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The Story of a Disappearance and an Appearance by M.R James

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One of James’s lesser-known but fascinating tales — set at Christmas, it’s presented as a series of letters about a disturbing Punch and Judy show, a mysterious disappearance, and a spectral visitation on Christmas Eve.  It first appeared in print in the June 4, 1913 issue of the magazine Cambridge Review. It was published again in 1919 as part of the anthology A Thin Ghost and Others

The Story of a Disappearance and an Appearance by M.R James

THE letters which I now publish were sent to me recently by a person who knows me to be interested in ghost stories. There is no doubt about their authenticity. The paper on which they are written, the ink, and the whole external aspect put their date beyond the reach of question.

The only point which they do not make clear is the identity of the writer. He signs with initials only, and as none of the envelopes of the letters are preserved, the surname of his correspondent—obviously a married brother—is as obscure as his own. No further preliminary explanation is needed, I think. Luckily the first letter supplies all that could be expected.

LETTER I

Great Chrishall, Dec. 22, 1837.

My Dear Robert,—It is with great regret for the enjoyment I am losing, and for a reason which you will deplore equally with myself, that I write to inform you that I am unable to join your circle for this Christmas: but you will agree with me that it is unavoidable when I say that I have within these few hours received a letter from Mrs. Hunt at B——, to the effect that our Uncle Henry has suddenly and mysteriously disappeared, and begging me to go down there immediately and join the search that is being made for him. Little as I, or you either, I think, have ever seen of Uncle, I naturally feel that this is not a request that can be regarded lightly, and accordingly I propose to go to B——by this afternoon’s mail, reaching it late in the evening. I shall not go to the Rectory, but put up at the King’s Head, and to which you may address letters. I enclose a small draft, which you will please make use of for the benefit of the young people. I shall write you daily (supposing me to be detained more than a single day) what goes on, and you may be sure, should the business be cleared up in time to permit of my coming to the Manor after all, I shall present myself. I have but a few minutes at disposal. With cordial greetings to you all, and many regrets, believe me, your affectionate Bro.,

W. R.

LETTER II

King’s Head, Dec. 23, ’37

My Dear Robert,—In the first place, there is as yet no news of Uncle H., and I think you may finally dismiss any idea—I won’t say hope—that I might after all ‘turn up’ for Xmas. However, my thoughts will be with you, and you have my best wishes for a really festive day. Mind that none of my nephews or nieces expend any fraction of their guineas on presents for me.

Since I got here I have been blaming myself for taking this affair of Uncle H. too easily. From what people here say, I gather that there is very little hope that he can still be alive; but whether it is accident or design that carried him off I cannot judge. The facts are these. On Friday the 19th, he went as usual shortly before five o’clock to read evening prayers at the Church; and when they were over the clerk brought him a message, in response to which he set off to pay a visit to a sick person at an outlying cottage the better part of two miles away. He paid the visit, and started on his return journey at about half-past six. This is the last that is known of him. The people here are very much grieved at his loss; he had been here many years, as you know, and though, as you also know, he was not the most genial of men, and had more than a little of the martinet in his composition, he seems to have been active in good works, and unsparing of trouble to himself.

Poor Mrs. Hunt, who has been his housekeeper ever since she left Woodley, is quite overcome: it seems like the end of the world to her. I am glad that I did not entertain the idea of taking quarters at the Rectory; and I have declined several kindly offers of hospitality from people in the place, preferring as I do to be independent, and finding myself very comfortable here.

You will, of course, wish to know what has been done in the way of inquiry and search. First, nothing was to be expected from investigation at the Rectory; and to be brief, nothing has transpired. I asked Mrs. Hunt—as others had done before—whether there was either any unfavourable symptom in her master such as might portend a sudden stroke, or attack of illness, or whether he had ever had reason to apprehend any such thing: but both she, and also his medical man, were clear that this was not the case. He was quite in his usual health. In the second place, naturally, ponds and streams have been dragged, and fields in the neighbourhood which he is known to have visited last, have been searched—without result. I have myself talked to the parish clerk and—more important—have been to the house where he paid his visit.

There can be no question of any foul play on these people’s part. The one man in the house is ill in bed and very weak: the wife and the children of course could do nothing themselves, nor is there the shadow of a probability that they or any of them should have agreed to decoy poor Uncle H. out in order that he might be attacked on the way back. They had told what they knew to several other inquirers already, but the woman repeated it to me. The Rector was looking just as usual: he wasn’t very long with the sick man—“He ain’t,” she said, “like some what has a gift in prayer; but there, if we was all that way, ‘owever would the chapel people get their living?” He left some money when he went away, and one of the children saw him cross the stile into the next field. He was dressed as he always was: wore his bands—I gather he is nearly the last man remaining who does so—at any rate in this district.

You see I am putting down everything. The fact is that I have nothing else to do, having brought no business papers with me; and, moreover, it serves to clear my own mind, and may suggest points which have been overlooked. So I shall continue to write all that passes, even to conversations if need be—you may read or not as you please, but pray keep the letters. I have another reason for writing so fully, but it is not a very tangible one.

You may ask if I have myself made any search in the fields near the cottage. Something—a good deal—has been done by others, as I mentioned; but I hope to go over the ground tomorrow. Bow Street has now been informed, and will send down by to-night’s coach, but I do not think they will make much of the job. There is no snow, which might have helped us. The fields are all grass. Of course I was on the qui vive for any indication today both going and returning; but there was a thick mist on the way back, and I was not in trim for wandering about unknown pastures, especially on an evening when bushes looked like men, and a cow lowing in the distance might have been the last trump. I assure you, if Uncle Henry had stepped out from among the trees in a little copse which borders the path at one place, carrying his head under his arm, I should have been very little more uncomfortable than I was. To tell you the truth, I was rather expecting something of the kind. But I must drop my pen for the moment: Mr. Lucas, the curate, is announced.

Later. Mr. Lucas has been, and gone, and there is not much beyond the decencies of ordinary sentiment to be got from him. I can see that he has given up any idea that the Rector can be alive, and that, so far as he can be, he is truly sorry. I can also discern that even in a more emotional person than Mr. Lucas, Uncle Henry was not likely to inspire strong attachment.

Besides Mr. Lucas, I have had another visitor in the shape of my Boniface—mine host of the “King’s Head”—who came to see whether I had everything I wished, and who really requires the pen of a Boz to do him justice. He was very solemn and weighty at first. “Well, sir,” he said, “I suppose we must bow our ’ead beneath the blow, as my poor wife had used to say. So far as I can gather there’s been neither hide nor yet hair of our late respected incumbent scented out as yet; not that he was what the Scripture terms a hairy man in any sense of the word.”

I said—as well as I could—that I supposed not, but could not help adding that I had heard he was sometimes a little difficult to deal with. Mr. Bowman looked at me sharply for a moment, and then passed in a flash from solemn sympathy to impassioned declamation. “When I think,” he said, “of the language that man see fit to employ to me in this here parlour over no more a matter than a cask of beer—such a thing as I told him might happen any day of the week to a man with a family—though as it turned out he was quite under a mistake, and that I knew at the time, only I was that shocked to hear him I couldn’t lay my tongue to the right expression.”

He stopped abruptly and eyed me with some embarrassment. I only said, “Dear me, I’m sorry to hear you had any little differences; I suppose my uncle will be a good deal missed in the parish?” Mr. Bowman drew a long breath. “Ah, yes!” he said; “your uncle! You’ll understand me when I say that for the moment it had slipped my remembrance that he was a relative; and natural enough, I must say, as it should, for as to you bearing any resemblance to—to him, the notion of any such a thing is clean ridiculous. All the same, ’ad I ’ave bore it in my mind, you’ll be among the first to feel, I’m sure, as I should have abstained my lips, or rather I should not have abstained my lips with no such reflections.”

I assured him that I quite understood, and was going to have asked him some further questions, but he was called away to see after some business. By the way, you need not take it into your head that he has anything to fear from the inquiry into poor Uncle Henry’s disappearance—though, no doubt, in the watches of the night it will occur to him that ‘I’ think he has, and I may expect explanations tomorrow.

I must close this letter: it has to go by the late coach.

LETTER III

Dec. 25, ‘37.

My Dear Robert,—This is a curious letter to be writing on Christmas Day, and yet after all there is nothing much in it. Or there may be—you shall be the judge. At least, nothing decisive. The Bow Street men practically say that they have no clue. The length of time and the weather conditions have made all tracks so faint as to be quite useless: nothing that belonged to the dead man—I’m afraid no other word will do—has been picked up.

As I expected, Mr. Bowman was uneasy in his mind this morning; quite early I heard him holding forth in a very distinct voice—purposely so, I thought—to the Bow Street officers in the bar, as to the loss that the town had sustained in their Rector, and as to the necessity of leaving no stone unturned (he was very great on this phrase) in order to come at the truth. I suspect him of being an orator of repute at convivial meetings.

When I was at breakfast he came to wait on me, and took an opportunity when handing a muffin to say in a low tone, “I ‘ope, sir, you reconize as my feelings towards your relative is not actuated by any taint of what you may call melignity—you can leave the room, Eliza, I will see the gentleman ‘as all he requires with my own hands—I ask your pardon, sir, but you must be well aware a man is not always master of himself: and when that man has been ’urt in his mind by the application of expressions which I will go so far as to say ‘ad not ought to have been made use of (his voice was rising all this time and his face growing redder); no, sir; and ’ere, if you will permit of it, I should like to explain to you in a very few words the exact state of the bone of contention. This cask—I might more truly call it a firkin—of beer—”

I felt it was time to interpose, and said that I did not see that it would help us very much to go into that matter in detail. Mr. Bowman acquiesced, and resumed more calmly:

“Well, sir, I bow to your ruling, and as you say, be that here or be it there, it don’t contribute a great deal, perhaps, to the present question. All I wish you to understand is that I am prepared as you are yourself to lend every hand to the business we have afore us, and—as I took the opportunity to say as much to the Orficers not three-quarters of an hour ago—to leave no stone unturned as may throw even a spark of light on this painful matter.”

In fact, Mr. Bowman did accompany us on our exploration, but though I am sure his genuine wish was to be helpful, I am afraid he did not contribute to the serious side of it. He appeared to be under the impression that we were likely to meet either Uncle Henry or the person responsible for his disappearance, walking about the fields—and did a great deal of shading his eyes with his hand and calling our attention, by pointing with his stick, to distant cattle and labourers. He held several long conversations with old women whom we met, and was very strict and severe in his manner—but on each occasion returned to our party saying, ‘Well, I find she don’t seem to ’ave no connexion with this sad affair. I think you may take it from me, sir, as there’s little or no light to be looked for from that quarter; not without she’s keeping somethink back intentional.”

We gained no appreciable result, as I told you at starting; the Bow Street men have left the town, whether for London or not, I am not sure.

This evening I had company in the shape of a bagman, a smartish fellow. He knew what was going forward, but though he has been on the roads for some days about here, he had nothing to tell of suspicious characters—tramps, wandering sailors or gipsies. He was very full of a capital Punch and Judy Show he had seen this same day at W———, and asked if it had been here yet, and advised me by no means to miss it if it does come. The best Punch and the best Toby dog, he said, he had ever come across. Toby dogs, you know, are the last new thing in the shows. I have only seen one myself, but before long all the men will have them.

Now why, you will want to know, do I trouble to write all this to you? I am obliged to do it, because it has something to do with another absurd trifle (as you will inevitably say), which in my present state of rather unquiet fancy—nothing more, perhaps—I have to put down. It is a dream, sir, which I am going to record, and I must say it is one of the oddest I have had. Is there anything in it beyond what the bagman’s talk and Uncle Henry’s disappearance could have suggested? You, I repeat, shall judge: I am not in a sufficiently cool and judicial frame to do so.

It began with what I can only describe as a pulling aside of curtains: and I found myself seated in a place—I don’t know whether in doors or out. There were people—only a few—on either side of me, but I did not recognize them, or indeed think much about them. They never spoke, but, so far as I remember, were all grave and pale-faced and looked fixedly before them. Facing me there was a Punch and Judy Show, perhaps rather larger than the ordinary ones, painted with black figures on a reddish-yellow ground. Behind it and on each side was only darkness, but in front there was a sufficiency of light. I was “strung up” to a high degree of expectation and listened every moment to hear the panpipes and the Roo-too-too-it. Instead of that there came suddenly an enormous—I can use no other word—an enormous single toll of a bell, I don’t know from how far off—somewhere behind. The little curtain flew up and the drama began.

I believe someone once tried to re-write Punch as a serious tragedy; but whoever he may have been, this performance would have suited him exactly. There was something Satanic about the hero. He varied his methods of attack: for some of his victims he lay in wait, and to see his horrible face—it was yellowish white, I may remark—peering round the wings made me think of the Vampyre in Fuseli’s foul sketch. To others he was polite and carneying—particularly to the unfortunate alien who can only say Shallabalah—though what Punch said I never could catch. But with all of them I came to dread the moment of death. The crack of the stick on their skulls, which in the ordinary way delights me, had here a crushing sound as if the bone was giving way, and the victims quivered and kicked as they lay. The baby—it sounds more ridiculous as I go on—the baby, I am sure, was alive. Punch wrung its neck, and if the choke or squeak which it gave were not real, I know nothing of reality.

The stage got perceptibly darker as each crime was consummated, and at last there was one murder which was done quite in the dark, so that I could see nothing of the victim, and took some time to effect. It was accompanied by hard breathing and horrid muffled sounds, and after it Punch came and sat on the foot-board and fanned himself and looked at his shoes, which were bloody, and hung his head on one side, and sniggered in so deadly a fashion that I saw some of those beside me cover their faces, and I would gladly have done the same. But in the meantime the scene behind Punch was clearing, and showed, not the usual house front, but something more ambitious—a grove of trees and the gentle slope of a hill, with a very natural—in fact, I should say a real— moon shining on it. Over this there rose slowly an object which I soon perceived to be a human figure with something peculiar about the head—what, I was unable at first to see. It did not stand on its feet, but began creeping or dragging itself across the middle distance towards Punch, who still sat back to it; and by this time, I may remark (though it did not occur to me at the moment) that all pretence of this being a puppet show had vanished. Punch was still Punch, it is true, but, like the others, was in some sense a live creature, and both moved themselves at their own will.

When I next glanced at him he was sitting in malignant reflection; but in another instant something seemed to attract his attention, and he first sat up sharply and then turned round, and evidently caught sight of the person that was approaching him and was in fact now very near. Then, indeed, did he show unmistakable signs of terror: catching up his stick, he rushed towards the wood, only just eluding the arm of his pursuer, which was suddenly flung out to intercept him. It was with a revulsion which I cannot easily express that I now saw more or less clearly what this pursuer was like. He was a sturdy figure clad in black, and, as I thought, wearing bands: his head was covered with a whitish bag.

The chase which now began lasted I do not know how long, now among the trees, now along the slope of the field, sometimes both figures disappearing wholly for a few seconds, and only some uncertain sounds letting one know that they were still afoot. At length there came a moment when Punch, evidently exhausted, staggered in from the left and threw himself down among the trees. His pursuer was not long after him, and came looking uncertainly from side to side. Then, catching sight of the figure on the ground, he too threw himself down—his back was turned to the audience—with a swift motion twitched the covering from his head, and thrust his face into that of Punch. Everything on the instant grew dark.

There was one long, loud, shuddering scream, and I awoke to find myself looking straight into the face of—what in all the world do you think?—but a large owl, which was seated on my window-sill immediately opposite my bed-foot, holding up its wings like two shrouded arms. I caught the fierce glance of its yellow eyes, and then it was gone. I heard the single enormous bell again—very likely, as you are saying to yourself, the church clock; but I do not think so—and then I was broad awake.

All this, I may say, happened within the last half-hour. There was no probability of my getting to sleep again, so I got up, put on clothes enough to keep me warm, and am writing this rigmarole in the first hours of Christmas Day. Have I left out anything? Yes, there was no Toby dog, and the names over the front of the Punch and Judy booth were Kidman and Gallop, which were certainly not what the bagman told me to look out for.

By this time, I feel a little more as if I could sleep, so this shall be sealed and wafered.

LETTER IV

Dec. 26, ‘37.

My Dear Robert,—All is over. The body has been found. I do not make excuses for not having sent off my news by last night’s mail, for the simple reason that I was incapable of putting pen to paper. The events that attended the discovery bewildered me so completely that I needed what I could get of a night’s rest to enable me to face the situation at all. Now I can give you my journal of the day, certainly the strangest Christmas Day that ever I spent or am likely to spend.

The first incident was not very serious. Mr. Bowman had, I think, been keeping Christmas Eve, and was a little inclined to be captious: at least, he was not on foot very early, and to judge from what I could hear, neither men or maids could do anything to please him. The latter were certainly reduced to tears; nor am I sure that Mr. Bowman succeeded in preserving a manly composure. At any rate, when I came downstairs, it was in a broken voice that he wished me the compliments of the season, and a little later on, when he paid his visit of ceremony at breakfast, he was far from cheerful: even Byronic, I might almost say, in his outlook on life.

“I don’t know,” he said, “if you think with me, sir; but every Christmas as comes round the world seems a hollerer thing to me. Why, take an example now from what lays under my own eye. There’s my servant Eliza—been with me now for going on fifteen years. I thought I could have placed my confidence in Elizar, and yet this very morning—Christmas morning too, of all the blessed days in the year—with the bells a ringing and—and—all like that—I say, this very morning, had it not have been for Providence watching over us all, that girl would have put—indeed I may go so far to say,’ad put the cheese on your breakfast table———” He saw I was about to speak, and waved his hand at me. “It’s all very well for you to say, ‘Yes, Mr. Bowman, but you took away the cheese and locked it up in the cupboard,’ which I did, and have the key here, or if not the actual key one very much about the same size. That’s true enough, sir, but what do you think is the effect of that action on me? Why it’s no exaggeration for me to say that the ground is cut from under my feet. And yet when I said as much to Eliza, not nasty, mind you, but just firm like, what was my return? ‘Oh,’ she says: ‘Well,’ she says, ‘there wasn’t no bones broke, I suppose.’ Well, sir, it ‘urt me, that’s all I can say: it ‘urt me, and I don’t like to think of it now.”

There was an ominous pause here, in which I ventured to say something like, “Yes, very trying,” and then asked at what hour the church service was to be. “Eleven o’clock,” Mr. Bowman said with a heavy sigh. “Ah, you won’t have no such discourse from poor Mr. Lucas as what you would have done from our late Rector. Him and me may have had our little differences, and did do, more’s the pity.”

I could see that a powerful effort was needed to keep him off the vexed question of the cask of beer, but he made it. “But I will say this, that a better preacher, nor yet one to stand faster by his rights, or what he considered to be his rights—however, that’s not the question now—I for one, never set under. Some might say, ‘Was he a eloquent man?’ and to that my answer would be: ‘Well, there you’ve a better right per’aps to speak of your own uncle than what I have.’ Others might ask, ‘Did he keep a hold of his congregation?’ and there again I should reply, ‘That depends.’ But as I say—Yes, Eliza, my girl, I’m coming—eleven o’clock, sir, and you inquire for the King’s Head pew.” I believe Eliza had been very near the door, and shall consider it in my vail.

The next episode was church: I felt Mr. Lucas had a difficult task in doing justice to Christmas sentiments, and also to the feeling of disquiet and regret which, whatever Mr. Bowman might say, was clearly prevalent. I do not think he rose to the occasion. I was uncomfortable. The organ wolved—you know what I mean: the wind died—twice in the Christmas Hymn, and the tenor bell, I suppose owing to some negligence on the part of the ringers, kept sounding faintly about once in a minute during the sermon. The clerk sent up a man to see to it, but he seemed unable to do much. I was glad when it was over. There was an odd incident, too, before the service. I went in rather early, and came upon two men carrying the parish bier back to its place under the tower. From what I overheard them saying, it appeared that it had been put out by mistake, by some one who was not there. I also saw the clerk busy folding up a moth-eaten velvet pall—not a sight for Christmas Day.

