of it. He felt as though he were doing something that was strongly objected to by another person, another person, moreover, who had some right to object. It was a most disturbing and disagreeable feeling, not unlike the persistent promptings of conscience: almost, in fact, as if he were doing something he knew to be wrong. Yet,
though he searched vigorously and honestly in his mind, he could nowhere lay his finger upon the secret of this growing uneasiness, and it perplexed him. More, it distressed and frightened him.

‘Pure nerves, I suppose,’ he said aloud with a forced laugh. ‘Mountain air will cure all that! Ah,’ he added, still speaking to himself, ‘and that reminds me–my snow-glasses.’

He was standing by the door of the bedroom during this brief soliloquy, and as he passed quickly towards the sitting-room to fetch them from the cupboard he saw out of the corner of his eye the indistinct outline of a figure standing on the stairs, a few feet from the top. It was someone in a stooping position, with one hand on the banisters, and the face peering up towards the landing. And at the same moment he heard a shuffling footstep. The person who had been creeping about below all this time had at last come up to his own floor. Who in the world could it be? And what in the name of Heaven did he want?

Johnson caught his breath sharply and stood stock still. Then, after a few seconds’ hesitation, he found his courage, and turned to investigate. Be stairs, he saw to his utter amazement, were empty; there was no one. He felt a series of cold shivers run over him, and something about the muscles of his legs gave a little and grew weak. For the space of several minutes he peered steadily into the shadows that congregated about the top of the staircase where he had seen the figure, and then he walked fast–almost ran, in fact–into the light of the front room; but hardly had he passed inside the doorway when he heard someone come up the stairs behind him with a quick bound and go swiftly into his bedroom. It was a heavy, but at the same time a stealthy footstep–the tread of somebody who did not wish to be seen. And it was at this precise moment that the nervousness he had hitherto experienced leaped the boundary line, and entered the state of fear, almost of acute, unreasoning fear. Before it turned into terror there was a further boundary to cross, and beyond that again lay the region of pure horror. Johnson’s position was an unenviable one.

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By Jove! That was someone on the stairs, then,’ he muttered, his flesh crawling all over; ‘and whoever it was has now gone into my bedroom.’ His delicate, pale face turned absolutely white, and for some minutes he hardly knew what to think or do. Then he realized intuitively that delay only set a premium upon fear; and he crossed the landing boldly and went straight into the other room, where, a few seconds before, the steps had
disappeared.

‘Who’s there? Is that you, Mrs Monks?’ he called aloud, as he went, and heard the first half of his words echo down the empty stairs, while the second half fell dead against the curtains in a room that apparently held no other human figure than his own.

‘Who’s there?’ he called again, in a voice unnecessarily loud and that only just held firm. ‘What do you want here?’

The curtains swayed very slightly, and, as he saw it, his heart felt as if it almost missed a beat; yet he dashed forward and drew them aside with a rush. A window, streaming with rain, was all that met his gaze. He continued his search, but in vain; the cupboards held nothing but rows of clothes, hanging motionless; and under the bed there was no sign of
anyone hiding. He stepped backwards into the middle of the room, and, as he did so, something all but tripped him up. Turning with a sudden spring of alarm he saw–the kit-bag.

‘Odd!’ he thought. ‘That’s not where I left it!’ A few moments before it had surely been on his right, between the bed and the bath; he did not remember having moved it. It was very curious. What in the world was the matter with everything? Were all his senses gone queer? A terrific gust of wind tore at the windows, dashing the sleet against the glass with the force of small gunshot, and then fled away howling dismally over the waste of Bloomsbury roofs. A sudden vision of the Channel next day rose in his mind and recalled him sharply to realities.

There’s no one here at any rate; that’s quite clear!’ he exclaimed aloud. Yet at the time he uttered them he knew perfectly well that his words were not true and that he did not believe them himself. He felt exactly as though someone was hiding close about him, watching all his movements, trying to hinder his packing in some way. ‘And two of my senses,’ he added, keeping up the pretence, ‘have played me the most absurd tricks: the steps I heard and the figure I saw were both entirely imaginary.’

He went hack to the front room, poked the fire into a blaze, and sat down before it to think. What impressed him more than anything else was the fact that the kit-bag was no longer where he had left at. It had been dragged nearer to the door.

