Tag Archives: irish folklore

The Banshee: Ireland’s Wailing Spirit of Death

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Perhaps one of the most well known figures from Irish mythology is the Banshee, the omen of death, wailing as death comes to a house. But where does she come from? And what does she want from the dead?

Among the most enduring and chilling figures of Irish folklore is the Banshee, the spectral woman whose mournful cry foretells death. Her wail, or caoineadh, drifts through the night like a sorrowful song, a sound that has haunted Irish families for centuries. 

Read More: Check out all ghost stories from Ireland

To hear the Banshee’s cry is to know that death is near, and her presence serves as both warning and lament for the soul soon to depart.

The Irish Banshee: Here pictured the Bunworth Banshee, Fairy Legends and Traditions of the South of Ireland by Thomas Crofton Croker, published 1834.

The Banshee of the Fairy Mound

As with many Irish legends, it has deep connections to the Fairies and the Otherworld. Along the Irish countryside, there are grassy hills or tumuli known as síde that the fairy folk, Tuatha Dé Danann were driven underground to. The banshee or bean sídhe means woman of the sídhe.

The Banshee Appears by R. Prowse 1862 sep, 1

In some later English-language texts, the word sídhe is incorrectly used both for the mounds and the people of the mounds. However, sidh in older texts refers specifically to “the palaces, courts, halls or residences” of the otherworldly beings that supposedly inhabit them.

The Banshee is most often described as a woman with long, flowing hair, sometimes silver as moonlight, sometimes fiery red or jet black. She is said to appear wearing a grey or white cloak over a green dress, her eyes red from endless weeping. 

In some tales she combs her hair with a silver comb, a symbol of her connection to the spirit world and her most prized possession. This is perhaps also why so many who claim to have encountered her say she asks for a comb.

Though she can appear young and beautiful, she can also take the form of a shriveled old woman or a stately matron, her face twisted with grief and sorrow.

The Celtic Goddess of War and Death: Her appearance seems to represent the triple aspects of the Celtic goddess of war and death, namely Badhbh, Macha and Mor-Rioghain. The Morrígan is often described as a trio of individuals, all sisters, called “the three Morrígna”. Image: Macha Curses the Men of Ulster from 1904.

She may also appear as a washer-woman, and is seen apparently washing the blood stained clothes of those who are about to die. In this guise she is known as the bean-nighe (washing woman), although this version is perhaps more known in Scotland.

Brigid Goddess of Fertility: Another goddess connected to the Banshee is Brigid. Her son died in battle, and the goddess broke out in a nasally and high-pitched singing style known as keening. This became a mourning practice. Image: The Coming of Bride (1917) by John Duncan.

The Wailing Woman

Her keening cry is unlike any sound of this world. It is said to begin softly, almost like the wind through the trees, then rise into a piercing wail that can shatter the stillness of the night. 

The scream differs from region to region. in Kerry are said to be pleasant songs, but at Rathlin Island off the shore of Northern Ireland, the banshee’s song is a thin screech almost like that of an owl. And in Leinster, in the Southeast, the wail of a banshee is said to be so piercing it can shatter glass.

Henry Meynell Rheam: La Belle Dame Sans Merci English: The Banshee (1901)

Mourning the death of one of their kin with her piercing “caoine” or keening. This mysterious creature  resembles traditional Irish keeners or mourners of old. Even today, some claim that her cry echoes near homes or graveyards just before tragedy strikes.

Keening Women and the Irish Mourning Song: The Aran Fisherman’s Drowned Child (1841)

Those who hear it know that someone close to them will soon die, for the Banshee’s lament is not random but personal as it’s not every dying person that the Banshee is said to keen for. Traditionally, she was said to follow Ireland’s ancient noble families, or families of the “high Milesian race”. 

The Banshee Haunting the Ancient Families

According to tradition, some families had their own banshee, with the Ua Briain banshee, named Aibell or Aoibheall, being the ruler of 25 other banshees who would always be at her attendance. The banshee of the O’Donnel family was said to live on a rock overlooking the sea and the banshee following the O’Neill family was called Maveen. She was said to have her own room in the family castle. 

