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One of the most evil house deities in Korean Folklore is the spirit said to haunt the toilets. If you don’t enter respectfully, Cheuksin will wrap her long hair around your neck and strangle you to death when you are at your most vulnerable, at the toilet.
One of the most evil house deities in Korean Folklore is the spirit said to haunt the toilets. If you don’t enter respectfully, Cheuksin will wrap her long hair around your neck and strangle you to death when you are at your most vulnerable, at the toilet.
Ah, public restrooms—the universal hotspot for supernatural nightmares. If you thought Japan had a monopoly on haunted bathrooms with Aka Manto and Hanako-san, think again. South Korea has its own toilet deity, and she is angry, violent, and living in the filthiest stall with a grudge and murderous intent.
Cheuksin (厠神), the goddess of outhouses and one of the most terrifying spirits in Korean folklore from a time when the toilets were darker, colder and outside of the family home. She doesn’t ask you cryptic questions like Aka Manto, and she doesn’t just make eerie noises like some wimpy poltergeist. No, Cheuksin takes her haunting to a whole new level—with murderous rage, long snake-like hair, and an explosive temper.
Long before modern indoor plumbing, Korean households relied on outhouses—small, isolated structures separate from the main house. People have always felt rather vulnerable when sitting on the toilet, more exposed and afraid. And because old-school Korean outhouses were dark, eerie, and full of filth, naturally, something terrifying had to live there.
Enter Cheuksin, the guardian of restrooms, the queen of the latrine, and the nightmare of anyone with a weak bladder. Her worship is a minor part of the Gashin cult, and she is not the best known household deity. There were no gut, or shamanistic rituals dedicated to Cheuksin, unlike the other household deities. This was because she was said to be an evil and malevolent spirit, more like a toilet ghost than a goddess, really.
The entity is said to have several names throughout the years and places. She was called Cheukganshin (측간신), Byeonso Gwishin (변소 귀신), Dwitgan Gwishin (뒷간 귀신), Buchul Gaxi (부출 각시), Chikdo Buin (칙도 부인) and Chigwi (치귀) among other things.
She is said to appear as a young girl, something she is said to have been once, her hair 150 cm long and she is said to spend her time counting her strands of hair, furious to be exiled to live as a toilet ghost in the outhouse. In the original texts it was said she was pictured as a concubine in fancy clothing, but today Cheuksin is mostly pictured as a ghost in white like the Korean Virgin Ghosts.
The bloody version: The virgin ghost has evolved into a more bloody and violent ghost than before. She is also said to be the visual image people picture when describing ghosts like Cheuksin as well. // Source: Screengrab from Hometown Legends: Gisaeng House Ghost Story.
When the toilet ghost appeared, Koreans tended to avoid the toilet for three days during the year, when the date had a number six in them. Like on the sixth, the sixteenth and twenty-sixth day in the lunar calendar. Or when someone dropped a shoe or a child fell into the pit toilet. Or even when she was just angry for some reason.
When this happened, Koreans held a ritual called jesas dedicated to the toilet ghost, often offering Tteok, meaning dung rice cake or nonglutinous rice, all thought to banish evil spirits. This also happened when a pig got sick or when they built the outhouse.
Jesa Ceremony: The ancestral rituals known as Jesa in Korean, have been practiced since the legendary Dangun era in ancient Korea. Today, Jesa functions as a memorial to the ancestors of the participants. Jesa are usually held on the anniversary of the ancestor’s death.
She was a dangerous Gashin, or household deities and hated children. She liked to push them into the pit toilet. If a jesa wasn’t done at once to appease her, the child who was pushed into the pit would live to grow up.
Cheuksin was believed to embody a trip of cloth or white paper on the outhouse ceiling. She lurks above, watching and waiting for foolish mortals who dare to enter.
When entering the outhouse, you should cough three times. Cheuksin was known to use her long hair to attack the intruder if not, her snake-like hair slithering down from the ceiling. She waited until her victim was at the most vulnerable and wrapped her long hair around the neck and strangled those who offended her to death. If she touched you with the hair, you would grow sick and die, and no mudang or shaman could help you.
If you somehow escape her initial attack, don’t think you’re safe. Cheuksin can curse you, ensuring you suffer horrific misfortune after leaving her domain. People who mock her or forget to show respect often find themselves falling mysteriously ill or suffering from severe accidents.
Origins: Where Did This Nightmare Come From?
Cheuksin is deeply rooted in Korean shamanism and folklore, dating back centuries. She was once considered a household deity, part of the Gasin (家神), the family guardian spirits that protected different parts of the home. They each had their rites and their purpose and was worshiped for a long time. Today however the tradition is mostly died out, although there are some traces of it still lingering, mostly as ghost stories.
“Female Mou-dang (shaman) dancing for deities”(무녀신춤)
The Genshi gods is found in The Munjeon Bonpuri (Korean: 문전본풀이), meaning ‘‘Book of the Door’, and is a myth of Jeju Island regarding the deities that are believed to reside within the house. In this story, the whole lists of household deities are presented as they were once human, alive and well, until they ended up as lingering spirits.
How a Woman Became The Toilet Goddess – The Munjeon Bonpuri
Noiljadae is the ultimate villainess of this tragic Korean folktale, and let’s be honest—she’s as cunning as she is cruel. She starts as a charming innkeeper’s daughter who seduces the gullible Namseonbi, convincing him to squander his wealth on wine and gambling. She doesn’t know it yet, but she will end up becoming the famed toilet spirit of the nation. When her lover is broke and useless, she kicks him to the curb, leaving him to go blind and starve in a filthy shack—a classic case of “used and discarded.”
But Noiljadae isn’t done yet. When Namseonbi’s devoted wife, Yeosan Buin, comes to rescue him, Noiljadae lures her to a bottomless icy lake and drowns her. She then assumes Yeosan Buin’s identity, thinking she’s about to live a lavish life with Namseonbi’s family. Unfortunately for her, the youngest son, Nokdisaengin, is no fool. He quickly sees through her lies and sets a clever trap: when she demands his liver as a cure for her fake illness, he tricks her into eating a boar’s liver instead. When she pretends to be miraculously healed, her deception is exposed, and her fate is sealed. Cornered, she hangs herself in the bathroom.
For her wickedness, Noiljadae is cursed to become Cheuksin, the vengeful toilet goddess, forever banished to the filthiest corner of the household. Being exposed by a child, field her hatred for them. Her enmity with the resurrected Yeosan Buin, now the kitchen goddess Jowangsin, creates a divine grudge match, leading to a long-standing Korean taboo: never place the bathroom next to the kitchen. Because even in death, Noiljadae’s spite lingers.
The Toilet Goddess in the Modern World
While other spirits, like the Jowangsin (kitchen god) or Seongjushin (house god), were worshiped with offerings and prayers, Cheuksin was more of a necessary evil. You didn’t worship her—you feared her.
Her job? To maintain order in the filthiest part of the house. If people disrespected the restroom, she would punish them. If they followed the rules, she would simply remain unseen.
Cheuksin has a lot of similarities with the Chinese Toilet Goddess, although the Chinese poets treated her legacy a little bit kinder. In both the stories, she was a concubine, or mistress, and died in the toilet, forever to haunt it. Except that in China, the goddess was worshiped and revered, while in Korea she was just… well. feared.
But as Korea modernized and outhouses became a thing of the past, Cheuksin faded from common belief to a mere whisper of a good ghost story. Still, some old buildings and rural areas are said to be haunted by her, especially in places where old traditions still linger.
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