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Free Horror Short Stories Perfect for Christmas and Dark Winter Evenings

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Why did we stop telling ghost stories for Christmas? In the olden days, it used to be a tradition to gather around and tell each other ghost stories in Victorian England. Often set in cold and dark castles or somewhere far remote in the cold icy night. Here are some perfect short stories you can read for free, perfect for Christmas time.

The tradition of telling ghost stories during Christmas times is an old one, especially during the Victorian era Big Britain and northern Europe. Big names like Charles Dickens with his famous “A Christmas Carol” is one example.

Today many of these classics have fallen into the public domain and are free to read and share for everyone. Here we have collected some horror or ghost stories that are set in Christmas times and perfect for the dark and snowy evenings.

The Christmas Dinner by Washington Irving

First published in 1820 in Irving’s masterpiece, The Sketch Book, The Christmas Dinner is a charming tale by the great American writer behind such timeless classics as The Legend of Sleepy Hollow and Rip Van Winkle. Painting the scene of a Christmas dinner spent at the table of Bracebridge Hall, a countryside manor, the merry songs and stories of the dinner table echo with jollity of Christmases long past. A charming yet melancholic tale where the narrator joins a traditional English Christmas dinner at an old country house, filled with merriment, ancient customs, and the bittersweet shadow of absent loved ones. A ghostly warmth rather than outright horror.

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The Christmas Dinner by Washington Irving

First published in 1820 in Irving’s masterpiece, The Sketch Book, The Christmas Dinner is a charming tale by the great American writer behind such timeless classics as The Legend of Sleepy Hollow and Rip Van Winkle. Painting the scene of a Christmas dinner spent at the table of Bracebridge Hall, a countryside manor, the merry…

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The Story of a Disappearance and an Appearance by M.R James

One of James’s lesser-known but fascinating tales — set at Christmas, it’s presented as a series of letters about a disturbing Punch and Judy show, a mysterious disappearance, and a spectral visitation on Christmas Eve.  It first appeared in print in the June 4, 1913 issue of the magazine Cambridge Review. It was published again in 1919 as part of the anthology A Thin Ghost and Others

Christmas Re-union by Andrew Caldecott

Christmas Re-union is a short story found in the collection NOT EXACTLY GHOSTS by Andrew Caldecott, upholding the old tradition of christmas ghost stories. This is a bit of a newer publication and were published in 1947. During a holiday gathering, old family secrets surface, leading to a sinister revelation about a long-dead relative — and a chilling presence that suggests some sins don’t stay buried.

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The Dead Sexton by Joseph Sheridan Le Fanu

In this chilling tale by J. S Le Fanu, the death of a corrupt church sexton on Christmas Eve unleashes supernatural events in his churchyard—as though his spirit lingers, disrupting the holy peace. First published in 1871.

A Strange Christmas Game by Charlotte Riddell

A ghostly card game? During Christmas times? Yes! Charlotte Riddell was a well known writer of her Victorian times, at least, her stories was as she published them under a mans name. This one was published in 1863. Siblings inherit a haunted estate and, on Christmas Eve, witness the ghostly reenactment of a long-forgotten murder, finally revealing the truth behind a century-old disappearance.

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Markheim by Robert Louis Stevenson

Set on Christmas Day, this Gothic moral thriller follows a man who murders his way into an antique shop, only to be visited by a mysterious figure—perhaps a devil, perhaps a savior—who challenges his soul’s darkest impulses.

Between the Lights by E.F Benson

Between the Lights is a short horror story published in 1912. Between the Lights is a part of a short story collection “The Room in the Tower and Other Stories” also published in 1912. At a Christmas house party, a man recounts a vivid vision he experienced during a game of hide-and-seek — of a formless, malevolent figure moving in the gathering gloom, blurring the line between memory and premonition.

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Between the Lights by E.F Benson

Between the Lights is a short horror story published in 1912. Between the Lights is a part of a short story collection “The Room in the Tower and Other Stories” also published in 1912.

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Jerry Bundler by W. W. Jacobs

At a cozy inn on Christmas Eve, guests trade spooky stories—until a real, bloodstained intruder named “Jerry Bundler” appears, turning festive warmth into true fright.

The Kit-Bag by Algernon Blackwood

The Kit-Bag by Author: Algernon Blackwood (1869-1951) This is from “Pall Mall Magazine”, December 1908. A legal clerk preparing for a holiday getaway finds himself tormented by the spectral presence of a hanged murderer whose belongings — including the titular kit-bag — may still carry his restless spirit.

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The Night of Christmas Eve by Nikolai Gogol

Set in snowy Ukraine on Christmas Eve, this folkloric tale follows a trickster devil who wreaks havoc in a village while a young man seeks to win his beloved’s heart under supernatural influence.

The Haunted Man and the Ghost’s Bargain – Charles Dickens

The Haunted Man and the Ghost’s Bargain is a novella by Charles Dickens first published in 1848. It is the fifth and last of Dickens’s Christmas novellas. The story is more about the spirit of Christmas than about the holiday itself, harking back to the first in the series, A Christmas Carol. The tale centres on a Professor Redlaw and those close to him. A somber professor makes a Faustian bargain to forget his sorrows, but soon realizes erasing grief means erasing compassion, as a ghost teaches him that sorrow is essential to humanity.

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The Haunted Man and the Ghost’s Bargain

The Haunted Man and the Ghost’s Bargain is a novella by Charles Dickens first published in 1848. It is the fifth and last of Dickens’s Christmas novellas. The story is more about the spirit of Christmas than about the holiday itself, harking back to the first in the series, A Christmas Carol. The tale centres on a Professor Redlaw and…

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The Portent of the Shadow by E. Nesbit

The Portent of the Shadow or just The Shadow is set during a Christmas gathering of friends, one guest tells of a terrifying, supernatural encounter involving an otherworldly shadow that leads to madness and death. Classic Edwardian Christmas ghostliness.

The Old Nurse’s Story – Elizabeth Gaskell

This is a christmas ghost story by feminist writer Elizabeth Gaskell. The main themes of this story are patriarchal power, aristocratic pride and the repression of women. It is a story of abuse,- physical violence and mental cruelty. As with all Gothic stories, the protagonist is taken out of mainstream culture into an isolated world which becomes terrifying .A nurse recounts a chilling memory from her youth when she and her young charge encountered the restless ghost of a banished child on a snowy Christmas Eve, doomed to roam the grounds of a crumbling mansion.

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Old Nurse’s Story by Elizabeth Gaskell

This is a christmas ghost story by feminist writer Elizabeth Gaskell. The main themes of this story are patriarchal power, aristocratic pride and the repression of women. It is a story of abuse,- physical violence and mental cruelty.

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Horror: A True Tale – John Berwick Harwood

Horror: A True Tale is a short story written by John Berwick Harwood in 1861 for Blackwood’s Edinburgh Magazine and is a perfect example for a classic Christmas Ghost Story from Victorian times. A traveler spends a winter’s night in a desolate room where an unseen, oppressive horror presses close in the darkness — a disembodied presence that leaves both physical and mental scars.

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The Ghost’s Summons – Ada Buisson

During her short lifetime Buisson published one novel, Put to the Test (1865), Her second novel, A Terrible Wrong: A Novel (1867) and short stories were published after her early death. Various of her writings appeared in Belgravia, a magazine edited by her friend the novelist Mary Elizabeth Braddon. This is were the short story The Ghost’s Summons were published in 1868. A doctor receives a midnight summons to attend a dying man, only to discover his mysterious caller was already dead — a ghost ensuring justice is served from beyond the grave.

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The Ghost’s Summons by Ada Buisson

Ada Buisson (26 March 1839 – 27 December 1866) was an English author and novelist remembered today for her ghost stories.

During her short lifetime Buisson published one novel, Put to the Test (1865), Her second novel, A Terrible Wrong: A Novel (1867) and short stories were published after her early death. Various of her writings appeared in Belgravia, a…

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Smee – A.M. Burrage

A Christmas party game of hide-and-seek takes a sinister turn when one player unwittingly hides with a ghost — a pale, silent figure whose tragic story is revealed too late.

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Smee by A.M Burrage

Smee is a short story by A.M. Burrage, telling the haunting ghost story of a group of people playing hide and seek in a house were a girl died playing the very same game.

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Dark Christmas Legends and Traditions from Around the World

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How about having a look about the darker things that Christmas has to offer. It’s not all just ugly sweaters and sweet eggnog. Here are some of the Dark Christmas Legends from around the world, bringing the spooky tales and traditions we are missing during yule times.

When most think of Christmas, they imagine cozy fires, joyful carols, and the warm glow of twinkling lights. But behind the tinsel and cheer, many cultures hold age-old, dark traditions that paint a far grimmer picture of the holiday season. While figures like Santa Claus reward the good, these otherworldly beings ensured the wicked received their due — often in blood-curdling ways. From malevolent monsters to ghostly visitors, here are some of the creepiest Christmas legends that have lingered through centuries.

Krampus — The Christmas Devil (Austria, Germany, Alpine Europe)

Perhaps the most infamous of dark Christmas figures is Krampus, a horned, cloven-hoofed demon who punishes naughty children. While Saint Nicholas rewards the good, Krampus beats, chains, and even abducts the wicked, stuffing them into his sack to drag them to Hell. Traditionally, Krampuslauf (“Krampus Run”) sees locals donning terrifying masks and costumes, chasing people through icy streets.

Read the whole story: The Dark Side of Christmas: The Haunting Legend of Krampus and Krampusnacht 

Frau Perchta — The Belly-Slitter (Austria and Bavaria)

A witch-like figure from Alpine folklore, Frau Perchta rewards industrious children and punishes the lazy or disobedient. If she finds someone idle or disrespectful, legend says she’ll slit open their stomach, remove their entrails, and fill the cavity with straw and stones. Perchta roams during the Twelve Days of Christmas, especially on Twelfth Night.

Read the whole story: The Dark Side of Christmas: The Legend of Frau Perchta

Père Fouettard — The Christmas Butcher (France, Especially Lorraine)

In the Lorraine region of France, Père Fouettard, or “Father Whipper,” is a sinister companion of Saint Nicholas. According to legend, he was a butcher who, in medieval times, lured three lost children into his shop, murdered them, and salted their bodies in a barrel. When Saint Nicholas discovered the crime, he resurrected the children and condemned the butcher to spend eternity as his dark assistant.

Every year, on Saint Nicholas Day (December 6th), Père Fouettard travels with the saint, brandishing a whip or bundle of sticks. While Saint Nicholas rewards good children with sweets, Père Fouettard metes out beatings to the disobedient. Dressed in dark robes with a scraggly beard and soot-covered face, he embodies the vengeful side of the holiday season.

Read the whole story: The Dark Side of Christmas: The Terrifying Legend of Père Fouettard from Lorraine

The Yule Lads — Iceland’s Mischief Makers

In Iceland, thirteen mischievous trolls known as the Yule Lads descend upon villages in the days leading up to Christmas. While modern versions have softened them into pranksters leaving small gifts, old tales painted them as malevolent figures who stole children or terrorized villagers. Their mother, Grýla, a fearsome ogress, is said to snatch up naughty children and boil them alive in a cauldron.

Mari Lwyd — The Gray Mare (Wales)

A haunting tradition sees groups parading through Welsh villages with a horse skull mounted on a pole, draped in white cloth and adorned with ribbons. Known as Mari Lwyd, the eerie figure travels from house to house, challenging residents to a battle of wits in rhyme. Though playful today, its ghostly, skeletal appearance still chills the unwary.

La Befana — The Christmas Witch (Italy)

In Italian folklore, La Befana is an old woman who visits homes on the eve of Epiphany, riding a broomstick. While she leaves sweets for good children, the bad ones may find lumps of coal — or worse. Some versions claim she abducts misbehaving children, spiriting them away into the night.

Read the whole story: The Dark Side of Christmas: La Befana – Italy’s Christmas Witch

The Tomte/Nisse — Mischievous Christmas Spirits (Scandinavia)

While usually benevolent, the Tomte or Nisse of Scandinavian folklore are house spirits who protect farms and families — but they demand respect. During Yule, they must be appeased with offerings of porridge and butter. Forget to leave their meal, or offend them in any way, and they’ll turn vindictive, sabotaging livestock, breaking tools, or even harming inhabitants.

Though charming in appearance, their darker traits reveal how even seemingly kind spirits could turn dangerous in the old folk traditions of the Nordic Yule.

Hans Trapp — The Cannibal Christmas Scarecrow (France)

In the Alsace and Lorraine regions, Hans Trapp is a terrifying Christmas figure. Once a rich, cruel man obsessed with dark magic, he was excommunicated and lived in the forest disguised as a scarecrow. Legend says he would capture and eat children. After being struck down by lightning, his vengeful spirit is said to still stalk misbehaving youngsters at Christmastime.

Read the whole story: The Dark Side of Christmas: Hans Trapp — The Child Eating Scarecrow

Kallikantzaroi — Greek Christmas Goblins

According to Greek legend, from Christmas to Epiphany, the Kallikantzaroi, impish goblins, rise from the underworld to wreak havoc. They sneak into homes at night, spoiling food, breaking things, and causing mayhem. Only warded off by protective charms, blessed fires, or ritualistic practices, these creatures embody the darker, chaotic side of the holiday season.

The Legend of the Christmas Spider (Ukraine)

While less terrifying, Ukraine’s Christmas Spider story has eerie origins. Legend tells of a poor widow whose children decorated their Christmas tree with cobwebs because they couldn’t afford ornaments. On Christmas morning, the webs turned to silver and gold. Though now a symbol of good fortune, it harks back to Europe’s old belief in omens and restless spirits during the Yuletide.

A Season of Shadows

For much of history, Christmas was as much a time for ghost stories and ominous folklore as it was for joy and kindness. Before modern lights pushed back winter’s darkness, people huddled together, sharing chilling tales and respecting ancient, unseen forces. These darker traditions remind us that the festive season was once a precarious time, when spirits roamed and monsters lurked just beyond the snow-covered hills.

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The Portent of the Shadow by E. Nesbit

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The Portent of the Shadow or just The Shadow is set during a Christmas gathering of friends, one guest tells of a terrifying, supernatural encounter involving an otherworldly shadow that leads to madness and death. Classic Edwardian Christmas ghostliness.

The Portent of the Shadow By E. Nesbit (Mrs. Hubert Bland)


THIS is not an artistically rounded off ghost story and nothing is explained in it; and there seems to be no reason why any of it should have happened. But that is no reason why it should not be told. You must have noticed that all the real ghost stories you ever come close to are like this in these respects: no explanation, no logical coherence. Here is the story.

*****

There were three of us—and another. But she had fainted suddenly at the second extra of the Christmas Dance, and had been put to bed in the dressing-room next to the room which we three shared. It had been one of those jolly old-fashioned dances, where nearly everybody stays the night, and the big country house is stretched to its utmost containing power; guests harbouring on sofas, couches, cots, and even mattresses on the floor. Some of the young men, even, I believe, slept on the great dining table. We had talked of our partners, as girls will, and then the stillness of the Manor House, broken only by the whisper of the wind in the cedar branches, and the scraping of their lean fingers against our window panes, had pricked us to such a luxurious confidence in our surroundings of bright chintz and candle-flame and firelight, that we had dared to talk of ghosts—in which, said we all, we did not believe one bit. We had told the story of the phantom coach, and the horribly strange bed, and the lady in the sacque, and the house in Berkeley Square. Not one of us believed in ghosts, but my heart, at least, seemed to leap to my throat and choke me, when a tap came to our door—a tap faint, but not to be mistaken.

“Who’s there?” said the youngest of us, craning a lean neck towards the door. It opened slowly—and I give you my word the instant of suspense that followed is still reckoned among my life’s least confident moments. Almost at once the door opened fully, and Miss Eastwich, my aunt’s housekeeper, companion and general standby, looked in on us.

We all said “Come in,” but she stood there. She was, at all normal hours, the most silent woman I have ever known. She stood and looked at us, and shivered a little. So did we—for in those days corridors were not warmed by hot-water pipes, and the air from the door was keen.

“I saw your light,” she said at last, “and I thought it was late for you to be up—after all this gaiety. I thought perhaps—” her glance turned towards the door of the dressing-room.

“No,” I said, “she’s fast asleep.” I should have added a “goodnight,” but the youngest of us forestalled my speech. She did not know Miss Eastwich as we others did. Did not know how her persistent silence had built a wall round her, a wall that no one dared to break down with the commonplaces of talk or the littlenesses of mere human relationship. Miss Eastwich’s silence had taught us to treat her as a machine, and as other than a machine we never dreamed of treating her. But the youngest of us had seen Miss Eastwich for the first time that day. She was young and crude and ill-balanced, and the victim of blind calf-like impulse. She was also the heiress of a rich tallow-chandler, but that has nothing to do with this part of the story. She jumped up from the hearthrug, her unsuitably rich silk, lace-trimmed dressing gown falling back from her lean neck, and ran to the door, and put an arm round Miss Eastwich’s prim lisse-encircled neck. I gasped. I should as soon have dared embrace Cleopatra’s Needle.

“Come in,” said the youngest of use, “come in and get warm. There’s lots of cocoa left.” She drew Miss Eastwich in and shut the door.

The vivid light of pleasure in the housekeeper’s pale eyes went through my heart like a knife. It would have been so easy to put an arm round her neck if one had only thought she wanted it. But it was not I who had thought that, and, indeed, my arm might not have brought the light invoked by the lean arm of the youngest of us.

“Now,” the youngest went on eagerly, “you shall have the very biggest, nicest chair, and the cocoa pot’s here on the hob as hot as hot, and we’ve all been telling ghost stories, only we don’t believe in them a bit, and when you get warm you ought to tell one too.”

Miss Eastwich, that model of decorum and decently done duties, tell a ghost story! The child was mad!

“You’re sure I’m not in your way?” Miss Eastwich said, stretching her hands to the blaze. I wondered whether housekeepers have fires in their rooms even at Christmas time.

“Not a bit,” I said it and I hope I said it as warmly as I felt it. “I—Miss Eastwich—I’d have asked you to come in other times—only I didn’t think you’d care for girls’ chatter.”

The third girl, who was really of no account, and that’s why I have not said anything about her before, poured cocoa for our guest; I put my fleecy Madeira shawl round her shoulders. I could not think of anything else to do for her, and I suddenly found myself wishing desperately to do something. The smile she gave us was quite pretty. People can smile prettily at 40 or 50, or even later, though girls don’t realize this. It occurred to me, and this was another knife-thrust, that I had never seen Miss Eastwich smile—a real smile—before. The pale smiles of dutiful acquiescence were not of the same blood as this dimpling, happy transfiguring look.

“This is very pleasant,” she said, and it seemed to me that I had never before heard her real voice. It did not please me to think that at the cost of cocoa and fire and my arms round her neck I might have heard this new voice any time these six years.

“We’ve been telling ghost stories,” I said, “the worst of it is we don’t believe in ghosts. No one anyone knows has ever seen one.”

“It’s always what somebody told somebody who told somebody, you know,” said the youngest of us. “And you can’t believe that, can you?”

“What the soldier said is not evidence,” said Miss Eastwich. Will it be believed that the little Dickens quotation pierced me more keenly than the new smile or the new voice?

“And all ghost stories are so beautifully rounded off—a murder committed on the spot—or a hidden treasure or a warning—I think that makes them harder to believe. The most horrid ghost story I ever heard was one that was quite silly.”

“Tell it.”

“I can’t—it doesn’t sound anything to tell. Mrs Eastwich ought to tell one.”

“Oh, do!” said the youngest of us, and her salt-cellars loomed dark as she stretched her neck eagerly and laid an entreating arm on our guest’s knee.

“The only thing that I ever knew of was—was hearsay,” she said slowly, “at least half of it was.”

I knew she would tell her story, and I knew she had never before told it, and I knew she was only telling it now because she was proud, and this seemed the only way to pay for the fire and the cocoa and the laying of that thin arm round her neck.

“Don’t tell it,” I said suddenly, “I know you’d rather not.”

“I daresay it would bore you,” she said meekly, and the youngest of us, who after all, did not understand everything, glared resentfully at me.

“We should just love it,” she said, “do tell us. Never mind if it isn’t a real proper fixed-up story. I’m certain anything you think ghostly would be quite too beautifully horrid for anything.”

Miss Eastwich finished her cocoa and reached up to set the cup on the mantelpiece.

“It can’t do any harm,” she said to herself, “they don’t believe in ghosts, and it wasn’t exactly a ghost either. And they’re all over twenty—they’re not babies.” There was a breathing time of hush and expectancy. The fire crackled and the gas flared higher because the billiard lights had been put out. We heard the steps and voices of the men going along the corridors.

“It is really hardly worth telling,” Miss Eastwich said doubtfully, shading her faded face from the fire with her thin hand.

We all said, “Go on; oh, go on, do!”

“Well,” she said, “twenty years ago, and more than that, I had two friends, and I loved them more than anything in the world. And they married each other.”

She paused, and I knew just in what way she had loved each of them. The youngest of us said. “How awfully nice for you! Do go on.”

She patted the youngest’s shoulder, and I was glad that I had understood what the youngest of all hadn’t. She went on.

“Well, after they married I didn’t see much of them for a year or two, and then he wrote and asked me to come and stay, because his wife was ill, and I should cheer her up, and cheer him up as well, for it was a gloomy house, and he himself was growing gloomy too.”

I knew as she spoke that she had every line of that letter by heart.

“Well, I went. The address was in Lee, near London, and in those days there were streets and streets of new villa-houses growing up round old brick mansions standing in their own grounds, with red walls round, you know, and a sort of flavor of coaching days and post-chaises and Blackheath highwaymen about them. He had said the house was gloomy, and it was called ‘The Firs,’ and I imagined my cab going through a dark winding shrubbery and drawing up in front of one of those sedate old square houses. Instead, we drew up in front of a large, smart villa, with iron railings, gay, encaustic tiles leading from the iron gate to the stained-glass-panelled door, and for shrubbery, only a few stunted cypresses and acubas in the tiny front garden. But inside it was all warm and welcoming. He met me at the door.

She was gazing into the fire, and I knew she had forgotten us. But the youngest girl of all still thought that it was to us she was telling her story.

“He met me at the door,” she said again, “and thanked me for coming, and asked me to forgive the past.”

“What past?” asked that high priestess of the inapropos, the youngest of all.

“Oh, I suppose he meant because they hadn’t invited me before, or something,” said Miss Eastwich, worriedly. “But it’s a very dull story, I find, after all, and—”

“Do go on,” I said. Then I kicked the youngest of us and got up to re-arrange Miss Eastwich’s shawl, and said in blatant dumb show, over the shawled shoulders.

“Shut up, you little idiot!”

After another silence the housekeeper’s new voice went on:

“They were very glad to see me, and I was very glad to be there. You girls now have such troops of friends, but these two were all I had, all I had ever had. Mabel wasn’t exactly ill, only wreak and excitable. I thought he seemed more ill than she did. She went to bed early, and before she went, she asked me to keep him company through his last pipe, so we went into the dining room and sat in the two armchairs on each side of the fireplace. They were covered with green leather, I remember. There were bronze groups of horses and a black marble clock on the mantelpiece—all wedding presents. He poured out some whisky for himself, but he hardly touched it. He sat looking into the fire. At last I said:

“‘What’s wrong? Mabel looks as well as you could expect.’

“He said ‘Yes, but I don’t know from one day to another that she won’t begin to notice something wrong. That’s why I wanted you to come. You were always so sensible and strong-minded, and Mabel’s like a little bird, or a flower.’

“I said ‘Yes, of course,’ and waited for him to go on. I thought he must be in debt or in trouble of some sort. So I just waited. Presently he said:

“‘Margaret, this is a very peculiar house.’ He always called me Margaret; you see, we’d been such old friends. I told him I thought the house was very pretty, and fresh, and homelike, only a little too new, but that fault would mend with time. He said:

“‘It is new; that’s just it. We’re the first people who’ve ever lived in it. If it were an old house, Margaret, I should think it was haunted.’

“I asked if he had seen anything. ‘No,’ he said, ‘not yet.’

“‘Heard, then?’ said I.

“‘No, nor heard either,’ he said, ‘but there’s a sort of feeling, I can’t describe it. I’ve seen nothing and I’ve heard nothing, but I’ve been so near to seeing and hearing! Just not, that’s all. And something follows me about—only when I turn round there’s never anything but my shadow. And I always feel that I shall see the thing, or hear it, next minute; but I never do, not quite, it’s always just not visible.’

“I thought he’d been working rather hard, and I tried to cheer him up by making light of all this. ‘It was just nerves,’ I said. Then he said he had thought I could help him. and did I think anyone he had wronged could have laid a curse on him, and did I believe in curses? I said I didn’t, and the only person anyone could have said he had wronged forgave him freely, I knew, if there was anything to forgive. So I told him this too.”

It was I, not the youngest of us, who knew the name of that person wronged and forgiving.

“So then I said ‘He ought to take Mabel away from the house and have a complete change.’ But he said, ‘No, Mabel had got everything in order, and he could never manage to get her away just now without explaining everything, and above all,’ he said, ‘she mustn’t guess there’s anything wrong. I daresay I shall not feel quite such a lunatic now you’re here.’

“So we said ‘Good-night.'”

“Is that all the story?” said the third girl, striving to convey that even as it stood it was a good story.

“That is only the beginning,” said Miss Eastwich. “Whenever I was alone with him, he used to tell me the same thing over and over again, and at first when I began to notice things I tried to think that it was his talk that had upset my nerves. The odd thing was that it wasn’t only at night—but in broad daylight, and particularly on the stairs and passages. On the staircase the feeling used to be so awful that I have had to bite my lips till they bled, to keep myself from running up the stairs at full speed. Only I knew if I did I should go mad at the top. There was always, something behind me—exactly as he had said—something that one could just not see. And a sound that one could just not hear. There was a long corridor at the top of the house. I have sometimes almost seen something—you know how one sees things without looking—but if I turned round it seemed as if the thing dropped and melted into my shadow. There was a little window at the end of the corridor.

