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Dracula’s Guest by Bram Stoker

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Introduction to Dracula’s Guest by Bram Stoker: “Dracula’s Guest” is a chilling short story by Bram Stoker, believed to be a deleted chapter from his iconic novel “Dracula.” Set on Walpurgis Night, the eve of May Day, the story follows an unnamed Englishman who finds himself traveling through a remote corner of Munich. As he ventures deeper into the eerie landscape, he encounters unsettling omens and inexplicable occurrences.

When we started for our drive the sun was shining brightly on Munich, and the air was full of the joyousness of early summer. Just as we were about to depart, Herr Delbruck (the maitre d’hotel of the Quatre Saisons, where I was staying) came down bareheaded to the carriage and, after wishing me a pleasant drive, said to the coachman, still holding his hand on the handle of the carriage door, “Remember you are back by nightfall. The sky looks bright but there is a shiver in the north wind that says there may be a sudden storm. But I am sure you will not be late.” Here he smiled and added, “for you know what night it is.”

Johann answered with an emphatic, “Ja, mein Herr,” and, touching his hat, drove off quickly. When we had cleared the town, I said, after signalling to him to stop:

“Tell me, Johann, what is tonight?”

He crossed himself, as he answered laconically: “Walpurgis nacht.” Then he took out his watch, a great, old-fashioned German silver thing as big as a turnip and looked at it, with his eyebrows gathered together and a little impatient shrug of his shoulders. I realized that this was his way of respectfully protesting against the unnecessary delay and sank back in the carriage, merely motioning him to proceed. He started off rapidly, as if to make up for lost time. Every now and then the horses seemed to throw up their heads and sniff the air suspiciously. On such occasions I often looked round in alarm. The road was pretty bleak, for we were traversing a sort of high windswept plateau. As we drove, I saw a road that looked but little used and which seemed to dip through a little winding valley. It looked so inviting that, even at the risk of offending him, I called Johann to stop—and when he had pulled up, I told him I would like to drive down that road. He made all sorts of excuses and frequently crossed himself as he spoke. This somewhat piqued my curiosity, so I asked him various questions. He answered fencingly and repeatedly looked at his watch in protest.

Finally I said, “Well, Johann, I want to go down this road. I shall not ask you to come unless you like; but tell me why you do not like to go, that is all I ask.” For answer he seemed to throw himself off the box, so quickly did he reach the ground. Then he stretched out his hands appealingly to me and implored me not to go. There was just enough of English mixed with the German for me to understand the drift of his talk. He seemed always just about to tell me something—the very idea of which evidently frightened him; but each time he pulled himself up saying, “Walpurgis nacht!”

I tried to argue with him, but it was difficult to argue with a man when I did not know his language. The advantage certainly rested with him, for although he began to speak in English, of a very crude and broken kind, he always got excited and broke into his native tongue—and every time he did so, he looked at his watch. Then the horses became restless and sniffed the air. At this he grew very pale, and, looking around in a frightened way, he suddenly jumped forward, took them by the bridles, and led them on some twenty feet. I followed and asked why he had done this. For an answer he crossed himself, pointed to the spot we had left, and drew his carriage in the direction of the other road, indicating a cross, and said, first in German, then in English, “Buried him—him what killed themselves.”

I remembered the old custom of burying suicides at cross roads: “Ah! I see, a suicide. How interesting!” But for the life of me I could not make out why the horses were frightened.

Whilst we were talking, we heard a sort of sound between a yelp and a bark. It was far away; but the horses got very restless, and it took Johann all his time to quiet them. He was pale and said, “It sounds like a wolf—but yet there are no wolves here now.”

“No?” I said, questioning him. “Isn’t it long since the wolves were so near the city?”

“Long, long,” he answered, “in the spring and summer; but with the snow the wolves have been here not so long.”

Whilst he was petting the horses and trying to quiet them, dark clouds drifted rapidly across the sky. The sunshine passed away, and a breath of cold wind seemed to drift over us. It was only a breath, however, and more of a warning than a fact, for the sun came out brightly again.

Johann looked under his lifted hand at the horizon and said, “The storm of snow, he comes before long time.” Then he looked at his watch again, and, straightway holding his reins firmly—for the horses were still pawing the ground restlessly and shaking their heads—he climbed to his box as though the time had come for proceeding on our journey.

I felt a little obstinate and did not at once get into the carriage.

“Tell me,” I said, “about this place where the road leads,” and I pointed down.

Again he crossed himself and mumbled a prayer before he answered, “It is unholy.”

“What is unholy?” I enquired.

“The village.”

“Then there is a village?”

“No, no. No one lives there hundreds of years.”