The Milesians: The sons of Mil represent the Irish people and are seen as the final race to settle in Ireland according to Christian medieval history, although scholars today think this is just a story. They are Gaels who sail to Ireland from Iberia (Hispania) after spending hundreds of years travelling the Earth. Most, but not all, surnames associated with banshees have the Ó or Mc/Mac prefix that is of Goidelic origin.

Those gifted with music and song could also be lamented by a banshee. 

A Spirit of Sorrow, Not Malice

Despite her terrifying reputation, the Banshee is not a malevolent spirit. She does not bring death; she merely announces it. Her cry is an expression of grief, a sorrowful duty to forewarn the living. In some legends, she appears as a loving guardian, mourning for her family’s loss from beyond the grave. In others, she is one of several ancestral spirits, each tied to an old Irish lineage. 

More modern stories, though, also claim that she can be seen travelling together with the death coach and the headless horseman that are out to collect people’s souls. Sometimes she was also not described as a fairy at all, but a ghost of a woman murdered or a mother who died in childbirth. 

Read also. The Death Coach: Ireland’s Omen of Doom Racing Through the Night 

The Banshee’s lament may be terrifying, but it comes from compassion rather than cruelty. Perhaps strange, as much of her origin stories are about her being the old goddesses that were driven down underground by the same families she laments for. 

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References:

Banshee – Wikipedia

The Dullahan: Ireland’s Headless Horseman of Doom

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One of the deadly omens in Irish folklore, The Dullahan, or the Headless Horseman is said to bring certain death to those he calls by their name. 

Among Ireland’s most terrifying figures of folklore rides a creature that no door can bar. Without a head, the dark rider comes for people’s souls. 

Read more: Check out all ghost stories from Ireland

Known as The Dullahan, the Headless Horseman of Irish legend gallops through the night on a black steed, carrying his own head in one hand and a human spine as his whip. Wherever he rides, death is close behind, for the Dullahan appears only when a soul is about to be claimed.

The Rider Without a Head

The terrible legend of the Dúlachán or Dullahan is often referred to as the “Gan Ceann” or “Headless One.” Much like the legend of the Banshee, the Dullahan was said to be an omen of death, but unlike the Banshee, the headless horseman is often the one to collect the dead ones, often coming with the Death Coach, known as the Cóiste Bodhar. If you heard your name being called out, you were chosen, and if you looked back, you died. 

The Headless Horseman: The archetype of the Headless Horseman appears in folklore in Europe since the Middle Ages, although today, the most famous story today would probably be The Legend of Sleepy Hollow, based on the German as well as the Irish version of the legend. Although a famous legend in Ireland, it is uncertain if it has Irish roots or came from other European countries.

Dullahan’s head, though severed from his body, is alive and ghastly pale, its skin said to resemble aged cheese and its grin stretching from ear to ear in many of its stories. The eyes dart about like restless fireflies, allowing him to see across great distances, even through walls and locked doors. 

His horse is just as fearsome, black as night and snorting sparks from its nostrils as it thunders across the countryside. His whip is said to be made from a human spine. When the Dullahan rides, the air grows thick, the night goes silent, and dogs whimper in terror as he leaves a trail of flame where he goes.

The Harbinger of Death

The Dullahan is not a spirit wandering aimlessly but a servant of death itself. He rides to summon the souls of the dying, calling out their name. Once the name is spoken, no one can escape their fate. Some legends say that when he stops riding, someone in that place will die. Others claim that if he approaches a house, blood will be spilled before dawn. His arrival is often heralded by the sound of hooves pounding on lonely roads, or the sight of a light flickering in the distance where none should be.

The Worship of Crom Dubh: Although it’s uncertain where the story of the Dullahan originates from, it could have ties with the Celtic fertility god, Crom Dubh, the ancient king of Ireland, Tiighermas sacrificed humans to every year. The custom stopped in the 6th century with Christianity taking over. This is also said to have been the base of many of the Samhain and later, Halloween customs of today.