“Downstairs there was another corridor, something like it, with a cupboard at one end and the kitchen at the other. One night I went down into the kitchen to warm some milk for Mabel. The servants had gone to bed. As I stood by the fire waiting for the milk to boil I glanced through the open door and along the passage. I never could keep my eyes on what I was doing, in that house. The cupboard door was partly open; they used to keep empty bottles and things in it. And as I looked I knew that now it was not going to be ‘almost’ any more. Yet I said ‘Mabel?’ not because I thought it could be Mabel who was crouching down there, half in and half out of the cupboard. The thing was gray at first and then it was black. And when I whispered ‘Mabel,’ it seemed to sink down till it lay like a pool of ink on the floor, and then its edges drew in, and it seemed to flow, like ink, when you tilt up the paper you have spilt it on, and it flowed into the cupboard till it was all gathered into the shadow there. I saw it go quite plainly. The gas was full on in the kitchen. I screamed aloud, but even then I’m thankful to say I had enough sense to upset the boiling milk, so that when he came downstairs three steps at a time, I had the excuse for my scream of a scalded hand. The explanation was satisfactory to Mabel, but next night he said:

“‘Why didn’t you tell me? It was that cupboard. All the horror of the house comes out of that. Tell me, have you seen anything yet? Or is it only the nearly seeing and nearly hearing still?’

“I said. ‘You must tell me first what you’ve seen.’ He told me, and his eyes wandered as he spoke to the shadows by the curtains, and I turned up all three gaslights and lit the candles on the mantelpiece. Then we looked at each other and said we were both mad, and thanked God that Mabel was at least sane. For what he had seen was what I had seen.

“After that I hated to be alone with a shadow, because at any moment I might see something that would crouch and sink and lie like a black pool and then slowly draw itself into the shadow that was nearest. Often that shadow was my own. The thing came first at night, but afterwards there was no hour safe from it. I saw it at dawn, and at noon, in the dusk and in the firelight, and always it crouched and sank, and was a pool that flowed into some shadow and became part of it. And always I saw it with a straining of the eyes, a pricking and aching. It seemed as though I could only just see it, as if my sight, to see it, had to be strained to the uttermost. And still the sound was in the house, the sound that I could just not hear. At last one morning early I did hear it. It was close behind me, and it was only a sigh. It was worse than the thing that crept among the shadows.

“I don’t know how I bore it. I couldn’t have borne it if I hadn’t been so fond of them both. But I knew in my heart that if he had no one to whom he could speak openly he would go mad, or tell Mabel. His was not a very strong character. Very sweet and kind and gentle, but not strong. He was always easily led. So I stayed on and bore up, and we were very cheerful and made little jokes and tried to be amusing when Mabel was with us. But when we were alone we did not try to be amusing.

“And sometimes a day or two would go by without our seeing or hearing anything, and we should perhaps have fancied that we had fancied what we had seen and heard, only there was always the feeling of there being something about the house that one could just not hear and not see. Sometimes we used to try not to talk about it, but generally we talked of nothing else at all. And the weeks went by, and Mabel’s baby was born. The nurse and the doctor said that both mother and child were doing well. He and I sat late in the dining-room that night. We had neither of us seen or heard anything for three days—our anxiety about Mabel was lessened. We talked of the future: it seemed then so much brighter than the past. We arranged that the moment she was fit to be moved he should take her away to the sea, and I should superintend the moving of their furniture into the new house he had already chosen. He was gayer than I had seen him since his marriage–almost like his old self. When I said ‘good-night’ to him he said a lot of things about my having been a comfort to them both. I hadn’t done anything much of course, but still I am glad he said that.

“Then I went upstairs—almost for the first time without that feeling of something following me. I listened at Mabel’s room. Everything was quiet. I went on towards my own room, and in an instant I felt that there was something behind me. I turned. It was crouching there: it sank, and the black fluidness of it seemed to be sucked under the floor of Mabel’s room.

“I went back. I opened the door a listening inch. All was still. And then I heard a sigh—close behind me. I opened the door and went in. The nurse and the baby were asleep. Mabel was asleep, too; she looked so pretty, like a tired child—the baby was cuddled up into one of her arms with its tiny head against her side. I prayed then that Mabel might never know the terrors that he and I had known—that those little ears might never hear any but pretty sounds, those dear eyes never see any but pretty sights. I did not dare to pray for a long time after that. Because my prayer was answered. She never saw, never heard anything more in this world. And now I could do nothing more for him or for her.

“When they had put her in her coffin I lighted wax candles round her, and laid the horrible white flowers that people will send, near to her, and then I saw he had followed me. I took his hand to lead him away.

“At the door we both turned. It seemed to us that we heard a sigh. He would have sprung to her side in I don’t know what mad glad hope. But at that instant we both saw it. Between us and the coffin, first gray, then black, it crouched an instant, then sank and liquefied, and was gathered together and drawn till it ran into the nearest shadow. And the nearest shadow was the shadow of Mabel’s coffin. I left the next day. His mother came. She had never liked me.”

Miss Eastwich paused. I think she had quite forgotten us.

“Didn’t you see him again?” asked the youngest of all.

“Only once,” Miss Eastwich answered, “and something black crouched then between him and me. But it was only his second wife crying beside his coffin. It’s not a cheerful story, is it? And it doesn’t lead anywhere. I’ve never told anyone else. I think it was seeing his daughter that brought it all back.”

She looked toward the dressing-room door. “Mabel’s baby,” said the youngest of all.

“Yes, and exactly like Mabel, only with his eyes.”

The youngest of all had Miss Eastwich’s hands and was petting them.

Suddenly the woman wrenched her hands away and stood at her gaunt height, hands clenched, eyes straining. She was looking at something that we could not see, and I know now what the man in the Bible meant when he said “the hair of my flesh stood up—”

What she saw seemed not quite to reach the height of the dressing-room door handle. Her eyes following it down, down, widened and widened. Mine followed hers, and all the nerves of my eyes seemed strained to the uttermost—and I almost saw—or did I quite see? I can’t be certain. But we all heard the long-drawn, quivering sigh. And to each of us it seemed to be breathed just behind each.

It was I who caught up the candle—it dropped wax all over my trembling hands—it was I who was dragged by Miss Eastwich to the side of the girl who had fainted during the second extra. But it was the youngest of all whose lean arms were round the housekeeper when we turned away, and that have been round her many a time since in the new home where she keeps house for the youngest of us all.

The doctor, who came in the morning, said that Mabel’s daughter had died of heart disease, which she inherited from her mother. That was what made her faint during the second extra. But I have sometimes wondered whether she may not have inherited something from her father. I have never been able to forget the look on her dead face.

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The White Lady of Rouelbeau Castle Ruins Appearing for Christmas

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In the ruins of the former castle of Rouelbeau in Switzerland, the ghost of a Lady in White is said to appear during Christmas times. As one of the Weiße Frau from Germanic folklore, she is believed to have been the mistress of the castle until she was cast away for not bearing a son. 

In the marshlands and forests of western Switzerland, the crumbling ruins of Rouelbeau Castle stand as a lonely reminder of medieval ambition and restless spirits. The name Rouelbeau, which is commonly used today, may consist partly of the French verb roiller , which means “to rain heavily” and is translated as “to strike” in the old local dialect. And partly of bot, which means “frog”. One explanation for the meaning of Rouelbeau built on the marchy plain near the Seymaz river, is that the lords of the castle could not sleep at night because of the loud croaking of frogs and therefore had their servants strike the water.

Read More: Check out all ghost stories from Switzerland

While few stones of the fortress remain, it is not the broken walls that draw uneasy glances from passersby, but the enduring legend of La Dame Blanche, or in German called Weiße Frau, the White Lady — a sorrowful ghost whose presence is still feared along the winding path known as the Chemin de la Dame Blanche and around the ruins of the castle.

Rouelbeau Castle Ruins: Oil painting of the ruins of Rouelbeau Castle in Meinier in what is now the Swiss Canton of Geneva, by an unknown artist. An inscription on the backside uses the alternative spelling “Roilbot” and feature a number which may be read as the year “1808” From a private collection.

The Tragic Tale of Rouelbeau’s White Lady

Stories about the spirits of the Lady in White have been told in Europe since pre-christian times, and has been a part of folklore for ages. There are now hundreds of so-called Ladies in White, haunting decaying European castles, ancient forests and deep waters. 

The origins of this particular legend of the Lady in White of Château de Rouelbeau, trace back to 1318, when Knight Humbert de Choulex ordered the construction of Rouelbeau Castle in what is now the municipality of Meinier, in the canton of Geneva. He was a vassal of the Faucigny-Baron. While intended as a defensive stronghold against rival factions and the restless borders of medieval Switzerland, the castle’s history quickly turned dark.

According to oral tradition, Humbert’s first wife was cast aside, cruelly divorced after failing to provide him a male heir. Her name is now lost and what became of the discarded woman remains a mystery. Some say she died of grief, others that she was locked away, or met a violent, unrecorded end. It is her anguished spirit, so the legend tells, that took the form of La Dame Blanche, forever bound to the castle grounds.

For generations, travelers and villagers alike have reported sightings of a pale woman dressed in flowing white, a shimmering diadem crowning her head, gliding silently through the misty fields surrounding the castle ruins. Most eerily, her appearances are said to coincide with tragic or unexplained deaths in the area.

The Haunted Castle Ruins: The south-western tower and the southern wall of the Rouelbeau Castle. // Source

A Haunting Presence in the Christmas Night

Local accounts vary as to when the White Lady is most active. Some say she emerges under the cover of a new moon’s darkness, while others claim she walks under the ethereal glow of a full moon. But one certainty endures: Christmas Eve remains the most sacred and sinister night in the legend of La Dame Blanche.

It is on this night, according to stories passed down since the 19th century, that the entire castle is said to rise again from its ruins, bathed in ghostly light, with spectral inhabitants returning to reenact scenes from long-forgotten feasts and torments. The Lady herself appears resplendent, her otherworldly beauty made all the more chilling by her silent, sorrowful gaze.

There is even a curious twist to the tale. In one solitary account from the early 1800s, a destitute orphan, lost and starving in the winter woods, encountered La Dame Blanche on Christmas Eve. Instead of vanishing in terror, the child accepted the ghost’s beckoning hand and was led to a hidden cache of gold and silver, a reward for his pure heart and desperate plight. The treasure, it is said, lifted the boy from poverty — but he was forbidden from ever revealing the source, save to the dying.

The following year punished one of his greedy relatives by locking him in the castle vault to his death.

The Chemin de la Dame Blanche: Path of Shadows

Even today, the path running alongside the ruins bears the ominous name Chemin de la Dame Blanche, and locals approach it with quiet caution, especially during the cold months. Strange lights have reportedly flickered in the trees, and unexplained cold drafts creep through the marsh even on still summer nights.

Christmas Haunting: Oil painting by Alfred Dumont from a private collection: «Ice skating at Pallanterie in front of the ruins of Rouelbeau Castle» from around 1870.

Hikers and amateur ghost hunters claim to have heard faint weeping near the site, or seen a pale figure moving just beyond reach in the gloom. Some modern investigators suggest the damp, misty conditions of the marshland might explain these apparitions — but those familiar with Rouelbeau’s legend know better than to tempt the unseen.

Source

The Legend of the Black Cat

A second legend surrounding the castle ruins is about a black cat, le chat noir, with glowing eyes. It is said to roam the grounds, especially on foggy days at nightfall, suddenly attacking its victims with razor-sharp claws, tearing them to pieces. It is said to be the devil himself, who can only be repelled with a firm blow from a club. If the cat successfully defends itself, it should not be given a coup de grâce, as otherwise it would regain all its strength and abduct its victim into the underworld .

The story is partly linked to an incident in 1567: At that time, the brothers Claude and Jenon Dexert, who lived on the edge of the swamp, were accused of witchcraft and executed after a confession extracted under torture. According to tradition, the cat is their avenging angel.

Whether a cautionary fable or a true haunting, those who tread the path beside Rouelbeau’s ruins on a winter’s night would do well to keep their distance should a lady in white appear from the mist — for her intentions, like the history of the castle itself, remain forever shadowed in sorrow and mystery.

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References:

Weiße Frau – Wikipedia

Ruine Rouelbeau – Wikipedia

The Story of a Disappearance and an Appearance by M.R James

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One of James’s lesser-known but fascinating tales — set at Christmas, it’s presented as a series of letters about a disturbing Punch and Judy show, a mysterious disappearance, and a spectral visitation on Christmas Eve.  It first appeared in print in the June 4, 1913 issue of the magazine Cambridge Review. It was published again in 1919 as part of the anthology A Thin Ghost and Others

The Story of a Disappearance and an Appearance by M.R James

THE letters which I now publish were sent to me recently by a person who knows me to be interested in ghost stories. There is no doubt about their authenticity. The paper on which they are written, the ink, and the whole external aspect put their date beyond the reach of question.

The only point which they do not make clear is the identity of the writer. He signs with initials only, and as none of the envelopes of the letters are preserved, the surname of his correspondent—obviously a married brother—is as obscure as his own. No further preliminary explanation is needed, I think. Luckily the first letter supplies all that could be expected.

LETTER I

Great Chrishall, Dec. 22, 1837.

My Dear Robert,—It is with great regret for the enjoyment I am losing, and for a reason which you will deplore equally with myself, that I write to inform you that I am unable to join your circle for this Christmas: but you will agree with me that it is unavoidable when I say that I have within these few hours received a letter from Mrs. Hunt at B——, to the effect that our Uncle Henry has suddenly and mysteriously disappeared, and begging me to go down there immediately and join the search that is being made for him. Little as I, or you either, I think, have ever seen of Uncle, I naturally feel that this is not a request that can be regarded lightly, and accordingly I propose to go to B——by this afternoon’s mail, reaching it late in the evening. I shall not go to the Rectory, but put up at the King’s Head, and to which you may address letters. I enclose a small draft, which you will please make use of for the benefit of the young people. I shall write you daily (supposing me to be detained more than a single day) what goes on, and you may be sure, should the business be cleared up in time to permit of my coming to the Manor after all, I shall present myself. I have but a few minutes at disposal. With cordial greetings to you all, and many regrets, believe me, your affectionate Bro.,

W. R.

LETTER II

King’s Head, Dec. 23, ’37

My Dear Robert,—In the first place, there is as yet no news of Uncle H., and I think you may finally dismiss any idea—I won’t say hope—that I might after all ‘turn up’ for Xmas. However, my thoughts will be with you, and you have my best wishes for a really festive day. Mind that none of my nephews or nieces expend any fraction of their guineas on presents for me.

Since I got here I have been blaming myself for taking this affair of Uncle H. too easily. From what people here say, I gather that there is very little hope that he can still be alive; but whether it is accident or design that carried him off I cannot judge. The facts are these. On Friday the 19th, he went as usual shortly before five o’clock to read evening prayers at the Church; and when they were over the clerk brought him a message, in response to which he set off to pay a visit to a sick person at an outlying cottage the better part of two miles away. He paid the visit, and started on his return journey at about half-past six. This is the last that is known of him. The people here are very much grieved at his loss; he had been here many years, as you know, and though, as you also know, he was not the most genial of men, and had more than a little of the martinet in his composition, he seems to have been active in good works, and unsparing of trouble to himself.

Poor Mrs. Hunt, who has been his housekeeper ever since she left Woodley, is quite overcome: it seems like the end of the world to her. I am glad that I did not entertain the idea of taking quarters at the Rectory; and I have declined several kindly offers of hospitality from people in the place, preferring as I do to be independent, and finding myself very comfortable here.

You will, of course, wish to know what has been done in the way of inquiry and search. First, nothing was to be expected from investigation at the Rectory; and to be brief, nothing has transpired. I asked Mrs. Hunt—as others had done before—whether there was either any unfavourable symptom in her master such as might portend a sudden stroke, or attack of illness, or whether he had ever had reason to apprehend any such thing: but both she, and also his medical man, were clear that this was not the case. He was quite in his usual health. In the second place, naturally, ponds and streams have been dragged, and fields in the neighbourhood which he is known to have visited last, have been searched—without result. I have myself talked to the parish clerk and—more important—have been to the house where he paid his visit.

There can be no question of any foul play on these people’s part. The one man in the house is ill in bed and very weak: the wife and the children of course could do nothing themselves, nor is there the shadow of a probability that they or any of them should have agreed to decoy poor Uncle H. out in order that he might be attacked on the way back. They had told what they knew to several other inquirers already, but the woman repeated it to me. The Rector was looking just as usual: he wasn’t very long with the sick man—“He ain’t,” she said, “like some what has a gift in prayer; but there, if we was all that way, ‘owever would the chapel people get their living?” He left some money when he went away, and one of the children saw him cross the stile into the next field. He was dressed as he always was: wore his bands—I gather he is nearly the last man remaining who does so—at any rate in this district.

You see I am putting down everything. The fact is that I have nothing else to do, having brought no business papers with me; and, moreover, it serves to clear my own mind, and may suggest points which have been overlooked. So I shall continue to write all that passes, even to conversations if need be—you may read or not as you please, but pray keep the letters. I have another reason for writing so fully, but it is not a very tangible one.

You may ask if I have myself made any search in the fields near the cottage. Something—a good deal—has been done by others, as I mentioned; but I hope to go over the ground tomorrow. Bow Street has now been informed, and will send down by to-night’s coach, but I do not think they will make much of the job. There is no snow, which might have helped us. The fields are all grass. Of course I was on the qui vive for any indication today both going and returning; but there was a thick mist on the way back, and I was not in trim for wandering about unknown pastures, especially on an evening when bushes looked like men, and a cow lowing in the distance might have been the last trump. I assure you, if Uncle Henry had stepped out from among the trees in a little copse which borders the path at one place, carrying his head under his arm, I should have been very little more uncomfortable than I was. To tell you the truth, I was rather expecting something of the kind. But I must drop my pen for the moment: Mr. Lucas, the curate, is announced.

Later. Mr. Lucas has been, and gone, and there is not much beyond the decencies of ordinary sentiment to be got from him. I can see that he has given up any idea that the Rector can be alive, and that, so far as he can be, he is truly sorry. I can also discern that even in a more emotional person than Mr. Lucas, Uncle Henry was not likely to inspire strong attachment.

Besides Mr. Lucas, I have had another visitor in the shape of my Boniface—mine host of the “King’s Head”—who came to see whether I had everything I wished, and who really requires the pen of a Boz to do him justice. He was very solemn and weighty at first. “Well, sir,” he said, “I suppose we must bow our ’ead beneath the blow, as my poor wife had used to say. So far as I can gather there’s been neither hide nor yet hair of our late respected incumbent scented out as yet; not that he was what the Scripture terms a hairy man in any sense of the word.”

I said—as well as I could—that I supposed not, but could not help adding that I had heard he was sometimes a little difficult to deal with. Mr. Bowman looked at me sharply for a moment, and then passed in a flash from solemn sympathy to impassioned declamation. “When I think,” he said, “of the language that man see fit to employ to me in this here parlour over no more a matter than a cask of beer—such a thing as I told him might happen any day of the week to a man with a family—though as it turned out he was quite under a mistake, and that I knew at the time, only I was that shocked to hear him I couldn’t lay my tongue to the right expression.”

He stopped abruptly and eyed me with some embarrassment. I only said, “Dear me, I’m sorry to hear you had any little differences; I suppose my uncle will be a good deal missed in the parish?” Mr. Bowman drew a long breath. “Ah, yes!” he said; “your uncle! You’ll understand me when I say that for the moment it had slipped my remembrance that he was a relative; and natural enough, I must say, as it should, for as to you bearing any resemblance to—to him, the notion of any such a thing is clean ridiculous. All the same, ’ad I ’ave bore it in my mind, you’ll be among the first to feel, I’m sure, as I should have abstained my lips, or rather I should not have abstained my lips with no such reflections.”

I assured him that I quite understood, and was going to have asked him some further questions, but he was called away to see after some business. By the way, you need not take it into your head that he has anything to fear from the inquiry into poor Uncle Henry’s disappearance—though, no doubt, in the watches of the night it will occur to him that ‘I’ think he has, and I may expect explanations tomorrow.

I must close this letter: it has to go by the late coach.

LETTER III

Dec. 25, ‘37.

My Dear Robert,—This is a curious letter to be writing on Christmas Day, and yet after all there is nothing much in it. Or there may be—you shall be the judge. At least, nothing decisive. The Bow Street men practically say that they have no clue. The length of time and the weather conditions have made all tracks so faint as to be quite useless: nothing that belonged to the dead man—I’m afraid no other word will do—has been picked up.

As I expected, Mr. Bowman was uneasy in his mind this morning; quite early I heard him holding forth in a very distinct voice—purposely so, I thought—to the Bow Street officers in the bar, as to the loss that the town had sustained in their Rector, and as to the necessity of leaving no stone unturned (he was very great on this phrase) in order to come at the truth. I suspect him of being an orator of repute at convivial meetings.

When I was at breakfast he came to wait on me, and took an opportunity when handing a muffin to say in a low tone, “I ‘ope, sir, you reconize as my feelings towards your relative is not actuated by any taint of what you may call melignity—you can leave the room, Eliza, I will see the gentleman ‘as all he requires with my own hands—I ask your pardon, sir, but you must be well aware a man is not always master of himself: and when that man has been ’urt in his mind by the application of expressions which I will go so far as to say ‘ad not ought to have been made use of (his voice was rising all this time and his face growing redder); no, sir; and ’ere, if you will permit of it, I should like to explain to you in a very few words the exact state of the bone of contention. This cask—I might more truly call it a firkin—of beer—”

I felt it was time to interpose, and said that I did not see that it would help us very much to go into that matter in detail. Mr. Bowman acquiesced, and resumed more calmly:

“Well, sir, I bow to your ruling, and as you say, be that here or be it there, it don’t contribute a great deal, perhaps, to the present question. All I wish you to understand is that I am prepared as you are yourself to lend every hand to the business we have afore us, and—as I took the opportunity to say as much to the Orficers not three-quarters of an hour ago—to leave no stone unturned as may throw even a spark of light on this painful matter.”

In fact, Mr. Bowman did accompany us on our exploration, but though I am sure his genuine wish was to be helpful, I am afraid he did not contribute to the serious side of it. He appeared to be under the impression that we were likely to meet either Uncle Henry or the person responsible for his disappearance, walking about the fields—and did a great deal of shading his eyes with his hand and calling our attention, by pointing with his stick, to distant cattle and labourers. He held several long conversations with old women whom we met, and was very strict and severe in his manner—but on each occasion returned to our party saying, ‘Well, I find she don’t seem to ’ave no connexion with this sad affair. I think you may take it from me, sir, as there’s little or no light to be looked for from that quarter; not without she’s keeping somethink back intentional.”

We gained no appreciable result, as I told you at starting; the Bow Street men have left the town, whether for London or not, I am not sure.

This evening I had company in the shape of a bagman, a smartish fellow. He knew what was going forward, but though he has been on the roads for some days about here, he had nothing to tell of suspicious characters—tramps, wandering sailors or gipsies. He was very full of a capital Punch and Judy Show he had seen this same day at W———, and asked if it had been here yet, and advised me by no means to miss it if it does come. The best Punch and the best Toby dog, he said, he had ever come across. Toby dogs, you know, are the last new thing in the shows. I have only seen one myself, but before long all the men will have them.

Now why, you will want to know, do I trouble to write all this to you? I am obliged to do it, because it has something to do with another absurd trifle (as you will inevitably say), which in my present state of rather unquiet fancy—nothing more, perhaps—I have to put down. It is a dream, sir, which I am going to record, and I must say it is one of the oddest I have had. Is there anything in it beyond what the bagman’s talk and Uncle Henry’s disappearance could have suggested? You, I repeat, shall judge: I am not in a sufficiently cool and judicial frame to do so.

It began with what I can only describe as a pulling aside of curtains: and I found myself seated in a place—I don’t know whether in doors or out. There were people—only a few—on either side of me, but I did not recognize them, or indeed think much about them. They never spoke, but, so far as I remember, were all grave and pale-faced and looked fixedly before them. Facing me there was a Punch and Judy Show, perhaps rather larger than the ordinary ones, painted with black figures on a reddish-yellow ground. Behind it and on each side was only darkness, but in front there was a sufficiency of light. I was “strung up” to a high degree of expectation and listened every moment to hear the panpipes and the Roo-too-too-it. Instead of that there came suddenly an enormous—I can use no other word—an enormous single toll of a bell, I don’t know from how far off—somewhere behind. The little curtain flew up and the drama began.

I believe someone once tried to re-write Punch as a serious tragedy; but whoever he may have been, this performance would have suited him exactly. There was something Satanic about the hero. He varied his methods of attack: for some of his victims he lay in wait, and to see his horrible face—it was yellowish white, I may remark—peering round the wings made me think of the Vampyre in Fuseli’s foul sketch. To others he was polite and carneying—particularly to the unfortunate alien who can only say Shallabalah—though what Punch said I never could catch. But with all of them I came to dread the moment of death. The crack of the stick on their skulls, which in the ordinary way delights me, had here a crushing sound as if the bone was giving way, and the victims quivered and kicked as they lay. The baby—it sounds more ridiculous as I go on—the baby, I am sure, was alive. Punch wrung its neck, and if the choke or squeak which it gave were not real, I know nothing of reality.

The stage got perceptibly darker as each crime was consummated, and at last there was one murder which was done quite in the dark, so that I could see nothing of the victim, and took some time to effect. It was accompanied by hard breathing and horrid muffled sounds, and after it Punch came and sat on the foot-board and fanned himself and looked at his shoes, which were bloody, and hung his head on one side, and sniggered in so deadly a fashion that I saw some of those beside me cover their faces, and I would gladly have done the same. But in the meantime the scene behind Punch was clearing, and showed, not the usual house front, but something more ambitious—a grove of trees and the gentle slope of a hill, with a very natural—in fact, I should say a real— moon shining on it. Over this there rose slowly an object which I soon perceived to be a human figure with something peculiar about the head—what, I was unable at first to see. It did not stand on its feet, but began creeping or dragging itself across the middle distance towards Punch, who still sat back to it; and by this time, I may remark (though it did not occur to me at the moment) that all pretence of this being a puppet show had vanished. Punch was still Punch, it is true, but, like the others, was in some sense a live creature, and both moved themselves at their own will.