My curiosity was piqued, “But you said there was a village.”

“There was.”

“Where is it now?”

Whereupon he burst out into a long story in German and English, so mixed up that I could not quite understand exactly what he said. Roughly I gathered that long ago, hundreds of years, men had died there and been buried in their graves; but sounds were heard under the clay, and when the graves were opened, men and women were found rosy with life and their mouths red with blood. And so, in haste to save their lives (aye, and their souls!—and here he crossed himself) those who were left fled away to other places, where the living lived and the dead were dead and not—not something. He was evidently afraid to speak the last words. As he proceeded with his narration, he grew more and more excited. It seemed as if his imagination had got hold of him, and he ended in a perfect paroxysm of fear—white-faced, perspiring, trembling, and looking round him as if expecting that some dreadful presence would manifest itself there in the bright sunshine on the open plain.

Finally, in an agony of desperation, he cried, “Walpurgis nacht!” and pointed to the carriage for me to get in.

All my English blood rose at this, and standing back I said, “You are afraid, Johann—you are afraid. Go home, I shall return alone, the walk will do me good.” The carriage door was open. I took from the seat my oak walking stick—which I always carry on my holiday excursions—and closed the door, pointing back to Munich, and said, “Go home, Johann—Walpurgis nacht doesn’t concern Englishmen.”

The horses were now more restive than ever, and Johann was trying to hold them in, while excitedly imploring me not to do anything so foolish. I pitied the poor fellow, he was so deeply in earnest; but all the same I could not help laughing. His English was quite gone now. In his anxiety he had forgotten that his only means of making me understand was to talk my language, so he jabbered away in his native German. It began to be a little tedious. After giving the direction, “Home!” I turned to go down the cross road into the valley.

With a despairing gesture, Johann turned his horses towards Munich. I leaned on my stick and looked after him. He went slowly along the road for a while, then there came over the crest of the hill a man tall and thin. I could see so much in the distance. When he drew near the horses, they began to jump and kick about, then to scream with terror. Johann could not hold them in; they bolted down the road, running away madly. I watched them out of sight, then looked for the stranger; but I found that he, too, was gone.

With a light heart I turned down the side road through the deepening valley to which Johann had objected. There was not the slightest reason, that I could see, for his objection; and I daresay I tramped for a couple of hours without thinking of time or distance and certainly without seeing a person or a house. So far as the place was concerned, it was desolation itself. But I did not notice this particularly till, on turning a bend in the road, I came upon a scattered fringe of wood; then I recognized that I had been impressed unconsciously by the desolation of the region through which I had passed.

I sat down to rest myself and began to look around. It struck me that it was considerably colder than it had been at the commencement of my walk—a sort of sighing sound seemed to be around me with, now and then, high overhead, a sort of muffled roar. Looking upwards I noticed that great thick clouds were drafting rapidly across the sky from north to south at a great height. There were signs of a coming storm in some lofty stratum of the air. I was a little chilly, and, thinking that it was the sitting still after the exercise of walking, I resumed my journey.

The ground I passed over was now much more picturesque. There were no striking objects that the eye might single out, but in all there was a charm of beauty. I took little heed of time, and it was only when the deepening twilight forced itself upon me that I began to think of how I should find my way home. The air was cold, and the drifting of clouds high overhead was more marked. They were accompanied by a sort of far away rushing sound, through which seemed to come at intervals that mysterious cry which the driver had said came from a wolf. For a while I hesitated. I had said I would see the deserted village, so on I went and presently came on a wide stretch of open country, shut in by hills all around. Their sides were covered with trees which spread down to the plain, dotting in clumps the gentler slopes and hollows which showed here and there. I followed with my eye the winding of the road and saw that it curved close to one of the densest of these clumps and was lost behind it.

As I looked there came a cold shiver in the air, and the snow began to fall. I thought of the miles and miles of bleak country I had passed, and then hurried on to seek shelter of the wood in front. Darker and darker grew the sky, and faster and heavier fell the snow, till the earth before and around me was a glistening white carpet the further edge of which was lost in misty vagueness. The road was here but crude, and when on the level its boundaries were not so marked as when it passed through the cuttings; and in a little while I found that I must have strayed from it, for I missed underfoot the hard surface, and my feet sank deeper in the grass and moss. Then the wind grew stronger and blew with ever increasing force, till I was fain to run before it. The air became icy-cold, and in spite of my exercise I began to suffer. The snow was now falling so thickly and whirling around me in such rapid eddies that I could hardly keep my eyes open. Every now and then the heavens were torn asunder by vivid lightning, and in the flashes I could see ahead of me a great mass of trees, chiefly yew and cypress all heavily coated with snow.

