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Cheuksin (厠神): South Korea’s Vengeful Toilet Goddess

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One of the most evil house deities in Korean Folklore is the spirit said to haunt the toilets. If you don’t enter respectfully, Cheuksin will wrap her long hair around your neck and strangle you to death when you are at your most vulnerable, at the toilet.

Ah, public restrooms—the universal hotspot for supernatural nightmares. If you thought Japan had a monopoly on haunted bathrooms with Aka Manto and Hanako-san, think again. South Korea has its own toilet deity, and she is angry, violent, and living in the filthiest stall with a grudge and murderous intent.

Read Also: Check out all ghost stories from Korea

Cheuksin (厠神), the goddess of outhouses and one of the most terrifying spirits in Korean folklore from a time when the toilets were darker, colder and outside of the family home. She doesn’t ask you cryptic questions like Aka Manto, and she doesn’t just make eerie noises like some wimpy poltergeist. No, Cheuksin takes her haunting to a whole new level—with murderous rage, long snake-like hair, and an explosive temper.

Feature Image: Sammi Sparke

The Legend: The Goddess of the Outhouse

Long before modern indoor plumbing, Korean households relied on outhouses—small, isolated structures separate from the main house. People have always felt rather vulnerable when sitting on the toilet, more exposed and afraid. And because old-school Korean outhouses were dark, eerie, and full of filth, naturally, something terrifying had to live there.

Enter Cheuksin, the guardian of restrooms, the queen of the latrine, and the nightmare of anyone with a weak bladder. Her worship is a minor part of the Gashin cult, and she is not the best known household deity. There were no gut, or shamanistic rituals dedicated to Cheuksin, unlike the other household deities. This was because she was said to be an evil and malevolent spirit, more like a toilet ghost than a goddess, really. 

The entity is said to have several names throughout the years and places. She was called Cheukganshin (측간신), Byeonso Gwishin (변소 귀신), Dwitgan Gwishin (뒷간 귀신), Buchul Gaxi (부출 각시), Chikdo Buin (칙도 부인) and Chigwi (치귀) among other things.

She is said to appear as a young girl, something she is said to have been once, her hair 150 cm long and she is said to spend her time counting her strands of hair, furious to be exiled to live as a toilet ghost in the outhouse. In the original texts it was said she was pictured as a concubine in fancy clothing, but today Cheuksin is mostly pictured as a ghost in white like the Korean Virgin Ghosts.

Read Also: The Korean Virgin Ghost

The bloody version: The virgin ghost has evolved into a more bloody and violent ghost than before. She is also said to be the visual image people picture when describing ghosts like Cheuksin as well. // Source: Screengrab from Hometown Legends: Gisaeng House Ghost Story.

When the toilet ghost appeared, Koreans tended to avoid the toilet for three days during the year, when the date had a number six in them. Like on the sixth, the sixteenth and twenty-sixth day in the lunar calendar. Or when someone dropped a shoe or a child fell into the pit toilet. Or even when she was just angry for some reason. 

When this happened, Koreans held a ritual called jesas dedicated to the toilet ghost, often offering Tteok, meaning dung rice cake or nonglutinous rice, all thought to banish evil spirits. This also happened when a pig got sick or when they built the outhouse. 

Jesa Ceremony: The ancestral rituals known as Jesa in Korean, have been practiced since the legendary Dangun era in ancient Korea. Today, Jesa functions as a memorial to the ancestors of the participants. Jesa are usually held on the anniversary of the ancestor’s death.

She was a dangerous Gashin, or household deities and hated children. She liked to push them into the pit toilet. If a jesa wasn’t done at once to appease her, the child who was pushed into the pit would live to grow up. 

Cheuksin was believed to embody a trip of cloth or white paper on the outhouse ceiling. She lurks above, watching and waiting for foolish mortals who dare to enter. 

When entering the outhouse, you should cough three times. Cheuksin was known to use her long hair to attack the intruder if not, her snake-like hair slithering down from the ceiling. She waited until her victim was at the most vulnerable and wrapped her long hair around the neck and strangled those who offended her to death. If she touched you with the hair, you would grow sick and die, and no mudang or shaman could help you. 