One of the first written accounts of The Headless Horseman seems to come from an 1828 book Fairy Legends and Traditions of the South of Ireland by Thomas Crofton Croker. Although there is also a 1802 text where the author, Charles Vallancey compares the Dullahan to an Arabian demon called Wulahan. But Croker’s collection of tales are certainly the most descriptive. He wrote: 

” ..such a head no mortal ever saw before. It looked like a large cream cheese hung round with black puddings: no speck of colour enlivened the ashy paleness of the depressed features; the skin lay stretched over the unearthly surface almost like the parchment head of a drum. Two fiery eyes of prodigious circumference, with a strange and irregular motion, flashed like meteors.”

No Escape, Only Warnings, Except for those with Gold

As fearsome and certain as death itself, not much was said to help against the headless horseman. Although there are stories about him being afraid of gold and that he would avoid places where the metal was. This is why many carried gold coins or left gold offerings to protect themselves from him. 

From Thomas Crofton Croker, Fairy Legends and Traditions of the South of Ireland (3rd ed., 1834)

There is a story about a man on his way home one night between Roundstone and Ballyconneely. It was just getting dark and, all of a sudden, he heard the sound of horse’s hooves pounding along the road behind him. Looking back, he saw The Dullahan on his charger, hurtling towards him at a fair speed. With a loud shout, he made to run, but the thing came on after him, gaining on him all the time. In truth, it would have overtaken him and carried him away had he not dropped a gold-headed pin from the folds of his shirt on the road behind him. There was a roar in the air above him and, when he looked again, The Dullahan was gone.

Although there are many claims of people that have seen the Dullahan, there are some of them that remain more etched in people’s memory. Here are some of the stories of the Dullahan where he operates alone without the Death Coach. 

The Man who Survived The Dullahan

Late one cold December night, Charley Culnane rode home from Fermoy with Christmas supplies and a bit too much whiskey warming his blood. Rain lashed against him as he followed the lonely road along the Blackwater, the darkness thick as tar. Near Kilcummer Hill, his cheerful song died in his throat. Drifting beside him in the gloom was the pale head of a horse, floating without a body or rider. Then, out of the shadows, a towering figure appeared on horseback, dressed in a tattered scarlet hunting coat. The rider had no head upon his shoulders. Instead, the grotesque thing was tucked under his arm, its eyes glowing faintly, its mouth twisted into a terrible grin that fixed itself upon Charley.

Terrified yet unwilling to show it, Charley rode on beside the spectral huntsman, even daring to exchange a few words. The ghost’s voice was deep and hollow, his tone strange but not unkind. Soon, the headless horseman challenged him to a race across the moonlit countryside. Charley accepted, and the two thundered across fields and ditches, the earth shaking beneath their hooves. When at last Charley pulled ahead, the spectre declared that he had waited a century for a rider brave enough to face him. With that, he faded into the mist, vanishing like breath on a cold windowpane. Charley swore the tale was true, though none believed him. Yet on St. Stephen’s Day, his mare outran every rival and he won his wager. Some said it was luck, others the hand of something far older, but Charley never again rode that dark road without glancing over his shoulder.

The Tale of the Good Woman

In the tale The Good Woman from Fairy Legends and Traditions of the South of Ireland, it also shows a version where the Headless Horseman hides in disguise of a woman.

A peasant named Larry Dodd from the shadow of the Galtee Mountains meets a cloaked woman on his way to the Kildorrery fair. Thinking her merely a traveler, he offers her a ride, but when he leans in to steal a kiss as payment, he discovers with horror that she is a Dullahan. The world goes black, and Larry awakens amid the ruins of an ancient church, surrounded by a ghastly sight: a great wheel of torture covered in severed heads and headless riders of both men and women, nobles and peasants alike. Offered a drink by his spectral hosts, he raises the cup to his lips, only for his head to be sliced clean off mid-sentence. When he awakes again, his head restored, the Dullahans have vanished into the night and his horse is gone with them.

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  • The Dullahan: Ireland’s Headless Horseman of Doom
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    Have a look at some of the most haunted places in Dublin, from the mysteries of the Hellfire Club, churches where you can supposedly summon the devil and the dead lingering in the dusty libraries and colleges.
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References:

Dullahan – Wikipedia 

What Inspired ‘The Legend of Sleepy Hollow’?