I was soon amongst the shelter of the trees, and there in comparative silence I could hear the rush of the wind high overhead. Presently the blackness of the storm had become merged in the darkness of the night. By-and-by the storm seemed to be passing away, it now only came in fierce puffs or blasts. At such moments the weird sound of the wolf appeared to be echoed by many similar sounds around me.

Now and again, through the black mass of drifting cloud, came a straggling ray of moonlight which lit up the expanse and showed me that I was at the edge of a dense mass of cypress and yew trees. As the snow had ceased to fall, I walked out from the shelter and began to investigate more closely. It appeared to me that, amongst so many old foundations as I had passed, there might be still standing a house in which, though in ruins, I could find some sort of shelter for a while. As I skirted the edge of the copse, I found that a low wall encircled it, and following this I presently found an opening. Here the cypresses formed an alley leading up to a square mass of some kind of building. Just as I caught sight of this, however, the drifting clouds obscured the moon, and I passed up the path in darkness. The wind must have grown colder, for I felt myself shiver as I walked; but there was hope of shelter, and I groped my way blindly on.

I stopped, for there was a sudden stillness. The storm had passed; and, perhaps in sympathy with nature’s silence, my heart seemed to cease to beat. But this was only momentarily; for suddenly the moonlight broke through the clouds showing me that I was in a graveyard and that the square object before me was a great massive tomb of marble, as white as the snow that lay on and all around it. With the moonlight there came a fierce sigh of the storm which appeared to resume its course with a long, low howl, as of many dogs or wolves. I was awed and shocked, and I felt the cold perceptibly grow upon me till it seemed to grip me by the heart. Then while the flood of moonlight still fell on the marble tomb, the storm gave further evidence of renewing, as though it were returning on its track. Impelled by some sort of fascination, I approached the sepulchre to see what it was and why such a thing stood alone in such a place. I walked around it and read, over the Doric door, in German—

COUNTESS DOLINGEN OF GRATZ
IN STYRIA
SOUGHT AND FOUND DEATH
1801

On the top of the tomb, seemingly driven through the solid marble—for the structure was composed of a few vast blocks of stone—was a great iron spike or stake. On going to the back I saw, graven in great Russian letters: “The dead travel fast.”

There was something so weird and uncanny about the whole thing that it gave me a turn and made me feel quite faint. I began to wish, for the first time, that I had taken Johann’s advice. Here a thought struck me, which came under almost mysterious circumstances and with a terrible shock. This was Walpurgis Night!

Walpurgis Night was when, according to the belief of millions of people, the devil was abroad—when the graves were opened and the dead came forth and walked. When all evil things of earth and air and water held revel. This very place the driver had specially shunned. This was the depopulated village of centuries ago. This was where the suicide lay; and this was the place where I was alone—unmanned, shivering with cold in a shroud of snow with a wild storm gathering again upon me! It took all my philosophy, all the religion I had been taught, all my courage, not to collapse in a paroxysm of fright.

And now a perfect tornado burst upon me. The ground shook as though thousands of horses thundered across it; and this time the storm bore on its icy wings, not snow, but great hailstones which drove with such violence that they might have come from the thongs of Balearic slingers—hailstones that beat down leaf and branch and made the shelter of the cypresses of no more avail than though their stems were standing corn. At the first I had rushed to the nearest tree; but I was soon fain to leave it and seek the only spot that seemed to afford refuge, the deep Doric doorway of the marble tomb. There, crouching against the massive bronze door, I gained a certain amount of protection from the beating of the hailstones, for now they only drove against me as they ricochetted from the ground and the side of the marble.

As I leaned against the door, it moved slightly and opened inwards. The shelter of even a tomb was welcome in that pitiless tempest and I was about to enter it when there came a flash of forked lightning that lit up the whole expanse of the heavens. In the instant, as I am a living man, I saw, as my my eyes turned into the darkness of the tomb, a beautiful woman with rounded cheeks and red lips, seemingly sleeping on a bier. As the thunder broke overhead, I was grasped as by the hand of a giant and hurled out into the storm. The whole thing was so sudden that, before I could realize the shock, moral as well as physical, I found the hailstones beating me down. At the same time I had a strange, dominating feeling that I was not alone. I looked towards the tomb. Just then there came another blinding flash which seemed to strike the iron stake that surmounted the tomb and to pour through to the earth, blasting and crumbling the marble, as in a burst of flame. The dead woman rose for a moment of agony while she was lapped in the flame, and her bitter scream of pain was drowned in the thundercrash. The last thing I heard was this mingling of dreadful sound, as again I was seized in the giant grasp and dragged away, while the hailstones beat on me and the air around seemed reverberant with the howling of wolves. The last sight that I remembered was a vague, white, moving mass, as if all the graves around me had sent out the phantoms of their sheeted dead, and that they were closing in on me through the white cloudiness of the driving hail.