I dined soon after this, and then, feeling disinclined to go out, took my seat by the fire in the parlour, with the last number of Pickwick, which I had been saving up for some days. I thought I could be sure of keeping awake over this, but I turned out as bad as our friend Smith. I suppose it was half-past two when I was roused by a piercing whistle and laughing and talking voices outside in the market-place. It was a Punch and Judy—I had no doubt the one that my bagman had seen at W———. I was half delighted, half not—the latter because my unpleasant dream came back to me so vividly; but, anyhow, I determined to see it through, and I sent Eliza out with a crown-piece to the performers and a request that they would face my window if they could manage it.

The show was a very smart new one; the names of the proprietors, I need hardly tell you, were Italian, Foresta and Calpigi. The Toby dog was there, as I had been led to expect. All B——— turned out, but did not obstruct my view, for I was at the large first-floor window and not ten yards away.

The play began on the stroke of a quarter to three by the church clock. Certainly it was very good; and I was soon relieved to find that the disgust my dream had given me for Punch’s onslaughts on his ill-starred visitors was only transient. I laughed at the demise of the Turncock, the Foreigner, the Beadle, and even the baby. The only drawback was the Toby dog’s developing a tendency to howl in the wrong place. Something had occurred, I suppose, to upset him, and something considerable: for, I forget exactly at what point, he gave a most lamentable cry, leapt off the foot board, and shot away across the market-place and down a side street. There was a stage-wait, but only a brief one. I suppose the men decided that it was no good going after him, and that he was likely to turn up again at night.

We went on. Punch dealt faithfully with Judy, and in fact with all comers; and then came the moment when the gallows was erected, and the great scene with Mr. Ketch was to be enacted. It was now that something happened of which I can certainly not yet see the import fully. You have witnessed an execution, and know what the criminal’s head looks like with the cap on. If you are like me, you never wish to think of it again, and I do not willingly remind you of it. It was just such a head as that, that I, from my somewhat higher post, saw in the inside of the show-box; but at first the audience did not see it. I expected it to emerge into their view, but instead of that there slowly rose for a few seconds an uncovered face, with an expression of terror upon it, of which I have never imagined the like. It seemed as if the man, whoever he was, was being forcibly lifted, with his arms somehow pinioned or held back, towards the little gibbet on the stage. I could just see the nightcapped head behind him. Then there was a cry and a crash. The whole show-box fell over backwards; kicking legs were seen among the ruins, and then two figures—as some said; I can only answer for one—were visible running at top speed across the square and disappearing in a lane which leads to the fields.

Of course everybody gave chase. I followed; but the pace was killing, and very few were in, literally, at the death. It happened in a chalk pit: the man went over the edge quite blindly and broke his neck. They searched everywhere for the other, until it occurred to me to ask whether he had ever left the market-place. At first everyone was sure that he had; but when we came to look, he was there, under the show-box, dead too.

But in the chalk pit it was that poor Uncle Henry’s body was found, with a sack over the head, the throat horribly mangled. It was a peaked corner of the sack sticking out of the soil that attracted attention. I cannot bring myself to write in greater detail.

I forgot to say the men’s real names were Kidman and Gallop. I feel sure I have heard them, but no one here seems to know anything about them.

I am coming to you as soon as I can after the funeral. I must tell you when we meet what I think of it all.

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References:

An Episode of Cathedral History by M. R. James

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“An Episode of Cathedral History” by M. R. James, published in 1914, is an example of gothic horror that blends scholarly intrigue with supernatural dread. The story unfolds in an English cathedral town where the renovation of an old cathedral disturbs a long-forgotten tomb. This disturbance unleashes an ancient, malevolent entity that wreaks havoc on the town. It has often been deemed a vampire story. The story’s strength lies in its ability to evoke a palpable sense of unease, using the cathedral’s history and the unsettling presence within its walls to explore themes of hidden evil and the consequences of uncovering dark secrets.

An Episode of Cathedral History by M. R. James (1914)

There was once a learned gentleman who was deputed to examine and report upon the archives of the Cathedral of Southminster. The examination of these records demanded a very considerable expenditure of time: hence it became advisable for him to engage lodgings in the city: for though the Cathedral body were profuse in their offers of hospitality, Mr. Lake felt that he would prefer to be master of his day. This was recognized as reasonable. The Dean eventually wrote advising Mr. Lake, if he were not already suited, to communicate with Mr. Worby, the principal Verger, who occupied a house convenient to the church and was prepared to take in a quiet lodger for three or four weeks. Such an arrangement was precisely what Mr. Lake desired. Terms were easily agreed upon, and early in December, like another Mr. Datchery (as he remarked to himself), the investigator found himself in the occupation of a very comfortable room in an ancient and “cathedraly” house.

One so familiar with the customs of Cathedral churches, and treated with such obvious consideration by the Dean and Chapter of this Cathedral in particular, could not fail to command the respect of the Head Verger. Mr. Worby even acquiesced in certain modifications of statements he had been accustomed to offer for years to parties of visitors. Mr. Lake, on his part, found the Verger a very cheery companion, and took advantage of any occasion that presented itself for enjoying his conversation when the day’s work was over.

One evening, about nine o’clock, Mr. Worby knocked at his lodger’s door. “I’ve occasion,” he said, “to go across to the Cathedral, Mr. Lake, and I think I made you a promise when I did so next I would give you the opportunity to see what it looks like at night time. It’s quite fine and dry outside, if you care to come.”

“To be sure I will; very much obliged to you, Mr. Worby, for thinking of it, but let me get my coat.”

“Here it is, sir, and I’ve another lantern here that you’ll find advisable for the steps, as there’s no moon.”

“Anyone might think we were Jasper and Durdles, over again, mightn’t they?” said Lake, as they crossed the close, for he had ascertained that the Verger had read Edwin Drood.

“Well, so they might,” said Mr. Worby, with a short laugh, “though I don’t know whether we ought to take it as a compliment. Odd ways, I often think, they had at that Cathedral, don’t it seem so to you, sir? Full choral matins at seven o’clock in the morning all the year round. Wouldn’t suit our boys’ voices nowadays, and I think there’s one or two of the men would be applying for a rise if the Chapter was to bring it in—particular the alltoes.”

They were now at the south-west door. As Mr. Worby was unlocking it, Lake said, “Did you ever find anybody locked in here by accident?”

“Twice I did. One was a drunk sailor; however he got in I don’t know. I s’pose he went to sleep in the service, but by the time I got to him he was praying fit to bring the roof in. Lor’! what a noise that man did make! said it was the first time he’d been inside a church for ten years, and blest if ever he’d try it again. The other was an old sheep: them boys it was, up to their games. That was the last time they tried it on, though. There, sir, now you see what we look like; our late Dean used now and again to bring parties in, but he preferred a moonlight night, and there was a piece of verse he’d coat to ’em, relating to a Scotch cathedral, I understand; but I don’t know; I almost think the effect’s better when it’s all dark-like. Seems to add to the size and height. Now if you won’t mind stopping somewhere in the nave while I go up into the choir where my business lays, you’ll see what I mean.”

Accordingly Lake waited, leaning against a pillar, and watched the light wavering along the length of the church, and up the steps into the choir, until it was intercepted by some screen or other furniture, which only allowed the reflection to be seen on the piers and roof. Not many minutes had passed before Worby reappeared at the door of the choir and by waving his lantern signalled to Lake to rejoin him.

“I suppose it is Worby, and not a substitute,” thought Lake to himself, as he walked up the nave. There was, in fact, nothing untoward. Worby showed him the papers which he had come to fetch out of the Dean’s stall, and asked him what he thought of the spectacle: Lake agreed that it was well worth seeing. “I suppose,” he said, as they walked towards the altar-steps together, “that you’re too much used to going about here at night to feel nervous—but you must get a start every now and then, don’t you, when a book falls down or a door swings to?”

“No, Mr. Lake, I can’t say I think much about noises, not nowadays: I’m much more afraid of finding an escape of gas or a burst in the stove pipes than anything else. Still there have been times, years ago. Did you notice that plain altar-tomb there—fifteenth century we say it is, I don’t know if you agree to that? Well, if you didn’t look at it, just come back and give it a glance, if you’d be so good.” It was on the north side of the choir, and rather awkwardly placed: only about three feet from the enclosing stone screen. Quite plain, as the Verger had said, but for some ordinary stone panelling. A metal cross of some size on the northern side (that next to the screen) was the solitary feature of any interest.

Lake agreed that it was not earlier than the Per pendicular period: “but,” he said, “unless it’s the tomb of some remarkable person, you’ll forgive me for saying that I don’t think it’s particularly noteworthy.”

“Well, I can’t say as it is the tomb of anybody noted in ‘istory,” said Worby, who had a dry smile on his face, “for we don’t own any record whatsoever of who it was put up to. For all that, if you’ve half an hour to spare, sir, when we get back to the house, Mr. Lake, I could tell you a tale about that tomb. I won’t begin on it now; it strikes cold here, and we don’t want to be dawdling about all night.”

“Of course I should like to hear it immensely.”

“Very well, sir, you shall. Now if I might put a question to you,” he went on, as they passed down the choir aisle, “in our little local guide—and not only there, but in the little book on our Cathedral in the series—you’ll find it stated that this portion of the building was erected previous to the twelfth century. Now of course I should be glad enough to take that view, but—mind the step, sir—but, I put it to you—does the lay of the stone ‘ere in this portion of the wall (which he tapped with his key), does it to your eye carry the flavour of what you might call Saxon masonry? No, I thought not; no more it does to me: now, if you’ll believe me, I’ve said as much to those men—one’s the librarian of our Free Libry here, and the other came down from London on purpose—fifty times, if I have once, but I might just as well have talked to that bit of stonework. But there it is, I suppose every one’s got their opinions.”

The discussion of this peculiar trait of human nature occupied Mr. Worby almost up to the moment when he and Lake re-entered the former’s house. The condition of the fire in Lake’s sitting-room led to a suggestion from Mr. Worby that they should finish the evening in his own parlour. We find them accordingly settled there some short time afterwards.

Mr. Worby made his story a long one, and I will not undertake to tell it wholly in his own words, or in his own order. Lake committed the substance of it to paper immediately after hearing it, together with some few passages of the narrative which had fixed themselves verbatim in his mind; I shall probably find it expedient to condense Lake’s record to some extent.

Mr. Worby was born, it appeared, about the year 1828. His father before him had been connected with the Cathedral, and likewise his grandfather. One or both had been choristers, and in later life both had done work as mason and carpenter respectively about the fabric. Worby himself, though possessed, as he frankly acknowledged, of an indifferent voice, had been drafted into the choir at about ten years of age.

It was in 1840 that the wave of the Gothic revival smote the Cathedral of Southminster. “There was a lot of lovely stuff went then, sir,” said Worby, with a sigh. “My father couldn’t hardly believe it when he got his orders to clear out the choir. There was a new dean just come in—Dean Burscough it was—and my father had been ‘prenticed to a good firm of joiners in the city, and knew what good work was when he saw it. Crool it was, he used to say: all that beautiful wainscot oak, as good as the day it was put up, and garlands-like of foliage and fruit, and lovely old gilding work on the coats of arms and the organ pipes. All went to the timber yard—every bit except some little pieces worked up in the Lady Chapel, and ‘ere in this overmantel. Well—I may be mistook, but I say our choir never looked as well since. Still there was a lot found out about the history of the church, and no doubt but what it did stand in need of repair. There was very few winters passed but what we’d lose a pinnicle.” Mr. Lake expressed his concurrence with Worby’s views of restoration, but owns to a fear about this point lest the story proper should never be reached. Possibly this was perceptible in his manner.

Worby hastened to reassure him, “Not but what I could carry on about that topic for hours at a time, and do when I see my opportunity. But Dean Burscough he was very set on the Gothic period, and nothing would serve him but everything must be made agreeable to that. And one morning after service he appointed for my father to meet him in the choir, and he came back after he’d taken off his robes in the vestry, and he’d got a roll of paper with him, and the verger that was then brought in a table, and they begun spreading it out on the table with prayer books to keep it down, and my father helped ’em, and he saw it was a picture of the inside of a choir in a Cathedral; and the Dean—he was a quick-spoken gentleman—he says, ‘Well, Worby, what do you think of that?’ ‘Why,’ says my father, ‘I don’t think I ‘ave the pleasure of knowing that view. Would that be Hereford Cathedral, Mr. Dean?’ ‘No, Worby,’ says the Dean, ‘that’s Southminster Cathedral as we hope to see it before many years.’ ‘In-deed, sir,’ says my father, and that was all he did say—leastways to the Dean—but he used to tell me he felt reelly faint in himself when he looked round our choir as I can remember it, all comfortable and furnished-like, and then see this nasty little dry picter, as he called it, drawn out by some London architect. Well, there I am again. But you’ll see what I mean if you look at this old view.”

Worby reached down a framed print from the wall. “Well, the long and the short of it was that the Dean he handed over to my father a copy of an order of the Chapter that he was to clear out every bit of the choir—make a clean sweep—ready for the new work that was being designed up in town, and he was to put it in hand as soon as ever he could get the breakers together. Now then, sir, if you look at that view, you’ll see where the pulpit used to stand: that’s what I want you to notice, if you please.” It was, indeed, easily seen; an unusually large structure of timber with a domed sounding-board, standing at the east end of the stalls on the north side of the choir, facing the bishop’s throne. Worby proceeded to explain that during the alterations, services were held in the nave, the members of the choir being thereby disappointed of an anticipated holiday, and the organist in particular incurring the suspicion of having wilfully damaged the mechanism of the temporary organ that was hired at considerable expense from London.

The work of demolition began with the choir screen and organ loft, and proceeded gradually eastwards, disclosing, as Worby said, many interesting features of older work. While this was going on, the members of the Chapter were, naturally, in and about the choir a great deal, and it soon became apparent to the elder Worby—who could not help overhearing some of their talk—that, on the part of the senior Canons especially, there must have been a good deal of disagreement before the policy now being carried out had been adopted. Some were of opinion that they should catch their deaths of cold in the return-stalls, unprotected by a screen from the draughts in the nave: others objected to being exposed to the view of persons in the choir aisles, especially, they said, during the sermons, when they found it helpful to listen in a posture which was liable to misconstruction. The strongest opposition, however, came from the oldest of the body, who up to the last moment objected to the removal of the pulpit. “You ought not to touch it, Mr. Dean,” he said with great emphasis one morning, when the two were standing before it: “you don’t know what mischief you may do.” “Mischief? it’s not a work of any particular merit, Canon.” “Don’t call me Canon,” said the old man with great asperity, “that is, for thirty years I’ve been known as Dr. Ayloff, and I shall be obliged, Mr. Dean, if you would kindly humour me in that matter. And as to the pulpit (which I’ve preached from for thirty years, though I don’t insist on that), all I’ll say is, I know you’re doing wrong in moving it.” “But what sense could there be, my dear Doctor, in leaving it where it is, when we’re fitting up the rest of the choir in a totally different style? What reason could be given—apart from the look of the thing?” “Reason! reason!” said old Dr. Ayloff; “if you young men—if I may say so without any disrespect, Mr. Dean—if you’d only listen to reason a little, and not be always asking for it, we should get on better. But there, I’ve said my say.” The old gentleman hobbled off, and as it proved, never entered the Cathedral again. The season—it was a hot summer—turned sickly on a sudden. Dr. Ayloff was one of the first to go, with some affection of the muscles of the thorax, which took him painfully at night. And at many services the number of choirmen and boys was very thin.

Meanwhile the pulpit had been done away with. In fact, the sounding-board (part of which still exists as a table in a summer-house in the palace garden) was taken down within an hour or two of Dr. Ayloff’s protest. The removal of the base—not effected without considerable trouble—disclosed to view, greatly to the exultation of the restoring party, an altar-tomb—the tomb, of course, to which Worby had attracted Lake’s attention that same evening. Much fruitless research was expended in attempts to identify the occupant; from that day to this he has never had a name put to him. The structure had been most carefully boxed in under the pulpit-base, so that such slight ornament as it possessed was not defaced; only on the north side of it there was what looked like an injury; a gap between two of the slabs composing the side. It might be two or three inches across. Palmer, the mason, was directed to fill it up in a week’s time, when he came to do some other small jobs near that part of the choir.

The season was undoubtedly a very trying one. Whether the church was built on a site that had once been a marsh, as was suggested, or for whatever reason, the residents in its immediate neighbourhood had, many of them, but little enjoyment of the exquisite sunny days and the calm nights of August and September. To several of the older people—Dr. Ayloff, among others, as we have seen—the summer proved downright fatal, but even among the younger, few escaped either a sojourn in bed for a matter of weeks, or at the least, a brooding sense of oppression, accompanied by hateful nightmares. Gradually there formulated itself a suspicion—which grew into a conviction—that the alterations in the Cathedral had something to say in the matter. The widow of a former old verger, a pensioner of the Chapter of Southminster, was visited by dreams, which she retailed to her friends, of a shape that slipped out of the little door of the south transept as the dark fell in, and flitted—taking a fresh direction every night—about the Close, disappearing for a while in house after house, and finally emerging again when the night sky was paling. She could see nothing of it, she said, but that it was a moving form: only she had an impression that when it returned to the church, as it seemed to do in the end of the dream, it turned its head: and then, she could not tell why, but she thought it had red eyes. Worby remembered hearing the old lady tell this dream at a tea-party in the house of the chapter clerk. Its recurrence might, perhaps, he said, be taken as a symptom of approaching illness; at any rate before the end of September the old lady was in her grave.

The interest excited by the restoration of this great church was not confined to its own county. One day that summer an F.S.A., of some celebrity, visited the place. His business was to write an account of the discoveries that had been made, for the Society of Antiquaries, and his wife, who accompanied him, was to make a series of illustrative drawings for his report. In the morning she employed herself in making a general sketch of the choir; in the afternoon she devoted herself to details. She first drew the newly-exposed altar-tomb, and when that was finished, she called her husband’s attention to a beautiful piece of diaper-ornament on the screen just behind it, which had, like the tomb itself, been completely concealed by the pulpit. Of course, he said, an illustration of that must be made; so she seated herself on the tomb and began a careful drawing which occupied her till dusk.

Her husband had by this time finished his work of measuring and description, and they agreed that it was time to be getting back to their hotel. “You may as well brush my skirt, Frank,” said the lady, “it must have got covered with dust, I’m sure.” He obeyed dutifully; but, after a moment, he said, “I don’t know whether you value this dress particularly, my dear, but I’m inclined to think it’s seen its best days. There’s a great bit of it gone.” “Gone? Where?” said she. “I don’t know where it’s gone, but it’s off at the bottom edge behind here.” She pulled it hastily into sight, and was horrified to find a jagged tear extending some way into the substance of the stuff; very much, she said, as if a dog had rent it away. The dress was, in any case, hopelessly spoilt, to her great vexation, and though they looked everywhere, the missing piece could not be found. There were many ways, they concluded, in which the injury might have come about, for the choir was full of old bits of woodwork with nails sticking out of them. Finally, they could only suppose that one of these had caused the mischief, and that the workmen, who had been about all day, had carried off the particular piece with the fragment of dress still attached to it.

It was about this time, Worby thought, that his little dog began to wear an anxious expression when the hour for it to be put into the shed in the back yard approached. (For his mother had ordained that it must not sleep in the house.) One evening, he said, when he was just going to pick it up and carry it out, it looked at him “like a Christian, and waved its ‘and, I was going to say—well, you know ‘ow they do carry on sometimes, and the end of it was I put it under my coat, and ‘uddled it upstairs—and I’m afraid I as good as deceived my poor mother on the subject. After that the dog acted very artful with ‘iding itself under the bed for half an hour or more before bed-time came, and we worked it so as my mother never found out what we’d done.” Of course Worby was glad of its company anyhow, but more particularly when the nuisance that is still remembered in Southminster as “the crying” set in.