When I next glanced at him he was sitting in malignant reflection; but in another instant something seemed to attract his attention, and he first sat up sharply and then turned round, and evidently caught sight of the person that was approaching him and was in fact now very near. Then, indeed, did he show unmistakable signs of terror: catching up his stick, he rushed towards the wood, only just eluding the arm of his pursuer, which was suddenly flung out to intercept him. It was with a revulsion which I cannot easily express that I now saw more or less clearly what this pursuer was like. He was a sturdy figure clad in black, and, as I thought, wearing bands: his head was covered with a whitish bag.

The chase which now began lasted I do not know how long, now among the trees, now along the slope of the field, sometimes both figures disappearing wholly for a few seconds, and only some uncertain sounds letting one know that they were still afoot. At length there came a moment when Punch, evidently exhausted, staggered in from the left and threw himself down among the trees. His pursuer was not long after him, and came looking uncertainly from side to side. Then, catching sight of the figure on the ground, he too threw himself down—his back was turned to the audience—with a swift motion twitched the covering from his head, and thrust his face into that of Punch. Everything on the instant grew dark.

There was one long, loud, shuddering scream, and I awoke to find myself looking straight into the face of—what in all the world do you think?—but a large owl, which was seated on my window-sill immediately opposite my bed-foot, holding up its wings like two shrouded arms. I caught the fierce glance of its yellow eyes, and then it was gone. I heard the single enormous bell again—very likely, as you are saying to yourself, the church clock; but I do not think so—and then I was broad awake.

All this, I may say, happened within the last half-hour. There was no probability of my getting to sleep again, so I got up, put on clothes enough to keep me warm, and am writing this rigmarole in the first hours of Christmas Day. Have I left out anything? Yes, there was no Toby dog, and the names over the front of the Punch and Judy booth were Kidman and Gallop, which were certainly not what the bagman told me to look out for.

By this time, I feel a little more as if I could sleep, so this shall be sealed and wafered.

LETTER IV

Dec. 26, ‘37.

My Dear Robert,—All is over. The body has been found. I do not make excuses for not having sent off my news by last night’s mail, for the simple reason that I was incapable of putting pen to paper. The events that attended the discovery bewildered me so completely that I needed what I could get of a night’s rest to enable me to face the situation at all. Now I can give you my journal of the day, certainly the strangest Christmas Day that ever I spent or am likely to spend.

The first incident was not very serious. Mr. Bowman had, I think, been keeping Christmas Eve, and was a little inclined to be captious: at least, he was not on foot very early, and to judge from what I could hear, neither men or maids could do anything to please him. The latter were certainly reduced to tears; nor am I sure that Mr. Bowman succeeded in preserving a manly composure. At any rate, when I came downstairs, it was in a broken voice that he wished me the compliments of the season, and a little later on, when he paid his visit of ceremony at breakfast, he was far from cheerful: even Byronic, I might almost say, in his outlook on life.

“I don’t know,” he said, “if you think with me, sir; but every Christmas as comes round the world seems a hollerer thing to me. Why, take an example now from what lays under my own eye. There’s my servant Eliza—been with me now for going on fifteen years. I thought I could have placed my confidence in Elizar, and yet this very morning—Christmas morning too, of all the blessed days in the year—with the bells a ringing and—and—all like that—I say, this very morning, had it not have been for Providence watching over us all, that girl would have put—indeed I may go so far to say,’ad put the cheese on your breakfast table———” He saw I was about to speak, and waved his hand at me. “It’s all very well for you to say, ‘Yes, Mr. Bowman, but you took away the cheese and locked it up in the cupboard,’ which I did, and have the key here, or if not the actual key one very much about the same size. That’s true enough, sir, but what do you think is the effect of that action on me? Why it’s no exaggeration for me to say that the ground is cut from under my feet. And yet when I said as much to Eliza, not nasty, mind you, but just firm like, what was my return? ‘Oh,’ she says: ‘Well,’ she says, ‘there wasn’t no bones broke, I suppose.’ Well, sir, it ‘urt me, that’s all I can say: it ‘urt me, and I don’t like to think of it now.”

There was an ominous pause here, in which I ventured to say something like, “Yes, very trying,” and then asked at what hour the church service was to be. “Eleven o’clock,” Mr. Bowman said with a heavy sigh. “Ah, you won’t have no such discourse from poor Mr. Lucas as what you would have done from our late Rector. Him and me may have had our little differences, and did do, more’s the pity.”

I could see that a powerful effort was needed to keep him off the vexed question of the cask of beer, but he made it. “But I will say this, that a better preacher, nor yet one to stand faster by his rights, or what he considered to be his rights—however, that’s not the question now—I for one, never set under. Some might say, ‘Was he a eloquent man?’ and to that my answer would be: ‘Well, there you’ve a better right per’aps to speak of your own uncle than what I have.’ Others might ask, ‘Did he keep a hold of his congregation?’ and there again I should reply, ‘That depends.’ But as I say—Yes, Eliza, my girl, I’m coming—eleven o’clock, sir, and you inquire for the King’s Head pew.” I believe Eliza had been very near the door, and shall consider it in my vail.

The next episode was church: I felt Mr. Lucas had a difficult task in doing justice to Christmas sentiments, and also to the feeling of disquiet and regret which, whatever Mr. Bowman might say, was clearly prevalent. I do not think he rose to the occasion. I was uncomfortable. The organ wolved—you know what I mean: the wind died—twice in the Christmas Hymn, and the tenor bell, I suppose owing to some negligence on the part of the ringers, kept sounding faintly about once in a minute during the sermon. The clerk sent up a man to see to it, but he seemed unable to do much. I was glad when it was over. There was an odd incident, too, before the service. I went in rather early, and came upon two men carrying the parish bier back to its place under the tower. From what I overheard them saying, it appeared that it had been put out by mistake, by some one who was not there. I also saw the clerk busy folding up a moth-eaten velvet pall—not a sight for Christmas Day.

I dined soon after this, and then, feeling disinclined to go out, took my seat by the fire in the parlour, with the last number of Pickwick, which I had been saving up for some days. I thought I could be sure of keeping awake over this, but I turned out as bad as our friend Smith. I suppose it was half-past two when I was roused by a piercing whistle and laughing and talking voices outside in the market-place. It was a Punch and Judy—I had no doubt the one that my bagman had seen at W———. I was half delighted, half not—the latter because my unpleasant dream came back to me so vividly; but, anyhow, I determined to see it through, and I sent Eliza out with a crown-piece to the performers and a request that they would face my window if they could manage it.

The show was a very smart new one; the names of the proprietors, I need hardly tell you, were Italian, Foresta and Calpigi. The Toby dog was there, as I had been led to expect. All B——— turned out, but did not obstruct my view, for I was at the large first-floor window and not ten yards away.

The play began on the stroke of a quarter to three by the church clock. Certainly it was very good; and I was soon relieved to find that the disgust my dream had given me for Punch’s onslaughts on his ill-starred visitors was only transient. I laughed at the demise of the Turncock, the Foreigner, the Beadle, and even the baby. The only drawback was the Toby dog’s developing a tendency to howl in the wrong place. Something had occurred, I suppose, to upset him, and something considerable: for, I forget exactly at what point, he gave a most lamentable cry, leapt off the foot board, and shot away across the market-place and down a side street. There was a stage-wait, but only a brief one. I suppose the men decided that it was no good going after him, and that he was likely to turn up again at night.

We went on. Punch dealt faithfully with Judy, and in fact with all comers; and then came the moment when the gallows was erected, and the great scene with Mr. Ketch was to be enacted. It was now that something happened of which I can certainly not yet see the import fully. You have witnessed an execution, and know what the criminal’s head looks like with the cap on. If you are like me, you never wish to think of it again, and I do not willingly remind you of it. It was just such a head as that, that I, from my somewhat higher post, saw in the inside of the show-box; but at first the audience did not see it. I expected it to emerge into their view, but instead of that there slowly rose for a few seconds an uncovered face, with an expression of terror upon it, of which I have never imagined the like. It seemed as if the man, whoever he was, was being forcibly lifted, with his arms somehow pinioned or held back, towards the little gibbet on the stage. I could just see the nightcapped head behind him. Then there was a cry and a crash. The whole show-box fell over backwards; kicking legs were seen among the ruins, and then two figures—as some said; I can only answer for one—were visible running at top speed across the square and disappearing in a lane which leads to the fields.

Of course everybody gave chase. I followed; but the pace was killing, and very few were in, literally, at the death. It happened in a chalk pit: the man went over the edge quite blindly and broke his neck. They searched everywhere for the other, until it occurred to me to ask whether he had ever left the market-place. At first everyone was sure that he had; but when we came to look, he was there, under the show-box, dead too.

But in the chalk pit it was that poor Uncle Henry’s body was found, with a sack over the head, the throat horribly mangled. It was a peaked corner of the sack sticking out of the soil that attracted attention. I cannot bring myself to write in greater detail.

I forgot to say the men’s real names were Kidman and Gallop. I feel sure I have heard them, but no one here seems to know anything about them.

I am coming to you as soon as I can after the funeral. I must tell you when we meet what I think of it all.

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References:

The Night of Christmas Eve by Nikolai Gogol

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Set in snowy Ukraine on Christmas Eve, this folkloric tale follows a trickster devil who wreaks havoc in a village while a young man seeks to win his beloved’s heart under supernatural influence.

The Night of Christmas Eve by Nikolai Gogol (Translated by George Tolstoy)

The last day before Christmas had just closed. A bright winter night had come on, stars had appeared, and the moon rose majestically in the heavens to shine upon good men and the whole of the world, so that they might gaily sing carols and hymns in praise of the nativity of Christ. The frost had grown more severe than during the day; but, to make up for this, everything had become so still that the crisping of the snow under foot might be heard nearly half a verst round. As yet there was not a single group of young peasants to be seen under the windows of the cottages; the moon alone peeped stealthily in at them, as if inviting the maidens, who were decking themselves, to make haste and have a run on the crisp snow. Suddenly, out of the chimney of one of the cottages, volumes of smoke ascended in clouds towards the heavens, and in the midst of those clouds rose, on a besom, a witch.

If at that time the magistrate of Sorochinsk[1] had happened to pass in his carriage, drawn by three horses, his head covered by a lancer cap with sheepskin trimming, and wrapped in his great cloak, covered with blue cloth and lined with black sheepskin, and with his tightly plaited lash, which he uses for making the driver drive faster—if this worthy gentleman had happened to pass at that time, no doubt he would have seen the witch, because there is no witch who could glide away without his seeing her. He knows to a certainty how many sucking pigs each swine brings forth in each cottage, how much linen lies in each box, and what each one has pawned in the brandy-shop out of his clothes or his household furniture. But the magistrate of Sorochinsk happened not to pass; and then, what has he to do with those out of his jurisdiction? he has his own circuit. And the witch by this time had risen so high that she only looked like a little dark spot up above; but wherever that spot went, one star after another disappeared from heaven. In a short time the witch had got a whole sleeveful of them. Some three or four only remained shining. On a sudden, from the opposite side, appeared another spot, which went on growing, spreading, and soon became no longer a spot. A short-sighted man, had he put, not only spectacles, but even the wheels of a britzka on his nose, would never have been able to make out what it was. In front, it was just like a German;[2] a narrow snout, incessantly turning on every side, and smelling about, ended like those of our pigs, in a small, round, flattened end; its legs were so thin, that had the village elder got no better, he would have broken them to pieces in the first squatting-dance. But, as if to make amends for these deficiencies, it might have been taken, viewed from behind, for the provincial advocate, so much was its long pointed tail like the skirt of our dress-coats. And yet, a look at the goat’s beard under its snout, at the small horns sticking out of its head, and at the whole of its figure, which was no whiter than that of a chimney sweeper, would have sufficed to make any one guess that it was neither a German nor a provincial advocate, but the Devil in person, to whom only one night more was left for walking about the world and tempting good men to sin. On the morrow, at the first stroke of the church bell, he was to run, with his tail between his legs, back to his quarters. The devil then, as the devil it was, stole warily to the moon, and stretched out his hand to get hold of it; but at the very same moment he drew it hastily back again, as if he had burnt it, shook his foot, sucked his fingers, ran round on the other side, sprang at the moon once more, and once more drew his hand away. Still, notwithstanding his being baffled, the cunning devil did not desist from his mischievous designs. Dashing desperately forwards, he grasped the moon with both hands, and, making wry faces and blowing hard, he threw it from one hand to the other, like a peasant who has taken a live coal in his hand to light his pipe. At last, he hastily hid it in his pocket, and went on his way as if nothing had happened. At Dikanka,[3] nobody suspected that the devil had stolen the moon. It is true that the village scribe, coming out of the brandy-shop on all fours, saw how the moon, without any apparent reason, danced in the sky, and took his oath of it before the whole village, but the distrustful villagers shook their heads, and even laughed at him. And now, what was the reason that the devil had decided on such an unlawful step? Simply this: he knew very well that the rich Cossack[4] Choop[5] was invited to an evening party at the parish clerk’s, where he was to meet the elder, also a relation of the clerk, who was in the archbishop’s chapel, and who wore a blue coat and had a most sonorous basso profondo, the Cossack Sverbygooze, and some other acquaintances; where there would be for supper, not only the kootia,[6] but also a varenookha,[7] as well as corn-brandy, flavoured with saffron, and divers other dainties. He knew that in the mean time Choop’s daughter, the belle of the village, would remain at home; and he knew, moreover, that to this daughter would come the blacksmith, a lad of athletic strength, whom the devil held in greater aversion than even the sermons of Father Kondrat. When the blacksmith had no work on hand, he used to practise painting, and had acquired the reputation of being the best painter in the whole district. Even the Centurion[8] had expressly sent for him to Poltava, for the purpose of painting the wooden palisade round his house. All the tureens out of which the Cossacks of Dikanka ate their borsch,[9] were adorned with the paintings of the blacksmith. He was a man of great piety, and often painted images of the saints; even now, some of them may be seen in the village church; but his masterpiece was a painting on the right side of the church-door; in it he had represented the Apostle Peter, at the Day of Judgment, with the keys in his hand, driving the evil spirit out of hell; the terrified devil, apprehending his ruin, rushed hither and thither, and the sinners, freed from their imprisonment, pursued and thrashed him with scourges, logs of wood, and anything that came to hand. All the time that the blacksmith was busy with this picture, and was painting it on a great board, the devil used all his endeavours to spoil it; he pushed his hand, raised the ashes out of the forge, and spread them over the painting; but, notwithstanding all this, the work was finished, the board was brought to the church, and fixed in the wall of the porch. From that time the devil vowed vengeance on the blacksmith. He had only one night left to roam about the world, but even in that night he sought to play some evil trick upon the blacksmith. For this reason he, had resolved to steal the moon, for he knew that old Choop was lazy above all things, not quick to stir his feet; that the road to the clerk’s was long, and went across back lanes, next to mills, along the churchyard, and over the top of a precipice; and though the varenookha and the saffron brandy might have got the better of Choop’s laziness on a moonlight night, yet, in such darkness, it would be difficult to suppose that anything could prevail on him to get down from his oven[10] and quit his cottage. And the blacksmith, who had long been at variance with Choop, would not on any account, in spite even of his strength, visit his daughter in his presence.

So stood events: hardly had the devil hidden the moon in his pocket, when all at once it grew so dark that many could not have found their way to the brandy-shop, still less to the clerk’s. The witch, finding herself suddenly in darkness, shrieked aloud. The devil coming near her, took her hand, and began to whisper to her those same things which are usually whispered to all womankind.

How oddly things go on in this world of ours! Every one who lives in it endeavours to copy and ape his neighbour. Of yore there was nobody at Mirgorod[11] but the judge and the mayor, who in winter wore fur cloaks covered with cloth; all their subordinates went in plain uncovered too-loops;[12] and now, only see, the deputy, as well as the under-cashier, wear new cloaks of black sheep fur covered with cloth. Two years ago, the village-scribe and the town-clerk bought blue nankeen, for which they paid full sixty copecks the arsheen.[13] The sexton, too, has found it necessary to have nankeen trousers for the summer, and a striped woollen waistcoat. In short, there is no one who does not try to cut a figure. When will the time come when men will desist from vanity? One may wager that many will be astonished at finding the devil making love. The most provoking part of it is, to think that really he fancies himself a beau, when the fact is, that he has such a phiz, that one is ashamed to look at it—such a phiz, that, as one of my friends says, it is the abomination of abominations; and yet, he, too, ventures to make love!

But it grew so dark in the sky, and under the sky, that there was no possibility of further seeing what passed between the devil and the witch.


“So thou sayest, kinsman, that thou hast not yet been in the clerk’s new abode?” said the Cossack Choop, stepping out of his cottage, to a tall meagre peasant in a short tooloop, with a well grown beard, which it was evident had remained at least a fortnight untouched by the piece of scythe, which the peasants use instead of a razor,[14] “There will be a good drinking party,” continued Choop, endeavouring to smile at these words, “only we must not be too late;” and with this Choop drew still closer his belt, which was tightly girded round his tooloop, pulled his cap over his eyes, and grasped more firmly his whip, the terror of importunate dogs; but looking up, remained fixed to the spot. “What the devil! look, kinsman!”

“What now?” uttered the kinsman, also lifting up his head.

“What now? Why, where is the moon gone?”

“Ah! sure enough, gone she is.”

“Yes, that she is!” said Choop, somewhat cross at the equanimity of the kinsman, “and it’s all the same to thee.”

“And how could I help it?”

“That must be the trick of some evil spirit,” continued Choop, rubbing his mustachios with his sleeve. “Wretched dog, may he find no glass of brandy in the morning! Just as if it were to laugh at us; and I was purposely looking out of window as I was sitting in the room; such a splendid night; so light, the snow shining so brightly in the moonlight; everything to be seen as if by day; and now we have hardly crossed the threshold, and behold it is as dark as blindness!”

And Choop continued a long time in the same strain, moaning and groaning, and thinking all the while what was to be done. He greatly wished to have a gossip about all sorts of nonsense at the clerk’s lodgings, where, he felt quite sure, were already assembled the elder, the newly arrived basso profondo, as well as the tar-maker Nikita, who went every fortnight to Poltava on business, and who told such funny stories that his hearers used to laugh till they were obliged to hold their belts. Choop even saw, in his mind’s eye, the varenookha brought forth upon the table. All this was most enticing, it is true; but then the darkness of the night put him in mind of the laziness which is so very dear to every Cossack. Would it not be well now to lie upon the oven, with his feet drawn up to his body, quietly enjoying a pipe, and listening through a delightful drowsiness to the songs and carols of the gay lads and maidens who would come in crowds under the windows? Were Choop alone, there is no doubt he would have preferred the latter; but to go in company would not be so tedious or so frightful after all, be the night ever so dark; besides, he did not choose to appear to another either lazy or timorous; so, putting an end to his grumbling, he once more turned to the kinsman. “Well, kinsman; so the moon is gone?”

“She is.”

“Really, it is very strange! Give me a pinch of thy snuff. Beautiful snuff it is; where dost thou buy it, kinsman?”

“I should like to know what is so beautiful in it;” answered the kinsman, shutting his snuff-box, made of birch bark and adorned with different designs pricked on it; “it would not make an old hen sneeze.”

“I remember,” continued Choop in the same strain, “the defunct pot-house keeper, Zoozooha, once brought me some snuff from Niegin.[15] That was what I call snuff—capital snuff! Well, kinsman, what are we to do? The night is dark.”

“Well, I am ready to remain at home,” answered the kinsman taking hold of the handle of the door.

Had not the kinsman spoken thus, Choop would have decidedly remained at home; but now, there was something which prompted him to do quite the contrary. “No, kinsman; we will go; go we must;” and whilst saying this, he was already cross with himself for having thus spoken. He was much displeased at having to walk so far on such a night, and yet he felt gratified at having had his own way, and having gone contrary to the advice he had received. The kinsman, without the least expression of discontent on his face, like a man perfectly indifferent to sitting at home or to taking a walk, looked round, scratched his shoulder with the handle of his cudgel, and away went the two kinsmen.


Let us now take a glance at what Choop’s beautiful daughter was about when left alone. Oxana has not yet completed her seventeenth year, and already all the people of Dikanka, nay, even the people beyond it, talk of nothing but her beauty. The young men are unanimous in their decision, and have proclaimed her the most beautiful girl that ever was, or ever can be, in the village. Oxana knows this well, and hears everything that is said about her, and she is, of course, as capricious as a beauty knows how to be. Had she been born to wear a lady’s elegant dress, instead of a simple peasant’s petticoat and apron, she would doubtless have proved so fine a lady that no maid could have remained in her service. The lads followed her in crowds; but she used to put their patience to such trials, that they all ended by leaving her to herself, and taking up with other girls, not so spoiled as she was. The blacksmith was the only one who did not desist from his love suit, but continued it, notwithstanding her ill-treatment, in which he had no less share than the others.

When her father was gone, Oxana remained for a long time decking herself, and coquetting before a small looking-glass, framed in tin. She could not tire of admiring her own likeness in the glass. “Why do men talk so much about my being so pretty?” said she, absently, merely for the sake of gossiping aloud. “Nonsense; there is nothing pretty in me.” But the mirror, reflecting her fresh, animated, childish features, with brilliant dark eyes, and a smile most inexpressibly bewitching, proved quite the contrary. “Unless,” continued the beauty, holding up the mirror, “may be, my black eyebrows and my dark eyes are so pretty that no prettier are to be found in the world; as for this little snub nose of mine, and my cheeks and my lips, what is there pretty in them? or, are my tresses so very beautiful? Oh! one might be frightened at them in the dark; they seem like so many serpents twining round my head. No, I see very well that I am not at all beautiful!” And then, on a sudden, holding the looking-glass a little further off, “No,” she exclaimed, exultingly, “No, I really am pretty! and how pretty! how beautiful! What joy shall I bring to him whose wife I am to be! How delighted will my husband be to look at me! He will forget all other thoughts in his love for me! He will smother me with kisses.”

“A strange girl, indeed,” muttered the blacksmith who had in the mean time entered the room, “and no small share of vanity has she got! There she stands for the last hour, looking at herself in the glass, and cannot leave off, and moreover praises herself aloud.”

“Yes, indeed lads! is any one of you a match for me?” went on the pretty flirt; “look at me, how gracefully I walk; my bodice is embroidered with red silk, and what ribbons I have got for my hair! You have never seen any to be compared to them! All this my father has bought on purpose for me, that I may marry the smartest fellow that ever was born!” and so saying, she laughingly turned round and saw the blacksmith. She uttered a cry and put on a severe look, standing straight before him. The blacksmith stood quite abashed. It would be difficult to specify the meaning of the strange girl’s somewhat sunburnt face; there was a degree of severity in it, and, in this same severity, somewhat of raillery at the blacksmith’s bashfulness, as well as a little vexation, which spread an almost imperceptible blush over her features. All this was so complicated, and became her so admirably Well, that the best thing to have done would have been to give her thousands and thousands of kisses.

“Why didst thou come hither?” she began. “Dost thou wish me to take up the shovel and drive thee from the house? Oh! you, all of you, know well how to insinuate yourselves into our company! You scent out in no time when the father has turned his back on the house. Oh! I know you well! Is my box finished?”

“It will be ready, dear heart of mine—it will be ready after the festival. Couldst thou but know how much trouble it has cost me—two nights did I never leave my smithy. Sure enough, thou wilt find no such box anywhere, not even belonging to a priest’s wife. The iron I used for binding it! I did not use the like even for the centurion’s tarataika,[16] when I went to Poltava. And then, the painting of it. Wert thou to go on thy white feet round all the district, thou wouldst not find such another painting. The whole of the box will sparkle with red and blue flowers. It will be a delight to look upon it. Be not angry with me. Allow me—be it only to speak to thee—nay, even to look at thee.”

“Who means to forbid it? speak and look,” and she sat down on the bench, threw one more glance at the glass, and began to adjust the plaits on her head, looked at her neck, at her new bodice, embroidered with silk, and a scarcely visible expression of self-content played over her lips and cheeks and brightened her eyes.

“Allow me to sit down beside thee,” said the blacksmith.

“Be seated,” answered Oxana, preserving the same expression about her mouth and in her looks.

“Beautiful Oxana! nobody will ever have done looking at thee—let me kiss thee!” exclaimed the blacksmith recovering his presence of mind, and drawing her towards him, endeavoured to snatch a kiss; her cheek was already at an imperceptible distance from the blacksmith’s lips, when Oxana sprang aside and pushed him back. “What wilt thou want next? When one has got honey, he wants a spoon too. Away with thee! thy hands are harder than iron, and thou smellest of smoke thyself; I really think thou hast besmeared me with thy soot.” She then took the mirror and once more began to adorn herself.

“She does not care for me,” thought the blacksmith, hanging down his head. “Everything is but play to her, and I am here like a fool standing before her and never taking my eyes off her. Charming girl. What would I not do only to know what is passing in her heart. Whom does she love? But no, she cares for no one, she is fond only of herself, she delights in the sufferings she causes to my own poor self, and my grief prevents me from thinking of anything else, and I love her as nobody in the world ever loved or is likely to love.”

“Is it true that thy mother is a witch?” asked Oxana laughing; and the blacksmith felt as if everything within him laughed too, as if that laugh had found an echo in his heart and in all his veins; and at the same time he felt provoked at having no right to cover with kisses that pretty laughing face.

“What do I care about my mother! Thou art my mother, my father—all that I hold precious in the world! Should the Czar send for me to his presence and say to me, ‘Blacksmith Vakoola,’ ask of me whatever I have best in my realm—I’ll give it all to thee; I’ll order to have made for thee a golden smithy, where thou shalt forge with silver hammers.’ ‘I’ll none of it,’ would I answer the Czar. ‘I’ll have no precious stones, no golden smithy, no, not even the whole of thy realm—give me only my Oxana!'”