If you somehow escape her initial attack, don’t think you’re safe. Cheuksin can curse you, ensuring you suffer horrific misfortune after leaving her domain. People who mock her or forget to show respect often find themselves falling mysteriously ill or suffering from severe accidents.

Origins: Where Did This Nightmare Come From?

Cheuksin is deeply rooted in Korean shamanism and folklore, dating back centuries. She was once considered a household deity, part of the Gasin (家神), the family guardian spirits that protected different parts of the home. They each had their rites and their purpose and was worshiped for a long time. Today however the tradition is mostly died out, although there are some traces of it still lingering, mostly as ghost stories.

“Female Mou-dang (shaman) dancing for deities”(무녀신춤)

The Genshi gods is found in The Munjeon Bonpuri (Korean: 문전본풀이), meaning ‘‘Book of the Door’, and is a myth of Jeju Island regarding the deities that are believed to reside within the house. In this story, the whole lists of household deities are presented as they were once human, alive and well, until they ended up as lingering spirits.

Read Also: The Haunting on Jeju Island

And what about Cheuksin? Who did she use to be?

How a Woman Became The Toilet Goddess – The Munjeon Bonpuri

Noiljadae is the ultimate villainess of this tragic Korean folktale, and let’s be honest—she’s as cunning as she is cruel. She starts as a charming innkeeper’s daughter who seduces the gullible Namseonbi, convincing him to squander his wealth on wine and gambling. She doesn’t know it yet, but she will end up becoming the famed toilet spirit of the nation. When her lover is broke and useless, she kicks him to the curb, leaving him to go blind and starve in a filthy shack—a classic case of “used and discarded.”

But Noiljadae isn’t done yet. When Namseonbi’s devoted wife, Yeosan Buin, comes to rescue him, Noiljadae lures her to a bottomless icy lake and drowns her. She then assumes Yeosan Buin’s identity, thinking she’s about to live a lavish life with Namseonbi’s family. Unfortunately for her, the youngest son, Nokdisaengin, is no fool. He quickly sees through her lies and sets a clever trap: when she demands his liver as a cure for her fake illness, he tricks her into eating a boar’s liver instead. When she pretends to be miraculously healed, her deception is exposed, and her fate is sealed. Cornered, she hangs herself in the bathroom.

For her wickedness, Noiljadae is cursed to become Cheuksin, the vengeful toilet goddess, forever banished to the filthiest corner of the household. Being exposed by a child, field her hatred for them. Her enmity with the resurrected Yeosan Buin, now the kitchen goddess Jowangsin, creates a divine grudge match, leading to a long-standing Korean taboo: never place the bathroom next to the kitchen. Because even in death, Noiljadae’s spite lingers.

The Toilet Goddess in the Modern World

While other spirits, like the Jowangsin (kitchen god) or Seongjushin (house god), were worshiped with offerings and prayers, Cheuksin was more of a necessary evil. You didn’t worship her—you feared her.

Her job? To maintain order in the filthiest part of the house. If people disrespected the restroom, she would punish them. If they followed the rules, she would simply remain unseen.

Cheuksin has a lot of similarities with the Chinese Toilet Goddess, although the Chinese poets treated her legacy a little bit kinder. In both the stories, she was a concubine, or mistress, and died in the toilet, forever to haunt it. Except that in China, the goddess was worshiped and revered, while in Korea she was just… well. feared. 

Read more: Zigu (紫姑): The Lady of the Latrine – China’s Most Unsettling Restroom Ghost and Goddess 

But as Korea modernized and outhouses became a thing of the past, Cheuksin faded from common belief to a mere whisper of a good ghost story. Still, some old buildings and rural areas are said to be haunted by her, especially in places where old traditions still linger.