“Night after night,” said Worby, “that dog seemed to know it was coming; he’d creep out, he would, and snuggle into the bed and cuddle right up to me shivering, and when the crying come he’d be like a wild thing, shoving his head under my arm, and I was fully near as bad. Six or seven times we’d hear it, not more, and when he’d dror out his ‘ed again I’d know it was over for that night. What was it like, sir? Well, I never heard but one thing that seemed to hit it off. I happened to be playing about in the Close, and there was two of the Canons met and said ‘Good morning’ one to another. ‘Sleep well last night?’ says one—it was Mr. Henslow that one, and Mr. Lyall was the other. ‘Can’t say I did,’ says Mr. Lyall, ‘rather too much of Isaiah xxxiv. 14 for me.’ ‘xxxiv. 14,’ says Mr. Henslow, ‘what’s that?’ ‘You call yourself a Bible reader!’ says Mr. Lyall. (Mr. Henslow, you must know, he was one of what used to be termed Simeon’s lot—pretty much what we should call the Evangelical party.) ‘You go and look it up.’ I wanted to know what he was getting at myself, and so off I ran home and got out my own Bible, and there it was: ‘the satyr shall cry to his fellow.’ Well, I thought, is that what we’ve been listening to these past nights? and I tell you it made me look over my shoulder a time or two. Of course I’d asked my father and mother about what it could be before that, but they both said it was most likely cats: but they spoke very short, and I could see they was troubled. My word! that was a noise—’ungry-like, as if it was calling after someone that wouldn’t come. If ever you felt you wanted company, it would be when you was waiting for it to begin again. I believe two or three nights there was men put on to watch in different parts of the Close; but they all used to get together in one corner, the nearest they could to the High Street, and nothing came of it.

“Well, the next thing was this. Me and another of the boys—he’s in business in the city now as a grocer, like his father before him—we’d gone up in the choir after morning service was over, and we heard old Palmer the mason bellowing to some of his men. So we went up nearer, because we knew he was a rusty old chap and there might be some fun going. It appears Palmer ‘d told this man to stop up the chink in that old tomb. Well, there was this man keeping on saying he’d done it the best he could, and there was Palmer carrying on like all possessed about it. ‘Call that making a job of it?’ he says. ‘If you had your rights you’d get the sack for this. What do you suppose I pay you your wages for? What do you suppose I’m going to say to the Dean and Chapter when they come round, as come they may do any time, and see where you’ve been bungling about covering the ‘ole place with mess and plaster and Lord knows what?’ ‘Well, master, I done the best I could,’ says the man; ‘I don’t know no more than what you do ‘ow it come to fall out this way. I tamped it right in the ‘ole,’ he says, ‘and now it’s fell out,’ he says, ‘I never see.’

“‘Fell out?’ says old Palmer, ‘why it’s nowhere near the place. Blowed out, you mean’; and he picked up a bit of plaster, and so did I, that was laying up against the screen, three or four feet off, and not dry yet; and old Palmer he looked at it curious-like, and then he turned round on me and he says, ‘Now then, you boys, have you been up to some of your games here?’ ‘No,’ I says, ‘I haven’t, Mr. Palmer; there’s none of us been about here till just this minute’; and while I was talking the other boy, Evans, he got looking in through the chink, and I heard him draw in his breath, and he came away sharp and up to us, and says he, ‘I believe there’s something in there. I saw something shiny.’ ‘What! I dare say!’ says old Palmer; ‘well, I ain’t got time to stop about there. You, William, you go off and get some more stuff and make a job of it this time; if not, there’ll be trouble in my yard,’ he says.

“So the man he went off, and Palmer too, and us boys stopped behind, and I says to Evans, ‘Did you really see anything in there?’ ‘Yes,’ he says, ‘I did indeed.’ So then I says, ‘Let’s shove something in and stir it up.’ And we tried several of the bits of wood that was laying about, but they were all too big. Then Evans he had a sheet of music he’d brought with him, an anthem or a service, I forget which it was now, and he rolled it up small and shoved it in the chink; two or three times he did it, and nothing happened. ‘Give it me, boy,’ I said, and I had a try. No, nothing happened. Then, I don’t know why I thought of it, I’m sure, but I stooped down just opposite the chink and put my two fingers in my mouth and whistled—you know the way—and at that I seemed to think I heard something stirring, and I says to Evans, ‘Come away,’ I says; ‘I don’t like this.’ ‘Oh, rot,’ he says, ‘give me that roll,’ and he took it and shoved it in. And I don’t think ever I see anyone go so pale as he did. ‘I say, Worby,’ he says, ‘it’s caught, or else someone’s got hold of it.’ ‘Pull it out or leave it,’ I says. ‘Come and let’s get off.’ So he gave a good pull, and it came away. Leastways most of it did, but the end was gone. Torn off it was, and Evans looked at it for a second and then he gave a sort of a croak and let it drop, and we both made off out of there as quick as ever we could. When we got outside Evans says to me, ‘Did you see the end of that paper?’ ‘No,’ I says, ‘only it was torn.’ ‘Yes, it was,’ he says, ‘but it was wet too, and black!’ Well, partly because of the fright we had, and partly because that music was wanted in a day or two, and we knew there’d be a set-out about it with the organist, we didn’t say nothing to anyone else, and I suppose the workmen they swept up the bit that was left along with the rest of the rubbish. But Evans, if you were to ask him this very day about it, he’d stick to it he saw that paper wet and black at the end where it was torn.”

After that the boys gave the choir a wide berth, so that Worby was not sure what was the result of the mason’s renewed mending of the tomb. Only he made out from fragments of conversation dropped by the workmen passing through the choir that some difficulty had been met with, and that the governor—Mr. Palmer to wit—had tried his own hand at the job. A little later, he happened to see Mr. Palmer himself knocking at the door of the Deanery and being admitted by the butler. A day or so after that, he gathered from a remark his father let fall at breakfast that something a little out of the common was to be done in the Cathedral after morning service on the morrow. “And I’d just as soon it was to-day,” his father added; “I don’t see the use of running risks.” “‘Father,’ I says, ‘what are you going to do in the Cathedral to-morrow?’ And he turned on me as savage as I ever see him—he was a wonderful good-tempered man as a general thing, my poor father was. ‘My lad,’ he says, ‘I’ll trouble you not to go picking up your elders’ and betters’ talk: it’s not manners and it’s not straight. What I’m going to do or not going to do in the Cathedral to-morrow is none of your business: and if I catch sight of you hanging about the place to-morrow after your work’s done, I’ll send you home with a flea in your ear. Now you mind that.’ Of course I said I was very sorry and that, and equally of course I went off and laid my plans with Evans. We knew there was a stair up in the corner of the transept which you can get up to the triforium, and in them days the door to it was pretty well always open, and even if it wasn’t we knew the key usually laid under a bit of matting hard by. So we made up our minds we’d be putting away music and that, next morning while the rest of the boys was clearing off, and then slip up the stairs and watch from the triforium if there was any signs of work going on.

“Well, that same night I dropped off asleep as sound as a boy does, and all of a sudden the dog woke me up, coming into the bed, and thought I, now we’re going to get it sharp, for he seemed more frightened than usual. After about five minutes sure enough came this cry. I can’t give you no idea what it was like; and so near too—nearer than I’d heard it yet—and a funny thing, Mr. Lake, you know what a place this Close is for an echo, and particular if you stand this side of it. Well, this crying never made no sign of an echo at all. But, as I said, it was dreadful near this night; and on the top of the start I got with hearing it, I got another fright; for I heard something rustling outside in the passage. Now to be sure I thought I was done; but I noticed the dog seemed to perk up a bit, and next there was someone whispered outside the door, and I very near laughed out loud, for I knew it was my father and mother that had got out of bed with the noise. ‘Whatever is it?’ says my mother. ‘Hush! I don’t know,’ says my father, excited-like, ‘don’t disturb the boy. I hope he didn’t hear nothing.’

“So, me knowing they were just outside, it made me bolder, and I slipped out of bed across to my little window—giving on the Close—but the dog he bored right down to the bottom of the bed—and I looked out. First go off I couldn’t see anything. Then right down in the shadow under a buttress I made out what I shall always say was two spots of red—a dull red it was—nothing like a lamp or a fire, but just so as you could pick ’em out of the black shadow. I hadn’t but just sighted ’em when it seemed we wasn’t the only people that had been disturbed, because I see a window in a house on the left-hand side become lighted up, and the light moving. I just turned my head to make sure of it, and then looked back into the shadow for those two red things, and they were gone, and for all I peered about and stared, there was not a sign more of them. Then come my last fright that night—something come against my bare leg—but that was all right: that was my little dog had come out of bed, and prancing about making a great to-do, only holding his tongue, and me seeing he was quite in spirits again, I took him back to bed and we slept the night out!

“Next morning I made out to tell my mother I’d had the dog in my room, and I was surprised, after all she’d said about it before, how quiet she took it. ‘Did you?’ she says. ‘Well, by good rights you ought to go without your breakfast for doing such a thing behind my back: but I don’t know as there’s any great harm done, only another time you ask my permission, do you hear?’ A bit after that I said something to my father about having heard the cats again. ‘Cats?‘ he says; and he looked over at my poor mother, and she coughed and he says, ‘Oh! ah! yes, cats. I believe I heard ’em myself.’

“That was a funny morning altogether: nothing seemed to go right. The organist he stopped in bed, and the minor Canon he forgot it was the 19th day and waited for the Venite; and after a bit the deputy he set off playing the chant for evensong, which was a minor; and then the Decani boys were laughing so much they couldn’t sing, and when it came to the anthem the solo boy he got took with the giggles, and made out his nose was bleeding, and shoved the book at me what hadn’t practised the verse and wasn’t much of a singer if I had known it. Well, things was rougher, you see, fifty years ago, and I got a nip from the counter-tenor behind me that I remembered.

“So we got through somehow, and neither the men nor the boys weren’t by way of waiting to see whether the Canon in residence—Mr. Henslow it was—would come to the vestries and fine ’em, but I don’t believe he did: for one thing I fancy he’d read the wrong lesson for the first time in his life, and knew it. Anyhow, Evans and me didn’t find no difficulty in slipping up the stairs as I told you, and when we got up we laid ourselves down flat on our stomachs where we could just stretch our heads out over the old tomb, and we hadn’t but just done so when we heard the verger that was then, first shutting the iron porch-gates and locking the south-west door, and then the transept door, so we knew there was something up, and they meant to keep the public out for a bit.

“Next thing was, the Dean and the Canon come in by their door on the north, and then I see my father, and old Palmer, and a couple of their best men, and Palmer stood a talking for a bit with the Dean in the middle of the choir. He had a coil of rope and the men had crows. All of ’em looked a bit nervous. So there they stood talking, and at last I heard the Dean say, ‘Well, I’ve no time to waste, Palmer. If you think this’ll satisfy Southminster people, I’ll permit it to be done; but I must say this, that never in the whole course of my life have I heard such arrant nonsense from a practical man as I have from you. Don’t you agree with me, Henslow?’ As far as I could hear Mr. Henslow said something like ‘Oh well! we’re told, aren’t we, Mr. Dean, not to judge others?’ And the Dean he gave a kind of sniff, and walked straight up to the tomb, and took his stand behind it with his back to the screen, and the others they come edging up rather gingerly. Henslow, he stopped on the south side and scratched on his chin, he did. Then the Dean spoke up: ‘Palmer,’ he says, ‘which can you do easiest, get the slab off the top, or shift one of the side slabs?’

“Old Palmer and his men they pottered about a bit looking round the edge of the top slab and sounding the sides on the south and east and west and everywhere but the north. Henslow said something about it being better to have a try at the south side, because there was more light and more room to move about in. Then my father, who’d been watching of them, went round to the north side, and knelt down and felt of the slab by the chink, and he got up and dusted his knees and says to the Dean: ‘Beg pardon, Mr. Dean, but I think if Mr. Palmer’ll try this here slab he’ll find it’ll come out easy enough. Seems to me one of the men could prise it out with his crow by means of this chink.’ ‘Ah! thank you, Worby,’ says the Dean; ‘that’s a good suggestion. Palmer, let one of your men do that, will you?’

“So the man come round, and put his bar in and bore on it, and just that minute when they were all bending over, and we boys got our heads well over the edge of the triforium, there come a most fearful crash down at the west end of the choir, as if a whole stack of big timber had fallen down a flight of stairs. Well, you can’t expect me to tell you everything that happened all in a minute. Of course there was a terrible commotion. I heard the slab fall out, and the crowbar on the floor, and I heard the Dean say, ‘Good God!’

“When I looked down again I saw the Dean tumbled over on the floor, the men was making off down the choir, Henslow was just going to help the Dean up, Palmer was going to stop the men (as he said afterwards) and my father was sitting on the altar step with his face in his hands. The Dean he was very cross. ‘I wish to goodness you’d look where you’re coming to, Henslow,’ he says. ‘Why you should all take to your heels when a stick of wood tumbles down I cannot imagine’; and all Henslow could do, explaining he was right away on the other side of the tomb, would not satisfy him.

“Then Palmer came back and reported there was nothing to account for this noise and nothing seemingly fallen down, and when the Dean finished feeling of himself they gathered round—except my father, he sat where he was—and someone lighted up a bit of candle and they looked into the tomb. ‘Nothing there,’ says the Dean, ‘what did I tell you? Stay! here’s something. What’s this? a bit of music paper, and a piece of torn stuff—part of a dress it looks like. Both quite modern—no interest whatever. Another time perhaps you’ll take the advice of an educated man’—or something like that, and off he went, limping a bit, and out through the north door, only as he went he called back angry to Palmer for leaving the door standing open. Palmer called out ‘Very sorry, sir,’ but he shrugged his shoulders, and Henslow says, ‘I fancy Mr. Dean’s mistaken. I closed the door behind me, but he’s a little upset.’ Then Palmer says, ‘Why, where’s Worby?’ and they saw him sitting on the step and went up to him. He was recovering himself, it seemed, and wiping his forehead, and Palmer helped him up on to his legs, as I was glad to see.

“They were too far off for me to hear what they said, but my father pointed to the north door in the aisle, and Palmer and Henslow both of them looked very surprised and scared. After a bit, my father and Henslow went out of the church, and the others made what haste they could to put the slab back and plaster it in. And about as the clock struck twelve the Cathedral was opened again and us boys made the best of our way home.

“I was in a great taking to know what it was had given my poor father such a turn, and when I got in and found him sitting in his chair taking a glass of spirits, and my mother standing looking anxious at him, I couldn’t keep from bursting out and making confession where I’d been. But he didn’t seem to take on, not in the way of losing his temper. ‘You was there, was you? Well, did you see it?’ ‘I see everything, father,’ I said, ‘except when the noise came.’ ‘Did you see what it was knocked the Dean over?’ he says, ‘that what come out of the monument? You didn’t? Well, that’s a mercy.’ ‘Why, what was it, father?’ I said. ‘Come, you must have seen it,’ he says. ‘Didn’t you see? A thing like a man, all over hair, and two great eyes to it?’

“Well, that was all I could get out of him that time, and later on he seemed as if he was ashamed of being so frightened, and he used to put me off when I asked him about it. But years after, when I was got to be a grown man, we had more talk now and again on the matter, and he always said the same thing. ‘Black it was,’ he’d say, ‘and a mass of hair, and two legs, and the light caught on its eyes.’

“Well, that’s the tale of that tomb, Mr. Lake; it’s one we don’t tell to our visitors, and I should be obliged to you not to make any use of it till I’m out of the way. I doubt Mr. Evans’ll feel the same as I do, if you ask him.”

This proved to be the case. But over twenty years have passed by, and the grass is growing over both Worby and Evans; so Mr. Lake felt no difficulty about communicating his notes—taken in 1890—to me. He accompanied them with a sketch of the tomb and a copy of the short inscription on the metal cross which was affixed at the expense of Dr. Lyall to the centre of the northern side. It was from the Vulgate of Isaiah xxxiv., and consisted merely of the three words—

IBI CUBAVIT LAMIA.

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Mr Humphreys and his Inheritance by M. R. James

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About fifteen years ago, on a date late in August or early in September, a train drew up at Wilsthorpe, a country station in Eastern England. Out of it stepped (with other passengers) a rather tall and reasonably good-looking young man, carrying a handbag and some papers tied up in a packet. He was expecting to be met, one would say, from the way in which he looked about him: and he was, as obviously, expected. The stationmaster ran forward a step or two, and then, seeming to recollect himself, turned and beckoned to a stout and consequential person with a short round beard who was scanning the train with some appearance of bewilderment. ‘Mr. Cooper,’ he called out,—‘Mr. Cooper, I think this is your gentleman’; and then to the passenger who had just alighted, ‘Mr. Humphreys, sir? Glad to bid you welcome to Wilsthorpe. There’s a cart from the Hall for your luggage, and here’s Mr. Cooper, what I think you know.’ Mr. Cooper had hurried up, and now raised his hat and shook hands. ‘Very pleased, I’m sure,’ he said, ‘to give the echo to Mr. Palmer’s kind words. I should have been the first to render expression to them but for the face not being familiar to me, Mr. Humphreys. May your residence among us be marked as a red-letter day, sir.’ ‘Thank you very much, Mr. Cooper,’ said Humphreys, ‘for your good wishes, and Mr. Palmer also. I do hope very much that this change of—er—tenancy—which you must all regret, I am sure—will not be to the detriment of those with whom I shall be brought in contact.’ He stopped, feeling that the words were not fitting themselves together in the happiest way, and Mr. Cooper cut in, ‘Oh, you may rest satisfied of that, Mr. Humphreys. I’ll take it upon myself to assure you, sir, that a warm welcome awaits you on all sides. And as to any change of propriety turning out detrimental to the neighbourhood, well, your late uncle—’ And here Mr. Cooper also stopped, possibly in obedience to an inner monitor, possibly because Mr. Palmer, clearing his throat loudly, asked Humphreys for his ticket. The two men left the little station, and—at Humphreys’ suggestion—decided to walk to Mr. Cooper’s house, where luncheon was awaiting them.

The relation in which these personages stood to each other can be explained in a very few lines. Humphreys had inherited—quite unexpectedly—a property from an uncle: neither the property nor the uncle had he ever seen. He was alone in the world—a man of good ability and kindly nature, whose employment in a Government office for the last four or five years had not gone far to fit him for the life of a country gentleman. He was studious and rather diffident, and had few out-of-door pursuits except golf and gardening. To-day he had come down for the first time to visit Wilsthorpe and confer with Mr. Cooper, the bailiff, as to the matters which needed immediate attention. It may be asked how this came to be his first visit? Ought he not in decency to have attended his uncle’s funeral? The answer is not far to seek: he had been abroad at the time of the death, and his address had not been at once procurable. So he had put off coming to Wilsthorpe till he heard that all things were ready for him. And now we find him arrived at Mr. Cooper’s comfortable house, facing the parsonage, and having just shaken hands with the smiling Mrs. and Miss Cooper.

During the minutes that preceded the announcement of luncheon the party settled themselves on elaborate chairs in the drawing-room, Humphreys, for his part, perspiring quietly in the consciousness that stock was being taken of him.

‘I was just saying to Mr. Humphreys, my dear,’ said Mr. Cooper, ‘that I hope and trust that his residence among us here in Wilsthorpe will be marked as a red-letter day.’

‘Yes, indeed, I’m sure,’ said Mrs. Cooper heartily, ‘and many, many of them.’

Miss Cooper murmured words to the same effect, and Humphreys attempted a pleasantry about painting the whole calendar red, which, though greeted with shrill laughter, was evidently not fully understood. At this point they proceeded to luncheon.

‘Do you know this part of the country at all, Mr. Humphreys?’ said Mrs. Cooper, after a short interval. This was a better opening.

‘No, I’m sorry to say I do not,’ said Humphreys. ‘It seems very pleasant, what I could see of it coming down in the train.’

‘Oh, it is a pleasant part. Really, I sometimes say I don’t know a nicer district, for the country; and the people round, too: such a quantity always going on. But I’m afraid you’ve come a little late for some of the better garden parties, Mr. Humphreys.’

‘I suppose I have; dear me, what a pity!’ said Humphreys, with a gleam of relief; and then, feeling that something more could be got out of this topic, ‘But after all, you see, Mrs. Cooper, even if I could have been here earlier, I should have been cut off from them, should I not? My poor uncle’s recent death, you know—’

‘Oh dear, Mr. Humphreys, to be sure; what a dreadful thing of me to say!’ (And Mr. and Miss Cooper seconded the proposition inarticulately.) ‘What must you have thought? I am sorry: you must really forgive me.’

‘Not at all, Mrs. Cooper, I assure you. I can’t honestly assert that my uncle’s death was a great grief to me, for I had never seen him. All I meant was that I supposed I shouldn’t be expected to take part for some little time in festivities of that kind.’

‘Now, really it’s very kind of you to take it in that way, Mr. Humphreys, isn’t it, George? And you do forgive me? But only fancy! You never saw poor old Mr. Wilson!’