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What happened afterwards that night happened, of course, to a man already excited by fear, and was perceived by a mand that had not the full and proper control, therefore, of the senses. Outwardly, Johson remained calm and master of himself to the end, pretending to the very last that everything he witnessed had a natural explanation, or was merely delusions of his tired nerves. But inwardly, in his very heart, he knew all along that someone had been hiding downstairs in the empty suite when he came in, that this person had watched his opportunity and then stealthily made his way up to the bedroom, and that all he saw and heard afterwards, from the moving of the kit-bag to–well, to the other things this story has to tell–were caused directly by the presence of this
invisible person.

And it was here, just when he most desired to keep his mind and thoughts controlled, that the vivid pictures received day after day upon the mental plates exposed in the courtroom of the Old Bailey, came strongly to light and developed themselves in the dark room of his inner vision. Unpleasant, haunting memories have a way of coming to life again just when the mind least desires them–in the silent watches of the night, on
sleepless pillows, during the lonely hours spent by sick and dying beds. And so now, in the same way, Johnson saw nothing but the dreadful face of John Turk, the murderer, lowering at him from every corner of his mental field of vision; the white skin, the evil eyes, and the fringe of black hair low over the forehead. All the pictures of those ten days in court crowded back into his mind unbidden, and very vivid.

‘This is all rubbish and nerves,’ he exclaimed at length, springing with sudden energy from his chair. ‘I shall finish my packing and go to bed. I’m overwrought, overtired. No doubt, at this rate I shall hear steps and things all night!’

But his face was deadly white all the same. He snatched up his field-glasses and walked across to the bedroom, humming a music-hall song as he went–a trifle too loud to be natural; and the instant he crossed the threshold and stood within the room something turned cold about his heart, and he felt that every hair on his head stood up.

The kit-bag lay close in front of him, several feet nearer to the door than he had left it, and just over its crumpled top he saw a head and face slowly sinking down out of sight as though someone were crouching behind it to hide, and at the same moment a sound like a long-drawn sigh was distinctly audible in the still air about him between the gusts of the storm outside.

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Johnson had more courage and will-power than the girlish indecision of his face indicated; but at first such a wave of terror came over him that for some seconds he could do nothing but stand and stare. A violent trembling ran down his back and legs, and he was conscious of a foolish, almost a hysterical, impulse to scream aloud. That sigh seemed in his very ear, and the air still quivered with it. It was unmistakably a human sigh.

‘Who’s there?’ he said at length, findinghis voice; but thought he meant to speak with loud decision, the tones came out instead in a faint whisper, for he had partly lost the control of his tongue and lips.

He stepped forward, so that he could see all round and over the kit-bag. Of course there was nothing there, nothing but the faded carpet and the bulgang canvas sides. He put out his hands and threw open the mouth of the sack where it had fallen over, being only three parts full, and then he saw for the first time that round the inside, some six inches from the top, there ran a broad smear of dull crimson. It was an old and faded blood stain. He uttered a scream, and drew hack his hands as if they had been burnt. At the same moment the kit-bag gave a faint, but unmistakable, lurch forward towards the door.

Johnson collapsed backwards, searching with his hands for the support of something solid, and the door, being further behind him than he realized, received his weight just in time to prevent his falling, and shut to with a resounding bang. At the same moment the swinging of his left arm accidentally touched the electric switch, and the light in the room went out.

It was an awkward and disagreeable predicament, and if Johnson had not been possessed of real pluck he might have done all manner of foolish things. As it was, however, he pulled himself together, and groped furiously for the little brass knob to turn the light on again. But the rapid closing of the door had set the coats hanging on it a-swinging, and his fingers became entangled in a confusion of sleeves and pockets, so that it was some moments before he found the switch. And in those few moments of bewilderment and terror two things happened that sent him beyond recall over the boundary into the region of genuine horror–he distinctly heard the kit-bag shuffling heavily across the floor in jerks, and close in front of his face sounded once again the sigh of a human being.

In his anguished efforts to find the brass button on the wall he nearly scraped the nails from his fingers, but even then, in those frenzied moments of alarm–so swift and alert are the impressaons of a mand keyed-up by a vivid emotion–he had time to realize that he dreaded the return of the light, and that it might be better for him to stay hidden
in the merciful screen of darkness. It was but the impulse of a moment, however, and before he had time to act upon it he had yielded automatically to the original desire, and the room was flooded again with light.