“Now, only see what a man thou art! But my father has got another idea in his head; thou’lt see if he does not marry thy mother!”[17] said Oxana with an arch smile. “But what can it mean? the maidens are not yet come—it is high time for carolling. I am getting dull.”

“Never mind about them, my beauty!”

“But, of course, I do mind; they will doubtless bring some lads with them, and then, how merry we shall be! I fancy all the droll stories that will be told!”

“So thou feelest merry with them?”

“Of course merrier than with thee. Ah! there is somebody knocking at the door; it must be the maidens and the lads!”

“Why need I stay any longer?” thought the blacksmith. “She laughs at me; she cares no more about me than about a rust-eaten horseshoe. But, be it so. I will at least give no one an opportunity to laugh at me. Let me only mark who it is she prefers to me. I’ll teach him how to”—

His meditation was cut short by a loud knocking at the door, and a harsh “Open the door,” rendered still harsher by the frost.

“Be quiet, I’ll go and open it myself,” said the blacksmith, stepping into the passage with the firm intention of giving vent to his wrath by breaking the bones of the first man who should come in his way.


The frost increased, and it became so cold that the devil went hopping from one hoof to the other, and blowing his fingers to warm his benumbed hands. And, of course, he could not feel otherwise than quite frozen: all day long he did nothing but saunter about hell, where, as everybody knows, it is by no means so cold as in our winter air; and where, with his cap on his head, and standing before a furnace as if really a cook, he felt as much pleasure in roasting sinners as a peasant’s wife feels at frying sausages for Christmas. The witch, though warmly clad, felt cold too, so lifting up her arms, and putting one foot before the other, just as if she were skating, without moving a limb, she slid down as if from a sloping ice mountain right into the chimney. The devil followed her example; but as this creature is swifter than any boot-wearing beau, it is not at all astonishing that at the very entrance of the chimney, he went down upon the shoulders of the witch and both slipped down together into a wide oven, with pots all round it. The lady traveller first of all noiselessly opened the oven-door a little, to see if her son Vakoola had not brought home some party of friends; but there being nobody in the room, and only some sacks lying in the middle of it on the floor, she crept out of the oven, took off her warm coat, put her dress in order, and was quite tidy in no time, so that nobody could ever possibly have suspected her of having ridden on a besom a minute before.

The mother of the blacksmith Vakoola was not more than forty; she was neither handsome nor plain; indeed it is difficult to be handsome at that age. Yet, she knew well how to make herself pleasant to the aged Cossacks (who, by-the-bye, did not care much about a handsome face); many went to call upon her, the elder, Assip Nikiphorovitch the clerk (of course when his wife was from home), the Cossack Kornius Choop, the Cossack Kassian Sverbygooze. At all events this must be said for her, she perfectly well understood how to manage with them; none of them ever suspected for a moment that he had a rival. Was a pious peasant going home from church on some holiday; or was a Cossack, in bad weather, on his way to the brandy-shop; what should prevent him from paying Solokha a visit, to eat some greasy curd dumplings with sour cream, and to have a gossip with the talkative and good-natured mistress of the cottage? And the Cossack made a long circuit on his way to the brandy-shop, and called it “just looking in as he passed.” When Solokha went to church on a holiday, she always wore a gay-coloured petticoat, with another short blue one over it, adorned with two gold braids, sewed on behind it in the shape of two curly mustachios. When she took her place at the right side of the church, the clerk was sure to cough and twinkle his eyes at her; the elder twirled his mustachios, twisted his crown-lock of hair round his ear, and said to his neighbour, “A splendid woman! a devilish fine woman!” Solokha nodded to every one, and every one thought that Solokha nodded to him alone. But those who liked to pry into other people’s business, noticed that Solokha exerted the utmost of her civility towards the Cossack Choop.

Choop was a widower; eight ricks of corn stood always before his cottage: two strong bulls used to put their heads out of their wattled shed, gaze up and down the street, and bellow every time they caught a glimpse of their cousin a cow, or their uncle the stout ox; the bearded goat climbed up to the very roof, and bleated from thence in a key as shrill as that of the mayor, and teased the turkeys which were proudly walking in the yard, and turned his back as soon as he saw his inveterate enemies, the urchins, who used to laugh at his beard. In Choop’s boxes there was plenty of linen, plenty of warm coats, and many old-fashioned dresses bound with gold braid; for his late wife had been a dashing woman. Every year, there was a couple of beds planted with tobacco in his kitchen-garden, which was, besides, well provided with poppies, cabbages, and sunflowers. All this, Solokha thought, would suit very well if united to her own household; she was already mentally regulating the management of this property when it should pass into her hands; and so she went on increasing in kindness towards old Choop. At the same time, to prevent her son Vakoola from making an impression on Choop’s daughter, and getting the whole of the property (in which case she was sure of not being allowed to interfere with anything), she had recourse to the usual means of all women of her age—she took every opportunity to make Choop quarrel with the blacksmith. These very artifices were perhaps the cause that it came to be rumoured amongst the old women (particularly when they happened to take a drop too much at some gay party) that Solokha was positively a witch; that young Kiziakaloopenko had seen on her back a tail no bigger than a common spindle; that on the last Thursday but one she ran across the road in the shape of a black kitten; that once there had come to the priest a hog, which crowed like a cock, put on Father Kondrat’s hat, and then ran away. It so happened that as the old women were discussing this point, there came by Tymish Korostiavoi, the herdsman. He could not help telling how, last summer, just before St. Peter’s fast, as he laid himself down for sleep in his shed, and had put some straw under his head, with his own eyes he beheld the witch, with her hair unplaited and nothing on but her shift, come and milk her cows; how he was so bewitched that he could not move any of his limbs; how she came to him and greased his lips with some nasty stuff, so that he could not help spitting all the next day. And yet all these stories seem of a somewhat doubtful character, because there is nobody but the magistrate of Sorochinsk who can distinguish a witch. This was the reason why all the chief Cossacks waved their hands on hearing such stories. “Mere nonsense, stupid hags!” was their usual answer.

Having come out of the oven and put herself to rights, Solokha, like a good housewife, began to arrange and put everything in its place; but she did not touch the sacks: “Vakoola had brought them in—he might take them out again.” In the mean time the devil, as he was coming down the chimney, caught a glimpse of Choop, who, arm in arm with his kinsman, was already a long way off from his cottage. Instantly, the devil flew out of the chimney, ran across the way, and began to break asunder the heaps of frozen snow which were lying all around. Then began a snow-storm. The air was all whitened with snow-flakes. The snow went rushing backwards and forwards, and threatened to cover, as it were with a net, the eyes, mouth, and ears of the pedestrians. Then the devil flew into the chimney once more, quite sure that both kinsmen would retrace their steps to Choop’s house, who would find there the blacksmith, and give him so sound a thrashing that the latter would never again have the strength to take a brush in his hand and paint offensive caricatures.


As soon as the snow-storm began, and the wind blew sharply in his eyes, Choop felt some remorse, and, pulling his cap over his very eyes, he began to abuse himself, the devil, and his own kinsman. Yet his vexation was but assumed; the snow-storm was rather welcome to Choop. The distance they had still to go before reaching the dwelling of the clerk was eight times as long as that which they had already gone; so they turned back. They now had the wind behind them; but nothing could be seen through the whirling snow.

“Stop, kinsman, it seems to me that we have lost our way,” said Choop, after having gone a little distance. “There is not a single cottage to be seen! Ah! what a storm it is! Go a little on that side, kinsman, and see if thou canst not find the road; and I will seek it on this side. Who but the devil would ever have persuaded any one to leave the house in such a storm! Don’t forget, kinsman, to call me when thou findest the road. Eh! what a lot of snow the devil has sent into my eyes!”

But the road was not to be found. The kinsman, in his long boots, started off on one side, and, after having rambled backwards and forwards, ended by finding his way right into the brandy-shop. He was so glad of it that he forgot everything else, and, after shaking off the snow, stepped into the passage without once thinking about his kinsman who had remained in the snow. Choop in the mean time fancied he had found out the road; he stopped and began to shout with all the strength of his lungs, but seeing that his kinsman did not come, he decided on proceeding alone.

In a short time he saw his cottage. Great heaps of snow lay around it and covered its roof. Rubbing his hands, which were numbed by the frost, he began to knock at the door, and in a loud tone ordered his daughter to open it.

“What dost thou want?” roughly demanded the blacksmith, stepping out.

Choop, on recognising the blacksmith’s voice, stepped a little aside. “No, surely this is not my cottage,” said he to himself; “the blacksmith would not come to my cottage. And yet—now I look at it again, it cannot be his. Whose then, can it be? Ah! how came I not to know it at once! it is the cottage of lame Levchenko, who has lately married a young wife; his is the only one like mine. That is the reason why it seemed so strange to me that I got home so soon. But, let me see, why is the blacksmith here? Levchenko, as far as I know, is now sitting at the clerk’s. Eh! he! he! he! the blacksmith comes to see his young wife! That’s what it is! Well, now I see it all!”

“Who art thou? and what hast thou to do lurking about this door?” asked the blacksmith, in a still harsher voice, and coming nearer.

“No,” thought Choop, “I’ll not tell him who I am; he might beat me, the cursed fellow!” and then, changing his voice, answered, “My good man, I come here in order to amuse you, by singing carols beneath your window.”

“Go to the devil with thy carols!” angrily cried Vakoola. “What dost thou wait for? didst thou hear me? be gone, directly.”

Choop himself had already the same prudent intention; but he felt cross at being obliged to obey the blacksmith’s command. Some evil spirit seemed to prompt him to say something contrary to Vakoola.

“What makes thee shout in that way?” asked he in the same assumed voice; “my intention is to sing a carol, and that is all.”

“Ah! words are not sufficient for thee!” and immediately after, Choop felt a heavy stroke fall upon his shoulders.

“Now, I see, thou art getting quarrelsome!” said he, retreating a few paces.

“Begone, begone!” exclaimed the blacksmith, striking again.

“What now!” exclaimed Choop, in a voice which expressed at the same time pain, anger, and fear. “I see thou quarrelest in good earnest, and strikest hard.”

“Begone, begone!” again exclaimed the blacksmith, and violently shut the door.

“Look, what a bully!” said Choop, once more alone in the street. “But thou hadst better not come near me! There’s a man for you! giving thyself such airs, too! Dost thou think there is no one to bring thee to reason? I will go, my dear fellow, and to the police-officer will I go. I’ll teach thee who I am! I care not for thy being blacksmith and painter. However, I must see to my back and shoulders: I think there are bruises on them. The devil’s son strikes hard, it seems. It is a pity it’s so cold, I cannot take off my fur coat. Stay a while, confounded blacksmith; may the devil break thy bones and thy smithy too! Take thy time—I will make thee dance, cursed squabbler! But, now I think of it, if he is not at home, Solokha must be alone. Hem! her dwelling is not far from here; shall I go? At this time nobody will trouble us. Perhaps I may. Ah! that cursed blacksmith, how he has beaten me!”

And Choop, rubbing his back, went in another direction. The pleasure which was in store for him in meeting Solokha, diverted his thoughts from his pain, and made him quite insensible to the snow and ice, which, notwithstanding the whistling of the wind, might be heard cracking all around. Sometimes a half-benignant smile brightened his face, whose beard and mustachios were whitened over by snow with the same rapidity as that displayed by a barber who has tyrannically got, hold of the nose of his victim. But for the snow which danced backwards and forwards before the eyes, Choop might have been seen a long time, stopping now and then to rub his back, muttering, “How painfully that cursed blacksmith has beaten me!” and then proceeding on his way.


At the time when the dashing gentleman, with a tail and a goat’s beard, flew out of the chimney, and then into, the chimney again, the pouch which hung by a shoulder-belt at his side, and in which he had hidden the stolen moon, in some way or other caught in something in the oven, flew open, and the moon, availing herself of the opportunity, mounted through the chimney of Solokha’s cottage and rose majestically in the sky. It grew light all at once; the storm subsided; the snow-covered fields seemed all over with silver, set with crystal stars; even the frost seemed to have grown milder; crowds of lads and lasses made their appearance with sacks upon their shoulders; songs resounded, and but few cottagers were without a band of carollers. How beautifully the moon shines! It would be difficult to describe the charm one feels in sauntering on such a night among the troops of maidens who laugh and sing, and of lads who are ready to adopt every trick and invention suggested by the gay and smiling night. The tightly-belted fur coat is warm; the frost makes one’s cheeks tingle more sharply; and the Cunning One, himself, seems, from behind your back, to urge you to all kinds of frolics. A crowd of maidens, with sacks, pushed their way into Choop’s cottage, surrounded Oxana, and bewildered the blacksmith by their shouts, their laughter, and their stories. Every one was in haste to tell something new to the beauty; softie unloaded their sacks, and boasted of the quantity of loaves, sausages, and curd dumplings which they had already received in reward for their carolling. Oxana seemed to be all pleasure and joy, went on chattering, first with one, then with another, and never for a moment ceased laughing. The blacksmith looked with anger and envy at her joy, and cursed the carolling, notwithstanding his having been mad about it himself in former times.

“Odarka,” said the joyful beauty, turning to one of the girls, “thou hast got on new boots! Ah! how beautiful they are! all ornamented with gold too! Thou art happy, Odarka, to have a suitor who can make thee such presents; I have nobody who would give me such pretty boots!”

“Don’t grieve about boots, my incomparable Oxana!” chimed in the blacksmith; “I will bring thee such boots as few ladies wear.”

“Thou?” said Oxana, throwing a quick disdainful glance at him. “We shall see where thou wilt get such boots as will suit my foot, unless thou bringest me the very boots which the Czarina wears!”

“Just see what she has taken a fancy to now!” shouted the group of laughing girls.

“Yes!” haughtily continued the beauty, “I call all of you to witness, that if the blacksmith Vakoola brings me the very boots which the Czarina wears, I pledge him my word instantly to marry him.”

The maidens led away the capricious belle.

“Laugh on, laugh on!” said the blacksmith, stepping out after them. “I myself laugh at my own folly. It is in vain that I think, over and over again, where have I left my wits? She does not love me—well, God be with her! Is Oxana the only woman in all the world? Thanks be to God! there are many handsome maidens in the village besides Oxana. Yes, indeed, what is Oxana? No good housewife will ever be made out of her; she only understands how to deck herself. No, truly, it is high time for me to leave off making a fool of myself.” And yet at the very moment when he came to this resolution, the blacksmith saw before his eyes the laughing face of Oxana, teasing him with the words—”Bring me, blacksmith, the Czarina’s own boots, and I will marry thee!” He was all agitation, and his every thought was bent on Oxana alone.

The carolling groups of lads on one side, of maidens on the other, passed rapidly from street to street. But the blacksmith went on his way without noticing anything, and without taking any part in the rejoicings, in which, till now, he had delighted above all others.


The devil had, in the meanwhile, quickly reached the utmost limits of tenderness in his conversation with Solokha; he kissed her hand with nearly the same faces as the magistrate used when making love to the priest’s wife; he pressed his hand upon his heart, sighed, and told her that if she did not choose to consider his passion, and meet it with due return, he had made up his mind to throw himself into the water, and send his soul right down to hell. But Solokha was not so cruel—the more so, as the devil, it is well known, was in league with her. Moreover, she liked to have some one to flirt with, and rarely remained alone. This evening she expected to be without any visitor, on account of all the chief inhabitants of the village being invited to the clerk’s house. And yet quite the contrary happened. Hardly had the devil set forth his demand, when the voice of the stout elder was heard. Solokha ran to open the door, and the quick devil crept into one of the sacks that were lying on the floor. The elder, after having shaken off the snow from his cap, and drunk a cup of brandy which Solokha presented to him, told her that he had not gone to the clerk’s on account of the snow-storm, and that, having seen a light in her cottage, he had come to pass the evening with her. The elder had just done speaking when there was a knock at the door, and the clerk’s voice was heard from without. “Hide me wherever thou wilt,” whispered the elder; “I should not like to meet the clerk.” Solokha could not at first conceive where so stout a visitor might possibly be hidden; at last she thought the biggest charcoal sack would be fit for the purpose; she threw the charcoal into a tub, and the sack being empty, in went the stout elder, mustachios, head, cap, and all. Presently the clerk made his appearance, giving way to a short dry cough, and rubbing his hands together. He told her how none of his guests had come, and how he was heartily glad of it, as it had given him the opportunity of taking a walk to her abode, in spite of the snow-storm. After this he came a step nearer to her, coughed once more, laughed, touched her bare plump arm with his fingers, and said with a sly, and at the same time a pleased voice, “What have you got here, most magnificent Solokha?” after which words he jumped back a few steps.

“How, what? Assip Nikiphorovitch! it is my arm!” answered Solokha.

“Hem! your arm! he! he! he!” smirked the clerk, greatly rejoiced at his beginning, and he took a turn in the room.

“And what is this, dearest Solokha?” said he, with the same expression, again coming to her, gently touching her throat, and once more springing back.

“As if you cannot see for yourself, Assip Nikiphorovitch!” answered Solokha, “it is my throat and my necklace on it.”

“Hem! your necklace upon your throat! he! he! he!” and again did the clerk take a walk, rubbing his hands.

“And what have you here, unequalled Solokha?”

We know not what the clerk’s long fingers would now have touched, if just at that moment he had not heard a knock at the door, and, at the same time, the voice of the Cossack Choop.

“Heavens! what an unwelcome visitor!” said the clerk in a fright, “whatever will happen if a person of my character is met here! If it should reach the ears of Father Kondrat!” But, in fact, the apprehension of the clerk was of quite a different description; above all things he dreaded lest his wife should be acquainted with his visit to Solokha; and he had good reason to dread her, for her powerful hand had already made his thick plait[18] a very thin one. “In Heaven’s name, most virtuous Solokha!” said he, trembling all over; “your goodness, as the Scripture saith, in St. Luke, chapter the thir—thir—there is somebody knocking, decidedly there is somebody knocking at the door! In Heaven’s name let me hide somewhere!”

Solokha threw the charcoal out of another sack into the tub, and in crept the clerk, who, being by no means corpulent, sat down at the very bottom of it, so that there would have been room enough to put more than half a sackful of charcoal on top of him.

“Good evening, Solokha,” said Choop, stepping into the room, “Thou didst not perhaps expect me? didst thou? certainly not; may be I hindered thee,” continued Choop, putting on a gay meaning face, which expressed at once that his lazy head laboured, and that he was on the point of saying some sharp and sportive witticism. “May be thou wert already engaged in flirting with somebody! May be thou hast already some one hidden? Is it so?” said he; and delighted at his own wit, Choop gave way to a hearty laugh, inwardly exulting at the thought that he was the only one who enjoyed the favours of Solokha. “Well now, Solokha, give me a glass of brandy; I think the abominable frost has frozen my throat! What a night for a Christmas eve! As it began snowing, Solokha—-just listen, Solokha—as it began snowing—eh! I cannot move my hands; impossible to unbutton my coat! Well, as it began snowing”—

“Open!” cried some one in the street, at the same time giving a thump at the door.

“Somebody is knocking at the door!” said Choop, stopping in his speech.

“Open!” cried the voice, still louder.

“‘Tis the blacksmith!” said Choop, taking his cap; “listen, Solokha!—put me wherever thou wilt! on no account in the world would I meet that confounded lad! Devil’s son! I wish he had a blister as big as a haycock under each eye.”

Solokha was so frightened that she rushed backwards and forwards in the room, and quite unconscious of what she did, showed Choop into the same sack where the clerk was already sitting. The poor clerk had to restrain his cough and his sighs when the weighty Cossack sat down almost on his head, and placed his boots, covered with frozen snow, just on his temples.

The blacksmith came in, without saying a word, without taking off his cap, and threw himself on the bench. It was easy to see that he was in a very bad temper. Just as Solokha shut the door after him, she heard another tap under the window. It was the Cossack Sverbygooze. As to this one, he decidedly could never have been hidden in a sack, for no sack large enough could ever have been found. In person, he was even stouter than the elder, and as to height, he was even taller than Choop’s kinsman. So Solokha went with him into the kitchen garden, in order to hear whatever he had to say to her.

The blacksmith looked vacantly round the room, listening at times to the songs of the carolling parties. His eyes rested at last on the sacks:

“Why do these sacks lie here? They ought to have been taken away long ago. This stupid love has made quite a fool of me; to-morrow is a festival, and the room is still full of rubbish. I will clear it away into the smithy!” And the blacksmith went to the enormous sacks, tied them as tightly as he could, and would have lifted them on his shoulders; but it was evident that his thoughts were far away, otherwise he could not have helped hearing how Choop hissed when the cord with which the sack was tied, twisted his hair, and how the stout elder began to hiccup very distinctly. “Shall I never get this silly Oxana out of my head?” mused the blacksmith; “I will not think of her; and yet, in spite of myself I think of her, and of her alone. How is it that thoughts come into one’s head against one’s own will? What, the devil! Why the sacks appear to have grown heavier than they were; it seems as if there was something else besides charcoal! What a fool I am! have I forgotten that everything seems to me heavier than it used to be. Some time ago, with one hand I could bend and unbend a copper coin, or a horse-shoe; and now, I cannot lift a few sacks of charcoal; soon every breath of wind will blow me off my legs. No,” cried he, after having remained silent for a while, and coming to himself again, “shall it be said that I am a woman? No one shall have the laugh against me; had I ten such sacks, I would lift them all at once.” And, accordingly, he threw the sacks upon his shoulders, although two strong men could hardly have lifted them. “I will take this little one, too,” continued he, taking hold of the little one, at the bottom of which was coiled up the devil. “I think I put my instruments into it;” and thus saying, he went out of the cottage, whistling the tune:

“No wife I’ll have to bother me.”


Songs and shouts grew louder and louder in the streets; the crowds of strolling people were increased by those who came in from the neighbouring villages; the lads gave way to their frolics and sports. Often amongst the Christmas carols might be heard a gay song, just improvised by some young Cossack. Hearty laughter rewarded the improviser. The little windows of the cottages flew open, and from them was thrown a sausage or a piece of pie, by the thin hand of some old woman or some aged peasant, who alone remained in-doors. The booty was eagerly caught in the sacks of the young people. In one place, the lads formed a ring to surround a group of maidens; nothing was heard but shouts and screams; one was throwing a snow-ball, another was endeavouring to get hold of a sack crammed with Christmas donations. In another place, the girls caught hold of some youth, or put something in his way, and down he fell with his sack. It seemed as if the whole of the night would pass away in these festivities. And the night, as if on purpose, shone so brilliantly; the gleam of the snow made the beams of the moon still whiter.

The blacksmith with his sacks stopped suddenly. He fancied he heard the voice and the sonorous laughter of Oxana in the midst of a group of maidens. It thrilled through his whole frame; he threw the sacks on the ground with so much force that the clerk, sitting at the bottom of one of them, groaned with pain, and the elder hiccupped aloud; then, keeping only the little sack upon his shoulders, the blacksmith joined a company of lads who followed close after a group of maidens, amongst whom he thought he had heard Oxana’s voice.

“Yes, indeed; there she is! standing like a queen, her dark eyes sparkling with pleasure! There is a handsome youth speaking with her; his speech seems very amusing, for she is laughing; but does she not always laugh?” Without knowing why he did it and as if against his will, the blacksmith pushed his way through the crowd, and stood beside her.

“Ah! Vakoola, here art thou; a good evening to thee!” said the belle, with the very smile which drove Vakoola quite mad. “Well, hast thou received much? Eh! what a small sack! And didst thou get the boots that the Czarina wears? Get those boots and I’ll marry thee!” and away she ran laughing with the crowd.

The blacksmith remained riveted to the spot. “No, I cannot; I have not the strength to endure it any longer,” said he at last. “But, Heavens! why is she so beautiful? Her looks, her voice, all, all about her makes my blood boil! No, I cannot get the better of it; it is time to put an end to this. Let my soul perish! I’ll go and drown myself, and then all will be over.” He dashed forwards with hurried steps, overtook the group, approached Oxana, and said to her in a resolute voice: “Farewell, Oxana! Take whatever bridegroom thou pleasest; make a fool of whom thou wilt; as for me, thou shalt never more meet me in this world!” The beauty seemed astonished, and was about to speak, but the blacksmith waved his hand and ran away.

“Whither away, Vakoola?” cried the lads, seeing him run. “Farewell, brothers,” answered the blacksmith. “God grant that we may meet in another world; but in this we meet no more! Fare you well! keep a kind remembrance of me. Pray Father Kondrat to say a mass for my sinful soul. Ask him forgiveness that I did not, on account of worldly cares, paint the tapers for the church. Everything that is found in my big box I give to the Church; farewell!”—and thus saying, the blacksmith went on running, with his sack on his back.

“He has gone mad!” said the lads. “Poor lost soul!” piously ejaculated an old woman who happened to pass by; “I’ll go and tell about the blacksmith having hanged himself.”


Vakoola, after having run for some time along the streets, stopped to take breath. “Well, where am I running?” thought he; “is really all lost? —I’ll try one thing more; I’ll go to the fat Patzuck, the Zaporoghian. They say he knows every devil, and has the power of doing everything he wishes; I’ll go to him; ’tis the same thing for the perdition of my soul.” At this, the devil, who had long remained quiet and motionless, could not refrain from giving vent to his joy by leaping in the sack. But the blacksmith thinking he had caught the sack with his hand, and thus occasioned the movement himself, gave a hard blow on the sack with his fist, and after shaking it about on his shoulders, went off to the fat Patzuck.

This fat Patzuck had indeed once been a Zaporoghian. Nobody, however, knew whether he had been turned out of the warlike community, or whether he had fled from it of his own accord.