‘Never in my life; nor did I ever have a letter from him. But, by the way, you have something to forgive me for. I’ve never thanked you, except by letter, for all the trouble you’ve taken to find people to look after me at the Hall.’

‘Oh, I’m sure that was nothing, Mr. Humphreys; but I really do think that you’ll find them give satisfaction. The man and his wife whom we’ve got for the butler and housekeeper we’ve known for a number of years: such a nice respectable couple, and Mr. Cooper, I’m sure, can answer for the men in the stables and gardens.’

‘Yes, Mr. Humphreys, they’re a good lot. The head gardener’s the only one who’s stopped on from Mr. Wilson’s time. The major part of the employees, as you no doubt saw by the will, received legacies from the old gentleman and retired from their posts, and as the wife says, your housekeeper and butler are calculated to render you every satisfaction.’

‘So everything, Mr. Humphreys, is ready for you to step in this very day, according to what I understood you to wish,’ said Mrs. Cooper. ‘Everything, that is, except company, and there I’m afraid you’ll find yourself quite at a standstill. Only we did understand it was your intention to move in at once. If not, I’m sure you know we should have been only too pleased for you to stay here.’

‘I’m quite sure you would, Mrs. Cooper, and I’m very grateful to you. But I thought I had really better make the plunge at once. I’m accustomed to living alone, and there will be quite enough to occupy my evenings—looking over papers and books and so on—for some time to come, I thought if Mr. Cooper could spare the time this afternoon to go over the house and grounds with me—’

‘Certainly, certainly, Mr. Humphreys. My time is your own, up to any hour you please.’

‘Till dinner-time, father, you mean,’ said Miss Cooper. ‘Don’t forget we’re going over to the Brasnetts’. And have you got all the garden keys?’

‘Are you a great gardener, Miss Cooper?’ said Mr. Humphreys. ‘I wish you would tell me what I’m to expect at the Hall.’

‘Oh, I don’t know about a great gardener, Mr. Humphreys: I’m very fond of flowers—but the Hall garden might be made quite lovely, I often say. It’s very old-fashioned as it is: and a great deal of shrubbery. There’s an old temple, besides, and a maze.’

‘Really? Have you explored it ever?’

‘No-o,’ said Miss Cooper, drawing in her lips and shaking her head. ‘I’ve often longed to try, but old Mr. Wilson always kept it locked. He wouldn’t even let Lady Wardrop into it. (She lives near here, at Bentley, you know, and she’s a great gardener, if you like.) That’s why I asked father if he had all the keys.’

‘I see. Well, I must evidently look into that, and show you over it when I’ve learnt the way.’

‘Oh, thank you so much, Mr. Humphreys! Now I shall have the laugh of Miss Foster (that’s our rector’s daughter, you know; they’re away on their holiday now—such nice people). We always had a joke between us which should be the first to get into the maze.’

‘I think the garden keys must be up at the house,’ said Mr. Cooper, who had been looking over a large bunch. ‘There is a number there in the library. Now, Mr. Humphreys, if you’re prepared, we might bid goodbye to these ladies and set forward on our little tour of exploration.’

As they came out of Mr. Cooper’s front gate, Humphreys had to run the gauntlet—not of an organized demonstration, but of a good deal of touching of hats and careful contemplation from the men and women who had gathered in somewhat unusual numbers in the village street. He had, further, to exchange some remarks with the wife of the lodge-keeper as they passed the park gates, and with the lodge-keeper himself, who was attending to the park road. I cannot, however, spare the time to report the progress fully. As they traversed the half-mile or so between the lodge and the house, Humphreys took occasion to ask his companion some question which brought up the topic of his late uncle, and it did not take long before Mr. Cooper was embarked upon a disquisition.

‘It is singular to think, as the wife was saying just now, that you should never have seen the old gentleman. And yet—you won’t misunderstand me, Mr. Humphreys, I feel confident, when I say that in my opinion there would have been but little congeniality betwixt yourself and him. Not that I have a word to say in deprecation—not a single word. I can tell you what he was,’ said Mr. Cooper, pulling up suddenly and fixing Humphreys with his eye. ‘Can tell you what he was in a nutshell, as the saying goes. He was a complete, thorough valentudinarian. That describes him to a T. That’s what he was, sir, a complete valentudinarian. No participation in what went on around him. I did venture, I think, to send you a few words of cutting from our local paper, which I took the occasion to contribute on his decease. If I recollect myself aright, such is very much the gist of them. But don’t, Mr. Humphreys,’ continued Cooper, tapping him impressively on the chest,—‘don’t you run away with the impression that I wish to say aught but what is most creditable—most creditable—of your respected uncle and my late employer. Upright, Mr. Humphreys—open as the day; liberal to all in his dealings. He had the heart to feel and the hand to accommodate. But there it was: there was the stumbling-block—his unfortunate health—or, as I might more truly phrase it, his want of health.’

‘Yes, poor man. Did he suffer from any special disorder before his last illness—which, I take it, was little more than old age?’

‘Just that, Mr. Humphreys—just that. The flash flickering slowly away in the pan,’ said Cooper, with what he considered an appropriate gesture,—‘the golden bowl gradually ceasing to vibrate. But as to your other question I should return a negative answer. General absence of vitality? yes: special complaint? no, unless you reckon a nasty cough he had with him. Why, here we are pretty much at the house. A handsome mansion, Mr. Humphreys, don’t you consider?’

It deserved the epithet, on the whole: but it was oddly proportioned—a very tall red-brick house, with a plain parapet concealing the roof almost entirely. It gave the impression of a town house set down in the country; there was a basement, and a rather imposing flight of steps leading up to the front door. It seemed also, owing to its height, to desiderate wings, but there were none. The stables and other offices were concealed by trees. Humphreys guessed its probable date as 1770 or thereabouts.

The mature couple who had been engaged to act as butler and cook-housekeeper were waiting inside the front door, and opened it as their new master approached. Their name, Humphreys already knew, was Calton; of their appearance and manner he formed a favourable impression in the few minutes’ talk he had with them. It was agreed that he should go through the plate and the cellar next day with Mr. Calton, and that Mrs. C. should have a talk with him about linen, bedding, and so on—what there was, and what there ought to be. Then he and Cooper, dismissing the Caltons for the present, began their view of the house. Its topography is not of importance to this story. The large rooms on the ground floor were satisfactory, especially the library, which was as large as the dining-room, and had three tall windows facing east. The bedroom prepared for Humphreys was immediately above it. There were many pleasant, and a few really interesting, old pictures. None of the furniture was new, and hardly any of the books were later than the seventies. After hearing of and seeing the few changes his uncle had made in the house, and contemplating a shiny portrait of him which adorned the drawing-room, Humphreys was forced to agree with Cooper that in all probability there would have been little to attract him in his predecessor. It made him rather sad that he could not be sorry—dolebat se dolere non posse—for the man who, whether with or without some feeling of kindliness towards his unknown nephew, had contributed so much to his well-being; for he felt that Wilsthorpe was a place in which he could be happy, and especially happy, it might be, in its library.

And now it was time to go over the garden: the empty stables could wait, and so could the laundry. So to the garden they addressed themselves, and it was soon evident that Miss Cooper had been right in thinking that there were possibilities. Also that Mr. Cooper had done well in keeping on the gardener. The deceased Mr. Wilson might not have, indeed plainly had not, been imbued with the latest views on gardening, but whatever had been done here had been done under the eye of a knowledgeable man, and the equipment and stock were excellent. Cooper was delighted with the pleasure Humphreys showed, and with the suggestions he let fall from time to time. ‘I can see,’ he said, ‘that you’ve found your meatear here, Mr. Humphreys: you’ll make this place a regular signosier before very many seasons have passed over our heads. I wish Clutterham had been here—that’s the head gardener—and here he would have been of course, as I told you, but for his son’s being horse doover with a fever, poor fellow! I should like him to have heard how the place strikes you.’

‘Yes, you told me he couldn’t be here today, and I was very sorry to hear the reason, but it will be time enough tomorrow. What is that white building on the mound at the end of the grass ride? Is it the temple Miss Cooper mentioned?’

‘That it is, Mr. Humphreys—the Temple of Friendship. Constructed of marble brought out of Italy for the purpose, by your late uncle’s grandfather. Would it interest you perhaps to take a turn there? You get a very sweet prospect of the park.’

The general lines of the temple were those of the Sibyl’s Temple at Tivoli, helped out by a dome, only the whole was a good deal smaller. Some ancient sepulchral reliefs were built into the wall, and about it all was a pleasant flavour of the grand tour. Cooper produced the key, and with some difficulty opened the heavy door. Inside there was a handsome ceiling, but little furniture. Most of the floor was occupied by a pile of thick circular blocks of stone, each of which had a single letter deeply cut on its slightly convex upper surface. ‘What is the meaning of these?’ Humphreys inquired.

‘Meaning? Well, all things, we’re told, have their purpose, Mr. Humphreys, and I suppose these blocks have had theirs as well as another. But what that purpose is or was [Mr. Cooper assumed a didactic attitude here], I, for one, should be at a loss to point out to you, sir. All I know of them—and it’s summed up in a very few words—is just this: that they’re stated to have been removed by your late uncle, at a period before I entered on the scene, from the maze. That, Mr. Humphreys, is—’

‘Oh, the maze!’ exclaimed Humphreys. ‘I’d forgotten that: we must have a look at it. Where is it?’

Cooper drew him to the door of the temple, and pointed with his stick. ‘Guide your eye,’ he said (somewhat in the manner of the Second Elder in Handel’s ‘Susanna’—

Far to the west direct your straining eyes Where yon tall holm-tree rises to the skies)

‘Guide your eye by my stick here, and follow out the line directly opposite to the spot where we’re standing now, and I’ll engage, Mr. Humphreys, that you’ll catch the archway over the entrance. You’ll see it just at the end of the walk answering to the one that leads up to this very building. Did you think of going there at once? because if that be the case, I must go to the house and procure the key. If you would walk on there, I’ll rejoin you in a few moments’ time.’

Accordingly Humphreys strolled down the ride leading to the temple, past the garden-front of the house, and up the turfy approach to the archway which Cooper had pointed out to him. He was surprised to find that the whole maze was surrounded by a high wall, and that the archway was provided with a padlocked iron gate; but then he remembered that Miss Cooper had spoken of his uncle’s objection to letting anyone enter this part of the garden. He was now at the gate, and still Cooper came not. For a few minutes he occupied himself in reading the motto cut over the entrance, Secretum meum mihi et filiis domus meae, and in trying to recollect the source of it. Then he became impatient and considered the possibility of scaling the wall. This was clearly not worth while; it might have been done if he had been wearing an older suit: or could the padlock—a very old one—be forced? No, apparently not: and yet, as he gave a final irritated kick at the gate, something gave way, and the lock fell at his feet. He pushed the gate open inconveniencing a number of nettles as he did so, and stepped into the enclosure.

It was a yew maze, of circular form, and the hedges, long untrimmed, had grown out and upwards to a most unorthodox breadth and height. The walks, too, were next door to impassable. Only by entirely disregarding scratches, nettle-stings, and wet, could Humphreys force his way along them; but at any rate this condition of things, he reflected, would make it easier for him to find his way out again, for he left a very visible track. So far as he could remember, he had never been in a maze before, nor did it seem to him now that he had missed much. The dankness and darkness, and smell of crushed goosegrass and nettles were anything but cheerful. Still, it did not seem to be a very intricate specimen of its kind. Here he was (by the way, was that Cooper arrived at last? No!) very nearly at the heart of it, without having taken much thought as to what path he was following. Ah! there at last was the centre, easily gained. And there was something to reward him. His first impression was that the central ornament was a sundial; but when he had switched away some portion of the thick growth of brambles and bindweed that had formed over it, he saw that it was a less ordinary decoration. A stone column about four feet high, and on the top of it a metal globe—copper, to judge by the green patina—engraved, and finely engraved too, with figures in outline, and letters. That was what Humphreys saw, and a brief glance at the figures convinced him that it was one of those mysterious things called celestial globes, from which, one would suppose, no one ever yet derived any information about the heavens. However, it was too dark—at least in the maze—for him to examine this curiosity at all closely, and besides, he now heard Cooper’s voice, and sounds as of an elephant in the jungle. Humphreys called to him to follow the track he had beaten out, and soon Cooper emerged panting into the central circle. He was full of apologies for his delay; he had not been able, after all, to find the key. ‘But there!’ he said, ‘you’ve penetrated into the heart of the mystery unaided and unannealed, as the saying goes. Well! I suppose it’s a matter of thirty to forty years since any human foot has trod these precincts. Certain it is that I’ve never set foot in them before. Well, well! what’s the old proverb about angels fearing to tread? It’s proved true once again in this case.’ Humphreys’ acquaintance with Cooper, though it had been short, was sufficient to assure him that there was no guile in this allusion, and he forbore the obvious remark, merely suggesting that it was fully time to get back to the house for a late cup of tea, and to release Cooper for his evening engagement. They left the maze accordingly, experiencing well-nigh the same ease in retracing their path as they had in coming in.

‘Have you any idea,’ Humphreys asked, as they went towards the house, ‘why my uncle kept that place so carefully locked?’

Cooper pulled up, and Humphreys felt that he must be on the brink of a revelation.

‘I should merely be deceiving you, Mr. Humphreys, and that to no good purpose, if I laid claim to possess any information whatsoever on that topic. When I first entered upon my duties here, some eighteen years back, that maze was word for word in the condition you see it now, and the one and only occasion on which the question ever arose within my knowledge was that of which my girl made mention in your hearing. Lady Wardrop—I’ve not a word to say against her—wrote applying for admission to the maze. Your uncle showed me the note—a most civil note—everything that could be expected from such a quarter. ‘Cooper,’ he said, ‘I wish you’d reply to that note on my behalf.’ ‘Certainly Mr. Wilson,’ I said, for I was quite inured to acting as his secretary, ‘what answer shall I return to it?’ ‘Well,’ he said, ‘give Lady Wardrop my compliments, and tell her that if ever that portion of the grounds is taken in hand I shall be happy to give her the first opportunity of viewing it, but that it has been shut up now for a number of years, and I shall be grateful to her if she kindly won’t press the matter.’ That, Mr. Humphreys, was your good uncle’s last word on the subject, and I don’t think I can add anything to it. Unless,’ added Cooper, after a pause, ‘it might be just this: that, so far as I could form a judgement, he had a dislike (as people often will for one reason or another) to the memory of his grandfather, who, as I mentioned to you, had that maze laid out. A man of peculiar teenets, Mr. Humphreys, and a great traveller. You’ll have the opportunity, on the coming Sabbath, of seeing the tablet to him in our little parish church; put up it was some long time after his death.’

‘Oh! I should have expected a man who had such a taste for building to have designed a mausoleum for himself.’

‘Well, I’ve never noticed anything of the kind you mention; and, in fact, come to think of it, I’m not at all sure that his resting-place is within our boundaries at all: that he lays in the vault I’m pretty confident is not the case. Curious now that I shouldn’t be in a position to inform you on that heading! Still, after all, we can’t say, can we, Mr. Humphreys, that it’s a point of crucial importance where the pore mortal coils are bestowed?’

At this point they entered the house, and Cooper’s speculations were interrupted.

Tea was laid in the library, where Mr. Cooper fell upon subjects appropriate to the scene. ‘A fine collection of books! One of the finest, I’ve understood from connoisseurs, in this part of the country; splendid plates, too, in some of these works. I recollect your uncle showing me one with views of foreign towns—most absorbing it was: got up in first-rate style. And another all done by hand, with the ink as fresh as if it had been laid on yesterday, and yet, he told me, it was the work of some old monk hundreds of years back. I’ve always taken a keen interest in literature myself. Hardly anything to my mind can compare with a good hour’s reading after a hard day’s work; far better than wasting the whole evening at a friend’s house—and that reminds me, to be sure. I shall be getting into trouble with the wife if I don’t make the best of my way home and get ready to squander away one of these same evenings! I must be off, Mr. Humphreys.’

‘And that reminds me,’ said Humphreys, ‘if I’m to show Miss Cooper the maze tomorrow we must have it cleared out a bit. Could you say a word about that to the proper person?’

‘Why, to be sure. A couple of men with scythes could cut out a track tomorrow morning. I’ll leave word as I pass the lodge, and I’ll tell them, what’ll save you the trouble, perhaps, Mr. Humphreys, of having to go up and extract them yourself: that they’d better have some sticks or a tape to mark out their way with as they go on.’

‘A very good idea! Yes, do that; and I’ll expect Mrs. and Miss Cooper in the afternoon, and yourself about half-past ten in the morning.’

‘It’ll be a pleasure, I’m sure, both to them and to myself, Mr. Humphreys. Good night!’

Humphreys dined at eight. But for the fact that it was his first evening, and that Calton was evidently inclined for occasional conversation, he would have finished the novel he had bought for his journey. As it was, he had to listen and reply to some of Calton’s impressions of the neighbourhood and the season: the latter, it appeared, was seasonable, and the former had changed considerably—and not altogether for the worse—since Calton’s boyhood (which had been spent there). The village shop in particular had greatly improved since the year 1870. It was now possible to procure there pretty much anything you liked in reason: which was a conveniency, because suppose anythink was required of a suddent (and he had known such things before now), he (Calton) could step down there (supposing the shop to be still open), and order it in, without he borrered it of the Rectory, whereas in earlier days it would have been useless to pursue such a course in respect of anything but candles, or soap, or treacle, or perhaps a penny child’s picture-book, and nine times out of ten it’d be something more in the nature of a bottle of whisky you’d be requiring; leastways—On the whole Humphreys thought he would be prepared with a book in future.

The library was the obvious place for the after-dinner hours. Candle in hand and pipe in mouth, he moved round the room for some time, taking stock of the titles of the books. He had all the predisposition to take interest in an old library, and there was every opportunity for him here to make systematic acquaintance with one, for he had learned from Cooper that there was no catalogue save the very superficial one made for purposes of probate. The drawing up of a catalogue raisonné would be a delicious occupation for winter. There were probably treasures to be found, too: even manuscripts, if Cooper might be trusted.

