An online magazine about the paranormal, haunted and macabre. We collect the ghost stories from all around the world as well as review horror and gothic media.
Yes, in these times, zombie movies are all the rage as well as pandemic movies. And they sort of belong together, don’t they? But we also need to laugh, so here are five funny zombie movies, to fill the zombie cravings of the times, but also that can make the trying days a bit more funny than they in reality are.
“The Pit and the Pendulum” is a short story written by Edgar Allan Poe and first published in 1842 in the literary annual The Gift: A Christmas and New Year’s Present for 1843. The story is about the torments endured by a prisoner of the Spanish Inquisition,
Urban Legends are more modern day ghost or horror stories. We’ve always heard it from a friend of a friend without knowing entirely who we are talking about. Some are so famous it has become a part of our horror canon like the famous ghost stories of the past, showing the story telling is not a died out genre.
“The Cask of Amontillado” (sometimes spelled “The Casque of Amontillado” [a.mon.ti.ˈʝa.ðo]) is a short story by Edgar Allan Poe, first published in the November 1846 issue of Godey’s Lady’s Book. The story, set in an unnamed Italian city at carnival time in an unspecified year, is about a man taking fatal revenge on a friend who, he believes, has insulted him. Like several of Poe’s stories, and in keeping with the 19th-century fascination with the subject, the narrative revolves around a person being buried alive – in this case, by immurement.
The 2019 faux movie-within-a-movie type of horror has taken up interest again, the movie, “Antrum, the deadliest film ever made”. I can’t really remember that a so popular movie have fooled so many people since Blair Witch. Correct me if I’m wrong, but most of the trending now is challenging people to watch it, believing the intended myth behind this mockumentary-found footage type of movie. The premise of the cursed horror movie is of a real cursed movie from the 70s, now resurfaced. After watching it, jumping on the wagon a bit late, I couldn’t help noticing, what truly terrified me after watching. So after the initial hype has died out, and the truth is sort of “out there”, this is my take on it.
A girl was babysitting in a house in the neighborhood. It was all the way at the end of the street, but she had babysat for the same kids in the same house for years, and was used to it. It was her second home. She was sitting one evening doing her homework. The kids were already asleep and she waited for the parents to come home from their party. They had told her they would be late.
“The Fall of the House of Usher” is a short story by American writer Edgar Allan Poe, first published in 1839 in Burton’s Gentleman’s Magazine, then included in the collection Tales of the Grotesque and Arabesque in 1840. The short story, a work of Gothic fiction, includes themes of madness, family, isolation, and metaphysical identities.
“Eleonora” is a short story by Edgar Allan Poe, first published in 1842 in Philadelphia in the literary annual The Gift. It is often regarded as somewhat autobiographical and has a relatively “happy” ending. The story follows an unnamed narrator who lives with his cousin and aunt in “The Valley of the Many-Colored Grass”, an idyllic paradise full of fragrant flowers, fantastic trees, and a “River of Silence”. It remains untrodden by the footsteps of strangers and so they live isolated but happy.
In these times so many of us turn to these horrible movies that reflect our time. Pandemic movies have never been watched so much as now. Why is it so that a real threat leads to a thirst to watch more about it? Is it the feeling of being prepared that makes us seek out these movies? Is it assurance that at least we don’t have it that bad, or is it more the recognition, and that these movies are not as far fetched as they once were? So here are five, non-zombie pandemics to get us through quarantine.
“Berenice” is a short horror story by Edgar Allan Poe, first published in the Southern Literary Messenger in 1835. The story follows a man named Egaeus who is preparing to marry his cousin Berenice. He has a tendency to fall into periods of intense focus during which he seems to separate himself from the outside world.