But the second instinct had been right. It would have been better for him to have stayed in the shelter of the kind darkness. For there, close before him, bending over the half-packed kit-bag, clear as life in the merciless glare of the electric light, stood the figure of John Turk, the murderer. Not three feet from him the man stood, the fringe of black hair marked plainly against the pallor of the forehead, the whole horrible presentment of the scoundrel, as vivid as he had seen him day after day in the Old Bailey, when he stood there in the dock, cynical and callous, under the very shadow of the gallows.

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In a flash Johnson realized what it all meant: the dirty and much-used bag; the smear of crimson within the top; the dreadful stretched condition of the bulging sides. He remembered how the victim’s body had been stuffed into a canvas bag for burial, the ghastly, dismembered fragments forced with lime into this very bag; and the bag itself
produced as evidence–it all came back to him as clear as day…

Very softly and stealthily his hand groped behind him for the handle of the door, but before he could actually turn it the very thing that he most of all dreaded came about, and John Turk lifted his devil’s face and looked at him. At the same moment that heavy sigh passed through the air of the room, formulated somehow into words: It’s my bag. And I want it.’

Johnson just remembered clawing the door open, and then falling in a heap upon the floor of the landing, as he tried frantically to make his way into the front room.

He remained unconscious for a long time, and it was still dark when he opened his eyes and realized that he was lying, stiff and bruised, on the cold boards. Then the memory of what he had seen rushed back into his mind, and he promptly fainted again. When he woke the second time the wintry dawn was just beginning to peep in at the windows, painting the stairs a cheerless, dismal grey, and he managed to crawl into the front room, and cover himself with an overcoat in the armchair, where at length he fell asleep.

A great clamour woke him. He recognized Mrs Monks’s voice, loud and voluble.

‘What! You ain’t been to bed, sir! Are you ill, or has anything ‘appened? And there’s an urgent gentleman to see you, though it ain’t seven o’clock yet, and–‘

‘Who is it?’ he stammered. ‘I’m all right, thanks. Fell asleep in my chair, I suppose.’

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‘Someone from Mr Wilb’rim’s, and he says he ought to see you quick before you go abroad, and I told him–‘

‘Show him up, please, at once,’ said Johnson, whose head was whirling, and his mind was still full of dreadful visions.

Mr Wilbraham’s man came in with many apologies, and explained briefly and quickly that an absurd mistake had been made, and that the wrong kit-bag had been sent over the night before.

‘Henry somehow got hold of the one that came over from the courtoom, and Mr Wilbraham only discovered it when he saw his own lying in his room, and asked why it had not gone to you,’ the man said.

‘Oh!’ said Johnson stupidly.

‘And he must have brought you the one from the murder case instead, sir, I’m afraid,’ the man continued, without the ghost of an expression on his face. ‘The one John Turk packed the dead both in. Mr Wilbraham’s awful upset about it, sir, and told me to come over first thing this morning with the right one, as you were leaving by the boat.’

He pointed to a clean-looking kit-bag on the floor, which he had just brought. ‘And I was to bring the other one back, sir,’ he added casually.

For some minutes Johnson could not find his voice. At last he pointed in the direction of his bedroom. ‘Perhaps you would kindly unpack it for me. Just empty the things out on the floor.’

The man disappeared into the other room, and was gone for five minutes. Johnson heard the shifting to and fro of the bag, and the rattle of the skates and boots being unpacked.

‘Thank you, sir,’ the man said, returning with the bag folded over his arm. ‘And can I do anything more to help you, sir?’

‘What is it?’ asked Johnson, seeing that he still had something he wished to say.

The man shuffled and looked mysterious. ‘Beg pardon, sir, but knowing your interest in the Turk case, I thought you’d maybe like to know what’s happened–‘

‘Yes.’

‘John Turk killed hisself last night with poison immediately on getting his release, and he left a note for Mr Wilbraham saying as he’d be much obliged if they’d have him put away, same as the woman he murdered, in the old kit-hag.’

‘What time–did he do it?’ asked Johnson.

‘Ten o’clock last night, sir, the warder says.’

THE END

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