As he pursued his round the sense came upon him (as it does upon most of us in similar places) of the extreme unreadableness of a great portion of the collection. ‘Editions of Classics and Fathers, and Picart’s Religious Ceremonies, and the Harleian Miscellany, I suppose are all very well, but who is ever going to read Tostatus Abulensis, or Pineda on Job, or a book like this?’ He picked out a small quarto, loose in the binding, and from which the lettered label had fallen off; and observing that coffee was waiting for him, retired to a chair. Eventually he opened the book. It will be observed that his condemnation of it rested wholly on external grounds. For all he knew it might have been a collection of unique plays, but undeniably the outside was blank and forbidding. As a matter of fact, it was a collection of sermons or meditations, and mutilated at that, for the first sheet was gone. It seemed to belong to the latter end of the seventeenth century. He turned over the pages till his eye was caught by a marginal note: ‘A Parable of this Unhappy Condition,’ and he thought he would see what aptitudes the author might have for imaginative composition. ‘I have heard or read,’ so ran the passage, ‘whether in the way of Parable or true Relation I leave my Reader to judge, of a Man who, like Theseus, in the Attick Tale, should adventure himself, into a Labyrinth or Maze: and such an one indeed as was not laid out in the Fashion of our Topiary artists of this Age, but of a wide compass, in which, moreover, such unknown Pitfalls and Snares, nay, such ill-omened Inhabitants were commonly thought to lurk as could only be encountered at the Hazard of one’s very life. Now you may be sure that in such a Case the Disswasions of Friends were not wanting. ‘Consider of such-an-one’ says a Brother ‘how he went the way you wot of, and was never seen more.’ ‘Or of such another’ says the Mother ‘that adventured himself but a little way in, and from that day forth is so troubled in his Wits that he cannot tell what he saw, nor hath passed one good Night.’ ‘And have you never heard’ cries a Neighbour ‘of what Faces have been seen to look out over the Palisadoes and betwixt the Bars of the Gate?’ But all would not do: the Man was set upon his Purpose: for it seems it was the common fireside Talk of that Country that at the Heart and Centre of this Labyrinth there was a Jewel of such Price and Rarity that would enrich the Finder thereof for his life: and this should be his by right that could persever to come at it. What then? Quid multa? The Adventurer pass’d the Gates, and for a whole day’s space his Friends without had no news of him, except it might be by some indistinct Cries heard afar off in the Night, such as made them turn in their restless Beds and sweat for very Fear, not doubting but that their Son and Brother had put one more to the Catalogue of those unfortunates that had suffer’d shipwreck on that Voyage. So the next day they went with weeping Tears to the Clark of the Parish to order the Bell to be toll’d. And their Way took them hard by the gate of the Labyrinth: which they would have hastened by, from the Horrour they had of it, but that they caught sight of a sudden of a Man’s Body lying in the Roadway, and going up to it (with what Anticipations may be easily figured) found it to be him whom they reckoned as lost: and not dead, though he were in a Swound most like Death. They then, who had gone forth as Mourners came back rejoycing, and set to by all means to revive their Prodigal. Who, being come to himself, and hearing of their Anxieties and their Errand of that Morning, ‘Ay’ says he ‘you may as well finish what you were about: for, for all I have brought back the Jewel (which he shew’d them, and ’twas indeed a rare Piece) I have brought back that with it that will leave me neither Rest at Night nor Pleasure by Day.’ Whereupon they were instant with him to learn his Meaning, and where his Company should be that went so sore against his Stomach. ‘O’ says he ‘ ’tis here in my Breast: I cannot flee from it, do what I may.’ So it needed no Wizard to help them to a guess that it was the Recollection of what he had seen that troubled him so wonderfully. But they could get no more of him for a long Time but by Fits and Starts. However at long and at last they made shift to collect somewhat of this kind: that at first, while the Sun was bright, he went merrily on, and without any Difficulty reached the Heart of the Labyrinth and got the Jewel, and so set out on his way back rejoycing: but as the Night fell, wherein all the Beasts of the Forest do move, he begun to be sensible of some Creature keeping Pace with him and, as he thought, peering and looking upon him from the next Alley to that he was in; and that when he should stop, this Companion should stop also, which put him in some Disorder of his Spirits. And, indeed, as the Darkness increas’d, it seemed to him that there was more than one, and, it might be, even a whole Band of such Followers: at least so he judg’d by the Rustling and Cracking that they kept among the Thickets; besides that there would be at a Time a Sound of Whispering, which seem’d to import a Conference among them. But in regard of who they were or what Form they were of, he would not be persuaded to say what he thought. Upon his Hearers asking him what the Cries were which they heard in the Night (as was observ’d above) he gave them this Account: That about Midnight (so far as he could judge) he heard his Name call’d from a long way off, and he would have been sworn it was his Brother that so call’d him. So he stood still and hilloo’d at the Pitch of his Voice, and he suppos’d that the Echo, or the Noyse of his Shouting, disguis’d for the Moment any lesser sound; because, when there fell a Stillness again, he distinguish’d a Trampling (not loud) of running Feet coming very close behind him, wherewith he was so daunted that himself set off to run, and that he continued till the Dawn broke. Sometimes when his Breath fail’d him, he would cast himself flat on his Face, and hope that his Pursuers might over-run him in the Darkness, but at such a Time they would regularly make a Pause, and he could hear them pant and snuff as it had been a Hound at Fault: which wrought in him so extream an Horrour of mind, that he would be forc’d to betake himself again to turning and doubling, if by any Means he might throw them off the Scent. And, as if this Exertion was in itself not terrible enough, he had before him the constant Fear of falling into some Pit or Trap, of which he had heard, and indeed seen with his own Eyes that there were several, some at the sides and other in the Midst of the Alleys. So that in fine (he said) a more dreadful Night was never spent by Mortal Creature than that he had endur’d in that Labyrinth; and not that Jewel which he had in his Wallet, nor the richest that was ever brought out of the Indies, could be a sufficient Recompence to him for the Pains he had suffered.

‘I will spare to set down the further Recital of this Man’s Troubles, inasmuch as I am confident my Reader’s Intelligence will hit the Parallel I desire to draw. For is not this Jewel a just Emblem of the Satisfaction which a Man may bring back with him from a Course of this World’s Pleasures? and will not the Labyrinth serve for an Image of the World itself wherein such a Treasure (if we may believe the common Voice) is stored up?’

At about this point Humphreys thought that a little Patience would be an agreeable change, and that the writer’s ‘improvement’ of his Parable might be left to itself. So he put the book back in its former place, wondering as he did so whether his uncle had ever stumbled across that passage; and if so, whether it had worked on his fancy so much as to make him dislike the idea of a maze, and determine to shut up the one in the garden. Not long afterwards he went to bed.

The next day brought a morning’s hard work with Mr. Cooper, who, if exuberant in language, had the business of the estate at his fingers’ ends. He was very breezy this morning, Mr. Cooper was: had not forgotten the order to clear out the maze—the work was going on at that moment: his girl was on the tentacles of expectation about it. He also hoped that Humphreys had slept the sleep of the just, and that we should be favoured with a continuance of this congenial weather. At luncheon he enlarged on the pictures in the dining-room, and pointed out the portrait of the constructor of the temple and the maze. Humphreys examined this with considerable interest. It was the work of an Italian, and had been painted when old Mr. Wilson was visiting Rome as a young man. (There was, indeed, a view of the Colosseum in the background.) A pale thin face and large eyes were the characteristic features. In the hand was a partially unfolded roll of paper, on which could be distinguished the plan of a circular building, very probably the temple, and also part of that of a labyrinth. Humphreys got up on a chair to examine it, but it was not painted with sufficient clearness to be worth copying. It suggested to him, however, that he might as well make a plan of his own maze and hang it in the hall for the use of visitors.

This determination of his was confirmed that same afternoon; for when Mrs. and Miss Cooper arrived, eager to be inducted into the maze, he found that he was wholly unable to lead them to the centre. The gardeners had removed the guide-marks they had been using, and even Clutterham, when summoned to assist, was as helpless as the rest. ‘The point is, you see, Mr. Wilson—I should say ‘Umphreys—these mazes is purposely constructed so much alike, with a view to mislead. Still, if you’ll foller me, I think I can put you right. I’ll just put my ‘at down ’ere as a starting-point.’ He stumped off, and after five minutes brought the party safe to the hat again. ‘Now that’s a very peculiar thing,’ he said, with a sheepish laugh. ‘I made sure I’d left that ‘at just over against a bramble-bush, and you can see for yourself there ain’t no bramble-bush not in this walk at all. If you’ll allow me, Mr. Humphreys—that’s the name, ain’t it, sir?—I’ll just call one of the men in to mark the place like.’

William Crack arrived, in answer to repeated shouts. He had some difficulty in making his way to the party. First he was seen or heard in an inside alley, then, almost at the same moment, in an outer one. However, he joined them at last, and was first consulted without effect and then stationed by the hat, which Clutterham still considered it necessary to leave on the ground. In spite of this strategy, they spent the best part of three-quarters of an hour in quite fruitless wanderings, and Humphreys was obliged at last, seeing how tired Mrs. Cooper was becoming, to suggest a retreat to tea, with profuse apologies to Miss Cooper. ‘At any rate you’ve won your bet with Miss Foster,’ he said; ‘you have been inside the maze; and I promise you the first thing I do shall be to make a proper plan of it with the lines marked out for you to go by.’ ‘That’s what’s wanted, sir,’ said Clutterham, ‘someone to draw out a plan and keep it by them. It might be very awkward, you see, anyone getting into that place and a shower of rain come on, and them not able to find their way out again; it might be hours before they could be got out, without you’d permit of me makin’ a short cut to the middle: what my meanin’ is, takin’ down a couple of trees in each ‘edge in a straight line so as you could git a clear view right through. Of course that’d do away with it as a maze, but I don’t know as you’d approve of that.’

‘No, I won’t have that done yet: I’ll make a plan first, and let you have a copy. Later on, if we find occasion, I’ll think of what you say.’

Humphreys was vexed and ashamed at the fiasco of the afternoon, and could not be satisfied without making another effort that evening to reach the centre of the maze. His irritation was increased by finding it without a single false step. He had thoughts of beginning his plan at once; but the light was fading, and he felt that by the time he had got the necessary materials together, work would be impossible.

Next morning accordingly, carrying a drawing-board, pencils, compasses, cartridge paper, and so forth (some of which had been borrowed from the Coopers and some found in the library cupboards), he went to the middle of the maze (again without any hesitation), and set out his materials. He was, however, delayed in making a start. The brambles and weeds that had obscured the column and globe were now all cleared away, and it was for the first time possible to see clearly what these were like. The column was featureless, resembling those on which sundials are usually placed. Not so the globe. I have said that it was finely engraved with figures and inscriptions, and that on a first glance Humphreys had taken it for a celestial globe: but he soon found that it did not answer to his recollection of such things. One feature seemed familiar; a winged serpent—Draco—encircled it about the place which, on a terrestrial globe, is occupied by the equator: but on the other hand, a good part of the upper hemisphere was covered by the outspread wings of a large figure whose head was concealed by a ring at the pole or summit of the whole. Around the place of the head the words princeps tenebrarum could be deciphered. In the lower hemisphere there was a space hatched all over with cross-lines and marked as umbra mortis. Near it was a range of mountains, and among them a valley with flames rising from it. This was lettered (will you be surprised to learn it?) vallis filiorum Hinnom. Above and below Draco were outlined various figures not unlike the pictures of the ordinary constellations, but not the same. Thus, a nude man with a raised club was described, not as Hercules but as Cain. Another, plunged up to his middle in earth and stretching out despairing arms, was Chore, not Ophiuchus, and a third, hung by his hair to a snaky tree, was Absolon. Near the last, a man in long robes and high cap, standing in a circle and addressing two shaggy demons who hovered outside, was described as Hostanes magus (a character unfamiliar to Humphreys). The scheme of the whole, indeed, seemed to be an assemblage of the patriarchs of evil, perhaps not uninfluenced by a study of Dante. Humphreys thought it an unusual exhibition of his great-grandfather’s taste, but reflected that he had probably picked it up in Italy and had never taken the trouble to examine it closely: certainly, had he set much store by it, he would not have exposed it to wind and weather. He tapped the metal—it seemed hollow and not very thick—and, turning from it, addressed himself to his plan. After half an hour’s work he found it was impossible to get on without using a clue: so he procured a roll of twine from Clutterham, and laid it out along the alleys from the entrance to the centre, tying the end to the ring at the top of the globe. This expedient helped him to set out a rough plan before luncheon, and in the afternoon he was able to draw it in more neatly. Towards tea-time Mr. Cooper joined him, and was much interested in his progress. ‘Now this—’ said Mr. Cooper, laying his hand on the globe, and then drawing it away hastily. ‘Whew! Holds the heat, doesn’t it, to a surprising degree, Mr. Humphreys. I suppose this metal—copper, isn’t it?—would be an insulator or conductor, or whatever they call it.’

‘The sun has been pretty strong this afternoon,’ said Humphreys, evading the scientific point, ‘but I didn’t notice the globe had got hot. No—it doesn’t seem very hot to me,’ he added.

‘Odd!’ said Mr. Cooper. ‘Now I can’t hardly bear my hand on it. Something in the difference of temperament between us, I suppose. I dare say you’re a chilly subject, Mr. Humphreys: I’m not: and there’s where the distinction lies. All this summer I’ve slept, if you’ll believe me, practically in statu quo, and had my morning tub as cold as I could get it. Day out and day in-let me assist you with that string.’

‘It’s all right, thanks; but if you’ll collect some of these pencils and things that are lying about I shall be much obliged. Now I think we’ve got everything, and we might get back to the house.’

They left the maze, Humphreys rolling up the clue as they went.

The night was rainy.

Most unfortunately it turned out that, whether by Cooper’s fault or not, the plan had been the one thing forgotten the evening before. As was to be expected, it was ruined by the wet. There was nothing for it but to begin again (the job would not be a long one this time). The clue therefore was put in place once more and a fresh start made. But Humphreys had not done much before an interruption came in the shape of Calton with a telegram. His late chief in London wanted to consult him. Only a brief interview was wanted, but the summons was urgent. This was annoying, yet it was not really upsetting; there was a train available in half an hour, and, unless things went very cross, he could be back, possibly by five o’clock, certainly by eight. He gave the plan to Calton to take to the house, but it was not worth while to remove the clue.

All went as he had hoped. He spent a rather exciting evening in the library, for he lighted tonight upon a cupboard where some of the rarer books were kept. When he went up to bed he was glad to find that the servant had remembered to leave his curtains undrawn and his windows open. He put down his light, and went to the window which commanded a view of the garden and the park. It was a brilliant moonlight night. In a few weeks’ time the sonorous winds of autumn would break up all this calm. But now the distant woods were in a deep stillness; the slopes of the lawns were shining with dew; the colours of some of the flowers could almost be guessed. The light of the moon just caught the cornice of the temple and the curve of its leaden dome, and Humphreys had to own that, so seen, these conceits of a past age have a real beauty. In short, the light, the perfume of the woods, and the absolute quiet called up such kind old associations in his mind that he went on ruminating them for a long, long time. As he turned from the window he felt he had never seen anything more complete of its sort. The one feature that struck him with a sense of incongruity was a small Irish yew, thin and black, which stood out like an outpost of the shrubbery, through which the maze was approached. That, he thought, might as well be away: the wonder was that anyone should have thought it would look well in that position.

However, next morning, in the press of answering letters and going over books with Mr. Cooper, the Irish yew was forgotten. One letter, by the way, arrived this day which has to be mentioned. It was from that Lady Wardrop whom Miss Cooper had mentioned, and it renewed the application which she had addressed to Mr. Wilson. She pleaded, in the first place, that she was about to publish a Book of Mazes, and earnestly desired to include the plan of the Wilsthorpe Maze, and also that it would be a great kindness if Mr. Humphreys could let her see it (if at all) at an early date, since she would soon have to go abroad for the winter months. Her house at Bentley was not far distant, so Humphreys was able to send a note by hand to her suggesting the very next day or the day after for her visit; it may be said at once that the messenger brought back a most grateful answer, to the effect that the morrow would suit her admirably.

The only other event of the day was that the plan of the maze was successfully finished.

This night again was fair and brilliant and calm, and Humphreys lingered almost as long at his window. The Irish yew came to his mind again as he was on the point of drawing his curtains: but either he had been misled by a shadow the night before, or else the shrub was not really so obtrusive as he had fancied. Anyhow, he saw no reason for interfering with it. What he would do away with, however, was a clump of dark growth which had usurped a place against the house wall, and was threatening to obscure one of the lower range of windows. It did not look as if it could possibly be worth keeping; he fancied it dank and unhealthy, little as he could see of it.

Next day (it was a Friday—he had arrived at Wilsthorpe on a Monday) Lady Wardrop came over in her car soon after luncheon. She was a stout elderly person, very full of talk of all sorts and particularly inclined to make herself agreeable to Humphreys, who had gratified her very much by his ready granting of her request. They made a thorough exploration of the place together; and Lady Wardrop’s opinion of her host obviously rose sky-high when she found that he really knew something of gardening. She entered enthusiastically into all his plans for improvement, but agreed that it would be a vandalism to interfere with the characteristic laying-out of the ground near the house. With the temple she was particularly delighted, and, said she, ‘Do you know, Mr. Humphreys, I think your bailiff must be right about those lettered blocks of stone. One of my mazes—I’m sorry to say the stupid people have destroyed it now—it was at a place in Hampshire—had the track marked out in that way. They were tiles there, but lettered just like yours, and the letters, taken in the right order, formed an inscription—what it was I forget—something about Theseus and Ariadne. I have a copy of it, as well as the plan of the maze where it was. How people can do such things! I shall never forgive you if you injure your maze. Do you know, they’re becoming very uncommon? Almost every year I hear of one being grubbed up. Now, do let’s get straight to it: or, if you’re too busy, I know my way there perfectly, and I’m not afraid of getting lost in it; I know too much about mazes for that. Though I remember missing my lunch—not so very long ago either—through getting entangled in the one at Busbury. Well, of course, if you can manage to come with me, that will be all the nicer.’

After this confident prelude justice would seem to require that Lady Wardrop should have been hopelessly muddled by the Wilsthorpe maze. Nothing of that kind happened: yet it is to be doubted whether she got all the enjoyment from her new specimen that she expected. She was interested—keenly interested—to be sure, and pointed out to Humphreys a series of little depressions in the ground which, she thought, marked the places of the lettered blocks. She told him, too, what other mazes resembled his most closely in arrangement, and explained how it was usually possible to date a maze to within twenty years by means of its plan. This one, she already knew, must be about as old as 1780, and its features were just what might be expected. The globe, furthermore, completely absorbed her. It was unique in her experience, and she pored over it for long. ‘I should like a rubbing of that,’ she said, ‘if it could possibly be made. Yes, I am sure you would be most kind about it, Mr. Humphreys, but I trust you won’t attempt it on my account, I do indeed; I shouldn’t like to take any liberties here. I have the feeling that it might be resented. Now, confess,’ she went on, turning and facing Humphreys, ‘don’t you feel—haven’t you felt ever since you came in here—that a watch is being kept on us, and that if we overstepped the mark in any way there would be a—well, a pounce? No? I do; and I don’t care how soon we are outside the gate.’

‘After all,’ she said, when they were once more on their way to the house, ‘it may have been only the airlessness and the dull heat of that place that pressed on my brain. Still, I’ll take back one thing I said. I’m not sure that I shan’t forgive you after all, if I find next spring that that maze has been grubbed up.’

‘Whether or no that’s done, you shall have the plan, Lady Wardrop. I have made one, and no later than tonight I can trace you a copy.’

‘Admirable: a pencil tracing will be all I want, with an indication of the scale. I can easily have it brought into line with the rest of my plates. Many, many thanks.’

‘Very well, you shall have that tomorrow. I wish you could help me to a solution of my block-puzzle.’

‘What, those stones in the summer-house? That is a puzzle; they are in no sort of order? Of course not. But the men who put them down must have had some directions—perhaps you’ll find a paper about it among your uncle’s things. If not, you’ll have to call in somebody who’s an expert in ciphers.’

‘Advise me about something else, please,’ said Humphreys. ‘That bush-thing under the library window: you would have that away, wouldn’t you?’

‘Which? That? Oh, I think not,’ said Lady Wardrop. ‘I can’t see it very well from this distance, but it’s not unsightly.’

‘Perhaps you’re right; only, looking out of my window, just above it, last night, I thought it took up too much room. It doesn’t seem to, as one sees it from here, certainly. Very well, I’ll leave it alone for a bit.’

Tea was the next business, soon after which Lady Wardrop drove off; but, half-way down the drive, she stopped the car and beckoned to Humphreys, who was still on the front-door steps. He ran to glean her parting words, which were: ‘It just occurs to me, it might be worth your while to look at the underside of those stones. They must have been numbered, mustn’t they? Good-bye again. Home, please.’

The main occupation of this evening at any rate was settled. The tracing of the plan for Lady Wardrop and the careful collation of it with the original meant a couple of hours’ work at least. Accordingly, soon after nine Humphreys had his materials put out in the library and began. It was a still, stuffy evening; windows had to stand open, and he had more than one grisly encounter with a bat. These unnerving episodes made him keep the tail of his eye on the window. Once or twice it was a question whether there was—not a bat, but something more considerable—that had a mind to join him. How unpleasant it would be if someone had slipped noiselessly over the sill and was crouching on the floor!

The tracing of the plan was done: it remained to compare it with the original, and to see whether any paths had been wrongly closed or left open. With one finger on each paper, he traced out the course that must be followed from the entrance. There were one or two slight mistakes, but here, near the centre, was a bad confusion, probably due to the entry of the Second or Third Bat. Before correcting the copy he followed out carefully the last turnings of the path on the original. These, at least, were right; they led without a hitch to the middle space. Here was a feature which need not be repeated on the copy—an ugly black spot about the size of a shilling. Ink? No. It resembled a hole, but how should a hole be there? He stared at it with tired eyes: the work of tracing had been very laborious, and he was drowsy and oppressed… But surely this was a very odd hole. It seemed to go not only through the paper, but through the table on which it lay. Yes, and through the floor below that, down, and still down, even into infinite depths. He craned over it, utterly bewildered. Just as, when you were a child, you may have pored over a square inch of counterpane until it became a landscape with wooded hills, and perhaps even churches and houses, and you lost all thought of the true size of yourself and it, so this hole seemed to Humphreys for the moment the only thing in the world. For some reason it was hateful to him from the first, but he had gazed at it for some moments before any feeling of anxiety came upon him; and then it did come, stronger and stronger—a horror lest something might emerge from it, and a really agonizing conviction that a terror was on its way, from the sight of which he would not be able to escape. Oh yes, far, far down there was a movement, and the movement was upwards—towards the surface. Nearer and nearer it came, and it was of a blackish-grey colour with more than one dark hole. It took shape as a face—a human face—a burnt human face: and with the odious writhings of a wasp creeping out of a rotten apple there clambered forth an appearance of a form, waving black arms prepared to clasp the head that was bending over them. With a convulsion of despair Humphreys threw himself back, struck his head against a hanging lamp, and fell.