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References:

Cheuksin: The Chilling Tale of Korea’s Outhouse Goddess — The Kraze

측신 – 위키백과, 우리 모두의 백과사전

정랑각시 – 나무위키 

Munjeon bon-puri – Wikipedia

A Ghost Tale Of Two Sisters — The Legend of Janghwa and Hongryeon

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The tale of the two sisters, Janghwa and Hongryeon that turned into virgin ghosts, is a classic Korean ghost story that continues to inspire and scare those who hear it and are trying to look down upon the seemingly innocent and helpless. 

The Korean Folktale and ghost legend of Janghwa Hongryeon jeon is one of Korea’s most well known ghost stories. The story means The Story of Janghwa and Hongryeon (장화홍련전) and originate in the Joseon-era, a five century lasting kingdom from the 1300s all the way to 1897 in Korea. When and who wrote the tale is unknown. 

Read Also: Check out all of our ghost stories from Korea

The tale of Janghwa and Hongryeon is a classic tale of an evil stepmother like in fairy tales like Cinderella, Snow White etc. But this Korean ghost story does not ending in the two sisters becoming princesses in any way, but how they died and became ghosts. The story is also a story about wrongly accused looking to set things straight, and that karma always will get you in the end. 

A Tale of Two Sisters Movie Adaptation

A lot of the reason why the ghost story is well known today, at least on a global scale is the critically acclaimed movie A Tale of Two Sisters.

Famous Story Turned Critically Acclaimed Movie: Many adaptation of the Korean ghost story about Janghwa and Hongryeon has been made over the years, showing that the story is an enduring and timeless one. // Screenshot from the movie, ‘A Tale of Two Sisters’.

The legend of Janghwa and Hongryeon has been remade to both k-dramas and movies many times with a new movie adaptation of the legend coming out almost once a decade. The most famous adaptation of this Korean ghost story is perhaps ‘A Tale of Two Sisters’ from 2003 by Kim Jee-Woon.

Read Also: Top Korean Horror TV-Series

Although it is based on the legend of Janghwa Hongryeon jeon, it is a very different story and situation with a more psychological emphasis on the story than the haunting elements. This also got an American remake in 2009 by The Guard Brothers called ‘The Uninvited’. 

But let us now have a look at the origin story about the two sisters from the classical folktale dating back to the Joseon area.

The Legend of Janghwa Hongryeon jeon

The Story of Janghwa and Hongryeon starts with a classical once upon a time. There once was a man named Bae Mu Ryong that lived in Chul-San-Gun in the Pyong-An province. This province is found in today’s North Korea. Bae Mu Ryong was a man of means and his business was going well. The only thorn in his side was that there were no children to pass his name onto. 

Bae Mu Ryong wife, Jang, once had a dream where she was given a beautiful flower by some form of celestial being. The wind blew and the flower turned into a beautiful girl. That is why she named her first born daughter, Janghwa, meaning Rose flower. Two years later they had another daughter they named Hongryeon, meaning red Lotus. And although the parents desperately wanted a son, they loved their daughter all the same. 

Read More: Check out more ghost stories about siblings like in The Lost Castle of Hollerwiese and The Wizard of West Bow and His House of Horrors

The mother died, however, of an illness when Hongryeon was only five years old without giving birth to a son. Their father chose to remarry to continue the family line. According to most versions, the new stepmother was both ugly and extremely mean to the two girls. She hated them, but hid her feelings away and pretended in front of the father that she loved the girls like her own children. That was until she had given birth to three sons and now had the upper hand in the household. Having sons gave her a great deal of power and she started to torment and abuse the daughters.

Joseon Family: During the Josean period, the clan structure became stricter and bloodline was very important. Family life was regulated by law and the most important possession for a Korean family was the firstborn son, or jangja (장자). It had always been the case, but neo-Confucianism strengthened the idea even further. It was so important that no man could die without having a male heir. If they were unable to produce one, they had to adopt as daughters like Janghwa and Hongryeon couldn’t inherit. Most of the wealth and land of the family was inherited by the firstborn son, with the other sons getting small portions; girls were denied any such rights.// Here a family portrait of a Korean family from ca. 1910.

Janghwa and Hongryeon never told their father about the abuse because they didn’t want him to worry, and the years went by under this torture and they constantly being in the shadows of their brothers. And like their mother, the sons followed in her evil steps and treated Janghwa and Hongryeon horribly.