Gradually there came a sort of vague beginning of consciousness, then a sense of weariness that was dreadful. For a time I remembered nothing, but slowly my senses returned. My feet seemed positively racked with pain, yet I could not move them. They seemed to be numbed. There was an icy feeling at the back of my neck and all down my spine, and my ears, like my feet, were dead yet in torment; but there was in my breast a sense of warmth which was by comparison delicious. It was as a nightmare—a physical nightmare, if one may use such an expression; for some heavy weight on my chest made it difficult for me to breathe.

This period of semilethargy seemed to remain a long time, and as it faded away I must have slept or swooned. Then came a sort of loathing, like the first stage of seasickness, and a wild desire to be free of something—I knew not what. A vast stillness enveloped me, as though all the world were asleep or dead—only broken by the low panting as of some animal close to me. I felt a warm rasping at my throat, then came a consciousness of the awful truth which chilled me to the heart and sent the blood surging up through my brain. Some great animal was lying on me and now licking my throat. I feared to stir, for some instinct of prudence bade me lie still; but the brute seemed to realize that there was now some change in me, for it raised its head. Through my eyelashes I saw above me the two great flaming eyes of a gigantic wolf. Its sharp white teeth gleamed in the gaping red mouth, and I could feel its hot breath fierce and acrid upon me.

For another spell of time I remembered no more. Then I became conscious of a low growl, followed by a yelp, renewed again and again. Then seemingly very far away, I heard a “Holloa! holloa!” as of many voices calling in unison. Cautiously I raised my head and looked in the direction whence the sound came, but the cemetery blocked my view. The wolf still continued to yelp in a strange way, and a red glare began to move round the grove of cypresses, as though following the sound. As the voices drew closer, the wolf yelped faster and louder. I feared to make either sound or motion. Nearer came the red glow over the white pall which stretched into the darkness around me. Then all at once from beyond the trees there came at a trot a troop of horsemen bearing torches. The wolf rose from my breast and made for the cemetery. I saw one of the horsemen (soldiers by their caps and their long military cloaks) raise his carbine and take aim. A companion knocked up his arm, and I heard the ball whiz over my head. He had evidently taken my body for that of the wolf. Another sighted the animal as it slunk away, and a shot followed. Then, at a gallop, the troop rode forward—some towards me, others following the wolf as it disappeared amongst the snow-clad cypresses.

As they drew nearer I tried to move but was powerless, although I could see and hear all that went on around me. Two or three of the soldiers jumped from their horses and knelt beside me. One of them raised my head and placed his hand over my heart.

“Good news, comrades!” he cried. “His heart still beats!”

Then some brandy was poured down my throat; it put vigor into me, and I was able to open my eyes fully and look around. Lights and shadows were moving among the trees, and I heard men call to one another. They drew together, uttering frightened exclamations; and the lights flashed as the others came pouring out of the cemetery pell-mell, like men possessed. When the further ones came close to us, those who were around me asked them eagerly, “Well, have you found him?”

The reply rang out hurriedly, “No! no! Come away quick-quick! This is no place to stay, and on this of all nights!”

“What was it?” was the question, asked in all manner of keys. The answer came variously and all indefinitely as though the men were moved by some common impulse to speak yet were restrained by some common fear from giving their thoughts.

“It—it—indeed!” gibbered one, whose wits had plainly given out for the moment.

“A wolf—and yet not a wolf!” another put in shudderingly.

“No use trying for him without the sacred bullet,” a third remarked in a more ordinary manner.

“Serve us right for coming out on this night! Truly we have earned our thousand marks!” were the ejaculations of a fourth.

“There was blood on the broken marble,” another said after a pause, “the lightning never brought that there. And for him—is he safe? Look at his throat! See comrades, the wolf has been lying on him and keeping his blood warm.”

The officer looked at my throat and replied, “He is all right, the skin is not pierced. What does it all mean? We should never have found him but for the yelping of the wolf.”

“What became of it?” asked the man who was holding up my head and who seemed the least panic-stricken of the party, for his hands were steady and without tremor. On his sleeve was the chevron of a petty officer.

“It went home,” answered the man, whose long face was pallid and who actually shook with terror as he glanced around him fearfully. “There are graves enough there in which it may lie. Come, comrades—come quickly! Let us leave this cursed spot.”