There was concussion of the brain, shock to the system, and a long confinement to bed. The doctor was badly puzzled, not by the symptoms, but by a request which Humphreys made to him as soon as he was able to say anything. ‘I wish you would open the ball in the maze.’ ‘Hardly room enough there, I should have thought,’ was the best answer he could summon up; ‘but it’s more in your way than mine; my dancing days are over.’ At which Humphreys muttered and turned over to sleep, and the doctor intimated to the nurses that the patient was not out of the wood yet. When he was better able to express his views, Humphreys made his meaning clear, and received a promise that the thing should be done at once. He was so anxious to learn the result that the doctor, who seemed a little pensive next morning, saw that more harm than good would be done by saving up his report. ‘Well,’ he said, ‘I am afraid the ball is done for; the metal must have worn thin, I suppose. Anyhow, it went all to bits with the first blow of the chisel.’ ‘Well? go on, do!’ said Humphreys impatiently. ‘Oh! you want to know what we found in it, of course. Well, it was half full of stuff like ashes.’ ‘Ashes? What did you make of them?’ ‘I haven’t thoroughly examined them yet; there’s hardly been time: but Cooper’s made up his mind—I dare say from something I said—that it’s a case of cremation… Now don’t excite yourself, my good sir: yes, I must allow I think he’s probably right.’

The maze is gone, and Lady Wardrop has forgiven Humphreys; in fact, I believe he married her niece. She was right, too, in her conjecture that the stones in the temple were numbered. There had been a numeral painted on the bottom of each. Some few of these had rubbed off, but enough remained to enable Humphreys to reconstruct the inscription. It ran thus:

PENETRANS AD INTERIORA MORTIS

Grateful as Humphreys was to the memory of his uncle, he could not quite forgive him for having burnt the journals and letters of the James Wilson who had gifted Wilsthorpe with the maze and the temple. As to the circumstances of that ancestor’s death and burial no tradition survived; but his will, which was almost the only record of him accessible, assigned an unusually generous legacy to a servant who bore an Italian name.

Mr. Cooper’s view is that, humanly speaking, all these many solemn events have a meaning for us, if our limited intelligence permitted of our disintegrating it, while Mr. Calton has been reminded of an aunt now gone from us, who, about the year 1866, had been lost for upwards of an hour and a half in the maze at Covent Gardens, or it might be Hampton Court.

One of the oddest things in the whole series of transactions is that the book which contained the Parable has entirely disappeared. Humphreys has never been able to find it since he copied out the passage to send to Lady Wardrop.

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A View From a Hill by M.R. James

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How pleasant it can be, alone in a first-class railway carriage, on the first day of a holiday that is to be fairly long, to dawdle through a bit of English country that is unfamiliar, stopping at every station. You have a map open on your knee, and you pick out the villages that lie to right and left by their church towers. You marvel at the complete stillness that attends your stoppage at the stations, broken only by a footstep crunching the gravel. Yet perhaps that is best experienced after sundown, and the traveler I have in mind was making his leisurely progress on a sunny afternoon in the latter half of June.

He was in the depths of the country. I need not particularise further than to say that if you divided the map of England into four quarters, he would have been found in the south-western of them.

He was a man of academic pursuits, and his term was just over. He was on his way to meet a new friend, older than himself. The two of them had met first on an official inquiry in town, had found that they had many tastes and habits in common, liked each other, and the result was an invitation from Squire Richards to Mr. Fanshawe which was now taking effect.

The journey ended about five o’clock. Fanshawe was told by a cheerful country porter that the car from the Hall had been up to the station and left a message that something had to be fetched from half a mile farther on, and would the gentleman please to wait a few minutes till it came back? ‘But I see,’ continued the porter, ‘as you’ve got your bystile, and very like you’d find it pleasanter to ride up to the ‘all yourself. Straight up the road ‘ere, and then first turn to the left—it ain’t above two mile—and I’ll see as your things is put in the car for

You’ll excuse me mentioning it, only I though it were a nice evening for a ride. Yes, sir, very seasonable weather for the haymakers: met me see, I have your bike ticket. Thank you, sir; much obliged: you can’t miss your road, etc., etc.’

The two miles to the Hall were just what was needed, after the day in the train, to dispel somnolence and impart a wish for tea. The Hall, when sighted, also promised just what was needed in the way of a quiet resting-place after days of sitting on committees and college-meetings. It was neither excitingly old nor depressingly new. Plastered walls, sash-windows, old trees, smooth lawns, were the features which Fanshawe noticed as he came up the drive. Squire Richards, a burly man of sixty odd, was awaiting him in the porch with evident pleasure ‘Tea first,’ he said, ‘or would you like a longer drink? No? All right, tea’s ready in the garden. Come along, they’ll put your machine away. I always have tea under the lime-tree by the stream on a day like this.’ Nor could you ask for a better place. Midsummer afternoon, shade and scent of a vast lime-tree, cool, swirling water within five yards. It was long before either of them suggested a move. But about six, Mr. Richards sat up, knocked out his pipe, and said: ‘Look here, it’s cool enough now to think of a stroll, if you’re inclined? All right: then what I suggest is that we walk up the park and get on to the hill-side, where we can look over the country. We’ll have a map, and I’ll show you where things are; and you can go off on your machine, or we can take the car, according as you want exercise or not. If you’re ready, we can start now and be back well before eight, taking it very easy.’

‘I’m ready. I should like my stick, though, and have you got any field-glasses? I lent mine to a man a week ago, and he’s gone off Lord knows where and taken them with him.’

Mr. Richards pondered. ‘Yes,’ he said, ‘I have, but they’re not things I use myself, and I don’t know whether the ones I have will suit you. They’re old-fashioned, and about twice as heavy as they make ‘em now. You’re welcome to have them, but I won’t carry them. By the way, what do you want to drink after dinner?’

Protestations that anything would do were overruled, and a satisfactory settlement was reached on the way to the front hall, where Mr. Fanshawe found his stick, and Mr. Richards, after thoughtful pinching of his lower lip, resorted to a drawer in the hall-table, extracted a key, crossed to a cupboard in the panelling, opened it, took a box from the shelf, and put it on the table. ‘The glasses are in there,’ he said, ‘and there’s some dodge of opening it, but I’ve forgotten what it is. You try.’ Mr. Fanshawe accordingly tried. There was no keyhole, and the box was solid, heavy and smooth: it seemed obvious that some part of it would have to be pressed before anything could happen. ‘The corners,’ said he to himself, ‘are the likely places; and infernally sharp corners they are too,’ he added, as he put his thumb in his mouth after exerting force on a lower corner.

‘What’s the matter?’ said the Squire.

‘Why, your disgusting Borgia box has scratched me, drat it,’ said Fanshawe. The Squire chuckled unfeelingly. ‘Well, you’ve got it open, anyway,’ he said.

‘So I have! Well, I don’t begrudge a drop of blood in a good cause, and here are the glasses. They are pretty heavy, as you said, but I think I’m equal to carrying them.’

‘Ready?’ said the Squire. ‘Come on then; we go out by the garden.’

So they did, and passed out into the park, which sloped decidedly upwards to the hill which, as Fanshawe had seen from the train, dominated the country. It was a spur of a larger range that lay behind. On the way, the Squire, who was great on earthworks, pointed out various spots where he detected or imagined traces of war-ditches and the like. ‘And here,’ he said, stopping on a more or less level plot with a ring of large trees, ‘is Baxter’s Roman villa.’ ‘Baxter?’ said Mr. Fanshawe.

‘I forgot; you don’t know about him. He was the old chap I got those glasses from. I believe he made them. He was an old watch-maker down in the village, a great antiquary. My father gave him leave to grub about where he liked; and when he made a find he used to lend him a man or two to help him with the digging. He got a surprising lot of things together, and when he died—I dare say it’s ten or fifteen years ago—I bought the whole lot and gave them to the town museum. We’ll run in one of these days, and look over them. The glasses came to me with the rest, but of course I kept them. If you look at them, you’ll see they’re more or less amateur work—the body of them; naturally the lenses weren’t his making.’

‘Yes, I see they are just the sort of thing that a clever workman in a different line of business might turn out. But I don’t see why he made them so heavy. And did Baxter actually find a Roman villa here?’

‘Yes, there’s a pavement turfed over, where we’re standing: it was too rough and plain to be worth taking up, but of course there are drawings of it: and the small things and pottery that turned up were quite good of their kind. An ingenious chap, old Baxter: he seemed to have a quite out-of-the-way instinct for these things. He was invaluable to our archæologists. He used to shut up his shop for days at a time, and wander off over the district, marking down places, where he scented anything, on the ordnance map; and he kept a book with fuller notes of the places. Since his death, a good many of them have been sampled, and there’s always been something to justify him.’

‘What a good man!’ said Mr. Fanshawe.

‘Good?’ said the Squire, pulling up brusquely.

‘I meant useful to have about the place,’ said Mr. Fanshawe. ‘But was he a villain?’

‘I don’t know about that either,’ said the Squire; ‘but all I can say is, if he was good, he wasn’t lucky. And he wasn’t liked: I didn’t like him,’ he added, after a moment.

‘Oh?’ said Fanshawe interrogatively.

‘No, I didn’t; but that’s enough about Baxter: besides, this is the stiffest bit, and I don’t want to talk and walk as well.’

Indeed it was hot, climbing a slippery grass slope that evening. ‘I told you I should take you the short way,’ panted the Squire, ‘and I wish I hadn’t. However, a bath won’t do us any harm when we get back. Here we are, and there’s the seat.’

A small clump of old Scotch firs crowned the top of the hill; and, at the edge of it, commanding the cream of the view, was a wide and solid seat, on which the two disposed themselves, and wiped their brows, and regained breath.

‘Now, then,’ said the Squire, as soon as he was in a condition to talk connectedly, ‘this is where your glasses come in. But you’d better take a general look round first. My word! I’ve never seen the view look better.’

Writing as I am now with a winter wind flapping against dark windows and a rushing, tumbling sea within a hundred yards, I find it hard to summon up the feelings and words which will put my reader in possession of the June evening and the lovely English landscape of which the Squire was speaking.

Across a broad level plain they looked upon ranges of great hills, whose uplands—some green, some furred with woods—caught the light of a sun, westering but not yet low. And all the plain was fertile, though the river which traversed it was nowhere seen. ‘There were copses, green wheat, hedges and pasture-land: the little compact white moving cloud marked the evening train. Then the eye picked out red farms and grey houses, and nearer home scattered cottages, and then the Hall, nestled under the hill. The smoke of chimneys was very blue and straight. There was a smell of hay in the air: there were wild roses on bushes hard by. It was the acme of summer.

After some minutes of silent contemplation, the Squire began to point out the leading features, the hills and valleys, and told where the towns and villages lay. ‘Now,’ he said, ‘with the glasses you’ll be able to pick out Fulnaker Abbey. Take a line across that big green field, then over the wood beyond it, then over the farm on the knoll.’

‘Yes, yes,’ said Fanshawe. ‘I’ve got it. What a fine tower!’

‘You must have got the wrong direction,’ said the Squire; ‘there’s not much of a tower about there that I remember, unless it’s Oldbourne Church that you’ve got hold of. And if you call that a fine tower, you’re easily pleased.’

‘Well, I do call it a fine tower,’ said Fanshawe, the glasses still at his eyes, ‘whether it’s Oldbourne or any other. And it must belong to a largish church; it looks to me like a central tower—four big pinnacles a the corners, and four smaller ones between. I must certainly go over there. How far is it?’

‘Oldbourne’s about nine miles, or less,’ said the Squire. ‘It’s a long time since I’ve been there, but I don’t remember thinking much of it. Now I’ll show you another thing.’

Fanshawe had lowered the glasses, and was still gazing in the Oldbourne direction. ‘No,’ he said, ‘I can’t make out anything with the naked eye. What was it you were going to show me?’

‘A good deal more to the left—it oughtn’t to be difficult to find. Do you see a rather sudden knob of a hill with a thick wood on top of it? It’s in a dead line with that single tree on the top of the big ridge.’

‘I do,’ said Fanshawe, ‘and I believe I could tell you without much difficulty what it’s called.’

‘Could you now?’ said the Squire. ‘Say on.’

‘Why, Gallows Hill,’ was the answer.

‘How did you guess that?’

‘Well, if you don’t want it guessed, you shouldn’t put up a dummy gibbet and a man hanging on it.’

‘What’s that?’ said the Squire abruptly. ‘There’s nothing on that hill but wood.’

‘On the contrary,’ said Fanshawe, ‘there’s a largish expanse of grass on the top and your dummy gibbet in the middle; and I thought there was something on it when I looked first. But I see there’s nothing—or is there? I can’t be sure.’

‘Nonsense, nonsense, Fanshawe, there’s no such thing as a dummy gibbet, or any other sort, on that hill. And it’s thick wood—a fairly young plantation. I was in it myself not a year ago. Hand me the glasses, though I don’t suppose I can see anything.’ After a pause: ‘No, I thought not: they won’t show a thing.’

Meanwhile Fanshawe was scanning the hill—it might be only two or three miles away. ‘Well, it’s very odd,’ he said, ‘it does look exactly like a wood without the glass.’ He took it again. ‘That is one of the oddest effects. The gibbet is perfectly plain, and the grass field, and there even seem to be people on it, and carts, or a cart, with men in it. And yet when I take the glass away, there’s nothing. It must be something in the way this afternoon light falls: I shall come up earlier in the day when the sun’s full on it.’

‘Did you say you saw people and a cart on that hill?’ said the Squire incredulously. ‘What should they be doing there at this time of day, even if the trees have been felled? Do talk sense—look again.’

‘Well, I certainly thought I saw them. Yes, I should say there were a few, just clearing off. And now—by Jove, it does look like something hanging on the gibbet. But these glasses are so beastly heavy I can’t hold them steady for long. Anyhow, you can take it from me there’s no wood. And if you’ll show me the road on the map, I’ll go there tomorrow.’

The Squire remained brooding for some little time. At last he rose and said, ‘Well, I suppose that will be the best way to settle it. And now we’d better be getting back. Bath and dinner is my idea.’ And on the way back he was not very communicative.

They returned through the garden, and went into the front hall to leave sticks, etc., in their due place. And here they found the aged butler Patten evidently in a state of some anxiety. ‘Beg pardon, Master Henry,’ he began at once, ‘but someone’s been up to mischief here, I’m much afraid.’ He pointed to the open box which had contained the glasses.

‘Nothing worse than that, Patten?’ said the Squire. ‘Mayn’t I take out my own glasses and lend them to a friend? Bought with my own money, you recollect? At old Baxter’s sale, eh?’

Patten bowed, unconvinced. ‘Oh, very well, Master Henry, as long as you know who it was. Only I thought proper to name it, for I didn’t think that box’d been off its shelf since you first put it there; and, if you’ll excuse me, after what happened … ‘ The voice was lowered, and the rest was not audible to Fanshawe. The Squire replied with a few words and a gruff laugh, and called on Fanshawe to come and be shown his room. And I do not think that anything else happened that night which bears on my story.

Except, perhaps, the sensation which invaded Fanshawe in the small hours that something had been let out which ought not to have been let out. It came into his dreams. He was walking in a garden which he seemed half to know, and stopped in front of a rockery made of old wrought stones, pieces of window tracery from a church, and even bits of figures. One of these moved his curiosity: it seemed to be a sculptured capital with scenes carved on it. He felt he must pull it out, and worked away, and, with an ease that surprised him, moved the stones that obscured it aside, and pulled out the block. As he did so, a tin label fell down by his feet with a little clatter. He picked it up and read on it: ‘On no account move this stone. Yours sincerely, J. Patten.’ As often happens in dreams, he felt that this injunction was of extreme importance; and with an anxiety that amounted to anguish he looked to see if the stone had really been shifted. Indeed it had; in fact, he could not see it anywhere. The removal had disclosed the mouth of a burrow, and he bent down to look into it. Something stirred in the blackness, and then, to his intense horror, a hand emerged—a clean right hand in a neat cull and coat-sleeve, just in the attitude of a hand that means to shake yours. He wondered whether it would not be rude to let it alone. But, as he looked at it, it began to grow hairy and dirty and thin, and also to change its pose and stretch out as if to take hold of his leg. At that he dropped all thought of politeness, decided to run, screamed and woke himself up.

This was the dream he remembered; but it seemed to him (as, again, it often does) that there had been others of the same import before, but not so insistent. He lay awake for some little time, fixing the details of the last dream in his mind, and wondering in particular what the figures had been which he had seen or half seen on the carved capital. Something quite incongruous, he felt sure; but that was the most he could recall.

Whether because of the dream, or because it was the first day of his holiday, he did not get up very early; nor did he at once plunge into the exploration of the country. He spent a morning, half lazy, half instructive, in looking over the volumes of the County Archæological Society’s transactions, in which were many contributions from Mr. Baxter on finds of flint implements, Roman sites, ruins of monastic establishments—in fact, most departments of archæology. They were written in an odd, pompous, only half-educated style. If the man had had more early schooling, thought Fanshawe, he would have been a very distinguished antiquary; or he might have been (he thus qualified his opinion a little later), but for a certain love of opposition and controversy, and, yes, a patronising tone as of one possessing superior knowledge, which left an unpleasant taste. He might have been a very respectable artist. There was an imaginary restoration and elevation of a priory church which was very well conceived. A fine pinnacled central tower was a conspicuous feature of this; it reminded Fanshawe of that which he had seen from the hill, and which the Squire had told him must be Oldbourne. But it was not Oldbourne; it was Fulnaker Priory. ‘Oh, well,’ he said to himself, ‘I suppose Oldbourne Church may have been built by Fulnaker monks, and Baxter has copied Oldbourne tower. Anything about it in the letterpress? Ah, I see it was published after his death—found among his papers.’

After lunch the Squire asked Fanshawe what he meant to do.

‘Well,’ said Fanshawe, ‘I think 1 shall go out on my bike about four as far as Oldbourne and back by Gallows Hill. That ought to be a round of about fifteen miles, oughtn’t it?’

‘About that,’ said the Squire, ‘and you’ll pass Lambsfield and Wanstone, both of which are worth looking at. There’s a little glass at Lambsfield and the stone at Wanstone.’

‘Good,’ said Fanshawe, ‘I’ll get tea somewhere, and may I take the glasses? I’ll strap them on my bike, on the carrier.’

‘Of course, if you like,’ said the Squire. ‘I really ought to have some better ones. If I go into the town today, I’ll see if 1 can pick up some.’ ‘Why should you trouble to do that if you can’t use them yourself?’ said Fanshawe.

‘Oh, I don’t know; one ought to have a decent pair; and—well, old Patten doesn’t think those are fit to use.’

‘Is he a judge?’

‘He’s got some tale: I don’t know: something about old Baxter. I’ve promised to let him tell me about it. It seems very much on his mind since last night.’

‘Why that? Did he have a nightmare like me?’

‘He had something: he was looking an old man this morning, and he said he hadn’t closed an eye.’

‘Well, let him save up his tale till I come back.’

‘Very well, I will if I can. Look here, are you going to be late? If you get a puncture eight miles off and have to walk home, what then? I don’t trust these bicycles: I shall tell them to give us cold things to eat.’

‘I shan’t mind that, whether I’m late or early. But I’ve got things to mend punctures with. And now I’m off.’

It was just as well that the Squire had made that arrangement about a cold supper, Fanshawe thought, and not for the first time, as he wheeled his bicycle up the drive about nine o’clock. So also the Squire thought and said, several times, as he met him in the hall, rather pleased at the confirmation of his want of faith in bicycles than sympathetic with his hot, weary, thirsty, and indeed haggard, friend. In fact, the kindest thing he found to say was: ‘You’ll want a long drink tonight? Cider-cup do? All right. Hear that, Patten? Cider-cup, iced, lots of it.’ Then to Fanshawe, ‘Don’t be all night over your bath.’