The Wedding Plans and the Evil Plan

The torture of Janghwa and Hongryeon continued until Janghwa came of age and she got engaged to be married. She was told to be a great beauty, inside and out. She had fallen in love in her betrothed and she was thinking of planning the wedding soon. The stepmother was instructed to help her plan the wedding ceremony, which was something she refused to go through with. She couldn’t bear the idea that the family money that she considered her son’s future to be spent on those girls as their dowry. 

That is why the stepmother made her eldest son and confidant put a skinned and bloody rat in Janghwas bed while she was asleep. The eldest son was eager to help as it was he who was to inherit the money and felt as his mother, that they were wasted on his sisters. And the less that went to his sister, the more for himself.

Strict Rules: The rights of women in the Joseon area were reduced compared to previously areas. Women had to conform to Confucian ideals of purity and obedience. They were obliged to listen to their fathers, husbands, fathers-in-law and firstborn sons and couldn’t inherit. The reason was that marrying daughters off required expensive dowry and daughters were called dodungnyeo (도둑녀), “thieves”.

The next morning the stepmother brought the father to Janghwas room and showed the bloody mess to him. Without knowing the truth, the sight could have seen like a bloody miscarriage and that Janghwa wasn’t as pure as she perhaps seemed. The stepmother accused Janghwa for becoming pregnant out of wedlock and leading a sinful life. The father believed this no matter how much Janghwa tried to explain and took the stepmothers side. 

The stepmother showed the so-called fetus to the whole village so they could see what kind of woman Janghwa truly was. Without knowing what to do after being confused and humiliated, Janghwa ran out of the house to a small pond in the woods to calm down. The eldest son followed per the stepmother’s orders to push her into the pond to drown her. But as the brother was watching his little sister drown, suddenly a tiger attacked him, taking both a leg and an arm in the attack. 

So the stepmother got what she wanted, the death of her stepdaughter, but at the cost of her son’s well being. So she was far from pleased and turned her anger to Hongryeon, and the abuse got worse than ever. The little sister couldn’t bear the torment, especially without her sister and drowned herself in the same pond to join her sister and escape her hell. 

The Ghosts of Janghwa and Hongryeon

Strange happenings started to befall on the village after the death of Janghwa and Hongryeon. Whenever a new mayor was appointed to Chul-San-Gun to uphold justice, he was found dead soon after. Often even the following day after his arrival.

The virgin ghosts: Poster from the 1972 movie adaptation of the Korean ghost story, Janghwa Hongryeon jeon of the two sisters Janghwa and Hongryeon

These strange and mysterious deaths kept happening and although no one knew for sure about what was happening to the mayors of the town. Rumours started to spread throughout the village and most of the rumours were about Janghwa and Hongryeon that drowned in the pond and they were sure the sisters were the cause of it all. 

But things were about to change when the young mayor came to the village of Chul-San-Gun. The young mayor was well aware of the deaths of Janghwa and Hongryeon that had occured, but had no fear for his own life.

Sitting in his room at night, the candle was suddenly blown out, even though there was no windows or doors open. Horrible noises and screams from nowhere filled the room and the door flung open. The air itself became damp and a smell of moss slithered in like he was in the bottom of the pond himself.  

First he couldn’t see anyone in the darkness, but then the mayor saw two girls as the ghosts they were in front of him. He thought Janghwa and Hongryeon looked just like living human beings at first, but realised soon it had to be them haunting the place.

When the mayor asked them why Janghwa and Hongryeon had killed his predecessors, they started weeping, sick of people spreading false rumours about them, even after their death.

Janghwa told about the lies the stepmother had told about her and that all she wanted was the truth to be known. She had not been an unchaste woman that committed suicide out of shame, but that she had in fact been killed. The mayor asked for evidence and Janghwa told him to examine the fetus of the supposed miscarriage. 