The officer raised me to a sitting posture, as he uttered a word of command; then several men placed me upon a horse. He sprang to the saddle behind me, took me in his arms, gave the word to advance; and, turning our faces away from the cypresses, we rode away in swift military order.

As yet my tongue refused its office, and I was perforce silent. I must have fallen asleep; for the next thing I remembered was finding myself standing up, supported by a soldier on each side of me. It was almost broad daylight, and to the north a red streak of sunlight was reflected like a path of blood over the waste of snow. The officer was telling the men to say nothing of what they had seen, except that they found an English stranger, guarded by a large dog.

“Dog! that was no dog,” cut in the man who had exhibited such fear. “I think I know a wolf when I see one.”

The young officer answered calmly, “I said a dog.”

“Dog!” reiterated the other ironically. It was evident that his courage was rising with the sun; and, pointing to me, he said, “Look at his throat. Is that the work of a dog, master?”

Instinctively I raised my hand to my throat, and as I touched it I cried out in pain. The men crowded round to look, some stooping down from their saddles; and again there came the calm voice of the young officer, “A dog, as I said. If aught else were said we should only be laughed at.”

I was then mounted behind a trooper, and we rode on into the suburbs of Munich. Here we came across a stray carriage into which I was lifted, and it was driven off to the Quatre Saisons—the young officer accompanying me, whilst a trooper followed with his horse, and the others rode off to their barracks.

When we arrived, Herr Delbruck rushed so quickly down the steps to meet me, that it was apparent he had been watching within. Taking me by both hands he solicitously led me in. The officer saluted me and was turning to withdraw, when I recognized his purpose and insisted that he should come to my rooms. Over a glass of wine I warmly thanked him and his brave comrades for saving me. He replied simply that he was more than glad, and that Herr Delbruck had at the first taken steps to make all the searching party pleased; at which ambiguous utterance the maitre d’hotel smiled, while the officer plead duty and withdrew.

“But Herr Delbruck,” I enquired, “how and why was it that the soldiers searched for me?”

He shrugged his shoulders, as if in depreciation of his own deed, as he replied, “I was so fortunate as to obtain leave from the commander of the regiment in which I serve, to ask for volunteers.”

“But how did you know I was lost?” I asked.

“The driver came hither with the remains of his carriage, which had been upset when the horses ran away.”

“But surely you would not send a search party of soldiers merely on this account?”

“Oh, no!” he answered, “but even before the coachman arrived, I had this telegram from the Boyar whose guest you are,” and he took from his pocket a telegram which he handed to me, and I read:

Bistritz. Be careful of my guest—his safety is most precious to me. Should aught happen to him, or if he be missed, spare nothing to find him and ensure his safety. He is English and therefore adventurous. There are often dangers from snow and wolves and night. Lose not a moment if you suspect harm to him. I answer your zeal with my fortune. —Dracula.

As I held the telegram in my hand, the room seemed to whirl around me, and if the attentive maitre d’hotel had not caught me, I think I should have fallen. There was something so strange in all this, something so weird and impossible to imagine, that there grew on me a sense of my being in some way the sport of opposite forces—the mere vague idea of which seemed in a way to paralyze me. I was certainly under some form of mysterious protection. From a distant country had come, in the very nick of time, a message that took me out of the danger of the snow sleep and the jaws of the wolf.

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Dracula and Ghost Nuns in Whitby Abbey

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The gothic haunting of the small town of Whitby is said to be by the old Whitby Abbey were the ghost of a nun is haunting the ruins. Whitby was also a place Bram Stoker used for a setting for Dracula’s arrival to England.

Whitby is cute little English town on the Yorkshire Coast, like taken out from any period drama movie. By the sea on nice days, the people are out in the streets, walking up the piers, sitting in the small cute boat and walking past the picturesque houses. But that is until the weather turns and the clouds are gathering in the sky, making the once blue sea foam. And the weather always turns for the worse in these seaside towns facing the North Sea.

Steeped in history, one need only to spin around to touch ruins, memories and ghosts of the past. And Whitby town is indeed haunted, at least if you believe Bram Stoker, the father of modern horror.

The Legends of Whitby Abbey

But before talking about Dracula, let’s have a look at some of the older legends the place is haunted by.

Much of the settlements back in the day was attributed to Whitby Abbey that was built in the mid 600 and founded by Hilda of Whitby, the abbess of several monasteries and an important figure in the Christianisation of Anglo-Saxon England. At that time the Whitby Abbey was a center for the medieval Northumbrian kingdom.