By half-past nine they were at dinner, and Fanshawe was reporting progress, if progress it might be called.

‘I got to Lambsfield very smoothly, and saw the glass. It is very interesting stuff, but there’s a lot of lettering I couldn’t read.’ ‘Not with glasses?’ said the Squire.

‘Those glasses of yours are no manner of use inside a church—or inside anywhere, I suppose, for that matter. But the only places I took ‘em into were churches.’

‘H’m! Well, go on,’ said the Squire.

‘However, I took some sort of a photograph of the window, and I dare say an enlargement would show what I want. Then Wanstone; I should think that stone was a very out-of-the-way thing, only I don’t know about that class of antiquities. Has anybody opened the mound it stands on?’

‘Baxter wanted to, but the farmer wouldn’t let him.’

‘Oh, well, I should think it would be worth doing. Anyhow, the next thing was Fulnaker and Oldbourne. You know, it’s very odd about that tower I saw from the hill. Oldbourne Church is nothing like it, and of course there’s nothing over thirty feet high at Fulnaker, though you can see it had a central tower. I didn’t tell you, did I? that Baxter’s fancy drawing of Fulnaker shows a tower exactly like the one I saw.’

‘So you thought, I dare say,’ put in the Squire.

‘No, it wasn’t a case of thinking. The picture actually reminded me of what I’d seen, and I made sure it was Oldbourne, well before I looked at the title.’

‘Well, Baxter had a very fair idea of architecture. I dare say what’s left made it easy for him to draw the right sort of tower.’

‘That may be it, of course, but I’m doubtful if even a professional could have got it so exactly right. There’s absolutely nothing left at Fulnaker but the bases of the piers which supported it. However, that isn’t the oddest thing.’

‘What about Gallows Hill?’ said the Squire. ‘Here, Patten, listen to this. I told you what Mr. Fanshawe said he saw from the hill.’

‘Yes, Master Henry, you did; and I can’t say I was so much surprised, considering.’

‘All right, all right. You keep that till afterwards. We want to hear what Mr. Fanshawe saw today. Go on, Fanshawe. You turned to come back by Ackford and Thorfield, I suppose?’

‘Yes, and I looked into both the churches. Then I got to the turning which goes to the top of Gallows Hill; I saw that if I wheeled my machine over the field at the top of the hill I could join the home road on this side. It was about half-past six when I got to the top of the hill, and there was a gate on my right, where it ought to be, leading into the belt of plantation.’

‘You hear that, Patten? A belt, he says.’

‘So I thought it was—a belt. But it wasn’t. You were quite right, and I was hopelessly wrong. I cannot understand it. The whole top is planted quite thick. Well, I went on into this wood, wheeling and dragging my bike, expecting every minute to come to a clearing, and then my misfortunes began. Thorns, I suppose; first I realised that the front tyre was slack, then the back. I couldn’t stop to do more than try to find the punctures and mark them; but even that was hopeless. So I ploughed on, and the farther I went, the less I liked the place.’

‘Not much poaching in that cover, eh, Patten?’ said the Squire. ‘No, indeed, Master Henry: there’s very few cares to go—’ ‘No, I know: never mind that now. Go on, Fanshawe.’ ‘I don’t blame anybody for not caring to go there. I know I had all the fancies one least likes: steps crackling over twigs behind me, indistinct people stepping behind trees in front of me, yes, and even a hand laid on my shoulder. I pulled up very sharp at that and looked round, but there really was no branch or bush that could have done it. Then, when I was just about at the middle of the plot, I was convinced that there was someone looking down on me from above—and not with any pleasant intent. I stopped again, or at least slackened my pace, to look up. And as I did, down I came, and barked my shins abominably on, what do you think? a block of stone with a big square hole in the top of it. And within a few paces there were two others just like it. The three were set in a triangle. Now, do you make out what they were put there for?’

‘I think I can,’ said the Squire, who was now very grave and absorbed in the story. ‘Sit down, Patten.’

It was time, for the old man was supporting himself by one hand, and leaning heavily on it. He dropped into a chair, and said in a very tremulous voice, ‘You didn’t go between them stones, did you, sir?’

‘I did not,’ said Fanshawe, emphatically. ‘I dare say I was an ass, but as soon as it dawned on me where I was, I just shouldered my machine and did my best to run. It seemed to me as if I was in an unholy evil sort of graveyard, and I was most profoundly thankful that it was one of the longest days and still sunlight. Well, 1 had a horrid run, even if it was only a few hundred yards. Everything caught on everything: handles and spokes and carrier and pedals—caught in them viciously, or I fancied so. I fell over at least five times. At last I saw the hedge, and I couldn’t trouble to hunt for the gate.’

‘There is no gate on my side,’ the Squire interpolated.

‘Just as well I didn’t waste time, then. I dropped the machine over somehow and went into the road pretty near head-first; some branch or something got my ankle at the last moment. Anyhow, there I was out of the wood, and seldom more thankful or more generally sore. Then came the job of mending my punctures. I had a good outfit and I’m not at all bad at the business; but this was an absolutely hopeless case. It was seven when I got out of the wood, and I spent fifty minutes over one tyre. As fast as I found a hole and put on a patch, and blew it up, it went flat again. So I made up my mind to walk. That hill isn’t three miles away, is it?’

Not more across country, but nearer six by road.’

‘I thought it must be. I thought I couldn’t have taken well over the hour over less than five miles, even leading a bike. Well, there’s my story: where’s yours and Patten’s?’

‘Mine? I’ve no story,’ said the Squire. ‘But you weren’t very far out when you thought you were in a graveyard. There must be a good few of them up there, Patten, don’t you think? They left ‘em there when they fell to bits, I fancy.’

Patten nodded, too much interested to speak. ‘Don’t,’ said Fanshawe. ‘Now then, Patten,’ said the Squire, ‘you’ve heard what sort of a time

Mr. Fanshawe’s been having. What do you make of it? Anything to do with Mr. Baxter? Fill yourself a glass of port, and tell us.’

‘Ah, that done me good, Master Henry,’ said Patten, after absorbing what was before him. ‘If you really wish to know what were in my thoughts, my answer would be clear in the affirmative. Yes,’ he went on, warming to his work, ‘I should say as Mr. Fanshawe’s experience of today were very largely doo to the person you named. And I think, Master Henry, as I have some title to speak, in view of me ‘axing been many years on speaking terms with him, and swore in to be jury on the Coroner’s inquest near this time ten years ago, you being then, if you carry your mind back, Master Henry, travelling abroad, and no one ‘ere to represent the family.’

‘Inquest?’ said Fanshawe. ‘An inquest on Mr. Baxter, was there?’

‘Yes, sir, on—on that very person. The facts as led up to that occurrence was these. The deceased was, as you may have gathered, a very peculiar individual in ‘is ‘abits—in my idear, at least, but all must speak as they find. He lived very much to himself, without neither chick nor child, as the saying is. And how he passed away his time was what very few could orfer a guess at.’

‘He lived unknown, and few could know when Baxter ceased to be,’ said the Squire to his pipe.

‘I beg pardon, Master Henry, I was just coming to that. But when I say how he passed away his time—to be sure we know ‘ow intent he was in rummaging and ransacking out all the ‘istry of the neighbourhood and the number of things he’d managed to collect together—well, it was spoke of for miles round as Baxter’s Museum, and many a time when he might be in the mood, and I might have an hour to spare, have he showed me his pieces of pots and what not, going back by his account to the times of the ancient Romans. However, you know more about that than what I do, Master Henry: only what I was a-going to say was this, as know what he might and interesting as he might be in his talk, there was something about the man—well, for one thing, no one ever remember to see him in church nor yet chapel at service-time. And that made talk. Our rector he never come in the house but once. “Never ask me what the man said”; that was all anybody could ever get out of him. Then how did he spend his nights, particularly about this season of the year? Time and again the labouring men’d meet him coming back as they went out to their work, and he’d pass ‘em by without a word, looking, they says, like someone straight out of the asylum. They see the whites of his eyes all round. He’d have a fish-basket with him, that they noticed, and he always come the same road. And the talk got to be that he’d made himself some business, and that not the best kind—well, not so far from where you was at seven o’clock this evening, sir.

‘Well, now, after such a night as that, Mr. Baxter he’d shut up the shop, and the old lady that did for him had orders not to come in; and knowing what she did about his language, she took care to obey them orders. But one day it so happened, about three o’clock in the afternoon, the house being shut up as I said, there come a most fearful to-do inside, and smoke out of the windows, and Baxter crying out seemingly in an agony. So the man as lived next door he run round to the back premises and burst the door in, and several others come too. Well, he tell me he never in all his life smelt such a fearfu—well, odour, as what there was in that kitchen-place. It seem as if Baxter had been boiling something in a pot and overset it on his leg. There he laid on the floor, trying to keep back the cries, but it was more than he could manage, and when he seen the people come in—oh, he was in a nice condition: if his tongue warn’t blistered worse than his leg it warn’t his fault. Well, they picked him up, and got him into a chair, and run for the medical man, and one of ‘em was going to pick up the pot, and Baxter, he screams out to let it alone. So he did, but he couldn’t see as there was anything in the pot but a few old brown bones. Then they says “Dr. Lawrence’ll be here in a minute, Mr. Baxter; he’ll soon put you to rights.” And then he was off again. He must be got up to his room, he couldn’t have the doctor come in there and see all that mess—they must throw a cloth over it—anything—the tablecloth out of the parlour; well, so they did. But that must have been poisonous stuff in that pot, for it was pretty near on two months afore Baxter were about agin. Beg pardon, Master Henry, was you going to say something?’

‘Yes, I was,’ said the Squire. ‘I wonder you haven’t told me all this before. However, I was going to say I remember old Lawrence telling me he’d attended Baxter. He was a queer card, he said. Lawrence was up in the bedroom one day, and picked up a little mask covered with black velvet, and put it on in fun and went to look at himself in the glass. He hadn’t time for a proper look, for old Baxter shouted out to him from the bed: “Put it down, you fool! Do you want to look through a dead man’s eyes?” and it startled him so that he did put it down, and then he asked Baxter what he meant. And Baxter insisted on him handing it over, and said the man he bought it from was dead, or some such nonsense. But Lawrence felt it as he handed it over, and he declared he was sure it was made out of the front of a skull. He bought a distilling apparatus at Baxter’s sale, he told me, but he could never use it: it seemed to taint everything, however much he cleaned it. But go on, Patten.’

‘Yes, Master Henry, I’m nearly done now, and time, too, for I don’t know what they’ll think about me in the servants’ ‘all. Well, this business of the scalding was some few years before Mr. Baxter was took, and he got about again, and went on just as he’d used. And one of the last jobs he done was finishing up them actual glasses what you took out last night. You see he’d made the body of them some long time, and got the pieces of glass for them, but there was somethink wanted to finish ‘em, whatever it was, I don’t know, but I picked up the frame one day, and I says: “Mr. Baxter, why don’t you make a job of this?” And he says, “Ah, when I’ve done that, you’ll hear news, you will: there’s going to be no such pair of glasses as mine when they’re filled and sealed,” and there he stopped, and I says: “Why, Mr. Baxter, you talk as if they was wine bottles: filled and sealed—why, where’s the necessity for that?” “Did I say filled and sealed?” he says. “O, well, I was suiting my conversation to my company.” Well, then come round this time of year, and one fine evening, I was passing his shop on my way home, and he was standing on the step, very pleased with hisself, and he says: “All right and tight now: my best bit of work’s finished, and I’ll be out with ‘em tomorrow.” “What, finished them glasses?” I says, “might I have a look at them?” “No, no,” he says, “I’ve put ‘em to bed for tonight, and when I do show ‘em you, you’ll have to pay for peepin’, so I tell you.” And that, gentlemen, were the last words I heard that man say.

‘That were the 17th of June, and just a week after, there was a funny thing happened, and it was doo to that as we brought in “unsound mind” at the inquest, for barring that, no one as knew Baxter in business could anyways have laid that against him. But George Williams, as lived in the next house, and do now, he was woke up that same night with a stumbling and tumbling about in Mr. Baxter’s premises, and he got out o’ bed, and went to the front window on the street to see if there was any rough customers about. And ft being a very light night, he could make sure as there was not. Then he stood and listened, and he hear Mr. Baxter coming down his front stair one step after another very slow, and he got the idear as it was like someone bein’ pushed or pulled down and holdin’ on to everythin’ he could. Next thing he hear the street door come open, and out come Mr. Baxter into the street in his day-clothes, ‘at and all, with his arms straight down by his sides, and talking to hisself, and shakin’ his head from one side to the other, and walking in that peculiar way that he appeared to be going as it were against his own will. George Williams put up the window, and hear him say: “O mercy, gentlemen!” and then he shut up sudden as if, he said, someone clapped his hand over his mouth, and Mr. Baxter threw his head back, and his hat fell off. And Williams see his face looking something pitiful, so as he couldn’t keep from calling out to him: “Why, Mr. Baxter, ain’t you well?” and he was goin’ to offer to fetch Dr. Lawrence to him, only he heard the answer: ” ‘Tis best you mind your own business. Put in your head.” But whether it were Mr. Baxter said it so hoarse-like and faint, he never could be sure. Still there weren’t no one but him in the street, and yet Williams was that upset by the way he spoke that he shrank back from the window and went and sat on the bed. And he heard Mr. Baxter’s step go on and up the road, and after a minute or more he couldn’t help but look out once more and he see him going along the same curious way as before. And one thing he recollected was that Mr. Baxter never stopped to pick up his ‘at when it fell off, and yet there it was on his head. Well, Master Henry, that was the last anybody see of Mr. Baxter, leastways for a week or more. There was a lot of people said he was called off on business, or made off because he’d got into some scrape, but he was well known for miles round, and none of the railway people nor the public-house people hadn’t seen him; and then ponds was looked into and nothink found; and at last one evening Fakes the keeper come down from over the hill to the village, and he says he seen the Gallows Hill planting black with birds, and that were a funny thing, because he never see no sign of a creature there in his time. So they looked at each other a bit, and first one says: “I’m game to go up,” and another says: “So am I, if you are,” and half a dozen of ‘em set out in the evening time, and took Dr. Lawrence with them, and you know, Master Henry, there he was between them three stones with his neck broke.’

Useless to imagine the talk which this story set going. It is not remembered. But before Patten left them, he said to Fanshawe: ‘Excuse me, sir, but did I understand as you took out them glasses with you today? I thought you did; and might I ask, did you make use of them at all?’

‘Yes. Only to look at something in a church.’

‘Oh, indeed, you took ‘em into the church, did you, sir?’

‘Yes, I did; it was Lambsfield church. By the way, I left them strapped on to my bicycle, I’m afraid, in the stable-yard.’

‘No matter for that, sir. I can bring them in the first thing tomorrow, and perhaps you’ll be so good as to look at ‘em then.’

Accordingly, before breakfast, after a tranquil and well-earned sleep, Fanshawe took the glasses into the garden and directed them to a distant hill. He lowered them instantly, and looked at top and bottom, worked the screws, tried them again and yet again, shrugged his shoulders and replaced them on the hall-table.

‘Patten,’ he said, ‘they’re absolutely useless. I can’t see a thing: it’s as if someone had stuck a black wafer over the lens.’

‘Spoilt my glasses, have you?’ said the Squire. ‘Thank you: the only ones I’ve got.’

‘You try them yourself,’ said Fanshawe, ‘I’ve done nothing to them.’

So after breakfast the Squire took them out to the terrace and stood on the steps. After a few ineffectual attempts, ‘Lord, how heavy they are!’ he said impatiently, and in the same instant dropped them on to the stones, and the lens splintered and the barrel cracked: a little pool of liquid formed on the stone slab. It was inky black, and the odour that rose from it is not to be described.

‘Filled and sealed, eh?’ said the Squire. ‘If I could bring myself to touch it, I dare say we should find the seal. So that’s what came of his boiling and distilling, is it? Old Ghoul!’

‘What in the world do you mean?’

‘Don’t you see, my good man? Remember what he said to the doctor about looking through dead men’s eyes? Well, this was another way of it. But they didn’t like having their bones boiled, I take it, and the end of it was they carried him off whither he would not. Well, I’ll get a spade, and we’ll bury this thing decently.’

As they smoothed the turf over it, the Squire, handing the spade to Patten, who had been a reverential spectator, remarked to Fanshawe: ‘It’s almost a pity you took that thing into the church: you might have seen more than you did. Baxter had them for a week, I make out, but I don’t see that he did much in the time.’

‘I’m not sure,’ said Fanshawe, ‘there is that picture of Fulnaker Priory Church.’

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Count Magnus by M. R. James

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“Count Magnus” by M. R. James is a short story first published in 1904, embodying the quintessential elements of gothic horror and supernatural dread. The tale follows Mr. Wraxall, an antiquarian on a research trip to Sweden, who becomes fascinated with the dark history of Count Magnus, a sinister nobleman reputed to have dabbled in the occult. As Wraxall investigates further, he uncovers disturbing legends about the Count’s malevolent deeds and the mysterious locked mausoleum that houses his remains. Ignoring ominous warnings, Wraxall’s curiosity leads him to open the mausoleum, unleashing an ancient and vengeful horror. 

Count Magnus by M. R. James (1904)

By what means the papers out of which I have made a connected story came into my hands is the last point which the reader will learn from these pages. But it is necessary to prefix to my extracts from them a statement of the form in which I possess them.

They consist, then, partly of a series of collections for a book of travels, such a volume as was a common product of the forties and fifties. Horace Marryat’s ‘Journal of a Residence in Jutland and the Danish Isles’ is a fair specimen of the class to which I allude. These books usually treated of some unknown district on the Continent. They were illustrated with woodcuts or steel plates. They gave details of hotel accommodation, and of means of communication, such as we now expect to find in any well-regulated guide-book, and they dealt largely in reported conversations with intelligent foreigners, racy innkeepers and garrulous peasants. In a word, they were chatty.

Begun with the idea of furnishing material for such a book, my papers as they progressed assumed the character of a record of one single personal experience, and this record was continued up to within a very short time from its termination.

The writer was a Mr. Wraxall. For my knowledge of him I have to depend entirely on the evidence his writings afford, and from these I deduce that he was a man past middle age, possessed of some private means, and very much alone in the world. He had, it seems, no settled abode in England, but was a denizen of hotels and boarding-houses. It is probable that he entertained the idea of settling down at some future time which never came; and I think it also likely that the Pantechnicon fire in the early seventies must have destroyed a great deal that would have thrown light on his antecedents, for he refers once or twice to property of his that was warehoused at that establishment.

It is further apparent that Mr. Wraxall had published a book, and that it treated of a holiday he had once taken in Britanny. More than this I cannot say about his work, because a diligent search in bibliographical works has convinced me that it must have appeared either anonymously or under a pseudonym.

As to his character, it is not difficult to form some superficial opinion. He must have been an intelligent and cultivated man. It seems that he was near being a Fellow of his college at Oxford—Brasenose, as I judge from the Calendar. His besetting fault was pretty clearly that of over-inquisitiveness, possibly a good fault in a traveller, certainly a fault for which our traveller paid dearly enough in the end.

On what proved to be his last expedition, he was plotting another book. Scandinavia, a region not widely known to Englishmen forty years ago, had struck him as an interesting field. He must have alighted on some old books of Swedish history or memoirs, and the idea had struck him that there was room for a book descriptive of travel in Sweden, interspersed with episodes from the history of some of the great Swedish families. He procured letters of introduction, therefore, to some persons of quality in Sweden, and set out thither in the early summer of 1863.

Of his travels in the North there is no need to speak, nor of his residence of some weeks in Stockholm. I need only mention that some savant resident there put him on the track of an important collection of family papers belonging to the proprietors of an ancient manor-house in Vestergothland, and obtained for him permission to examine them.

The manor-house, or herrgåard in question is to be called Råbäck (pronounced something like Roebeck), though that is not its name. It is one of the best buildings of its kind in all the country, and the picture of it in Dahlenberg’s Suecia antiqua et moderna, engraved in 1694, shows it very much as the tourist may see it to-day. It was built soon after 1600, and is, roughly speaking, very much like an English house of that period in respect of material—red-brick with stone facings—and style. The man who built it was a scion of the great house of De la Gardie, and his descendants possess it still. De la Gardie is the name by which I will designate them when mention of them becomes necessary.