The Truth of Janghwa and Hongryeon comes out

The very next morning the new mayor did just this and followed Janghwa and Hongryeon’s advice. When examined more closely, it was revealed that the supposed human fetus was in fact a rat. Both the stepmother and the eldest son that had played a part in her evil plan was sentenced to death. The father on the other side was let go as they thought he had also been deceived. And the tale of Janghwa and Hongryeon ended with justice, even though they had to die before it happened.

Read Also: Another Korean ghost story about a woman trying to solve her murder in her after life is in The Legend of Arang

Many years later, the father of Janghwa and Hongryeon remarried again, still not giving up on family life. In a dream he had on his wedding night, he saw his two daughters and they told him that everything was alright and as it should be, that they missed him and wanted to come back to him very soon. The wife of the third wife delivered twin girls and the father named them Janghwa and Hongryeon, and according to legend of Janghwa Hongryeon jeon, they lived happily ever after. 

The Korean Virgin Ghost of Janghwa Hongryeon jeon

The Tale of the two sisters Janghwa and Hongryeon is one of the most well known tales of the quintessential virgin ghost in Korean folktales. It is when unmarried women die before their wedding and the remorse of it all makes them into a vengeful ghost. Read more about them here:

The Korean Virgin Ghost

The Korean virgin ghost may be based on the ideals that all a woman needs is a husband, but the anger of these spirits tells of a woman with another purpose. And that is mostly vengeance. 

The ghost itself has gone through many changes throughout the ages since Janghwa Hongryeon jeon, and if anything, become more violent and bloody than in this classical Korean ghost story.

But nonetheless, the tale of the two sisters in Janghwa Hongryeon jeon keep on lingering in the back of Korean culture as an undying story with the two sister as a reminder that the truth will come out no matter what.  

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JangHwa HongRyeon | USC Digital Folklore Archives

Janghwa Hongryeon jeon

The Korean Virgin Ghost

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The Korean virgin ghost legends may be based on the ideals that all a woman needs is a husband, but the anger of these spirits tells of a woman with another purpose. And that is mostly vengeance. 

There are according to legend, several signs that can occur when encountering a Korean virgin ghost. The temperature may suddenly drop, the wind may change direction. And the eerie feeling of chills on your whole body will take hold. 

Read More: Check out all of our ghost stories from Korea

The Korean Virgin Ghost or Cheonyeogwisin (처녀귀신), in Korean, is one of those old legends in Korea that just won’t die, and so won’t the spirit either. The ghost is considered to be a staple of Korean ghost lore and is probably the most seen and used ghost in movies, books and good old ghost stories. They are originally from Korean folklore, but also make an appearance in modern urban legend and contemporary ghost stories as well. 

What is a Korean Virgin Ghost?

The legend of the virgin ghost in Korea is the belief that unmarried women that died before they were wed off, are so full of remorse they are unable to go on into the afterlife. The name was coined during a time where an unmarried woman was in theory the same as a virgin. And the reasoning and purpose of the ghosts are also modeled after very old and strict ideals of a woman. 

The legend of the unmarried ghosts is spurned after Confucian ideals of how to be a woman and the dangers when breaking the rules. In the old days, unmarried people were regarded almost as children and it was a shameful thing to be unmarried, especially for women. 

Women have always been told, or at least used to be told, that their purpose in life was to first serve their father, then marry and serve their husband and then have children to serve. And if she died before fulfilling her purpose, her life would have been meaningless and she could turn into a virgin ghost, haunting empty houses and buildings, schools and forests.  

But when we take a closer look at the legends of the supposed virgin ghost, there are many that don’t fit the criteria at all of the “unfulfilled woman”, but rather, young women filled with rage and in search of justice for themselves, or in some cases, revenge on those who wronged them. Not unlike the legends of the Onryō.