Hilda of Whitby was renowned for her wisdom and counseled Kings, princes and nuns alike. Whitby Abbey was known as Streoneshalh, and she remained there for the rest of her years as an abbess. Hilda of Whitby was was also the one inspiring one of the first British poets, Cædmon, to start out in his endeavor.

Saint Hilda of Whitby: The Abbess of Whitby Abbey was a well known woman and known for her wisdom and good counselling. She is also one of the ghost reported to haunt the ruins of the abbey.//Source: Detail from St. Hilda at Hartlepool by James Clark James (artist) (oil painting)

The last seven years of her life was a struggle for Hilda as she suffered from a fever. But nevertheless she continued her work until her death on 17th of November in 680 AD. She was then 66 years old, and that was pretty impressive in those days. According to a nun who lived there called Begu, she saw Hilda’s soul being carried to heaven by angels and she became a Saint.

The Ghost of Hilda of Whitby

Many strange legends arose after her death, like how a local legend says that when sea birds fly over the abbey they dip their wings in honour of Saint Hilda.

Read Also: The Haunting of The House of Hohenzollern, a ghost story about the hauntings by a nun.

And it was not the last time someone would claim to see her after her death. On dark nights in Whitby there have been reports of Hilda in the highest window on the northern side of Whitby Abbey when the winds comes blowing in from the sea. She is only seen for a few moments, looking out the window before she again disappears.

According to lore there are also two faiths that can befall you if you look into the well at the abbey at midnight. Those with a pure heart will see Hilda of Whitby, those without a pure will be taken by the devil. So perhaps seeing a ghost here is just a good omen?

Read More: Have a look at all of our ghost stories from churches and monasteries: Haunted Monasteries and Churches

We know little of what happened to Whitby Abbey after the death of Hilda, as Danish Vikings invaded it in 867, leaving it desolate for more than 200 years. It was first then the name Whitby was being used, meaning White City in old Norse.

The Picturesque Scenery: The ruins of Whitby Abbey in the sunset. There have been many legends about this abbey being haunted by the founding abbess, seen in the dark nights in one of the windows, the bells that used to hang in the abbey are sometimes heard ringing under the water where they sank./Wikimedia

After the invaders of the Norman, they made the Whitby Abbey to a Benedictine house for men that lasted to the Dissolution of Monasteries in 1539. A process that was often painted with the blood of the Catholics and where they stripped the churches, abbeys and other holy catholic places for its riches. In any case they stole the bells in Whitby Abbey and tried to take them to London, but on the way there, the ship sank together with the bells.

It is said that the ghost of St Hilda of Whitby appears in the ruins sometime as the bells can be heard ringing under the water were they sank. Now the ruins of the abbey stands at the top of East Cliff, looking out to the sea, missing its bells, its walls and its roof that are now only a story.

The Ghost of the Walled up Nun Haunting Whitby Abbey

But Hilda isn’t alone in the ruins of Whitby Abbey according to the local legend. The legend tells of another nun, a Constance De Beverley, who is haunting the walls of the ruined abbey.

Constance De Beverley was a young girl, but had already taken her vow to become a nun and devote herself to God and take no man for the rest of her life. But she broke them when she fell in love with a young knight and thereby breaking her celibacy. She was found out and the sisters in Whitby Abbey walled her inside the walls when she was still alive in the dungeon.

Haunted by the Ghost of its Nuns: Ruins of Whitby Abbey filled of history, myths and secrets. One of them is the story about the nun who according to legend became walled up inside the walls of the abbey because of her sins. Photo by Pixabay on Pexels.com

Could it be St. Hilda of Whitby who did it? A confirmed Saint that could have done something like burying one of her sisters inside of the walls? These were, as they’re called: The Dark Ages. The abbey had many abbesses over the years though, and who and when it was suppose to happen, is a bit unclear.

It is said that according to legend, if you walk around the ruins one can perhaps hear the screams of a woman in the wind and a plea for forgiveness and mercy. Perhaps it is coming from the walls? There has also reported a fleeting image of the ghost of a young girl, fleeing the abbey, trying to free herself for her eternal tomb in the walls.

Whether the story is true or not, it has certainly left an impression on those who heard it. The story of Constance De Beverley being condemned to be walled up in the abbey might have been the inspiration of Sir Walter Scott’s poem ‘Marmion‘ . It is about a nun of the same name that meets the same fate. Or perhaps the poem gave birth to a legend? Who’s to say?

Read More: This is not the only ghost story about people being buried inside of the walls. Also check out: The Finnish Maiden of Olavinlinna Castle, The Evil Bishop Against the Maiden in Love – A Ghost Story and O-shizu, Hitobashira — The Human Sacrifice of Maruoka Castle

Dracula Arrives In Demeter at Whitby

But perhaps today, Whitby is more known for its fiction than for its history. Today, every summer there is a performance of the story of Dracula at Whitby Abbey. Wonder what Hilda thinks of that.