He had already been for some ten, nay, it might even be for some fifteen years, settled at Dikanka. At first, he had lived as best suited a Zaporoghian; working at nothing, sleeping three-quarters of the day, eating not less than would satisfy six harvest-men, and drinking almost a whole pailful at once. It must be allowed that there was plenty of room for food and drink in Patzuck; for, though he was not very tall, he tolerably made up for it in bulk. Moreover, the trousers he wore were so wide, that long as might be the strides he took in walking, his feet were never seen at all, and he might have been taken t for a wine cask moving along the streets. This, may have been the reason for giving him the nick-name of “Fatty.” A few weeks had hardly passed since his arrival in the village, when it came to be known that he was a wizard. If any one happened to fall ill, he called Patzuck directly; and Patzuck had only to mutter a few words to put an end to the illness at once. Had any hungry Cossack swallowed a fish-bone, Patzuck knew how to give him right skilfully a slap on the back, so that the fish-bone went where it ought to go without causing any pain to the Cossack’s throat. Latterly, Patzuck was scarcely ever seen out of doors. This was perhaps caused by laziness, and perhaps, also, because to get through the door was a task which with every year grew more and more difficult for him. So the villagers were obliged to repair to his own lodgings whenever they wanted to consult him. The blacksmith opened the door, not without some fear. He saw Patzuck sitting on the floor after the Turkish fashion. Before him was a tub on which stood a tureen full of lumps of dough cooked in grease. The tureen was put, as if intentionally, on a level with his mouth. Without moving a single finger, he bent his head a little towards the tureen, and sipped the gravy, catching the lumps of dough with his teeth. “Well,” thought Vakoola to himself, “this fellow is still lazier than Choop; Choop at least eats with a spoon, but this one does not even raise his hand!” Patzuck seemed to be busily engaged with his meal, for he took not the slightest notice of the entrance of the blacksmith, who, as soon as he crossed the threshold, made a low bow.

“I am come to thy worship, Patzuck!” said Vakoola, bowing once more. The fat Patzuck lifted his head and went on eating the lumps of dough.

“They say that thou art—I beg thy pardon,” said the blacksmith, endeavouring to compose himself, “I do not say it to offend thee—that thou hast the devil among thy friends;” and in saying these words Vakoola was already afraid he had spoken too much to the point, and had not sufficiently softened the hard words he had used, and that Patzuck would throw at his head both the tub and the tureen; he even stepped a little on one side and covered his face with his sleeve, to prevent it from being sprinkled by the gravy.

But Patzuck looked up and continued sipping.

The encouraged blacksmith resolved to proceed —”I am come to thee, Patzuck; God grant thee plenty of everything, and bread in good proportion!” The blacksmith knew how to put in a fashionable word sometimes; it was a talent he had acquired during his stay at Poltava, when he painted the centurion’s palisade. “I am on the point of endangering the salvation of my sinful soul! nothing in this world can serve me! Come what will, I am resolved to seek the help of the devil. Well, Patzuck,” said he, seeing that the other remained silent, “what am I to do?”

“If thou wantest the devil, go to the devil!” answered Patzuck, not giving him a single look, and going on with his meal.

“I am come to thee for this very reason,” returned the blacksmith with a bow; “besides thyself, methinks there is hardly anybody in the world who knows how to go to the devil.”

Patzuck, without saying a word, ate up all that remained on the dish. “Please, good man, do not refuse me!” urged the blacksmith. “And if there be any want of pork, or sausages, or buckwheat, or even linen or millet, or anything else—why, we know how honest folk manage these things. I shall not be stingy. Only do tell me, if it be only by a hint, how to find the way to the devil.”

“He who has got the devil on his back has no great way to go to him,” said Patzuck quietly, without changing his position.

Vakoola fixed his eyes upon him as if searching for the meaning of these words on his face. “What does he mean?” thought he, and opened his mouth as if to swallow his first word. But Patzuck kept silence. Here Vakoola noticed that there was no longer either tub or tureen before him, but instead of them there stood upon the floor two wooden pots, the one full of curd dumplings, the other full of sour cream. Involuntarily his thoughts and his eyes became riveted to these pots. “Well, now,” thought he, “how will Patzuck eat the dumplings? He will not bend down to catch them like the bits of dough, and moreover, it is impossible; for they ought to be first dipped into the cream.” This thought had hardly crossed the mind of Vakoola, when Patzuck opened his mouth, looked at the dumplings, and then opened it still wider. Immediately, a dumpling jumped out of the pot, dipped itself into the cream, turned over on the other side, and went right into Patzuck’s mouth. Patzuck ate it, once more opened his mouth, and in went another dumpling in the same way. All Patzuck had to do was to chew and to swallow them. “That is wondrous indeed,” thought the blacksmith, and astonishment made him also open his mouth; but he felt directly, that a dumpling jumped into it also, and that his lips were already smeared with cream; he pushed it away, and after having wiped his lips, began to think about the marvels that happen in the world and the wonders one may work with the help of the devil; at the same time he felt more than ever convinced that Patzuck alone could help him. “I will beg of him still more earnestly to explain to me—but, what do I see? to-day is a fast, and he is eating dumplings, and dumplings are not food for fast days![19] What a fool I am! staying here and giving way to temptation! Away, away!” and the pious blacksmith ran with all speed out of the cottage. The devil, who remained all the while sitting in the sack, and already rejoiced at the glorious victim he had entrapped, could not endure to see him get free from his clutches. As soon as the blacksmith left the sack a little loose, he sprang out of it and sat upon the blacksmith’s neck.

Vakoola felt a cold shudder run through all his frame; his courage gave way, his face grew pale, he knew not what to do; he was already on the point of making the sign of the cross; but the devil bending his dog’s muzzle to his right ear, whispered: “Here I am, I, thy friend; I will do everything for a comrade and a friend such as thou! I’ll give thee as much money as thou canst wish for!” squeaked he in his left ear. “No later than this very day Oxana shall be ours!” continued he, turning his muzzle once more to the right ear.

The blacksmith stood considering. “Well,” said he, at length, “on this condition I am ready to be thine.”

The devil clapped his hand and began to indulge his joy in springing about on the blacksmith’s neck. “Now, I’ve caught him!” thought he to himself, “Now, I’ll take my revenge upon thee, my dear fellow, for all thy paintings and all thy tales about devils! What will my fellows say when they come to know that the most pious man in the village is in my power?” and the devil laughed heartily at the thought of how he would tease all the long-tailed breed in hell, and how the lame devil, who was reputed the most cunning of them all for his tricks, would feel provoked.

“Well, Vakoola!” squeaked he, while he continued sitting on Vakoola’s neck, as if fearing the blacksmith should escape; “thou knowest well that nothing can be done without contract.”

“I am ready,” said the blacksmith. “I’ve heard that it is the custom with you to write it in blood; well, stop, let me take a nail out of my pocket”—and putting his hand behind him, he suddenly seized the devil by his tail.

“Look, what fun!” cried the devil, laughing; “well, let me alone now, there’s enough of play!”

“Stop, my dear fellow!” cried the blacksmith, “what wilt thou say now?” and he made the sign of the cross. The devil grew as docile as a lamb. “Stop,” continued the blacksmith, drawing him by the tail down to the ground; “I will teach thee how to make good men and upright Christians sin;” and the blacksmith sprang on his back, and once more raised his hand to make the sign of the cross.

“Have mercy upon me, Vakoola!” groaned the devil in a lamentable voice; “I am ready to do whatever thou wilt, only do not make the dread, sign of the cross on me!”

“Ah! that is the strain thou singest now, cursed German that thou art! I know now what to do! Take me a ride on thy back directly, and harkee! a pretty ride must I have!”

“Whither?” gasped the mournful devil.

“To St. Petersburgh, straightway to the Czarina!” and the blacksmith thought he should faint with terror as he felt himself rising up in the air.


Oxana remained a long time pondering over the strange speech of the blacksmith. Something within her told her that she had behaved with too much cruelty towards him. “What if he should indeed resort to some frightful decision? May not such a thing be expected! He may, perhaps, fall in love with some other girl, and, out of spite, proclaim her to be the belle of the village! No, that he would not do, he is too much in love with me! I am so handsome! For none will he ever leave me. He is only joking; he only feigns. Ten minutes will not pass, ere he returns to look at me. I am indeed too harsh towards him. Why not let him have a kiss? just as if it were against my will; that, to a certainty would make him quite delighted!” and the flighty belle began once more to sport with her friends. “Stop,” said one of them, “the blacksmith has left his sacks behind; just see what enormous sacks too! His luck has been better than ours; methinks he has got whole quarters of mutton, and sausages, and loaves without number. Plenty indeed; one might feed upon the whole of next fortnight.”

“Are these the blacksmith’s sacks?” asked Oxana; “let us take them into my cottage just to see what he has got in them.” All laughingly agreed to her proposal.

“But we shall never be able to lift them!” cried the girls trying to move the sacks.

“Stay a bit,” said Oxana; “come with me to fetch a sledge, and we’ll drag them home on it.”

The whole party ran to fetch a sledge.

The prisoners were far from pleased at sitting in the sacks, notwithstanding that the clerk had succeeded in poking a great hole with his finger. Had there been nobody near, he would perhaps have found the means of making his escape; but he could not endure the thought of creeping out of the’ sack before a whole crowd, and of being laughed at by every one, so he resolved to await the event, giving only now and then a suppressed groan under the impolite boots of Choop. Choop had no less a desire to be set free, feeling that there was something lying under him, which was excessively inconvenient to sit upon. But on hearing his daughter’s decision he remained quiet and no longer felt inclined to creep out, considering that he would have certainly some hundred, or perhaps even two hundred steps to walk to get to his dwelling; that upon creeping out, he would have his sheepskin coat to button, his belt to buckle—what a trouble! and last of all, that he had left his cap behind him at Solokha’s. So he thought it better to wait till the maidens drew him home on a sledge.

The event, however, proved to be quite contrary to his expectations; at the same time that the maidens ran to bring the sledge, Choop’s kinsman left the brandy shop, very cross and dejected. The mistress of the shop would on no account give him credit; he had resolved to wait until some kind-hearted Cossack should step in and offer him a glass of brandy; but, as if purposely, all the Cossacks remained at home, and as became good Christians, ate kootia with their families. Thinking about the corruption of manners, and about the Jewish mistress of the shop having a wooden heart, the kinsman went straight to the sacks and stopped in amazement. “What sacks are these? somebody has left them on the road,” said he, looking round. “There must be pork for a certainty in them! Who can it be? who has had the good luck to get so many donations? Were there nothing more than buckwheat cakes and millet-biscuits—why, that would be well enough! But supposing there were only loaves, well, they are welcome too! The Jewess gives a glass of brandy for every loaf. I had better bring them out of the way at once, lest anybody should see them!” and he lifted on his shoulders the sack in which sate Choop and the clerk, but feeling it to be too heavy, “No,” said he, “I could not carry it home alone. Now, here comes, as if purposely, the weaver, Shapoovalenko! Good evening, Ostap!”

“Good evening,” said the weaver, stopping.

“Where art thou going?”

“I am walking without any purpose, just where my legs carry me.”

“Well, my good man, help me to carry off these sacks; some caroller has left them here in the midst of the road. We will divide the booty between us.”

“And what is there in the sacks? rolls or loaves?”

“Plenty of everything, I should think.” And both hastily snatched sticks out of a palisade, laid one of the sacks upon them, and carried it away on their shoulders.

“Where shall we carry it? to the brandy shop?” asked the weaver, leading the way.

“I thought, too, of carrying it there; but the vile Jewess will not give us credit; she will think we have stolen it somewhere, the more so that I have just left her shop. We had better carry it to my cottage. Nobody will interfere with us; my wife is not at home.”

“Art thou sure that she is not at home?” asked the weaver warily.

“Thank Heaven, I am not yet out of my mind,” answered the kinsman; “what should I do there if she were at home? I expect she will ramble about all night with the women.”

“Who is there!” cried the kinsman’s wife, hearing the noise which the two friends made in coming into the passage with the sack.

The kinsman was quite aghast.

“What now?” muttered the weaver, letting his arms drop.

The kinsman’s wife was one of those treasures which are often found in this good world of ours. Like her husband, she scarcely ever remained at home, but went all day long fawning among wealthy, gossiping old women; paid them different compliments, ate their donations with great appetite, and beat her husband only in the morning, because it was the only time that she saw him. Their cottage was even older than the trowsers of the village scribe. Many holes in the roof remained uncovered and without thatch; of the palisade round the house, few remnants existed, for no one who was going out, ever took with him a stick to drive away the dogs, but went round by the kinsman’s kitchen garden, and got one out of his palisade. Sometimes no fire was lighted in the cottage for three days together. Everything which the affectionate wife succeeded in obtaining from kind people, was hidden by her as far as possible out of the reach of her husband; and if he had got anything which he had not had the time to sell at the brandy shop, she invariably snatched it from him. However meek the kinsman’s temper might be, he did not like to yield to her at once; for which reason, he generally left the house with black eyes, and his dear better-half went moaning to tell stories to the old women about the ill conduct of her husband, and the blows she had received at his hands.

Now, it is easy to understand the displeasure of the weaver and the kinsman at her sudden appearance. Putting the sack on the ground, they took up a position of defence in front of it, and covered it with the wide skirts of their coats; but it was already too late. The kinsman’s wife, although her old eyes had grown dim, saw the sack at once. “That’s good,” she said, with the countenance of a hawk at the sight of its prey! “that’s good of you to have collected so much; That’s the way good people always behave! But it cannot be! I think you must have stolen it somewhere; show me directly what you have got there!—show me the sack directly! Do you hear me?”

“May the bald devil show it to thee! we will not,” answered the kinsman, assuming an air of dogged resolution.

“Why should we?” said the weaver—”the sack is ours, not thine.”

“Thou shalt show it to me, thou good-for-nothing drunkard,” said she, giving the tall kinsman a blow under his chin, and pushing her way to the sack. The kinsman and the weaver, however, stood her attack courageously, and drove her back; but had hardly time to recover themselves, when the woman darted once more into the passage, this time with a poker in her hand. In no time she gave a cut over her husband’s fingers, another on the weaver’s hand, and stood beside the sack.

“Why did we let her go?” said the weaver, coming to his senses.

“Why did we indeed? and why didst thou?” said the kinsman.

“Your poker seems to be an iron one!” said the weaver, after keeping silent for a while, and scratching his back. “My wife bought one at the fair last year; well, hers is not to be compared—does not hurt at all.”

The triumphant dame, in the meanwhile, set her candle on the floor, opened the sack, and looked into it.

But her old eyes, which had so quickly caught sight of the sack, for this time deceived her. “Why, here lies a whole boar!” cried she, clapping her hands with delight.

“A boar, a whole boar! dost hear?” said the weaver, giving the kinsman a push. “And thou alone art to blame?”

“What’s to be done?” muttered the kinsman, shrugging his shoulders.

“How, what? why are we standing here quietly? we must have the sack back again! Come!”

“Away, away with thee! it is our boar!” cried the weaver, advancing.

“Away, away with thee, she devil! it is not thy property,” said the kinsman.

The old hag once more took up the poker, but at the same moment Choop stepped out of the sack, and stood in the middle of the passage stretching his limbs like a man just awake from a long sleep.

The kinsman’s wife shrieked in terror, while the others opened their mouths in amazement.

“What did she say, then, the old fool—that it was a boar?”

“It’s not a boar!” said the kinsman, straining his eyes.

“Just see, what a man some one has thrown into the sack,” said the weaver, stepping back in a fright. “They may say what they will—the evil spirit must have lent his hand to the work; the man could never have gone through a window.”

“‘Tis my kinsman,” cried the kinsman, after having looked at Choop.

“And who else should it be, then?” said Choop, laughing. “Was it not a capital trick of mine? And you thought of eating me like pork? Well, I’ll give you good news: there is something lying at the bottom of the sack; if it be not a boar, it must be a sucking-pig, or something of the sort. All the time there was something moving under me.”

The weaver and the kinsman rushed to the sack, the wife caught hold of it on the other side, and the fight would have been renewed, had not the clerk, who saw no escape left, crept out of the sack.

The kinsman’s wife, quite stupified, let go the clerk’s leg, which she had taken hold of, in order to drag him out of the sack.

“There’s another one!” cried the weaver with terror; “the devil knows what happens now in the world—it’s enough to send one mad. No more sausages or loaves—men are thrown into the sacks.”

“‘Tis the devil!” muttered Choop, more astonished than any one. “Well now, Solokha!— and to put the clerk in a sack too! That is why I saw her room all full of sacks. Now, I have it: she has got two men in each of them; and I thought that I was the only one. Well now, Solokha!”


The maidens were somewhat astonished at finding only one sack left. “There is nothing to be done; we must content ourselves with this one,” said Oxana. They all went at once to the sack, and succeeded in lifting it upon the sledge. The elder resolved to keep quiet, considering that if he cried out, and asked them to undo the sack, and let him out, the stupid girls would run away, fearing they had got the devil in the sack, and he would be left in the street till the next morning. Meanwhile, the maidens, with one accord, taking one another by the hand, flew like the wind with the sledge over the crisp snow. Many of them, for fun, sat down upon the sledge; some went right upon the elder’s head. But he was determined to bear everything. At last they reached Oxana’s house, opened the doors of the passage and of the room, and with shouts of laughter brought in the sack. “Let us see what we have got here,” cried they, and hastily began to undo the sack. At this juncture, the hiccups of the elder (which had not ceased for a moment all the time he had been sitting in the sack), increased to such a degree that he could not refrain from giving vent to them in the loudest key. “Ah! there is somebody in the sack!” shrieked the maidens, and they darted in a fright towards the door.

“What does this mean?” said Choop, stepping in. “Where are you rushing, like mad things?”

“Ah! father,” answered Oxana, “there is somebody sitting in the sack!”

“In what sack? Where did you get this sack from?”

“The blacksmith threw it down in the middle of the road,” was the answer.

“I thought as much!” muttered Choop. “Well, what are you afraid of, then? Let us see. Well, my good man (excuse me for not calling thee by thy Christian and surname), please to make thy way out of the sack.”

The elder came out.

“Lord have mercy upon us!” cried the maidens.

“The elder was in, too!” thought Choop to himself, looking at him from head to foot, as if not trusting his eyes. “There now! Eh!” and he could say no more. The elder felt no less confused, and he knew not what to say. “It seems to be rather cold out of doors?” asked he, turning to Choop.

“Yes! the frost is rather severe,” answered Choop. “Do tell me, what dost thou use to black thy boots with: tallow or tar?”[20] He did not at all wish to put this question; he intended to ask—How didst thou come to be in this sack? but he knew not himself how it was that his tongue asked quite another question.

“I prefer tar,” answered the elder. “Well, good-bye, Choop,” said he, and putting his cap on, he stepped out of the room.

“What a fool I was to ask him what he uses to black his boots with,” muttered Choop, looking at the door out of which the elder had just gone.

“Well, Solokha! To put such a man into a sack! May the devil take her; and I, fool that I was—but where is that infernal sack?”

“I threw it into the corner,” said Oxana, “there is nothing more in it.”

“I know these tricks well! Nothing in it, indeed! Give it me directly; there must be one more! Shake it well. Is there nobody? Abominable woman! And yet to look at her one would think she must be a saint, that she never had a sin”—

But let us leave Choop giving vent to his anger, and return to the blacksmith; the more so as time is running away, and by the clock it must be near nine.


At first, Vakoola could not help feeling afraid at rising to such a height, that he could distinguish nothing upon the earth, and at coming so near the moon, that if he had not bent down, he would certainly have touched it with his cap. Yet, after a time, he recovered his presence of mind, and began to laugh at the devil. All was bright in the sky. A light silvery mist covered the transparent air. Everything was distinctly visible; and the blacksmith even noticed how a wizard flew past him, sitting in a pot; how some stars, gathered in a group, played at blind man’s buff; how a whole swarm of spirits were whirling about in the distance; how a devil who danced in the moonbeam, seeing him riding, took off his cap and made him a bow; how there was a besom flying, on which, apparently, a witch had just taken a ride. They met many other things; and all, on seeing the blacksmith, stopped for a moment to look at him, and then continued their flight far away. The blacksmith went on flying, and suddenly he saw Petersburgh all in a blaze. (There must have been an illumination that day.) Flying past the town gate, the devil changed into a horse, and the blacksmith saw himself riding a high stepping steed, in the middle of the street.

“Good Heavens! What a noise, what a clatter, what a blaze!” On either side rose houses, several stories high; from every quarter the clatter of horses’ hoofs, and of wheels, arose like thunder; at every step arose tall houses, as if starting from beneath the ground; bridges quivered under flying carriages; the coachmen shouted; the snow crisped under thousands of sledges rushing in every direction; pedestrians kept the wall of the houses along the footpath, all studded with flaring pots of fire, and their gigantic shadows danced upon the walls, losing themselves amongst the chimneys and on the roofs. The blacksmith looked with amazement on every side. It seamed to him as if all the houses looked at him with their innumerable fire-eyes. He saw such a number of gentlemen wearing fur cloaks covered with cloth, that he no longer knew to which of them he ought to take off his cap. “Gracious Lord! What a number of nobility one sees here!” thought the blacksmith; “I suppose every one here, who goes in a fur cloak, can be no less than a magistrate! and as for the persons who sit in those wonderful carts with glasses, they must be, if not the chiefs of the town, certainly commissaries, and, may be, of a still higher rank!”

Here, the devil put an end to his reflections, by asking if he was to bring him right before the Czarina? “No, I should be too afraid to go at once,” answered the blacksmith; “but I know there must be some Zaporoghians here, who passed through Dikanka last autumn on their way to Petersburgh. They were going on business to the Czarina. Let us have their advice. Now, devil, get into my pocket, and bring me to those Zaporoghians.” In less than a minute, the devil grew so thin and so small, that he had no trouble in getting into the pocket, and in the twinkling of an eye, Vakoola, (himself, he knew not how) ascended a staircase, opened a door and fell a little back, struck by the rich furniture of a spacious room. Yet, he felt a little more at ease, when he recognised the same Zaporoghians, who had passed through Dikanka. They were sitting upon silk covered sofas, with their tar besmeared boots tucked under them, and were smoking the strongest tobacco fibres.

“Good evening, God help you, your worships!” said the blacksmith coming nearer, and he made a low bow, almost touching the ground with his forehead.

“Who is that?” asked a Zaporoghian, who sat near Vakoola, of another who was sitting farther off.

“Do you not recognise me at once?” said Vakoola; “I am the blacksmith, Vakoola! Last autumn, as you passed through Dikanka, you remained nearly two days at my cottage. God grant you good health, and many happy years! It was I who put a new iron tire round one of the fore wheels of your vehicle.”

“Ah!” said the same Zaporoghian, “it is the blacksmith who paints so well. Good evening, countryman, what didst thou come for?”

“Only just to look about. They say”—

“Well, my good fellow,” said the Zaporoghian, assuming a grand air, and trying to speak with the high Russian accent, “what dost thou think of the town! Is it large?”

The blacksmith was no less desirous to show that he also understood good manners. We have already seen that he knew something of fashionable language. “The site is quite considerable,” answered he very composedly. “The houses are enormously big, the paintings they are adorned with, are thoroughly important. Some of the houses are to an extremity ornamented with gold letters. No one can say a word to the contrary: the proportion is marvellous!” The Zaporoghians, hearing the blacksmith so familiar with fine language, drew a conclusion very much to his advantage.

“We will have a chat with thee presently, my dear fellow. Now, we must go at once to the Czarina.”

“To the Czarina? Be kind, your worships, take me with you!”

“Take thee with us?” said the Zaporoghian, with an expression such as a tutor would assume towards a boy four years old, who begs to ride on a real, live, great horse.

“What hast thou to do there? No, it cannot be,” and his features took an important look. “My dear fellow, we have to speak to the Czarina on business.”

“Do take me,” urged the blacksmith. “Beg!” whispered he to the devil, striking his pocket with his fist. Scarcely had he done so, when another Zaporoghian said, “Well, come, comrades, we will take him.”

“Well, then, let him come!” said the others. “Put on such a dress as ours, then.”

The blacksmith hastily donned a green dress, when the door opened, and a man, in a coat all ornamented with silver braid, came in and said it was time to start.

Once more was the blacksmith overwhelmed with astonishment, as he rolled along in an enormous carriage, hung on springs, lofty houses seeming to run away on both sides of him, and the pavement to roll of its own accord under the feet of the horses.

“Gracious Lord! what a glare,” thought the blacksmith to himself. “We have no such light at Dikanka, even during the day.” The Zaporoghians entered, stepped into a magnificent hall, and went up a brilliantly lighted staircase. “What a staircase!” thought the blacksmith; “it is a pity to walk upon it. What ornaments! And they say that fairy-tales are so many lies; they are plain truth! My heavens! what a balustrade! what workmanship! The iron alone must have cost not less than some fifty roubles!”

Having ascended the staircase, the Zaporoghians passed through the first hall. Warily did the blacksmith follow them, fearing at every step to slip on the waxed floor. They passed three more saloons, and the blacksmith had not yet recovered from his astonishment. Coming into a fourth, he could not refrain from stopping before a picture which hung on the wall. It represented the Holy Virgin, with the Infant Jesus in her arms. “What a picture! what beautiful painting!” thought he. “She seems to speak, she seems to be alive! And the Holy Infant! there, he stretches out his little hands! there, it laughs, the poor babe! And what colours! Good heavens! what colours! I should think there was no ochre used in the painting, certainly nothing but ultramarine and lake! And what a brilliant blue! Capital workmanship! The back-ground must have been done with white lead! And yet,” he continued, stepping to the door and taking the handle in his hand, “however beautiful these paintings may be, this brass handle is still more worthy of admiration; what neat work! I should think all this must have been made by German blacksmiths at the most exorbitant prices.” … The blacksmith might have gone on for a long time with his reflections, had not the attendant in the braid-covered dress given him a push, telling him not to remain behind the others. The Zaporoghians passed two rooms more, and stopped. Some generals, in gold-embroidered uniforms, were waiting there. The Zaporoghians bowed in every direction, and stood in a group. A minute afterwards there entered, attended by a numerous suite, a man of majestic stature, rather stout, dressed in the hetman’s uniform and yellow boots. His hair was uncombed; one of his eyes had a small cataract on it; his face wore an expression of stately pride; his every movement gave proof that he was accustomed to command. All the generals, who before his arrival were strutting about somewhat haughtily in their gold-embroidered uniforms, came bustling towards him with profound bows, seeming to watch every one of his words, nay, of his movements, that they might run and see his desires fulfilled. The hetman did not pay any attention to all this, scarcely nodding his head, and went straight to the Zaporoghians.