Onryō — the Vengeful Japanese Spirit

In many cultures, ghosts are put in different categories. Such is the case with Onryō (怨霊 onryō,) It basically means “vengeful spirit” or “wrathful spirit” in Japanese and is a mythological spirit of vengeance from Japanese folklore. They also have ghosts, called yurei, but these differ in the will of the ghost. As opposed to…

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Famous Virgin Ghosts

There have been many tales of the Cheonyeogwisin, or virgin ghost throughout Korean history. Two of the more famous Korean virgin ghosts are in the Korean folktale from the Joseon era, The Story of Janghwa and Hongryeon. A story of two sisters that died at the hands of their evil stepmother before their wedding. They came back as ghosts to get their revenge and set things straight. This story was also adapted into the modern horror movie from 2003, titled A Tale of Two Sisters, directed by Kim Jee-woon.

Famous Ghosts: Many adaptation of the story has been made over the years.//Screenshot from the movie, ‘A Tale of Two Sisters’

In modern times the ghost can still be spotted in both horror movies, as in, almost every Korean horror movie as well as romantic k-dramas like “Oh My Ghost”, “Arang and the Magistrate”, “Hey Ghost, Let’s Fight” we meet a Cheonyeogwisin in true ghost story style, but in some modern retellings of the old myth, they are not always unmarried, and not always a virgin in the strictest sense. 

Appearance Of The Virgin Ghost

Most often the Korean virgin ghost or Cheonyeogwisin is depicted wearing a white hanbok, a traditional attire in Korea called Sobok (소복) which is a traditional mourning hanbok. In most Korean ghost stories she usually has her hair down as the married women traditionally tied their hair up. And as this particularly ghost legend is not, she has no choice but to let her hair down.

Originally the virgin ghost was often mistaken as a living person because they looked like it. Like in the famous Korean folktale ‘The Story of Janghwa and Hongryeon’ they are described like normal people:  “A beautiful woman dressed in a green jacket and a scarlet skirt came in quietly and bowed.” The ghost looked so great and real that the governor had to ask: “Are you a human or a demon, tell me the truth!”

But over the years the ghost has become more dramatic in the way it looks, perhaps in large part to scare factor in horror movies. Korea and the ghost story culture of the old times changed drastically, especially post colonialism and globalisation in the modern era, so many of the traditional ways of looking at things are now influenced by Japanese, Chinese and also Western influence and many of the original things with the virgin ghosts have been put in the background.

Nowadays the spirit is sometimes reported to have a pale face with dark circles with small drops of blood on the side of her mouth. Sometimes she is even shedding tears of blood or fully covered in it. As stated earlier it is very much reminiscent of the Japanese Onryo or vengeful spirit, but recontextualised in a Korean suit.  

The bloody version: The virgin ghost has evolved into a more bloody and violent ghost than before.
Source: Screengrab from Hometown Legends: Gisaeng House Ghost Story.

There is a male version of this particular ghost as well, called Chonggakgwishin (총각귀신) or the Korean Bachelor Ghost in old Korean folktales, although they are not portrayed as intimidating as their female counterpart. There are also not really many famous stories where the bachelor part of the ghosts identity is in focus. As with all Korean ghosts or Gwisin, especially those who seek vengeance or have something unfulfilled, are most often female. 

‘Han’ The Grudge

Han is a Korean expression and even a cultural phenomenon that holds a lot of different meanings throughout the years. But one of them is a deep sense of grudge that can linger even after death. This is similar to many types of ghosts in Asian culture, like onryo or the vengeful or hungry ghost that we can find stories of in many Asian countries. 

It was thought the virgin ghost directed their resentment against other women their age, harassing and harming them for getting the chance to have something they never would. Couples in love and newlyweds were also a target for the woman with a grudge.

Frost can fall even in May and June, if a woman harbors a grudge [han].
(A woman’s vengeance knows no bounds.)

여자가 한을 품으면 오뉴월에도 서리가 내린다.

This is one of many Korean proverbs about the resentment of a woman and alludes to just how dangerous that can be. Since the old times they thought the resentment was deep when a virgin died, and the fear of the living being possessed by one was huge. Because they believed that if you got possessed by a virgin ghost, you too would become resentful and not be able to get married. 

The Grudge: In most tales about the Korean Virgin Ghost, the ghost is after vengeance or trying to restore her reputation after her death.