But many things found in Dracula is drawn on the experience of the Whitby history, even the legend about a nun haunting hte abbey. In the book, Mina writes in her diary:

“Right over the town is the ruin of Whitby Abbey, which was sacked by the Danes … It is a most noble ruin, of immense size, and full of beautiful and romantic bits; there is a legend that a white lady is seen in one of the windows.”

Read Also: 5 Works With Vampires Before Dracula and An Introduction to the Horror Classics

In the book, Dracula arrives with a ship that beaches on the shores of Whitby. This actually happened with the Russian ship Dmitri: “The sequel to the strange arrival of the derelict in the storm last night is almost more startling than the thing itself. It turns out that the schooner is a Russian from Varna, and is called the Demeter. She is almost entirely in ballast of silver sand . . . “ (Bram Stoker, Dracula, 1897). Even the name, Dracula, Stoker found in the old library there.

Dracula in Whitby Town: The arrival of Dracula arriving on the ship Demeter has become a pretty iconic part of the lore. Bram Stoker became inspired to write his story when he visited Whitby Town and and saw the gothic ruins of Whitby Abbey and the grey shores on the English countryside.

Bram Stoker arrived and stayed at Mrs Vewazey’s Guesthouse in the summer of 1890. He was supposed to work on a new story, set in Styria, Austria with a character called Count Wampyr (thank you old public library of Whitby for giving the character another name than that). The Gothic literature drew on landscapes like this, and maybe not surprisingly, the ruins of Whitby Abbey, the desolated shores and the ghostly tales by the locals made it a perfect setting for what would become Dracula’s first encounter with England.

The Last Voyage of the Demeter

The interest for Dracula related movies and books continues to this day, and is based on the single chapter, the Captain’s Log, from Bram Stoker’s classic 1897 novel Dracula, the story is set aboard the Russian schooner Demeter and what happens before they arrive at Whitby Harbour.

The Last Voyage of the Demeter is scheduled to be released theatrically in the United States on August 11, 2023 and will help keep the legends of the Whitby haunting alive as well as creating its own vampiric lore there.

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References:

Whitby Abbey, An Essential Guide To Its Hauntings | Spooky Isles

Spooky Sunday; the ghost of Constance de Beverley | Whitby Uncovered

How the TV-series Penny Dreadful is Influenced by Old Literature

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In honor of the new spin-off series, Penny Dreadful: City of Angels (2020), we took a nostalgic look back to the awesome Showtime series that started it all. RIP Original series, you were cancelled all too soon.


Penny Dreadful is a British-American horror drama television series created for Showtime and Sky by John Logan. It ran for three seasons from 2014-2016.

Penny Dreadful is an old term used during the nineteenth century to refer to cheap popular serial literature. Sort of like pulp fiction. It was also called penny blood, penny awful, or penny horrible. It means a story published in weekly parts, with the cost of one (old) penny. The main plot of these stories were typically sensational, focusing on the adventures of detectives, criminals, or supernatural entities.

This is exactly what Penny Dreadful was, and what it payed homage to. So we found some old stuff the series borrowed or was inspired by. And there is A LOT. So get your cigarette on a stick and let’s go on some vampiric monster hunt with out pals.

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Frankenstein

Frankenstein; or, The Modern Prometheus is a novel written by English author Mary Shelley (1797–1851) that tells the story of Victor Frankenstein, a young scientist who creates a hideous sapient creature in an unorthodox scientific experiment. 

Harry Treadaway played Victor Frankenstein, an arrogant, reclusive young doctor whose ambition and research involve transcending the barrier between life and death. In this show, Dr. Victor Frankenstein likes to quote the romantic poet Percy Bysshe Shelley. Shelley’s second wife was Mary Shelley.

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Dorian Gray

The Picture of Dorian Gray is a Gothic and philosophical novel by Oscar Wilde, first published complete in the July 1890 issue of Lippincott’s Monthly Magazine. Fearing the story was indecent, the magazine’s editor deleted roughly five hundred words before publication without Wilde’s knowledge. It is Wilde’s only novel.

In the series he was played by Reeve Carney. A charismatic man who is ageless and immortal. And this Dorian Gray had a great, but utterly confusing story line. Where his purpose in the show was to throw great balls and parties and have sex with absolutely every character.