They bowed to him with one accord till their brows touched the ground.

“Are all of you here?” asked he, in a somewhat drawling voice, with a slight nasal twang.

“Yes, father, every one of us is here,” answered the Zaporoghians, bowing once more.

“Remember to speak just as I taught you.”

“We will, father, we will!”

“Is it the Czar?” asked the blacksmith of one of the Zaporoghians.

“The Czar! a great deal more; it is Potemkin himself!” was the answer.

Voices were heard in the adjoining room, and the blacksmith knew not where to turn his eyes, when he saw a multitude of ladies enter, dressed in silk gowns with long trains, and courtiers in gold-embroidered coats and bag wigs. He was dazzled with the glitter of gold, silver, and precious stones. The Zaporoghians fell with one accord on their knees, and cried with one voice, “Mother, have mercy upon us!” The blacksmith, too, followed their example, and stretched himself full length on the floor.

“Rise up!” was heard above their heads, in a commanding yet soft voice. Some of the courtiers officiously hastened to push the Zaporoghians.

“We will not arise, mother; we will die rather than arise!” cried the Zaporoghians.

Potemkin bit his lips. At last he came himself, and whispered imperatively to one of them. They arose. Then only did the blacksmith venture to raise his eyes, and saw before him a lady, not tall, somewhat stout, with powdered hair, blue eyes, and that majestic, smiling air, which conquered every one, and could be the attribute only of a reigning woman.

“His Highness[21] promised to make me acquainted to-day with a people under my dominion, whom I have not yet seen,” said the blue-eyed lady, looking with curiosity at the Zaporoghians. “Are you satisfied with the manner in which you are provided for here?” asked she, coming nearer.

“Thank thee, mother! Provisions are good, though mutton is not quite so fine here as at home; but why should one be so very particular about it?”

Potemkin frowned at hearing them speak in quite a different manner to what he had told them to do.

One of the Zaporoghians stepped out from the group, and, in a dignified manner, began the following speech:—”Mother, have mercy upon us! What have we, thy faithful people, done to deserve thine anger? Have we ever given assistance to the miscreant Tartars? Did we ever help the Turks in anything? Have we betrayed thee in our acts, nay, even in our thoughts? Wherefore, then, art thou ungracious towards us? At first they told us thou hadst ordered fortresses to be raised against us; then we were told thou wouldst make regular regiments of us; now, we hear of new evils coming on us. In what were the Zaporoghians ever in fault with regard to thee? Was it in bringing thy army across Perekop? or in helping thy generals to get the better of the Crimean Tartars?”

Potemkin remained silent, and, with an unconcerned air, was brushing the diamonds which sparkled on his fingers.

“What do you ask for, then?” demanded Catherine, in a solicitous tone of voice.

The Zaporoghians looked knowingly at one another.

“Now’s the time! the Czarina asks what we want!” thought the blacksmith, and suddenly down he went on his knees. “Imperial Majesty! Do not show me thy anger, show me thy mercy! Let me know (and let not my question bring the wrath of thy Majesty’s worship upon me!) of what stuff are made the boots that thou wearest on thy feet? I think there is no bootmaker in any country in the world who ever will be able to make such pretty ones. Gracious Lord! if ever my wife had such boots to wear!”

The empress laughed; the courtiers laughed too. Potemkin frowned and smiled at the same time. The Zaporoghians pushed the blacksmith, thinking he had gone mad.

“Stand up!” said the empress, kindly. “If thou wishest to have such shoes, thy wish may be easily fulfilled. Let him have directly my richest gold embroidered shoes. This artlessness pleases me exceedingly.” Then, turning towards a gentleman with a round pale face, who stood a little apart from the rest, and whose plain dress, with mother-of-pearl buttons, showed at once that he was not a courtier[22]: “There you have,” continued she, “a subject worthy of your witty pen.”

“Your Imperial Majesty is too gracious! It would require a pen no less able than that of a Lafontaine!” answered with a bow, the gentleman in the plain dress.

“Upon my honour! I tell you I am still under the impression of your ‘Brigadier.’[1] You read exceedingly well!” Then, speaking once more to the Zaporoghians, she said, “I was told that you never married at your Ssiecha?”

“How could that be, mother? Thou knowest well, by thyself, that no man could ever do without a woman,” answered the same Zaporoghian who had conversed with the blacksmith; and the blacksmith was astonished to hear one so well acquainted with polished language speak to the Czarina, as if on purpose, in the coarsest accent used among peasants.

“A cunning people,” thought he to himself; “he does it certainly for some reason.”

“We are no monks,” continued the speaker, “we are sinful men. Every one of us is as much inclined to forbidden fruit as a good Christian can be. There are not a few among us who have wives, only their wives do not live in the Ssiecha. Many have their wives in Poland; others have wives in Ukraine;[23] there are some, too, who have wives in Turkey.”

At this moment the shoes were brought to the blacksmith.

“Gracious Lord! what ornaments!” cried he, overpowered with joy, grasping the shoes. “Imperial Majesty! if thou dost wear such shoes upon thy feet (and thy Honour, I dare say, does use them even for walking in the snow and the mud), what, then, must thy feet be like?—whiter than sugar, at the least, I should think!”

The empress, who really had charming feet of an exquisite shape, could not refrain from smiling at such a compliment from a simple-minded blacksmith, who, notwithstanding his sunburnt features must have been accounted a handsome lad in his Zaporoghian dress.

The blacksmith, encouraged by the condescension of the Czarina, was already on the point of asking her some questions about all sorts of things, whether it was true that sovereigns fed upon nothing but honey and lard, and so on; but feeling the Zaporoghians pull the skirts of his coat, he resolved to keep silent; and when the empress turned to the older Cossacks, and began to ask them about their way of living, and their manners in the Ssiecha, he stepped a little back, bent his head towards his pocket, and said in a low voice: “Quick, carry me hence, away!” and in no time he had left the town gate far behind.


“He is drowned! I’ll swear to it, he’s drowned! May I never leave this spot alive, if he is not drowned!” said the fat weaver’s wife, standing in the middle of the street, amidst a group of the villagers’ wives.

“Then I am a liar? Did I ever steal anything? Did I ever cast an evil-eye upon any one? that I am no longer worthy of belief?” shrieked a hag wearing a Cossack’s dress, and with a violet-coloured nose, brandishing her hands in the most violent manner: “May I never have another drink of water if old Pereperchenko’s wife did not see with her own eyes, how that the blacksmith has hanged himself!”

“The blacksmith hanged himself? what is this I hear?” said the elder, stepping out of Choop’s cottage; and he pushed his way nearer to the talking women.

“Say rather, mayest thou never wish to drink brandy again, old drunkard!” answered the weaver’s wife. “One must be as mad as thou art to hang one’s self. He is drowned! drowned in the ice hole! This I know as well as that thou just now didst come from the brandy-shop!”

“Shameless creature! what meanest thou to reproach me with?” angrily retorted the hag with the violet-coloured nose, “thou hadst better hold thy tongue, good-for-nothing woman! Don’t I know that the clerk comes every evening to thee?”

The weaver’s wife became red in the face. “What does the clerk do? to whom does the clerk come? What lie art thou telling?”

“The clerk?” cried, in shrill voice, the clerk’s wife, who, dressed in a hare-skin cloak covered with blue nankeen, pushed her way towards the quarrelling ones; “I will let you know about the clerk! Who is talking here about the clerk?

“There is she to whom the clerk pays his visits!” said the violet-nosed woman, pointing to the weaver’s wife.

“So, thou art the witch,” continued the clerk’s wife stepping nearer the weaver’s wife; “thou art the witch who sends him out of his senses and gives him a charmed beverage in order to bewitch him?”

“Wilt thou leave me alone, she-devil!” cried the weaver’s wife, drawing back.

“Cursed witch! Mayest thou never see thy children again, good-for-nothing woman!” and the clerk’s wife spat right into the eyes of the weaver’s wife.

The weaver’s wife wished to return her the same compliment, but instead of that, spat on the unshaven beard of the elder, who had come near the squabblers in order to hear what was going on. “Ah! nasty creature!” cried the elder, wiping his face with his skirt, and lifting his whip. This motion made them all fly in different directions, scolding the whole time. “The abominable creature” continued the elder, still wiping his beard. “So the blacksmith is drowned! Gracious Heaven! and such a capital painter! and what strong knives, and sickles, and ploughshares he used to forge! How strong he was himself!”

“Yes,” continued he, meditatively, “there are few such men in our village! That was the reason of the poor fellow’s ill-temper, which I noticed while I was sitting in that confounded sack! So much for the blacksmith! He was here, and now nothing is left of him! And I was thinking of letting him shoe my speckled mare,”…. and, full of such Christian thoughts, the elder slowly went to his cottage.

Oxana was very downcast at hearing the news; she did not put any faith in the evidence of Pereperchenko’s wife, or in the gossiping of the women. She knew the blacksmith to be too pious to venture on letting his soul perish. But what if indeed he had left the village with the resolve never to return? And scarcely could there be found anywhere such an accomplished lad as the blacksmith. And he loved her so intensely! He had endured her caprices longer than any one else. All the night long, the belle turned beneath her coverlet, from right to left, and from left to right, and could not go to sleep. Now she scolded herself almost aloud, throwing herself into the most bewitching attitudes, which the darkness of the night hid even from herself; then, in silence, she resolved to think no more of anything, and still continued thinking, and was burning with fever; and in the morning she was quite in love with the blacksmith.

Choop was neither grieved nor rejoiced at the fate of Vakoola; all his ideas had concentrated themselves into one: he could not for a moment forget Solokha’s want of faith; and even when asleep, ceased not to abuse her.

The morning came; the church was crowded even before daylight. The elderly women, in their white linen veils, their flowing robes, and long jackets made of white cloth, piously made the sign of the cross, standing close to the entrance of the church. The Cossacks’ wives, in green and yellow bodices, and some of them even in blue dresses, with gold braidings behind, stood a little before them. The girls endeavoured to get still nearer to the altar, and displayed whole shopfuls of ribbons on their heads, and of necklaces, little crosses, and silver coins on their necks. But right in front stood the Cossacks and the peasants, with their mustachios, their crown-tufts, their thick necks and their freshly-shaven chins, dressed for the most part in cloaks with hoods, from beneath which were seen white, and sometimes blue coats. On every face, wherever one looked, one might see it was a holiday. The elder already licked his lips at the idea of breaking his fast with a sausage. The girls were thinking about the pleasure of running about with the lads, and skating upon the ice. The old women muttered their prayers more zealously than ever. The whole church resounded with the thumps which the Cossack Sverbygooze gave with his forehead against the ground.

Oxana alone was out of sorts. She said her prayers, and yet could not pray. Her heart was besieged by so many different feelings, one more mournful than the other, one more perplexing than the other, that the greatest dejection appeared upon her features, and tears moistened her eyes. None of the girls could understand the reason of her state, and none would have suspected its being occasioned by the blacksmith. And yet Oxana was not the only one who noticed his absence; the whole congregation remarked that there lacked something to the fulness of the festival. Moreover, the clerk, during his journey in the sack, had got a bad cold, and his cracked voice was hardly audible. The newly arrived chanter had a deep bass indeed. But at all events, it would have been much better if the blacksmith had been there, as he had so fine a voice, and knew how to chant the tunes which were used at Poltava; and besides, he was churchwarden.

The matins were said. The liturgy had also been brought to a close. Well, what had indeed happened to the blacksmith?


The devil, with the blacksmith on his back, had flown with still greater speed during the remainder of the night. Vakoola soon reached his cottage. At the very moment he heard the crow of a cock. “Whither away?” cried he, seeing the devil in the act of sneaking off; and he caught him by his tail. “Wait a bit my dear fellow; I have not done with thee; thou must get thy reward!” and, taking a stick, he gave him three blows across his back, so that the poor devil took to his heels, exactly as a peasant might do who had just been punished by a police officer. So, the enemy of mankind, instead of cheating, seducing, or leading anybody into foolishness, was made a fool of himself. After this, Vakoola went into the passage, buried himself in the hay, and slept till noon.

When he awoke, he was alarmed at seeing the sun high in the heavens: “I have missed matins and liturgy!” and the pious blacksmith fell into mournful thoughts, and decided that the sleep which had prevented him from going to church on such a festival was certainly a punishment inflicted by God for his sinful intention of killing himself. But he soon quieted his mind by resolving to confess no later than next week, and from that very day to make fifty genuflexions during his prayers for a whole year. Then he went into the room, but nobody was there; Solokha had not yet returned home. He cautiously drew the shoes from his breast pocket, and once more admired their beautiful workmanship, and marvelled at the events of the preceding night. Then he washed, and dressed himself as fine as he could, putting on the same suit of clothes which he had got from the Zaporoghians, took out of his box a new cap with a blue crown and a trimming of black sheepskin, which had never been worn since he bought it at Poltava; he took out also a new belt, of divers brilliant colours; wrapped up these with a scourge, in a handkerchief, and went straight to Choop’s cottage.

Choop opened wide his eyes as he saw the blacksmith enter his room. He knew not at what most to marvel, whether at the blacksmith being once more alive, or at his having ventured to come into his house, or at his being dressed so finely, like a Zaporoghian; but he was still more astonished when he saw Vakoola undo his handkerchief, and set before him an entirely new cap, and such a belt as had never before been seen in the village; and when Vakoola fell at his knees, saying in a deprecating voice: “Father, have mercy on me! do not be angry with me! There, take this scourge, whip me as much as thou wilt! I give myself up. I acknowledge all my trespasses. Whip me, but put away thine anger! The more so that thou and my late father were like two brothers, and shared bread, and salt, and brandy together.”

Choop could not help feeling inwardly pleased at seeing at his feet the blacksmith, the very same blacksmith who would not concede a step to any one in the village, and who bent copper coins between his fingers, as if they were so many buckwheat fritters. To make himself still more important, Choop took the scourge, gave three strokes with it upon the blacksmith’s back, and then said: “Well, that will do! Stand up! Attend to men older than thyself. I forget all that has taken place between us. Now, speak out, what dost thou want?”

“Father, let me have Oxana!”

Choop remained thinking for a while; he looked at the cap—he looked at the belt; the cap was beautiful—the belt not less so; he remembered the bad faith of Solokha, and said, in a resolute voice, “Well, send me thy marriage brokers.”

“Ah!” shrieked Oxana, stepping across the threshold; and she stared at him, with a look of joy and astonishment.

“Look at the boots I have brought thee!” said Vakoola; “they are the very boots which the Czarina wears.”

“No, no, I do not want the boots!” said Oxana, and she waved her hands, never taking her eyes off him; “it will do without the boots.” She could speak no more, and her face turned all crimson.

The blacksmith came nearer, and took her hand. The belle cast down her eyes. Never yet had she been so marvellously handsome; the exulting blacksmith gently stole a kiss, and her face flushed still redder, and she looked still prettier.


As the late archbishop happened to pass on a journey through Dikanka, he greatly commended the spot on which that village stands, and driving down the street, stopped his carriage before a new cottage. “Whose cottage is this, so highly painted?” asked his Eminence of a handsome woman who was standing before the gate, with an infant in her arms.

“It is the blacksmith Vakoola’s cottage!” answered Oxana, for she it was, making him a deep curtesy.

“Very good painting, indeed! Capital painting!” said the Right Eminent, looking at the door and the windows. And, in truth, every window was surrounded by a stripe of red paint; and the door was painted all over with Cossacks on horseback, with pipes in their mouths. But the archbishop bestowed still more praises on Vakoola, when he was made acquainted with the blacksmith’s having performed public penance, and with his having painted, at his own expense, the whole of the church choir, green, with red flowers running over it. But Vakoola had done still more: he had painted the devil in hell, upon the wall which is to your left when you step into the church. This devil had such an odious face that no one could refrain from spitting, as they passed by. The women, as soon as their children began to cry, brought them to this picture and said, “Look! is he not an odious creature?” and the children stopped their tears, looked sideways at the picture, and clung more closely to their mother’s bosom.

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  • The Ghosts of the Sinful Nuns Haunting Bern
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Ghosts of the Holy Season: The Christmas Hauntings of Bern

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Each December, when the nights grow long and the spirit of Christmas fills the air, Bern’s holiday phantoms awaken. These tales from lore and legends, remind us that even amidst celebration, the spirits of bygone eras linger.

As twinkling lights line the ancient streets and snow dusts the rooftops of Bern during Advent season, the scent of mulled wine, gingerbread and candied almonds wafts through the town. The Old City seems like a winter postcard brought to life with its church spires and lit up windows in the cold winter nights. 

Read More: Check out all ghost stories from Switzerland

But behind its festive charm and glowing Christmas markets, December brings with it more than warmth and wonder as it invites the return of Bern’s holiday phantoms, whose stories swirl like mist around the Aare River. 

These ghost stories were collected by Hedwig Correvon in the book Ghost Stories from Bern in 1919 and are all set in the haunted darkness of Christmas times. 

The Dancing Beguines

On quiet, moonlit nights near the Nydeggbrücke, those with the rare gift of second sight may glimpse something truly otherworldly. Seven small lights rise from the river’s dark waters and begin to swirl and twirl, chasing one another in joyful abandon above the gentle current. These are no ordinary flames; they are the spirits of the Beguines, young women once cloistered in the monastery at Klösterlistutz against their will. 

Beguines: Although they are called Beguines, were they really this? The Beguines were Christian lay religious orders that were active in Western Europe, particularly in the Low Countries, in the 13th–16th centuries. Their members lived in semi-monastic communities but did not take formal religious vows. Although they promised not to marry “as long as they lived as Beguines”, to quote an early Rule of Life, they were free to leave at any time. Beguines were part of a larger spiritual revival movement of the 13th century that stressed imitation of Jesus’ life through voluntary poverty, care of the poor and sick, and religious devotion.

According to legend, their restless souls are granted a fleeting moment of freedom each Christmas to dance above the river they were once forbidden to cross. As the clock at Nydegg Church strikes midnight, their ghostly game ends in a soft sigh before they vanish, leaving only ripples on the water and a chill in the air.

The Lonely Walk Near the Studerstein

In the deep silence between Christmas and New Year’s, when the moon glows brightest, a solitary figure can be seen walking along the banks near the Studerstein, a park in the old town. Dressed in a long wig, knee breeches, and polished buckled shoes, the ghost of a man emerges from an old pavilion, tapping his silver-capped cane along his familiar path. He never speaks. One worker who once dared to call after him was met not with a reply, but with an inexplicable downpour from a clear sky and a deafening crash behind him. Like echoes of the phantom’s grief, or a warning not to disturb his solemn procession.

The Homesick Ghost

In a narrow house deep within Bern’s Old Town, Christmas brings a soft creak of old doors and the hush of unseen footsteps. The apparition is of a young peasant woman, dressed in centuries-old garb with a sulfur-yellow hat tucked under her arm. She is the homesick ghost, returning each holy season to the childhood home she once knew, although the story doesn’t mention what house it was. . 

She drifts from room to room, pausing before mirrors to arrange her hair as if preparing for a celebration that will never come. Residents have learned not to interrupt. When her quiet journey is complete, the doors close behind her, and she vanishes until the next Christmas, drawn again by memories of warmth long gone.

The Aare Crossing

This ghost story takes the haunted christmas all the way to hell and the Aare River, lush with ghost stories. 

The Christmas tree lights in the ferryman’s room at Ramseyerloch had already burned out. Ramseyerloch was an old mooring place to the 18th century court prison, but has been used for much longer. Then the ferryman’s wife noticed a dark shadow on the other side of the Aare, waving its arms as if calling the boatman across. At this time? At this hour? Immediately afterward, a shout was heard, three or four times. 

With a heavy heart, the ferryman untied his boat and sailed across. He saw that a thick black cloth wrapped his head. He explained that he certainly wouldn’t ferry him across like that. The journeyman jumped into the boat and pressed the oars into the ferryman’s hand. The tide began to surge as the boat passed over them. House-high waves seemed about to tear down the houses. And the boat danced as if it were about to capsize at any moment and sink into the abyss. The ferryman’s hair stood on end. He had never made such a journey before. The cloaked man stood motionless at the bow. Then the ferryman threw his stick at him: “You are to blame for all this!”

A flame hissed. The smell of sulfur began to fill the air. The ferryman’s wife watched the events from the window in horror. She saw a tiny light dance above a high wave for a while. Suddenly, it disappeared in the spray.

The Ghosts from the Cathedral

Shortly before Christmas a long time ago, a young parish assistant arrived in Bern after a day’s hike. Since it was evening and he could not continue his journey to the Oberland until the next day, he was quartered in a small room in the cathedral, whose window faced the platform. The full white light of the moon shone through the window bars. 

Around midnight, the sleeper felt as if something were happening outside. He rose and pressed his face to the window bars. There he saw four clergymen in their vestments walking with a serious, measured step beneath the trees on the platform. Four nuns followed them at a distance. Serious questions must have been occupying the clergy, for from time to time they paused, some gesticulating vigorously, others with their hands clasped behind their backs in thought. Not a leaf on the tree stirred, and not a stone stirred beneath the feet of the walkers. Not a sound was heard either. 

As they passed the cathedral window, one of the clergymen turned his head and saw the young man watching them. Suddenly, eight tiny flames hissed up. A bluish cloud moved in front of the moon. But when it disappeared, the platform lay as it had been before. The moon covered the turrets and spires of the cathedral with silver; silver wove itself over the leaves of the trees. But there was not the slightest trace of those who had just walked here.

A Merry Haunted Christmas In Bern

In Bern, where ancient cobblestones remember every footstep and every whisper lingers in the cold air, Christmas is not only a season of light but of shadows as well. Long before Christmas became the season of the merry, something darker brewed. 

Newest Posts

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References:

Einsamer Spaziergang | Märchenstiftung

https://www.maerchenstiftung.ch/maerchendatenbank/11831/heimweh

Aareüberfahrt | Märchenstiftung

https://www.maerchenstiftung.ch/maerchendatenbank/11841/auf-der-plattform

Jerry Bundler by W. W. Jacobs

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At a cozy inn on Christmas Eve, guests trade spooky stories—until a real, bloodstained intruder named “Jerry Bundler” appears, turning festive warmth into true fright.

Jerry Bundler by W. W. Jacobs

It wanted a few nights to Christmas, a festival for which the small market town of Torchester was making extensive preparations. The narrow streets which had been thronged with people were now almost deserted; the cheap-jack from London, with the remnant of breath left him after his evening’s exertions, was making feeble attempts to blow out his naphtha lamp, and the last shops open were rapidly closing for the night.

In the comfortable coffee-room of the old Boar’s Head, half a dozen guests, principally commercial travellers, sat talking by the light of the fire. The talk had drifted from trade to politics, from politics to religion, and so by easy stages to the supernatural. Three ghost stories, never known to fail before, had fallen flat; there was too much noise outside, too much light within. The fourth story was told by an old hand with more success; the streets were quiet, and he had turned the gas out. In the flickering light of the fire, as it shone on the glasses and danced with shadows on the walls, the story proved so enthralling that George, the waiter, whose presence had been forgotten, created a very disagreeable sensation by suddenly starting up from a dark corner and gliding silently from the room. “That’s what I call a good story,” said one of the men, sipping his hot whisky. “Of course it’s an old idea that spirits like to get into the company of human beings. A man told me once that he travelled down the Great Western with a ghost and hadn’t the slightest suspicion of it until the inspector came for tickets. My friend said the way that ghost tried to keep up appearances by feeling for it in all its pockets and looking on the floor was quite touching. Ultimately it gave it up and with a faint groan vanished through the ventilator.”

“That’ll do, Hirst,” said another man.

“It’s not a subject for jesting,” said a little old gentleman who had been an attentive listener. “I’ve never seen an apparition myself, but I know people who have, and I consider that they form a very interesting link between us and the afterlife. There’s a ghost story connected with this house, you know.”

“Never heard of it,” said another speaker, “and I’ve been here some years now.”

“It dates back a long time now,” said the old gentleman. “You’ve heard about Jerry Bundler, George?”

“Well, I’ve just ’eard odds and ends, sir,” said the old waiter, “but I never put much count to ’em. There was one chap ’ere what said ’e saw it, and the gov’ner sacked ’im prompt.”

“My father was a native of this town,” said the old gentleman, “and knew the story well. He was a truthful man and a steady churchgoer, but I’ve heard him declare that once in his life he saw the appearance of Jerry Bundler in this house.”.

“And who was this Bundler?” inquired a voice.

“A London thief, pickpocket, highwayman—anything he could turn his dishonest hand to,” replied the old gentleman; “and he was run to earth in this house one Christmas week some eighty years ago. He took his last supper in this very room, and after he had gone up to bed a couple of Bow Street runners, who had followed him from London but lost the scent a bit, went upstairs with the landlord and tried the door. It was stout oak, and fast, so one went into the yard, and by means of a short ladder got onto the window-sill, while the other stayed outside the door. Those below in the yard saw the man crouching on the sill, and then there was a sudden smash of glass, and with a cry he fell in a heap on the stones at their feet. Then in the moonlight they saw the white face of the pickpocket peeping over the sill, and while some stayed in the yard, others ran into the house and helped the other man to break the door in. It was difficult to obtain an entrance even then, for it was barred with heavy furniture, but they got in at last, and the first thing that met their eyes was the body of Jerry dangling from the top of the bed by his own handkerchief.”

“Which bedroom was it?” asked two or three voices together.