In today’s rereading of these stories the conclusion of the why has changed somewhat as the view on a woman’s place in society has changed drastically in most cases. Perhaps the ghost is not manifesting because the woman was robbed of the chance of knowing marital bliss and raising children.

Modern perspective reads more of the woman’s rage after all the years of oppression and being ignored throughout history rather than her inability to fulfill the wishes of the patriarchy. The modern Cheonyeogwisin is perhaps a more fitting image for the rebelling female. And perhaps that is also why the appearance of the ghost has changed from a neat perfect lady in hanbok to a bloodsoaked women with unkempt hair and revenge in mind. 

Scared of the Virgin Ghosts

The best way to not turn into a virgin ghost according to old tradition, was to get married as soon as possible, problem solved, no Cheonyeogwisin in the afterlife for you. But even after death there were steps taken to prevent a virgin ghost from taking hold over the deceased spirit. The steps was not only for the dead in question, but also for the family, friends, and the entire village as they were terrified of these ghosts. 

One of the things they did to prevent a virgin ghost from taking hold over the spirit of the dead woman was to place small dolls of straw in the coffin. The dolls were made with mens clothing and a huge emphasis on the male genitalia to help ease her suffering. It was believed she wouldn’t miss the contact of men as much because she would have something phallic to comfort her in her grave and her afterlife. 

The diseased woman was then buried with the coffin upside down so that she wouldn’t be able to get out and turn into a Cheonyeogwisin. It was all complete when thorns were placed around the coffin. This all shows just how much the Korean virgin ghost was feared back in the day and how only phallic motifs could help preventing them.

How To Get Rid Of A Virgin Ghost

So that is how to prevent a virgin ghost from forming, but how did they deal with the Cheonyeogwisin already existing? It was thought that the only way to get rid of them was a ritual of some sort of exorcism, or ‘soul wedding’ (yeonghongyeolhonsig 영혼결혼식), as it was called.

It was most often held for the virgin and the bachelor ghost, making them a couple in the afterlife so that their souls could finally rest in peace. Korea was not the only country who practiced these weddings of dead people as ghost marriages was also a tradition in China.

And if there was not a ghost of a bachelor in need of a ghost bride, there are also cases where very phallic statues were erected, making the virgins go off into the afterlife apparently. There were also shrines dedicated to the Korean virgin ghost with phallic carvings and sculptures displayed.

The Penis Park

Some of these phallic statues made to penetrate through the veil of revenge and appease the soul still exist today. One of the places you can still behold the phallic statues is Haesindang Park in Samcheok for instance, with over fifty penis statues in all shapes and sizes, ready to serve the wrath of the virgin ghost. It is otherwise known as the ‘penis park’,

The remedy: One of the statues found in Haesindang Park in Sinnam. This one appropriately titled, The Smiling Penis.
Photo: Steven16091984
/Wiki

The main legend behind this park is in fact about a woman that died before being married. The local legend is known as: Legend of Auebawi and Haesindang. She was left behind on a rock in the sea by her husband to be when he went out to sea to fish. He was supposed to pick her up again on his way back, but when he returned, she had died by being taken by a big wave and drowning. After this the fish disappeared from the area and they all believed it was the woman’s remorse and sadness that was at fault.

So how does this relate to penises? Well, a young man urinated into the same water and it was like this was what the fish had all been waiting for and they returned to the area. It was believed that all that was needed was a penis in the mix, and the spirit was appeased. In its honour the fishing community decided to build the penis park filled with these statues.

Since then biannual religious gatherings known as Haesindang is held on the rock, known as Aebawi Rock. They have also built a shrine in the virgin ghost’s honour, all to make sure they won’t be bothered by the wrath of her ever again.

Today, the tales of the virgin ghosts are not necessarily about getting married like in the old folktales, but fulfilling the things you couldn’t do in life. Therefore there are many ghost stories about virgin ghosts being able to pass on after fulfilling their purpose unrelated to getting married. And according to some of these stories, the purpose of the ghosts are releasing their full fledged anger.

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Behind the Myth: Korean Ghosts

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Janghwa Hongryeon jeon

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Haesindang Park | Explore the Crazy Penis Park of South Korea