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Frankenstein’s bride

In Mary Shelley’s Frankenstein or the Modern Prometheus, Victor Frankenstein is tempted by his monster’s proposal to create a female creature so that the monster can have a wife: “Shall each man,” cried he, “find a wife for his bosom, and each beast have his mate, and I be alone?”

In Penny Dreadful, the bride of Frankenstein is Brona Croft (portrayed by Billie Piper), an Irish immigrant with a dark past who dies of tuberculosis at the end of Season 1. In season 2, she is brought back to life with no memory after Frankenstein’s monster demands a bride and given the new name “Lily Frankenstein” by Victor. That last scene of her speech will haunt television forever.

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The creature

Often called John Clare. He was a labour poet in the mid 1800’s England. But if it is a reference to the creature is unclear. What is clear though is that the creature often is called Caliban as well, a character from Shakespear’s The tempes. Half human, half monster. In some traditions he is depicted as a wild man, or a deformed man, or a beast man, or sometimes a mix of fish and man, a dwarf or even a tortoise. Another connection from the creature to penny dreadful is Dorian Gray. In the preface of The Picture of Dorian GrayOscar Wilde muses: “The nineteenth century dislike of Realism is the rage of Caliban seeing his own face in a glass. The nineteenth century dislike of Romanticism is the rage of Caliban not seeing his own face in a glass.”

In the series he was played with Rory Kinnear, and had long storylines without many of the characters, alone.

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Dracula

Dracula is an 1897 Gothic horror novel by Irish author Bram Stoker. Dracula was a big influence from the start. From Mina being taken by him, the chase after Dracula and several character that appears in the series. Van Helsing included. But the series managed to make a twist of it all, and the influence of Dracula is almost as if just a eerily familiar setting and feeling of the series. He did however show up in series three in the flesh. Christian Camargo as Dracula, the brother of Lucifer who fell to Earth to feed on the blood of the living as the first vampire. In London, he takes the guise of kindly zoologist Alexander Sweet to captivate Vanessa.

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John Seward

In season 3 of TV series Penny DreadfulPatti LuPone portrays Dr. Florence Seward, a female version of the character. It is originally a character from Dracula, a doctor in the insane asylum, He calls in his mentor, Abraham Van Helsing, to help him with her illness, and he helps Seward to realize that Lucy has been bitten by a vampire and is doomed to become one herself. He was in love with her and proposed to her, but was rejected. After she is officially destroyed and her soul can go to heaven, Seward is determined to destroy Dracula.

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Dr. Jekyll and Mr. Hyde

Strange Case of Dr Jekyll and Mr Hyde is a gothic novella by Scottish author Robert Louis Stevenson, first published in 1886. It is about a London legal practitioner named Gabriel John Utterson who investigates strange occurrences between his old friend, Dr Henry Jekyll, and the evil Edward Hyde.

Dr. Jekyll (Shazad Latif) as a former classmate of Dr. Frankenstein’s.

Varney the vampire

Abraham Van Helsing gives a copy of Varney the Vampire to Victor Frankenstein, explaining that the story is more truth than fiction and that the mysterious creature the series’ characters are pursuing is a vampire.

Justine

Justine, or The Misfortunes of Virtue is a 1791 novel by Donatien Alphonse François de Sade, better known as the Marquis de SadeJustine is set just before the French Revolution in France and tells the story of a young girl who goes under the name of Thérèse. Her story is recounted to Madame de Lorsagne while defending herself for her crimes, en route to punishment and death.

In Penny Dreadful she is the a homeless, brutalized young prostitute who becomes an acolyte to Lily played by Jessica Barden. In an interview with John Logan from the show, he also said the relationship between Justine and Lily was inspired by th Novella Carmilla by Joseph Sheridan LeFanu

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Wolfman

Larry Talbot was the main character in the movie series the Wolfman from 1941 and onward. There are sequels, reboots and several other medias tied into this franchise. He has his own interaction with all the Penny Dreadful characters from Dracula, Frankenstein and so on in his own franchise as well.

In the TV series Penny Dreadful, Ethan Chandler’s real name is revealed to be Ethan Lawrence Talbot, and he suffers from the curse of lycanthropy. This version of the character is played by Josh Hartnett.

Hecate

Hecate Poole is the witch played by Sarah Greene and is Evelyn Pool’s eldest daughter. She is the witch who pursues Ethan Chandler in seasons two and three. She shares her name with the ancient Greek goddess of witchcraft and the moon. Like Ethan’s relationship with the moon and her witchcraft ability as a Nightcomer witch.

The unquiet grave

The Unquiet Grave” is an English folk song in which a young man mourns his dead love too hard and prevents her from obtaining peace. It is thought to date from 1400. It is heard in the mansion of the Nightcomer witches.

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