The narrator shook his head. “That I can’t tell you; but the story goes that Jerry still haunts this house, and my father used to declare positively that the last time he slept here the ghost of Jerry Bundler lowered itself from the top of his bed and tried to strangle him.”

“That’ll do,” said an uneasy voice. “I wish you’d thought to ask your father which bedroom it was.”

“What for?” inquired the old gentleman.

“Well, I should take care not to sleep in it, that’s all,” said the voice, shortly.

“There’s nothing to fear,” said the other. “I don’t believe for a moment that ghosts could really-hurt one. In fact my father used to confess that it was only the unpleasantness of the thing that upset him, and that for all practical purposes Jerry’s fingers might have been made of cottonwool for all the harm they could do.”

“That’s all very fine,” said the last speaker again; “a ghost story is a ghost story, sir; but when a gentleman tells a tale of a ghost in the house in which one is going to sleep, I call it most ungentlemanly!”

“Pooh! nonsense!” said the old gentleman, rising; “ghosts can’t hurt you. For my own part, I should rather like to see one. Good night, gentlemen.”

“Good night,” said the others. “And I only hope Jerry’ll pay you a visit,” added the nervous man as the door closed.

“Bring some more whisky, George,” said a stout commercial; “I want keeping up when the talk turns this way.”

“Shall I light the gas, Mr. Malcolm?” said George.

“No; the fire’s very comfortable,” said the traveller. “Now, gentlemen, any of you know any more?”

“I think we’ve had enough,” said another man; “we shall be thinking we see spirits next, and we’re not all like the old gentleman who’s just gone.”

“Old humbug!” said Hirst. “I should like to put him to the test. Suppose I dress up as Jerry Bundler and go and give him a chance of displaying his courage?”

“Bravo!” said Malcolm, huskily, drowning one or two faint “Noes.” “Just for the joke, gentlemen.”

“No, no! Drop it, Hirst,” said another man.

“Only for the joke,” said Hirst, somewhat eagerly. “I’ve got some things upstairs in which I am going to play in the Rivals—knee-breeches, buckles, and all that sort of thing. It’s a rare chance. If you’ll wait a bit I’ll give you a full-dress rehearsal, entitled, ‘Jerry Bundler; or, The Nocturnal Strangler.’”

“You won’t frighten us,” said the commercial, with a husky laugh.

“I don’t know that,” said Hirst, sharply; “it’s a question of acting, that’s all. I’m pretty good, ain’t I, Somers?”

“Oh, you’re all right—for an amateur,” said his friend, with a laugh.

“I’ll bet you a level sov. you don’t frighten me,” said the stout traveller.

“Done!” said Hirst. “I’ll take the bet to frighten you first and the old gentleman afterwards. These gentlemen shall be the judges.”

“You won’t frighten us, sir,” said another man, “because we’re prepared for you; but you’d better leave the old man alone. It’s dangerous play.”

“Well, I’ll try you first,” said Hirst, springing up. “No gas, mind.”

He ran lightly upstairs to his room, leaving the others, most of whom had been drinking somewhat freely, to wrangle about his proceedings. It ended in two of them going to bed.

“He’s crazy on acting,” said Somers, lighting his pipe. “Thinks he’s the equal of anybody almost. It doesn’t matter with us, but I won’t let him go to the old man. And he won’t mind so long as he gets an opportunity of acting to us.”

“Well, I hope he’ll hurry up,” said Malcolm, yawning; “it’s after twelve now.”

Nearly half an hour passed. Malcolm drew his watch from his pocket and was busy winding it, when George, the waiter, who had been sent on an errand to the bar, burst suddenly into the room and rushed towards them.

“’E’s comin’, gentlemen,” he said breathlessly.

“Why, you’re frightened, George,” said the stout commercial, with a chuckle.

“It was the suddenness of it,” said George, sheepishly; “and besides, I didn’t look for seein’ ’im in the bar. There’s only a glimmer of light there, and ’e was sitting on the floor behind the bar. I nearly trod on ’im.”

“Oh, you’ll never make a man, George,” said Malcolm.

“Well, it took me unawares,” said the waiter. “Not that I’d have gone to the bar by myself if I’d known ’e was there, and I don’t believe you would either, sir.”

“Nonsense!” said Malcolm. “I’ll go and fetch him in.”

“You don’t know what it’s like, sir,” said George, catching him by the sleeve. “It ain’t fit to look at by yourself, it ain’t, indeed. It’s got the—What’s that?”

They all started at the sound of a smothered cry from the staircase and the sound of somebody running hurriedly along the passage. Before anybody could speak, the door flew open and a figure bursting into the room flung itself gasping and shivering upon them.

“What is it? What’s the matter?” demanded Malcolm. “Why, it’s Mr. Hirst.” He shook him roughly and then held some spirit to his lips. Hirst drank it greedily and with a sharp intake of his breath gripped him by the arm.

“Light the gas, George,” said Malcolm.

The waiter obeyed hastily. Hirst, a ludicrous but pitiable figure in knee-breeches and coat, a large wig all awry and his face a mess of grease paint, clung to him, trembling.

“Now, what’s the matter?” asked Malcolm.

“I’ve seen it,” said Hirst, with a hysterical sob. “O Lord, I’ll never play the fool again, never!”

“Seen what?” said the others.

“Him—it—the ghost—anything!” said Hirst, wildly.

“Rot!” said Malcolm, uneasily.

“I was coming down the stairs,” said Hirst. “Just capering down—as I thought—it ought to do. I felt a tap—”

He broke off suddenly and peered nervously through the open door into the passage.

“I thought I saw it again,” he whispered.

“Look—at the foot of the stairs. Can you see anything?”

“No, there’s nothing there,” said Malcolm, whose own voice shook a little. “Go on. You felt a tap on your shoulder—”

“I turned round and saw it—a little wicked head and a white dead face. Pah!”

“That’s what I saw in the bar,” said George. “’Orrid it was—devilish!”

Hirst shuddered, and, still retaining his nervous grip of Malcolm’s sleeve, dropped into a chair.

“Well, it’s a most unaccountable thing,” said the dumbfounded Malcolm, turning round to the others. “It’s the last time I come to this house.”

“I leave to-morrow,” said George. “I wouldn’t go down to that bar again by myself, no, not for fifty pounds!”

“It’s talking about the thing that’s caused it, I expect,” said one of the men; “we’ve all been talking about this and having it in our minds. Practically we’ve been forming a spiritualistic circle without knowing it.”

“Hang the old gentleman!” said Malcolm, heartily. “Upon my soul, I’m half afraid to go to bed. It’s odd they should both think they saw something.”

“I saw it as plain as I see you, sir,” said George, solemnly. “P’raps if you keep your eyes turned up the passage you’ll see it for yourself.”

They followed the direction of his finger, but saw nothing, although one of them fancied that a head peeped round the corner of the wall.

“Who’ll come down to the bar?” said Malcolm, looking round.

“You can go, if you like,” said one of the others, with a faint laugh; “we’ll wait here for you.”

The stout traveller walked towards the door and took a few steps up the passage. Then he stopped. All was quite silent, and he walked slowly to the end and looked down fearfully towards the glass partition which shut off the bar. Three times he made as though to go to it; then he turned back, and, glancing over his shoulder, came hurriedly back to the room.

“Did you see it, sir?” whispered George.

“Don’t know,” said Malcolm, shortly. “I fancied I saw something, but it might have been fancy. I’m in the mood to see anything just now. How are you feeling now, sir?”

“Oh, I feel a bit better now,” said Hirst, somewhat brusquely, as all eyes were turned upon him.

“I dare say you think I’m easily scared, but you didn’t see it.”

“Not at all,” said Malcolm, smiling faintly despite himself.

“I’m going to bed,” said Hirst, noticing the smile and resenting it. “Will you share my room with me, Somers?”

“I will with pleasure,” said his friend, “provided you don’t mind sleeping with the gas on full all night.”

He rose from his seat, and bidding the company a friendly good-night, left the room with his crestfallen friend. The others saw them to the foot of the stairs, and having heard their door close, returned to the coffee-room.

“Well, I suppose the bet’s off?” said the stout commercial, poking the fire and then standing with his legs apart on the hearthrug; “though, as far as I can see, I won it. I never saw a man so scared in all my life. Sort of poetic justice about it, isn’t there?”

“Never mind about poetry or justice,” said one of his listeners; “who’s going to sleep with me?”

“I will,” said Malcolm, affably.

“And I suppose we share a room together, Mr. Leek?” said the third man, turning to the fourth.

“No, thank you,” said the other, briskly; “I don’t believe in ghosts. If anything comes into my room I shall shoot it.”

“That won’t hurt a spirit, Leek,” said Malcolm, decisively.

“Well the noise’ll be like company to me,” said Leek, “and it’ll wake the house too. But if you’re nervous, sir,” he added, with a grin, to the man who had suggested sharing his room, “George’ll be only too pleased to sleep on the door-mat inside your room, I know.”

“That I will, sir,” said George, fervently; “and if you gentlemen would only come down with me to the bar to put the gas out, I could never be sufficiently grateful.”

They went out in a body, with the exception of Leek, peering carefully before them as they went George turned the light out in the bar and they returned unmolested to the coffee-room, and, avoiding the sardonic smile of Leek, prepared to separate for the night.

“Give me the candle while you put the gas out, George,” said the traveller.

The waiter handed it to him and extinguished the gas, and at the same moment all distinctly heard a step in the passage outside. It stopped at the door, and as they watched with bated breath, the door creaked and slowly opened. Malcolm fell back open-mouthed, as a white, leering face, with sunken eyeballs and close-cropped bullet head, appeared at the opening.

For a few seconds the creature stood regarding them, blinking in a strange fashion at the candle. Then, with a sidling movement, it came a little way into the room and stood there as if bewildered.

Not a man spoke or moved, but all watched with a horrible fascination as the creature removed its dirty neckcloth and its head rolled on its shoulder. For a minute it paused, and then, holding the rag before it, moved towards Malcolm.

The candle went out suddenly with a flash and a bang. There was a smell of powder, and something writhing in the darkness on the floor. A faint, choking cough, and then silence. Malcolm was the first to speak. “Matches,” he said, in a strange voice. George struck one. Then he leapt at the gas and a burner flamed from the match. Malcolm touched the thing on the floor with his foot and found it soft. He looked at his companions. They mouthed inquiries at him, but he shook his head. He lit the candle, and, kneeling down, examined the silent thing on the floor. Then he rose swiftly, and dipping his handkerchief in the water-jug, bent down again and grimly wiped the white face. Then he sprang back with a cry of incredulous horror, pointing at it. Leek’s pistol fell to the floor and he shut out the sight with his hands, but the others, crowding forward, gazed spell-bound at the dead face of Hirst.

Before a word was spoken the door opened and Somers hastily entered the room. His eyes fell on the floor. “Good God!” he cried. “You didn’t—”

Nobody spoke.

“I told him not to,” he said, in a suffocating voice. “I told him not to. I told him—”

He leaned against the wall, deathly sick, put his arms out feebly, and fell fainting into the traveller’s arms.

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    A lock keeper from the adjacent lock next The Portobello Bar in Dublin is said to be haunting it. Ever since his mistake cost the lives of someone crossing, he is said to be lingering in the area.
  • Val Sinestra Hotel and the Ghost of Hermann Haunting the Lower Engadine
    In an old sanatorium in Switzerland the ghost of Hermann is said to have been haunting for ages. But who was he when he was alive, and what was his true name before he died in the remote fortress up in the mountains? And is he still haunting the old halls where he never made his recovery?
  • Glasnevin Cemetery and the Faithful Ghost Dog still Waiting for his Master
    After his master died at sea, the faithful dog was by his master’s grave, day in and day out. After dying of hunger and grief it is said that the Newfoundland dog is still seen, slipping between the graves at Glasnevin Cemetery in Dublin.
  • The Ghosts of the Sinful Nuns Haunting Bern
    Once, the city of Bern was filled with nuns working and living inside of the city walls. According to ghost stories though, some of them remained, even after the Reformation that closed their convents down. And those stories tell about them being guilty of terrible things with terrible ends.
  • A Vampire in Ohio: The Strange and Grim Superstition of the Salladay Family
    Seeking new land and a new life, the Salladay family went to Ohio, but brought a silent killer with them: Consumption. Falling into odd superstitions, they believed the only way to stop the disease was to stop the undead from rising from their graves.
  • Cell Number 11: Whispers in the Attic of the Norwegian Justice Museum in Trondheim
    Is Cell Number 11 in the former prison for the criminally insane haunted? The attic of the Norwegian Justice Museum in Trondheim, Norway has had many who come out, claiming so.
  • The Haunted Legends of Carl Beck House in Ontario, Canada
    Now a place you can rent and stay at, the Beck House in Canada is said to be one of the more haunted places. Those who have stayed the night come back with stories of strange encounters, believed to be the ghost of the Beck family members.
  • The Burgträppe-Balzli Haunting: The Ghost of Nydegg Castle
    Where the Nydegg Church is today, there once used to be a castle. Tales about ghosts lingering around the old Nydegg Castle and the stairs leading up to it still roams. And one of the more infamous and feared ghosts of Bern is the Burgträppe-Balzli.
  • The Wailing Spirit of Old Beaupre Castle
    The Haunted Ruins of Beaupre Castle in Wales is one of the places in Wales said to have been haunted by the wailing spirit and deadly omen of the The Gwrach y Rhibyn, also known as the Hag of Mist.

The Haunted House of Ludington: A Christmas Ghost Story

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All year round, the residents of the House in Ludington, seem to be plagued by the ghost waking them up from their sleep and watching them from the rocking chair. Around Christmas time, the ghost is said to be the one placing the Christmas Angel on the Christmas Tree. 

In the seemingly quiet and picturesque town of Ludington, Michigan, lies a house shrouded in mystery and ghostly legends. While its exact address is kept secret to protect the privacy of its current residents, this haunted house has been the subject of local lore since the early 1980s. Over the years, tales of eerie occurrences and supernatural events have transformed this unassuming home into a focal point of spine-chilling fascination.

Read More: Check out all ghost stories from the USA

Ludington, named after James Ludington after developing the logging operations in the village, is a a small town of the Great Lakes at Lake Michigan with pristine beaches, historic lighthouses an forests were people have come for fishing since Colonial times. There are many locations for a ghost story, but there is one house said to have experienced a haunting around Christmas.

Ludington Michigan: Spray towers over the 57-foot-tall Ludington Lighthouse in Michigan as a storm packing winds of up to 81 mph howled across the Midwest and South on Tuesday, Oct. 26. // Source: Jeff Kiessel, Ludington Daily News. Flickr

The Phantom Footsteps

The most persistent and unnerving phenomenon reported by the house’s owners is the sound of creaking stairs. Every morning at precisely 5:15, the unmistakable noise of footsteps ascending the staircase echoes through the silent halls. Despite thorough investigations and countless sleepless nights by the residents, no physical presence has ever been found. This daily occurrence has become a ghostly alarm clock, signaling the presence of an unseen visitor.

Does it still happen? We have not heard otherwise, although, because of the privacy of the residents, there is not much details and facts to go on and the story as found is from the book: Haunted Christmas: Yuletide Ghosts and Other Spooky Holiday Happenings By Mary Beth Crain from 2009

Read More: Check out all ghost stories from Haunted Houses

Another chilling aspect of this haunted house is the sensation of being watched. The owners often report feeling an intense gaze emanating from the corner of the living room, where antique rocking chairs sit. These chairs have been known to rock gently on their own, as if someone or something is quietly observing from a bygone era. The eerie creaking of the chairs as they move by themselves adds to the house’s unsettling atmosphere.

The Christmas Haunting

One of the most intriguing and seasonal phenomena in the haunted house of Ludington occurs every Christmas, a time for quiet and joy for others, but a haunting experience for the residence. The owners meticulously decorate their tree, placing the angel at the top as the final touch as in most houses in America. However, each year, without fail, the angel is mysteriously repositioned. No one has ever seen it happen, but each morning, the angel sits perfectly atop the tree, as if placed by an invisible hand, before the residents themselves get a chance to put it on top.

Read More: Check out all ghost stories from Christmas Season

Local gossip and old neighborhood tales provide a clue to this particular haunting. Decades ago, a kindly neighbor had made it a tradition to climb a ladder and place the angel on the Christmas tree for the owners of the house. Why? As an acto of kindness? As a prank? 

This annual act continued until the neighbor’s death. Strangely enough, it was after his passing that the angel began to appear on the tree by itself, leading many to believe that his spirit continues the tradition from beyond the grave.

The Christmas Angel: Put on the top of the tree, the Christmas Angel seems to be haunted as it seems to get there by itself. Could it be the ghost of a past resident or perhaps a neighbor putting it there as a ghost?

A Brief History of Christmas Trees

The tradition of decorating Christmas trees dates back to the 16th century in Germany, where devout Christians would bring decorated trees into their homes. This came from an even older pre-christian tradition in Europe of the Yuletide and midwinter celebration for the pagans. 

The custom spread across Europe and eventually to America, where it became an integral part of the holiday season. The act of placing an angel or star atop the tree symbolizes the Archangel Gabriel or the Star of Bethlehem, guiding the wise men to the birthplace of Jesus. In the haunted house of Ludington, this tradition has taken on a supernatural twist, blending holiday cheer with eerie mystery.

The Haunting of House of Ludington

The haunted house of Ludington, with its spectral footsteps, self-rocking chairs, and mysteriously moving furniture, offers a captivating glimpse into the supernatural. The annual Christmas haunting, where an unseen hand places the angel atop the tree, adds a poignant and ghostly touch to the festive season. Whether it’s the spirit of a benevolent neighbor or a lingering echo of the past, the ghostly presence in this house ensures that Christmas in Ludington is a season of both wonder and spine-tingling mystery.

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References:

https://www.google.com/books/edition/Haunted_Christmas/bmspe3bb7ggC?hl=en&gbpv=1&dq=the+old+ludington+victorian+reportedly&pg=PA120&printsec=frontcover 

Ludington, Michigan – Wikipedia

The Dead Sexton by Joseph Sheridan Le Fanu

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In this chilling tale by J. S Le Fanu, the death of a corrupt church sexton on Christmas Eve unleashes supernatural events in his churchyard—as though his spirit lingers, disrupting the holy peace. First published in 1871.

The Dead Sexton — J.S. Le Fanu

The sunsets were red, the nights were long, and the weather pleasantly frosty; and Christmas, the glorious herald of the New Year, was at hand, when an event—still recounted by winter firesides, with a horror made delightful by the mellowing influence of years—occurred in the beautiful little town of Golden Friars, and signalized, as the scene of its catastrophe, the old inn known throughout a wide region of the Northumbrian counties as the George and Dragon.

Toby Crooke, the sexton, was lying dead in the old coach-house in the inn yard. The body had been discovered, only half an hour before this story begins, under strange circumstances, and in a place where it might have lain the better part of a week undisturbed; and a dreadful suspicion astounded the village of Golden Friars.

A wintry sunset was glaring through a gorge of the western mountains, turning into fire the twigs of the leafless elms, and all the tiny blades of grass on the green by which the quaint little town is surrounded. It is built of light, grey stone, with steep gables and slender chimneys rising with airy lightness from the level sward by the margin of the beautiful lake, and backed by the grand amphitheatre of the fells at the other side, whose snowy peaks show faintly against the sky, tinged with the vaporous red of the western light. As you descend towards the margin of the lake, and see Golden Friars, its taper chimneys and slender gables, its curious old inn and gorgeous sign, and over all the graceful tower and spire of the ancient church, at this hour or by moonlight, in the solemn grandeur and stillness of the natural scenery that surrounds it, it stands before you like a fairy town.

Toby Crooke, the lank sexton, now fifty or upwards, had passed an hour or two with some village cronies, over a solemn pot of purl, in the kitchen of that cosy hostelry, the night before. He generally turned in there at about seven o’clock, and heard the news. This contented him: for he talked little, and looked always surly.

Many things are now raked up and talked over about him.

In early youth, he had been a bit of a scamp. He broke his indentures, and ran away from his master, the tanner of Bryemere; he had got into fifty bad scrapes and out again; and, just as the little world of Golden Friars had come to the conclusion that it would be well for all parties—except, perhaps, himself—and a happy riddance for his afflicted mother, if he were sunk, with a gross of quart pots about his neck, in the bottom of the lake in which the grey gables, the elms, and the towering fells of Golden Friars are mirrored, he suddenly returned, a reformed man at the ripe age of forty.

For twelve years he had disappeared, and no one knew what had become of him. Then, suddenly, as I say, he reappeared at Golden Friars—a very black and silent man, sedate and orderly. His mother was dead and buried; but the “prodigal son” was received good-naturedly. The good vicar, Doctor Jenner, reported to his wife:

“His hard heart has been softened, dear Dolly. I saw him dry his eyes, poor fellow, at the sermon yesterday.”

“I don’t wonder, Hugh darling. I know the part—’There is joy in Heaven.’ I am sure it was—wasn’t it? It was quite beautiful. I almost cried myself.”

The Vicar laughed gently, and stooped over her chair and kissed her, and patted her cheek fondly.

“You think too well of your old man’s sermons,” he said. “I preach, you see, Dolly, very much to the poor. If they understand me, I am pretty sure everyone else must; and I think that my simple style goes more home to both feelings and conscience—”

“You ought to have told me of his crying before. You are so eloquent,” exclaimed Dolly Jenner. “No one preaches like my man. I have never heard such sermons.”

Not many, we may be sure; for the good lady had not heard more than six from any other divine for the last twenty years.

The personages of Golden Friars talked Toby Crooke over on his return. Doctor Lincote said:

“He must have led a hard life; he had dried in so, and got a good deal of hard muscle; and he rather fancied he had been soldiering—he stood like a soldier; and the mark over his right eye looked like a gunshot.”

People might wonder how he could have survived a gunshot over the eye; but was not Lincote a doctor—and an army doctor to boot—when he was young; and who, in Golden Friars, could dispute with him on points of surgery? And I believe the truth is, that this mark had been really made by a pistol bullet.

Mr. Jarlcot, the attorney, would “go bail” he had picked up some sense in his travels; and honest Turnbull, the host of the George and Dragon, said heartily:

“We must look out something for him to put his hand to. Now’s the time to make a man of him.”

The end of it was that he became, among other things, the sexton of Golden Friars.

He was a punctual sexton. He meddled with no other person’s business; but he was a silent man, and by no means popular. He was reserved in company; and he used to walk alone by the shore of the lake, while other fellows played at fives or skittles; and when he visited the kitchen of the George, he had his liquor to himself, and in the midst of the general talk was a saturnine listener. There was something sinister in this man’s face; and when things went wrong with him, he could look dangerous enough.

There were whispered stories in Golden Friars about Toby Crooke. Nobody could say how they got there. Nothing is more mysterious than the spread of rumour. It is like a vial poured on the air. It travels, like an epidemic, on the sightless currents of the atmosphere, or by the laws of a telluric influence equally intangible. These stories treated, though darkly, of the long period of his absence from his native village; but they took no well-defined shape, and no one could refer them to any authentic source.

The Vicar’s charity was of the kind that thinketh no evil; and in such cases he always insisted on proof. Crooke was, of course, undisturbed in his office.

On the evening before the tragedy came to light—trifles are always remembered after the catastrophe—a boy, returning along the margin of the mere, passed him by seated on a prostrate trunk of a tree, under the “bield” of a rock, counting silver money. His lean body and limbs were bent together, his knees were up to his chin, and his long fingers were telling the coins over hurriedly in the hollow of his other hand. He glanced at the boy, as the old English saying is, like “the devil looking over Lincoln.” But a black and sour look from Mr. Crooke, who never had a smile for a child nor a greeting for a wayfarer, was nothing strange.

Toby Crooke lived in the grey stone house, cold and narrow, that stands near the church porch, with the window of its staircase looking out into the churchyard, where so much of his labour, for many a day, had been expended. The greater part of this house was untenanted.

The old woman who was in charge of it slept in a settle-bed, among broken stools, old sacks, rotten chests and other rattle-traps, in the small room at the rear of the house, floored with tiles.

At what time of the night she could not tell, she awoke, and saw a man, with his hat on, in her room. He had a candle in his hand, which he shaded with his coat from her eye; his back was towards her, and he was rummaging in the drawer in which she usually kept her money.

Having got her quarter’s pension of two pounds that day, however, she had placed it, folded in a rag, in the corner of her tea caddy, and locked it up in the “eat-malison” or cupboard.

She was frightened when she saw the figure in her room, and she could not tell whether her visitor might not have made his entrance from the contiguous churchyard. So, sitting bolt upright in her bed, her grey hair almost lifting her kerchief off her head, and all over in “a fit o’ t’ creepins,” as she expressed it, she demanded:

“In God’s name, what want ye thar?”

“Whar’s the peppermint ye used to hev by ye, woman? I’m bad wi’ an inward pain.”

“It’s all gane a month sin’,” she answered; and offered to make him a “het” drink if he’d get to his room.

But he said:

“Never mind, I’ll try a mouthful o’ gin.”

And, turning on his heel, he left her.

In the morning the sexton was gone. Not only in his lodging was there no account of him, but, when inquiry began to be extended, nowhere in the village of Golden Friars could he be found.

Still he might have gone off, on business of his own, to some distant village, before the town was stirring; and the sexton had no near kindred to trouble their heads about him. People, therefore, were willing to wait, and take his return ultimately for granted.

At three o’clock the good Vicar, standing at his hall door, looking across the lake towards the noble fells that rise, steep and furrowed, from that beautiful mere, saw two men approaching across the green, in a straight line, from a boat that was moored at the water’s edge. They were carrying between them something which, though not very large, seemed ponderous.

“Ye’ll ken this, sir,” said one of the boatmen as they set down, almost at his feet, a small church bell, such as in old-fashioned chimes yields the treble notes.

“This won’t be less nor five stean. I ween it’s fra’ the church steeple yon.”

“What! one of our church bells?” ejaculated the Vicar—for a moment lost in horrible amazement. “Oh, no!—no, that can’t possibly be! Where did you find it?”