The History of the Dullahan in Irish Folklore – Doris V. Sutherland

Dun Dreach-Fhoula – The Blood-Soaked Castle of the Reeks

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Said to be found deep in the mountain range MacGillycuddy’s Reeks in Kerry, Ireland, the ruins of Dun Dreach-Fhoula castle is said to be the home of bloodthirsty fairies of the Otherworld. Question is if it’s an ancient legend or a modern hoax. 

The Castle of Tainted Blood or the Castle of The Blood Visage is supposedly a fortress in the mountains in Kerry in Ireland, said to be inhabited and built by the blood sucking and shape-shifting fairies from ancient times.

Read More: Check out all ghost stories in Ireland

But how much truth is the legend of the supposed bloodthirsty fairies? Is it truly as old as the story claims? And what is the truth about its connection to Dracula? Let’s first have a look at what the legend tells. 

The MacGillycuddy’s Reeks: The Coomloughra Horseshoe Loop Walk in Co. Kerry is one of Irelands best ridge walks. It is a strenuous 6 to 7 hour (12 km) hiking trail over several mountain peaks in the MacGillycuddy’s Reeks range including 4 of the top 5 highest mountains in Ireland. Thought to be the place where the ruins of fairy folk with a taste for blood lives. // Photo:Valerie O’Sullivan

The Legend of the Castle of Tainted Blood

High among the jagged slopes of Kerry’s MacGillycuddy’s Reeks, meaning Black Stacks in Irish, it goes on for 19 kilometers from Gap of Dunloe in the east to Glencar in the west. It’s Ireland’s highest mountain range with the highest peak and sharpest ridges. 

 It is said that this is the place where the ruins of Dun Dreach-Fhoula, a fortress of blood and death, is hidden away in the misty mountains. The “Castle of the Blood Visage,” as it translates, was said to guard a lonely mountain pass where few dared to travel. The silence of the peaks, the thick mist that curls around their ancient stones, and perhaps it was the strange crimson hue  of the stone that sometimes stains the walls after rainfall gave rise to whispers of a darker truth. It was said that the very rock itself was cursed, steeped in the blood of the living and haunted by creatures that were neither mortal nor divine.

The legends tell that Dun Dreach-Fhoula was not built by human hands alone. According to the old stories, the fortress was raised by beings from the Otherworld and blood-drinking fae who hid from sunlight and feasted upon travelers who strayed too close. The pass they guarded was more than a road through the mountains; it was a threshold between life and death. 

The Dracula Connection

Bram Stoker: There has been a lot of work connecting vampires and the fame and lore of vampires to Ireland. But how true are these claims? How was the Irish vampiric lore before modern fame?

Now, the legend is not really told as a stand alone story, but it is certainly mentioned when talking about alternative theories to the inspiration behind Dracula. Many have argued that this Irish legend, rather than the history of Vlad the Impaler, may have inspired Bram Stoker’s Dracula. Though Stoker himself claimed otherwise, the rumour about it being more Irish than anything exists and has taken hold in lore since at least the 90s.

He never visited Eastern Europe and relied on travelers’ tales to construct his vampire’s homeland. At the same time, in Dublin’s National Museum, Geoffrey Keating’s History of Ireland was displayed, filled with accounts of undead spirits and ancient chieftains who rose from their graves to drink blood.

One such tale was that of Abhartach, the blood-drinking lord of Irish legend, whose grave was said to exude darkness even in daylight. Around the same period, writer Patrick W. Joyce published a story about this same chieftain, spreading his name throughout Ireland. I

Read More: The Legend of Ireland’s Vampire King Abhartach and the Haunted Giant’s Grave

The words alone, “the place of tainted blood”, seem like something born from Gothic imagination, yet they belong to Ireland’s own folklore. Or does it? Is it really just a piece of Gothic imagination? Some say that the very word Dracula comes from the word, Droch-fhoula. But if we start to dismantle the grammar and linguistic history of the Droch-fhoula, it seems to fall apart. And the question is, does the whole legend of Droch-fhoula fall apart if you take a close look at it?

The Hunt for Droch-fhoula Castle

Now, the tale gets passed around that Droch-fhoula comes from ancient Irish legends. The expression is believed to refer to blood feuds between people or families. Could it also be for a vampire legend native to Ireland?