They received Mr. Wraxall with great kindness and courtesy, and pressed him to stay in the house as long as his researches lasted. But, preferring to be independent, and mistrusting his powers of conversing in Swedish, he settled himself at the village inn, which turned out quite sufficiently comfortable, at any rate during the summer months. This arrangement would entail a short walk daily to and from the manor-house of something under a mile. The house itself stood in a park, and was protected—we should say grown up—with large old timber. Near it you found the walled garden, and then entered a close wood fringing one of the small lakes with which the whole country is pitted. Then came the wall of the demesne, and you climbed a steep knoll—a knob of rock lightly covered with soil—and on the top of this stood the church, fenced in with tall dark trees. It was a curious building to English eyes. The nave and aisles were low, and filled with pews and galleries. In the western gallery stood the handsome old organ, gaily painted, and with silver pipes. The ceiling was flat, and had been adorned by a seventeenth-century artist with a strange and hideous ‘Last Judgment,’ full of lurid flames, falling cities, burning ships, crying souls, and brown and smiling demons. Handsome brass coronae hung from the roof; the pulpit was like a doll’s—house, covered with little painted wooden cherubs and saints; a stand with three hour-glasses was hinged to the preacher’s desk. Such sights as these may be seen in many a church in Sweden now, but what distinguished this one was an addition to the original building. At the eastern end of the north aisle the builder of the manor-house had erected a mausoleum for himself and his family. It was a largish eight-sided building, lighted by a series of oval windows, and it had a domed roof, topped by a kind of pumpkin-shaped object rising into a spire, a form in which Swedish architects greatly delighted. The roof was of copper externally, and was painted black, while the walls, in common with those of the church, were staringly white. To this mausoleum there was no access from the church. It had a portal and steps of its own on the northern side.

Past the churchyard the path to the village goes, and not more than three or four minutes bring you to the inn door.

On the first day of his stay at Råbäck Mr. Wraxall found the church door open, and made those notes of the interior which I have epitomized. Into the mausoleum, however, he could not make his way. He could by looking through the keyhole just descry that there were fine marble effigies and sarcophagi of copper, and a wealth of armorial ornament, which made him very anxious to spend some time in investigation.

The papers he had come to examine at the manor-house proved to be of just the kind he wanted for his book. There were family correspondence, journals, and account-books of the earliest owners of the estate, very carefully kept and clearly written, full of amusing and picturesque detail. The first De la Gardie appeared in them as a strong and capable man. Shortly after the building of the mansion there had been a period of distress in the district, and the peasants had risen and attacked several châteaux and done some damage. The owner of Råbäck took a leading part in suppressing the trouble, and there was reference to executions of ringleaders and severe punishments inflicted with no sparing hand.

The portrait of this Magnus de la Gardie was one of the best in the house, and Mr. Wraxall studied it with no little interest after his day’s work. He gives no detailed description of it, but I gather that the face impressed him rather by its power than by its beauty or goodness; in fact, he writes that Count Magnus was an almost phenomenally ugly man.

On this day Mr. Wraxall took his supper with the family, and walked back in the late but still bright evening.

‘I must remember,’ he writes, ‘to ask the sexton if he can let me into the mausoleum at the church. He evidently has access to it himself, for I saw him to-night standing on the steps, and, as I thought, locking or unlocking the door.’

I find that early on the following day Mr. Wraxall had some conversation with his landlord. His setting it down at such length as he does surprised me at first; but I soon realized that the papers I was reading were, at least in their beginning, the materials for the book he was meditating, and that it was to have been one of those quasi-journalistic productions which admit of the introduction of an admixture of conversational matter.

His object, he says, was to find out whether any traditions of Count Magnus de la Gardie lingered on in the scenes of that gentleman’s activity, and whether the popular estimate of him were favourable or not. He found that the Count was decidedly not a favourite. If his tenants came late to their work on the days which they owed to him as Lord of the Manor, they were set on the wooden horse, or flogged and branded in the manor-house yard. One or two cases there were of men who had occupied lands which encroached on the lord’s domain, and whose houses had been mysteriously burnt on a winter’s night, with the whole family inside. But what seemed to dwell on the inn-keeper’s mind most—for he returned to the subject more than once—was that the Count had been on the Black Pilgrimage, and had brought something or someone back with him.

You will naturally inquire, as Mr. Wraxall did, what the Black Pilgrimage may have been. But your curiosity on the point must remain unsatisfied for the time being, just as his did. The landlord was evidently unwilling to give a full answer, or indeed any answer, on the point, and, being called out for a moment, trotted out with obvious alacrity, only putting his head in at the door a few minutes afterwards to say that he was called away to Skara, and should not be back till evening.

So Mr. Wraxall had to go unsatisfied to his day’s work at the manor house. The papers on which he was just then engaged soon put his thoughts into another channel, for he had to occupy himself with glancing over the correspondence between Sophia Albertina in Stockholm and her married cousin Ulrica Leonora at Rábäck in the years 1705-1710. The letters were of exceptional interest from the light they threw upon the culture of that period in Sweden, as anyone can testify who has read the full edition of them in the publications of the Swedish Historical Manuscripts Commission.

In the afternoon he had done with these, and after returning the boxes in which they were kept to their places on the shelf, he proceeded, very naturally, to take down some of the volumes nearest to them, in order to determine which of them had best be his principal subject of investigation next day. The shelf he had hit upon was occupied mostly by a collection of account-books in the writing of the first Count Magnus. But one among them was not an account-book, but a book of alchemical other tracts in another sixteenth-century hand. Not being very familiar with alchemical literature, Mr. Wraxall spends a good deal of space which he might have spared in setting out the names and beginnings of the various treatises: The book of the Phœnix, book the Thirty Words, book of the Toad, book of Miriam, Turba philosophorum, and so forth; and then he announces with a good deal of circumstance his delight at finding, on a leaf originally left blank near the middle of the book, some writing of Count Magnus himself headed ‘Liber nigræ peregrinationis.’ It is true that only a few lines were written, but there was quite enough to show that the landlord had that morning been referring to a belief at least as old as the time of Count Magnus, and probably shared by him. This is the English of what was written:

‘If any man desires to obtain a long life, if he would obtain a faithful messenger and see the blood of his enemies, it is necessary that he should first go into the city of Chorazin, and there salute the prince. . . .’ Here there was an erasure of one word, not very thoroughly done, so that Mr. Wraxall felt pretty sure that he was right in reading it as aëris (‘of the air’). But there was no more of the text copied, only a line in Latin: ‘Quære reliqua hujus materiei inter secretiora’ (See the rest of this matter among the more private things).

It could not be denied that this threw a rather lurid light upon the tastes and beliefs of the Count; but to Mr. Wraxall, separated from him by nearly three centuries, the thought that he might have added to his general forcefulness alchemy, and to alchemy something like magic, only made him a more picturesque figure; and when, after a rather prolonged contemplation of his picture in the hall, Mr. Wraxall set out on his homeward way, his mind was full of the thought of Count Magnus. He had no eyes for his surroundings, no perception of the evening scents of the woods or the evening light on the lake; and when all of a sudden he pulled up short, he was astonished to find himself already at the gate of the churchyard, and within a few minutes of his dinner. His eyes fell on the mausoleum. ‘Ah,’ he said, ‘Count Magnus, there you are. I should dearly like to see you.’

‘Like many solitary men,’ he writes, ‘I have a habit of talking to myself aloud; and, unlike some of the Greek and Latin particles, I do not expect an answer. Certainly, and perhaps fortunately in this case, there was neither voice nor any that regarded: only the woman who, I suppose, was cleaning up the church, dropped some metallic object on the floor, whose clang startled me. Count Magnus, I think, sleeps sound enough.’

That same evening the landlord of the inn who had heard Mr. Wraxall say that he wished to see the clerk or deacon (as he would called in Sweden) of the parish, introduced him to that official in the inn parlour. A visit to the De la Gardie tomb-house was soon arranged for the next day, and a little general conversation ensued.

Mr. Wraxall, remembering that one function of Scandinavian deacons is to teach candidates for Confirmation, thought he would refresh his own memory on a Biblical point.

‘Can you tell me,’ he said, ‘anything about Chorazin?’

The deacon seemed startled, but readily reminded him how that village had once been denounced.

‘To be sure,’ said Mr. Wraxall; ‘it is, I suppose, quite a ruin now?’

‘So I expect,’ replied the deacon. ‘I have heard some of our old priests say that Antichrist is to be born there; and there are tales——

‘Ah! what tales are those?’ Mr. Wraxall put in.

‘Tales, I was going to say, which I have forgotten,’ said the deacon; and soon after that he said good-night.

The landlord was now alone, and at Mr, Wraxall’s mercy; and that inquirer was not inclined to spare him.

‘Herr Nielsen,’ he said, ‘I have found out something about the Black Pilgrimage. You may as well tell me what you know. What did the Count bring back with him ?’

Swedes are habitually slow, perhaps, in answering, or perhaps the landlord was an exception. I am not sure; but Mr. Wraxall notes that the landlord spent at least one minute in looking at him before he said anything at all. Then he came close up to his guest, and with a good deal of effort he spoke:

‘Mr. Wraxall, I can tell you this one little tale, and no more—not any more. You must not ask anything when I have done. In my grandfather’s time—that is, ninety-two years ago—there were two men who said: “The Count is dead; we do not care for him. We will go to-night and have a free hunt in his wood”—the long wood on the hill that you have seen behind Råbäck . Well, those that heard them say this, they said: “No, do not go; we are sure you will meet with persons walking who should not be walking. They should be resting, not walking.” These men laughed. There were no forest-men to keep the wood, because no one wished to live there. The family were not here at the house. These men could do what they wished.

‘Very well, they go to the wood that night. My grandfather was sitting here in this room. It was the summer, and a light night. With the window open, he could see out to the wood, and hear.

‘So he sat there, and two or three men with him, and they listened. At first they hear nothing at all; then they hear someone—you know how far away it is—they hear someone scream, just as if the most inside part of his soul was twisted out of him. All of them in the room caught hold of each other, and they sat so for three-quarters of an hour. Then they hear someone else, only about three hundred ells off. They hear him laugh out loud: it was not one of those two men that laughed, and, indeed, they have all of them said that it was not any man at all. After that they hear a great door shut.

‘Then, when it was just light with the sun they all went to the priest They said to him:

‘”Father, put on your gown and your ruff, and come to bury these men, Anders Bjornsen and Hans Thorbjorn.”

‘You understand that they were sure these men were dead. So they went to the wood—my grandfather never forgot this. He said they were all like so many dead men themselves. The priest, too, he was in a white fear. He said when they came to him:

‘”I heard one cry in the night, and I heard one laugh afterwards. If I cannot forget that, I shall not be able to sleep again.”

‘So they went to the wood, and they found these men on the edge of the wood. Hans Thorbjorn was standing with his back against a tree, and all the time he was pushing with his hands—pushing something away from him which was not there. So he was not dead. And they led him away, and took him to the home at Nykjoping, and he died before the winter; but he went on pushing with his hands. Also Anders Bjornsen was there; but he was dead. And I tell you this about Anders Bjornsen, that he was once a beautiful man, but now his face was not there, because the flesh of it was sucked away off the bones. You understand that? My grandfather did not forget that. And they laid him on the bier which they brought, and they put a cloth over his head, and the priest walked before; and they began to sing the psalm for the dead as well as they could. So, as they were singing the end of the first verse, one fell down, who was carrying the head of the bier, and the others looked back, and they saw that the cloth had fallen off, and the eyes of Anders Bjornsen were looking up, because there was nothing to close over them. And this they could not bear. Therefore the priest laid the cloth upon him, and sent for a spade, and they buried him in that place.’

The next day Mr. Wraxall records that the deacon called for him soon after his breakfast, and took him to the church and mausoleum. He noticed that the key of the latter was hung on a nail just by the pulpit, and it occurred to him that, as the church door seemed to be left unlocked as a rule, it would not be difficult for him to pay a second and more private visit to the monuments if there proved to be more of interest among them than could be digested at first.

The building, when he entered it, he found not unimposing. The monuments, mostly large erections of the seventeenth and eighteenth centuries, were dignified if luxuriant, and the epitaphs and heraldry were copious. The central space of the domed room was occupied by three copper sarcophagi, covered with finely-engraved ornament. Two of them had, as is commonly the case in Denmark and Sweden, a large metal crucifix on the lid. The third, that of Count Magnus, as it appeared, had, instead of that, a full-length effigy engraved upon it, and round the edge were several bands of similar ornament representing various scenes. One was a battle, with cannon belching out smoke, and walled towns, and troops of pikemen. Another showed an execution. In a third, among trees, was a man running at full speed, with flying hair and outstretched hands. After him followed a strange form; it would be hard to say whether the artist had intended it for a man, and was unable to give the requisite similitude, or whether it was intentionally made as monstrous as it looked. In view of the skill with which the rest of the drawing was done, Mr. Wraxall felt inclined to adopt the latter idea. The figure was unduly short, and was for the most part muffled in a hooded garment which swept the ground. The only part of the form which projected from that shelter was not shaped like any hand or arm. Mr. Wraxall compares it to the tentacle of a devil-fish, and continues: ‘On seeing this, I said to myself, “This, then, which is evidently an allegorical representation of some kind—a fiend pursuing a hunted soul—may be the origin of the story of Count Magnus and his mysterious companion. Let us see how the huntsman is pictured: doubtless it will be a demon blowing his horn.”‘ But, as it turned out, there was no such sensational figure, only the semblance of a cloaked man on a hillock, who stood leaning on a stick, and watching the hunt with an interest which the engraver had tried to express in his attitude.

Mr. Wraxall noted the finely-worked and massive steel padlocks—three in number— which secured the sarcophagus. One of them, he saw, was detached, and lay on the pavement. And then, unwilling to delay the deacon longer or to waste his own working-time, he made his way onward to the manor-house.

‘It is curious,’ he notes, ‘how on retracing a familiar path one’s thoughts engross one to the absolute exclusion of surrounding objects. To-night, for the second time, 1 had entirely failed to notice where I was going (I had planned a private visit to the tomb-house to copy the epitaphs), when I suddenly, as it were, awoke to consciousness, and found myself (as before) turning in at the churchyard gate, and, I believe, singing or chanting some such words as, “Are you awake, Count Magnus? Are you asleep, Count Magnus?” and then something more which I have failed to recollect. It seemed to me that I must have been behaving in this nonsensical way for some time.’

He found the key of the manor-house where he had expected to find it, and copied the greater part of what he wanted; in fact, he stayed until the light began to fail him.

‘I must have been wrong,’ he writes, ‘in saying that one of the padlocks of my Count’s sarcophagus was unfastened; I see to-night that two are loose. I picked both up, and laid them carefully on the window-ledge, after trying unsuccessfully to close them. The remaining one is still firm, and, though I take it to be a spring lock, I cannot guess how it is opened. Had I succeeded in undoing it, I am almost afraid I should have taken the liberty of opening the sarcophagus. It is strange, the interest I feel in the personality of this, I fear, somewhat ferocious and grim old noble.’

The day following was, as it turned out, the last of Mr. Wraxall’s stay at Råbäck. He received letters connected with certain investments which made it desirable that he should return to England; his work among the papers was practically done, and travelling was slow. He decided, therefore, to make his farewells, put some finishing touches to his notes, and be off.

These finishing touches and farewells, as it turned out, took more time than he had expected. The hospitable family insisted on his staying to dine with them—they dined at three—and it was verging on half-past six before he was outside the iron gates of Råbäck. He dwelt on every step of his walk by the lake, determined to saturate himself, now that he trod it for the last time, in the sentiment of the place and hour. And when he reached the summit of the churchyard knoll, he lingered for many minutes, gazing at the limitless prospect of woods near and distant, all dark beneath a sky of liquid green. When at last he turned to go, the thought struck him that surely he must bid farewell to Count Magnus as well as the rest of the De la Gardies. The church was but twenty yards away, and he knew where the key of the mausoleum hung. It was not long before he was standing over the great copper coffin, and, as usual, talking to himself aloud. ‘You may have been a bit of a rascal in your time, Magnus,’ he was saying, ‘but for all that I should like to see you, or, rather———’

‘Just at that instant,’ he says, ‘I felt a blow on my foot. Hastily enough I drew it back, and something fell on the pavement with a clash. It was the third, the last of the three padlocks which had fastened the sarcophagus. I stooped to pick it up, and—Heaven is my witness that I am writing only the bare truth—before I had raised myself there was a sound of metal hinges creaking, and I distinctly saw the lid shifting upwards. I may have behaved like a coward, but I could not for my life stay for one moment. I was outside that dreadful building in less time than I can write—almost as quickly as I could have said—the words; and what frightens me yet more, I could not turn the key in the lock. As I sit here in my room noting these facts, I ask myself (it was not twenty minutes ago) whether that noise of creaking metal continued, and I cannot tell whether it did or not. I only know that there was something more than I have written that alarmed me, but whether it was sound or sight I am not able to remember. What is this that I have done?’

Poor Mr. Wraxall! He set out on his journey to England on the next day, as he had planned, and he reached England in safety; and yet, as I gather from his changed hand and inconsequent jottings, a broken man. One of several small note-books that have come to me with his papers gives, not a key to, but a kind of inkling of, his experiences. Much of his journey was made by canal-boat, and I find not less than six painful attempts to enumerate and describe his fellow-passengers. The entries are of this kind:

’24. Pastor of village in Skåne. Usual black coat and soft black hat.

’25. Commercial traveller from Stockholm going to Trollhättan. Black cloak, brown hat.

’26. Man in long black cloak, broad-leafed hat, very old-fashioned.’


This entry is lined out, and a note added:

‘Perhaps identical with No. 13. Have not not yet seen his face.’ On referring to No. 13, I find that he is a Roman priest in a cassock.

The net result of the reckoning is always the same. Twenty-eight people appear in the enumeration, one being always a man in a long black cloak and broad hat, and the other a ‘short figure in dark cloak and hood.’ On the other hand, it is always noted that only twenty-six passengers appear at meals, and that the man in the cloak is perhaps absent, and the short figure is certainly absent.

On reaching England, it appears that Mr. Wraxall landed at Harwich, and that he resolved at once to put himself out of the reach of some person or persons whom he never specifies, but whom he had evidently come to regard as his pursuers. Accordingly he took a vehicle—it was a closed fly—not trusting the railway, and drove across country to the village of Belchamp St. Paul. It was about nine o’clock on a moonlight August night when he neared the place. He was sitting forward, and looking out of the window at the fields and thickets—there was little else to be seen—racing past him. Suddenly he came to a cross-road. At the corner two figures were standing motionless; both were in dark cloaks; the taller one wore a hat, the shorter a hood. He had no time to see their faces, nor did they make any motion that he could discern. Yet the horse shied violently and broke into a gallop, and Mr. Wraxall sank back into his seat in something like desperation. He had seen them before.

Arrived at Belchamp St. Paul, he was fortunate enough to find a decent furnished lodging, and for the next twenty-four hours he lived comparatively speaking, in peace. His last notes were written on this day. They are too disjointed and ejaculatory to be given here in full, but the substance of them is clear enough. He is expecting a visit from his pursuers—how or when he knows not—and his constant cry is ‘What has he done?’ and ‘Is there no hope?’ Doctors, he knows, would call him mad, policemen would laugh at him. The parson is away. What can he do but lock his door and cry to God?


People still remembered last year at Belchamp St. Paul how a strange gentleman came one evening in July years back; and how the next morning but one he was found dead, and there was an inquest; and the jury that viewed the body fainted, seven of ’em did, and none of ’em wouldn’t speak to what they see, and the verdict was visitation of God; and how the people as kep’ the ‘ouse moved out that same week, and went away from that part. But they do not, I think, know that any glimmer of light has ever been thrown, or could be thrown, on the mystery. It so happened that last year the little house came into my hands as part of a legacy. It had stood empty since 1863, and there seemed no prospect of letting it; so I had it pulled down, and the papers of which I have given you an abstract were found in a forgotten cupboard under the window in the best bedroom.

M.R James

Source: The Gutenberg project

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