He had found the boat, in the morning, moored about fifty yards from her moorings where he had left it the night before, and could not think how that came to pass; and now, as he and his partner were about to take their oars, they discovered this bell in the bottom of the boat, under a bit of canvas, also the sexton’s pick and spade—”tom-spey’ad,” they termed that peculiar, broad-bladed implement.

“Very extraordinary! We must try whether there is a bell missing from the tower,” said the Vicar, getting into a fuss. “Has Crooke come back yet? Does anyone know where he is?”

The sexton had not yet turned up.

“That’s odd—that’s provoking,” said the Vicar. “However, my key will let us in. Place the bell in the hall while I get it; and then we can see what all this means.”

To the church, accordingly, they went, the Vicar leading the way, with his own key in his hand. He turned it in the lock, and stood in the shadow of the ground porch, and shut the door.

A sack, half full, lay on the ground, with open mouth, a piece of cord lying beside it. Something clanked within it as one of the men shoved it aside with his clumsy shoe.

The Vicar opened the church door and peeped in. The dusky glow from the western sky, entering through a narrow window, illuminated the shafts and arches, the old oak carvings, and the discoloured monuments, with the melancholy glare of a dying fire.

The Vicar withdrew his head and closed the door. The gloom of the porch was deeper than ever as, stooping, he entered the narrow door that opened at the foot of the winding stair that leads to the first loft; from which a rude ladder-stair of wood, some five and twenty feet in height, mounts through a trap to the ringers’ loft.

Up the narrow stairs the Vicar climbed, followed by his attendants, to the first loft. It was very dark: a narrow bow-slit in the thick wall admitted the only light they had to guide them. The ivy leaves, seen from the deep shadow, flashed and flickered redly, and the sparrows twittered among them.

“Will one of you be so good as to go up and count the bells, and see if they are all right?” said the Vicar. “There should be—”

“Agoy! what’s that?” exclaimed one of the men, recoiling from the foot of the ladder.

“By Jen!” ejaculated the other, in equal surprise.

“Good gracious!” gasped the Vicar, who, seeing indistinctly a dark mass lying on the floor, had stooped to examine it, and placed his hand upon a cold, dead face.

The men drew the body into the streak of light that traversed the floor.

It was the corpse of Toby Crooke! There was a frightful scar across his forehead.

The alarm was given. Doctor Lincote, and Mr. Jarlcot, and Turnbull, of the George and Dragon, were on the spot immediately; and many curious and horrified spectators of minor importance.

The first thing ascertained was that the man must have been many hours dead. The next was that his skull was fractured, across the forehead, by an awful blow. The next was that his neck was broken.

His hat was found on the floor, where he had probably laid it, with his handkerchief in it.

The mystery now began to clear a little; for a bell—one of the chime hung in the tower—was found where it had rolled to, against the wall, with blood and hair on the rim of it, which corresponded with the grizzly fracture across the front of his head.

The sack that lay in the vestibule was examined, and found to contain all the church plate; a silver salver that had disappeared, about a month before, from Dr. Lincote’s store of valuables; the Vicar’s gold pencil-case, which he thought he had forgot in the vestry book; silver spoons, and various other contributions, levied from time to time off a dozen different households, the mysterious disappearance of which spoils had, of late years, begun to make the honest little community uncomfortable. Two bells had been taken down from the chime; and now the shrewd part of the assemblage, putting things together, began to comprehend the nefarious plans of the sexton, who lay mangled and dead on the floor of the tower, where only two days ago he had tolled the holy bell to call the good Christians of Golden Friars to worship.

The body was carried into the yard of the George and Dragon and laid in the old coach-house; and the townsfolk came grouping in to have a peep at the corpse, and stood round, looking darkly, and talking as low as if they were in a church.

The Vicar, in gaiters and slightly shovel hat, stood erect, as one in a little circle of notables—the doctor, the attorney, Sir Geoffrey Mardykes, who happened to be in the town, and Turnbull, the host—in the centre of the paved yard, they having made an inspection of the body, at which troops of the village stragglers, to-ing and fro-ing, were gaping and frowning as they whispered their horrible conjectures.

“What d’ye think o’ that?” said Tom Scales, the old hostler of the George, looking pale, with a stern, faint smile on his lips, as he and Dick Linklin sauntered out of the coach-house together.

“The deaul will hev his ain noo,” answered Dick, in his friend’s ear. “T’ sexton’s got a craigthraw like he gav’ the lass over the clints of Scarsdale; ye mind what the ald soger telt us when he hid his face in the kitchen of the George here? By Jen! I’ll ne’er forget that story.”

“I ween ’twas all true enough,” replied the hostler; “and the sizzup he gav’ the sleepin’ man wi’ t’ poker across the forehead. See whar the edge o’ t’ bell took him, and smashed his ain, the self-same lids. By ma sang, I wonder the deaul did na carry awa’ his corpse i’ the night, as he did wi’ Tam Lunder’s at Mooltern Mill.”

“Hout, man, who ever sid t’ deaul inside o’ a church?”

“The corpse is ill-faur’d enew to scare Satan himsel’, for that matter; though it’s true what you say. Ay, ye’re reet tul a trippet, thar; for Beelzebub dar’n’t show his snout inside the church, not the length o’ the black o’ my nail.”

While this discussion was going on, the gentlefolk who were talking the matter over in the centre of the yard had dispatched a message for the coroner all the way to the town of Hextan.

The last tint of sunset was fading from the sky by this time; so, of course, there was no thought of an inquest earlier than next day.

In the meantime it was horribly clear that the sexton had intended to rob the church of its plate, and had lost his life in the attempt to carry the second bell, as we have seen, down the worn ladder of the tower. He had tumbled backwards and broken his neck upon the floor of the loft; and the heavy bell, in its fall, descended with its edge across his forehead.

Never was a man more completely killed by a double catastrophe, in a moment.

The bells and the contents of the sack, it was surmised, he meant to have conveyed across the lake that night, and with the help of his spade and pick to have buried them in Clousted Forest, and returned, after an absence of but a few hours—as he easily might—before morning, unmissed and unobserved. He would no doubt, having secured his booty, have made such arrangements as would have made it appear that the church had been broken into. He would, of course, have taken all measures to divert suspicion from himself, and have watched a suitable opportunity to repossess himself of the buried treasure and dispose of it in safety.

[Illustration: It was the corpse of Toby Crooke!]

And now came out, into sharp relief, all the stories that had, one way or other, stolen after him into the town. Old Mrs. Pullen fainted when she saw him, and told Doctor Lincote, after, that she thought he was the highwayman who fired the shot that killed the coachman the night they were robbed on Hounslow Heath. There were the stories also told by the wayfaring old soldier with the wooden leg, and fifty others, up to this more than half disregarded, but which now seized on the popular belief with a startling grasp.

The fleeting light soon expired, and twilight was succeeded by the early night.

The inn yard gradually became quiet; and the dead sexton lay alone, in the dark, on his back, locked up in the old coach-house, the key of which was safe in the pocket of Tom Scales, the trusty old hostler of the George.

It was about eight o’clock, and the hostler, standing alone on the road in the front of the open door of the George and Dragon, had just smoked his pipe out. A bright moon hung in the frosty sky. The fells rose from the opposite edge of the lake like phantom mountains. The air was stirless. Through the boughs and sprays of the leafless elms no sigh or motion, however hushed, was audible. Not a ripple glimmered on the lake, which at one point only reflected the brilliant moon from its dark blue expanse like burnished steel. The road that runs by the inn door, along the margin of the lake, shone dazzlingly white.

White as ghosts, among the dark holly and juniper, stood the tall piers of the Vicar’s gate, and their great stone balls, like heads, overlooking the same road, a few hundred yards up the lake, to the left. The early little town of Golden Friars was quiet by this time. Except for the townsfolk who were now collected in the kitchen of the inn itself, no inhabitant was now outside his own threshold.

Tom Scales was thinking of turning in. He was beginning to fell a little queer. He was thinking of the sexton, and could not get the fixed features of the dead man out of his head, when he heard the sharp though distant ring of a horse’s hoof upon the frozen road. Tom’s instinct apprized him of the approach of a guest to the George and Dragon. His experienced ear told him that the horseman was approaching by the Dardale road, which, after crossing that wide and dismal moss, passes the southern fells by Dunner Cleugh and finally enters the town of Golden Friars by joining the Mardykes road, at the edge of the lake, close to the gate of the Vicar’s house.

A clump of tall trees stood at this point; but the moon shone full upon the road and cast their shadow backward.

The hoofs were plainly coming at a gallop, with a hollow rattle. The horseman was a long time in appearing. Tom wondered how he had heard the sound—so sharply frosty as the air was—so very far away.

He was right in his guess. The visitor was coming over the mountainous road from Dardale Moss; and he now saw a horseman, who must have turned the corner of the Vicar’s house at the moment when his eye was wearied; for when he saw him for the first time he was advancing, in the hazy moonlight, like the shadow of a cavalier, at a gallop, upon the level strip of road that skirts the margin of the mere, between the George and the Vicar’s piers.

The hostler had not long to wonder why the rider pushed his beast at so furious a pace, and how he came to have heard him, as he now calculated, at least three miles away. A very few moments sufficed to bring horse and rider to the inn door.

It was a powerful black horse, something like the great Irish hunter that figured a hundred years ago, and would carry sixteen stone with ease across country. It would have made a grand charger. Not a hair turned. It snorted, it pawed, it arched its neck; then threw back its ears and down its head, and looked ready to lash, and then to rear; and seemed impatient to be off again, and incapable of standing quiet for a moment.The rider got down
As light as shadow falls.

But he was a tall, sinewy figure. He wore a cape or short mantle, a cocked hat, and a pair of jack-boots, such as held their ground in some primitive corners of England almost to the close of the last century.

“Take him, lad,” said he to old Scales. “You need not walk or wisp him—he never sweats or tires. Give him his oats, and let him take his own time to eat them. House!” cried the stranger—in the old-fashioned form of summons which still lingered, at that time, in out-of-the-way places—in a deep and piercing voice.

As Tom Scales led the horse away to the stables it turned its head towards its master with a short, shill neigh.

“About your business, old gentleman—we must not go too fast,” the stranger cried back again to his horse, with a laugh as harsh and piercing; and he strode into the house.

The hostler led this horse into the inn yard. In passing, it sidled up to the coach-house gate, within which lay the dead sexton—snorted, pawed and lowered its head suddenly, with ear close to the plank, as if listening for a sound from within; then uttered again the same short, piercing neigh.

The hostler was chilled at this mysterious coquetry with the dead. He liked the brute less and less every minute.

In the meantime, its master had proceeded.

“I’ll go to the inn kitchen,” he said, in his startling bass, to the drawer who met him in the passage.

And on he went, as if he had known the place all his days: not seeming to hurry himself—stepping leisurely, the servant thought—but gliding on at such a rate, nevertheless, that he had passed his guide and was in the kitchen of the George before the drawer had got much more than half-way to it.

A roaring fire of dry wood, peat and coal lighted up this snug but spacious apartment—flashing on pots and pans, and dressers high-piled with pewter plates and dishes; and making the uncertain shadows of the long “hanks” of onions and many a flitch and ham, depending from the ceiling, dance on its glowing surface.

The doctor and the attorney, even Sir Geoffrey Mardykes, did not disdain on this occasion to take chairs and smoke their pipes by the kitchen fire, where they were in the thick of the gossip and discussion excited by the terrible event.

The tall stranger entered uninvited.

He looked like a gaunt, athletic Spaniard of forty, burned half black in the sun, with a bony, flattened nose. A pair of fierce black eyes were just visible under the edge of his hat; and his mouth seemed divided, beneath the moustache, by the deep scar of a hare-lip.

Sir Geoffrey Mardykes and the host of the George, aided by the doctor and the attorney, were discussing and arranging, for the third or fourth time, their theories about the death and the probable plans of Toby Crooke, when the stranger entered.

The new-comer lifted his hat, with a sort of smile, for a moment from his black head.

“What do you call this place, gentlemen?” asked the stranger.

“The town of Golden Friars, sir,” answered the doctor politely.

“The George and Dragon, sir: Anthony Turnbull, at your service,” answered mine host, with a solemn bow, at the same moment—so that the two voices went together, as if the doctor and the innkeeper were singing a catch.

“The George and the Dragon,” repeated the horseman, expanding his long hands over the fire which he had approached. “Saint George, King George, the Dragon, the Devil: it is a very grand idol, that outside your door, sir. You catch all sorts of worshippers—courtiers, fanatics, scamps: all’s fish, eh? Everybody welcome, provided he drinks like one. Suppose you brew a bowl or two of punch. I’ll stand it. How many are we? Here—count, and let us have enough. Gentlemen, I mean to spend the night here, and my horse is in the stable. What holiday, fun, or fair has got so many pleasant faces together? When I last called here—for, now I bethink me, I have seen the place before—you all looked sad. It was on a Sunday, that dismalest of holidays; and it would have been positively melancholy only that your sexton—that saint upon earth—Mr. Crooke, was here.” He was looking round, over his shoulder, and added: “Ha! don’t I see him there?”

Frightened a good deal were some of the company. All gaped in the direction in which, with a nod, he turned his eyes.

“He’s not thar—he can’t be thar—we see he’s not thar,” said Turnbull, as dogmatically as old Joe Willet might have delivered himself—for he did not care that the George should earn the reputation of a haunted house. “He’s met an accident, sir: he’s dead—he’s elsewhere—and therefore can’t be here.”

Upon this the company entertained the stranger with the narrative—which they made easy by a division of labour, two or three generally speaking at a time, and no one being permitted to finish a second sentence without finding himself corrected and supplanted.

“The man’s in Heaven, so sure as you’re not,” said the traveller so soon as the story was ended. “What! he was fiddling with the church bell, was he, and d——d for that—eh? Landlord, get us some drink. A sexton d——d for pulling down a church bell he has been pulling at for ten years!”

“You came, sir, by the Dardale-road, I believe?” said the doctor (village folk are curious). “A dismal moss is Dardale Moss, sir; and a bleak clim’ up the fells on t’ other side.”

“I say ‘Yes’ to all—from Dardale Moss, as black as pitch and as rotten as the grave, up that zigzag wall you call a road, that looks like chalk in the moonlight, through Dunner Cleugh, as dark as a coal-pit, and down here to the George and the Dragon, where you have a roaring fire, wise men, good punch—here it is—and a corpse in your coach-house. Where the carcase is, there will the eagles be gathered together. Come, landlord, ladle out the nectar. Drink, gentlemen—drink, all. Brew another bowl at the bar. How divinely it stinks of alcohol! I hope you like it, gentlemen: it smells all over of spices, like a mummy. Drink, friends. Ladle, landlord. Drink, all. Serve it out.”

The guest fumbled in his pocket, and produced three guineas, which he slipped into Turnbull’s fat palm.

“Let punch flow till that’s out. I’m an old friend of the house. I call here, back and forward. I know you well, Turnbull, though you don’t recognize me.”

“You have the advantage of me, sir,” said Mr. Turnbull, looking hard on that dark and sinister countenance—which, or the like of which, he could have sworn he had never seen before in his life. But he liked the weight and colour of his guineas, as he dropped them into his pocket. “I hope you will find yourself comfortable while you stay.”

“You have given me a bedroom?”

“Yes, sir—the cedar chamber.”

“I know it—the very thing. No—no punch for me. By and by, perhaps.”

The talk went on, but the stranger had grown silent. He had seated himself on an oak bench by the fire, towards which he extended his feet and hands with seeming enjoyment; his cocked hat being, however, a little over his face.

Gradually the company began to thin. Sir Geoffrey Mardykes was the first to go; then some of the humbler townsfolk. The last bowl of punch was on its last legs. The stranger walked into the passage and said to the drawer:

“Fetch me a lantern. I must see my nag. Light it—hey! That will do. No—you need not come.”

The gaunt traveller took it from the man’s hand and strode along the passage to the door of the stableyard, which he opened and passed out.

Tom Scales, standing on the pavement, was looking through the stable window at the horses when the stranger plucked his shirtsleeve. With an inward shock the hostler found himself alone in presence of the very person he had been thinking of.

“I say—they tell me you have something to look at in there”—he pointed with his thumb at the old coach-house door. “Let us have a peep.”

Tom Scales happened to be at that moment in a state of mind highly favourable to anyone in search of a submissive instrument. He was in great perplexity, and even perturbation. He suffered the stranger to lead him to the coach-house gate.

“You must come in and hold the lantern,” said he. “I’ll pay you handsomely.”

The old hostler applied his key and removed the padlock.

“What are you afraid of? Step in and throw the light on his face,” said the stranger grimly. “Throw open the lantern: stand there. Stoop over him a little—he won’t bite you. Steady, or you may pass the night with him!”

***

In the meantime the company at the George had dispersed; and, shortly after, Anthony Turnbull—who, like a good landlord, was always last in bed, and first up, in his house—was taking, alone, his last look round the kitchen before making his final visit to the stable-yard, when Tom Scales tottered into the kitchen, looking like death, his hair standing upright; and he sat down on an oak chair, all in a tremble, wiped his forehead with his hand, and, instead of speaking, heaved a great sigh or two.

It was not till after he had swallowed a dram of brandy that he found his voice, and said:

“We’ve the deaul himsel’ in t’ house! By Jen! ye’d best send fo t’ sir” (the clergyman). “Happen he’ll tak him in hand wi’ holy writ, and send him elsewhidder deftly. Lord atween us and harm! I’m a sinfu’ man. I tell ye, Mr. Turnbull, I dar’ n’t stop in t’ George to-night under the same roof wi’ him.”

“Ye mean the ra-beyoned, black-feyaced lad, wi’ the brocken neb? Why, that’s a gentleman wi’ a pocket ful o’ guineas, man, and a horse worth fifty pounds!”

“That horse is no better nor his rider. The nags that were in the stable wi’ him, they all tuk the creepins, and sweated like rain down a thack. I tuk them all out o’ that, away from him, into the hack-stable, and I thocht I cud never get them past him. But that’s not all. When I was keekin inta t’ winda at the nags, he comes behint me and claps his claw on ma shouther, and he gars me gang wi’ him, and open the aad coach-house door, and haad the cannle for him, till he pearked into the deed man’t feyace; and, as God’s my judge, I sid the corpse open its eyes and wark its mouth, like a man smoorin’ and strivin’ to talk. I cudna move or say a word, though I felt my hair rising on my heed; but at lang-last I gev a yelloch, and say I, ‘La! what is that?’ And he himsel’ looked round on me, like the devil he is; and, wi’ a skirl o’ a laugh, he strikes the lantern out o’ my hand. When I cum to myself we were outside the coach-house door. The moon was shinin’ in, ad I cud see the corpse stretched on the table whar we left it; and he kicked the door to wi’ a purr o’ his foot. ‘Lock it,’ says he; and so I did. And here’s the key for ye—tak it yoursel’, sir. He offer’d me money: he said he’d mak me a rich man if I’d sell him the corpse, and help him awa’ wi’ it.”

“Hout, man! What cud he want o’ t’ corpse? He’s not doctor, to do a’ that lids. He was takin’ a rise out o’ ye, lad,” said Turnbull.

“Na, na—he wants the corpse. There’s summat you a’ me can’t tell he wants to do wi’ ‘t; and he’d liefer get it wi’ sin and thievin’, and the damage of my soul. He’s one of them freytens a boo or a dobbies off Dardale Moss, that’s always astir wi’ the like after nightfall; unless—Lord save us!—he be the deaul himsel.'”

“Whar is he noo?” asked the landlord, who was growing uncomfortable.

“He spang’d up the back stair to his room. I wonder you didn’t hear him trampin’ like a wild horse; and he clapt his door that the house shook again—but Lord knows whar he is noo. Let us gang awa’s up to the Vicar’s, and gan him come down, and talk wi’ him.”

“Hoity toity, man—you’re too easy scared,” said the landlord, pale enough by this time. “‘Twould be a fine thing, truly, to send abroad that the house was haunted by the deaul himsel’! Why, ‘twould be the ruin o’ the George. You’re sure ye locked the door on the corpse?”

“Aye, sir—sartain.”

“Come wi’ me, Tom—we’ll gi’ a last look round the yard.”

So, side by side, with many a jealous look right and left, and over their shoulders, they went in silence. On entering the old-fashioned quadrangle, surrounded by stables and other offices—built in the antique cagework fashion—they stopped for a while under the shadow of the inn gable, and looked round the yard, and listened. All was silent—nothing stirring.

The stable lantern was lighted; and with it in his hand Tony Turnbull, holding Tom Scales by the shoulder, advanced. He hauled Tom after him for a step or two; then stood still and shoved him before him for a step or two more; and thus cautiously—as a pair of skirmishers under fire—they approached the coach-house door.

“There, ye see—all safe,” whispered Tom, pointing to the lock, which hung—distinct in the moonlight—in its place. “Cum back, I say!”

“Cum on, say I!” retorted the landlord valorously. “It would never do to allow any tricks to be played with the chap in there”—he pointed to the coachhouse door.

“The coroner here in the morning, and never a corpse to sit on!” He unlocked the padlock with these words, having handed the lantern to Tom. “Here, keck in, Tom,” he continued; “ye hev the lantern—and see if all’s as ye left it.”

“Not me—na, not for the George and a’ that’s in it!” said Tom, with a shudder, sternly, as he took a step backward.

“What the—what are ye afraid on? Gi’ me the lantern—it is all one: I will.”

And cautiously, little by little, he opened the door; and, holding the lantern over his head in the narrow slit, he peeped in—frowning and pale—with one eye, as if he expected something to fly in his face. He closed the door without speaking, and locked it again.

“As safe as a thief in a mill,” he whispered with a nod to his companion. And at that moment a harsh laugh overhead broke the silence startlingly, and set all the poultry in the yard gabbling.

“Thar he be!” said Tom, clutching the landlord’s arm—”in the winda—see!”

The window of the cedar-room, up two pair of stairs, was open; and in the shadow a darker outline was visible of a man, with his elbows on the window-stone, looking down upon them.

“Look at his eyes—like two live coals!” gasped Tom.

The landlord could not see all this so sharply, being confused, and not so long-sighted as Tom.

“Time, sir,” called Tony Turnbull, turning cold as he thought he saw a pair of eyes shining down redly at him—”time for honest folk to be in their beds, and asleep!”

“As sound as your sexton!” said the jeering voice from above.

“Come out of this,” whispered the landlord fiercely to his hostler, plucking him hard by the sleeve.

They got into the house, and shut the door.

“I wish we were shot of him,” said the landlord, with something like a groan, as he leaned against the wall of the passage. “I’ll sit up, anyhow—and, Tom, you’ll sit wi’ me. Cum into the gun-room. No one shall steal the dead man out of my yard while I can draw a trigger.”

The gun-room in the George is about twelve feet square. It projects into the stable-yard and commands a full view of the old coach-house; and, through a narrow side window, a flanking view of the back door of the inn, through which the yard is reached.

Tony Turnbull took down the blunderbuss—which was the great ordnance of the house—and loaded it with a stiff charge of pistol bullets.

He put on a great-coat which hung there, and was his covering when he went out at night, to shoot wild ducks. Tom made himself comfortable likewise. They then sat down at the window, which was open, looking into the yard, the opposite side of which was white in the brilliant moonlight.

The landlord laid the blunderbuss across his knees, and stared into the yard. His comrade stared also. The door of the gun-room was locked; so they felt tolerably secure.

An hour passed; nothing had occurred. Another. The clock struck one. The shadows had shifted a little; but still the moon shone full on the old coach-house, and the stable where the guest’s horse stood.

Turnbull thought he heard a step on the back-stair. Tom was watching the back-door through the side window, with eyes glazing with the intensity of his stare. Anthony Turnbull, holding his breath, listened at the room door. It was a false alarm.

When he came back to the window looking into the yard:

“Hish! Look thar!” said he in a vehement whisper.

From the shadow at the left they saw the figure of the gaunt horseman, in short cloak and jack-boots, emerge. He pushed open the stable door, and led out his powerful black horse. He walked it across the front of the building till he reached the old coach-house door; and there, with its bridle on its neck, he left it standing, while he stalked to the yard gate; and, dealing it a kick with his heel, it sprang back with the rebound, shaking from top to bottom, and stood open. The stranger returned to the side of his horse; and the door which secured the corpse of the dead sexton seemed to swing slowly open of itself as he entered, and returned with the corpse in his arms, and swung it across the shoulders of the horse, and instantly sprang into the saddle.

“Fire!” shouted Tom, and bang went the blunderbuss with a stunning crack. A thousand sparrows’ wings winnowed through the air from the thick ivy. The watch-dog yelled a furious bark. There was a strange ring and whistle in the air. The blunderbuss had burst to shivers right down to the very breech. The recoil rolled the inn-keeper upon his back on the floor, and Tom Scales was flung against the side of the recess of the window, which had saved him from a tumble as violent. In this position they heard the searing laugh of the departing horseman, and saw him ride out of the gate with his ghastly burden.

***

Perhaps some of my readers, like myself, have heard this story told by Roger Turnbull, now host of the George and Dragon, the grandson of the very Tony who then swayed the spigot and keys of that inn, in the identical kitchen of which the fiend treated so many of the neighbours to punch.

***

What infernal object was subserved by the possession of the dead villain’s body, I have not learned. But a very curious story, in which a vampire resuscitation of Crooke the sexton figures, may throw a light upon this part of the tale.

The result of Turnbull’s shot at the disappearing fiend certainly justifies old Andrew Moreton’s dictum, which is thus expressed in his curious “History of Apparitions”: “I warn rash brands who, pretending not to fear the devil, are for using the ordinary violences with him, which affect one man from another—or with an apparition, in which they may be sure to receive some mischief. I knew one fired a gun at an apparition and the gun burst in a hundred pieces in his hand; another struck at an apparition with a sword, and broke his sword in pieces and wounded his hand grievously; and ’tis next to madness for anyone to go that way to work with any spirit, be it angel or be it devil.”

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