It looks like this claim comes from Peter Haining and Peter Tremayne in their book The Un-Dead from 1997. According to them, they got the story sent to them in a letter from Cathal Ó Sándair in 1995. It is supposed to be from a lecture delivered by a man called Ó Súilleabháin, the head of the Irish Folklore Commission, who supposedly mentioned a castle called Dún Dreach-Fhola in Magillicuddy’s Reeks inhabited by blood-drinking fairies:


It was Ó Sándair, writing to the authors in April 1995, who also made the observation that Bram might have been guided to use the name of the historical Wallachian hero – Dracula – because it sounded the same as the Irish droch-fhola (pronounced drok’ola), bad blood; he might even have connected the name with a Kerry folk-tale about ‘Dún Dreach-Fhola’ (pronounced drak’ola), the castle of blood visage. The castle was said to be high up in a lonely pass among the Macgillicuddy’s Reeks, a range in Co. Kerry, which contains Ireland’s highest mountain. Ó Sándair may well be right: Seán Ó Súilleabháin, the Kerry-born one time registrar and archivist of the Irish Folklore Commission, mentioned this same oral folk-tale in a lecture at UCD in 1961, prior to the publication of his book on Irish death customs, Caitheamh Aimsire ar Thórraimh, translated into English six years later as Irish Wake Amusements. He said it was told to him in the Macgillicuddy’s Reeks. The story concerns an ‘evil fairy fortress’ – Dún Dreach-Fhola, inhabited by neamh-mhairbh (Un-Dead), who sustained themselves on the blood of wayfarers. Unfortunately there is no reference to the story in Caithreamh [sic] Aimsire ar Thórraimh.
Source: The Un-dead, page 71

Folklorist, Owen Harding believes the origin of the word could come from this word and that the connection comes from a manuscript about another vampiric legend about The Abhartach. An article says: 

“Owen Harding says there was a manuscript published about this legend from an anonymous writer. It was entitled The Abhartach, Dreach-Fhoula. This document was exhibited up till 1868 in none other than Trinity College which Stoker attended. So is it likely that Stoker used this story to base his novel on? Harding believes it is.”

Is it true that these writers got the story from a folklorist who collected Ó Súilleabháin was a folklorist, but there are as of now, no primary sources directly from him about this legend. In fact, an article about his work actually said: Vampires are not to be found in Seán Ó Súilleabháin’s A Handbook of Irish Folklore, published in 1942. So that this part is true is rather dubious. It is also worth noting that both Hauning and Tremayne also wrote a lot of fiction and perhaps were not careful enough in their research. 

Although they are claiming these folklorists and writers have been straight up lying about it and most hits searching for it is a blog post dedicated to expose the story as fabricated and not ancient and local of Kerry at all. So it begs the question, was it more of a mistranslation and confusing old Irish text, or about fabricating them to make stronger claims about Irish connection to Dracula? Or is it really a piece of evidence somewhere, where the tales and ruins of a castle inhabited by blood thirsty fairies exist?

Newest Posts

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  • The Brewer Haunting Nockherberg and the Beer Garden in Munich
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  • The Vanished Village and the Munich Connection to Dracula
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  • The Dullahan: Ireland’s Headless Horseman of Doom
    One of the deadly omens in Irish folklore, The Dullahan, or the Headless Horseman is said to bring certain death to those he calls by their name.
  • Most Haunted Places in Dublin
    Have a look at some of the most haunted places in Dublin, from the mysteries of the Hellfire Club, churches where you can supposedly summon the devil and the dead lingering in the dusty libraries and colleges.
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    After strange knocking and poltergeist activity made the people at Erstad Farm believe it was haunted. And when they asked the ghost what it wanted, it unraveled the lives of more than one person forever.

References:

Dun Dreach-Fhoula

dún dreach-fhola | cassidyslangscam 

How Bram Stoker created Dracula with the aid of Irish folklore

More on Irish Vampires – The Bad Blood of Dracula | cassidyslangscam

https://archive.org/stream/CreepyStories/EncyclopediaOfVampireMythology_djvu.txt

‘Ancient’ Vampire Legends from 1997! | cassidyslangscam 

Vampires A Field Guide To The Creatures That Stalk The Night [PDF] [6pe6eq38o090]

https://magiaposthuma.blogspot.com/2008/08/perhaps-little-too-high.html